ran-nii who HATES when u hang out with other boys, that’s why u almost never tell him where u go to. But one day he gets the feeling ur lying to him so he follows you, once he sees who you r hanging out with he goes back home and waits patiently on the sofa till you get back home. the rest you can imagine 😵💫 he has me so dizzy i can’t
you’ve always managed to build up your big brother’s trust, whether that was a good thing or not. it was advantageous the first few times you snuck out to hang out with your “friends” under the guise of going to your best friends’ to study but as time went on, your lies got more and more lazy. he’s not one to assume, he’s just a worried big brother, that’s all. so when he follows you to whichever place you decided to be that night, he wasn’t expecting it to be a guy, let alone, a guy he knew to be bad news. he’ll let you have your fun for the night, returning home to wait for you to get back.
you expected him to be asleep once you got back, his figure rested amongst the sofa amidst the dark room, not what you had in mind. “ran-nii?” you whisper out, making your way toward him. you feel his eyes scanning every part of you, those eyes filled with disappointment as he watched how you fell to your knees between his legs. “how long have you been lying to me?” his words are quiet, under his breath as he caresses your jaw with the cold metal tip of his baton. there was no point in denying your whereabouts—it was too late. he already knew.
“‘m sorry, i just—”
your words are cut off by his own, his tone shaken as if you’d pained him. “if it was attention you needed, you could’ve called for me. that’s what big brothers are for, right?” you nod your head along with him, feeling ashamed and quite frankly, guilty. “i’d help you but..” his words trail off as his baton grazes your bottom lip. “who knows where that dirty pussy has been?” he slips the metal past your lips, your mouth instinctively opening to accommodate.
“how about you suck this pitiful thing and pretend it’s my cock? then maybe we’ll see what your punishment is.”
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“If you want more representation” okay but what if they did a better job than all the other actors???
Like, with PJO Rick didn’t go “only black people can audition for Annabeth!! Grover has to be Indian! Zeus has to be black!”
No, the actors auditioned, did a good job, and got the gig.
Like instead of crying cause all these white actors didn’t get it, ask yourself if they even deserved the position.
Everything isn’t some “woke” propaganda or “more representation.” They just deserved the job.
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So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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Whenever people talk about lack of media literacy they always bring up people who think a character doing bad things=the author endorsing said bad things which are very annoying but I feel like we're ignoring the opposite, equally annoying side of the discourse who think if you criticize the inclusion/depiction of dark/sensitive topics in any way it’s bc you’re a dumb baby who can’t separate fiction from reality. and it's like no I know I’m not supposed to clap and cheer at violence against women I’m criticizing how much of it there is. Idiot
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man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies
and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin
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[insp] [Alex]
Prince Henry of Edinburgh is accurate to the movie don't @ me
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Raphael is the perfect character 10/10 no notes
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[[ All Croissant Adventures (chronological, desktop) ]]
[[ All Croissant Adventures (app) ]]
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De-aged and injured Danny
Danny is found out by his parents. They don't take it well.
Clockwork is very upset about this, because he'd gambled on almost-certain odds of them being chill about it. So now he has to run damage-control before this very unlikely time-line goes even further off the deep end.
Unfortunately, Danny needs to be in the living world, not the Infinite Realms. Which means that Clockwork needs to put Danny somewhere safe. Somewhere where nobody will find him.
And double-unfortunately, the only place that remotely fits this bill is to contact Lady Gotham.
City-spirits aren't... super-reliable. They're Neverborns who very very rarely consider "humanoid shapes" worth figuring out. So they just kind of... exist. An ectoplasmic presence that's undeniable, but also extremely difficult to have a conversation with.
Thankfully, Lady Gotham is (for all of her... quirks) generally very hero-aligned. Which is why she's the best one to ask for sanctuary for Danny.
Danny who Clockwork de-aged as a way to "limit his injuries" of being vivisected.
Lady Gotham agrees, but she only has one "safe place" to put him. And her Knight is a little bit too paranoid for her to just dump an injured child in his lair, without causing more trouble than it's worth.
But it's hardly a difficult thing, to arrange a few things, and place Danny in a spot where his injuries will cause her Knight to hurry to his aid.
Such as... in a room filled with medical equipment, right next door to where Joker has just lost a fight with Batman.
Things escalate somewhat when Batman finds him and makes some assumptions about what Joker has been up to. Tempers run a bit high, someone loses a few extra teeth, someone else has to physically drag Bruce off Joker's body before he beats him to death, and the Joker considers the whole thing a grand old laugh (he has no idea what's going on, but it sure pissed off Batty, and that's always a treat).
Of course, the Batfam has to actually investigate the scene, evacuate Danny, give Danny medical aid, and then also ask Danny about what happened.
Danny wakes up and is very confused about a lot of things.
He's no longer being vivisected. Great. Love that part.
He's somewhere he doesn't recognize (the Batcave). Could be good, could be bad. At least the bed is pretty nice?
He's very small. This feels like a personal attack. He might not have gotten a good growth-spurt yet, but taking away what he had is cruel and unusual.
And there's a weirdo in an... armored bat-costume? Who isn't setting off his ghost-sense? What the hell kind of "normal" person wears something like that?
Still, Danny does answer the questions that Batman asks him, because... well, there's a green post-it-note in his pocket that says he shouldn't lie.
So Danny tells Batman about his parents cutting him up "for science". And Batman hears that the Joker somehow managed to hire two mad scientists who (upon the tiniest bit of suggestion from the Joker, who'd definitely seen the similarities between Danny and Jason and thought it would be a "funny prank") had leapt at the opportunity to vivisect their own son.
This is definitely worrying, because from the phrasing, they'd been "wanting to do it for a long time". And considering Danny's slow heartbeat and low body-temperature? They'd been wanting to do it because he was a meta.
So, somewhere out there (the Bats had found no trace of the two) were two deranged lunatics who wanted to cut open metas to "see how they worked".
Batman does the very reasonable thing and actually contacts the rest of the Justice League with their descriptions, just in case they'd managed to leave Gotham before the Bats had tracked them down.
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I haven't drawn Floyd that much take some warmups
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#we spoke of this a LOT at work after that one tech was murdered and hidden in a wall
hi!👋 hello! kedreeva! i’m going to need to ask you to explain this!!!!
So back in 2009, a lab student named Annie Le was murdered at Yale university. Cameras saw her going on into a building, but not out again and it was like, the eve of her wedding (or close to? I don't remember) so clearly she had places to be and people waiting for her so they immediately started looking and the next day (or so? Anyway on the day of her wedding) they found her body in a recess in a wall, down in the areas where the research animals were kept. It turns out, a tech had killed her, but since there were cameras like EVERYWHERE, he just, I guess, left her there. Well, hid the body where it was. I don't remember how they caught him, but they did. It was a horrifying story. It still is.
And it was a huge news story among the folks at my workplace because, at the time, I was working at a different university, as an animal husbandry technician. As you can imagine this was a kind of intense time to be in that situation. They started offering, like, I'm not gonna say counseling but it was "if you need to talk we would prefer you talk to us about something wrong rather than kill anyone about it" and as techs (even if we were not even the same kind of tech, the killer was a lab tech and we were husbandry techs but I think a lot of people assumed it had been a husbandry tech since she was in an animal area), we were kind of getting the side eye from lab people for weeks afterwards. Like they thought we were gonna go "wow that's a fantastic idea, you're next!" or something, idk. And I mean like, people would freeze when you were alone in a hallway, or turn and walk the other way, or duck into the nearest room and watch you walk past, and they were all being super nice/civil to us when they did have to interact. It was very atypical behavior for lab people. Like not all of them, some of them had always been nice and weren't worried, but some of the people who had been unbelievable dicks previously were walking on eggshells. And the people who had friends in other universities reported this was happening at their jobs, too.
And instead of talking to The Man (because all the higher ups were garbage at the time), we just. talked among ourselves. It was a lot of "I may say I feel like strangling lab people sometimes when they do things that drive me up a wall but I don't MEAN it you know that right" and it also led to group discussions of what would be a theoretical *better* solution to hiding a body than what happened, with clear disdain for doing things like hiding bodies in walls, which is a terrible idea and one we would never do (looking at the people who think we might have decided this was a great idea actually).
Which consequently led to a lot of supervisors and/or managers that happened to overhear us bringing us donuts or arranging pizza for lunch in like, some kind of bid to help us feel appreciated, I guess, so that we wouldn't murder anyone, even though none of us were going to do that anyway. But also none of us were in a position to turn down free donuts or pizza or whatever.
And then after a few weeks, maybe a month or so, people just kind of forgot and moved on and things went back to normal like fifty people hadn't spent every lunch hour for weeks talking quietly among themselves about how human bodies would definitely fit into a carcass disposal barrel or that you'd have to crush hip bones and/or skulls before incineration. Hypothetically.
Like I said, it was a VERY weird time to be at my job, and every time I remember it happening feels like a fever dream. I can't even imagine what it was like at Yale.
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bang chan: haha im gonna roleplay a nerd flirting on bubble
actual nerd flirting on bubble:
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