Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.
Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.
And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.
And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.
So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.
I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).
And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.
I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.
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dumping more of my stancest feels here because i cannot NOT think of them. i read journal 3 for the first time this week and its great because Ford acts like stanley's biggest hater which is pretty fking funny (if not absolutely infuriating at times because omfg stfu you smug prick)
but the moments like this get to me
Ford being blinded by his quest of grandeur, accolades and praise for world changing discoveries, so obsessed with greatness, being the first name people remember, and all the other things his npd-isms tells him he wants.
And then there's "reminds me of camping with my brother. i wonder what he's up to..."
i mentioned in my previous post that stan acts quite a lot like the anchor to ford's boat, keeping him grounded and most importantly, safe from both the bitter and the sweet kinds of evils. but he also represents something so much simpler to ford too: the simple desires he represses so much because its not "good enough" for someone special like him.
he resents stan so much because he represents a "block" against that percieved good enough success he wants, the obstacle that made it impossible to get in a fancy college, become the world renowed researcher, the one who wanted to destroy his journal's and lifes work (even though it was the better, safer option if Bill really WAS that dangerous, which he was) that could still make him famous. because if ford's not "praised and weird" then he's just "weird" and being "weird" was nothing but a pain his whole life that kept him rejected and isolated from the masses. and stan prevented him from that.
(btw "maybe he can prove himself to me" is nasty work my god ford is a douche lmao)
a lot of his projections of something greater comes through with how he treated dipper in the show (his whole spiel in damvtf) and fiddleford in journal 3 where he looks down on the happy life that fiddleford had with his wife and child and saying he was "wasting his talents" making computers. and like, we all know by the way he takes them on high stakes adventures they're not as prepared for compared to him (and end up causing more trouble than not by doing so), he's trying to fill a gaping hole left by someone else. we all know this obviously, we all know what we ship here, but what i came to appreciate the most about it is how much that gaping hole exists in the low stakes
everytime ford is thinking during the "down time" moments, his thoughts always drift back to his childhood, and one person who represents it.
childhood memories, making fun of stans favorite snack, scribbling out a design of the stan o war, whenever Ford lets his mind wander it expresses such an intense yearning for the past before he became obsessed with wanting something more. these are his most utmost and most unfiltered thoughts, which is why he scribles them away or and writes in code. and the fact that he directly says they are about NOT getting married, followed with "wondering what he's doing right now", painting the picture of what his most ideal idylic life is. wanting a return of something lost. wanting Stan back more than anything.
he finally accepts that his dream never really changed, just the same as stan's and so they saild off together for the rest of their days, in ford's own words (which ironically sounds like a marriage to me either way so tough shit ford)
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In the middle of Thriller Bark rn and I feel like they ramped up the sexism big time UGH the plot points resolving around the Absalom guy are just the worst, you could have it all without the downright SA mr Oda you know that, and now Sanji saying the Invisible fruit was his dream... My dude I thought your dream was the all blue ffs
And Nami being nerfed again and used as a prop, what's new
Also I obv knew about Brook and his pants deal but I didn't know anything else about him apart from some plot points and I was surprised he had such a nice voice and I love his skeleton jokes and he's very fun but AGAIN you could have it all without the pants thing....
It's not like I didn't know this would be happening, it's just annoying when I watch it and I feel there's more of it than there has been so far and it's more explicit ://
Can I see the part Zoro almost dies already? lol
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Small-town Stephen King books are my favourite, and for obvious reasons they are similar to Stranger Things (literally a direct inspiration in the case of The Body/Stand By Me, and IT). I’m reading ‘Salem’s Lot currently and there’s just a quote that stuck out to me:
“There’s little good in sedentary small towns. Mostly indifference spiced with an occasional vapid evil - or worse, a conscious one.”
This is the main principle of IT too; It represents the hatred and bigotry within small towns in that era, and how that cruelty begins to taint the innocence and freedom of childhood as you grow older. Like Hawkins, it’s not a coincidence that Derry or the Lot are being tormented with “evil.” The evil is just a physical manifestation of everything wrong with the fabric of those towns and the so-called “norm.” This is why we’re going to see characters like Will, who continue to love despite everything thrown their way, get a happy ending. The supernatural threats are entwined with these themes, hence why it’s not just about beating Vecna (who is a product of being Other’d, and the environment Hawkins has fostered) and the mind Flayer or whatever. The inherent issues with Hawkins which allowed these things to happen in the first place need to be changed. Humans and their capacity for cruelty are the true conscious evils.
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