janaytzeng

[solargeist]

love when artists give a character a random tail . Creature mode

[anthurak]

Takeaways from the Volume 9 Epilogue:

--

One thing I really like about Oscar’s ‘If there was anything I wish I could borrow from you…’ monologue is that it laid out/confirmed something I’ve always felt was a major aspect of Oscar’s dynamic with Ruby that I nonetheless feel a lot of the fandom has missed: That Oscar very much sees Ruby as a mentor and an example to follow, and how their dynamic is specifically a foil to what we saw between Ruby and Ozpin. That Ruby acts as a mentor and example to Oscar in the same way Ozpin was to Ruby, and that Ruby is a far BETTER mentor and example to Oscar than Ozpin ever was to her. Which, as an aside, is a dynamic I can’t help but feel a lot of people have been misinterpreting as ‘ship-teasing’ and is one of the main reasons I’ve simply never been able to see Oscar as any kind of viable love-interest to Ruby. Frankly the dynamic of ‘Ruby is the mentor and example to Oscar that Ozpin couldn’t be for her’ is simply so much more INTERESTING than any kind of romance could ever hope to be.

--

Even in animatic form, Winter basically going overdrive on the maiden powers was a sight to behold. And her own monologue had all the self-deprecation we were expecting. Our girl is clearly holding on by a thread and it’s going to be REAL interesting seeing how she reacts and adjusts to her sister not actually being dead. As in, I can imagine a situation where Winter tries to throw herself into a heroic sacrifice with the belief that Weiss would make a better Maiden than her.

Also, Winter’s monologue giving major focus to how Penny is super-super-dead-dead-and-definitely-not-coming-back-for-really-realsies, as she is talking to the sister who she ALSO believes is DEFINITELY also dead? Specifically with the words that Penny is gone, when Penny’s last words to her were that she’d be ‘part of you’?

Yeah, there is no way in hell we’ve seen the last of Penny XD

--

The CROWN. Like it was only a few shots, but as someone who read the CFVY Books (which you totally should if you haven’t, they’re great), holy shit I was NOT expecting them to pop up here.

I mean, in hindsight it makes perfect sense that they’d be involved in Volume 10. They’re basically Vacuo’s equivalent to Vale’s criminal element and the White Fang splinter faction as Salem’s co-opted insurgency group, with Jax and Gillian joining Roman, Adam and Jacques as the latest of Salem’s unwitting patsies. It’s definitely going to be real interesting seeing the crew deal with them. Like it’s really fun to imagine Team RWBY in particular being kind of exasperated at seeing Jax’s probably doing a whole ‘With Salem’s help I shall be King!’ shtick after everything they’ve seen with Roman, Adam and Jacques.

Oh and if you don’t know, Jax has a mind-control semblance, so him trying to use that on Yang could actually lead to a sneaky callback to the Justice League crossover, ie; Yang doing a ‘Yeah, I’m not doing THAT shit again.’ XD

--

Qrow’s whole vibe through this is fascinating. Like his section may have been the one we already saw, but after seeing the abject depression and growing despair of all the other characters, Qrow actually being OPTIMISTIC hit so much harder.

--

Raven showing up at the end is… interesting.

I’ll admit that ever since we saw that specific clip a few months back, I’ve been rather conflicts about Raven showing up to deliver RWBY+J to Vacuo, particularly after Ruby’s tree vision. Like for one it felt a bit random and unnecessary. The tree already deposited the Ever After team outside of Vacuo so they didn’t exactly need help getting there. Not to mention that it kind of clotheslines the story-thread set up by Ruby’s vision; that she now has a reason to track Raven down to get the ANSWERS to what happened to Summer. Finally, it’s just kind of… random? Like where did Raven even come from to get the team?

But now having seen the clip with its intended context, I’m definitely more on board with it. Particularly hearing from Kerry and Eddy that the original ending for the penultimate episode had RWBY+J going through the portal to arrive at their memorial stone, and met by a ‘Mysterious Figure’, ie; Raven. Here it feels like were getting more set up to get answers later as to what Raven was doing at the memorial.

And really, now that I’ve thought about it more, this method kind of puts the thread of Ruby going to Raven for answers even MORE into focus. Like the story reintroduces Raven in the present right after Ruby got a vision basically saying ‘hey, Raven is important’. And now going into Volume 10, we’re pretty much perfectly positioned for Ruby to pull Raven aside for those all-important ‘Why were you fucking my mom? What happened to my mom?’ questions.

--

Finally… yeah that ending hit me a LOT harder than I was expecting. Like that ending was HOPE in its purest form and it was honestly beautiful to see. Particularly right now with the future of the show seeming so uncertain. I’ve personally been optimistic about RWBY’s future (in a manner not unlike Qrow’s vibes I suppose lol), but damn the hopefulness of that ending hit especially hard, and was something I’ll admit I needed. And I imagine the rest of us could use as well.

We'll be getting Volume 10. And 11, and 12, and however many more it takes to finish this story. At this point, I have no doubt of that.

[ozzgin]

So I was wondering how Lisa Lisa, Caesar, and Joseph react to accidentally awakening Pillar woman reader( who is EXTRA Buff) . And while the three of them think Reader’s a threat, the reality she’s just a gentle giantess. And just pats Joseph head, and doesn’t seem to understand that they’re humans per say, but thinks their younger Pillar men?

Love the idea! After writing the Baki x JoJo crossover my mind has wandered to a Pillar Woman, too. A proper one. I also played around with Midjourney to see if I could get a glimpse at a potential Pillar Woman, and it’s not as muscular as I would’ve wished but it looks interesting nonetheless.

JJBA Headcanons: Pillar Woman! Reader

Featuring Lisa Lisa, Caesar, Joseph, and an awakened Pillar Woman that’s not as threatening as her male counterpart.

Joseph and Caesar are not only irritated by each other’s company, but by the sheer pointlessness of this task that has interrupted their training. Three Pillar Men have emerged from this site and fiddling around unturned stones only serves in delaying their fight. Their whines are quickly silenced by Lisa Lisa’s orders to continue their search. If they have time to moan, they have time to look for clues. The UV lights have long been discarded after the gory incident, so the narrow rays of flashlights only add to their frustration.

A faint sound catches their attention and they simultaneously turn towards a pillar at the end of the chamber. “Is that an unfinished sculpture or something?” Caesar ponders as he gazes as the bizarre block of stone with a vaguely chiseled arm protruding out of it. “I can’t believe this. I should be perfecting my deadly moves and here I am listening to your art commentary instead. Should we have a little séance session so you can ask them directly?” Joseph responds in a mocking tone. Their bickering continues under the scolding glares of the woman supervising them.

Her sigh of annoyance is abruptly drowned by the loud cracks of collapsing rubble. The bulky pillar seems to be disintegrating and they quickly cover their faces, scrambling to avoid the thick clouds of dust rapidly flooding the room. Once the smoke clears out, their faces twist in shock at the sight of yet another Pillar person that has somehow evaded the previous investigations. Although this one seems to be a woman.

The group is taken aback by the colossal size of this specimen. She’s significantly larger than all the Pillar Men they have encountered, with impressive muscular mass. Joseph and Caesar have already positioned themselves in strategic fighting stances and Lisa Lisa bites her lower lip, stressed by the unexpected encounter. They haven’t managed to lay a finger on the original Pillar Men. Would they stand a chance against this behemoth of a creature?

You stretch your limbs and lazily scan the area. How long has it been since you’ve gone to sleep? You don’t recognize a single thing. The humans before you are small are slender. Children? You’re not quite sure. You hear them mumble among themselves and you realize it’s a language foreign to you, although you quickly pick up the vocabulary. You approach Joseph and place your large hand on his head, trying to reassure the young boy of his safety. “Are your parents nearby? Perhaps they could explain my situation better.” You state in a soft voice. Caesar cannot help the laugh that erupts out of him, having to rest on his knees to manage the convulsions. Joseph barks at him, annoyed and embarrassed, and politely removes your hand, explaining he’s a grown man. You can only stare in shock.

Once it is confirmed that you are indeed no threat, Lisa Lisa describes the recent events to you. You listen intently, arms crossed. You don’t particularly care for humans, but you don’t like the cockiness displayed by the awakened Pillar Men, nor their supposed intentions. In your current state, you could use some entertainment. You might as well lend a hand to the amusing individuals that found you.

[tobiasdrake]

Okay after that ask about Ranma at a Tenkaichi Budokai, I have been haunted throughout my entire day of work by this concept. So this occupied my mind instead. And now I have a tournament bracket.

Please note that this is not based on, like, Versus Feat Analysis and stuff. Just thinking about what would make for an interesting crossover tournament arc.

Note: I am not a writer so this is all probably pretty janky but these are just the broad strokes ideas I had.

Also please note that it's been like a decade and a half since last time I read Ranma 1/2 so my memory's pretty fuzzy on a lot of things. But like here are some vague notes for what I think would make a fun and interesting Dragon Ball vs Ranma 1/2 tournament arc.

Some narrative considerations to take into account:

We want every match to be a Ranma 1/2 vs. Dragon Ball fight, so that means two characters from both have to win their matches in the quarterfinals. This is a bracketed tournament so in story terms it wouldn't be specifically these four guys against those four, but for the purpose of storycraft that'd be the intent nonetheless.

Goku and Ranma have to be the final, so they're on opposite halves of the bracket. Both of these guys are going to fight their way through 3/4 of the other guy's cast, including each other. That's just how tournament arcs go.

Dragon Ball cast are at an ambiguous placement in ability. Somewhere after 22nd Tenkaichi Budokai but before Raditz landed on Earth. Somewhere in the general ballpark of 23rd Tenkaichi Budokai.

Ryoga is Ranma's biggest rival so it would be sensible for him to make it to the semifinals, but we have two women in this tournament and I don't want them both to get creamed in the first round.

Instead of a Tenkaichi Budokai, this may work better as some other undefined tournament to allow use of weapons. Ryoga, Ukyo, and Shampoo all utilize varying degrees of weapon fighting in their arts, so standard Tenkaichi Budokai rules would be a significant nerf. If the DB cast get to fly, then the Ranma cast should be allowed their weapons.

There should be a sudden inconvenient rainstorm that sweeps in, timed at a moment when all the cursed Ranma characters can be forced to shapeshift but not in a context where it will decide the outcome of the fight. Like. Three of the four Ranma characters here have curses, and I don't want Ryoga or Shampoo to lose because they turned into a pig and cat respectively in the middle of their fight. So it should start pouring during one of Ranma's matches, preferably quarter- or semi-final.

The Kamehameha is generally portrayed as unimpressive compared to other ki techniques in Dragon Ball; It's pretty basic but its versatility allows practitioners to do tremendous things with it. For his part, Ranma's self-taught Moko Takabisha, a variant of the Shishi Hokodan he invented because he can't get as depressed as Ryoga, is powered by his own self-assurance. So I think it should be treated as stronger than the Kamehameha when Ranma's cocky but weaker if a fight's turning against him.

So, brackets and some vague outline notes.

QUARTERFINALS

Round 1: Ryoga Hibiki vs. Son Goku

If Ryoga's only going to get one fight then it should be a good one. An opening quarterfinal match worth of a semifinal or final round, to set the stage for the fights to come and establish Goku as the Guy To Beat for Ranma's cast.

Fighting Goku would give Ryoga a great opportunity to pull out all the stops and unload everything in his arsenal. Bandana missiles, using his heavy umbrella like a sword, his Breaking Point technique, and of course, his signature Shishi Hokodan.

Ryoga's Shishi Hokodan is shown to be tremendously powerful, potentially rivaling Tenshinhan's Kikoho. The qualifiers would be a great place to show off its full might and set up tension for this match. Ryoga blows away a formidable Dragon Ball character, maybe Jackie Chun, by blasting them with a full-power Shishi Hokodan.

But I think his reason for losing the match would be because he can't bring out its full power. It's fueled by depression ki; The more Ryoga allows himself to be absorbed in depression, the more powerful it becomes.

But Goku historically is fucking fun to fight. He has always had a knack for not just enjoying his matches with others but being enjoyable to face off against. Most of his rivals were redeemed specifically by how much they enjoy fighting him. Even the ultimate evil Frieza has made suboptimal decisions out of a fascination with matching fists against Goku.

Even if you don't like to fight, it's hard to be unhappy when you're trading fists with Son Goku. He is the embodiment of pure martial arts enjoyment. Despite himself, Ryoga would simply be enjoying himself too much to unleash a full-power Shishi Hokodan, and be undone by how fun this fight is.

Unable to access his ultimate technique, Ryoga opts to remove Goku's options. Using his Breaking Point technique, Ryoga destroys a corner of the ring under Goku's feet, but when the dust settles, Goku managed to make it away from the corner and avoid ringout. Implied but not directly shown that he used Bukujutsu. Ryoga keeps it up, destroying chunk after chunk of the stage until there's only a little bit left. Goku baits him with a Zanzoken/Afterimage into destroying that as well, appearing behind Ryoga and striking hard enough to send Ryoga out of the ring and into the dirt.

Round 2: Ukyo Kuonji vs Krillin

Okay gonna be real with you at first I was gonna put Shampoo as the other Ranma character who makes it to semifinals but then I was thinking about Ukyo's abilities and realized I wanted her to fight Goku so, so bad you have no idea.

Krillin's built around sucker punches and unpredictable techniques. For her part, Ukyo's culinary fighting style is fucking weird and difficult to read. From tempura bombs to flour smokescreens to adhesive batter and yakisoba binding ropes, Ukyo's got her grill and her giant melee spatula (plus smaller throwing spatulas), and she's here to cook up a victory.

Krillin mistakes Ukyo for a boy? As a flip-flop reference to when he thought Upa was a girl by way of Ukyo's canonical androgyny and non-binary presentation? Is this something? IDK.

For the first exchange of the match, Ukyo brings out her grill and cooks up some tasty okonomiyaki, then gives some to Krillin as a gesture of good will. It's a bomb, comically exploding in his face; Ukyo draws first blood before Krillin even realizes the fight has started, and they begin trading blows from there.

Krillin has Ukyo on the ropes for the first portion of the fight. He surprises her with his quick movements and distracting ki blasts, every move and exchange meant to pull attention away from where his next punch is going to come from. Physically, he's tough; Ukyo clonks him on the head with her spatula full strength in an early attempt at a KO, but he's just too strong. But he starts losing steam as the battle progresses.

He only realizes what's happening too late, as the adhesive batter that the okonomiyaki bomb covered him in sets in. The heat from his own ki attacks makes the batter harden more quickly, slowing his movements over time.

Once Krillin realizes he's mired in glue, Ukyo detonates tempura bombs around the ring for her victory plan. Then she lassos Krillin with her yakisoba and ejects him from the arena before he has a chance to break free from the batter.

Round 3: Ranma vs Yamcha

I had to. It's tradition for Yamcha to go down in the first round against one of the major plot characters, typically the main rival to Goku. One of Yamcha's two main jobs in these tournaments is to act as a yardstick to establish how tough the other guy's going to be.

But he still usually gets to put up a good fight. The 22nd match with Ten had him debut his Kamehameha, while his 23rd gave him some solid moments too. Yamcha's going to lose this match but he should get to apply some pressure to Ranma while he's at it.

This might be a good place for the rainstorm. IDK. Would need to seriously consider how Yamcha would react to Ranma sexshifting mid-battle and whether that would make the fight more or less entertaining.

One image I have in my head for this match is Yamcha using his Rogafufuken/Wolf Fang Fist, only for Ranma to match his moves. The technique is based on a relentless assault, an overwhelming flurry of attacks. But Ranma's Chestnuts on an Open Fire training - cultivating striking speed by grabbing chestnuts out of a firepit without getting burned - taught him incredible manual dexterity, allowing him to parry each and every strike of the Rogafufuken.

Yamcha needs to break out the Sokidan/Spirit Ball in this fight, surprising and pressuring Ranma with his ability to remotely control his ki bullet. Ranma eventually stops dodging and uses a small Moko Takabisha to deflect, but this distraction opens him up to Yamcha rushing in with Rogafufuken. Yamcha admits that he borrowed this idea from his bro Krillin.

This is where we see Ranma's chestnut training allowing him to match Ryoga's strikes, and he starts backing off from the assault. Letting Yamcha push him back while pulling Yamcha into the spiral motion. Then, right at the crucial wolf-bite moment that ends the Rogafufuken, Ranma lands his punch instead and blows Yamcha away with the ensuing tornado. An ironic end to a technique that, in Japanese, is called "Fist of the Wolf Fang Hurricane".

Thus setting the stage for how formidable Ranma truly is, and giving Goku a chance to start doing the analysis for what he'll need to beat in the finals.

Round 4: Tenshinhan vs Shampoo

This is going to be such a weird match. Tenshinhan's got all the bizarre techniques: Taiyoken/Solar Flare, Shiyoken/Four Witches, Shishin no Ken/Multiform, enhanced three-eyed perception, etc.

For her part, Shampoo is highly proficient in a variety of weapon styles. Since weapons have been permitted here, she's got an endless supply of blades and staves and polearms to bring to fore. However, her most dangerous arts are what she's capable of when she gets up close, as she has an encyclopedic knowledge of bizarre pressure points that can do anything from memory erasure to instant KO to puppeting someone's body.

I don't remember if it works like this. But I have this image in my head of Shampoo sitting on the shoulders of a Tenshinhan copy and Ratatouilling him against the other Tenshinhans. And I would be very happy if that is a thing that is possible to happen in this fight.

In any case, Shampoo's weapon arts and pressure point techniques give Ten some trouble. She has potential instant-wins if she can get her hands on him, which he's able to learn about after using Shishin no Ken to tease out her abilities at the start. But after reforming back into one, he counters her with Shiyoken, using the extra dexterity of four-armed fighting to parry and counter her weapons while keeping her at arm's length and getting hits in of his own.

While also baiting her into mistakes by using Zanzoken/Afterimages. This is a pretty straightforward fight, and Ten's weird abilities let him clinch the victory.

SEMIFINALS

Round 1: Son Goku vs Ukyo Kuonji

For the first exchange of the match, Ukyo brings out her grill and cooks up some tasty okonomiyaki, then gives some to Goku as a gesture of good will. He ravenously devours it in seconds. The bomb explodes in his stomach and he comically opens his mouth to belch out the smoke from the blast.

This sets the stage for what the fight is going to be like. It's Ukyo's culinary martial arts vs Son Goku's bottomless stomach. He eats her tempura smoke bombs. He eats her yakisoba ropes. He eats her adhesive batter. He eats and he eats and he eats everything she has to throw at him.

He just. He won't stop fucking eating her moves. Finally, she goes to her grill and, in seconds, comically cooks up the largest okonomiyaki ever made in history and slams it down on the arena stage, crushing Goku beneath it. It spreads out so far it even reaches the audience stands.

As Ukyo watches Goku inhale her giant okonomiyaki, she concedes defeat and forfeits the match. Goku shakes her hand and thanks her for the most delicious fight of his life.

Round 2: Ranma vs Tenshinhan

Ranma's chestnut training allows him to parry attacks from Ten's Shiyoken, not unlike how Goku's Hasshuken once did. Still, I want Ten to really pressure Ranma for the first half of the fight in hand-to-hand, much harder than Yamcha did. Ten is stronger, faster, and better trained than Ranma, is the vibe.

First appearance of a killer move is when it works; Second is when it's thwarted. With that in mind, this is a good place for Ranma to pull the Hiryu Shoten Ha again, only for Ten to catch himself in midair with Bukujutsu and continue the fight; Forcing Ranma to grapple with the complexity of fighting an opponent who can freely levitate. With attention drawn to Goku on the sideline, studying Ranma's technique.

This leaves Ranma in the unenviable position of having to fight a Tenshinhan who is able to levitate in the air out of reach and fire Dodonpas. Ranma returns fire with his Moko Takabisha, but Ten easily floats sideways to evade the shot.

But then Ranma brings it back, landing a surprise hit on Ten's back. He's had time to think about Yamcha's Sokidan and how he can incorporate its remote-control movement into his Moko Takabisha. Once this reveal is made, Ranma raises the stakes with his Double Moko Takabisha, controlling each with separate hands - while filling one with hot ki and the other with cold ki.

Ranma harasses Ten in the air with his twin Moko Takabishas while Ten takes shots at Ranma with the Dodonpa. Unbeknownst to Ten, Ranma uses the two shots to form another spiral in the air, concluding by crashing them into each other and creating a new Hiryu Shoten Ha - This one snatching up Ten and drilling downward, driving him into the grass outside the ring.

FINALS

Final Round: Son Goku vs Ranma Saotome

Having devoured Yamcha and Tenshinhan, Ranma brings everything to this match. They fight up-close in quick and brutal melee exchanges where both give as good as they get, and they fight at range with ki blasts and Moko Takabishas.

There's a lot of I Know You Know I Know to this match. It's as much a chess game as a fight, with Ranma and Goku matching and devouring each other's skills. Goku takes Ranma by surprise with a Zanzoken, but Ranma figures it out pretty quickly and gets in a Zanzoken exchange with Ranma, flickering attacks in and out at each other. (Goku wins that exchange because of his superior sensing of an opponent's presence).

Ranma hits Goku hard enough to knock him up in the air, but Goku catches himself with Bukujutsu. Ranma attempts his spiraling remote-Moko Takabishas against Goku, but Goku's been watching his fights and is ready for this. He avoids the shots while following their motion and quietly building a pair of Kamehamehas, one in each hand. When Ranma's ready to collide his shots, Goku flies up between them and fires outward in both directions, dissipating the two Moko Takabishas with his twin Kamehamehas.

After landing back in the ring, Goku and Ranma go at it again, with Goku taking the upper hand and overpowering Ranma enough to hurl him from the ring. At which point Ranma catches himself in midair, revealing he's worked out the principles of Bukujutsu himself after going over that fight with Ten in his head. Neither opponent will be easily rung out. Ranma and Goku then take to the sky, pummeling each other.

The fight rages until both combatants are exhausted, left standing in the ring and unable to muster the ki for Bukujutsu - though not completely drained. This is Ranma's moment. All their blasts and heated fighting has filled the arena with lingering residual ki. Hot ki.

Meanwhile, with the last of his strength, Goku takes his stance and begins to intone. "Kaaaa meeee"

Similar to the Hiryu Korin Dan, Ranma uses a small spiral of cold ki to draw in all of the residual ki floating in the arena around them. He's two steps ahead of Goku, spinning all this floating energy up into what amounts to an energy grenade. The hot ki of Goku's Kamehameha will be drawn in with the rest of it, and the impact force will detonate it into a Hiryu Shoten Ha, firing back on Goku and blowing him out of the ring.

"Haaaa meeee"

Ranma hurls his grenade at the same time Goku fires his Kamehameha. And then Goku begins to curve his beam, twirling it in a large circle and getting steadily smaller and smaller. Rather than being drawn into the cold ki of Ranma's bomb, Goku's Kamehameha is drawing in all of the hot ki from it as it approaches.

Because Goku's been watching Ranma. And he's figured out how to adjust his ki's temperature from seeing Ranma do it so many times. Goku's Cold Kamehameha collides with Ranma's bomb, reversing its intended effect and detonating the Hiryu Shoten Ha back at Ranma. The blast hurls Ranma into the back wall, ending the match.

Goku ends the match on a friendly note, helping Ranma to his feet and showering him with praise for what a great martial artist he is and how cool it was to fight him. This fight really came down to the wire!

CHAMPION

The Winner: Genma Saotome

However, when it comes time for Goku to take his prize, it turns out Genma already plundered both the prize winnings and the trophy. Racing out the door, he physically picks a confused Ranma up and books it over the hills.

The Saotomes did not win the championship trophy. Nonetheless, they proudly have it in their possession.

[bvckbiter]

some thoughts on characterization of the seven in hoo, VERY long post ahead:

for each of the five books in the series, i read them right as they came out and endured the year-long wait til the next release. like many readers, i was thrown off by the introduction of the new trio in the lost hero. but that was offset by 1) the seemingly more mature vibe/themes that riordan wanted to explore, 2) the monumental tension that was being built around the greek-roman separation, and 3) percy's comeback in son of neptune, even as an amnesiac.

mark of athena, released october 2012, was extremely anticipated because it was set to be the long-awaited percabeth reunion as well as the true crossover for the greek and roman spheres. there were a lot of theories being made at the time. would piper be able to mediate between eons-long enemies in a genuinely diplomatic way, or was she going to brainwash charmspeak them into compliance? how is reyna going to take jason suddenly having another girl and a new set of friends and another life after abruptly disappearing? will we get to learn more about jason's relationships within camp jupiter? would nico be dealing with any fallout from essentially boating along two riverbanks (translated directly from a tagalog idiom, so if the wording seems clunky thats why)? it didn't help that the first avengers movie came out in 2012, so the idea of a huge crossover event was all the hype then.

the published work, in my opinion... fell considerably short of expectations.

to be fair, we got some very good character moments. i did not find the judo flip scene cute, just kinda weird in the sense that i felt the author didn't know how to handle such a huge emotional turning point, but percabeth for the most part of moa was enjoyable, really giving you the high of this teenage couple finally being able to resume the honeymoon period they were probably in after four years of pining and a war lol. everything the fans wanted! unfortunately, we didn't get the same with other characters.

while i wouldn't say that percabeth was the reason, the difference in spotlight is nonetheless very staggering. the roman-greek reunification goes bad, sure, but it begins due to outside interference more rather than any actual intrinsic differences between the two camps; so the built-up tension from the previous books kinda falls flat. we get none of jason's backstory, so next to percy, he barely leaves an impression on the reader. hazel, frank, and leo get shafted into this weird love triangle where their enemy is leo's long-dead ancestor who ultimately makes no impact on the plot other than to have hazel and leo intersect somehow, contributing to leo's man-angst of being the seventh wheel. frank, who arguably has the most interesting set of powers and lineage, is basically relegated to being the muscle and hazel's (understandably) jealous boyfriend. piper... good lord. thats probably a whole other post, so i'll just say: cornucopia.

and yet, despite the disparity in characterization... you don't really feel that percabeth has a character arc or development per se. it's an odd contrast, with percy and annabeth getting a lot of time but pretty much remaining stagnant characters, as opposed to the other five who are written pretty blandly, but have valid, explicit inner struggles and questions they must face. for jason, it's being greek or roman. for hazel and leo, they want to parse their connection, even at the expense of frank, who is still struggling with his self-esteem. piper comes into her own power.

so despite being a book full of twists and turns, especially for percabeth, this is where you really feel the stakes begin to slump. decisions are being made to move the plot from point a to point b pretty straightforwardly, but there's not a ton of effort to make you invested in these characters other than what we know about them from previous books and the fact that they have a role to play in this apocalyptic second great prophecy.

but there's still two books left! the yearlong wait demands patience and creativity. surely percabeth falling into tartarus is going to make for some interesting development and impact. it was a brilliant plot twist, after all. with the darker turn that hoo was seemingly taking, there could have been so many consequences. percabeth could shut the doors of death from their side and come back alive, but come back wrong—unearthing old traumas, questioning and ultimately foreswearing their loyalty to the gods, threatening the reunification of the greek and roman aspects, etc.

and once again, house of hades... only semi-delivered? the tartarus chapters were certainly harrowing: percy choking akhlys is still a Scene of All Time to me because it felt earned, after all that percy has been through and what the series has been building up to! annabeth also having to face all the times she's been abandoned in her life, while less focused on, was also a very poignant moment for her character. they were events that seemed to push for development.

back on the argo ii, there's a continuing case of kind of low-effort writing on the other characters. frank and his mars blessing, for one; you kind of understand what rick was getting at, but... what! piper... girl idk what she was doing other than seeing visions in her dagger. leo... ue ue ue. jason commits to chb, but ofc he does because neither he nor we know/remember much about cj, so we don't really feel the loss! but there is one exception for his part, and that is of course the (in)famous cupid scene with nico, but i'll talk about nico much later.

hazel is an interesting case, so here's another paragraph for her. she gets to come into (more of) her powers just like piper did in the previous books, but from my viewpoint, it was considerably less engaged with who she was as a character compared to piper. in mark of athena, piper still struggles with being a daughter of aphrodite and how she can be "useful" as we know she struggles with internalized misogyny. on the other hand, hazel gets in touch with her mother's background... kinda? idk if controlling the mist can be considered equivalent to marie's voodoo; i dont think so. she certainly gains more understanding of her pluto heritage, too, and has this nice back-and-forth with hecate about creating her own path, but you don't really get the sense that doing so has consequences, or that she concretely shirked other paths to get where she was at.

where mark of athena fell flat with character stakes, house of hades to its credit does manage to up the ante—but only truly for percabeth. with all the resolutions to the character arcs in this book, you don't feel that the characters have anymore stakes or reasons to fight gaea other than the fact that she's still coming for them and they are in turn prophesied to defeat her. the one big thing that could be personal to them, which are the camps, ultimately fall under the purview of coach hedge, nico, and reyna, who are side characters, upgraded to main characters in the last book of a series already overbloated by shifting povs and favoritism.

ultimately, this is why blood of olympus falls apart. the best characterization work done, which is on percabeth and their time in tartarus, is in the end of no consequence and is barely mentioned. it's as if nothing has happened. all the build-up and investment fizzles out because in boo and beyond, even though they went through literal hell, they just shook it off (because accdg to rick demigods are extra resilient and don't get traumatized lmfao). the climactic face-off against gaea is headed by jason, piper, and leo, and it has no pay off. the books haven't dwelled on them as a trio after tlh because leo was too busy angsting about his love triangle, and jason's and piper's arcs, both individual and romantic, are shoddy, to say the least. to add insult to injury, leo's sacrifice is a fake-out! so he can finally shed the fucking seventh wheel arc that came about not because of a genuine exploration of how he has been outcasted all his life, but because the argo ii mysteriously became demigod tinder and also because rick thought "haha how funny that the latino is the outrageous flirt!" frank and hazel... just get shafted im so sorry babygirls T_T

what saves boo is not the cast of the seven that we have spent the five books journeying with. no, what saves boo is the three side characters suddenly made main characters because. well, fan favoritism and pandering. nico, reyna, and coach hedge comprised the only arc that wasn't an absolute slog to read through—high stakes, chemistry, and well-rounded character arcs that complemented each other. no hoo scene is honestly more heartwarming than reyna embracing nico. it makes you question if hoo's length and frankly shocking quantity of main ensemble members even constricted the narrative that could've been told, as opposed to the original intention of expanding the world of percy jackson through more povs. five books with at least 700-800+ pages each for five years. what a tremendous amount of time and energy to be wasted.

and there is, of course, the question of "should percabeth have been in hoo." until house of hades, my answer was yes. the fact that their tartarus arc fizzled into nothingness changed my answer to no. taking the whole series into perspective, if their treatment in boo was all that the hype and tension would amount to, it would've been better if they'd been relegated to side characters with mentor/helper roles as opposed to taking the spotlight away from the rest of the seven. their succeeding cameos in the other series + the new college reco trilogy makes the blunder all the more grievous.

heroes of olympus did give us a new cast of characters to love. along with all its racist stereotypes and pitfalls, it also diversified the percy jackson world. if not for the mid-2010s fandom who took up the slack of unexplored storylines and potential, these characters would be very much not impressioned on us. and as a successor to a series that was so deeply driven by family, friendship, love, and belonging, that it couldn't consistently humanize its main cast was the biggest sin.

[mychlapci]

I’ve seen a few fic with “brute”, villages folks, city people, etc… like, weird kind of story crossover for transformers (kinda hard to explain with limited English vocabulary). The last one had caravans traveling around and outside cities, with the war raging only inside, and off course I thought angs Dratchet.

So like, cybertron cities are like what we know, upper, middle and low, but there’s also a whole different world outside of them, and cybertronians living outside the cities are nomads with a whole different language, cults and way of living.

Mostly they’re considered brute and uncivilized by the mech living behind a wall.

Ratchet lives outside, with a group of nomads, while Drift lives inside, in the dead end. Everything is mostly similar: Drift overdoses, gets thrown out and saved by Ratchet, then they lose each other for some times and meet again, when Deadlock is left for death, outside again.

Ratchet do saves him again, and this time, Deadlock decides to stay a little more. The first time he went back almost as soon as he could, this time he’s 1)more damaged and 2)not really in a rush to go back to the war that’s now raging.

He stays with the group for some time, gets back on his feet, learn some more glyphs and get closer to Ratchet. He’s not completely accepted by the group but it seems they all respect his hunting skills.

Where’s the angst you ask?

Well, this particular group of nomads is known for selling one particular good… sparklings.

Not really in a bad way, kinda? The groups are very small, and to make sure no inbreed happens, one caravan travels between all villages and one or more bots gets pregnant at point a, and drop the sparklings at point c… they have a intricate diagram with all the villages, caravans, carriers, breeders etc etc… point is, Ratchet is this group’s selected carrier. Once every few moons, the chart is updated, one breeder is chosen and Ratchet has to attend his duties for the “greater good”.

Ratchet is not happy about it, but he’s one against the whole group, and being alone outside a city is not advisable.

This time, the elders have decided that Deadlock would be a good match: he’s strong, skilled and he’s a new, fresh pool of genes. He also seems already interested in Ratchet..

Ratchet is against this idea. For once, he really likes Deadlock and after having so many sparklings taken away, he’s adamant he’s not gonna let it happen again…

Too bad Ratchet doesn’t have the vocabulary to explain all of this to Deadlock…

Oh yeah, barbarian AU’s, I kinda like barbarian AU’s. They’re also perfect for arranged marriages, wink wink.

Anyways, I love the spin you put on their roles in this story actually… Most people would probably pin the barbarian tag on Deadlock, but this… mhmm, this is interesting. I would imagine Drift as a street rat, living between the alleys, much like canon, depending on substances, abused by the caste system at play. Ratchet is a healer for one of the many nomadic groups traveling the neutral lands behind the city walls, not particularly affected by the Cybertronian caste system. The groups living outside of city walls have different views on life. But, while Ratchet cannot really understand Drift’s struggle, a hurt mech is a hurt mech, and he saves him nonetheless. The language barrier between them is huge but they get by while Drift recovers, and he even misses the old doctor as he returns back to crawl the streets of a new city… Coming back to neutral lands once the war is raging on is like entering a different world entirely. It’s not like the nomadic groups don’t know war, but they seem unperturbed by this one so far…

mhmm I don’t know if I can see Ratchet willingly turning a blind eye to selling sparklings… Then again, if he was raised like this, brought up to believe that this is just how things work in this world, he would accept it, no matter how much it hurts. Maybe he helps mechs loophole around it whenever he can, but he himself… Doesn’t bother. He knows the sparklings are well off, and they need the shanix. If it’s for the greater good, then he’ll do it.

When Deadlock is chosen to breed him, though, he really needs to explain that he doesn’t understand the gravity of the situation, but it’s so hard with the language barrier. He doesn't know how to tell him that the sparkling will be sold off, that they’re not keeping it, that he as the sire is just a tool… It’s even more heartbreaking as Deadlock stays with him and keeps patting Ratchet’s bump, rubbing his belly… For the first time ever, Ratchet wants to fight to keep it.

[brucequeensteen]

actually now that the sledge leckie crossover event gifset has posted from my queue im getting a stomachache thinking about it its such a good scene. it's a scene that is so clearly fictional because these two real people, who were witnesses of the horrors of the war in the pacific theatre and wrote extensively and passionately about it and whose accounts the entire show is based on, never met in real life. so having them meet for a fleeting second in the show and have their conversation hold so much weight in the way that it essentially states the character thesis for both of them and foreshadows/sets up sledge's character arc while sort of summing up leckie's arc as we've seen it progress. it's so beautiful. leckie's rant about god being inspired by sledge just innocently picking out a bible from the "library". this brief connection that beyond the narrative is so significant because of the role they both played in history. the fact that they're both writers and book-lovers and intellectuals but at such different stages in their lives that all you can see is their differences (eugene the innocent who is only just stepping into the war and still holds onto his faith vs robert who has just revealed to us how lapsed he is in his faith - which is the first thing we're introduced to about him, his first scene is in a church - and is so hardened by the war he can't even give eugene the time of day and doesn't even give a shit about the invasion of normandy) and it comes right at the midpoint of the show where one protagonist hands the torch to the next protagonist, but because they are characters (representations of real people, but fictional nonetheless), they aren't aware that that's what's happening. it's set up as just as a one-off, random interaction, but the audience knows its significance more than the characters so it's as if the narrative takes over, and it would be almost too heavy handed if it wasn't done so well. the story essentially transcends itself. it's two people stating the theme in the way that makes you sit up and think "this is about to get interesting". it's a genius character introduction to eugene and his point of view, and a genius close to robert's point of view, before his final moments on peleliu and then his "epilogue" in the last episode. and basically: rpf is fine

[elodiah]

WIP Wednesday

Because somewhere in the world it’s Wednesday… which is here, where I am.

Thanks to fanart, I’ve been inspired to maybe possibly write a Loki/Star Wars crossover, specifically involving Loki and Obi-Wan, my beloveds.

And thanks to WIP Wednesday, I’ve just written the first lil tidbit.

Loki never pays much attention to the actual missions Mobius attends to on the timelines. As long as he’s not in any obvious danger, Loki just appreciates the opportunity to check in on him, make sure he’s okay. He watches on as Mobius confers with the two hunters for a moment, then one of them opens a time door and the hunters step through. Mobius turns to leave as well, but before he does, he hesitates and looks skywards for a moment, wistfulness in his eyes. Loki smiles. Mobius always does this when he’s outdoors, and he knows that he’s thinking of Loki, possibly hoping he’s watching.

Loki longs to tell him that he is.

Mobius finally departs, returning to the TVA, and Loki goes back to browsing the timelines, looking to select one that might be of interest. It’s reminiscent of the way one might flick through articles of clothing in their wardrobe, or swipe through photograph galleries on their electronic devices.

Huh. That’s new…

On this one here… there’s a tiny blue spark. It’s minuscule, but it pulses like a beacon nonetheless. Loki frowns. This is not like anything he’s seen before, although admittedly he’s hardly scraped the surface of the vastness of existence he holds within his hands.

Intrigued, he delves into the timeline, casting his View upon the luminous anomaly. Closing in carefully, following the gently glowing blue thread that trails off either side of it. As he does, fleeting feelings and impressions begin to assault him.

Oh.

This one… it is a life of pain.

Tagging @kcscribbler , @lokimobius , @loki-is-my-kink-awakening , @in-my-loki-feels , @thosegayoldmen , @silentxsymphony , and anyone else, as usual!

[commonblackbirdxx]

Heya, Written by the victors is back for chapter 2.

Crossover between httyd and rotg.

Pairings: Hijack, Hiccstrid (past)

Alternate History for httyd where the dragons did not go into hiding and that dragons coexist with humans in modern society. The guardians of childhood need to seek out a group of elusive autumn spirits to gain information on Pitch and his allies.

Chapter 2 summary:

Jack and the other guardians try to make sense of Man in Moon's message.

While a certain someone reads a news article about themselves.

1,000 years of history: Emperor Hiksti Hræðilegt Haddock III under the lens of modern pop culture

Roughly 1000 after his death, Emperor HIksti Hræðilegt Haddock III remains one of the most relevant and influential figures of history. From being the social pariah of his tribe to becoming an emperor, his story had captured the hearts and imagination of countless people.

With Nowflix announcement of creating a live-action series about the emperor and his dragon riders. The Daily NIghtfury recount how pop culture portrayed the emperor Hiksti Haddock III in the last 300 years.

How to train your dragon series (1704) by Cressida Howell

300 years later, Cressida Howell’s ‘How to train your dragon’ is still influential in how pop culture view the emperor. As one of the more popular children’s books in the North and South America, it ignited an interest about the life of the late Hiksti Haddock III.

Charming, dutiful, sarcastic and slightly awkward. The Hiskti Haddock III from ‘How to train your dragon’ (1704) by Cressida Howell is an adventurer and an engineer who wanted to explore the world and just happened to be a very endearing character. Originally released in America as a children’s book, it was a breath of fresh air compared to the gritty portrayals of the emperor in a serious and dramatic historical novel of Europe in the late 1600’s and early 1700s. It was released in Europe 5 years after its American release with mixed reviews from European critics. Though a century later, Europe have warmed up to the slightly whimsical portrayal of the emperor.

Where no one goes (1806) by Richard Broom

Introduced in 1856 to a polarising audience, it goes against the common depiction of Emperor Hiksti as a charismatic military commander in a dramatic historical novel full of glory of the war. ‘Where no one goes’ simply portrays King Hiksti III as a man in his 30s and so full of melancholy, unlike the popular novels which focused more during his youth and great battles he fought and less about his older self during the time of peace. Battle hardened and weary, ‘where no one goes’ depicts the brutally of war as the now adult King Hiksti recounts his youth. Of sleepless days where he dreams of enemy soldiers who burned to death by dragon fire, his question of morality as he builds another weapon of destruction and in the end of the novel ends with the emperor longing for the simpler times of his youth.

Highland seas series (1989) by Rachel Brook

Derided by the critics as a shallow bodice ripper novel, nonetheless it managed to have a dedicated readers to become a series. Set in an alternate universe where Hiksti Haddock III did not become a king and instead became a runaway before the final test against the monstrous nightmare, he finally become an adventurer he was meant to be. Readers have bemoaned the lost potential of the novel, setting aside the wonderful worldbuilding from the first chapters to focus on romance and softcore porn.

The Great King (2007) by Hiksti Blackwood

‘The Great King’ by Hiksti Blackwood took Emperor Hiksti’s steady image and shook it to its core. It’s a historical novel about Emperor Hiksti Haddock III but also works as a study on childhood and coming of age in medieval society, child marriages and traumas of war.

[zoiched]

some words on my Pathologic/Amnesia crossover

Those who follow me or have seen my art in Amnesia hashtag may have seen me mentioning that I’m writing an Amnesia and Pathologic crossover fanfic, buuuut a) now it’s on hiatus cuz I’m kinda confused with my own ✨philosophical and psychological✨ thoughts that i want to fit in the narrative; b) I’m Russian, and, therefore, I’m writing in Russian so English-speaking community most likely will have no chance to read this fic even I’ll finish it someday (unless Google translate will happen lol). So I want to share some thoughts on the stuff I created in my head and in my Google docs just in case cuz I find them kinda interesting and am sorta proud with myself. So here we go

• There are Daniel, Weyer and Agrippa’s homeworld, Zerzura (Alexander’s homeworld) and also world where Pathologic events take place. Not only that, there’s a countless amount of parallel worlds (I stole borrowed this concept from His Dark Materials book triology by Philip Pullman). And yes, Zerzurians abducted humans for vitae from many, many different worlds but the world of Amnesia

• Weyer and Alexander’s love have a bromance, but she ended up dying in fire of apocalypse on Zerzura nonetheless

• Weyer was escaping apocalypse on Zerzura and opened the portal aiming to his and Agrippa’s homeworld, but due to the portal malfunction he ended up landing in Town-on-Gorkhon, meet Simon and other Kains, told them about Spheres and all that. Kains know everything but keep it totally top secret cuz, well, god knows what gonna happen if regular people will know. Weyer didn’t stay in ToG for long and moved to the capital (aka St. Petersburg) and started a medic career

• Weyer is one of the people who are responsible for Thanatica’s shutdown because he a) is sorta afraid that Dankovsky will reinvent Vitae; b) has been in Zerzura for a long time and knows perfectly how obtining an immortality can spoil the society to the point of no return leading to the apocalypse

• My fic which starts right after the Agrippa ending. Him and Weyer take Daniel to ToG to teach him the arts of owning the Sphere where no prying eyes of the ordinary world (and also of the Powers that Be). Kains are willing to help with the process. Yes, Daniel is obligated to learn Russian

• Sphere gives Daniel some kind of clairvoyance ability, and, as we know from TDD, he knows how to cut the lines™, which makes him kinda close to menkhu (but not the actual menkhu, because he is, well, not from the Kin)

• A lot of jokes about Daniel and Daniil basically sharing the same name

• Alexander will be resurrected - not by Thanatica but by Daniel taking his body and consciousness from the trap of The Shadow that has a smol dimension that is very much like hell for those who used Sphere for Bad Things

• Daniel takes a test in the Abattoir jumping to this huge pit only to meet Elise Zimmerman’s ghost and to ask for her forgiveness

• Oh and there’s also my OC Ariadne, a Zerzurian who got away from the apocalypse with Weyer. I ship her with Daniel and they have from enemies to friends to lovers dynamic

I hope you’ll find this stuff interesting

[poppetsisters]

As a daydream, I considered how I would handle a Disney Crossover event, and I want to share with you my pitch:

Disney animated movies, especially the early ones, have a simple formula: You have a young audience surrogate hero and an idealistic love interest. Often the films have an element of class structure which, usually, err on the side of nostalgic affirmation of monarchy or even capitalism in some instances. The villains are often queer-coded radical entities with big personalities who meet their end via their own making. Magic plays a major role in the plot, used by either heroes, villains, or both, and common motifs include love, family, and conservative values. No movie has all these points, but one movie will have at least a few of them.

Why am I talking about this? Because the goal of this crossover is to break these rules just as much as I'm breaking the barriers between universes.

What particular strikes me about the characters is that regardless of their morality, both heroes and villains believe in the magic. There's good magic and bad magic, but magic nonetheless. Heroes and villains alike will sing, dance, and flaunt their personalities. For the crossover's major antagonist, I want something that's so foreign to Disney's brand that it unites both heroes and villains to fight it.

Anti-Magic.

Imagine a cosmic force that steals songs till their mute, that sucks color and shape from the world, that swallows and singes everything it burns away like melting celluloid film. That leaves worlds blank, devoid of song, or personality, or magic. If this sounds like The Nothing from The Neverending Story, you're right on the money.

Our protagonist for this story is Reynard the Fox, which sounds random until you learn that in 1937, Walt Disney had thought about adapting The Romance of Reynard into an animated movie, but cancelled it due to thinking Reynard was an unsuitable hero.

The idea is that Reynard is a refugee from a world consumed by Anti-Magic, mirroring how in our world, this character is a forgotten footnote in Disney's history. It's Reynard's cunning and his astounding ability to get out of any situation the ends up saving him, allowing entry into the wider Disney Multiverse.

From there, it's a matter of warning the other more famous Disney worlds of an imminent threat and assembling a rag-tag team of both heroes and villains to put a stop to the destruction and find out the root cause.

[liketolaugh-writes]

I know I've talked about this before, but God, I'm never going to stop resenting the hold that Harry Potter has on me.

As an autistic person, special interests never really leave you, and that's more true for longer-standing ones. I really can't explain how all-consuming they are, how much time and energy and love you pour into them, how much joy and comfort you get from them. I'm kind of between special interests right now, after finishing both Constellations and Blue Food Project, and it's unsettling. Makes me restless, leaves a lot of time in my day. (Time I can use to look for jobs! Positives.)

Anyway. Harry Potter was definitely my longest-standing special interest to date. It was my SI through most of elementary school, and given the choice, I would do nothing except reread them, over and over and over and over again. My parents had to institute a rule where every time I finished the series, I had to wait a certain amount of time before I read it again, and I always did as soon as the time was up. There are parts of it, useless stupid lines, that I can still recite from memory. ("And he was even brave enough to nibble the end off a funny gray one that turned out to be pepper" has always been my favorite example.) I don't engage much with the Harry Potter fandom, because it's a mutant factioned thing that kind of scares me, but the story stays with me nonetheless.

Like many other fans, this letter broke my heart; I'm sure you know the one even without clicking the link. She's only gotten worse since then (every so often I still look at her Twitter account and mourn) but this was the beginning of the end. Most authors, I can forgive their transgressions; I can trust that they've grown, I can accept that their work is flawed, and I can enjoy what I read despite that.

Every since that letter, and plenty of the subsequent scandals besides, I've been unable to do that. I read any part of Harry Potter and I can see nothing but flaws. I see sexism, and ableism, and cultural appropriation and colonialism and hypocrisy. I think, why are there so many crowds of tittering girls? and why does everyone hate Fleur seemingly just for being French and pretty? and why did she design the Slug Club without any acknowledgement of 'this is literally how to break into a career field?' There is nothing there for me but frustration and hurt.

I've seen people in the trans community complain about cis folk asking if they can 'still enjoy' Harry Potter, which I understand. (I consider myself nonbinary, but my gender identity is so unimportant to me that I still consider my place in that community tenuous.) But this isn't that. This is frustration. Harry Potter was carved into me years ago, and I can't seem to dig it out, and I have yet to decide what to do with that.

But the story stays with me. The memory of it is inescapable. I don't even really need to reread the books to write fanfics, most of the time; I know every plot point by heart. How could I not? And every unanswered question, every point of shoddy worldbuilding that drives me nuts about that world - I can fix those. I do it all the time in other fandoms. It's really not that hard to create the answers to the plot holes that bother you.

Most of the Harry Potter fics I write are crossovers - Harry Potter goes well with just about any world, kind of like Avengers does. But there's one I've been playing with that bugs me in a special way.

I mentioned finishing 'Constellations,' my two part series where Percy Jackson goes to therapy for everything he goes through in the PJO and HoO books. That was a love letter to Percy Jackson, to Rick Riordan's writing. Like any writer, he has his flaws and weak points, but I love it nonetheless, every part of it. I wrote it with the intent to supplement and highlight canon for everything I love about it.

Now, I find myself writing a similar fic for Harry Potter, with Harry Potter going through therapy. It's in the beginning stages yet (such stories are obviously difficult) but it's such a fascinating topic that I can't shake it. What happens when a survivor of such vicious neglect suddenly is accused of seeking attention at every turn? How can someone so victimized by the Ministry come to trust them enough to work as an Auror? Did Dumbledore truly understand what he subjected Harry to with the Dursleys?

But with Constellations, I had respect for Riordan's writing that I don't have for Rowling's. Such a story would come from a completely different place. And that's fascinating, too. It's just complicated.

I'm not going anywhere with this, I guess. It's just- frustrating, to so thoroughly resent a story and a cast that I also love so much.

[leftneb]

(Regarding the Landoscar dsmp au you're talking about)

YES!!! DO IT!! Join me in the crossover/multi fandom shenanigans!!! >:D /lh

Fr I would be so interested to see it 👀

this ask has been sitting in my inbox for about 39 years now but I have actually had a think about it so here I go

basically I think AU-ing anything into the DSMP would be incredibly challenging because it doesn't have many concrete universe rules. like we know hybrids and whatnot exist, we have the base universe of minecraft (minus the End ig) and the most defined part of the lore is the revival system which is a bit difficult to do anything with tbh

the way to make this interesting (and viable) would be to assign DSMP factions to the drivers and try imagining WHEN and WHY they would have chosen to align with those ideas and people (again this pretty much requires coming up with a new plotline which I'm a little too hyperfixed on the dbh au for atm) (you can pretty much reimagine the whole "plot" of the DSMP with the factions and main plotpoints being kept actually hmmmmmm just the relations changing. potential there.)

like imagine Landoscar (non-americans) with early L'Manburg meanwhile Logan is stuck outside. pure angst potential

my cTubbo (and cSchlatt and cDream) enjoyer brain also very very much wants to draw them as goat/deer hybrids because uhh yes. or just give them horns like the fandom did with cTommy

okay real question what happens when a hybrid character with horns gets revived. white horn maybe....

another big ol' questionmark would be how the drivers' lives could be adapted into the story. one thing that comes to mind is how Oscar moved to England alone at like 14, which my brain immediately associates with cTubbo. or Lando growing up as a shy kid with very little friends, very reminiscent of clingyduo in L'Manburg with the whole getting lifelong trauma thing

basically my thesis is that Landoscar (and Loscar actually) are clingyduo. I am not open to critiscism at this time (I actually am do please discuss this with me there's only a low chance I'll bite you)

I would point out that there is SO much angst potential with the whole L'Manbirg to Pogtopia and Manburg to everything that went on in the prison thing and I haven't even brought up cWilbur yet (the character and the person make me ill in such different ways urgh)

a thing (definitely one of my favorite things at that) about the DSMP is how EVERYONE is a main character depending on who you choose to follow, which is incredibly similar to how F1 works tbh so shockingly enough that's actually easy to adapt

another aspect I had a think about was dsmp character to driver associations which I honestly really want to do a questionnaire on and like make a research post about (someone actually did something similar to this about fandom to F1 pipelines go look at it it's very interesting)

my hypothesis is that associating single characters to drivers would be relatively simple (just a question of what role they play in their respective communities really, plus what vibes they give off lmao) BUT making those connections with groups/duos/trios/etc like actually reimagining the system would yield different results to singular associations. which is just a result of different environments having different ecosystems ig but it would be interesting to see nonetheless. in my brain some DSMP characters' roles would be filled by several drivers and some drivers would take on several roles at the same time which is absolutely fascinating to me

I think. that's all the thoughts I had about that (miight make a post about my driver-character associations at some point but I wanna sit down and have a proper think about that first) (all I'm saying is that Alex Albon is cRanboo)

[bethanydelleman]

This might be super random but I was going through your MP tags to make sure I hadn’t missed any posts of yours, as one routinely does, and I saw your post/thread from some months ago about Tom and Fanny having legitimate potential as a couple. I immediately launched myself at your askbox to recommend to you Ameline_DuchannesXI’s Tom/Fanny fics on AO3 if you haven’t already read them. Even if you’re not truly invested in reading about Tom/Fanny, the writing is incredible and Fanny really gets to shine, so I think you would enjoy them nonetheless.

My recommended order would be A Great Turn for Acting -> Merriment & Wisdom -> An Overabundance of Tom Bertrams -> Snowbear, but they’re not connected to each other so you can ofc go as interests you. Sorry for the random ask, I just low-key adore the idea and exploration of this pairing and couldn’t pass up a chance to promote them. xD

Hi! I have read some of Ameline Duchanne's works, but I've had very different feelings about them. I do like Fanny/Tom, it's a fun pairing.

I loved An Overabundance of Tom Bertrams, I also love The Time Traveller's Wife so the crossover was a true delight. I was entranced from start to finish. Highly recommend. I think I even wrote a recommendation post.

I hated Merriment & Wisdom. I don't think the author considered at all how different Fanny would be if she was raised in Portsmouth instead of at Mansfield Park. For example, she wouldn't be scared of Aunt Norris, especially if she first met her as Mrs. Bertram! Sir Thomas would NEVER, not in one million years, put his son's wife in the attic no matter how pissed off he was that Tom married without permission. Also marriages are basically permanent so like, why? Why piss off your daughter-in-law? Also, Fanny and Susan are going to balls in Portsmouth unaccompanied, Edmund gave a massive therapy monologue that was way more insightful than he is in canon... there were other things that bothered me. Anyway, I wanted to like it, I think it's a great concept, but it made zero sense to me.

Because of M&W I never continued reading her stuff, though I think I've read some of her shorter fics. Maybe I'll go back someday.

[anneapocalypse]

🎇20 Questions for Fic Writers🎇

Tagged by @dreadfutures 💙 Thank you!

Tagging @chocochipbiscuit @farfromdaylight @rakshadow @skyeventide

Blank questions for your convenience! My answers are below the cut.

1. how many works do you have on ao3?

2. what’s your total ao3 word count?

3. what fandoms do you write for?

4. what are your top five fics by kudos?

5. do you respond to comments?

6. what’s the fic you wrote with the angstiest ending?

7. what’s the fic you wrote with the happiest ending?

8. do you get hate on fics?

9. do you write smut? if so, what kind?

10. do you write crossovers? what’s the craziest one you’ve written?

11. have you ever had a fic stolen?

12. have you ever had a fic translated?

13. have you ever co-written a fic before?

14. what’s your all-time favorite ship?

15. what’s a WIP you want to finish, but doubt you ever will? T

16. what are your writing strengths?

17. what are your writing weaknesses?

18. thoughts on writing dialogue in another language for a fic?

19. first fandom you wrote for?

20. favorite fic you’ve ever written?

Answers!

1. how many works do you have on ao3?

If I count everything, 181. If we're not counting meta pieces, 163.

2. what’s your total ao3 word count?

802,674

3. what fandoms do you write for?

I've written for quite a few, but my big ones have been Fallout, Red vs. Blue, and Dragon Age. I've also written for The Penumbra Podcast, RWBY, Mass Effect, Person of Interest, and The 13 Clocks. (And now I'm also writing for Final Fantasy XIV, though I haven't posted anything yet and probably won't until after I'm caught up with MSQ.)

4. what are your top five fics by kudos?

Homecoming (Red vs. Blue, Tucker & Junior, rated T)

Juno Steel & the Fox's Teeth (Penumbra Podcast, Juno/Peter, rated E)

Sensibility (Penumbra Podcast, Juno/Peter, rated E)

Respite (Red vs. Blue, North/Wash/York, rated T)

Home Front (Fallout 3, Amata/F!LW, rated T)

I was genuinely surprised and charmed at how well-received "Homecoming" was (and continues to be), as I considered it fairly niche at the time of writing, but then, Tucker is a popular character. The response to my Penumbra fics certainly caught me by surprise, in the manor of, "OH, this is what it's like to write the popular pairing!" "Respite" was one of my very early RvB fics and it's not one I'm particularly happy with now, as I think I would have done certain things differently had I written it later, but nonetheless it was well-received; not a lot of people were actually writing North/Wash/York at the time. "Home Front" is one of my favorite Fallout fics I've written; I'm still proud of it.

5. do you respond to comments?

Yes, I try to! Sometimes I take a bit longer these days, but I do try to reply to every comment, barring the odd rude one which I'll just delete or ignore.

6. what’s the fic you wrote with the angstiest ending?

It's maybe cheating to say The Fall, given that it's the second in a trilogy so the story isn't actually over at the end of that fic. But that fic is a downer the whole way and ends with the main character's probable death, so. It's pretty angsty. After that, I'd say "Please (Don't Leave Me)", an RvB South/CT fic where CT doesn't live and South is dealing with the aftermath, poorly.

7. what’s the fic you wrote with the happiest ending?

I'd say I've written quite a few--I'm a big fan of the hard-won happy ending. I'm going to distinguish happy from fluffy here--I could pick any number of my one-shorts for fluffiest ending--and say The Landing, because relative to what comes before, and also canon, it's an incredibly happy and optimistic ending for Maine.

8. do you get hate on fics?

Rarely. The vast majority of my readers are perfectly sweet and kind. For some reason, my Mainelina fic has drawn the most bad commenters out of any. I wouldn't call those comments hate, but I have gotten a few that were pretty rude and/or backhanded. My guess is that I hit a particular unfulfilled niche with a long Maine-POV fic that happened to appeal to a particular kind of RvB fan, a kind who like Maine and like the fic but also felt the need to like, flex on me about it. Most of them have seemed not overly familiar with fandom etiquette and transformative fandom culture in general. Embarrassing for them tbh. I just ignore or delete them.

9. do you write smut? if so, what kind?

Whatever kind I feel like! Less in recent years perhaps, but that's less a lack of interest and more that I get bored easily if I feel like I'm writing something repetitive, and writing non-repetitive smut can be genuinely challenging! We only have so many words, descriptors, euphemisms, and slang terms that actually sound appealing when you're trying to write erotica, so I think writing good smut requires no small amount of creativity and resourcefulness, and I always admire those who do it well.

Bondage is a theme I've explored repeatedly. I would say that I enjoy writing established relationship smut the most because it can be assumed that the characters already know each other's likes and dislikes. But first-times can be fun too. I think I most enjoy writing smut between characters who trust each other and have a high level of emotional intimacy, whatever the specific activities involved might be.

10. do you write crossovers? what’s the craziest one you’ve written?

To be honest I'm just not really a crossover person. I can find the idea of a crossover interesting, but at the end of the day I just don't enjoy transplanting characters out of their home setting as much as I enjoy exploring who they are within that setting and how it's shaped them.

11. have you ever had a fic stolen?

Yes. I had a kink meme fill straight up plagiarized once, very obviously, such that when I took it to the mods it was an open and shut takedown.

I've also had less cut and dry incidents, and those are much harder to know how to deal with. I have had people basically rewrite a scene that I wrote, using pieces of the same dialogue, almost as if they thought we were both interpreting a scene from canon when we were not, it was something that I had made up. And yet it's not really plagiarism strictly speaking, and it wasn't worth the social fallout of calling them out on it, so I never did more than grumble vaguely about what happened. I've also had things where like... I ran across something pretty distinctly inspired by a fic of mine that I know the author had read, without bothering to give me a shoutout. That's not theft, but it is a bummer.

In every such case if the author had just asked me, "Hey, can I borrow your idea here? Can I post a remix of your fic?" I probably would have said yes without hesitation. Hell, even if they had not asked and simply given me a shoutout in their author's notes, I would have been pleased to have inspired them. But they didn't do that, and there's nothing I can do about it but I am going to be cranky about it.

12. have you ever had a fic translated?

I did have someone ask about translating a fic of mine once, and I gave permission, but I never heard back after that, so I don't know if they ever did. (This is something I have blanket permission for, by the way, so long as you let me know about it!)

13. have you ever co-written a fic before?

Sort of? A friend and I did post a polished-up RP as a fic once, though we ended up not keeping it up. In general I think I'm a pretty solitary writer, though I wouldn't rule it out entirely, but I'd have to really feel that both my style and my writing process meshed well with my collaborator.

14. what’s your all-time favorite ship?

I'm too much of a multi-shipper to have a real answer to this.

15. what’s a WIP you want to finish, but doubt you ever will?

If I want on any level to finish it, then I consider it still on the table. It might take me years to get back to it, but I still mean to. I still want to finish Small Blessings. I still want to finish Radio Silence. I trust that their time will come, even if it's not now.

16. what are your writing strengths?

Character voice, I think. Both dialogue, and getting inside a character's head and writing a plausible inner monologue.

17. what are your writing weaknesses?

Combat, always combat and action scenes, though I do think I'm getting better with practice.

Selfishness. As soon as I need to write something as an obligation to someone else, I don't want to do it, which is why I'd make a terrible professional writer, at least one who has to write to order.

18. thoughts on writing dialogue in another language for a fic?

Just write it. You don't have to italicize it or put some kind of indicator marks around it. Language is language. I think it's fine to post translations as a footnote but I don't think it's 100% necessary all the time, when it's something the reader can easily look up for themselves. I know I'm willing to do that kind of legwork for a fic I'm enjoying. I suppose it depends on the reader, and what kind of reader you want.

There are also times when it's perfectly fine to just write it in English (or the default language of the piece) while indicating in the narrative that the character is actually speaking in another language, such as ASL. Again I don't think you need to italicize or use some kind of weird formatting. Just write "He signed," and what he said in quotes like you would any other dialogue. If you've firmly established already that a character primarily speaks in ASL, you might not even need that. The reader can keep up.

Things do shift a bit when you're writing in a fictional language, especially one that's very incomplete and not a true conlang. I'll go with the obvious example of Dragon Age's Elvish (and yes, canonically the language is called Elvish or Elven, it's not called Elvhen, that's the people, not the language). Even if I string the appropriate words together, the meaning might not always be strictly clear to the reader out of context because Elvish is a pretty simple cipher. It doesn't have conjugation, for example. Nonetheless, I think often context clues can be enough for an engaged reader, especially if it's a word we encounter a lot in canon. Where it might not be clear, and if it's very important to the story, I will usually simply work some kind of translation into the narrative itself. This can work particularly well when your POV character also has it as a second language. Example from my Briala/f!Tabris draft:

Gheyna and Cammen, having finished tending to the halla, stood aside, hand in hand, and Gheyna waved. "Dareth shiral, Keeper. Talith, Briala, dareth shiral. Sylaise ma ghilana vhenas." Cammen added solemnly, "Dareth shiral, Talith. Elgar'nan ma ghilana, lasa mala enasalin." At that, Talith's expression grew solemn as well. "Ma serannas, lethallen. Dareth shiral." Briala recognized a few words. Dareth shiral, "Safe journey." Vhenas, enasalin. And the names of the elven gods. Gheyna had bid the Hearthkeeper guide them safely home.

I personally prefer to stick to what we have in canon for Elvish (I'm not going to set myself up to be jossed if I don't have to), or if I ever really need an unknown word I'll make something up for myself. While there are some fanmade Elvish dictionaries out there, I'm not comfortable hanging too much of my own work on someone else's fanon, and also I inevitably disagree with some of their decisions on ambiguous canon words. (Ma does not mean "my," it means "you." This is consistent with every canon use of "ma" except one, and that one is in DA2 and is thus really, really likely to have been an oversight due to rushed development; every other instance of "ma" supports it meaning "you." Sorry, that has been eating at me for ages and I needed to get it off my chest. 😅) That said there are multiple fanmade Elvish dictionaries out there at this point, so if you're going to use someone else's, in this case I would strongly recommend supplying the reader with a link, both to credit the author and so the reader knows where to go to look up the words if they choose to. Don't assume that everyone knows you're using so-and-so's Elvish dictionary; I had never even heard of the big popular one until a couple years ago.

That was a lot, but at the end of the day, it's all about making a judgment call on how much you need to hold the reader's hand, as with anything; I personally tend to err on the side of trusting my reader, and if I assumed too much, well, maybe that's my mistake and maybe that reader wasn't my target audience anyway. 🤷🏻‍♀️ You'll figure out what's right for your work.

19. first fandom you wrote for?

The first fandom I wrote for was actually Dragon Age, but that early writing never saw the light of day. First fandom I posted fic for was Fallout.

20. favorite fic you’ve ever written?

OH MAN. That's hard! I referenced The Drop, my Mainelina trilogy for RvB, multiple times in this post so obviously I'm still pretty fond of it. I'll add to that Inroads, my Kimbalina series. For Fallout, I'm real happy with Home Front (Amata/F!LW) and Cast Your Bread Upon the Water (Dr. Li/Star Paladin Cross, past Dr. Li/Catherine/James). And for Dragon Age, my current faves are No Woman Rules Alone (Anora/F!Tabris) and A Pot to Piss In (Sera backstory fic).

[lets-try-some-writing]

I’d love to hear more about these:

- Shenanigans with Holoforms

- Continuity Crossover Reactions

- The Gravekeeper concept

I have already written a bit about Shenanigans with holoforms so I will skip that one for now. But as for Continuity Crossover reactions? That idea stemmed from the whole Wheeljack in Tfa au that has been floating around. I couldn't help but wonder how different continuities would see not just each other, but also the different laws of their respective universes. Here are a few basic snippets of what the reactions would look like:

TFP: Not a spark can look at the tfp universe and not gape. Gods live and walk among the living, relics of deities lay hidden and able to be used, creatures from times forgotten live and breathe, and literal demi-gods are forged through the Matrix. Not only that but science and magic might as well come as a package deal. There are strange customs and rules that the tfp universe revolves around, unspoken rules, but rules nonetheless. There is balance, but there is also eerie mysticism and something just... not right when the others look at it.

IDW: Primus... idw looks downright grimdark to the rest of the universe representatives. The gods are dead, or at least out of commission. The relics of the old age are lost or destroyed, Cybertron suffers, most hope has gone out the window, and nearly everyone is dead. Still the inhabitants of idw march onward, ever onward to a future that only looks darker with ever moment and honestly... the other representatives respect and fear that. The bots of idw are made of... different stuff, very different stuff.

Bayverse: The representatives have collectively agreed that whatever is going on in bayverse needs help, lots of it. There is so much pain and suffering, so much rage and loss, and there is so so much wrong with it. There is no Primus, yet there is Unicron? The Primes seem to be made through some form of lineage, implying some type of biological reproduction, but there is still an allspark? The lore of the bayverse universe is so convoluted compared to the others that the representatives have decided it is more of a distant cousin than anything else. Still they see the pains of the inhabitants and the things they must do to survive and they respect it all the same.

Animated: The other representatives only had to listen to the rundown of tfa for ten minutes to start feeling a terrible sense of dread. The Autobots are a bunch of brainwashed functionalists and the Decepticons are a group of exiles who have lost sight of their actual goals. Each faction thinks they are the hero but both are definably not and every representative, even bayverse agrees that whatever is going on in animated is a whole different level of fragged up. There are no gods, no rules, no magic, no artifacts, not even a matrix of leadership, just cold cruel reality where every bot can act as they desire but has no idea what freedom really is.

I am so going to get more in depth into this later, but as for your second ask... the Gravekeeper concept stemmed from the whole terrorcon thing. I looked at it and how the bots reacted, even the Decepticons and came to the conclusion that there was no way that Cybertronians wouldn't develop a new job to handle the trauma of that event.

Hence Gravekeepers. A position I conjured up where retired veterans, bots who feel the need to repent, or those who just find the idea interesting would watch over the dead. They would be an elite group, almost cultish in their way of going about things. They would watch over the bodies of the dead ensuring that none dare to pervert them with dark energon, experiments, or anything else of the sort. They would remain alert 24/7 and guide mourners to the correct grave, stop bots considering ending their own lives by taking them into the order of Gravekeepers to show them the value of life, and they would keep everything orderly.

It was just a random idea but I thought it fit considering how disgusted the bots were at seeing the bodies of the dead waltz around all zombified.