#the characters are mostly pretty surface level

[aroaessidhe]

2022 reads // twitter thread      

Aces Wild

when his casino owner mom is arrested, a boy invites his online asexual friends to LA to take down the rival casino owner who he thinks put her there

revenge, friendship, a bit of a heist

[came0dust]

i cannot keep drawing this dude on my phone but god do i love drawing him (+ bonus colors)

[lunarrampage]

I'm a big advocate of just blocking and moving on when seeing bad takes about your interests but that's mostly because I rarely travel outside the small circle of artists and mutuals I follow and ohhhh boy after having seen the worst take about a beloved blorbo I suddenly understand everything, it was like a redditer overtook my body and I almost went into a rage as I resisted the urge to "um actually" and type up an entire essay in ops comment section but I persevered. Are you all proud of me.

[triptuckers]

on the bottom of the lake - percy jackson

Request: yes! "I love ur writing!! could you write something w Percy helping anxious reader?? I’ve been super stressed lately and idk this show is keeping me sane lmao" Pairing:  Percy Jackson x reader Summary:  you've been stressed and percy knows the perfect way to help you relax Warnings:  reader being stressed, some swearing, anxiety Word count:  917 A/N: I drew so many pjo characters yesterday I cant wait to share them when I'm done with them :) thanks for your request, enjoy!

you don't know if you've ever felt like this. sure, you'd been stressed before. but now you're losing sleep over it. and not a few hours, just nights without zero sleep at all.

you've got a big project you need to do for school over the summer. if you call, it'll be your last strike and you'd be expelled. like it was your fault you had trouble reading and concentrating.

when you arrived at camp half-blood at the start of summer, you thought some of your worries would go away.

the opposite happened.

you saw everyone around you having a good time. they didn't have to worry about some project. they slept peacefully from night til morning.

even if you can't work on your project, you're constantly thinking about it. your mind never rests.

percy noticed you've been stressed and tries to talk to you about it, but you always shut him down. it's enough to think about it all the time, let alone talk about it.

after a couple of days, percy tries again. he really wants to help you, but he don't know why.

'hey, y/n?' says percy.

'what's up?' you say, looking up at him. you're supposed to help your cabin prepare for tonight's bonfire, but so far you're not helping much.

'about your project-'

'gods, will you leave it alone, percy!' you burst out. 'I think about that fucking project all day don't you start about it as well!'

percy takes a step back and you realise it's because of you.

'I'm sorry! sorry!' you say, getting up and grabbing one of his hands. 'I'm so sorry I didn't mean it.'

you feel tears slowly starting to fall.

'hey, it's okay.' says percy softly. he reaches up and brushes a tear from your cheek. 'want to go to the lake for a while?'

you nod. percy leads you to the lake. you close your eyes and let the breeze calm you down. but still the project is on your mind. if you go to your cabin now, you could get some work done.

percy tugs on your hand and you open your eyes to look at him.

'get in.' he says, nodding his head toward the lake.

'now?'

percy nods.

'percy, I don't want to go swimming right now.'

'do you trust me?'

'of course.'

'then get in.'

you sigh. what did you have to lose? maybe a swim would be nice.

'let me get my bathing suit.' you say.

'nope.' says percy, pulling you by your hand as he jumps in the lake. before you can stop him, you're pulled forward by his momentum. seconds later, the water surrounds you.

you want to yell at him for getting your clothes soaked, but you remember you're under water. once you get your bearings, you open your eyes, letting them get accustomed to the water.

you try to swim to the surface, but percy still holds on to your hand and pulls you further down, all the way to the bottom of the lake.

good for him, he's a poseidon kid. you aren't. you can't breathe underwater. surely percy knows that right?

he lets go of you hands and swims to the bottom of the lake.

you're going to have to go up for air soon.

you can see percy sitting down on the ocean floor, gesturing at you to join him. you squint your eyes. it looks like the water is less murky down there.

you let yourself sink down to percy's level. the water is less murky here because there is no water here.

'I didn't know you could do this.' you say, looking around the air bubble you're in.

'pretty cool, right?' says percy, smiling proudly.

'why are we here?'

'I mostly come here when I need to be alone. if you sit here in silence for a while, the fish will come up to you. and I always thought the waves are soothing to look at from down here.'

you look up and watch the waves for a while. sunlight pours through the water, giving it a soft glow.

you move closer to percy and rest your head on his shoulder.

the two of you sit there for a while. and percy was right. after some time, fish start to swim around your bubble.

percy tells you about the lake and the animals and after a while even two water nymphs come to say hello. percy knows them and introduces you to them.

you sit there for so long you lose track of time. it's getting late, so you decide to swim up to the surface.

normally you would have been soaked, but thanks to percy you're warm and dry.

you stifle a yawn as percy takes your hand in his and starts walking towards the cabins.

'thank you, that was nice.' you say.

'one of the bonuses of dating a poseidon kid.' says percy, lightly squeezing your hand.

he notices you hadn't talked about your project at all when you were in the lake. and you look genuinely tired. he hopes you can get at least one good nights sleep tonight.

'want to stay at my cabin tonight?' he says.

you smile and nod. 'yeah I'd like that.'

the two of you head to percy's cabin to get some sleep. and percy had been right, you got a good night of uninterrupted sleep. you dreamt of nothing but the comfort of the lake, and percy's presence next to you.

A/N:If you want to request something, make sure to read my house rulesHere’s the list of characters I write for. Everything that I have written can be found on my masterlist. Please don’t repost my work, as I spend much time and effort on it!! Thank you for reading! Much love, Marit

[bittersweetorpheus]

☆ THERE IS NO SWEETER INNOCENCE THAN OUR GENTLE SIN ☆

The original sin is the fairest: everyone sinks. make the most of the final feast, because for the sinners, the curtain call has come.

☆ CONTENT WARNINGS ☆

Spoilers for 4.0 Fontaine archon quest, pov switches, co-dependency & obsession, hints of soft yandere

“I’m not quite sure when it began, but a prophecy has been circulating around Fontaine: the people will all be dissolved into the waters, and only the hydro archon will remain, weeping on her throne.”

This has become a fact for the Fontaine people, with the water levels slowly rising and consuming parts of the nation. Everyone has different opinions on this- some ignore it, deciding to live in the moment- surely they’ll be long gone before water consumes the whole nation, some believe it’ll be like returning to their origins, and some dread it- how horrible must it be to dissolve into water and possibly lose themselves forever?

But mostly, the Fontaine people have been resigned to it, and gone about their day as normal. The water levels were rising pretty slowly, anyways, so it wasn’t their problem yet. Or it wouldn’t be, if the rising water was still moving at the same pace. However…

☆ 1 WEEK BEFORE THE DUEL ☆

Your awakening is a gentle one.

Or, atleast, it is for about a minute or two before you realize you’re underwater. You panic, scrambling around like a fumbling idiot for another two minutes before you finally get your wits about you and realize that you are, in fact, not drowning and are breathing like normal even though you’re underwater? Unfortunately, along with that realization comes the fact that you… well, where even are you?

You take in your surroundings. Ignoring the fact that you’re underwater for some reason, it’s actually… very pretty. There isn’t a single piece of litter in sight, and you don’t have a hard time seeing, as the water is clear and beautiful. An underwater cliff arches a few miles behind you. The lush ocean ground beneath you splits apart and a trench can been seen below it that splits into multiple different paths leading even deeper under the ocean. The ocean floors and cliffs are lush and foliage is all around you, ranging from huge and tall stocks of plants resembling a mix between flower stems and lilypads to areas with plants the color of autumn leaves. Fish can be seen almost everywhere- crabs that glowed a mesmerizing blue, tiny tidalage, seals splotted in pastel colors, groups of fishing swimming together, and more.

The clear, litter free ocean, bright foliage, and adorable pastel creatures make for an idealized version of an ocean. And, surprisingly, they seem familiar somehow.

Wait…

You give the seals nuzzling you one last pet, and make your way to the surface of the water.

You surface. Huge mountains with colorful foliage surround the ocean. A beautiful city can be seen in the distance, with some ships floating near it. Some sort of bridge can be seen running from the city and through the mountains. It goes so far that it disappears from your line of sight.

Oh.

Oh. Your guess was right. You’re in Fontaine. You stay there for a bit, astonished. You push that to the back of your mind, you’ll deal with it later. But first, did you still have your inventory? You cross your fingers- please, please, please! Archons, you spent so much money getting all those weapons and characters and so much time just farming materials and artifacts. You shudder at the thought of losing all your progress. You’ve already checked the banners, and they’re the same as usual, so you close your eyes, trying your hardest to imagine opening your inventory and-

Huh? What? You are, once again, astonished. You close your inventory and open it again- maybe its just a glitch? Or maybe you’re delirious. You open it again. Nope. Nothing’s changed.

When did you have all these characters- you’re pretty sure some of these characters haven’t even become playable yet. And all these weapons? Wait, how good is your artifact luck? How is this possible? Are you gonna be banned for hacking? Can you even be banned if you’re actually in the game?

You slowly close the inventory once again, still in shock.

Surely this is a dream, right? Yeah! It’s just a lucid dream, even if it feels so realistic.

You decide to spend your time exploring and petting more animals- maybe even meeting some characters! Who knows when you’ll be able to dream like this again.

Yep. Just a dream. You’re just dreaming, thats all.

☆ 1/2 WEEK BEFORE THE DUEL ☆

Dozens of rain droplet streak down the stained glass windows of Nuevilette’s office. Jazz plays, alongside the sounds of a heavy downpour of rain and the ticking of the clocks in the office. He finishes flipping through the files and leans back in his padded chair. He hasn’t been able to do much work these couple of days, always anticipating the familiar feeling of warmth flooding into his body and being guided to do things, but it never came, and with that realization, the rain had started to pour even harder.

Had you finally abandoned him? Had he not concealed his feelings well enough? Were You able to see through his facade? Had You finally noticed his concealed feelings whenever he saw You guiding the ever so immature Furina, or doing exploring the city with Navia? How the corner of his lips would curl down every so slightly whenever You took the warden, Wriothesley, to go ice-briding when You felt bored, one-shot bosses with the Champion Duelist Clorinde for fun, or farmed for talent materials for the magician triplets?

He may not understand humans and their emotions, but even he knows what these feelings are. So, he promises that he’ll stop soaking in jealousy or anger when you fawn over the two Fatui Harbingers or anything of that sort. Just… come back to him. Don’t abandon him. Comfort him like You always do. Praise him, praise his appearance, praise his personality, please come back, he needs You.

But he knows that You haven’t abandoned him. You’re still here, in fact, Your presence is stronger than ever, and the whole of Teyvat is flourishing, almost like its in celebration of something. So, where are You?

Neuvillette sighs, standing from his chair. He’d better check on Furina- who knows what she may be doing without your guidance. As he starts to walk to the door, his long tailcoat brushes against his desk, making a file that was buried beneath all the others fall down, onto the ground. It’s contents sprawl on the floor.

He bends down, picking up the papers and placing them back into the file. As he does, he skims over the contents.

He frowns. Could it be true?

☆ 2 DAYS BEFORE THE DUEL ☆

People are whispering, and Focalor is frozen in place.

The whispering grows louder. She can make out hushed and anxious tones.

“What’s she doing just standing there? How disrespectful.” She hears.

She snaps out of her state of awe, and tries to take grasp of the situation. Unfortunately, in her panic, she says the first thing that comes to mind.

“Imposter!”

☆ 1 DAY BEFORE THE DUEL ☆

“And what do you say to these claims?” Nuevillette asks, snapping ‘The Imposter’ out of their stupor.

“No.” ‘The Imposter’ says.

Nuevillette frowns, “no? I ask that you elaborate.”

“How am I supposed to defend myself if I don’t even know what I did wrong?” ‘The Imposter’ reasons, still not fully processing the situation.

“Hah! Trying to act dumb won’t work here. You know what you did!” Focalor interjects. Truthly, this situation had come to be because of her carelessness and now it had spiralled way out of her control. She can’t take back what she said now, so she’d had to pray for the best. She dug her grave, so she might as well lie in it and hope for the best. I mean, surely it was fine, right? Surely this is an imposter. “If you can’t defend yourself in court, than you might as well duel to prove your innocence.

“I- huh? Alright, then.” ‘The Imposter’ says, not seeing any other choice. “I request a duel, I guess.”

“Very well, your request is accepted. You will be dueling against Clorinde tomorrow at dawn.” Nuevillette says.

People slowly filter out of the court room in anticipation for the day of the duel.

Focalor has a sinking feeling in her gut.

☆ THE DAY OF THE DUEL ☆

Clorinde sits at the harbor, too ashamed to watch over The Creator.

The duel had lasted no more than one or two minutes. The Creator had made no move to fight back, and Clorinde had made quick work of Them. It was only when she had made her way over to Them to end Their life when she noticed the ichor that spilled from Their many wounds. Her heart sunk into her chest. In a panic, she screamed for doctors. She had tried her best to keep Them awake, but They had already fallen unconscious by the time the doctors arrived.

Obviously, The Creator was still alive- who knew what would happen to Teyvat if The Creator, Themselves, Died. But she couldn’t get the image of their unconscious form out of her mind. The sin she’d committed weighed her down like the anchor of a boat.

She sighed, standing up shakily, starting the walk back to the city and…

Wait. Was the water level always this high?

Oh.

Oh. 

[huiyi07]

hey so do you guys ever think about how often Diluc is referred to as the ‘uncrowned king of Mondstadt’ since he’s like the only male heir to the noble families and like it or not, where Jean is the authority of the nation, he’s pretty much the symbolic face of Mondstadt and the values the nation projects— and despite his temperament, Diluc has learned to embrace it wholeheartedly. He’s charismatic, extremely righteous, and he blazes bright and gives the people of Mondstadt a fire that guides them in the dark, quite literally. Like he’s literally Bruce Wayne lmao

But he doesn’t want this, no, and here’s the proof- maybe he did, once upon a time, before everything happened— but he doesn’t really care about wine, he only cares about the winery because of the people in it and his father. He’s righteous but doesn’t give a damn about the rules and the knights of favonius. After what happened to him, he’s clearly a rebel at heart now, not some charming superhero who does everything expected of him, unlike before. In summary, Diluc was someone who was quite literally ready to become an (uncrowned) prince, pretty much royalty in every way except title- and on surface level, he still is, but he throws that mantle away in secret whenever he can.

And then look at Kaeya, his brother who’s always lived in his shadow. It’s easy to see that now, people don’t really project Mondstadt’s values onto Kaeya the same way they do onto Diluc, since lots of people hardly even remember that they’re brothers. And yeah people still think kaeya is reliable and nice, but also because of how Kaeya built his image after Diluc left— an excessively over the top personality that pretends to be sadistic, mean, and at the same time dripping with false charm. So despite that people still find him approachable and nice as expected of a knight, hardly anyone would call him befitting of a prince.

But Kaeya is actually so painfully and authentically ‘princely’ and kind, deep down— the way he deals with children, his fierce loyalty and willingness to protect people at all costs, his self sacrificial tendencies that most often appear for Diluc’s sake. Even the tidbits of lore we get about him scream aristocracy- his ‘ceremonial’ bladework, Alberich family secrets that reveal just how central they are to the kingdom of khaenriah. This is kinda obvious to any player who’s bothered to learn anything about kaeya, but to the characters in game, there are very few that know that side of him.

And whereas Diluc is forcibly projected the title of royalty and secretly rejects it, Kaeya was actually born into it- his family is very important to Khaenriah is in his veins, and much like how he does with anything related to his past and heritage, he loudly and outwardly rejects it. Diluc outwardly rejects what Kaeya shows (a darker, more ‘means justify the end’ nature), and Kaeya tries to hide what Diluc projects (a sophisticated and kind upbringing).

Honestly? It’s as if they were swapped at birth. Kaeya’s real hidden nature, even after everything that happened to him, remains to be so unwavering and people-oriented, while Diluc’s true personality changed drastically over time. Not that Diluc isn’t unwavering or whatever, but Diluc mostly actively rejects relationships and prefers to do everything alone, obsessed with the idea that he doesn’t want anyone to get hurt, whereas Kaeya always, always yearns for companionship and for people to be by his side- solidarity.

Diluc is the poster image of royalty, but his brother who hides in the shadows is a real king. They complete each other, balance each other out, represent the parts that the other hides. I don’t know if hoyoverse always meant them to be that way, but damn they basically represent each other’s parts of themselves that they lost. Yin and Yang, two halves of the same whole.

[eli0004]

Okay. So I loved loved loved your relationship HC canons. They were so well written and I loved him❤

But can I also request Levi falling in love HCs? Like I can imagine him being in love but for the love of God I can not imagine how he would fall in love with someone. Like what certain characteristics would he like? Bold? Calm? Sunshine? Introverted? And how will he be attracted to them? Would it be easy for him to accept his feelings or will he be in denial?

Like please please please.... I love the way you write Levi. So please.

-🌼

Absolutely! I love this topic actually, it’s something I’ve thought a lot about! 🖤 I hope you enjoy!

Genre: Fluff

Summary: How does Levi Ackerman fall in love, and what is his ideal type?

Warnings: None, maybe some talk of insecurity?

Levi is a December Capricorn. December Caps are known for being highly emotional, but struggling with emotional expression. They’re also usually very uptight and disciplined, and tend to take a practical approach when dealing with situations as opposed to flying by the seat of their pants. Obviously these traits are pretty accurate to Levi’s character. A Capricorn’s most ideal match are typically Taurus or Virgos. Commonly known Tausus/Virgo traits are passion, stubbornness, dependability, logic and communication.

Now, obviously you don’t have to be a Taurus or Virgo to be loved by Levi, but think with that in mind, Levi would do best with someone who is very strong willed and independent. He’s not the type of guy who wants to be with someone he has to keep his eye on. Emotional maturity and practical thinking are very important traits to him when looking for a partner, and someone who can communicate well is very attractive to him, since he has a harder time putting his feelings into words.

He likes someone who is genuine, trustworthy and dependable. Someone who has a strong sense of justice and empathy, who defends and advocates for others when they are unable to defend themselves.

I think he likes a good mix of pessimism and optimism. He’s a pessimist himself, so if you’re too optimistic it may irritate him rather than help, he prefers someone who is more of a realist. Someone who doesn’t enable his negativity, but who helps him to think rationally instead.

Like i said before, i think Levi is a deeply emotional person. If you’re only looking surface level, it wouldn’t be obvious, but when you breakdown a lot of his character traits in the show itself, it’s pretty clear that he tends to be swayed by his emotions. I think he would know immediately when he falls in love.

He’s the type of guy who’s always in his head, he thinks a lot, visiting the past, pondering the future. When he starts to catch his pondering turning into fantasizing about a life with you, doing domestic things, and being cozy together, that’s when it hits him.

But I think he’s also deeply insecure, not so much about his looks, but his personality. His ability to love again after having lost so many people. Whether or not you deserve someone better. He’s used to being misread as unapproachable or mean, so somewhere along the way, i think he might have begun to believe those things.

I think it would mean a lot to him if you just treated him like a normal person. Not humanities strongest, not mean or unapproachable, or someone to be pitied for his struggles. Just let him be Levi, and praise him for who he is in his soul.

All that said, i don’t think he would be the one to make a move 💀 because he’s so in his head, i think he’d be too worried that he’s misread the situation and that you don’t see him that way, perhaps you’re just being nice. He’s extremely oblivious to flirting.

But if you catch on first and decide to shoot your shot, he will be absolutely flabbergasted. He’s looking over his shoulder like “do you mean- are you talking to me?” Before that moment, he’s mostly convinced that he’ll be pining in silence for the rest of your lives.

Levi blushes. A lot. He’s very pale in complexion, so the smallest bit of flirting or teasing has heat spreading over his face, and it’s painfully obvious.

So when you’ve got him face to face, telling him how you feel about him, he may not be able to respond in beautiful poetic words, but his body language is enough to tell you how he feels.

He won’t make eye contact, he’s all red faced and bouncing his leg and gripping his teacup with so much force, you’d think it was going to crumble. And oh- what’s that? An ever-so- subtle, happy little grin; completely involuntary, he couldn’t stop it even if he tried. He feels boyish and vulnerable, but it’s strangely nice.

Your relationship with Levi is not a secret, but it is private. He values your time together, as it helps him to decompress. He all but melts in your embrace after a particularly hard day, and It’s crucial that you respect his desire for privacy, the level of raw emotion and vulnerability with these new experiences is something that he’s entrusted you with and that means everything to him.

And on the subject of new experiences, the more you handle him with care and allow him to process his feelings without judgment, the less he’ll worry about not being good enough, and you’ll find that he’s a very good and attentive lover.

Even still, you’ll find from time to time that reassurance is something Levi needs like he needs air to breathe, and this can come in the form of many things, like remembering little details about the things he loves, taking care of some of his responsibilities when he’s feeling overwhelmed, quiet touches when he lacks the energy to speak.

Having someone who sees him for who he is and loves all his broken pieces is what Levi finds comfort in while he’s nestled in your arms at night, and he wouldn’t trade it for the world.

[cosmerelists]

How Well Cosmere Characters Would Do At Speed Dating

"Speed dating" is an event where a bunch of people move from table to table, having like 5-minute conversations with a bunch of different partners. Then people fill out cards ranking the people they met, and the organizer pairs up any people who both feel that they hit it off. Basically, it's a way to meet a lot of potential romantic partners in a very short span of time.

So let's say that yesterday, for Valentine's Day, Cosmere characters attended such an event. How did it go for them?

1. Kaladin: It went badly; 0/10 stars

People have to reach like Friendship Level 5 to unlock Kaladin's tragic backstory. People talking to him for like five minutes will only read his surface vibe: glowering, uncomfortable, and tall. He might get some good ratings for sheer hotness, but I don't think he's walking out of this with any dates (if only because HE doesn't rate any particularly high).

2. Adolin: It went SO well; 10/10 stars

Adolin (single in this universe I guess) is personable, good at flirting, and very adept at getting dates. He's being ranked as a top-tier catch by everyone he meets, and he's ranking everyone he sees as top-tier too because hey, he could probably maybe see it working out for a while. That boy's calendar is FULL for the next month.

3. Elend: It was not great; 3/10 stars

Elend is obviously carrying a book the whole time, and he has a tendency to start reading during the conversation, even though--again--each conversation is only five-minutes long. Most of his partners find this rude and off-putting, but he'd get a least a couple who are intrigued either by him or by his book.

4. Leshwi: It was okay; 5/10 stars

She's magnificent and tall, so that's gonna get her some positive feedback. I also do genuinely think Leshwi is good at connecting with people. On the other hand, she keeps asking when the "stabbing part starts," and, uh, that doesn't go over very well with most of the people.

5. Denth: It was pretty great; 8/10 stars

To be honest, Denth would be GREAT at speed dating. He's disarmingly funny and self-deprecating but in a self-confident way. He might lose a few potential partners who are like, "Ew, mercenaries" but I do think he's walking out of there with plenty of dates if he wants to.

6. Ulaam: It was mostly a failure; 1/10 stars

He's quick with a compliment, but his compliments are usually along the lines of, "What a nice elbow you have. Can I have it? Only after you die of course, ha ha!" I'm sure there's at least one person who's into that, though.

7. Kelsier: It went great; 9/10 stars

I think Kelsier would be great at speed dating if he wanted to be. He can definitely smile and get people on his side. He 100% has an ulterior motive for this speed dating thing, though...

8. Shallan: It was so-so; 5/10 stars

Can Shallan rock a social event? Yes. Can she resist making that slightly inappropriate pun when the opportunity presents itself? Absolutely not. For this reason alone, I think her ratings are...varied.

9. Charlie: He ranks it 10/10 but everyone else ranks it 0/10

Charlie has EXACTLY the speed dating experience he wants! AKA, he is as boring as possible so that nobody wants to date him. He has a great time. Nobody else does.

10: Nightblood: People died; 0/10 stars

The people who partnered with Nightblood either tried to unsheathe him and died, or being near Nightblood just made them feel sick. Nightblood had a great time! (And is not allowed back.)

[lurkingshan]

On Boston and Brian Kinney

I’ve seen a lot of folks in the Only Friends tag recently making connections between the show and Queer as Folk, both US and UK versions, which makes sense because QaF is a clear reference for the show, both visually and thematically, and we know Jojo likes to reference western media in his work. One parallel folks are drawing is not tracking for me, however, so I am jumping in the wayback machine and putting on my old QaF stan hat to talk to y’all about Brian Kinney, and why Boston is actually nothing like him. Tagging @bengiyo and @neuroticbookworm who talked this through with me and also @slayerkitty because I saw you were contemplating this connection between the two characters.

So, first, why are people making this comparison? It really boils down to one thing: Brian and Boston are both sluts. That’s… pretty much it. They both like sex and prefer to have it with many different partners, and neither has much use for monogamy. But this is pretty much where their similarities end. 

So let’s remind ourselves who Brian Kinney is: a kind of fantasy of a hot, rich, self-actualized gay man with unmatched sexual prowess and a surface level flippancy masking a heart of gold. Brian is an adult man with a thriving career and money that he earned for himself after leaving his abusive and homophobic family (who would eventually explicitly reject him because of his sexuality). As a result, he is defiant in his commitment to live his life as loudly and queerly as possible—which includes a dedication to fucking and sucking, public sex, and a rejection of heteronormative constructs like monogamy.

Brian has a very clear moral code he lives by, even if it’s not one most can relate to. He decides to have a son with his (lesbian) best friend because part of him wants to believe in a better future and build a family of his own. He is extremely loyal to his found family even as he’s a jerk to their face most of the time, and he is always working behind the scenes to protect them even as he often hurts their feelings with his glib remarks and shitty behavior. Despite his disdain for monogamy, he never actually tries to destroy any of his friends’ happy relationships (in fact, he tries to sacrifice his own friendship with Michael to ensure he stays with his boyfriend).

Brian has a sense of responsibility to others and often takes on the blame for things he didn’t even do, which is why he takes baby gay Justin to Debbie and ensures he is cared for even as he tries to dissuade Justin from getting attached to him, and why he cares for Justin in the aftermath of his bashing. He cares deeply about his community, to the point where he pours his money into protecting the local gay scene, literally bankrupts himself to stop an anti-gay politician from winning an election, and gives up a dream job to stay put in Pittsburgh and help rebuild the community after a hate crime.

Brian is unflinchingly honest and he avoids making promises because once he does, he knows he will absolutely keep them—he takes his commitments seriously and he always does what he says he will. When he falls in love, he does not abandon his core values but he is willing to make some compromises. And he hides his better self and often wallows in self-destructive behavior because he feels deeply unworthy of love, which goes back to the intergenerational trauma he experienced as a child in an abusive home and the parental rejection he felt due to his sexuality. 

Boston, by contrast, is a character who feels more rooted in reality. He’s a pampered rich kid who is indulged in his hobbies and who already has a life plan laid out for him and paid for by his daddy. He likes to sleep around mostly because it’s fun, and because he knows his life here is temporary so he doesn’t see any point in getting attached to people. In stark contrast to Brian’s out and proud and fuck you if you have a problem with it brand of politics, he is still trying to hide who he is in service of his father’s political career, even if he’s pretty sloppy about it (see him fucking Top in a car with giant windows parked in the driveway at a house party).

Boston’s moral code is fungible and ever-changing to fit his circumstances—boy is a hypocrite (see his opinions about people filming and photographing him even as he does the same to others constantly). He has no loyalty and no qualms about hurting and betraying his friends, and actively tries to destroy their relationships for sport or as a means to get what he wants. He does not feel responsible for anyone and often lies and ducks accountability for the things he does. He does not care about his community at all, and in fact already has a NYC escape hatch in his back pocket for when he inevitably burns his bridges. He is not as honest as Brian and sends a lot of mixed messages to keep people guessing and on the hook.

Rather than hurting people by being brutally honest as Brian does, Boston plays psychological games and manipulates his friends and lovers, and he seems to take twisted pleasure in blowing up their happiness. We haven’t seen him make a promise or fall in love, and while there are some signs that he may have some sort of inferiority complex at play (with Mew in particular), his motives are not tied to any past trauma. Boston is just a messy bitch who loves chaos and doesn’t really care who gets hurt as long as he gets what he wants and stays entertained. Where Brian is literally a superhero to his loved ones, Boston is just a very flawed human being. 

But Shan, I hear you saying, I thought you liked Boston! I do, besties, I do. He’s a fantastic character and a very real kind of person many of us encounter in our 20s. Because that’s the thing: Boston is so young. He hasn’t developed any sense of responsibility to others or any understanding of the importance of queer community, and he has never had to take care of himself, which is perhaps the biggest difference between him and Brian. Brian has lived independently for more than a decade when we meet him in QaF, whereas Boston is a spoiled rich kid who has barely lived. Brian is a fully realized adult and his more nuanced characterization is a reflection of that; Boston is actually a pretty basic chaotic drama queen who will grow up eventually. 

TL;DR: Aside from being promiscuous, Boston has very little in common with Brian Kinney. He is more a reflection of a very real kind of person you will meet on the scene in queer communities than an homage to a larger than life fictional QaF character. And while OF is absolutely referencing some of the themes and values and stylistic flourishes of QaF, it is not making direct parallels to its characters. 

[broomsick]

Don’t get me wrong, I absolutely adore deity depictions made by artists online. However, it sometimes gets unsettling when deities whose aspects are centered around entirely nonviolent concepts are drawn as hyperviolent, warrior-type of characters. This is especially common in depictions of Norse deities. I can understand why this tendency would be, considering some of these depictions are made for promoting video games, and such. It’s plenty more surprising, however, when such drawings can be traced back to pagan sources. Now, this highlights a larger, more concerning issue: the general perception of Norse deities by pagan informational websites. It gets easy to distinguish between the pagan sources I want to look into and those I want to avoid, based on the general image of some deities that they choose to present. I know I’ve talked about this in the past, but if you spread information on Norse deities but depict them all as “warrior Gods”—by only relying on hyperviolent representations even in the case of more “peace-oriented” deities for example, it shows you don’t care to go deeper than your surface-level understanding of a mythological pantheon that’s filled with diverse figures and nuance. And it’s especially concerning when this type of perception is spread by websites that advertise themselves as being 100% factual and unbiased. These types of sources generally reduce deities to a fixed list of aspects (“This or that deity is the god of this, period”) and it doesn’t help new pagans at all to explore the pantheon and their own perception of it. (This tendency is especially common on New Age websites, as they also tend to put up lists of unmovable correspondences while reducing the importance of UPG and personal belief in deity associations.) It doesn’t spark skepticism, reflection or curiosity. Let me illustrate: if someone who’s questioning their spiritual path and considering becoming pagan sees a super intimidating and ferocious depiction of Óðinn, accompanied by the caption “He is the god of death and war:))” (implied: he is the god of mostly that), they will likely not consider right away other important aspects of Óðinn as a deity, such as his association with wisdom, poetry, the afterlife and other, vastly more nuanced elements of his myth. Websites who present hyperviolent depictions of pretty much all Norse deities, even in the case of Frø or Njörðr, more often than not have some sort of ties with the far right or even sometimes with white supremacy. At the top of my head, I could even name at least two folkish pagan websites I stumbled upon simply because I was baffled by the images they put up online and sought to see who’d commission such pictures. These sorts of website also tend to reduce deities to a handful of personality traits and this can lead new pagans to view them as entirely two-dimensional. It’s a dead giveaway for sources to avoid, in my opinion. If you are a new pagan who seeks to better understand a deity’s areas of influence and general personality, I would advise you to double-check sources, to keep researching and researching until you’ve consciously made your own opinion of them. Don’t right away believe the very first source you stumble upon. This is all a personal thought I’m trying to express as clearly as possible, and if any of you guys have anything to add, don’t hesitate to share your own thoughts and experiences! I would be delighted to hear about them.

[linkspooky]

BSD VS LITERATURE: NO LONGER HUMAN

The second entry in my long running series to analyze every single book referenced in Bungou Stray Dogs, to try piece together the author’s intended meaning in referencing the work. 

Osamu Dazai’s ability name comes from the author’s final novel “No Longer Human”, you may have heard of it. The novel contains several events from the author’s real life, but is considered semi-autobiographical because it depicts the life of a fictional character “Yozo” who much like the real life author attempted suicide a total of five times in his life before utlimately succeeding. Many believe the book to be his will as Dazai killed himself shortly after the last part of the book was published. As for the connection to the fictional character, more under the cut. 

1. Disqualified from Being Human

Dazai as a character borrows several traits from Yozo the protagonist of the novel. He has the same habit of clowning and engaging others in a false persona, while it happens mostly offscreen the audience and Dazai’s coworkers are aware of the fact he regularly indulges himself in vices like drinking, having illicit relationships with women (its often referenced he has a long line of exes and women he’s left upset over him) and that he’s also constantly in debt. 

Deeper than those surface level traits though, Dazai shares the same motivation as Yozo for his antics. They are both people who feel utterly alienated from the people around them, unable to connect with their thoughts and feelings and because of that they resort to always engaging them in a false, and comedic facade. They are fundamentally uncomfortable with ever presenting their true selves around others. 

As a child I had absolutely no notion of what others, even members of my own family, might be suffering from or what they were thinking. I was aware of my own unspeakable fears and embarrassments. Before anyone realized it, I had become an accomplished clown, a child who never spoke a single word. No Longer Human. 

Dazai is described as a child in the same way by Oda, who is arguably the character who knows him best. Even with Oda though, and the rest of the Buraiha trio as a whole though they were friends it carries the tragedy that they never were truly honest with one another, Oda never overstepped the clear boundaries between him and Dazai, Ango never let either of them into the secret that he was a government spy all along. Even that friendship which Dazai found comfortable, and was so significant to him he changed his entire life’s past around Oda’s dying words, he still placed an uncilimbable wall between the two of them. 

“I thought you were similiar to Dazai at first, rushing into battle and wishing for death without even considering the value of your own life. But he’s different. He’s sharp witted, with a mind like a steel trap. And he’s just a child - a sobbing child abandoned in the darkness of a world far emptier than the one we’re seeing.”

He was too smart for his own good. That was why he was always alone. The reason why Ango and I were unable to be by his side was that we understood the solitude that surrounded him, and we never stepped inside no matter how close we stood. 

But in that moment I kind of regretted not stepping in and invading that solitude. Bungo Stray Dogs, Volume 2. 

There’s a supposed difference in Yozo, who is a drunken layabout constantly in debt who fails out of college and Dazai the super genius who is apparently one of the smartest members of the cast, but honestly if you peel back the layers of Dazai’s “Superhuman / Godlike Genius” status his and Yozo’s behaviors and treatment of other people is actually pretty similar. 

Here is the secret of No Longer Human that a lot of readers miss in their interpretation. While Yozo can be a sympathetic character, because he’s genuinely miserable in his life, and the way he tells his story is highly relatable to the unhappiness of many readers, Yozo sucks. 

If you look at his actions outside of his self-pitying narration, Yozo is a serial manipulator of people, especially those with a status weaker than him in society (women, and even chidlren) he strings them along often taking money from them until he abandons them. Yozo is considered to be so pretty and likable, people often relate to his misery and give him what he wants without him giving anything in return.

There’s four major women he interacts with in the novel. A married women he gets to pay for his drinks a couple of times, doesn’t see for months, and then commits suicide with her. His reaction to her death is very minimal and he doesn’t even seem to mourn her. Then, he becomes a kept man for a woman with a child for awhile gets her to pay for his drinking habit, has multiple affairs on her while living at their house (or at least it’s implied).He also comes to view the child as an enemy of his. 

“I would like my real Daddy back.”  I felt dizzy with shock. An enemy. Was I Shigeko’s enemy, or was she mine?

No Longer Human.

He abandons them. (Surprise, surprise). Then moves on to marry a seventeen year old girl, specifically because she is a virgin. I probably don’t have to mention the predatory subtext there. 

Yoshiko’s pale face was smiling as she sat there inside the dimly lit shop. What a holy thing uncorrupted virginity is, I thought. I had never slept with a virgin, a girl younger than myself. I’d marry her. [...] I made up my mind on the spot: it was a then-and-there decision, and I did not hesitate to steal the flower. No Longer Human. 

That wife then gets raped and not only does Yozo feel little to no sympathy for her whatsoever, he then proceeds to just leave and abandon her because his image of her as a perfect image is ruined. He even refers to her as a possession he lost far earlier on in the novel. 

Once in a while, it is true I have experienced a vague sense of regret at losing something, but never strongly enough to affirm positively, or to contest with others my rights of possession. This was so true of me that some years later, I even watched in silence when my own wife was violated. No Longer Human.

The last woman he gets involved with only because he has a morphine addiction and he wants to string her along so she can keep supplying him with morphine. If you strip away the thin veneer of Dazai as a master manipulator and superhuman genius, you are just left with his actions which include his constant manipulation of other people (children younger and more vulnerable than him) and even his own allies. He is a user, much in the same way Yozo is. This is just named characters, it’s implied offscreen that Dazai has Yozo’s same habit of burning through relationships and women like jet fuel. 

Of course, there is a tragic reason for Yozo’s behavior it is implied he was violated by a female servant as a child, but that further adds onto the underlying point of the novel that Yozo’s genuinely miserable but he’s also the architect of his own misery. He is a victim who basically continues the cycle of abuse. His two primary methods of interacting with people is either manipulating them / stringing them along, or abandoning them. Even the Dazai who works at the agency keeps Akutagawa his biggest victim wearing the coat that Mori Gave him that represents the cycle of abuse just... wrapped around his little finger because it’s more convenient to use and dispose of him that way. 

Akutagawa’s so insanely devoted to Dazai that he believes being abandoned was just a secret little test and if he performs well than he’ll finally get the carrot that Dazai has been dangling in front of his head for a long time. Dazai’s treatment of Akutagawa as someone to just conveniently use and then dispose of is something that leads to Akutagawa getting himself killed trying to earn that praise. 

Dazai and Yozo have a similiar problem where they are pitiable in the fact they are victims themselves, they have been used in the past and it’s left them feeling alienated and unable to connect with others, but then they jump right into treating others as less than human too. Dazai has this strange paradox where he scolds Dostoevsky for believing in god and seeing himself as an agent of god or some kind of omniscient manipulator and that the real people who make a difference in the world are the people living in the world and struggling in it but Dazai... still doesn’t see himself as one of those people. Dazai’s like “You shouldn’t manipulate people like pieces on a gameboard...” but Dazai still views himself as one of the players sitting and watching things from on high rather than one of the pieces. 

Dazai and Yozo are incapable of seeing themselves as human beings and eternally feel like outsiders when they try to be around others. However, at the same time they give no respect to the humanity or the feelings of other people. They don’t treat others like humans. Which is why they are essentially the architects of their own misery, they are alone because they choose continually over and over to either only engage in other people with lives, or treat relationships as transactional. These flaws of Dazai’s have been toned down since the dark age, but even Detective Agency Dazai still has this habit of looking down on other people. He has good intentions he tries to live by, but also in crisis situations tends to fall back on old habits. 

2. Lover’s Suicide

Finally, there’s two relationships in the book that parallels Dazai’s two most significant relationships in the story. The tragedy of Oda in the dark era, actually mirrors what was Yozo’s most significant suicide attempt in the book. Yozo runs out of money and on a whim attempts to commit suicide with a married woman who had been more or less a longtime but distant acquiantance. 

We threw ourselves into the sea at Kamakura that night. She untied her sash saying she had borrowed it from a friend at the cafe, and left it folded neatly on a rock. I removed my coat and put it in the same spot. We entered the water together. 

She died. I was saved. No Longer Human. 

This event mirrors the defining tragedy of Dazai’s backstory as depicted in the second light novel, and his reason for leaving the mafia. Essentially, Dazai finally becomes close to someone his longtime acquaintance Oda, who unlike him has a reason to live in raising children and dreaming of one day becoming an author. However, by the end of the novel it’s Oda who commits suicide and Dazai who lives. 

“You’re such an idiot, Odasaku. The biggest idiot I know.”  “Yeah.” “You didn’t have to do this. You didn’t have to die.” “I know.” 

Bungo Stray Dogs, Vol. 2

If you want to sprinkle in an additional homosexual subtext what Oda basically does is commit a lover’s suicide with someone else, by choosing to die with Gide. Which means that not only does Dazai survive while Oda dies, but Oda chose to commit a lover’s suicide with someone other than him. 

Then there is Yozo’s acquiantance to longtime friend Horiki. HOriki is his only real significant friend in the novel, but Yozo absolutely despises him. Nothing healthy ever comes from their relationship, he gets Yozo addicted on cigarettes and alcohol, he drags him to secret communist meetings, however Yozo who frequently just abandons people never really gets rid of him. 

Horiki and myself. Despising each other as we did, we were constantly together, thereby degrading ourselves. If that is what the world calls friendship, the relationships between Horiki and myself were undoutably those of friendship. No Longer Human. 

The reason being that Yozo despite loathing Horiki senses that the two of them are alike in nature. There’s also something to be said about Yozo getting along more naturally with someone he hates, rather than the people in his life who constantly attempt to love him. 

Horiki and myself. Though outwardly he appeared to be a human being like the rest, I sometimes felt he was exactly like myself. No Longer Human. 

His relationship with Horiki reflects both the partnership of the double black duo, two individuals who loathe each other but had near perfect cooperation in their teamwork but also the foiling between Chuuya and Dazai. They are both people who do not view themselves as human, Chuuya because of the mystery of his origins as the host of Arahabaki and Dazai because his intelligence leaves him feelings isolated from the world. 

He looked up in the direction of the sudden voice. It was a familiar voice, one that belonged to the person he hated most in this world. 

Your birth itself was a mistake. We’re the same. Is there a really a point to suffering through all that pain for a life that isn’t real?” 

The voice was taunting him. 

[...]

“Screw you Dazi.”

Chuuya wanted nothing more than to slice off the ear the voice was whispering right into. He could see Dazai’s wavering shadow by his side, and he wanted to gauge out his eyes. 

“That’s just proof that you at least somewhat believe what I’m saying. Because deep down inside you’re the same as me.”

Like, they hate each other, but they hate each other for the real person they are deep down on the inside. Which results in him and Chuuya having an entirely antagonistic relationship and yet at the same time Chuuya is the one person that Dazai can’t really bullshit or lie to, because sharing so much in common gives Chuuya some insight into Dazai’s darker tendencies. 

Which results in a relationship where neither of them like each other, and yet both of them are just a little bit obsessed with each other. Despising each other and constantly together. 

So in summary, No Longer Human is a work about a character’s difficulty to form relationships with others because not only do they not see themselves as human they also treat the others around them as lesser than humans. Yozo is a character clearly stuck in that cycle of abuse, whereas Dazai Osamu himself is someone struggling in the story to break that cycle and curb his own manipulative tendencies inside of himself, ironically because of the close relatonship he had formed with the one person he was ever even a little bit honest with Odasaku. 

[ripplestitchskein]

I just saw the funniest thing about Stolitz and it really reinforced my belief that people just cannot handle the long period between episodes indie animation requires. They just cannot make connections for that long and their own personal expectations and imaginings of what it should be have too much time to percolate. As a recent comer to the HB fandom who watched the entirety of the series in a single afternoon and skipped the Pilot because it’s not canon I am having a completely different experience. I attribute this mostly to the Pilot, as that seems to have colored peoples opinions of Stolas and subsequently Stolitz in such a wild way and they had to sit with that characterization for so long they just cannot fathom that the story is playing out much differently than the Pilot set up. And yes a year is a long time to sit with expectations of a show direction and a characterization I won’t fault them for that.

“They turned Stolas into sad clown boy”. “The show is all about Stolitz relationship drama now”.

Did we watch the same Season 1, Episode 2? Because our first “real” introduction to Stolas is immediately good dad, sad owl boy, relationship with Blitzo. The first episode sets up the current state of the Blitzø/Stolas relationship, sets up the business and overall character dynamics but doesn’t really give us any information on their backgrounds or current emotional states. It hints at a few things coming up, a few things to look into further but nothing beyond surface level. As you’d expect from a first episode. The 2nd episode shows us that some major things were gonna be exploring are Blitzo and Stolas, Stolas and his family situation, Blitzo’s history as a clown and why he hates Fizzarolli bot so much, the Moxxie/Millie dynamic and brief brushings on Loona and how Blitzo interacts with his employees, but I’d say we actually get more information on Stolas and Stolitz earlier on in the show than we do anything else. It was setup from the beginning that these were all major premises we were going to explore and….WE DO. We start the season that way. We end the season a little further down the road but still focusing on those basic things setup in the first two episodes.

I see a lot of criticisms of the writing but from my perspective, watching them all in a row the writing is pretty spot on in terms of set up, change, payoff. And the structure is exactly what we expect for a multi season show. They introduce Stolitz at one point in their relationship in S1 Ep 1, and by Ozzie’s we have a very clear change that was progressed through the other episodes of the season. That same narrative thread, introduced at the beginning of the show is carried through into S2 and the underpinnings of reactions we saw in S1 episodes 1 and 2 are revealed throughout, we now see why Stolas and Blitzø react the way they did in S1Ep1 via the storytelling in S2Ep1 and the structure of those two being the first episodes of their respective seasons is exactly what a writer should do. They feed into each other perfectly. A person watching only those two episodes would have no trouble filling in the rest of the seasons or the story at large and that’s exactly what a serialized writer should do. The show didn’t change anything midstream, it didn’t shift plot points, it very clearly setup these pins to knock them down as we go on. Fizzarolli backstory? Done. Blitzo’s relationship with Millie and Moxie had several episodes of exploration, we see a bit more about Loona and Blitzo and Stolas’s marriage drama is the main catalyst for overall big drama and they are exactly where they should be if you are plotting this out using a three act structure for a television format.

Things are REVEALED they aren’t changed, and while real life concerns and schedules and business things do affect how episodes get released or how things play out or which characters are available to appear, not knowing any of that background until AFTER I had already watched the show I’d say the writers are doing a pretty remarkable job keeping the flow, of developing the characters and relationships and paying off what they setup waaay at the beginning 3 years ago when they released eps 1 and 2. They’ve also done a great job of giving every character a little moment to shine even though, as they established in episodes 1 and 2, the main focus is on Blitzø, Stolas and how their relationship is the catalyst for everything. That it’s why I.M.P does what it does.

I highly suggest people watch it from start to finish without the Pilot, or at least just the first two episodes and S2 Ep 1 and take into account what is shown and setup at the very start versus the story we are currently at and I really think it will show that nothing has changed, the story is progressing as it should, at the pace it should, and that the characters are growing and changing as they should based on the things that have occurred.

[homunculus-argument]

I get that people are free to make whatever interpretations they want out of what they read, but in return I also want to have the freedom to protest people who Missed The Damn Point because their own worldview is so warped that they think I'm the one who's evil here. Like I can respect Death of the Author and all that, but at least kill me with something more respectable than a brick.

The Unfinished Book was set in a matriarchal society - mostly because writing Yet Another Patriarchal Fantasy World sounded boring to me, and I honestly didn't feel like a perfectly gender-equal society was plausible, and if I can't believe in something I was writing, how and why would anyone else? And the main villain of the story is a man. A man who's clever, a downright brilliant tactician, frighteningly good at manipulating people, great at thinking on his feet and switching tactics on the spot the first second he senses that his initial plan isn't turning out the way the meant for it to.

And on a surface level, yes, the reason he turned to being evil was because he isn't considered particularly pretty. But he's not just bitter because women don't want him - hell, he doesn't really even want women - he's mad about not having agency. He would manipulate women with his looks if he had any, but even then seduction would still only be a means to an end, which is having a say about his own life. He's not angry about being short or being plain, he's angry about the way his appearance has dictated his fate.

The fact that he only turned out to be a monster because of the way he was raised in a matriarchal society is kind of the whole point. Had he been given the opportunity to make a name for himself in something, be something more in his own right than an arranged marriage pawn for his mother, been valued as an individual instead of being literally named something translating to "the final unwanted son in a long string of unwanted sons", he would have taken that opportunity. Had he been born and raised in any other society, he would have figured out a way to become some sort of a war tactician, a diplomat, a general, most likely just as ruthless but not in the broken, deeply unsettlingly monstrous way that he was.

...And this one person in particular read this and concluded that the character was meant to be a cautionary tale against breaking out of social norms. Like that was the thing that made him a villain, just a short man being mad about being ugly. The whole point was that everyone suffers from people being forcibly shoehorned into rigid gendered roles regardless of their innate talents, because eventually someone shoved down too hard will fucking shatter, and if the only way they have any chance to have agency over their own life is through violence, they will opt for violence.

Like I get that readers can interpret things however they please and I have no say in it, but this guy did not take his sister hostage, turn her into a puppet ruler and himself rule from the shadows out of incel rage. He did that because he was what Cersei Lannister could have been if she was as clever as she thought she was.

[mintyimperiatrix]

so wild theory time but what if the Master is Omega's son

ok hear me out because that sounds insane but i think it kinda works? cause first off we know now thanks to the Timeless Children that the Doctor is the daughter of the Other(/Tecteun). the Other is a scientist and explorer and while their morality's differ to the extreme the Doctor does, on the surface level, adopt these traits from them.

we also know that the Doctor, in their first childhood, had a friend on Gallifrey. a friend with no name. a friend who... accidentally killed her during a fight. i know i'm not the first to say that the kid on the cliff is the Master but it's a good starting point

so then we get to Omega, someone who was friends with the other two Founders and yet easily the one who's life we know the least about, at least from before he was chucked into a black hole. he wasn't an explorer like Tecteun, he was an engineer. he wanted to build his own things, be famous for his achievements and use them to obtain godlike power but when his usefulness ended he was thrown aside by Rassilon. does any this sound familiar?

All of those traits are shared by the Master.

lets cut to the End of Time real quick. the Master builds a device to bring Gallifrey back into the universe, allowing the next 'ascension' to take place (before the Doctor broke the machine) but when his moment of glory was about to come Rassilon, like Omega before him, threw him aside. obviously this is all pretty circumstantial and doesn't actually prove anything but then there's this exchange earlier in the episode

"Two Children of Gallifrey" could just be a poetic way to refer to two random Time Lords. except we know it doesn't, because the Doctor isn't a random Time Lord and even if the average Time Lord doesn't know that the Matrix Does. so if the Doctor is the daughter of one of the Founders then she is (almost) literally a 'Child of Gallifrey'. take the same idea and apply it to the Master and logic dictates he would be the child of either Rassilon or Omega

i think the most interesting part happens after that though, when the Time Lord dude refers to them as 'the Enmity of Ages' (which would be an amazing name for a band just saying) and Rassilon immediately knows that this means the Doctor and the Master. the only time we've seen him meet either of those characters before is in passing during the Five Doctors. it's easy to infer that he'd know the Doctor from their role Time War but the Master? he didn't fight in the war, he mostly refused to work with the Time Lords during the War and then hid himself as Professor Yana when it got too much so why would Rassilon, who has only seen the Master once when he was tied up on the floor in the body of a Trakenite, know that the Master was the other half of the Enmity of Ages?

you Could say he learnt of the Master's reputation during the Time War but i frankly don't think he'd care about that? so to me at least it feels like the best explanation would be that he's met the Master before, way back when he was first President. and the reason he's so disgusted by the Master, the reason he finds it amusing that the Doctor's 'final act' is the murder of Gallifrey is because he knows who these two are. he is staring at the children of his fellow Founders, realistically these two are the only people in the universe he might consider a threat to his power or his status, and much like he did with their parents he tries to use both of them before casting them aside but just like before they both come out the other end alive

also saying the Enmity of Ages to me infers a greater conflict than just that of two normal Time Lords. from any single character it would be just a dramatic phrase but this is directly from the Matrix itself, which knows all of Time Lord history, so they are a Big Deal

but now we skip to everyone's favourite episode: The Timeless Children (genuinely one of my favourite finales it gets such a bad wrap). we learn the Doctor has unlimited regenerations, or at least had unlimited regenerations at some point because whether they still do or not is kinda up to interpretation. it was the Doctor's biology which allowed the Time Lords to unlock the power of regeneration, however the Other limited the number of regenerations to 12 lives when giving it to the rest of the population. i think Tecteun's presence in Flux implies that she never limited her own regenerations and you could probably say the same to Rassilon's, with that being his secret of immortality.

now in the episode the Master claims that Tecteun took the ultimate sacrifice by testing the raw ability on herself, but suppose she didn't. suppose she had another test subject first. suppose she promised one of her friends that his son, the best friend of her own child, could become the first Time Lord to receive the gift of infinite life. suppose then that Omega, wanting glory for himself and for his son, agreed to this and allowed Tecteun test her discovery on the boy, who was then granted an endless cycle of regenerations to match his friend's. from there Tecteun, now knowing the ability would work, put into herself, into Rassilon and into Omega before limiting it to a dozen lives per person and spreading it out among the population.

it's a lot of inference i'll admit but it would add a good few extra layers to these lines:

and this of course opens the door to the possibility that other character's we've met of cryptic origin with seemingly impossible knowledge but too dark a morality to be the Doctor could be the Master instead. characters like Lee Clayton or Gat (obviously not both at once) could be an early version of the Master. maybe Magus and Hazel from the Forgotten Lives books are also past versions of the Master. hell if you want to go wild maybe even the War Chief is the Master from before they had their memory wiped (but thats very unlikely)

also as i was finding the right screenshots and clips for this post i found these as well...

the way the Master refers to the Founders as 'our parents' (Tecteun and Omega being referred to as separate parents, as a Thoschei shipper i'm not touching the sibling theory with a forty foot pole) does make me wonder if he found out about his own past too but didn't tell the Doctor, not wanting to admit that he was the reason for the Doctor's first regeneration, the reason for Tecteun's torture and experimentation on her and the reason she could safely discover the ability for herself

so yeah who's to say that the Master isn't Omega's child who, like Tecteun's child, was captured by the Time Lords, regressed into a child, restricted to only 12 regenerations and robbed of all their memories. maybe he isn't any of that though. i mean maybe he is just a whiny crybaby who wants to be as important as his best friend. maybe he was the Timeless Child and the Doctor was the kid who pushed her. maybe he's actually Rassilon's child instead. who knows? not me!

[wistfulweaverwoman]

Could you share your thoughts on Madge?

The screenwriters/director apparently felt she was irrelevant, but she must have a deeper meaning to the series, right?

Oh wow, thank you for the question!!!

So yes, Madge's character sure does have a deeper meaning!

On the most surface level of the story Madge acts, in part, as a characterization for Katniss. As we all know, Katniss is a pretty unreliable narrator. She seems to be under the impression that she's just like Gale but here's a prime example of why she's not. Madge is Katniss's only friend, other than Gale. And she's not just a merchant kid, she's the daughter of the mayor. While Gale has a narrow viewpoint and see things much more in black and white(she claims he understands the socioeconomic differences are just the Capitols way to divide 12, but he has a really tough time extending empathy to people he doesn’t relate to, unlike Katniss who is incredibly empathetic when she takes time to put herself in the shoes of others), Katniss actually has a more nuanced understanding about the Seam/Merchant dynamic which later extends to deeper understanding to the other tributes and even Capitol citizens all really just being victims to their circumstances. With the director ditching (mostly, Gale still has a few choice words about merchants) the whole Seam/Merchant narrative her role is vastly diminished.

The pin that Madge gives to Katniss as a district token (and later the symbol of rebellion) is so much more important in the books because of who it used to belong to, Maysilee Donner, who was Madge's aunt (her mom's twin), Katniss's mothers best friend, and partnered with Haymitch in his games. It's most likely Haymitch's own experience in surviving the arena with Maysilee as a team that gives him the idea to partner Peeta and Katniss. Without Madge most of these connections are lost.

In the metanarrative Madge represents a lot more. She, through the symbolism of her name, offers salvation through sacrifice. She gives Katniss the pin:

"His eyes land on a small, circular pin that adorns her dress. Real gold. Beautifully crafted. It could keep a family in bread for months."

And then she basically risks her life to bring pain medicine for Gale, who hasn't been particularly nice to her:

When she opens it, there’s not a squad of Peacekeepers but a single, snow-caked figure. Madge. She holds out a small, damp cardboard box to me. “Use these for your friend,” she says. I take off the lid of the box, revealing half a dozen vials of clear liquid. “They’re my mother’s. She said I could take them. Use them, please.” She runs back into the storm before we can stop her.

Madge (and Mags) is short for Margaret, which is derived from the Greek word for Pearl (pearl is derived from the Sanskrit word for Pure). Peeta and Katniss are Pearls as well, so I'll expand on the pearl theme beyond just Madge.

Pearls themselves are created through sacrifice, traditionally the life of the oyster is forfeit for the gem. In some asian cultures the pearl represented the journey of the soul or spirit along the path to perfection (The Hunger Games trilogy is a retelling of Dante's Comedies- which represents the souls journey towards Paradise- the pearl symbolically represents Katniss’s inner arc). In ancient burials, mourners placed pearls in the mouths of the deceased. Since pearls apparently contained the principles of life, they hoped they could assist the dead on their journeys beyond. Mourners also decorated burial gifts and clothes with pearls.

Pearls are mentioned a LOT in the books. Here's a few quotes:

‘Well, if you put enough pressure on coal it turns to pearls!’” Effie beams at us so brilliantly that we have no choice but to respond enthusiastically to her cleverness even though it’s wrong.

He unzips the bag, revealing one of the wedding dresses I wore for the photo shoot. Heavy white silk with a low neckline and tight waist and sleeves that fall from my wrists to the floor. And pearls. Everywhere pearls. Stitched into the dress and in ropes at my throat and forming the crown for the veil.

As coal pressured into pearls by our weighty existence. Beauty that arose out of pain. Peeta rinses the pearl off in the water and hands it to me. “For you.” I hold it out on my palm and examine its iridescent surface in the sunlight.

I sit back on my bed cross-legged and find myself rubbing the smooth iridescent surface of the pearl back and forth against my lips. For some reason, it’s soothing. A cool kiss from the giver himself.

Katniss putting the pearl to her lips as both the mourner and the dead. We can actually infer that the pearl is a placeholder for Peeta.

But what exactly does the pearl represent beyond the obvious? There's the biblical symbolism and then there's literary symbolism.

There's a ton of Christian symbolism in these books, probably the most obvious being the Christ-like sacrifices that Peeta makes, he sacrifices his body to provide the life saving bread, and again in the arena which after spends three days in a cave, followed by his resurrection. The trilogy follows the Divine Comedies, Katniss as the heart and caught between Gale (the body) and Peeta (the spirit).

You shall bring from your dwelling places two loaves of bread to be waved, made of two tenths of an ephah. They shall be of fine flour, and they shall be baked with leaven, as firstfruits to the Lord.

Above from the Bible, below from The Hunger Games

It was the boy. In his arms, he carried two large loaves of bread that must have fallen into the fire because the crusts were scorched black.

Below is a quote from the Bible (Revelations) describing the 12 gates of Jerusalem. It could be written off as a coincidence, 12 gates, 12 districts, except that the 8th gate is the Cotton Merchants' Gate, which correlates to District 8, which is the district that manufactures textiles and uniforms.

And the twelve gates of the city were twelve pearls; each single gate was made from one pearl. And the street of the city was pure gold, like transparent glass. 

In literary symbolism Pearl, (the daughter of Hester Prynne in the Scarlet Letter), represents several things. Pearl was the physical manifestation of Hester's sin (adultery), the pregnancy therefore making it apparent she had sinned. At the same time Pearl was a blessing, as without her she would have most likely committed suicide.

 “… Had they taken her away from me (Pearl), I would have willingly gone with thee into the forest, and signed my name in the Black Man’s book too, and that with mine own blood!”

This is similar to Katniss's thinking at the beginning of Mockingjay

Peeta. If I knew for sure that he was dead, I could just disappear into the woods and never look back.

Below is a quote from the end of The Scarlet Letter:

"Pearl kissed his lips. A spell was broken. The great scene of grief, in which the wild infant bore a part, had developed all her sympathies; and as her tears fell upon her father’s cheek, they were the pledge that she would grow up amid human joy and sorrow, nor forever do battle with the world, but be a woman in it. Towards her mother, too, Pearl’s errand as a messenger of anguish was all fulfilled."

And another quote from the near end of Mockingjay:

I lean in and kiss Peeta full on the mouth. His whole body starts shuddering, but I keep my lips pressed to his until I have to come up for air. My hands slide up his wrists to clasp his. “Don’t let him take you from me.” Peeta’s panting hard as he fights the nightmares raging in his head. “No. I don’t want to . . .” I clench his hands to the point of pain. “Stay with me.” His pupils contract to pinpoints, dilate again rapidly, and then return to something resembling normalcy. “Always,” he murmurs.

I delve a bit into the Divine Comedies in this post.

[oodlyenough]

I've been thinking a lot about how fandom attitudes towards female characters shift, and how a lot of the outright hatred that was once prevalent now is replaced by "girlboss" "mom friend" "only braincell" type discourse... and also about the Hawthorne twins and what I see of them in fandom vs canon.

It's interesting to me that I see a lot of what feels like a fandom desire to rehabilitate Dahlia as a character from a feminist perspective, sometimes taken as a given that her canon material was bad, when ...tbqh I don't really feel that she needs it. If I think of characters wronged by their canon text, Dahlia wouldn't make the list. Even a surface-level reading of Dahlia is, imo, a compelling character, with clear motivations, consistent behaviour, agency. She's funny and memorable. You can dig deeper into speculation and headcanon territory with Dahlia (and I totally get the impulse, she's great and there's lots of potential there) but I don't think you need to do that to make her a solid character, I think she already is. I don't think she's any less complex than the other trilogy villains, and if anything she's a lot more complex already than someone like Engarde, and on par with Von Karma.

On the other hand, I think Iris got some paper-thin writing as "the good twin" and, let's be honest, a feeble attempt to set up a heterosexual romance for Phoenix which gets dropped in subsequent games anyway. There are interesting possible complexities to tease out of Iris, just as with Dahlia; Iris facilitates or participates in some pretty messed-up things, but Phoenix and the story are very forgiving, which just flattens her out further into Good Twin. I don't think the canon is very interested in Iris outside of her role as plot twist doppelganger and occasional blush sprite... and mostly it seems the fanon Iris gets in response is to quadruple down on those things. She's pure and kind and sweet, besties with Phoenix, their relationship is cast as something wholesome and innocent, despite the uh objective reality of it.

What about the Iris who helps her sister plan harebrained criminal schemes only to back out at last second, the Iris who fell in love with Feenie despite herself and yet continued to lie and place him in danger for eight months, who watched Dahlia get a death sentence without ever coming clean ... Those things are the aspects that would make her a multidimensional character, imo, but they're ignored and/or glossed over in the story and (what I've seen of) fandom. And I don't say this to mean that she's evil or irredeemable or something, she isn't -- just that the basic fact of her actions is a lot messier than is usually acknowledged, by canon or fanon. For the canon I think the reasons are obvious and not flattering; for fandom, I think the intentions are generally positive, trying to correct for the opposite end of the spectrum (and 20 years ago the attitude was probably quite different), but I still wish female characters were given more space to be complicated in ways that include being kind of fucked up actually.