#the hollywood reporter 2017

[famousdaily]

ELISABETH MOSS ━ The Hollywood Reporter July 2017 ph. Olivia Bee

[a7estrellas]

not this having a whole new meaning

PEDRO PASCAL & KIERAN CULKIN for the Hollywood Reporter ph. FRANK OCKENFELS 3

[bitter69uk]

"I'm like heroin. I have to dole myself out carefully. I don't want people to overload." Angelyne

"If you’re looking for celebrities, the easiest one to find is Angelyne. She started her career by erecting giant billboards of herself in Hollywood (corner of Hollywood Boulevard and Highland Avenue), New York and London, displaying nothing but her likeness and a phone number. Dialing excitedly, I was thrilled that no one answered the first time – the ultimate in Hollywood attitude. Looking like a fifties glamour girl gone berserk, Angelyne drives around town in a hot-pink Corvette, wearing a matching revealing outfit, blowing kisses to anyone who looks her way. She cheerfully responds to all comments, from “We love you, Angelyne!” to “Yo! Sit on my face!” Although she’s making a record, she’s currently famous for absolutely nothing."

/ John Waters from his book of essays Crackpot: The Obsessions of John Waters (1983) /

Born on this day 73 years ago: eternal grasping starlet, kitsch icon, pop culture oddity, cult figure and enthusiast of the colour pink Angelyne (née Ronia Tamar Goldberg, 2 October 1950. The berserk billboard diva’s origins were always shrouded in mystery until an explosive Hollywood Reporter exposé in 2017). Forget Marina Abramović – the most committed performance artist of the past four decades has been Angelyne.

[myoddessy]

CONEY ISLAND | cl16 —THE PRELUDE.

series masterlist

summary —an article on y/n l/n and all that entails.

WHO IS Y/N L/N? by Louise Kelly

April 29th 2017.

By now, everyone and their mother has heard the name Y/n L/n. With the awards and the acclaims, it's a surprise to find that she isn't an old Hollywood legend, but instead an 19 year old girl with raw, unfiltered talent.

Although, as brilliant as L/n's work is, many fans and followers have noticed a distinct pattern in her projects: she releases something legendary (i.e. an Academy Award for directing after her debut, topping charts with her first album, etc.) and ghosts all media for six months minimum before returning with another knockout. This reputation has lead many tabloids and reporters to refer to her as "Star" an abbreviated version of what was "The Shooting Star" in reference to the fleeting moments of brightness of her career.

Many people over the years have speculated that this nature has been brought on by a lack of media privacy, as paparazzi and obsessive fans alike tracked her down and documented what was near to her every move in the two years before she began her complete media lockdown—outside of promotions, of course.

Due to this private nature of hers, there's a lot of room for speculation when it comes to her life—something news outlets and tabloids such as enews and entertainment weekly have taken advantage of too many times to count over the years by starting rumors and spreading gossip through clickbaited headlines.

In fact, most things people have come to know for certain about the young woman are through speeches she makes or posts from her friends and family's accounts.

In her 2013 Oscar acceptance speech, she went out of her way to thank her mother and brothers, saying they were the only reason she was standing there and their support meant more than any award ever could. Since then, she's never skipped a chance to praise and credit them for her success.

She has also spoken very fondly of her boyfriend and racing car driver, Charles Leclerc, with whom she's been dating for little over three years and grew up living beside. While she does not credit him by name in her speeches, she often dedicates her awards to "her love". Because of this, most information on the pair's relationship has come through both party's instagram accounts, and the accounts of their friends.

Y/n's closest friend, Amalie Billard, has been the public's window into the life of L/n, sharing sweet and funny moments through Instagram stories and posts. Amalie herself is a photographer who grew up with Y/n and has worked closely with her since an internship and ELLE magazine two years ago. Y/n has been the subject of a vast majority of Billard's work and has said that she "feels more comfortable around Amalie than she has with anyone else in the industry and treasures that bond greatly."

Gossip and drama aside, Y/n has build up an impressive reputation in the world's of cinema and music. She has won a total of 5 Academy Awards; Best Leading Actress (2012), Best Supporting actress (2014), Best Leading Actress (2016), Best Director (2017), Best Supporting Actress (2017). And has one 4 Grammys for her music; Pop Solo Performance (2014), Pop Vocal Album (2014), New Artist (2014), Best Alternative Music Album (2017).

She's been praised by some of Hollywood's greatest over the years for both her work ethic and work itself. "She's an incredibly talented young woman who has the sort of grace you'd see in Old Hollywood and the humour you wish you'd see in everyone now. She's truly a great role model for all—young and old." Said Meryl Streep in an interview for "Call for me", a film that she and Y/n starred in in 2015.

taglist— @whoetoshaw @formula-hamilton @lilsiz @sad1esgf @deviltsunoda @tall-tanned-tattoo @briboweee @uh-oh-spaghetti-oh-my-gosh @meetmeaftersix

if you would like to be tagged in future series parts, either comment, dm me, or send a message into my inbox! 💞💞

[iseeitiseetheisland]

Adam Driver for The Hollywood Reporter, 2017

Via @adamdrivermedia

[harveyguilleniconodelamoda]

Thoughts on Fashion & Style from Harvey's Instagram Live with Samantha Rei Crossland

Last night, Harvey Guillén joined fashion designer Samantha Rei Crossland for a chat on Instagram Live to talk about life, style, the entertainment industry, and to answer some fan questions! The full video may be available via Harvey or Samantha's IG eventually, as they saved it at the end, but in the meantime I've compiled some of the questions and answers related to Harvey's relationship with fashion and style here!

This text is taken from the video and has been lightly edited for clarity.

Samantha: Dollie says, "as a fan you can really tell Harvey worked deliberately through fashion and photoshoots to establish his style in person, in front of the camera, and on the red carpet. I'd love to hear more about that journey and additionally if you have any tips for achieving confidence in style and fashion."

Harvey: Wow, good question! I feel like that was an avenue that never was presented to me as an option for the first part of my career. You know everyone's like "oh who dressed you?" I dressed myself! I mean I still do, but I didn't really get any kind of help with anything stylish-wise until recently, when I got the opportunity to work with different designers and stylists who introduced me to those designers. That's really what it is: a stylist will get you into an atelier or someone's house, like Christian Siriano or someone like that. But for the most part, for a long time I just kind of dressed myself, and on a budget.

Knowing Harvey was putting these kinds looks together by himself on a budget in 2017 and 2018, I will never again cut any of the Chrises with their MCU money a single centimeter of slack for showing up year after year, to event after event, in bland black or navy suits.

Harvey (continued): Because stylists are worth every penny, but they're expensive! They are expensive because they do a great job, but you also have to be constantly doing that. I think Zendaya was just talking about this in an interview. There's moments where you want a stylist because you want to look your best and you want the best opportunity and possibility, and there's moments where you're like "I'll dress myself, it's just a small event, I'll make it work. I'll make it work with what I have."

But yeah, I really wanted to put myself in a position where...why can't I like fashion? Why can't I do a photoshoot, and why can't I do a cover? I had a publicist, one of my first publicists...I said "I want to be the first to do something, like be on a cover of something like this!" And they straight out loud said "that's not going to happen." And I was like..."oh well, I mean maybe not overnight, but that should be the goal, we should work toward--"

And they were like "yeah, but we want to be realistic...and that's not gonna happen."

Cannot imagine being the person to tell THIS man he's never going to be on the cover of a magazine.

Harvey (continued): I realized, if people on your team are naysayers or they're not seeing the vision, those people aren't on your team. So unfortunately, I had to let them go, because if there's someone on your team who's already being toxic towards your vision, that's not the vision, that's not the vibe, that's not it. And so I'm glad to report that shortly after that we did get a cover! And then I was able to kind of show that off and be like, "it can be done!" You just have to find the right team and the right people who see your vision.

I think for so long it's just been easy to say no to people who don't fit the mold of Hollywood, and I'm not here to fit a mold. I'm here to break it.

Samantha: You're killin' it! You have no idea how many of these questions were just "when is he starting a fashion line?"

Harvey: I want to! I think right now I'm so focused on my main passion, which is acting, and I'm so grateful and blessed to have opportunities that are coming my way and that I am excited for. And now wrapping something that I'm gonna hold so dear to my heart like Shadows for so long, I'm so grateful. And you know, most actors would kill for just the opportunity to be on a show like Shadows and call it a day, and I would be happy if that's the work that I'm known for, because it's such a great show.

But I'm fortunate that I have all of these other things that are coming up. I'm so excited for the opportunities, and I'm excited for the different characters and different roles and different hats I get to put on.

But eventually that would definitely be an avenue that...I mean, it would definitely be on brand! You know? It would be so on brand to open a plus size line, especially because growing up I didn't see as many options for plus size people, period. But if there were, obviously the lean is for female clothing, and it was never for men at all. Like the options for a plus sized guy was like...screen t-shirts and jeans. And that's it!

Or it was always Big and Tall, where if you weren't tall you got stuck with a really short and stout kind of shirt. The measurements were always catered to "if you're big, you gotta be tall," and well, I don't know if that's true, but there was no in between. So that's a market that I would definitely want to look at. But for the time being I'm focusing on the acting part of it.

Samantha: Kelly wants to ask, "do you like any specific colors or patterns? Where are your tastes when you dress high fashion?"

Harvey: I used to be afraid of color a lot because I was always told if you're plus sized or bigger you'll amplify yourself. But I think you shouldn't be afraid of color. Last year, a year ago next month, at the Meta Gala I wore pink! That was all Christian Siriano from head to toe, and there was a wink there and a story behind it--if you know you know--why he and I chose the color pink for the Met Gala and who they were honoring and all of that. So I'm not afraid of color. I try to be very specific about the dimensions and where my leg cuts off or where it elongates my leg.

Harvey's now-iconic outfit from the 2023 Met Gala--whose theme was honoring Karl Lagerfeld--blended foundational style elements of Lagerfeld's most famous designs for Chanel with all the things Lagerfeld loudly hated throughout his life. Lagerfeld was infamous for making shitty comments about plus sized people, people of color, short men, and a host of other things. He also disliked the color pink. So Harvey showing up as himself and looking stunning wearing that glorious pink number was possibly the classiest shade ever thrown.

Harvey (continued): I've just been like the Christian Siriano poster boy this year! Which is a funny story because when I first approached him over a year ago for the Oscars, he was really busy and he said "I really don't make menswear."

And I was like "well I'm not saying I want you to make completely a tuxedo, I want you to do something in the middle." And he was like "well, I kind of did that with Billy Porter" where he put Billy in this really amazing gown. And I was like "well I don't want to do a gown, I want something between that, you know? Like where it doesn't have to be a traditional, boring, just plain old tuxedo, and it doesn't have to be this amazing, beautiful ball gown that Billy had worn."

Because he doesn't really design for men, he designs for women. And he said "this would be the first I would do this." And I said "then that's great! It'll be the first!" And he definitely had never designed for a plus sized man, so we were checking all these boxes off.

So my idea was if someone in 1920 went to an award show but was trying to wear a vintage Victorian or Edwardian outfit to honor a vintage look. So the hair was 1920s. The hair was done by Connie, who was my hair person in What We Do In the Shadows, who helped me originate the original look for Guillermo.

And Romie--who's my best friend since third grade--is my makeup artist, and she did my makeup for the Oscars and makeup for a lot of the events I go to.

And it was just amazing, you know. That outfit...oh my god. Vogue ran it, they got so many likes, it was on every social [media] outlet, and it did so well that last fall, for the first time, [Christian] had a men's line. And I can't help but wonder if it was a coincidence, if it had anything to do with my "how about we try this experiment!"

This beautiful vintage-inspired look for the Oscars was Harvey's first red carpet collaboration with Christian Siriano and landed him on nearly every best dressed list for the event. The metallic brocade tuxedo gown and bell hem trouser were included in Siriano's Fall 2023 line, and are available to order on his website (for a hefty price) as separate pieces in sizes up to a size 30 (58 bust, 60 waist).

Harvey (continued): Christian's been great, and of course he would make amazing pieces for menswear, of course he would!

We collaborated on a lot of things. For the Critic's Choice award we did a really cool cut, which was like a midriff cut with a peek-a-boo of belly. Because you know, I like my body, and I can show it off! And he did it in a way where I was like "woah!" It elongated my leg and it had a peek-a-boo of a little bit of tummy, and it had a neckline that plunges. So it shows your chest, and it's mesh, and then this giant bow on the side that you can take off or put on.

This red carpet look Harvey wore for the Critic's Choice Awards is one of my personal favorites. It feels like plus size people are always being urged to both cover up as much as possible and make ourselves as small as possible. But this outfit stares those demands in the face and says "Why though? Fuck that! Show yourself off and take up space!"

Harvey (continued): It got so many compliments on the carpet! And it's to a T a Christian look, but also very much me, because we collaborated in what that would look like and how I want that on my body, how it looks on my body, because what looks good on me may not look good on someone else. But it's knowing what your best assets are and what you're showing off, and what you want to show off. Because that's what's going to make you feel the most comfortable, when you're showing off something that you love about yourself.

Samantha: That's literally what I tell my clients! You feel the best you've ever looked in your life when everything just fits you perfectly and shows off the best parts of your body that you like the most. It's not about hiding, it's about amplifying.

Harvey: Yeah, exactly.

---

Thank you so much to both Samantha and Harvey for this wonderful conversation on IG Live! It was truly a joy to witness it and get more insight into Harvey's thoughts on fashion and style.

If you're interested in Samantha's designs (including her OFMD-themed makeup pallets!), check out her website here. And you can find WWDITS-themed Harvey-approved merch at his website here!

[atavist]

When Johna Ramirez’s son joined a wildly popular circle of tween YouTube influencers, it seemed like he was fulfilling his Hollywood dreams. But in the Squad, fame and fortune came at a cost. Issue no. 135 — “Crushed.” by Nile Cappello — is now live at The Atavist.

Gen Z is the first generation to never know life without the internet, and they watch a lot of YouTube. By 2020, according to Pew Research, 89 percent of parents with a child between five and eleven reported that their kids watched videos on the platform; 81 percent with three- and four-year-olds, and 57 percent with a child age two or under, said the same thing. But YouTube’s youngest users aren’t just interested in watching music videos, reruns of Paw Patrol, and old episodes of SpongeBob SquarePants. They like content made by creators they can relate to—ones who look and act like them.

YouTube has given Gen Z their own form of reality television: They can watch other kids be silly with their friends, try on clothes, play with toys and games, and get famous in the process. In 2015, the year before Piper joined YouTube, three-year-old Ryan Kaji began posting unboxing videos on his channel Ryan’s World. Kaji opened new toys in front of the camera, inviting young viewers to vicariously experience his excitement. In 2017, Forbes ranked Kaji as the ninth-highest-earning YouTuber, reporting that he made $11 million that year. Two years later, Kaji made $26 million and shot to the number one spot.

Adults might not understand the appeal of watching a video of Kaji tearing into a Lego set or Piper making slime in her kitchen for the same reason young kids are unlikely to grasp the popularity of The Bachelor: The content isn’t made for them. But the viewers it is made for can’t get enough of it.

Building on the success of her first video, Piper made more YouTube content and attracted more followers. With visibility came opportunities. Piper and Tiffany began taking trips to Los Angeles, where they filmed videos with fellow “kidfluencers” and visited the Walk of Fame and other Hollywood landmarks. According to fan pages, Piper became the fastest “Muser,” or app user, to reach 750,000 followers on Musical.ly, where she posted videos of herself dancing and performing comedy skits.

[chrisinka2402]

2017 Sebastian Stan 🔥💙

Part 4

📸 Photoshoot by The Hollywood Reporter for TIFF Portraits 📸

[themultifandomgal]

Tyler Hoechlin- Our Love Series

(Titles may change)

2010

A New Show And New Family

First Date

Girlfriend And Boyfriend

2011

No More Secrets

Watch Party And Hangovers

Meeting The Family

San Diego Comic Con 2011

EW Interview

Panel Interview

Social Media Posts

Season 1 Bloopers/Gag Reel

2012

Welcome To Set

Tears And Fears

Late Night Talks

San Diego Comic Con 2012

EW Interview

The Hollywood Reporter Interview

Panel Interview

Season 2 Bloopers/Gag Reel

2013

Rumours

Illness On Set

Young Hollywood Awards

San Diego Comic Con 2013

TV Equals Interview

Panel Interview

Season 3 Bloopers/Gag Reel

2014

New Family Member

Pic Nic Date

Moving In

San Diego Comic Con 2014

Panel Interview

Clever News Interview

Entertainment Weekly Interview

TV Line Interview

Alpha Con 2014

Panel Interview

2015

Long Distance

San Diego Comic Con 2015

Panel

TV Insider Interview

Weld wood Interview

2016

Surprise

Announcement

9 Months

Watching Comic Con Clips

MTV Awards

2017

Family Life

A Supportive Girlfriend

Going On Set Of Super Girl

A Proposal

2018

Wedding 

Infinity Wars Press Conference

The Tonight Show

2019

Baby Fever

End Game Press Conference

9 months

The Tonight Show #2

2020

Teen Wolf 9 Years Later

Life During Lockdown

Tic Toks #1

Tic Toks #2

Tic Toks #3

2021

Happy Birthday YN

An Exciting Phone Call

Merry Christmas

2022

Table Read

Behind The Scenes

Welcome To Behind Beacon Hills

The Pack Is Back

Behind The Lens

Stunts and Sticks

Fangs, Fits & Forrests

San Diego Comic Con 2022

Interview

New York Comic Con 2022

Interview

2023

Beacon Hills Forever 

Beacon Hills High School Reunion

[sourceblog]

SKEET ULRICH + talking with The Hollywood Reporter 2017

[grits-galraisedinthesouth]

Hallelujah South Park!

By Maureen Callahan 16 Feb 2023 - 17 Feb 2023

Will their delicious take-down of privacy-hungry Harry & Meghan FINALLY make them see what insufferable hypocrites - and global laughing stocks - they've become?

Well, she said she wanted to be a cartoon princess. Now, thanks to the brilliant minds at 'South Park,' Meghan Markle is one.

In 'Worldwide Privacy Tour,' which aired Wednesday night, Meghan and Prince Harry were savaged as hypocritical publicity hounds who nonetheless demand to be left alone. After promoting his memoir, here called 'Waaagh,' the 'prince and princess of Canada' move to South Park, whose children cannot abide their insufferability. At one point, the outraged prince flashes his frostbitten penis — to a child! — while defending his wife.

As the animated Harry and Meghan toddle around the globe, holding placards that read 'STOP LOOKING AT US!' and 'WE WANT OUR PRIVACY!,' their entitlement, stupidity and lack of self-awareness was sliced through by a cartoon talk-show host with, in my view, better questions than Tom Bradby or Anderson Cooper.

Appearing on 'Good Morning Canada,' Harry and Meghan — the latter speaking inanities with a Valley Girl accent — sit down to a chorus of boos. The impeccable line of questioning beings.

'Let me start with you, sir. You've lived a life with the royal family, you've had everything handed to you, but you say your life has been hard. And now you've written all about it in your new book, 'Waaagh.'

Harry: 'Yes, that's right friend. You see, my wife and I —'

Meghan: 'I was like, totallllllly, you should write a book 'cause your family, like stupid, and then [unintelligible] journalists.'

Host: 'So you hate journalists.'

Harry: 'That's right!'

Host: 'And now you wrote a book that reports on the lives of the royal family.'

Harry: 'Right!'

Host: 'So you're a journalist.'

Yes! Exactly right.

Meghan: 'We just wanna be normal people. This attention is so hard.'

Waaagh!' indeed. You have to wonder what the mood is in Montecito this morning, the online reaction from us 'normal people' nothing short of a rousing standing ovation. Do Harry and Meghan get it now? Do they understand that they are laughingstocks not just around the world, but in the province Meghan values above all others — Hollywood?

'South Park': Grade A+. Chef's kiss. This was a perfect episode. The only possible criticism: What took Trey Parker and Matt Stone so long?Granted, it seems every week does bring a brand new hypocrisy. One must work hard to keep up. 'Because I'm from the States, you don't grow up with the same understanding of the royal family. And so while I now understand very clearly there's a global interest there, I didn't know much about him.

'That was Meghan Markle in November 2017, seated next to Prince Harry as they gave their first interview to the BBC as a newly engaged couple.A fair number of people — myself included — found it near impossible, laughable really, to believe that Meghan, creature of Hollywood and student of fame, had little idea who Prince Harry or the British royal family was. Or that this self-professed smart, savvy, well-cultured woman had not so much as Googled her fair prince before their first date. No social climber she!It all sounded very Yoko Ono, who, upon meeting John Lennon, claimed to have never heard of him.Now — could it possibly be — that Meghan was insincere? A newly resurfaced post on her late blog The Tig (think Goop, but more basic and obvious) reveals that Meghan was very familiar with the British royal family and with William and Kate's nuptials. She even wrote about the type of princess she, Meghan, dreamt she might someday be.

Hey, Harry: Don't feel too bad. Even Lennon fell for it. As he told Rolling Stone in 1971, Yoko had 'only heard of Ringo, I think.'Ringo! Not the world-famous half of the most celebrated songwriting duo of post-World War II Western civilization. When you're that well known, it seems, nothing is as refreshing as someone who claims not to know who you are or what you do or why people care about you. The implication, of course, being that said ignoramus sees through the veneer of celebrity to you. They like and love you for you, not the attendant wealth or social status or privilege or refracted fame that comes with being your other half. Here's Meghan in her 2014 blog post, fantasizing about becoming a princess while also mocking the entire idea, because she's just that cool and just that above everything, even a storied institution dating back over eleven centuries.

'Little girls dream of being princesses,' Meghan wrote. 'I, for one, was all about She-Ra, Princess of Power. For those of you unfamiliar with the '80s cartoon reference, She-Ra is . . . a sword-wielding royal rebel known for her strength. We're definitely not talking about Cinderella here. Grown women seem to retain this childhood fantasy. Just look at the pomp and circumstance surrounding the royal wedding and endless conversation about Princess Kate.

'Well, well, well. How will Meghan explain that away? Or as recounted by Harry, that upon meeting Prince Andrew she thought he was the Queen's handbag holder? Or, as she told Oprah in 2021, 'I went into [my marriage] naively because I didn't grow up knowing much about the royal family'?

By the way, Meghan's 'grow[ing] up' would have been at the height of the royal family's coverage in global tabloids: Princess Di's supernova fame, the first future king ordered to divorce, Diana's death and the subsequent wall-to-wall 24/7 media coverage of her funeral.

Meghan would have to have spent her formative years in the Yanomami Amazonian tribe, thoroughly cut off from the modern world, to have known so very little about the royals.

How will Meghan explain, as she claimed in last year's insipid Netflix doc, that she had no idea how to curtsy or why it was important to show respect to the Queen? As she sat beside her husband, who looked pained and humiliated, Meghan characterized her first meeting with the late Queen Elizabeth, one of the world's most admired women, thusly:

'I mean, Americans will understand this,' Meghan brayed, because 'we have Medieval Times, dinner and a tournament. It was like that.'

What must Harry, who wrote in his memoir that Meghan knew 'almost nothing' about the royals, be thinking now? Will he think to himself that his now-wife knew well and good who he was? As Andrew Morton wrote in his 2018 biography 'Meghan,' her friend Ninaki Priddy said that the future duchess 'was always fascinated by the royal family. She wants to be Princess Diana 2.0'

This seems to be the root of Meghan's self-obsessed rage, does it not? She married the spare. She'll never be the next Diana. If anything, Catherine, Princess of Wales, is carving out a similar beloved place for herself amongst the British people. Meghan is the also-ran, attempting to run a rival court out of a soulless Montecito manse while decrying the uselessness of all things royal.

But don't you dare not call her the Duchess of Sussex!

Lest we forget, Meghan's overarching message since joining this family has been the smug, insufferable, disingenuous utterance, 'Be kind.' It's what she said in that first interview with Harry, claiming that she made it very clear to their matchmaking friend she had one non-negotiable quality in a potential mate:

'And so the only thing that I had asked [our mutual friend] when she said she wanted to set us up was — I had one question — I said, 'Well is he nice?' 'Cause if he wasn't kind it didn't seem like it would make sense.'

We all know now that Harry isn't very nice. You don't take millions from your father and cling to your titles while disparaging and insulting him, then tell the world — for years — that they're a family of racists before taking it all back and blaming the press for your woes while revealing all manner of your father and brother's private pain and intimate information and get to call yourself a nice guy.

On top of all that, we're meant to feel sorry for Meghan and Harry.

You don't mock the physically disabled female teacher at your boarding school for kicks, as Harry did, and get to call yourself nice. You don't double-down and name this poor woman in your memoir, blame her for not being attractive enough to make you 'horny', then recount the serial humiliations you subjected her to without ever expressing an iota of remorse or guilt or shame and get to call yourself nice — let alone a humanitarian and a thought leader in mental health.

Mental health advocates — these two! It's just amazing. No matter how many discrepancies, these two evince nothing, not so much as a blushing cheek or a head hung in shame. They're like two dead-eyed sharks, moving ever forward through the chum in their wake. They don't seem to understand that credibility and authenticity is paramount when trying to launch themselves as personal brands.

They also don't seem to understand what laughingstocks they've become. After the priceless Jimmy Kimmel bit about Harry and his todger, after Stephen Colbert mocked the royal family to Harry's face during his appearance, 'South Park' — a show that gleefully flays hypocrites of all stripes — has focused their ire on these two professional victims. No one deserves it more.

As the young animated character Kyle exclaimed, 'It is seriously driving me crazy. I'm sick of hearing about them but I can't get away from them! They're everywhere. In my f***ing face.'

A cri de coeur for us all. Alas, Harry and Meghan seem to lack the one quality that might possibly redeem them: A sense of humor.

MAUREEN CALLAHAN: Do Harry & Meghan see they're now South Park jokes?

[ingek73]

Suits creator confirms palace changed line of Meghan’s dialogue

Creator of series, which has set viewership records on Netflix this summer, says palace objected to the word poppycock

Adrian Horton

Tue 29 Aug 2023 17.23 BST

The creator of Suits, the legal drama which launched the acting career of the Duchess of Sussex, is opening up about input from the royal family on scripts.

Speaking to the Hollywood Reporter about the show’s resurgence on Netflix, where it has broken multiple viewership records for an acquired series, the creator, Aaron Korsh, said the royal family “weighed in” on scripts involving Meghan, who played the paralegal Rachel Zane for seven seasons, once she started dating Prince Harry in 2016. “Not many things, by the way, but a few things that we wanted to do and couldn’t do, and it was a little irritating,” he said.

Korsh recalled a particular incident in which the royal family objected to Meghan’s character saying the word poppycock on screen to refer to a topic that would be sensitive, a nod to Korsh’s in-laws. “The royal family did not want her saying the word,” said Korsh. “They didn’t want to put the word poppycock in her mouth. I presume because they didn’t want people cutting things together of her saying cock.” The line was changed to “bullshit”.

Korsh added that he was not sure how the royal family obtained unfilmed scripts of Suits, and that Meghan herself was never responsible for delivering the edits. “It might have been the directing producer at the time, or her agent” who relayed the message, said Korsh. “Whoever it was, they didn’t like having to tell me any more than I liked having to hear it.”

Suits, a glossy legal procedural that ran from 2011 until 2019 on the USA network in the US, has become the breakout show of the summer, setting several Nielsen viewing records. It became Netflix’s most-watched acquired series in a single week, and accounted for a whopping 18bn minutes of viewing for the month of July. Meghan left the series after season seven in 2017, a year before she married Prince Harry.

Harry had previously revealed the palace’s intervention on the show in his memoir Spare, published this January, which detailed the effect of their relationship and palace scrutiny on Meghan’s career. “Meg packed up her house, gave up her role in Suits. After seven seasons. A difficult moment for her, because she loved that show, loved the character she was playing, loved her cast and crew – loved Canada,” wrote Harry. “On the other hand life there had become untenable.

“The show writers were frustrated, because they were often advised by the palace comms team to change lines of dialogue, what her character would do, how she would act,” he added.

-

Remember how the BRF wanted her to keep working? Yet they interfered with her work

[the-rewatch-rewind]

Here we go again, we're changing the scene.

Script below the break.

Hello and welcome back to The Rewatch Rewind! My name is Jane and this is the podcast where I count down my top 40 most frequently rewatched movies in a 20-year period. Today I will be discussing number six on my list: Shipwrecked Comedy and American Black Market’s 2017 film noir parody The Case of the Gilded Lily, directed by William J. Stribling, written by Sean Persaud and Sinéad Persaud, and starring Sean Persaud, Sinéad Persaud, Sarah Grace Hart, and Mary Kate Wiles.

It's 1939 in Los Angeles. Hardboiled private eye Ford Phillips (Sean Persaud) doesn’t touch Hollywood cases, until junior ace reporter Fig Wineshine (Sinéad Persaud) convinces him to help her childhood friend, starlet Wilhelmina Vanderjetski (Sarah Grace Hart) find out who is blackmailing her.

In my episode about Edgar Allan Poe’s Murder Mystery Dinner Party, which was number 13 on this list, I discussed how I found and fell in love with the work of Shipwrecked Comedy. If you haven’t listened to or don’t remember that episode, to summarize, I had incredibly high expectations for Edgar Allan Poe’s Murder Mystery Dinner Party, aka Poe Party, that were exceeded in every possible way, and in joining this small but enthusiastic fandom, I finally felt that I had found my people. I was very excited to learn what Shipwrecked’s next project would be, and I didn’t have long to wait. On May 30, 2017, just under seven months after the Poe Party finale, they shared a teaser poster for The Case of the Gilded Lily, which showed silhouettes of the Core Four (Sarah Grace Hart, Sinéad Persaud, Sean Persaud, and Mary Kate Wiles) in a style consistent with film noir. Since one of my favorite things about Poe Party had been the way it reminded me of classic movies, I was ecstatic to see them leaning even more directly into Old Hollywood.

The Kickstarter campaign launched a week later. Unlike Poe Party, which was an 11-episode series, Gilded Lily would be a short film, and they were only asking for $25,000. It didn’t even occur to me to be disappointed that this was going to be so much smaller; I was just excited that Shipwrecked was making another project so soon. In some ways, this Kickstarter experience was similar to the Poe Party one – the fun livestreams with backers’ names on the wall, the character reveals when milestones were reached – but in others, it was very different. For one thing, I had by this point met Shipwrecked and gotten to know many of their other fans, so instead of interacting with a bunch of pleasant strangers, these livestreams felt more like hanging out with friends. And for another, they reached their goal in less than a week, whereas Poe Party had taken almost a month, so it felt a lot less stressful, at least from a will-this-get-to-exist? perspective. They set a few stretch goals and ended up raising just over $43,000 by the time the campaign ended on June 25. I pledged a bit more to this project than I had to Poe Party, partly because I felt like I owed them for how much Poe Party had already changed my life, but also of course because of how thrilled I was that they were making something else that was related to my interests.

The main reason they were making Gilded Lily right then was because they had been invited to premiere a new project at Buffer Festival in Toronto, where they had screened all of Poe Party the year before when only the first 9 episodes were up on YouTube. I would have loved to have gone, both to see Poe Party and to see Gilded Lily, but it didn’t work out. However, Kickstarter backers at the $25 level and up would get access to watch The Case of the Gilded Lily soon after Buffer, before it was posted publicly, and that was good enough for me. Buffer Festival was only about three months after the Kickstarter ended, so Shipwrecked had a ridiculously short period of time to complete this video that they had originally intended to be about 20 minutes long but ended up with a runtime nearly twice that. I still don’t understand how they did it. I know, from talking to members of Shipwrecked at the time and from behind-the-scenes content they’ve released, that they were incredibly stressed about things like finding and locking locations, a cast member having to drop out last minute, and, of course, the budget, but still, they managed it. They successfully premiered their 38-minute long “short” film at Buffer Festival 2017 and emailed a link to backers a couple weeks later, on October 12.

I had a lot of trouble setting my expectations for The Case of the Gilded Lily. This group had just made Poe Party, so I knew they were capable of greatness, but I also knew I had no right to expect this to be on the same level as that, since it was always intended to be a much smaller project. I was sure I was going to enjoy it, but I was very curious to see how much. The first thing that struck me after I clicked the early access link was the music. The soundtrack was composed by Dylan Glatthorn, who had also composed the Poe Party soundtrack, which I absolutely should have mentioned in that episode because it is incredible. But the Gilded Lily soundtrack is somehow even better. Shipwrecked had released a video of a song from the short called “A Change of Scene” in September, written by Glatthorn and performed by Mary Kate Wiles as lounge singer Vivian Nightingale (a name that had been mentioned in Poe Party), so I already knew that was a bop, but it didn’t prepare me for how hard the opening credits music would slap. The theme is so delightfully jazzy that even after nearly six years, I can’t sit still when I hear it. That music over the black and white shots of the Hollywoodland sign and palm trees was the perfect way to set the scene. And then the opening credits finished and the film itself began.

So here’s the thing about film noir. In general, I enjoy it: I think it’s a fascinating filmmaking style and a very effective technique to tell a certain type of story, and two of my other top 40 most frequently rewatched films – Notorious and Gaslight – are fairly noir-esque, but also, film noir can get very dark. Every November, along with many film lovers on the internet, I celebrate Noirvember, a time to watch and appreciate film noir. In 2015, I actually managed to watch 30 noirs in Noirvember, and by the end of the month I noticed that it was really getting to me. I was starting to feel a constant vague sense of unease, dread, and despair. So in every November since then I’ve forced myself to consume noirs somewhat more moderately. I must have known that Gilded Lily was going to be more of a parody and not like one of the darker noirs. The group was called Shipwrecked Comedy, after all. But even Poe Party had had some pretty dark moments. I’m sure I expected jokes in The Case of the Gilded Lily, but I was utterly floored by just how laugh-out-loud funny the whole darn film was. It wasn’t dark at all, at least compared to most noirs or even to Poe Party. There wasn’t even any murder! The first time I watched it, I must have missed at least half the jokes because I was still laughing at prior gags. The plot was just as complicated and twisty as most noirs, but that first time I was barely paying attention because, again, too much laughing. Therefore, once I finished it, I naturally had to immediately rewatch it several times to pick up on the jokes and plot points I’d missed, and I was delighted but not at all surprised to find that it held up very well. I don’t recall exactly how many times I’d seen it before the link was made public on December 11, but by the end of 2017 I’d watched it nine times. I then watched it four times in 2018, six times in 2019, five times in 2020, three times in 2021, and four times in 2022. And I still think the jokes are funny. So if you haven’t watched it, you absolutely should, it’s still available for free on YouTube (link in the show notes) and it’s like the length of one episode of a TV show.

There are so many different types of humor in this film, and all of them are great. There’s the whole playing with and making fun of noir tropes aspect, including several instances of characters interrupting each other’s voiceovers, a camera rotation into a Dutch angle causing Ford to fall over, and Wilhelmina trying to smoke and drink to fit in but not quite understanding the concept. That last one serves the dual purpose of making fun of the excessive smoking and drinking common in noirs and further developing one of my favorite types of character: the confidently clueless. The Case of the Gilded Lily has two of these: Wilhelmina Vanderjetski, the starlet who’s being blackmailed, played by Sarah Grace Hart, and Dash Gunfire, Ford’s rival private eye, played by Joey Richter. Wilhelmina’s cluelessness mostly makes her happy and charming, whereas Dash’s makes him frustrated and annoying, and it’s very entertaining to see two such similar yet very different characters in the same project. Basically everything either of them says or does makes me laugh. There’s also some great physical comedy, mainly from Clayton Farris as the disgruntled Buster Keaton. Similarly, there’s humor with the set and props, like when Cliff Calloway (played by Tom DeTrinis) switches between smoking a cigar and a cigarette in the same scene depending on who he’s talking to, and when Officer Claudette Knickerbocker (played by Joanna Sotomura) is talking to Ford on the phone about how hot she finds Cliff, and it cuts away to Ford putting down the phone and pouring himself a drink and when we see Claudette again her office is in complete disarray. And then there are all the hilarious running gags. Like how whenever someone brings up that Wilhelmina’s real name is Lily THomas, Ford has to argue that it should be pronounced Thomas. And how every time the scene changes after Vivian sings “A Change of Scene” the first time, there’s a little reprise of her singing about how we’re changing the scene. And the way Fig is obsessed with cookies and keeps getting them – I am truly in awe of Sinéad Persaud’s brilliance in writing a character for herself that required her to eat lots of cookies. What an iconic move. And then there’s the running bit where Ford will pause and stare into the distance dramatically before mentioning The War, much to Fig’s confusion, until it’s finally revealed that The War was a movie he and Claudette acted in when they were children. Another running bit is the bartender Bixby Crane (played by Dante Swain) repeatedly saying his own name unnecessarily, and taking things very literally in unexpected ways. This bit was particularly funny to me because my high school band director’s name was Parker Bixby, and when we marched in the Tournament of Roses parade, one of the announcers commented, “I want to change my name to Parker Bixby.” Later somebody put that on t-shirts and Mr. Bixby ended up with one. So seeing a character named Bixby who was obsessed with his own name made me laugh even harder than it would have if they’d picked any other name for that character.

Like in Poe Party, the actors in The Case of the Gilded Lily were encouraged to play around, at least as much as their limited production time would allow, which once again resulted in an excellent blooper reel, and also some great moments in the film. One of the best is when Wilhelmina’s husband, producer Roger Haircremé, played by Gabe Greenspan, comes into the lobby from the Sufferin’ Safari premiere and says, “Sweetheart, it’s nearly giraffe time!” which was improvised. Also, major shout out to the Persauds for their incredible character names, and also to Gabe Greenspan, who filled in last minute when the original Roger had to drop out of the project. It’s kind of mind boggling that this was the first time Gabe worked with Shipwrecked and that he almost wasn’t even in this, since it’s hard to imagine their more recent projects without him. Another unscripted moment that I love is when Vivian is telling Fig about an underground gambling ring and says that they meet on Wednesday nights, adding, “Tonight. And next Wednesday. And the Wednesday after that…” That last part wasn’t in the script, but they brought it back again when Fig passes this information on to Claudette, saying, “Vivian only knew they meet tonight. And then next week. And the week after that. Basically, it’s a weekly thing.” And Joanna, not really knowing how to respond to that, just had Claudette go, “Oh, okay” and move on with her lines, and for some reason that just really tickles me.

I think the thing I appreciated the most about The Case of the Gilded Lily, once I stopped laughing long enough to analyze it, was that it felt like a typical Shipwrecked project while also feeling completely different from what they’d done before. The sense of humor felt the same as Poe Party, even though the Gilded Lily gags tended to be on the sillier side. The story was just as well thought out as Poe Party’s, but while Poe Party was being released I was constantly trying to figure out who the murderer was, whereas with Gilded Lily I didn’t even attempt to guess who the blackmailer was, I was too busy laughing. Also, being a short film rather than a series released over 11 weeks, there was much less time for speculation. Of course, the overlapping cast made the projects feel similar, and I particularly enjoyed seeing Ryan W. Garcia, who had played Eddie in Poe Party, show up as an extra in about half the Gilded Lily scenes. This ultimately inspired me to write a rather long and intense fan fiction tying a bunch of Shipwrecked projects together with the time traveling ghost of Eddie. Tom DeTrinis’s Cliff Calloway seemed about what you’d expect if Oscar Wilde was trying to pretend to be a straight film star. Joey Richter’s Dash Gunfire was similar to his Ernest Hemingway in that both were rivals with Sean’s character, although Dash is way sillier.

And then there’s the Core Four. Sean and Sinéad’s characters and dynamic were very similar in A Tell-Tale Vlog, Poe Party, and Gilded Lily: both Poe and Ford are loners who secretly desire friends, and both Lenore and Fig are outgoing and talkative and enjoy winding up Sean’s character, who begrudgingly appreciates them despite his best efforts to abhor them. But of course, they are unquestionably different characters, and I think they both did an excellent job of adjusting their mannerisms to make them feel distinct. Mary Kate and Sarah’s characters, on the other hand, are essentially the complete opposite of what they played in Poe Party. Annabel was sweet and naïve and wanted everyone to be happy, whereas Vivian is bitter and jaded and having affairs with four different men in five different states (another great line) and doesn’t seem to care about anyone besides herself. Going straight from an ingenue to a femme fatale and absolutely nailing both was an excellent way for Mary Kate Wiles to demonstrate her incredible acting range. I’d already been a huge fan of her work for over five years at that point, and I was still blown away. Vivian doesn’t even get that much screentime, but gah, what MK does with her voice, like, just, close your eyes and listen to Annabel and then listen to Vivian, you can’t even tell they’re the same person. I feel like this also helps distinguish Edgar and Ford from each other. It’s a running theme in most Shipwrecked projects that Sean’s character is super into Mary Kate’s character, although they rarely end up together, and I can’t really explain why, but I don’t feel like Poe would be particularly into Vivian, nor would Ford be interested in Annabel. But I could be wrong about that, I don’t really understand how sexual or romantic attraction works. Anyway, all that being said, if I had to pick one single favorite aspect of The Case of the Gilded Lily, it would have to be Sarah Grace Hart as Wilhelmina Vanderjetski, mostly because she is absolutely hilarious, but also because she is so different from Emily Dickinson in Poe Party. Emily is forgotten by everyone the second after she introduces herself, whereas Wilhelmina is one of the most famous stars in Hollywood. Emily seems to know what’s going on, and I have a theory that she could have figured out the whole thing if people would have just listened to her, whereas Wilhelmina, bless her, is paying blackmail while also telling everyone what she’s being blackmailed for. Also it’s literally just… having a stage name. Not really something worth paying $20,000 per week to keep secret, especially if you’re just going to tell everyone anyway. But Sarah commits to this character so hard that you never once doubt that Willie would absolutely fall prey to this ridiculous scheme. She’s so earnestly oblivious in the most endearing and hilarious way that she’s probably my favorite Shipwrecked character, and possibly my favorite character in anything ever.

What I didn’t know at the time was that originally, Shipwrecked had planned to follow Poe Party with a whole series featuring these characters, but when they got invited to Buffer they knew they wouldn’t have time for all that, so they made The Case of the Gilded Lily as kind of a pilot for the Fig and Ford series. They did make it clear that they had at least some intentions of continuing the story, with a question mark appearing after “The End” and a quick post-credits scene with Vivian bursting into Fig and Ford’s office and saying, “Mr. Phillips, something terrible has happened!” After years with no word of what this could be leading to, I had almost given up hope of more from this world, and then, in 2022, Shipwrecked launched a Kickstarter for an audio narrative called The Case of the Greater Gatsby, currently coming out weekly on all major podcast platforms, and we’re finally getting more, and it is so delightful. Once again, I don’t feel like I’m doing a very good job of trying to figure out what’s going on, but I am living for the jokes.

Classic film noir tended to be relatively sexually explicit for its time – at least, as much as it was allowed to be under production codes. In particular, the male protagonist was often led astray by his attraction to the sexy but dangerous femme fatale. The Persauds had said that they were inspired by Who Framed Roger Rabbit, another noir parody, which turns these sexy expectations around with a femme fatale type character who is, if not overtly asexual, certainly ace-coded – she’s married to a rabbit, and when asked what the attraction is, she says, and I quote, “He makes me laugh.” The Case of the Gilded Lily finds a different way to put a twist on the femme fatale trope with Vivian Nightingale, who is certainly not ace-coded, but also doesn’t seem to be particularly dangerous – at least in the Gilded Lily plot, I don’t know where Greater Gatsby is going yet. Vivian is a possible suspect, and Ford is very attracted to her, but she’s innocent and nothing bad really comes of her involvement in this story. She has an attitude of, “I have no clue how I got mixed up with you clowns, but I’ll be fabulous while I’m here" that you have to admire. Really the only romance in The Case of the Gilded Lily is the one between Wilhelmina Vanderjetski and Roger Haircremé, and that one is… questionable, to put it mildly. For one thing, Willie lied to Roger about her background to get him to marry her. For another, Roger saw through her ridiculous story but pretended not to, instead blackmailing her to pay off his gambling debts. When Fig and Ford uncover this, instead of being furious with her husband, Wilhelmina is delighted that the blackmailer was just her kind, loving husband who’d never do anything to hurt her. Typically I’m very much in favor of forgiveness, but in this case I really don’t think Roger deserves it. In a way, this could be seen as illustrating the harms of amatonormativity, showing that Wilhelmina thinks staying with a blackmailer is preferable to having no husband, but it definitely comes across as her genuinely believing that Roger has done nothing wrong. It’s weird, but I love the way this shifts the noir trope of sexy-romance-gone-wrong to be about a couple who was married at the start and has no intention of getting divorced at the end, and involves a woman who bears zero resemblance to a typical femme fatale.

Like pretty much every other Shipwrecked project (besides Kissing in the Rain), The Case of the Gilded Lily is way more focused on platonic relationships than romantic or sexual ones. Even though the crime is related to Roger and Wilhelmina’s relationship, it’s solved mainly because of Fig’s friendship with Wilhelmina, Fig’s attempts to befriend Ford, and Ford’s friendship with Claudette. I didn’t know I was aroace when this came out, but I certainly appreciated all the non-romantic storylines. And I would argue that Gilded Lily does have at least one ace-coded character, although it’s not the one who reminds us of Jessica Rabbit: it’s Fig Wineshine. She wants to be friends with everyone but doesn’t show any signs of attraction to any of them. And she has this great line in Greater Gatsby when she’s describing how Cliff Calloway is a Hollywood heartthrob: “He didn't really do it for me. But then again he wasn't circular with crispy edges and a gooey middle.” She’s saying that her type is a literal cookie. There’s no allosexual explanation for that.

My main takeaway from The Case of the Gilded Lily back in 2017 was that Poe Party was not a fluke. I had truly stumbled upon an underappreciated group of talented, hardworking geniuses when I found Shipwrecked Comedy, and I was going to keep following and supporting their work from then on no matter what. And I have never regretted doing that for a second. Most of the projects they’ve made in the years since The Case of the Gilded Lily have been too short to count as movies, but they have all been incredibly delightful. I would highly recommend everything on their YouTube channel, in addition to the Greater Gatsby podcast they’re currently releasing, especially if you enjoy Old Hollywood; I am thoroughly enjoying all the references to actual movies and actors that I love by the fictional characters from the world of Fig and Ford that I also love. Shipwrecked keeps telling the exact stories I want to see and hear, and I cannot even begin to adequately express how much joy they have brought to my life. I truly hope everyone out there has found or will find a group of artists whose work means as much to them as Shipwrecked’s does to me.

Thank you for listening to me discuss another of my most frequently rewatched movies. Next week I will enter my top 5 with the oldest movie on this list, which I also watched 31 times. As always, I will leave you with a quote from that next movie: “Always remember that the truth has never hurt any man! …And anyway, if it does, I’ll go to the hospital with you.”

[sincericida]

ANDREW GARFIELD, Claire Foy & Andy Serkis - Hollywood Reporter Portrait Studio at TIFF17 | September 2017.

[foxes-that-run]

There is a song called 'Talk'. Snippet was leaked on January 7, 2023 and leaked in full on August 5.

Yes, I like Talk. I feel like these might have been close to Kiwi in time, from before Dunkirk. A few I'll mention are:

[Verse 1] Threw myself away, I was sleeping late You forgot my name Sick and tired of me, I can feel the heat Filling up my veins Now I'm waking up, wanna shake things up Is this good enough

"You forgot my name" I hear as shade to Calvin at the 2016 iHeart awards on 3 March 2016. Calvin and Taylor arrived separately and were icy, Taylor won 4 awards and didn't thank Calvin when accepting 3. Calvin was apparently looking annoyed then thanked literally everyone but Taylor, even ET reported on it. Taylor then thanked him for tour. It would be rich if he was annoyed, it's Taylor's achievement. She also wrote it while dating Harry who most of 1989 is about.

[Verse 2] Moved to Hollywood, 'cause she said I should Doing it my way Love is what you want, love's a broken bone Don't you, don't you wait

Harry bought a house in LA in September 2016. He probably decided to move to LA before that. In the months leading up to it he and Taylor had hung out until he left for Dunkirk 10 May 2016.

He listed that house for sale only 8 months later in May 2017. He spent 3 of those months Jamaica and the UK so probably stayed there very little. It eventually sold in 2019 for a loss. The house was 10 minutes from Taylors, but probably lots of Celebrities, Lizzo lives there now.

[iseeitiseetheisland]

Adam Driver, The Hollywood Reporter 2017

Credit-Miller Mobley via Adam Driver Central on Twitter