i cannot explain how much kristen needs to change her marketing tactic
she keeps going around and saying that cassandra is the goddess of mystery and doubt and the night, but thats not quite true. cassandra is the goddess of finding safety in the unknown. of not being afraid of doubt.
she is the belief that even if you don't know where you are or what to do, if you are lost and alone in a dark forest, there will be something on the other side, and all you have to do is get there. Cassandra is the goddess of staring into the cold, uncaring void and feeling a warm hand clasp your own, of a whisper in your ear saying youre going to be okay. you aren't alone. it is going to be scary and hard and uncertain, but you will never be on your own because i am here with you. you will never be lost because i know where you are
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remember this? well. let's go!
both ena and an have pretty famous fathers, and it was always somewhat expected of them to be worthy of their legacy, in some way. both of them were told, "of course you're good at art - you're shinei's daughter!" and "of course you're good at singing - you're ken's daughter!" respectively.
they were always perceived via their fathers, not allowed to step outside their shadow and be seen for themselves. they couldn't be ena or an.
and, you know, for a time, they went along with it. i mean, they were good at what they were doing.
but then... all comes crashing down.
for ena, there's the obvious bullshit that's going on with shinei. completely destroying her. because she admired her father, because he was the reason she wanted to do art to begin with, and he told her to her face that she would never be good enough.
her entire world fell apart, that day.
because no matter what she says, ena wants the approval of her father more than anything else. she wants him to tell her that she's worthy of being his daughter, that all her hard work amounts to something; anything.
but then, there's the eventual revelation that she wasn't anything, actually. she wasn't special.
everyone was better than her.
before, ena was a fish in a small pond, and of course, she was among the best. but now she's been dropped in a vast ocean, and she's small, and insignificant.
devoured by all the other fish.
one of them - and admittedly, the most important of them all - being futaba. she joined after ena, but she proved herself in much less time than her. and, even succeeded where ena failed - she never gave up, even when she was harshly criticised. never regressing artistically. never running away from art.
and there's something else, somewhere deep down - a fear. a fear that nightcord will abandon her when they realise she can't keep up with them. that she's not as good as they thought she was.
what will happen of her, then? she'll be all alone. unloved.
an goes through something similar.
she meets kohane, and she decides that this person is going to be her partner. that they're going to surpass THE rad weekend together, that no one could be better for this task but her.
but when she starts that relationship, it's with the assumption that she'll always be the teacher and that kohane will always be the student.
not in a mean, or pretentious way, no, not at all. simply, an was always told there was no way she couldn't surpass rad weekend, since she was ken's daughter. in her small pond, she was also among the very best.
but then, an realises something, too.
kohane is much better at everything than she is.
very similarly to ena's situation with futaba, kohane made much more progress in barely a year than an has in years. taiga - one of the old RADers, and somewhat of an uncle for an - recognised her potential, and asked to train her. not an, but kohane.
and of course, an is happy to know that! because that's her partner and friend, and an is happy to see her grow more confident and get better every day. because she cares. because she loves her.
but there's something in her chest - something that hurts and aches. she has to face the fact that she's not as good as she thought she was, that she isn't worthy of her father's legacy. that she isn't worthy of being kohane's partner, that she might be holding her back.
that she might be abandoned. left behind to rot.
what will happen of her, then? she'll be all alone. unloved.
to me - ena and an are two kids suffering under the weight of a legacy that's too heavy for them to carry, but that they can't let go of. they're also struggling with seeing their peers succeed where they repeatedly fail. they're all about being terrified of being abandoned because they're not good enough.
they're both confronted by this fact.
and it terrorises them.
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ik ppl hate fictional deadbeat moms but im an avid enjoyer. my feminism knows no bounds truly/j
like i get it she did a bad job. but shit she still did a job that's for sure!! like. she did it do you understand. 14 year old girl is pregnant. it's disgraceful. a shameful stain on her family. yusuke doesn't seem to have grandparents or anything so besides yusuke's bio dad she's got no one. and then when yusuke is a toddler the father disappears and considering who he is and what he's like that's probably for the best. gonna go out a limb and say that yusuke was maybe 4 or 5 when his dad cleared out so. at 18 and entirely alone. atsuko looked down at this little thing. this baby because he's still a baby to her this is a baby who only has her. Not even 4 feet tall with the biggest brown eyes looking to her for everything because he quite literally has no one else.
he doesn't know she's a failure yet. he doesn't know people will look down on them just because he exists as he is. he doesn't know how hard this is going to be from now on. all he knows is he loves his momma
so she doesn't cry. she just meets his big innocent eyes and goes "it's just you and me kid" and yusuke doesn't know that that's a sad thing.
so she takes care of him the best she can and it still sucks but yusuke doesn't know what the standard she should be held to is yet. for a small time she is the greatest and best person in his world and he's the only one who thinks so
then he meets keiko and her parents and finds out that his normal is actually dysfunctional and that his mom actually isn't all that great. that living day to day in the bottom of a bottle isn't healthy. so she's no longer praiseworthy but this person he's responsible for. just like that the roles reverse. because while she was all yusuke had yusuke is also all atsuko has. he doesn't respect her but he still punched the motherfucker in the mouth that called her a tramp. she taught him how to do it.
atsuko comes to terms with the fact that Yusuke doesn't really need her anymore, probably never did so she doesn't bother to care when he skips school or beats whoever he wants to a pulp or gambles because at 14 she was expecting so what the fuck can she really say about him. he sneers at her as he makes her coffee. atsuko lights another cigarette
it feels like betrayal when her son dies. at 14 she had him so how can he die at a sorry age like that. i wasted my teenage years on you for what? so you can die and leave me here? you fucking brat. how can she recover from this? yusuke was all she had. he hadn't looked up at her with an admiring gaze since he was 7 and stopped hugging her goodbye soon after but still he was hers he was hers and then he was gone
but then he comes back. and she doesn't get much better as a mom or as a person really. she tries harder than before maybe (keeping him in school) but yusuke never expected her to. he's made up of her bad habits and uncaring attitude but he's so much better than her. became something good something strong despite how shitty of a job she did raising him.
she's not proud because she has no right to be but something like it tugs in her chest when she sees him feeding the people he cares about at his little ramen cart looking as happy as the first time she'd taken him out to park.
yusuke's dad suggests taking another crack at the whole family thing and she wants to laugh in his face. the only family she'll ever have is that little boy who's stronger and braver than she'll ever be.
she doesn't want to see him laying cold in a casket ever again. he's meant for life, a soul as bright and durable as his. atsuko hopes he lives to see the sun explode
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