#that one is fascinating to me

[chirpsythismorning]

My exact reaction to milkvans interpretation of ST

Or

[purgetrooperfox]

surely this says something about something. rb for reach and if you didn't romance anyone gg sorry I ran out of space. if you play bg3 I have one of these for that too

[marzipanandminutiae]

quotes by Victorians about the 1920s view of their generation's women

"We are frequently told that the Victorian woman...generally behaved like a pampered and neurotic infant. This is all moonshine. I do not think that I ever saw a woman faint before I came to London in 1869, and not often after then...they enjoyed a hearty laugh, and a good many of them a contest of wits with any man." -Nineteenth Century, a Monthly Review, 1927 (written by a man born in 1850)

"What queer ideas the girl of 1929 has about the Victorian period- they are not a bit true...Marriage was by no means the end and aim of our existence. Oxford and Cambridge claimed quite a few of us after school days were over. We had great ideas about 'life' and what it all might mean to us." -St. Petersburg Times, 1929 (written by a woman born in 1853)

"True, debutantes were chaperoned at balls. But that fact did not prevent them from dancing as frequently as they chose with their favorite partners. The idea that girls in the Victorian era spent their days sewing seams and practicing scales is another fallacy." -Gettysburg Times, July 1, 1927 (quote from the Dowager Lady Raglan, Ethel Jemima Somerset, who lived from 1857 to 1940)

[adobe-outdesign]

was reading up on deleted Muppet scenes. this one's my favorite

[caligvlasaqvarivm]

[egophiliac]

did you know that in one of dorm epel's voicelines he mentions he once got lost in pomefiore and ended up in a creepy basement. it's never mentioned again or given any clarification and i think about it every day

that comes up a couple of times actually! there's just like...a weird creepy dungeon slash old alchemy lab that the Pomefiore castle was built on top of. I think Vil might use it sometimes? but really it serves absolutely no purpose beyond the characters every once in a while being like "oh yeah, there's that secret underground laboratory we all apparently know about" and then never elaborating on it at all.

(I know it's a movie reference, but it's still pretty wild to just. in-universe have a not-so-secret basement alchemy dungeon that never has any relevance beyond a couple of throwaway lines. what other buckwild secrets does NRC hold that the characters just never talk about for some reason)

[fluffyartbl0g]

ANONYMOUS SUBMITTED

I love, love, LOVE your speedrun comic, expecially the parts with Ace losing his mind and ASL reuniting. I am VERY curious as to how, exactly, this gremlin crew of half-feral children managed to negotiate an alliance with Whitebeard. My bet is Luffy just went “rearranges reality until it’s more to his liking and everybody is left wobbling dazedly”. Also, the Whitebeard Pirates thinking “this explains SO MUCH about Ace”.

—————

hahah you got the “everybody is left wobbling dazedly” part right XD. here’s my answer to ur curious musings!!!

An alliance implies equal footing, and to have equal footing with the greatest pirate alive is not something to scoff at. So good job Whitebeard for scoring an ETERNAL friendship with the pirate king 👍!!!!

Time travel/Speedrun AU masterlist

[future-crab]

The thing about TMA is that if I think about Sasha James too much I will cry and if I think about Michael Shelley too much I will cry and if I think about Agnes Montegue too much I will cry and if I think about Jonathan Sims too much I will cry and if I think about Naomi Herne too much I will cry and if I think about Gerry Keay too much I will cry and if I think about Tim Stoker too much I will cry and if I think about Jane Prentiss too much I will cry and if I think about Martin Blackwood too much I will cry and—

[saltair-and-palemoonlight]

I think I’m hilarious. Just btw.

Part two

Part three

Part four

Part five

Part six (tbosbas edition!)

Part seven

[mobius-m-mobius]

#so unserious 😂💖

[kenobihater]

after literal years i finally got around to downloading a pdf of the wipers times, an unsancitioned satitical british trench magazine circulated among the troops in france from 1916-1918 after the fortuitous discovery of a printing press. i have approximately five million other things i need to read so idk when i'll be able to devote much time to it, and i gotta pick up a proper copy bc it's missing at least salient no 4 vol 2. that said? i'm genuinely laughing at what i've skimmed so far

[sirlanval]

Swan Song: An illustrated poetry zine about Law and Doflamingo (by me!)

[ecoterrorist-katara]

Zutara, romance novels, and the female gaze

Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):

And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.

On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:

And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.

I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either

[homolobotomized]

*die for him

[unproduciblesmackdown]

Lackadaisy Enrichment

[seefasterdraws]

from the homumiko mines