#the last panel lmao

[ashoss]

patrol is fun :DD

[hinamie]

to moving forward

[zosanbrainrot]

PART 4!!

01 02 03 04 05 06

I stg I'm kicking yall in the shins one last time, we're ALMOST done with the angst!

Let me tell you I had this finished(!) twice(!), but no, I had to go back and change it lmao

In my first go the fight scene was much more rough, it was hard for me to draw from the beginning, I'm not really good at this sort of thing. So I took a little break from the comic and when I got back to drawing the last two panels (static ch close ups) they turned out so GOOD and CRISP! I just had to go back and redraw the previous ones. Didn't change the composition back then, just made the drawings less sketchy and fixed minor mistakes. This panel in particular went through bigger fixes, I couldn't get the pose right:

I emphasized the arch in Zoro's back so it's more clear he's hunched over, the head is lower, and the hand on his stomach wasn't looking good, so I switched its direction and I feel it looks more natural now. The whole pose is shifted to the side now, whereas in the previous ones it was more straight up, but I wasn't conveying perspective well.

So after that I had it all exported, loaded into drafts and as I scroll it on my phone I'm like... There should be one more panel where Zoro's getting kicked : | Imma need to change it AGAIN.......

It just didn't flow well. I work on the comic in chunks so I haven't put these panels together before, I always saw them side by side in my main file.

I just didn't like how you go from Zoro getting kicked to him being thrown, it just felt disjointed to me.

So first I looked through the three sole volumes of BNHA that I have at home to maybe understand drawing fight scenes just a little bit better. That's how I got to the new version of Zoro getting kicked so there's more lines showing movement etc. but most importantly you have the kick and Zoro's reaction separate. So now Zoro's face has a bigger closeup, you can see his open eye.

In the previous version it was more distant, the closeup wasn't as big and you couldn't see his expression well. With just the side view you could only see he's in pain but nothing more than that,whereas when you have a full view of his face you can get much more from that. You see where he's looking, you know he's looking at Sanji when he kicks him in the guts.

I guess that's why, in the first version, I was trying to still show his face where he's being thrown off of Sanji bcs I felt the side profile wasn't doing it's job, but at the same time it felt off, like there was less force in the kick bcs his head wasn't following the movement idk. Also he was def too big in the frame. So now Zoro's smaller to emphasize the perspective more, the head is down, the right arm is more to the side and there's more lines, the flame is more aggressive now and bursts into the sides when it comes in contact with Zoro's body to show the impact. I know they could be better still, but this is the best I can do right now and I'm happy with the result!! I'm glad I kept pushing it! These poses were VERY confusing to draw lol

Alsooo, it would make more sense if Sanji threw Zoro in the other direction, over his head like in karate/judo, but I wanted to keep my directions consistent. I had to have Sanji standing back to the carriage, so he doesn't notice the spear being thrown and Zoro facing the carriage so he can get hit from the front, right after he gets up. It's like..... did he not see it? Did he get hit on purpose? You decide lmao

Though I'm probably too rigid with my 'camera', in BNHA you see the action from any and every direction, i guess it adds to the dynamism of it all, also there's just many MANY more panels in manga lmao

Judge giving me major "isn't there somebody you forgot to ask" vibes at the end there lmao I hope you forgot he's even there and this comes as a surprise!

[hayden-christensen]

You either die a hero, or live long enough to see yourself become the villain.

@pscentral event 23: arcs ↳ the character arc of ANAKIN SKYWALKER/DARTH VADER from STAR WARS (layout insp)

[blaiddraws]

new york city amirite

[gen-toon]

[rottmnt-residuum]

Part 19 of Arc II (Part 45)

that facility shot took me eight hours lmao (<- crying)

⇇ | ⇽ | index | ⇾

[licksoap]

another panel redraw. wolfwood if youre out there

[soriastrider]

this has almost certainly been done before, but i think it's funny so i did it anyway

original:

[darkforze]

This is what happened right

[pandoraaucomic]

prologue 9-13 (end) ((will redo these eventually))

First | Prev | Next

[forgetfulmachineart]

[ID: A digital two page black and white comic of a young Megumi Fushiguro and teen Gojo Satoru. First page: Megumi looks sadly at Gojo sitting in a fetal position, partially covered with a blanket. The next three panels are Megumi contemplating before putting their hands out to summon Mahoraga but is interrupted by Gojo's head shooting up and yelling "WHAT ARE YOU DOING?!?" The next panel is Megumi hugging their torso and saying "You... you said that it was for emergencies..." Below that is two panels of Gojo very simply drawn where at first he's confused then realized what Megumi meant. Second page: In the first panel Megumi looks small and distressed. The second panel they look incredibly annoyed as Gojo starts patting their head. The third panel takes up a majority of the page. In it, Gojo is patting Megumi's head while saying "You're a good kid, Megumi. Thank you" with "but never do that again" in smaller text. A smaller panel in the bottom right has a simply styled present Megumi with a shadow of their eyes labeled "Realizing they almost killed their dad" /End ID]

They're both trying their best

[800db-cloud]

i can’t finish anything right now. have this doodle dump featuring doise and orange

[elviraaxen]

What world has Donna just awoken to!? Where is she? Who is this "Richard?" and why is he so angry?

Another update to the little personal project that now has an official name; Felt World! I hope you like it, both the name and this update!

I'll link the first post I made down below so that they can be read in the correct order, as this one takes place before the previous upload.

NEXT

[theultracharmingladynoire]

[screebyy]

Part 6: The Summit Prev | Next (Soon™️) | Start

Two parts left! sorry to end on a lil cliffhanger of sorts. also sorry i'm going to continue to be very mean to jolyon. also also sorry i will not be finishing this before tfs launches lol 🥲

ID below cut like and subscribe etc

Panel 1: Wide shot of Crow and Jolyon sitting on a rock on the summit of a mountain, looking down at the dreaming city below. The sun is starting to rise over distant mountains, and the dreaming city is covered in taken essence, with black taken orbs hanging all around it. Jolyon is leaning forward with his arms crossed and his elbows resting on his knees, while Crow is leaning back on his hands. Jolyon: “Thanks for doing this with me.” Crow: “Of course. It’s been… really nice, catching up.” Jolyon: “Yeah…

Panel 2: Close up of Jolyon’s hand from the side. He is curling it into a tense fist where it’s resting on his bicep. Jolyon: “... Can I ask…”

Panel 3: Close up of Jolyon’s face in profile. He is staring straight ahead with a pained expression on his face as he speaks. Jolyon: “Why now?”

Panel 4: Side view of Crow as he turns to look at Jolyon. He has a curious expression on his face. Jolyon (offscreen): “A few years ago… I heard about what happened, with Savathun. That you had remembered your past life.”

Panel 5: Side view of Jolyon. He is turning away from the Crow, and his expression is not visible. Jolyon: “When you didn’t reach out… I guess I just assumed you hadn’t remembered me.”

Panel 6: Side view as Crow looks at Jolyon with a mournful expression. Crow: “I…”

Panel 7: Crow turns forward again, looking down at the ground with a sad expression. Crow: “I’m not sure I did, at first.” Panel 8: Flashback of the Radiant Accipiter, idling in empty space. Crow is visible through the windshield of the ship, he is hunched over in the pilot’s chair with his head in his hands while glint floats beside him. Crow (Present day): “He was so far gone at the end - whenever I tried to think about his life, it was like a bomb going off inside my brain.”

Panel 9: Close up of Crow looking down past the camera. He is clutching his face with both hands, one hand is tearing desperately at his hair while the other is covering his cheek, nose and mouth. He has a horrified, distant expression on his face, and a tear is running down his cheek. In the background, a cracked surface shows many scenes from Uldren’s rampage. One fragment shows a close up of Uldren’s eyes as he turns towards the viewer with a hateful expression. Black rivulets of corruption are flowing from his eyes like tears, and the sclera of his corrupted eyes are black and seeping into the iris. Another fragment shows several dead corsairs lying on a stone floor in pools of blood. Another fragment shows a close-up of Cayde-6’s face, staring up at the viewer defiantly. His face plates have been badly damaged. The final fragment shows a close up of Uldren’s hand holding the Ace of Spades hand cannon, with smoke coming out of the barrel. Crow (Present day): “Nothing made sense, all I could feel was… what he felt. The things he did…”

Panel 10: A wide shot of Crow lying in bed, bundled up in his blanket. The room is dark, and a window is open, with bright sunlight shining in through the curtains. Crow (Present day): “But eventually…”

Panel 11: A close up of Crow holding Glint with one hand. Glint’s eye is closed, and he is humming gently. Crow (Present day): “I was able to start picking up the pieces.” Panel 12: Closer shot of Crow lying in bed. He is clutching Glint against his chest with one hand, rubbing his shell gently. With his other hand, he is holding a golden ring on a chain. He is staring blankly at the ring with a sad, tired expression. Crow (Present day): “To put together who he had been before.” Panels 13, 14, 15, and 16: A sequence of fuzzy, incomplete memories. The first is a shot of Jolyon in his uniform, from his waist to his chin. Most of his face is not visible, but he seems to be scowling. He is partially obscured by a misty, dark blue background. The second memory is a shot of Uldren lying back in green grass on a sunny day, eating raspberries. He is looking to his right, at someone just offscreen. He is laughing lightly, and looks peaceful as he holds a raspberry up to his mouth. The third memory is a shot of Jolyon’s dark blue Supremacy rifle leaning against a wall, next to where his green cloak is hanging. The fourth memory is a partial shot of Uldren resting on his hands and knees above Jolyon, who is not visible. Uldren is shirtless, and a golden ring is hanging from a chain around his neck. Jolyon’s hand is reaching into frame, holding the ring in his palm where it hangs. Uldren is smiling down at him warmly. Crow (Present day): “You were… A puzzle that took me a long time to figure out. A face I couldn’t quite name, a feeling I couldn’t quite place.”

Panel 17, 18, and 19: Another sequence of memories, which are more clear than before. The first panel is a head-on shot of Uldren, staring up past the viewer with a confused, strained expression. The scleras of his eyes are black, and the corruption is starting to seep out of them. The second panel is a head-on view of Jolyon, staring down at Uldren with an intense, searching expression. The third panel is of Uldren, who is looking away to scratch at his right eye with the heel of his hand. His hands are cuffed together at the wrist, and he looks frustrated, and distracted. Crow (Present day): “When it finally came together, And I realized how terrible he had been to you… I was too ashamed.” Panel 20: In the present day, Crow is leaning forward, and staring distantly down at the ground, while Jolyon watches him talk. Crow: “To let himself fade away like that, to forget you, while you were standing right in front of him…”

Panel 21: Close up of Jolyon as he looks away, and stares sadly into the distance. His brow is furrowed and he looks conflicted and tired. Crow (offscreen): “I didn’t think I could face you, after that. I didn’t think you’d want me to.” Jolyon: “...”

Panel 22: front view of Crow and Jolyon sitting side by side. Crow is leaning forward heavily, looking down at the ground with a grim, slightly frustrated expression. Jolyon is turning slightly towards Crow, though he is not looking directly at him and is expression is sad and distant. Jolyon: “What changed your mind?”

Panel 23: Close up of Jolyon’s face. He looks slightly surprised and is looking directly at Crow, offscreen. Crow (offscreen): Petra.

Panel 24: Shot of Crow as he hunches away from Jolyon, rubbing his right arm self-consciously. He is glancing out of the corner of his eyes back at Jolyon with an uncertain, guilty expression. Crow: “Last week, hunting Riven’s eggs took us… Somewhere that reminded me of you.”

Panel 25:  Close up of Jolyon as he watches Crow out of the corner of his eyes. His brow is slightly furrowed, and he looks uncertain.

Crow (offscreen): “After we got back, I asked Petra how you had been, and…”

Panel 26: Close up of Crow. He is smiling lightly, staring down at the ground with a distant, soft expression and blushing faintly. Crow: “She talked some sense into me. Reminded me that I shouldn’t just assume you were better off never knowing me. That I at least owed you the chance to make that decision for yourself.”

Panel 27: front view of Crow and Jolyon sitting side by side. Crow is turning back towards Jolyon with a soft smile. Jolyon is also looking at Crow, smiling faintly. Crow: “I guess… some things haven’t really changed, right?” Jolyon: “Ha.”

Panel 28: Close up of Jolyon’s face from the side. He is staring straight ahead again, smiling faintly. Jolyon: “Right…”

Panel 29:  Jolyon looks slightly down, his smile has fallen and his brow has furrowed as his expression grows distant. Dark, scratchy marks are bleeding into the edge of the panel, fading out the edges. Jolyon: “...”

Panel 30: extreme close up of Jolyon’s eye, squeezed shut. Dark scratchy marks surround the panel, creating a chaotic background and bleeding into the panel. Voice offscreen: “Jolyon…”

Panel 31: A younger version of Jolyon turns towards the camera from the side, with a confused expression. His hair is pulled back into a bun, and he is wearing a light green sweatshirt. The background is faded purples and blues, and Jolyon is outlined in surreal surreal shades of pink and purple. The panel is outlined by dark scratch marks, spiky thorns, and black flowers outlined in vibrant shades of pink, purple, and green. The text bubbles appear to be glitching out, with scratchy fragments coming out of them. Voice offscreen: “Why’d you do it?” Jolyon: “What?”

Panel 32: Shot of Uldren sitting on a rock, from behind. He is leaning forward, resting his hands on his knees, and staring down at the ground. His hair is falling over his face, and his expression is not visible. The surreal lighting continues in this panel, and Uldren is outlined in pinks and purples with the panel being surrounded by dark scratch marks, spiky thorns, and black flowers outlined in bright colors. Uldren: “Why did you come with us, Jol?”