#the danger the hard work

[puppetmaster13u]

Prompt 74

When a new black-haired blue-eyed person appeared in the manor, one could easily be forgiven for thinking that Bruce’s adoption problem had struck again. So color many a batkid surprised that no, this kid isn’t a new sibling, no he didn’t get grabbed from the street, and actually he’s here for Alfred. Apparently Alfred never found it important to mentioned that he has a husband- that the kid kind of implies isn’t human what with the casual way he says he himself is half human- and that this kid is apparently their child. For once it’s Bruce’s turn to come home to a surprise sibling. 

Danny on the other hand just learned that his Clockpa has a semi-mortal partner who has offered to take him in, (in another dimension even! And there’s aliens!!) while the ancient takes care of some stuff at home. And yeah it’s in a rich-manor but Sam has proved that not all rich people are evil, and based off of Mr Pennyworth’s stories the Waynes weren’t bad either. Though based off of the others’ reactions perhaps he should wait to mention that there wasn’t one new family member but three…

[mammalsofaction]

Someone pointed out to me in one of my posts that the reason Perry was SO pissed off during OWCA files was bc he's jealous Heinz was spending time with so much of his co-workers, and Ive since been thinking about this and I genuinely hate how much this makes sense.

Obviously that isn't the ONLY reason, but. This is the second recorded time where Heinz ends up working for OWCA and BOTH times Perry spends the entire episode inexplicably grumpy and pissed.

You COULD say it's bc he's wary, he doesn't trust Heinz to behave professionally as an agent when he takes so much pride as an agent himself and incompetency pisses him off (true). Also that Heinz is lumped as his responsibility, and agent Lone Wolf hates being saddled to a person.....but these arguments crumble in light for a few facts.

1. Perry doesn't have THAT much respect for OWCA, and certainly not Francis, ESPECIALLY if they piss him off. See the aftermath of Undercover Carl. Its not a respect issue.

2. Perry knows what Heinz is like. He LIKES spending time with Heinz, and as early as the events in "Come Home Perry," HE knows that he can trust Heinz to always have his back. Its not a trust issue.

3. Perry is hugely supportive of Heinz reforming, and in MML, it's HIS money being the first and foremost funds provider for Heinz to start a time travelling agency. He likes Heinz turning tide fine, so long as he doesn't shut Perry out or leave him behind. It's not a Being Good issue.

So why was he pissed off?? Well. What's the ONE thing that upsets Perry, without fail, when it comes to his loved ones that isn't them being in undeniable danger.

Sharing. Perry hates sharing.

[yuwuta]

OMEGA SATORU????????????? RAAAAAAAHHHHWOLF ON HIS KNEES RIPPING OFF CLOTHES im normal about it please elaborate please

chuckles evilly…. satoru’s the kind of omega that knows that other people want him, knows that he could date or sleep with pretty much anybody he wants, but there’s only one person he wants and it’s you, and he’s stubborn and insufferable about it. you seem to be the only alpha in his life that’s immune to him and it drives him crazy—it doesn’t matter how much he flirts, how good he smells, how many times he pouts and blinks and calls you alpha, you just smile and ruffle his hair and it kills him. he doesn’t get it. even nanami has had to take a step away from him when he’s close his heat, but you’re not phased by him at all. 

it’s bordering on pathetic bc you’re not even mates, not even dating, not even close to being anything really—you’re friends and have been for a while, but that doesn’t stop satoru from throwing himself onto you, from pouting, and from proudly declaring that you’re His alpha. he brags and brags and brags to anyone who will listen about how he’s in the best pack in the world, how you’re the best alpha of them all, how he’s the luckiest omega ever, but every time he’s hit with the reality that he’s not yours, he gets unreasonably upset. sometimes, he even tries to take it out on you, gets himself sick or drunk or lets his pheromones run wild while he clings to you and slurs about how you’re supposed to be a good alpha, and take care of him. gets himself all worked up, pacing the floor and pouting and ranting incoherently about how he’s always been yours and it’s not fair that you’re not his and he’s being irrational and he’s definitely not sober, but still, all you have to do is call his name and barely nip at his wrist and it’s like his entire body resets. he freezes and goes slack and he’s scolding himself internally because he’s so weak to you and he can’t do anything to make you succumb to him. 

it’s not like he’d change that tho. it bothers him that he has no sway over you, but, truthfully, he loves the control that you have over him. he likes you can tame him, he likes belonging to you like that. he just wants to have you like that, too. and so yes he’s desperate, yes he’s pathetic, yes he’ll do anything for your attention, but he doesn’t care, satoru wants you and he will do whatever it takes to have you 

[oseike]

"This person, who not so long ago searched for herbs with me so earnestly....

"It's too sudden. There's so much everyone wants to say, wants to hear.

"If only he could open his eyes one more time..."

If funerals are for the living, what of one's final moments? For whom do they exist? Is it okay to force wakefulness one more time, even if it should cause pain?

EDIT: @keidokusha has translated this to Vietnamese:

Many thanks to them!

[natjennie]

what's weird about the fantasy high drama is that like. it seems to me like people forget d&d is primarily a) a game you play with your friends and also b) luck based.

I mean it's fine to say that "nothing felt like a challenge" and "they just dominated everything and there weren't any stakes" but like. it's not as if they weren't up against huge threats. they lost the mall fight. the last stand was an onslaught of enemies. they fought a dozen dragons from an airship. the fights were hard. they're just really good. they've had very good dice luck in general this season and are all very high level and highly specialized. fig is gonna beat deception and performance checks. adaine's gonna figure out the arcana. riz is gonna succeed investigations. like. for some reason their strategical competence and wisely picked abilities are. a downside? a disappointment?

the thing about d&d that you need to remember is it's first and foremost a game. it's mostly random and it takes you down weird paths and you're playing to have fun with your friends. the dice are literally telling the story that it's their time, it's their year. they've struggled enough. they've trained enough. they're good at what they do. and in my post about the academic/domestic/personal stressors being the focus, d&d doesn't have any other system to work them out than rolling different skills. that's what d&d is. brennan set specific challenge levels for different tasks and the players strategized to prioritize which abilities they were strongest in. the challenges were there. and the players rose to them. they were both smart in their delegation of responsibilities and lucky with their dice rolls. of which, both are foundations of d&d.

don't mistake them being good players and getting lucky with there being no hardship. just because they smashed through the wall, that doesn't mean the wall wasn't strong. they were just stronger.

[s0fter-sin]

soapghost circus au

ghost’s an extreme motorcycle stunt performer - globe of death, riding on his back wheel along tightropes, that sort of thing

soap’s a fire breather/dancer. he’s a roaming performer; he just finds empty spaces or bored people and starts twirling

he pretends not to notice the way he always wanders towards a certain tent every night to watch a certain masked daredevil defy gravity. he thinks he's slick and that ghost won't notice him in the crowd, completely forgetting that he's carrying something that happens to be on fire

ghost couldn't miss him if he tried

one day off, soap's trialing fire whips; he loves the loud crack and the way the flame licks through the air and maybe he's a little too impatient to practice with non flaming whips first, even though he's never used one before

he's covered in soot and fine welts where the tip of the whip keeps flicking back up at him, cutting through his shirt and stinging his skin but he doesn't let that stop him. it starts to stick to him, damp with sweat and blood and he's quick to strip it off; throwing it to the side to keep practicing

when soap finally gets a few good cracks in a row and breaks to celebrate, he almost jumps out of his skin when he sees the masked rider leaning against a trailer watching him

of all the times he's wanted ghost to talk to him, this is not one of them

he wanted to impress him, dance for him with his flaming batons and be mesmerised by his fluidity and skill

not catch him filthy and struggling with something as basic as a whip

he's ready for ghost to ream him out for not having control over the whip - he's known throughout the circuit for expecting utter perfection in his routines - but when ghost finally does speak, it's only to ask if he's done for the day

soap falters for a moment. he wanted to get some consistency with the whip before he stopped, but he's starting to feel the hours of practice; muscles aching and skin blistered with minor burns

he says he is and ghost pushes off the trailer, nodding his head to make soap follow. he brings him back to his trailer and tells him to clean up then takes out his personal med kit to treat the grazes on soap's skin

soap's shocked; for all that he loves to watch ghost perform, they've never really talked before

part of why he joined the circus was so he wouldn't be a burden on anyone, the oldest in a family with too many mouths to feed and not even time to nurture, and here he is taking up ghost's valuable practice time bc he wasn't good enough to handle his own discipline. he tries to brush him off, downplaying the burns and tries to leave before half them can be treated but ghost just glares and orders him to sit back down

ghost does expect perfection from himself but it isn’t out of any malice or ego; it's bc he knows if he isn't perfect, he could very easily die. he’s picked a dangerous profession and he gives it the respect it deserves. there isn't any shame in being a novice or failing at something; he thinks there's a lot of beauty in having the courage to get back up again and again

so every day he watches soap practice and bullies him into his trailer to put him back together bc he knows he won't do it by himself

and every night soap wanders over to ghost's section of the fair grounds, in awe of his skill and wishing he could be worthy of the care he gives him

[onaperduamedee]

Shooting star, as it turned out, never to return once you left our sky.

[jellojolteon]

Now that you've made it to the autumn of

Your years and you feel your best yet

-The Bottom of It, Fruit Bats

Izuocha week 2024 Day 6: Cycle/Miracle

[princehendir]

Finding out that buy and large what people mean when they say "it's dangerous to reheat rice!!" is that if rice is held at a tepid temperature for an extended period of time it tends to grow cultures that can cause food poisoning. A fact that is true about pretty much everything.

[bimbolita]

I’m so glad everyone is having the same visceral reaction to episode 4 like I did. I thought I was being too sensitive but fucking no. It is painful. It is horrid. Knowing that this type of abuse actively happens to sex workers and those who are trafficked. It’s jarring because I didn’t expect to see this dark and explicit depiction in a cartoon that jokes about penises every 2 minutes. It’s like when light hearted coco melon shows start talking about death, it was just unexpected because I never took this show serious. I’m going to share more of my thoughts below! Trigger Warning: Mentions of SA ⚠️

I don’t think it’s my place to deny or confirm if the ‘poison’ scenes were fetishized, I personally believe it’s subjective. I know how I feel but I think no matter where you stand, you are right in your own way. Many things can be true at once. What we can all agree on, is that it was harsh. In a way, I hope the audience is able to understand how exploiting and non glamorous sex work is. There is nothing fun about having your body used multiple times a day by people you do not know and having said scenes recorded then plastered all over the media. Of course all forms of engaging in or creating adult content are different, I am specifically talking about sex workers who have no say or control over their bodies and finances. Like Angel. Let us put emphasis on WORK in sex work.

It is demanding. It is laborious It is scaring. Remember that and remember the unheard voices who must do this to simply survive.

There is a lot of criticism about angel’s personality and yes I agree it is annoying but you have to understand, it is a trauma response. Hypersexuality is a common trait among those who are sexually abused. Angel just outwardly expresses it all the time because it is all he knows. This thought process is the only way to tolerate his behavior. I say thought process because it is only an interpretation. It’s very obvious viv just adores writing sexed up characters with zero nuance or depth but let’s just pretend she can actually write male characters that think beyond their cock and balls. Let’s pretend that Angel Dust is a two dimensional character and not (grits teeth) fetish bait.

Now, let’s talk about Charlie. Alright great, she saw her friend being mistreated and was about to stand up to his abuser, ok good good. The victim (Angel) gets upset and wants her to leave because he was beaten. Yes, average response of someone who is an abusive relationship, he is afraid and wants to avoid more conflict between him and Val. The situation at hand couldn’t be more than obvious. How does Charlie respond? She cries. And not because she is frustratedly concerned for the safety of her friend. It is because he yelled and rejected all her poor attempts at helping. Charlie is weak as shit and I think that interaction was weirdly written. I wish she had the mental fortitude to understand how much danger Angel’s life was in at that moment. I cannot enjoy her ‘aggressive kindness’ cutie do no wrong baby girl type of character in a moment like that.

And I feel the same about Husk’s song. Out of all the responses you could’ve made, this is what made it to the final cut? Do better. I don’t care if I lack the mEdIa LiTeRaCy twitter keeps yapping about. It’s bad. You just showed a sexual assault montage and the rebuttal was basically “my uncle broke his neck tap dancing once :/“ lol we’re both losers and that’s ok, suck it up buttercup, I like you regardless. This was the best response to an SA victim? No degree in media literacy would ever help me think that was an acceptable response. I dunno about ya’ll but I major in common sense at the university of using my eyes and fucking ears. Now imagine, if that entire segment, when Husk and Angel are at the bar plus the musical number; imagine if all of that was placed BEFORE we see Angel and Val interact and then poison plays as the final song. It would be 10x more impactful because then the audience sees how deep and stuck Angel actually is. Trauma olympics is never acceptable but neither is trauma participation trophies. It is not right to make Husk’s issues be seen as the same as Angel’s issues. They are not the same and it is ok to acknowledge that Angel has it worst than Husk. It’d be more genuine if Husk were to just hug him in complete silence after dragging him out of the bar and have Angel tearfully embrace him back. The first non sexual and benevolent interaction between them. The first physical act of care with no ulterior motives of lust.

I grind my teeth at the wasted potential.

[zytes]

ozone

[bumblingbabooshka]

I think B'Elanna and Tuvok probably work together a lot in a distant, professional capacity and it's mostly through notes about what will and will not blow the ship up. Constant updates about how not to blow the ship up or otherwise kill everyone aboard which are increasingly and endlessly complicated and if Tuvok weren't Vulcan and B'Elanna weren't built with a mind like a diamond they would both just collapse under the weight of it all and give up but instead they're lowkey kind of enjoying the challenge sometimes. When they aren't collapsing under the weight of it all. They started their messages with B'Elanna being so careful about sounding professional but by year 4 they're not even using honorifics or greetings. They might be employing shorthand. When they get back to the alpha quadrant the admirals are pouring over their notes, maneuvers, quick fixes, and long-term solutions in both horror and fascination. In year two they had to trap an alien slime in the turbolift which is nonsentient and unkillable and it helps the turbolift (which was previously broken beyond repair) run but WILL eat anyone inside that lift if the power coursing through its body reaches a certain level so that particular turbolift has to stay lower-powered and slow. No power can be diverted through that turbolift or anyone who uses it will be eaten. Engineering Win: If we incorporate this alien technology which uses star power instead of solar power which B'Elanna found detailed in an old book during a shore leave thrift sale we can increase the ship's systems' efficiency by over 50%! Security Fail: The star power technology makes people inexplicably think they are a star, their longing for the twinkling void causing them to throw themselves out into space. That's the sort of thing that B'Elanna and Tuvok are dealing with. There's so much that Tuvok brings to B'Elanna like 'this is horrifically dangerous' and B'Elanna replies like 'this is the only way the ship can keep functioning.'

[timetodiverge]

You ready?

(crying) OKAY BUT. Echo didn't even HESITATE. He didn't tell Omega to go with them to safety. He didn't ask, are you sure. He knew she would stay, and he didn't question that. He RESPECTED IT.

She's finally their equal.

[invisible-pink-toast]

“The woman dies.

She dies to provide a plot twist. She dies to develop the narrative. She dies for cathartic effect. She dies because no one could think of what else to do with her. Dies because there weren’t any better story ideas around. Dies because her death was the very best idea that anyone could come up with.

‘I’ve got it! Let’s kill her off!’

‘Yes! Her death will solve everything!’

‘Okay! Let’s hit the pub!’

And so, the woman dies. The woman dies so the man can be sad about it. The woman dies so the man can suffer. She dies to give him a destiny. Dies so he can fall to the dark side. Dies so he can lament her death. As he stands there, brimming with grief, brimming with life, the woman lies there in silence. The woman dies for him. We watch it happen. We read about it happening. We come to know it well.”

- The Woman Dies by Aoko Matsuda (translated by Polly Barton)

[yume-fanfare]

but you guys know that alkaloid are not revolutionaries right. that's trickstar. alkaloid are normal well-behaved idols who started from the bottom and got to where they are by working diligently in traditional idol things. they get mentioned in the same sentence as ra*bits as example of good kids. mayoi was advised to stay away from trouble during the graduation tour because it'd be bad for alkaloid's image. even if their music sounds more aggressive, they're soldiers who follow orders, they do not oppose authority (again, that's trickstar)

[desultory-novice]

"Apologies AU" Summary Part 1

-

Long, long ago, Earth experienced a radical climate shift that meant within as little as two generations, the planet would no longer be habitable for humans. A desperate humanity sought a new home for themselves and their progeny, eventually discovering the perfect place to start over, a planet they dubbed "The New World."

The New World was to be more than humanity's second chance at life. It would be an ideal society: all of humankind's greatness and triumph built side by side with nature, so the problems of the old world would not follow. Humanity began migrating in waves, the most privileged and wealthy and their loyalists first, of course.

Eventually, everyone would get a new lease on life.

Yes... surely...

One day, upon this fresh new world an alien life form crashed. Mysterious. Powerful. Dangerous. Also weak. Too weak to evade capture. And soon...life began to change. The people of The New World slowly turned their eyes away from those they'd left behind in their ugly past, their gaze fixed on a dream-like future. Advancement. Progress. Technology akin-to-magic. A galaxy of possibilities.

It could be theirs. It would be theirs. At any cost. Those in power would make sure of it.

Animal experiments... Human experiments...

Among these experiments was a woman with a voice so beautiful hearing her was to feel like your greatest Dream had come true...  She would fall in love with a man with a Heart so great he left his home to try and return this troubled species to the right path...

...From their union, two children would be born. 

The eldest, a boy, bore great Darkness within him. The abstract nature of his gifts proved of small interest to Lab Discovera at first, and he was tentatively returned to the care of his parents.

The second, a little girl, was a powerful vessel for Soul matter. The ability to create life, not just manipulate it. To bring something into being from nothing.

She, they wanted desperately! For they did not see a child or even a living creature, but a tool from which they could wrest their desired future of absolute control. The wielders of Dream and Heart would not hear of sacrificing their progeny for these twisted goals!

Considered fugitives from The New World for fleeing with precious "experimental equipment" they hid themselves the only place they thought safe: Old Earth, now little more than a dumping ground for exiles and failed or "disappointing" experiments, often sent down as trinkets to pacify the urban warlords who ruled over the depressed, powerless survivors of this slowly collapsing society.

The family of four lived as best as they could in the increasingly cold and harsh modern wasteland, seen as traitors to their neighbors for having worked closely with Old Earth's privileged oppressors. The children were able to avoid capture, at least.

But their parents would not live to see them grow up...

--

It is the beginning of summer, the only time of the year on "Shiver Star" where it is warm enough to be outdoors for most of the day. The planet awakens from another three season long hibernation...

Adeleine and Noir Fontaine are orphaned siblings, two young kids in their early and mid-teens just trying to survive amongst a tired and deeply bitter populace who knows that they, for one reason or another, are the ones humanity has chosen to die while the rest migrated to the bounteous and rich future of The New World.

Only Noir is old enough and wise enough to fully grasp that no matter how hard they pretend otherwise, there's no long-term survival for the two of them. And god knows, the day-to-day is hard enough.

Still, the two make it work. They thrive, even, due to Noir's endless tenacity and strong desire to save his little sister from the crushing despair he feels, even if he can save her no other way.

With society opening up again, the two quickly find themselves reunited with their childhood friend of several years. It is a happy reunion for Adeleine and an awkward one for Noir. Though even he can't help but admit, having Raquelle around makes the weight on his shoulders feel a little more bearable. Even if the slightly older girl's good-natured teasing flusters him in a complex way...

Still, they could have gone on like this together for many years, the three of them. Until the snow forgot how to melt and all life fell into a gentle sleep, buried under the white drifts. They could have.

...They could have but...

One fateful day, Adeleine's art supplies, her only personal treasure, are ruined beyond repair by people who did not care for their warm-hearted escapism. Alone, Noir follows a secret hunch and sneaks into the Museum of New World Technology, a wrecked and abandoned building formerly used to host hundreds of the broken and often dangerous tchotchkes left behind by the New World.

He finds just what he was looking for amongst the looted remains of this experimental display of new world glitz – the perfect gift for his sister. A "magical" paintbrush that ensures she will always have the tools to do what she loves. Adeleine now finds herself slowly able to bring her yet unrefined art to a fantastical new level!

While they start out as little more than animated sketches, she will in time learn to tap into powers deep within herself, powers as natural to her as breathing, to bring real items, even food, into being.

Noir finds a gift for himself as well. A sword with a strange dark aura. It speaks to him. To his soul. Anxiety. Dread. Anger. Negative emotions that Noir had been able to push aside for most of his troubled life with seemingly endless patience and resilience.

It tempts him: a weapon that does not require strength nor training to use, and effortlessly concealable as something no more noticeable than a chain necklace he can hide beneath the scarf he always has on him. Before he knows what he is doing, he has donned it.

Their summer takes a dramatic turn for the better. Long days of magic-fueled safety and silliness sponsored by "dream-like" technology. Adeleine continues to hone her skills. Noir trains with his gift as well and the inexplicable powers it grants him. He plays with being a hero, disappearing night after night to hunt "monsters."

...But this isn't a story about a hero...

Noir is disappearing more and more lately. He's tense. Frightened of something lurking just over his shoulder. He never takes his scarf off now, and he's begun to wear gloves over his hands, even inside.

One day, he reports to Adeleine that he and Raquelle had a bad fight; that she said she never wants to see him again. Adeleine, seeing the changes in her brother as a sign Noir's been deeply hurt by this experience, loyally sides with him and gives up her oldest friendship...

And so, things go back to normal for the two Adeleine...

What she cannot see is that Noir's hands and neck have begun to turn dark and withered; it is almost as if something other than blood is starting to run through his veins. Underneath his scarf, the chain necklace that gave him control over the dark sword has transformed into a collar he can neither remove nor destroy. His attempts to do so cause the sword under "his" control to attack him, violently.

Frightened, he manages to contact an exiled New World scientist, a man with a shattered mind who informs Noir of the horrible secret behind The New World's precious "miracle." That their wondrous advancements all stemmed from the extensive torture of an alien life form, a powerful psychic who even now, a planet away, is able to toy with the fates of those who gorged themselves on Forgo's pain.

Worse than the knowledge of what this information might mean for him is the realization that he has cursed his little sister to the same terrible end as he. Noir runs to her, frantic! Perhaps it is not too late! There may still be time to take it back!

Please!! Not Adeleine too...!!

And yet...

...She is fine! To his great relief! Adeleine shows no signs of the frightening, irreversible transformation he is seemingly undergoing!

Indeed, she hasn't changed one bit since her gift...

Time passes for the siblings. Slowly and quickly. Noir becomes desperate to continue to conceal and somehow free himself of his "gift." For if he were to die now, what would happen to his sister? She has no one left. But her joy at her growing abilities only makes his guilt worse. And negativity speeds along the change...

Realizing at long last that the fragile life he wishes he could return to is now forever out of reach, that he was the one who destroyed it, and that the monstrous transformation he is going through can only end in harming Adeleine as well, Noir makes a decision...

There is no escape for him. But Adeleine will be free.

At any cost.

Noir touches his sleeping sister's cheek with a hand she would recoil from if she knew what her "hero" has done and disappears into the night one last time...

Days later, Noir and Adeleine arrive at the spaceport. He has come along to bid her goodbye. He tells her not to worry. That he will follow once his paperwork is all sorted out. Unable to fully disguise his intentions, he smiles with tears in his eyes and begs her to be happy.

Happy enough...for the both of them...

Only he knows this is the last time they will meet in this form.

After she departs, Noir walks out into the snow, alone. The distant eye that had been closely watching the child born to Darkness from afar for years, that had begun to lurk inside him since he took the Dark Matter Blade, that sunk its claws into its prey for good the moment his unstoppable resilience finally slipped and he allowed himself, in his fear, to murder his best friend and consign her soul - along with the others he killed - to be enslaved to the darkness too, bursts forth, consuming his physical body.

His last thoughts are not for his own fate. He knows what he deserves.

No. They are for she whom he always thought of first. To the one he had given up everything for and knew, deep inside, he would give up his life for as well, the moment she gave him that scarf...

-

"Was I a good brother... Adeleine...?"

-

[Apologies AU Masterpost] [Noir's Field Trip Masterpost]