#the more i think about what they've done with these characters and this series the more im in disbelief

[frozen-orbit]

Being unaware sometimes has its perks. Because i didn't know what the title of TDP season 7 was when i first watched season 6, and i went through the whole thing wondering what it would be, cause all of the primal sources had been used already. It was not until episode 9, when Aaravos explained what was needed for the spell to free him from the pearl, and he mentioned an object related to each primal source and then said that it also needed love, that i thought "Well of course! Season 7 is gonna be 'Love'! That's it!". And then... well... i found out i was not quite right 😭................................ Or was I? 👀👀👀👀

I don't think this was unintentional. In fact, the more i think about it, the more i realize how closely related both of the concepts of love and dark magic are within the story. I know at this point of the show this might be obvious, but hear me out.

There's this idea of what love is, that has been constantly portrayed throughout the series. Sacrifice. Quotes such as "i did what i had to do", "i would do anything for you". We hear these kind of phrases and many of us immediately associate them with love, whether it is romantically, platonically, filially, etc. But also, almost all of these quotes have been said in the show referencing the act of dark magic.

And what does dark magic require? The unthinkable, atrocious actions, sometimes betraying your own morals for a greater good. Oh, but isn't that admirable? Isn't that romantic? To have someone destroy themself in order to save you? Why, that's the greatest act of sacrifice anyone could do! They did it for love!

This may be a distorted idea of what love is, but we can't deny the fact that these kind of actions are perceived as acts of love, both in our society and in the TDP storyline. And it's really interesting because those are like opposite concepts: love is good, dark magic is bad; love is life, dark magic is death; yet somehow, they've managed to put them together and the line between one another has become so blurry. Are they really that different? If any despicable action could be done in the name of love, wouldn't that be just as dark? Wouldn't that also corrupt one's soul?

Honestly, i'm so excited to where the writers would go with this, but i don't know if it'll be that much in the face. My guess is that some character would do some huge sacrifice that would divide opinions on whether it was an act of love or an act of iniquity. What do you think?

[molinaesque]

"What are you?" "Oh, I'm you, sweetie. You just... give it a little time."

[originalwinnerfanfish]

Well, I did it

Megatron - I love his tfp design. Probably one of the best iteration of Megs. He is huge, heavy armoured, his face covered with scars… He doesn’t looks like an ordinary military leader who is only capable of giving orders, but like real warrior who can destroy any enemy with his bare hands.

So, in the WOF version, he definitely shares some features with Princess Burn, not only because of his might, but also because of his horns shape and dirty-dark scales (that absorbed blood of his enemies)

Starscream - Boy, I hate him so much 🤣… but in the good way, trust me! In my opinion, when the show's creators make you feel such strong negative emotions towards a villain, it means they've done a great job. Also, I think that his animation in the show was absolutely incredible, because even though he's a 3D model, he still manages to move like a 2D character, which is amazing!

I feel that in my design he still looks more like a skywing, than an icewing (which is kinda logical)

Soundwave - This one was tricky. I couldn't figure out what his mask would look like, so I just made his face a really dark color. I think Soundwave has both gifts of the nightwings, and he’s equally great at telepathy and a future vision. So he doesn't really need equipment to predict enemy movements, which makes him an ideal communicator in the WOF setting. His Laserbeak is part of the armor enchanted by Shockwave, and it might also allow him to open portals (but I'm not sure with this one)

Shockwave - My favourite evil genius. He would definitely have animus magic and mind reading. I think Shockwave is the only one who has advanced the study of magic so far, precisely because he combined it with scientific knowledge and created safer methods of using it, that don't damage the mind. It's like if a Mastermind got animus magic in books.

I also like to think that he didn't heal the damaged part of his face just so that his enemies would fear him more)

Dreadwing - This man deserved better! It's really a shame that he was removed from the show so quickly due to financial problems. It would be great if his arc got a proper conclusion in season 3.

Considering that I didn't want to make him a hybrid, it was difficult to choose a suitable color palette. So let’s just say, that I tried my best😅

I don’t think that he would have any nightwing powers, but honestly it doesn’t even matter - this guy can make a bombs, what else does he need to be cool

Arachnid - Did anyone even doubt that she would be a hivewing? Damn, she even got her own “Othermind” virus. Her design was the easiest to work with - just a little poisonous ass (suspiciously similar to Maleficent).

Just like Starscream, I hate her, but in a good way. She's one of the creepiest characters in the entire series, who’s acting like a fucking heartless monster, especially with Arcee, but even so, there's always was something mesmerizing about her. I just really like strong female villains

Knockout - Wery bright and charismatic guy, definitely one of my fav cons!

I tried to draw him as handsome as possible. Worked a lot on the face shape and coloring, and as for me it turned out pretty nice (finally).

Most decepticons think Knockout is as stupid and lazy as all the other rainwings. And it's not like he completely disagrees with that. Of course he’s not stupid and lazy, but if it’s means less dirty work on the battlefield, well, he’ll continue act like a tipical rainwing

(I also believe that Megatron keeps him as an “art”)

Breakdown - Fun fact: "Operation Breakdown" was the very first thing I saw in this series. And it was an interesting experience for 8 year old me. Maybe that's why I'm so scared of eye gouging scenes in movies now…

I think that he didn't have any siblings initially due to his parents nature, and even after meeting Bulkhead, he felt uncomfortable among the other mudwings. And this is why he later chose the side of the decepticons. And maaaaybe because of one cute rainwing influence)

P.s.

I think that, being mostly nightwings and icewings, the decepticons are much more concerned about purity of their blood and rarely accept half-breeds into their ranks.

During the war, there were many animus dragons among decepticons, which is why they have so many artifacts that allowed teleportation and communication at a distance. But, honestly, I still can't imagine what Nemesis would look like in this AU

[endless-ineffabilities]

Chemical Override (bonus chapter)

Ewan Mitchell x actress!reader

a/n: surprise! Something to tide you guys over until the heart-wrencher that is part five!! Y'know, gotta have some laughs before everything blows up 💣 or something like that :)

previous chapter ▪︎ series masterlist ▪︎ main masterlist

What happens when your castmates decide to have a drinking game based on yours and Ewan's interviews? Chaos. Absolute chaos.

"Is it just me or does my head look abnormally large in this?" comes Tom's query as they sit on the floor around the low table in Phia's living room.

Phia, Tom, and Olivia are snug on the carpet, legs strewn in varying postions, their attention on the laptop on the table.

"No, just you, mate," Phia responds.

"Nah, look at 'im," Olivia counters, "Looking like a right old egghead."

"I knew it," Tom clicks his tongue, smiling at the jab.

The friends were just having a nice time catching up in Phia's apartment, and after several coffees and rolled cigarettes, they found themselves nestled on the floor, beers in hand.

Someone made a suggestion to check up on the interviews being released as part of the media rollout. And so they watched the cast's interviews, already having done with the one from Wired, MTV, and the Buzzfeed Puppy Interview.

"I loved those pups," Olivia remarked jokingly. "But they didn't love me back. Story of my life."

"Oh, I love you, Liv!" Phia had exclaimed, pulling her friend in for a hug.

"Aaanyway," Phia says, reaching forward and scrolling through the suggested videos, "how about this one next! I miss those two." She clicks on an interview you and Ewan had done together, in that long press day where you guys were paired by the media team.

"They look adorable, don't they?" Tom says. "Here's to hoping the lad's finally made a bloody move."

"What about the goss on that girl you all were with? The one at the pub?" Olivia curiously asks, not kept in the loop due to her holiday abroad.

"All bull. You know how the tabloids are. She was sweet and everything but Ewan was practically side-eyeing her all the way into oblivion when she kept clinging on his arm. Poor girl." Tom smirks, the memory still fresh in his mind.

"Awww, look! Ewan's looking at her all gooey-eyed. Even then!" Phia simpers, leaning against Olivia.

"Of course, I was extremely excited and nervous to join the cast for season two," you can be heard saying, "being a huge fan of the book and the first season... I mean, it was such a tall order for me to step into this world but you know - "

"She did it so flawlessly," Ewan says to the interviewer. "We were so lucky to have her join the show."

"Oh, come on," you can't help but blush and shake your head. "Everyone was so welcoming, really."

"Well, it's safe to say that the audience loves your character!" the interviewer says kindly.

"Thank you so much, I'm glad to hear that," you beam in return.

"What a character, indeed," Ewan says, looking at you again.

Tom giggles, swinging his beer, "The look on his face, oh my days! Ewan is whi-ipped, I'm telling you. Just look at those stars in his eyes, you'd think she's an angel or somethin."

"She is an angel," Phia muses.

"Lovely girl," Olivia agrees.

"Oh!" Tom sits upright suddenly, leaning forward on his knees, "How about this? They've got a couple interviews up, right? Drinking game then, shall we? A shot each time Ewan looks at her or pays her a compliment!"

Olivia laughs nervously, but she's more than game to participate. "A swig of beer or... "

"Nah!" Tom scrunches his face in response. "Say, Phi, have you got vodka or tequila or whatever?"

"I... think I've got some leftover tequila," she ponders. "Are you proposing a shot of tequila every time Ewan fawns over her? Isn't that a bit dangerous? Should we stick to beer?"

"It'll be fun," Tom reassures, already getting on his feet to fetch the bottle from the kitchen. "Ewan's a professional," he says, when he returns with tequila and three shot glasses. "Surely he maintained his focus during all of that. Can't be more than - what, three or four shots each?"

Oh, how wrong he is.

It only takes another interview for them to realise that they might have been overzealous in taking on the challenge.

Most Likely To with the cast of House of the Dragon, the screen displays. You and Ewan pop up in intervals, and they eagerly await your clips with shots in hand.

"Most likely to be late on set?" you say, raising your hands when you answer with, "I'm happy to say that it was not me."

"No?" Ewan asks.

"Nope, early each day," you smile at him.

"I believe you, I mean, I wish we actually had scenes together," Ewan says, smiling right back, eyes lingering on you when you add something more to your answer.

"Shot!" Tom exclaims. The trio's faces crunch up when the burning liquid slides down their throats.

"Fuck's sake," Olivia mutters. "Ewan better keep his googly eyes to himself."

"Don't get your hopes up," Phia says, knowing the both of you well.

"Most likely to accidentally date a serial killer? What the hell is this question?" Ewan snorts, eyebrows shooting up.

"Are we even in the right show for this?" you joke, and Ewan laughs harder, his hand finding your forearm and squeezing briefly.

"Shot, I suppose," Phia mumbles. "I mean, look at his face, the sweetheart."

Another round, and everyone feels warmer and more lightheaded.

"Wouldn't be me, I don't know about you?" you ask Ewan.

"Oh, I wouldn't. I don't think Aemond would either, he would see right through that."

"Next, most likely to show up in a stunning outfit," you read from the prompts off-camera.

"Hmm," Ewan muses, "I would say maybe Liv Cooke... she's had really good outfits on the carpet lately..."

"I agree," you nod enthusiastically. "Liv's killing it."

"And you, definitely," Ewan turns to you again. "I mean, stunning would be an understatement."

"Shot!" Olivia half-yells. "And bless her, look! She's turned all red from Ewan's flirting."

"Thanks, mate," you say, tilting your head at him. "You as well! Your stylists have outdone themselves this press tour, for sure."

"Half a shot cause she gives something his way?" Tom suggests, comically shrugging. By the end of the video, the group had done three and a half rounds of shots, all growing redder in the face, their laughter turning unhinged.

"I'm actually scared to do another interview," Olivia groans. "Can those two just shag each other already? Goodness!"

"Who knows? Maybe they have? Would be about time," Tom cheekily says, ever the agent of chaos.

"Ewan did fly out to see her," Phia nods. "They're both in America right now, my darlings."

"Another interview!" Tom gets to clicking, landing on the one you and Ewan did with Rotten Tomatoes.

"We ask everyone this question - can you tell me your favourite movie from this year?" is what the interviewer starts with.

"That's a good question," Ewan says. "Uhhmm, well, it isn't from this year I think but her film - " he gestures to you, " - is one of my all-time favourites. I think it came out late last year, if I'm not mistaken?" He looks to you for confirmation, and your flustered self manages to hum a response. "I just think the whole film was brilliant. It definitely showcases her talents and solidifies her as one to watch."

"Oh, for fuck's sake," Tom sighs, and they all bring the shot glasses back to their lips.

"Guys, I might pass out by the end of this." Olivia stands to fetch herself a glass of water. "Ewan's a menace!" she calls out from the kitchen.

"We shouldn't have done this," Tom shakes his head.

"You suggested it!" Phia punches his arm, laughing.

"I guess I underestimated the degree of whipped that Ewan is. That cheeky lad."

Four more rounds of shots later, and the group has their tally up to eight and a half.

Yet another interview plays on the screen, and when Ewan - with all his bloody audacity - pushes a lock of hair away from your face on camera, Tom's eyes nearly bulge right out of his head.

"Oh my god!" he cries out. "He's trying to kill us! I think I'm actually going to puke."

"I quit." Olivia slumps against the base of the velvet couch. "I can't drink any more. Ewan wins."

Phia giggles at the screen, at the sight of her two dear friends slowly but surely falling in love right before the audience's eyes. In some show of celebration, she takes another shot, the last player left in the game.

▪︎ ▪︎ ▪︎

Meanwhile across the Atlantic...

"Hey, darling," you hear Ewan's voice on the other line. "I just settled in my hotel in New York."

"That's good! Did your flight go well?"

"Mhmm, my meeting's tomorrow afternoon so I've got time to prepare," he takes a breath, before softly saying, "I miss you."

You laugh, "So you keep telling me, Mitchell."

"We're still on that huh, darling? Shouldn't you be calling me something more... personal, by now?"

"Like what?"

"I don't know, you tell me."

"Well... the internet does call you their babygirl."

"Oh come on," he complains, smiling nevertheless.

"What is it, babygirl?"

"That's how you want to play it, bunny?"

"Ewan!" you groan. "Okay, okay."

"Anyway, darling," he says. "I really do miss you. I can't wait to see you again.'

The longing is clear in his voice and it tugs at your heart so much that you need to pause and collect yourself, before finally saying, "I miss you too, baby."

Cheers to all of yous who voted here! Baby it is ~

In the meantime...

Update! ~ part five

Taglist: @sprinklesprinkle888 @namelesslosers @skymoonandstardust @valyrianflower @luckyfirebasement @omgsuperstarg @elissanatok @callsignwidow @sinistersnakey49 @darkwriteracademia @yyrzmomo @queenofshinigamis @luvaerina @shamelessblazecrown @mirandastuckinthe80s @elleinex0x0 @pierrotlu @aegonswife @strangersunghoon @lunampacheco @writer-ann-artist @gaiaea @of-swords-and-words @ateliefloresdaprimavera @m00n5t0n3 @helaenaluvr @peachysunrize @annie-ruk @luvly-writer @ananas26t @athenafaes @lovelyteenagebeard @mamawiggers1980 @moongirl27 @katherine93 @barnes70stark @justbelljust @cloudroomblog @somestufftoday @esposadomd @girl-in-the-chairs-void @insideyourimagination @hotdismylife @vyctorya @wildrangers @livcookesgf @dracaryxzs @aemondwhoresworld @aisselasstuff @onlyrealjoy

[yumeka-sxf]

According to this tweet from Endo, today's new chapter will be the final installment of the "Henry x Martha backstory" arc...and it definitely went out on a high note! The part where Martha meets Henry's wife was absolutely heartbreaking...in particular the below page, starting with an upside down view of the scene, showing how the world is literally warping for Martha, followed by shards and shreds of her various memories with Henry, all the while the "throb, throb" of her heart is overlaying all the panels. Definitely one of Endo's best portrayals of a truly shocking moment.

It's also interesting that we never see Lucia's face, despite her having a big panel when she first appears.

Endo has done this before with other characters, Loid's parents being the other big example. We also never see their faces, despite them appearing several times during his flashback arc.

With the few examples we've had, to me it seems like Endo hides the faces of characters who 1) appear as flashbacks only and 2) who have had a significant emotional impact on the character whose memories they appear in, but at the same time, that character has since done their best to get over the painful memories associated with them. So they basically represent some past trauma for the character (even if they don't necessarily dislike them) but in the current time, they've more or less left that part of their past behind. Hence why their faces are obscured in the character's memories. This is also why I think we'll never see Loid's parents or Lucia's faces outside of flashbacks. This is just my interpretation of course, and I'm curious if there will be more examples in other characters' flashback arcs.

But back to Henry and Martha, I also liked the fact that, despite her broken heart, Martha still saw Lucia as a good person and became friends with her. Henry seems to love her as well. This actually ties back very well to what Martha tells Becky at the end of her story about how dangerous it is to latch onto preconceptions and prejudices without knowing the truth.

In Becky's simple world, she would see Lucia as the "evil seductress who stole Henry away" and Martha has to get him back. But as Martha said, things aren't always that simple and don't always adhere to our preconceived notions. Sometimes things can't end up exactly how you want or expect, so you have to be grateful for what you have and see things as they truly are, despite living with lingering regrets. In fact, this whole speech from Martha at the conclusion of her flashback was extremely deep and profound. Not many people can write both comedy and drama so well, but Endo is certainly one of them.

Also, is this Wiesel's first appearance? Still waiting for the doggy play date chapter with Wiesel, Bond, Max, and Aaron! 🐶

Since it's been so long since I read the first chapter of this arc, I couldn't remember if Martha had actually revealed the identity of her lover in her story, but makes sense that she didn't. I can imagine Becky storming into school yelling at Henderson and causing total embarrassment for all 😅 Funny that she almost guessed correctly though.

I'm surprised we never found out how Martha started working for the Blackbells, but that's an easy enough mystery to solve - she needed work after the wars were over, and being a bodyguard suited an ex-soldier. Also seems like she never told Henry her true feelings either...maybe by the time Lucia died, it was too late and they had both grown somewhat apart by then, and/or they had some additional falling outs about Martha joining the other wars, etc. It just wasn't meant to be and the message of the story was Martha coming to terms with that and being wiser for it.

In conclusion, this was a great arc that really shows Endo's range as a writer who can do both comedy and drama very well. Despite Henry and Martha being side characters, I have a feeling that the struggles they experienced will have relevance later in the series. But for now, I look forward to seeing the Forgers and other characters again (and getting back to the last major uproar of Anya telling Damian about her powers...seems like ages ago, lol). Endo will be taking a well deserved break, so the next new chapter will be on August 19th!

I also have some new posts planned in the coming weeks, so stay tuned for those as well 😀

[evertomorrowart]

Best of YouTube 2023

Yes, I did spend the first week and change of January on this. I wish I could have had it done for New Years, but too many people came out with incredible work in December, so waiting turned out for the best.

What these creators do are a huge influence on my life, I would honestly have difficulty doing what I do without them. That isn't to say that my favorites of the year are *only* on this image--It was almost impossible to narrow down my favorites. Many creators I wanted to include couldn't fit on a single page, and too many of them made more than one video I wished I could draw too!

But, to all of you, thank you for what you do. You're an inspiration.

For those who don't know, further is an explanation.

At the bottom center is an artistic masterpiece by Defunctland: "Journey to EPCOT Center: A Symphonic History." Over the last several years, Defunctland has risen from delightfully-entertaining commentary on decommissioned theme park attractions to occasionally dropping profound statements on the creation of art itself. "Journey to EPCOT Center: A Symphonic History" is worth treating like the cinematic experience it is: No second screen, you sit your ass down in front of a TV, set down the phone, and then you *watch it.* Any Disney, theme park, or independent film fan needs to pay attention to this one.

Bottom left is Caelan Conrad with their piece "Drop the T - The Deadly Consequences of Gay Respectability Politics." While I do think they've done more visually or artistically-daring pieces before, "Drop the T" is one of the most important videos released on YouTube in today's current climate of hate. We as queer folk (and our allies) need to understand how integral every identity of the queer experience has been since the start of the Civil Rights movement (and before!). While we are not identical, we *are* inseparable, and we deserve having our real history easily accessible.

TERFs and other conservative mouthpieces need not reply. Your opinions are trash. 😘

I cannot stop watching and rewatching this video by @patricia-taxxon, "On the Ethics of Boinking Animal People." It's not just a defense of furry fandom and its eccentricities, it's a thoughtful and passionate analysis of what the artform achieves that purely human representation can't. Patricia goes outside of her usual essay format to directly speak to the viewer about the elements that define furry media (the most succinct definition I've ever heard) and just how *human* an act loving animal cartoons really is.

As an artist who can draw furry characters, but never really got into erotic furry art, this video is a treasure. Why did I choose to have her drawn as a Ghibli character, hanging out with one of the tanukis from "Pom Poko?" Guess you'll have to watch, bruh.

Philosophy Tube continuously puts out videos that I would put on this list--I'm not even sure that "A Man Plagiarised my Work: Women, Money, and the Nation" is the best work she released in 2023. However, this video got many conversations going between myself and my partner, and the twist on the tail end of the video shocked us both to such a degree that I had no choice.

At the very tail end of the year, Big Joel released "Fear of Death." On his Little Joel channel, he described it as the singularly best video he's ever done, and I'm inclined to agree. However, for this illustration, I ended up repeatedly going back to a mini-series he did earlier in the year: "Three Stories at the End of the World." All three videos are deeply moving and haunting, and I was brought to tears by "We Must Destroy What the Bomb Cannot." While it may be relatively-common knowledge that the original Gojira (Godzilla) film is horror grappling with the devastation America's rush to atomic dominance inflicted on Japan, Big Joel still manages to bring new words to the discussion. Please watch all three of the videos, but if, for some reason, you must have only one, let it be "We Must Destroy What the Bomb Cannot."

Y'all. Let me confess something. I hate football. I hate watching it, I associate seeing it from the stadiums with some of my worst childhood experiences, I despise collegiate and professional football (as institutions that destroy bodies and offer up children at the feet of its alter as a pillar of American culture)--

I. L o a t h e. Football.

But.

F.D. Signifier could get me to watch an entire hour-plus essay on why I should at least give a passing care. AND HE DID IT. I might think "F*ck the Police," the two-parter on Black conservatism, or his essay on Black men's connection to anime might be "better" videos, but this writer did the impossible and held my limited attention span towards football long enough to make a sincere case for NFL players--and reminds us that millionaires can *in fact* be workers. That alone is testament to his skill.

Sit down and watch "The REAL Reason NFL Running Backs Aren't Getting Paid." Any good anti-capitalist owes it to themselves.

CJ the X continuously puts out stunning, emotional videos, and can do it with the most seemingly-inconsequential starting points. A 30 second song? An incestuous commercial? Five minutes of Tangled? Sure, why not. Go destroy yourself emotionally by watching them. I'm serious. Do it.

Their video Stranger Things and the Meaning of Life manages to to remind us all why the way we react to media does, in fact, matter. Yes, even nostalgia-driven, mass-media schlock. Yes, how we interact with media matters, what it says about us matters, and we all deserve to seek out the whys.

Folding Ideas has spent the last few years articulating exactly why so much of our modern world feels broken, and because of that his voice continuously lives rent-free in my brain. While the tricks that scam artists and grifters use to try to swindle us are never new, the advancement of technology changes the aesthetics of their performances. Portions of Folding Ideas' explanations might seem dry when going into detail of how stocks work in This is Financial Advice, but every bit of it is necessary to peel back the layers of techno-babble and jargon and make sense of the results of "Meme Stocks."

Jessie Gender puts out nothing but bangers, her absolute unit of a video about Star Wars might be my new favorite thing ever, but none of her work hit so profoundly in 2023 than the two-parter "The Myth of 'Male Socialization'" and "The Trauma of Masculinity." There's so much about modern life that isolates and traumatizes us, and so much of it is just shrugged off as "normal." We owe it to ourselves to see the world in more vivid a color palette than we're initially given.

Panels drawn after Kate Beaton and "Ducks: Two Years in the Oil Sands."

"This is Not a Video Essay" is one of the most intense and beautiful pieces of art I've ever put into my eyeballs. Why do we create? What drives us to connect?

I don't even know what else to say about the Leftist Cooks' work, it repeatedly transcends the medium and platform. Watch every single one of their videos, but especially this one.

The likelihood you are terminally online and yet haven't heard of Hbomberguy's yearly forrays into destroying the careers of awful people is pretty slim. Just because it has millions of views doesn't mean that Hbomberguy's "Plagiarism and You(Tube)" isn't worth the hype. Too long? Shut up, it has chapters and YouTube holds your place, anyway. You think a deep dive into a handful of creators is only meaningless drama? Well, you're wrong, you wrong-opinion-haver. Plagiarism is an *everyone* problem because of the actual harm it creates--the history it erases, the labor it devalues, the art it marginalizes--which you would know if you watched "Plagiarism and You(Tube)".

Watch. The damn. Video.

In fact, watch all of them!

Thanks for reading this if you did.

[habken]

If you're willing to share can you give a few reasons why you think Bakudeku works so well as a ship? (I also ship them and love your art!)

okay...

I think they just naturally fall into each other’s orbit. Living in each other's minds rent free 24/7. Their entire lives are so intertwined. Even when things were bad between them, there's never been a point where they haven't been part of each other's life in some capacity.

They've influenced each other so much you can see little habits they share and behaviours they've picked up from one another. Izuku acting more like Katsuki when he wants to win is the obvious one, but even little things like the way they think out loud and pinch their lips and stuff are similar.

I don't think it's right to undermine Katsuki's bullying and the falling out between them, but coming from a place where there's a lot of animosity and hurt and then having that turn into a relationship where they both mutually care for each other and challenge each other to do better and be better is really interesting.

I think that's part of the reason it's such a compelling relationship in general, not just in a romantic way. They start off at the lowest point - we see them at their absolute worst and then we get to watch as they mend that fractured friendship and build up a genuine and healthy bond.

To me personally, the trajectory of their relationship was evident as soon as episode two, when Katsuki chased after Izuku after the sludge villain to let him know how much he "didn't need his help." That's the point that I decided I was interested to see how their characters developed as the story kept going, and I think it was such a huge payoff.

I think it also made for a lot of interesting fanworks. In the earlier days especially, you really had to work at it to make things good between them. Canonically, their relationship really is a slow burn lol, so if you wanted to write something that followed close to the actual story, there had to be tons of build up. I've read stuff where the beats felt so similar to what happened in the actual series which is crazy. It's a ship that lends itself to deep and lengthy analysis and a lot of people ended up being pretty spot on because of that.

I also think what's special about them is how intentional they work to make things right between each other again. They want to know each other's feelings, they want to be rivals and fight alongside each other, and be neck in neck and constantly chasing after each other. They want to be close again. Izuku offering Katsuki an olive branch and asking him about his fighting style after their bout at ground beta and Katsuki finally grabbing onto it is such a turning point for their relationship. It's a conscious choice on both their parts to work towards mending what was between them.

And I could go on and on about Katsuki's character arc, but that's a different post lol. For simplicity's sake, his arc is about recognizing for himself where his weaknesses lie, seeing how his actions hurt and shaped Deku, and working not only on himself, but on repairing the rift between them that he caused. He works with Izuku, shares and keeps his secret, trains with him, and eggs him on more and more lightheartedly as the series goes on.

His choice to care for Izuku, let him into his life again, and make up for what he's done is really important. Nobody is really forcing him to atone for his past and it's his desire to do so despite the lack of external pressure that makes that change feel genuine and meaningful. Training with Deku to master his quirks, sacrificing himself for Izuku during their fight with shigaraki, apologizing to him in front of the entire class and letting go of his pride, choosing to call him by his given name, dying with Izuku's name on his lips, fighting the big bad and continuously repeating that when Izuku can't handle it, he'll step in for him - all of these things are so telling of the kind of care he purposefully put into their relationship, and the way he grew and changed throughout the story.

And I think that in light of everything else, the fact that they remain important to each other right until the end is what makes it such a beautiful relationship, no matter what context you want to see it in. They love each other! They can't imagine a world in which the other isn't part of their life, and they actively and continuously work to make that a reality.

They're soulmates that intentionally chose to be so.

[chocolatetittymilk]

“I’m in love with you!” Series

Alhaitham x reader Summary — Alhaitham has never been one for social interactions - in fact, neither of you knew each other in the first place. His pride never allowed anyone to befriend him fully. Until you decide to confess your love to him bluntly one morning, ultimately changing his perspective about you. TW : angst-comfort, unrequited love, strangers to enemies to lovers, smut, aged-up characters word count : 2.8k

pt. 5 - "I'm sorry."

pt. one | pt. two | pt. three | pt. four

"I'm sorry."

The abrupt confession silences the air around the both of you. You under Alhaitham and all his glory, and glory being him shirtless --rippled abs and muscular forearms. The gem of his glowing, almost asking you to stay. And my, did it take all of you, mind and body, to have said what you did.

"I'm sorry but I just can't-" you say again, making it loud and clear that whatever you were about to do with him, you just can't. And it's not like you didn't want him. Oh, to the Gods, you did. All the fooling around you've done with him has been fun, but it had been nagging at you.

Alhaitham, on the other hand, looked confused - inwardly. On the outside, he seemed as cool as can be, just a raise of an eyebrow of interest.

"Oh? Why's that." He said plainly, getting ready to get off of you and perhaps put his shirt back on. "Did I do something to upset you?"

The whole thing had given you a headache already. You wonder why you let it get this far. Why you let your emotions and lust get ahead of who you actually are. A rational and successful adult who needs to think like one.

Not a horny college student.

You sigh deeply as you sit up, biting your lip slightly while he gets his shirt on; almost wishing you hadn't ruined the moment.

"We shouldn't have done any of... this." Motioning with your hand the both of you. Alhaitham raised his eyebrow once again at you, crossing his arms almost defensively.

"And what do you mean by... 'this'." Bored. That was his tone.

The question took you back a bit. '"this"? Did he mean...'

"Do you not think we have a thing going on?" You questioned quickly, knowing you should've thought it through. But you couldn't help it. The thought itched your head in a place you couldn't get out. Because if he didn't think you two have something - anything - then why was he doing all this?

Alhaitham sighed deeply, almost as if he was getting annoyed. Almost like it was obvious what his answer was and you were playing stupid. "Why would that be the case? Did I explicitly say that?" He questioned, and it was a valid question. An obvious answer. You two hadn't put labels on anything. Nothing whatsoever.

It was almost like a dumbbell dropped on your gut, a deeply wretched feeling stirred in you. 'oh.'

"Right. How silly of me." You looked down at the floor for a second to give yourself time to think. "How silly of me since, well, we've been doing quite a bit more than just what we usually have done." Anger flashed brightly like an alert sign in your head. As if to tell you to stop now, that this wasn't worth it.

"Like maybe the kissing, we've done a lot of that." You start, standing up, running your fingers through your hair anxiously. Your voice getting more prominent. Loud.

"Or, or maybe it was the under-skirt activities- if you remember those, of course."

"Listen-" Alhaitham started, but no. You weren't even letting him have a single second. It wasn't fair in your eyes.

"No, no you listen. You have been treating me as if I was something more. Like I mattered." Heaving you get closer to him. A fire in your eyes.

"Helping me when I'm sick, watching me with other men, pinning me up, kissing me, touching me." Closer to his face your lips begin to tremble. As if you've finally lost it; the fire watered out.

"And, here I was. Giving in because I thought the Stoic Sumeru Scholar wasn't half as bad as they've said. That the whispers and claims of heartlessness were just a facade." Tears slip just a second before you quickly wipe them. You could've sworn you saw the downturn of his lips, but all that was there was a stilled face Alhaitham.

"Hm? Is it?" Questioning him with a hope shining just under the surface. Because you had realized you were in love with the stupid scholar.

Silence hung in the air as Alhaitham stares down at your heart-opened form. Eyes darting from both of your eyes as if searching for the truth; if you are the truth.

He opens his lips, then suddenly furrowing his brows. Debating. Asking. Hesitating.

"...I have nothing to say." Alhaitham says lowly, eyes shifting to another place. Avoiding.

You scoff as if his ignorance was almost blissful to himself.

"Yeah?" You mock a bit, raising your hands to his face for his eyes to look at you. You wanted him to be truthful, and honest. Like the scholar always seeks out in his job and studies. "Then look at me and tell me that it didn't mean anything to you. That it was all lust to you, that I didn't mean something to you, Alhaitham."

You stare into his teal eyes, almost like they're brimming with adoration. Until they're not.

"It didn't mean anything to me." Blunt, to the point. But he couldn't stop.

"It was all lust," He takes your hands off his face abruptly. His face was clearly agitated.

"You, out of all people," He gets closer to you, causing you to back up quickly.

"Piss me off to no end. Cause you can never just enjoy things. There always has to be a deeper meaning." He scoffs and picks up his jacket. "When maybe all people want is some attention for a night." He walks out the door, slamming it.

And maybe that should've been the end.

Vacations were supposed to be relaxing, soul-seeking, and well, full of fun. From sightseeing to drinking and food enjoying to activities brimming. Everything everyone came for. Except what's a little vacation without some good old friendship fighting?

That's exactly what Kaveh noticed when Alhaitham and you sat widely apart from each other during dinner. Cautious glances, no conversations. Except from everyone but the two of you.

It was a nice little place as well, popular enough to know the food, drinks, and services were good but also not popular enough for it to be too expensive or crowded. Angel's Share was the name.

There was Alhaitham, still the tight-lipped and nonchalant type. But this time, it was like there was a bit of shame hanging from his shoulders. I mean he was actually drinking this time, and he hardly ever does that. Plus his usual small talk was even smaller tonight.

Then there was you, hammered already and dinner only started 45 minutes ago. Not even paying attention to when Candance or Dehya was trying to put water in your line of view. And speaking nonsense any time they asked what the fuck was going on with you.

It didn't take a genius to put one and two together.

"I'm pretty sure they got into a fight." Tighnari said lowly to Kaveh. Tighnari had been fighting for his life next to you, trying to be as kind and patient with you as possible, but it was slowly but surely slipping.

"No shit, I'd be surprised if the both of them weren't hooking up already." Cyno suddenly blurts out, already over how the two of you were acting. Kaveh coughs up his drink a bit, catching him off guard. Dehya snickers at the conversation from the side as Layla was mumbling Alhaitham's ears off from the side.

You suddenly put your head on Tighnari's shoulders, humming slightly. "Are you always this warm because you're like a fox thing?" You ask, genuinely interested in his species. Kaveh laughed a little at the question. Tighnari on the other hand heated up more from the close proximity.

That was the start of the two of you discussing his species and how he came to Sumeru. It was a genuine conversation, even with you very drunk and slumped on his shoulder. Then the Bartender came around again, and oh boy did you have something to say.

"Sir, sir what's your name?" you suddenly lifted yourself up from Tighnari's shoulder, blinking at the redhead.

"Diluc, would you guys like some water?" he asked, trying to be polite as he sightly laughed at your form.

"Yes please, thank you sir." Kaveh said quickly.

"Oh! Could I also have something else!" You quickly said, leaning in towards the redhead. Alhaitham quickly glanced and narrowed his eyes at your actions. 'What the hell is this idiot doing this time? Can she be any more of a drunk?'

Diluc bent down to where you sat, amusement set in his eyes, "And what would you like young lady?"

"Your number, actually." You smirked, clearly trying to seem flirtatious but very much failing. Cyno actually laughed and tried to cover it with a cough, while Dehya shot him a look. Candace shaking her head and Tighnari almost looking... disappointed?

Alhaitham, well... He looked baffled. Almost hurt, as if he hadn't been a total dick to you a few hours ago.

Diluc on the other hand went a shade red as he clears his throat. "How about I go get you some water and I'll answer that after you drink a few glasses." He blushes a little before leaving to get the water.

You close your eyes and smile, crossing your arms on the table and laying your head in them. "He's so pretty.." you mumble, thinking about the stoic bartender. Candace's eyes soften at your little moment, while Dehya laughs at how oblivious you are.

Oblivious to how drunk you are, clearly going to puke any moment from how much alcohol you've consumed. Oblivious to Tighnari, who looked like a wounded puppy. Oblivious to what all Kaveh knew about Alhaitham and you. Obvilvious to what all of you knew at this point about the two of you.

And especially oblivious to how Alhaitham looked like he wanted to strangle the redhead for even entertaining your ideas.

After a few glasses of water and a sober attitude, it was time to head back to the hotel you were all staying at. Needless to say, it had been an eventful dinner and night. Perhaps even an eventful day.

Hours have passed by with laughter and banter, the night was coming to an end. But at last, the night was young, and so were you.

"I'll catch up with you guys, I got to handle something here real quick." You said outside of Angel Shares, clearly sober enough to get home.

"Are you sure? We can wait for you if you want?" Candace asks hesitantly. Dehya smirks a little at you.

"We don't mind, I promise." Cyno says.

"Well.... maybe I could nap on the bench over there..." Layla says slowly and tiredly, clearly just about to doze off where she's standing. Alhaitham helps her stand in place, hand on her shoulders.

Your eyes twitch a little watching. "Yeah it's fine, you guys can go. Mondstat is one of the safest places. I'll send a text if I need anything." You smile at them, trying to come off as sober as ever. "Now go, you guys look tired."

Each of them said their goodbyes (except the little shithead Alhaitham) and left.

While you went back in.

You go straight to the counter, sitting down and slightly leaning in. Looking at the redhead's back as he busies himself. You take a breath of courage before talking.

"Hey, Diluc was it?" Heart beating loudly. You were never this nervous with Alhaitham, nor any other guy you liked. But then again, they didn't just see you goofy drunk with your friends.

He had turned around, leaning towards you a bit. "Yeah, it is, and yours?" Diluc comes off as friendly, cheeky, and a bit hesitant. You liked it and told him your name. Your name rolling off his tongue sounded like a friendly bee buzzing around you. You liked it, again.

"I just wanted to say sorry about earlier, usually I don't drink that much... I guess I was just having a rough day." You smiled a bit embarrassed at the confession. But it was true, you weren't normally like this. After Alhaitham had basically admitted to just playing with you for months, you couldn't help but take the edge off a bit.

And maybe that wasn't a bad idea.

Diluc laughs a little at your apology, "No need to be sorry, I see it a lot here. Besides, I found it cute when you asked for my number." He leaned in closer, a cheeky smile on his face, "Very bold."

Heat rushes to your face at his words. "Yeah, I hope you know I don't go asking any cute bartender for their numbers when I'm drunk... If that helps with anything." you laughed a bit, biting your lip. Enticing him, inviting him. Diluc chuckles a bit, looking at your lips. Intrigued by your teasing.

"It helps with a lot actually, since I was about to give you my number. If you still want it, that is." He gets out his business card, his personal number already written in cursive on it. Your heart jumps a little.

You think about Alhaitham for a second. How much you wanted him yet he gave barely any indication he wanted you. Not in a lustful way but in an intimate way...

That's when you grabbed the card and stood up. Smiling up at the handsome redhead. "Of course, just because I'm sober doesn't make you any less pretty."

Diluc blushes a bit as you lean over the counter, getting closer. "And I wouldn't mind seeing more of you." You whisper as you give him a kiss on the corner of his mouth, lipstick marking his red hot face.

You turn around and walk towards the door, "Wait, let me walk you home." He touches where you kissed him, a bit dazed getting his jacket to leave.

He walks you towards your hotel, talking the whole way. About where you are from, your goals, and your aspirations. Studies, friends, and family. And it felt nice. Nice to know someone actually wanted to know every detail about you. To feel wanted, and cared about. Even if it was only just for tonight, and Diluc could forget about you the next day.

But maybe it was worth it, just for a night.

"Really? You have any siblings?"

The air suddenly gets thin.

"It's, uh, complicated you could say." You said, rubbing your arms as a way to comfort yourself. It wasn't bad nor good, a common middle ground of too complicated but not complicated enough to complain. Ah yes, the luxury of family.

"Yeah? I get that. More than you think actually." Diluc looks at the ground, hands in his pockets. A tinge of bitterness in his voice.

"I think that no matter what happens with one's own family, you can always make a better one in life." You smile slightly, holding his arm. "Whether it be friends or whoever you share the rest of your life with... There's always something you can make better."

Maybe you were just blabbering on at this point, but it was almost like Diluc had fallen in love on the spot. He took his hand out of his pocket and suddenly held your hand tightly. "Thank you."

You smile and squeeze his hand. Looking at his smile and swinging interlocked hands. Knowing everything will be fine, for both of you.

Finally, at your hotel, he walks you to your room. Standing in front of it, ready to say goodbye. Even if the warm feeling in your chest wouldn't go away even after this trip, it would all be worth it in your eyes.

"Thank you for walking me home... It was sweet and nice. Better than other companies."

Diluc chucked a little while still holding your hand, "No need to thank me, it was the least I could do for making your friends leave without you." You smile up at his dark red eyes. He was sweet, thoughtful, and a little stoic at times but still sweet.

You liked that.

"I'll be here for another week or two so we should definitely hang out more." You offer, almost asking him out. Key word, almost.

"Yeah, I'd like that a lot... Thank you for the conversation, also. I haven't had one like that in years." He leaned in, licking his lips a little.

"Me too, actually." You whispered getting close to him.

You wanted to kiss him. No, you want to kiss him. He's sweet, charming, and understanding. You want to kiss him and be around him and possibly even sleep with him. Maybe you're getting ahead of yourself, but you most definitely want to kiss him. Until you heard the annoying voice of an asshole.

"Hope I'm not interrupting something."

'This stupid fucking oaf.'

pt. six here | "I'm in love with you!" Series M!list

notes : hello Hunnies, I've come bearing gifts! I honestly don't know whether or not to let Diluc or Alhaitham have you, cause Alhaitha's such a dick in this, unfortunately. Let me know if I should redeem him or not honestly. Thank you all for the support, truly, love you all lots <3 remember to just dm or comment to be part of the tag list!

tag list :

@sn1perz @cheezzyshhh @cuppy20 @thatanimewriter @kittywagun @ichorstainedskin @tigerpriestess @k1xn4a @aphxdea @marchsfreakshow @monamourbladie-mb @monamourbladie @mumeimei @dainsleif-when-playable @boomie-123 @whiskey-19 @annoyingprofessorroadmaker-blog @rlcno @yuunarei @dreamlessnight @kyon-cherri @r-1-mas

[clairedaring]

if you're hoping for joe 2.0 to get his 'revenge' in the second half of the series...

warning: mild novel spoilers (but also not really because i'm just discussing things that have been shown in the trailer)

i really think you should either drop the series or give up the hopes of a satisfying makjang revenge storyline in my stand-in instead of setting yourself up for disappointment. because that simply isn't the story that my stand-in is trying to tell.

so what is my stand-in about really?

well, for me i think its a romance tragicomedy drama about an idiotic scum male lead losing the person he loves most because of his own arrogance and refusal to listen to his heart and the series of unfortunate events that happened consequently for our protagonist who was living a peaceful and quiet life as a stunt actor before the scum male lead entered his life.

joe 2.0 and his approach to life

i've mentioned it twice now that one of my favorite traits of joe/zhou xiang is that kindness in his strength where even if he can be choose to be mean or cruel, he simply doesn't because he has such a soft heart and he's weak to see others in pain (joe is my fellow enfp people pleaser okay) (⁠っ⁠˘̩⁠╭⁠╮⁠˘̩⁠)⁠っ which is why even in his 2.0 life, you won't get to see joe turning 180 degree and going around to hurt everyone who's ever hurt him like it's some makjang kdrama.

and while that seems like it could be fun, i think the reason why i loved professional body double (my stand-in novel) so much in the first place is because that very distinction between joe and other rebirth/second chance at life protagonists that you often see in revenge kdramas/cdramas/thai lakorns.

logically, if my stand-in was a 24-episode one31 lakorn/thai soap opera, joe would be full of hatred and burning rage after his rebirth and started his intricated revenge plot while still falling in love with ming whom he should hate the most.

and yet he isn't (or at least it seems to me so far).

if you read the lyrics 'Die For You' - the opening ost of my stand-in, i think you can have a good guess of what the second half of the story will be like.

Even running away to death can't help. If my heart had chosen to stop at you I'll have to surrender with the confusion I feel. To come back to the same old place. Even if I have to die, disappear and then be reborn But the love is still buried deep inside, even if it's been shattered into pieces Even if my life ends, I can't stop my heart from calling out to you Because this whole body, life, spirit It is yours only, for all eternity.

and even from the trailer of my stand-in, you can tell that joe 2.0 has a lot of internal conflicting feelings about whether he could trust ming again after the betrayal he faced in his 1.0 life. and i feel like essentially the journey of ming proving to joe 2.0 that he really does love joe is very much the central plot in the second half part of the story.

so i'd like to take this part to note how well the series has done to adapt the novel so far. i think a good adapted change they've made is this early realization of feelings for ming in the joe 1.0 timeline. i do think the novel made him realized his feelings a little bit later but my stand-in did well to show within ep.3 what happiness could have looked like for joe 1.0 and ming and i think it rationalizes a bit more more for why joe 2.0 would still have feelings for ming 'buried deep inside' even when he's been badly hurt the first time around. and reading the story i've always found it interesting that they took this route to focus on the re-entangled complex relationship between mingjoe rather than going for a joe-centric revenge makjang plot (i swear if this was your typical thai lakorn, joe would seduce ming while planning to take down his whole family or something).

of course, that's not to dismiss that there's a lot of character growth for joe in the second half of the story, especially in his building of self-confidence, self-worth, the ability to put himself first and the fight for his own happiness above all. but like i've mentioned above, his growth journey is not at the expense of a drastic personality change in regards to the kind hearted joe we saw in his 1.0 life. instead, we get kind hearted joe 2.0 who quickly adapts to his new life and attempts to start anew while conflicted feelings resurface for him as he is pulled back into the relationships he once had.

all in all, my stand-in is still at the heart of it, a love story. perhaps, a dark romance as my friend @dragonsandphoenix would call it, but a romance nonetheless. i think that is what also makes professional body double such a compelling read too, because the progression in the feelings and complex emotions of these characters are so tightly written that it's convincing enough for me (maybe not for others though) to believe that yan ming xiu has/will always love zhou xiang (to the point ymx would probably eliminate anyone else who dared to steal zx from him). obsessive love? yes. do they both need therapy? probably. yet i still believe in their happy ending? of course.

final note/disclaimer: then again, this is just my PERSONAL opinions based on the novel and up til 3 episodes of my stand-in (which seems to be very faithful to the novel so far), who knows maybe they can anger novel fans and adapt it completely differently later on (something i sure hope they don't but we'll seeeee) ƪ(˘⌣˘)ʃ

[ofbreathandflame-archive]

This is a very long post!

These last couple of months, it’s been interesting to talk about Nesta as a character and how her subsequent characterization is so integral to pointing out the problems in the series. Whether or not you view Nesta to be ‘real’ or ‘good’ character is one thing, and often subjective. Our own personal backgrounds may muddle or influence whether we like these characters or not.

The reason why I think Nesta is an interesting character is because of how she kind of…ruins the story, or the illusion of a story we are given. There are many times in the story where I think SJM could have elaborated on the qualities that she gushes about, but she intentionally chooses not to. For example, if SJM kept Rhysand consistent, I could see him disliking Nesta and wanting to actually hurt her, but have him think about Feyre and her wants and ultimately relent to Feyre’s want. One thing about Tamlin’s abuse that I think was done well was the fact that he genuinely seems broken up by the fact he can’t control his anger, and he feels something akin to guilt, but he doesn’t stop the abuse. It highlights the effect of the victim, not the intention of the abuser. I don’t know if it was intentionally done, but I liked that element of his abuse. I also liked that the dangers that Tamlin are worried about are real – the threat is real. Why? Because I think it proves, to some extent, that we should not justify abuse, even if the abuse seems rational. It proves that in this world, these men should still adhere to the fact of self-control. How can Feyre in a relationship with Tamlin if he can’t regulate his emotions around her?

But then the story does something weird – it embodies Rhysand with these very same qualities. It also recreates Tamlin’s abuse of Feyre with…Nesta – and then justifies it. Nesta arrives in a similar position as Feyre, yet the story goes to great lengths to vilify her for not reaching out; this is a far-cry from how the story (and stans) think about Feyre. (paint scene, fire scene, solstice scene, and hiking scene). We're supposed to sympathize with the decisions being made; so much rides on the fact that the IC are doing this out of the kindness of their heart:

Did Nesta notice the faint glimmer of worry in Amren’s smoky eyes—understand how rare it was? More than that, did Nesta understand that this meeting wasn’t to condemn her, but instead came from a place of concern? Her simmering stare told him she considered this purely an attack.

We're supposed to think about the worry of the Inner Circle and not think about the way they've decided to express their worry. Its similar to this scene that we get with Lucien to Feyre about Tamlin:

“I’ve given him time,” I said. “I can’t stay cooped up in the house forever.” “He knows that—he doesn’t say it, but he knows it. Trust me. You will forgive him if his family’s own slaughter keeps him from being so … liberal with your safety. He’s lost those he cares for too many times. We all have.” Every word was like fuel added to the simmering pit in my gut. “I don’t want to marry a High Lord. I just want to marry him.”“One doesn’t exist without the other. He is what he is. He will always, always seek to protect you, whether you like it or not. Talk to him about it—really talk to him, Feyre. You’ll figure it out.” Our gazes met. A muscle feathered in Lucien’s jaw. “Don’t ask me to pick.” “But you’re deliberately not telling me things.” “He is my High Lord. His word is law. We have this one chance, Feyre, to rebuild and make the world as it should be. I will not begin that new world by breaking his trust. Even if you …”

Lucien is continually asking Feyre to place Tamlin over her own happiness; he is asking her to consider his feelings before she considers his own - partially because this is the way Lucien is characterized to handle Tamlin's abuse himself. Cassian is asking Nesta to consider the Inner Circle's intention over how she feels. Amren and Rhys immediately shame and threaten Nesta - she is valid in her anger. She has interpreted this meeting as an attack...because it was. I think its especially telling that the later scene is asking Nesta to have empathy for Amren who is arguably the most abusive, abrasive, and unproductive person in that entire meeting. The second part of Lucien's monologue end's up being true for Nesta as the Inner Circle end up doing the same thing to control Nesta's behavior -- whether that be by leveraging Elain, outright forcing her, or even the decision to withhold Nesta's power from her -- these echo the exact same plot points we see in MAF with Feyre.

Let’s compare some scenes:

It was worse than a crown, actually. Built into the box were compartments and sleeves and holders, all full of brushes and paints and charcoal and sheets of paper. A traveling painting kit. Red—the red paint inside the glass vial was so bright, the blue as stunning as the eyes of that faerie woman I’d slaughtered— “I thought you might want it to take around the grounds with you. Rather than lug all those bags like you always do.” The brushes were fresh, gleaming—the bristles soft and clean. Looking at that box, at what was inside, felt like examining a crow-picked corpse. I tried to smile. Tried to will some brightness to my eyes. He said, “You don’t like it.” (MAF: Chapter 9)

“You’re going, even if you have to be tied up and hauled there. You will follow Cassian’s lessons, and you will do whatever work Clotho requires in the library.” Nesta blocked out the memory—of the dark depths of that library, the ancient monster that had dwelled there. It had saved them from Hybern’s cronies, yes, but … She refused to think of it. “You will respect her, and the other priestesses in the library,” Feyre said, “and you will never give them a moment’s trouble. Any free time is yours to spend as you wish. In the House.” Hot rage pumped through her, so loud Nesta could barely hear the real fire before which her sister paced. Was glad of the roaring in her head when the sound of wood cracking as it burned was so much like her father’s breaking neck that she couldn’t stand to light a fire in her own home. “You had no right to close up my apartment, to take my things—” (Silver Flames; Chapter 2)

She could barely stand to hear the crack and pop of the wood. Had barely been able to endure it in Feyre’s town house. Snap; crunch. (FAS: Chapter 21)

"He had Enough of the coldness, the sharpness. Enough of the sword-straight spine and razor-sharp stare that had only honed itself these months"

He understood. He really did. It had taken him months—years—after his first battles to readjust. To cope. Hell, he was still reeling from what had happened in that final battle with Hybern, too

Another grin as he lifted the small, wrapped parcel. “Your Solstice present.” “I don’t want one (FAS)

“Nesta forged a new Trove,” Cassian said, reining in his rage at the truth of Azriel’s words. “She could create anything.” He nodded to Rhys. “She could fill our arsenals with weapons that would win us any war.” Briallyn, Koschei, and Beron wouldn’t stand a chance. “Which is why Nesta must not learn about it,” Amren said. Cassian demanded, “What?” Amren’s gray eyes held steady. “She cannot know.” Rhys said, “That seems like a risk. What if, unaware, she creates more?” “What if, in one of her moods,” Amren challenged, “Nesta creates what she pleases just to spite us…’ (SF)

He appealed to Rhys, “You’re all right with this? Because I’m sure as hell not.” “Amren’s order holds,” Rhys said, and for a heartbeat, Cassian hated him. Hated the mistrust and wariness he beheld on Rhys’s face.(SF

“No. She knows the labor will be difficult, but I haven’t told her yet that it might very well claim her life.” Rhys spoke into their minds, as if he couldn’t say it aloud, I haven’t told her that the nightmares that now send me lurching from sleep aren’t ones of the past, but of the future. Cassian squeezed Rhys’s shoulder. “Why won’t you tell her?” Rhys’s throat worked. “Because I can’t bring myself to give her that fear. To take away one bit of the joy in her eyes every time she puts a hand on her belly.” His voice shook. “It is fucking eating me alive, this terror. I keep myself busy, but … there is no one to bargain with for her life, no amount of wealth to buy it, nothing that I can do to save her.

So much is happening here – there’s actually more scenes, but I don’t want to go and find them all. I wanted to include more similarities between Feyre and Nesta (I might make a separate post with all of those). To some extent, I think a lot of these quotes, even without elaboration echo the point I’m about to make. In quote #4, Cassian’s narration berates Nesta for not being integrated into the family and not being happy at Solsitice, but we the audience know that Nesta (1) isn’t being talked to, (2) she can barely stand the sound of the fire, (3) Feyre forced Nesta to come by essentially holding her rent over her head. And there’s just way to many parallels between how Nesta feels at the NC and how Feyre felt at the Spring Court. Nesta is drowning; she tells us that – Rhysand’s subtle anger is something she not only notices, but internalizes. She specifically mentions that she doesn’t take any of Rhysand’s positions because they were pity offerings; he’s only doing it because of Feyre. The story then decides to let him spearhead the conversations around Nesta’s autonomy. In the first quote, Tamlin's overall ignorance regarding Feyre's mental state, and her aversion to things such as the color Red were considered red flags; yet when Nesta has an aversion to fire, when she is neglected and nearly dies the story spends so much time trying to tell the audience that Cassian simply didn't know - it doesn't say anything about him.

But one of the biggest indicators of this ruin of the story is the fact that Amren and Rhys believe that Nesta should not have her power because ““What if, in one of her moods,” Amren challenged, “Nesta creates what she pleases just to spite us?” (Maas). The issue, as consistently reiterated, is a control one. They don’t trust Nesta simply because they cannot control her – that is what is highlighted as the issue in the story. Furthermore, Feyre doesn’t let Nesta know, she defers to a process that she doesn’t have to. She outranks everyone in that room; if she wanted to tell Nesta was rules would stop her – that’s literally been the way Feyre has characterized (see: Wraiths, the HL meeting attacking Beron, Tarquin and the BoB, Mor/Feyre w/ the Suriel), yet in this moment when she disagrees with Rhys – she essentially defers to his command. She simply expresses a subtle wariness and then moves on. Feyre has the power to just tell Nesta is the point that I am making here. It’s Nesta’s power; they forced her to do these tasks, and when she has one moment of autonomy in making the sword – they are argue that Rhys should make himself High King and Cassian, despite his earlier provocations, believes in this. He agrees with it. And even though I am going on this long, wordy analysis, I think a lot of what I am saying is kind of really clear In these quotes even without explaining.

To bring this back, Rhys (and Feyre somewhat) are only excused because the story believes their intentions were good (see quote #7), which conflicts with what we’ve already seen. These are…the exact same justifications we get about Tamlin; he truly believes that by making her safe, he is making her happy – but we know Feyre values truth over safety. And so the story undermines its lessons by not condemning the actions of its characters and instead leans into moralistic reasons. The argument now isn't even that Nesta isn't being abused, but stans and even the story (subtextually) believe that Nesta deserves the abuse - or that it's purely a consequence of her own immaturity, yet this is a far-cry to how Feyre is perceived in similar situations. The story argues that these characters understand that Nesta is not in her right mind - but constantly the story expects her act functionally in the face of her depression, even though the very reason the decided to lock her up is because they all unanimously believed she could not function by herself. She's expected to respond appropriately to their jabs, do missions on their behalf, train, and work at the library with no pay. She cannot leave Velaris without a Chaperone and all of her Chaporene are employed officials who are gone for the entirety of the book. No one ever actually offers to ever take Nesta out to see the town. I am seriously tired, and really concerned with the way Nesta's abuse is talked about.

[saurongorthaur9]

Right now, I'm decently sure that Galadriel is somehow going to succumb to Sauron's temptation at the end of Season 2.

I've been listening to the Season 2 track on repeat for pretty much the last 24 hours (and loving it) and the Last Temptation track has me thinking thoughts.

First, we know that there is going to be a confrontation between Galadriel and Sauron in the S2 finale, and Charlie has indicated in interviews that Sauron still thinks he can win Galadriel over and he hasn't given up on pitching his King and Queen idea to her. So, there's definitely going to be some sort of Temptation 2.0.

Second, I think whatever Galadriel is going to face is going to be ten times harder for her to resist than the S1 finale. I think this for two reasons. Firstly, in S1, Galadriel in a way had surprise and rage on her side. The fresh feeling of betrayal, the horror of the realization of what she's done, and her long-festering pure hatred for Sauron were all present and, in a way, I think made it easier for her to turn him down in the moment (though I still think she was tempted). This season however, she's going to have the entire season to marinate in all her feelings and the memories of how Halbrand made her feel seen and appreciated and her connection with him. She's going to have the whole season to miss it (and him) and yearn for it (and him).

The other reason is that Sauron will have more time to prepare to make his pitch Even Better. It's very obvious that he had already been planning his S1 finale pitch to her as Halbrand, but I think she figured him out sooner than he'd planned, and while he went along with it, he wasn't as prepared as he could have been. This time, however, he's going to have more time to prepare and he's seen what DIDN'T work already, so he can try a pitch that is more crafted to Galadriel's weaknesses. We also know there is going to be something going on all season with their psychic connection, so he's also had all season to play with her mind before their final confrontation assumedly.

So, from a character and plot standpoint, I think Galadriel is going to face something a lot harder for her to resist.

Now, from a narrative standpoint, I think it makes a ton of sense for the plot and for Galadriel's character arc and the structure of a TV show for Galadriel to succumb to Sauron's temptation (though I'm not sure what that will look like).

If they do go that route, I'm sure it's something all the lore purists will froth and foam over, but it just makes so much sense for the story that ROP is telling, particularly with Galadriel. From a storytelling perspective, it doesn't make sense to show a replay of the scene from the S1 finale. We've already seen her resist him, so it makes sense that if we get a similar scene in this season, it'll have a different outcome that shows us new aspects of the characters.

They've told us that Galadriel and Sauron's relationship and connection will remain central to the entire show for all five seasons. If that's the case, it wouldn't make sense for them to place the highest note of their relationship at the end of S1 and to merely show Galadriel rejecting him in various ways throughout the rest of the series. There's the challenge of finding new ways to explore different aspects of the characters, and having Galadriel resist in S1 only to succumb in S2 and then come back from it in S3-5 would be very narratively pleasing. Static characters aren't interesting to watch, especially over the course of a TV series, while characters who have rises and falls are much more riveting. Now, I do think there are other ways they could accomplish it, but having Galadriel fall would be a big, big way to do it.

They've also been pitching S2 as "the villain season." It's about the villains and about the darkness in each of the characters. We're going to be watching the fall of Celebrimbor and the fall of Eregion at the very least. We are most likely going to start seeing the fall of Numenor and Khazad-dum as well. It would be deeply thematically satisfying for the season to end on the note of our main heroine also falling and succumbing to the darkness that we've been watching creep over and consume everything else in Middle-earth.

Finally, it makes sense for the story they seem to be telling with Galadriel. We're seeing her growth from an ambitious, revenge-driven, impetuous warrior to become the wise, powerful, but also kinda scary elf sorceress and queen from LOTR. Given that arc and the darkness we've already gotten hints about in Galadriel, it makes sense for her arc for her to get a tiny taste of what falling would mean for both her and for everyone she loves. I could absolutely see her succumbing to her own darkness and accepting Sauron's temptation only to see the ramifications and pull away as a wiser person who carries the grief and burden of knowing what darkness does to her. I could see it fitting with that intangible grief and pain that Galadriel seems to carry in LOTR. And I think a part of her could like how she feels after succumbing to Sauron, and that feeling is something she would carry on, even after she ultimately rejects her darkness and Sauron. It would fit well with that incredible yearning and desire that we see in Galadriel when Frodo offers her the Ring years and years later, because she knows how good it feels, but ultimately she also knows the ruin it would bring because she's seen a glimpse of it.

Anyway, I'm prepared to be wrong, but right now, I'm really thinking this is the direction Season 2 is going to go (and maybe hoping just a little because it would be horrifying and gut-wrenching and amazing and awesome).

[spirantization]

I need to talk about NATLA Katara because this girl has been on my mind so much recently. In another post regarding Sokka's character arc, I mentioned briefly how the changes to his characterization impact Katara's character in turn. Her adaptation has been one of the most heavily criticized aspects of NATLA; even people who liked the show often bring this up as one of the weakest parts of the series.

I've been sick and rewatching the OG animation and NATLA to see the adaptation choices more clearly (and also think about what s2&3 might look like). I've said previously that changing Sokka's arc meant that Katara's arc had to change, and that wasn't satisfactorily done. Upon rewatch, I have to disagree with my previous statements and the popular opinion about Katara's characterization.

Katara's journey in season 1 is about her growing into her role as a warrior, when she has spent her life being thrust into a passive role -- not able save her mother, having to listen to Sokka (as both her big brother and protector of the village), and not able to fight against the Fire Nation. The first time we see her, she's unable to bend; we see her consistently develop her bending abilities and her strength throughout the season. She confronts her past inability to save her mother. She stands up to Sokka to do what's right. She fights against the Fire Nation and protects the Northern Water Tribe.

Sokka's arc, as I've said previously, is about him struggling with his identity. He was thrust into a leadership and warrior role at a young age, and he's tied up so much of himself into what this means. His arc is about accepting that he doesn't have to be a warrior and doesn't have to be a leader.

It's a yin & yang characterization. Katara's place as a warrior, leader, and protector grows as Sokka's ebbs. Their arcs make the most sense when considered together. They're meant to be in harmony with one another. I see the intention of the storytelling present in their respective characterizations, and how they develop in connection to each other.

Unfortunately, so many people appear to have watched the first episode and either reacted negatively to the changes or stopped watching altogether. I've seen adjectives like "passive" and "bland" thrown around in reference to Katara. And on reflection/rewatch, I think that was the point: to start her off as someone who is afraid & weak in her power, and to grow her over the season into someone who is brave & adept in her bending. By the end of the season, we see a very different Katara from the one in the first episode.

It's alright if these changes didn't resonate with you and you preferred OG Katara's characterization and arc in Book 1 of the animation. They made a choice in the adaptation that was clearly a stumble for the majority of fans. Perhaps, now that they've done the work to get her there in NATLA from a different beginning, her season 2 characterization will more closely match her OG counterpart.

[avariantflaire]

Why Levi and Petra?

Of course, upon general viewing of SNK and its characters, it's clear that they have established Erwin, Levi, and Hange as the leading trio of the Survey Corps. They represent this faction of the military and in interesting ways, mirror the main protagonists of the series.

While there is a lot to be said and appreciated about Levi's relationships with Erwin and Hange, I have come to find that the character who humanizes him is the lovely (albeit forgettable) Petra Ral.

Early in the series, we are introduced to Levi as Humanity's Strongest Soldier. Erwin makes use of his abilities in this sense, and Hange often relies on his strength in combat as well. That is not to say this is the extent of their relationships: we have Levi's iconic "Give up on your dreams and die" scene with Erwin (S3 E16) and the infamous "Maybe we should just live here [away from my responsibilities] together" request from Hange (S4.2 E8). However, something to note with both scenes is that while they give depth to Levi's relationship with both characters, he essentially serves to highlight others. In the former, Levi's response directly challenges Erwin's dream, and allows this commander a defining moment of growth. Similarly in the latter, Levi is used as a means for Hange to express and eventually overcome their fears and insecurities about the deal they've been dealt as the new Commander of the Survey Corps (which at the time was rapidly disbanding under the Jaegerist movement).

In other words, Levi is the "subplot character" to Erwin's and Hange's individual arcs. (According to John Truby, 'The subplot character… provides another opportunity to define the hero through comparison and advance the plot.')

Which begs the question… at what point in the series, if any, is Levi defined as a character in and of himself?

Two prominent scenes from season 1 come to mind, which are namely: 1) The dying soldier scene (S1 E9), and 2) Petra's conversation with Eren in headquarters (S1 E15).

In the first, Levi comforts a dying soldier and vows to carry on their will and exterminate all Titans. When the soldier passes before he can reply to Levi's words, Levi turns to his fellow soldier Petra and asks her if he was heard. Petra provides confirmation, emphasizing the peaceful expression on the soldier's face.

In the second, Petra confronts a gloomy-looking Eren, who has been tasked to clean headquarters along with the rest of the Special Operations Squad (aka the Levi Squad). She specifically points out how Levi is 'not the hero he's expected to be' in the sense that he has a terrible personality, though she does so while smiling almost fondly, as though it doesn't matter what his personality is because they can always put faith in him as their Captain. It seems she wants Eren to understand this - or a notion similar.

It is in both moments that we are able to clearly see Levi beyond being a powerful soldier. Always, he is a threat. When he enters the scene we expect the shift in the dynamic of the battle - we expect him to win. He's a trump card. Erwin's last words to him are an order (S3 E16), and Hange's last words about him is "he's [Armin's] underling now, so really put him to work" (S4.3.1). Levi acknowledges Erwin's and Hange's humanity, bolsters it even, with the conviction of "dedicating your heart". In SNK he is the symbolism, the embodiment, of a soldier. That's all he really ever gets to be. Even his softest moments with - heck, anyone in the series - are meant to deeply reflect on the guilt, the burden, the purpose of getting the job done. ("So… you're telling me… I've spent all this time and energy running around killing people?" (S2 E12) / "Just think, if your hands were still clean... Jean wouldn't be here right now." (S3 E2) / "If we just run away and keep on hiding, what will we have left?" (S4.2 E8))

But for those singular moments in season one, he's more than just the threat. We see him as a human not only with (personality) flaws, but also with dreams and convictions, tied so seamlessly with his comrades' cause that we are reminded painfully, at the end of the series, that it was Levi who carried them all to the end. Throughout the story we see Levi lament fallen soldiers; we are exposed to how much he empathizes with his comrades and their deaths, to the point where it can be said that no one keeps us more aware of the lives that have been lost throughout the show more than Levi himself.

In this manner, Petra was the subplot character to Levi's hero. She gave the audience a (subconscious) glimpse of the Humanity within "Humanity's Strongest" and built the bridge that would lead us to compelling and important revelations about Levi's thoughts and actions as the show progressed. It's Petra whom he finds tending to a dying soldier; Petra whom he asks for confirmation that the soldier heard; Petra who, against all expectation, asks Eren to see past the station, the status, the soldier, to the person himself.

"He's not quite the great, perfect hero society makes him out to be, huh? The real Captain Levi is shorter than you'd expect, temperamental, crude, and unsociable. (…) You thought that because he's skilled, he doesn’t have to follow the rules like everyone else?" (S1 E15)

It's even Petra who, despite her rank, asks Levi to step aside when Eren becomes a half-baked Titan. Here, Levi's robust intuition and split-second decision making skills are shown even away from the battlefield. It's Petra who leads the Special Operations Squad in their apology to Eren (S1E19 "Bite"), who first instills in us (narratively) the notion of trusting your fellow comrades. More specifically, she is who convinces Eren to place his life in their hands. It's this notion that Levi carries with him even until the final arc - "I've saved Eren countless times over - each time, more comrades dying. All because I believed he was the hope of humanity." (S4.1 E13) In the manga (Ch112), it's Petra we see at the forefront of this belief.

"Do you, Eren? Do you find it that hard to trust us?" It's Petra who dies, her words the final say in convincing Eren: "I believe my squad will be victorious." (S1 E21)

"It's like some awful joke," Levi reflects later on, as his comrades' dying hopes and dreams flash by in the canopy of the forest. "What the hell was the hope that we saw? Such bullshit. It's not even funny." (S4.1 E13) "We" here could definitely mean the soldiers who've given their hearts, but the metaphorical representative of this heart is Petra herself... "Eren! Trust us." (S1 E19)

And in the end, it's Petra in the forefront alongside Erwin and Hange, representative of her fellow soldiers, the one (experienced/veteran) Scout we've seen and interacted with in the entire series to have professed the values of hope, of trust, of belief, which is henceforth carried on by Levi himself, his own convictions, his own dreams. They are, in the entire series, the glimpse we get into the Scout Regiment beyond the series' titular character and his comrades in the 104th, and a thorough dive into what makes Levi Humanity's, not simply its strongest.

Her character song, "The Light of Dual Wings", can literally be taken as an allegory of the dreams the Scouts have entrusted to Levi. That's how prominent she is as a Scout; how coded her devotion to Levi is, whether interpreted platonically, romantically, or narratively, as the dedication of hearts.

So, yes, I love them together. I love their scenes, the implications of them narratively, the values Petra professes so effortlessly in the air, washed away by the higher tides of the Female Titan arc. I love that it's still Petra at the forefront, in all of Levi's reflections moving forward, because she is our first glimpse into Levi's character, the real him.

In the end this is just a ship post struggling to keep from delving too much into the symbolism of Levi and the Scouts (how Levi is the face of the Scouts more so than Erwin himself, really), the truest depiction of humanity's collective fight for freedom in this entire series. In his early days, Eren wanted to be a Scout, after all. It is Levi and Petra who push him forward into 'that hell' - for better and worse, respectively.

[rwrbficrecs]

We’ll Invite Something In by @smc-27 (book-verse)

@dot524: This is a fandom favorite and for good reason. In this canon divergence AU, Alex is President, Henry is out, and they never got together in their 20s. Instead, they encounter each other in their late 30s and a very different type of relationship ensues. They still hide it at first, but there’s a lot of living that they both have done and need to work through. I really enjoyed the character dynamics here and how the premise changed both Alex and Henry, making them bolder and more mature. Definitely read this one!

Eyes Blue, Like the Atlantic by bleedingballroomfloor (book-verse)

@dot524: A Titanic AU! Adapted by an excellent writer, this one has suspense, action, romance, and intrigue. There is a MCD (Main Character Death) in here and some other tags to be aware of, but also vibrant scenes with dancing, chasing, art, and formal wear. I really enjoyed it!

Clean Slate by @smc-27 (book-verse)

@heysweetheart-writes: This was just so excellent. I devoured it in no time, couldn't put it down. I love the way Alex just slips into Henry's life like a silk glove even though Henry has his hesitations. There's abslutely no angst at all other than "you're too young for me" "no, next question" I love it. I love Henry finally feeling young for the first time. I think that is something that Henry generally feels after meeting Alex, like he's never been able to, no matter at what point in life he is. ANYWAY I'm talking about Henry way too much again for a rec. Read this.

Most People Exist by @sprigsofviolets (book-verse)

@na-dineee: Henry, 30, is a nurse on a cancer ward. From the very first moment he feels an intense connection and attraction to his newest patient, the one who has a brain tumor and is named Alexander Claremont-Diaz. - The tags say it all: "Falling in love, Slow Burn, Angst with a happy ending, Hurt/Comfort". After reading this story I am a whole new person. I laughed and cried, had butterflies in my stomach, I felt it all. Hands down one of the best fics I've ever read!

after hours by @dumbpeachjuice (book-verse)

@na-dineee: How much can happen in a few hours? stutteringpeach: Hold my beer. 😅🤝 Reading this was truly a roller coaster ride, my stomach was doing somersaults non-stop: On his last evening in New York, poet Henry meets bartender Alex and the two spend the night together - in true "Before Sunrise" style. To sum it all up: enchanting, sweet, phenomenal, iconic!

No. 1 (Royal Red and Blue) Oil on Canvas by @captainjunglegym (book-verse)

@zwiazdziarka: This fic is so twisted and surprising in the best way! The summary did not prepare me for all the action that comes after the initial relationship drama and I'd really like to fawn over it some more but I don't want to spoil the fun of figuring out what really is going on and what are characters' motivations. Just give it a try.

Meet the Parents (series) by @14carrotghoul (book-verse)

@dot524: I really enjoyed these thoughtful character studies of Ellen and Oscar. The two short stories are a series of canon vignettes from Oscar and Ellen’s POV. These glimpses of the Claremont-Diaz parents add heart and depth to the RWRB canon, giving insight about how Ellen and Oscar think about parenthood, power, family, and each other.

Leave The World Better Than You Found It: A BONES AU by @treluna4 (book/movie-verse)

@myheartalivewrites: I really enjoyed this FirstPrince meets procedural TV show fic! With Alex as Booth and Henry as Brennan, they learn to work together, solve crimes--and fall in love, of course. Plus take down a very satisfying book villain.

No Laughing Matter by @inexplicablymine (book-verse)

@suseagull04: This fic is absolutely hysterical- a must read if you need something to cheer you up! It's also very relatable for anyone who, like me, has said things they've regretted in all the best ways!

in summer air by @acdsbff (book-verse)

@na-dineee: I need a vacation and vitamin D - maybe that's why this series (both POVs are covered 🥰) captivated me so much?! It is set on a Greek island, where Alex, just cheated on by his boyfriend, meets hotel owner Henry. What follows is a whirlwind speedrun romance against a beautiful backdrop. Really therapeutic for the heart on dreary days!!

here is a map (with your name as a capital) by @alasse9 (book-verse)

@dot524: What an incredible surprise to have this entire 50k story drop at once. In this canon divergent story, Alex and Henry start getting to know each other in Rio, when Alex helps him recover from a panic attack. Their friendship, and later their relationship, is a delightful slow burn with funny moments, heartbreak, and steady support of each other. I thoroughly enjoyed this start to finish — the characterization of both Alex and Henry is on point and I really enjoyed how the writer changed some of the scenes from the book while keeping key callbacks. A delight.

Claremont 2008 by @happiness-of-the-pursuit (book-verse)

@suseagull04: This friends to lovers AU is done so well! Having Henry and Alex meet as kids means we get years of their friendship before they even start dating, and it gives every aspect of their relationship so much depth through this entire fic. It also gives some events only referenced in the novel a completely different perspective, which makes them even better!

keep me in the moment (don't it feel so real?) by @anincompletelist (book-verse)

@heysweetheart-writes: I absolutely love everything that comes out of Sarah's magic little fingers and this was no exception. Alex and Henry are best friends and pinning over eache other unknowingly and an accidental lil discovery turns their relationship upside-down (for the better) absolutely recommended. I honestly loved it so much.

you know i can't be found with you by @dumbpeachjuice (book-verse)

@heysweetheart-writes: This was SO much fun. Alex was RELENTLESS and I absolutely love an older Henry. It was also very fucking funny. 10/10

the great duck fiasco by @alexclaremont-diaz (book-verse)

@suseagull04: A spy AU, dating apps, and Alex's Texas roots combine in the funniest way possible- definitely read this if you want a good laugh!

[fuckyeahgoodomens]

David interview with Maggie Bocella for Collider, 10.7.2013

COLLIDER: Obviously, when you started making this show, you had the book to go off of, you had a very specific framework to work off of. But because everything for Season 2 is new, did you get to have any input with Neil Gaiman on where Crowley goes from the end of Season 1?

DAVID: Oh no, that's not my job. No, I mean, we've got Neil Gaiman, so you just get excited about what direction he's going to send you in. It wouldn't occur to me, to be honest, to start giving Neil Gaiman plot suggestions or character suggestions, that would just be limiting his brilliance, I think, if he was trying to sort of contort his ideas around mine. So no, I just sat back and was excited to let a script ping in and find out what was going to happen next. What a treat to get to be one of the first people to read the continuing adventures of Aziraphale and Crowley.

COLLIDER: In that vein, how do you think Crowley has changed between the end of Season 1 and where we see him now? Can we expect anything significantly different from him this season?

DAVID: Well, as you would expect, he's no longer working for his corporate bosses from Hell, which gives him a certain liberty. He's more of a free agent, but it does mean that they've taken back the swishy apartment that comes with the job. So he’s in slightly diminished circumstances. He's living in his Bentley in his car with his potted plant and feeling slightly hard done by it, I think. But quite early on, we see him meeting with Shax, who's his replacement in the job. So he's keeping his ear to the ground, seeing what's going on, and giving Shax a bit of guidance as to how to be Hell’s representative on Earth and also how to fix the boiler in the apartment. Yes, he's certainly as we always knew him, but probably a little bit grumpier.

COLLIDER: You mentioned the Bentley, and the Bentley being cursed to play Queen songs forever and ever and ever is one of my favorite parts of the show. I was curious what you think Crowley's favorite Queen song, is if he's not so sick of them that he never wants to hear them again.

DAVID: That's a very…wow, that's a difficult question. I need a lot of prep for that. What's my favorite Queen song? I don't know. I mean, “Don't Stop Me Now” is probably the best driving song, isn't it?

COLLIDER:Yeah!

DAVID: And he certainly enjoys driving at ridiculous, slightly supernatural speeds. I suspect that's probably the best soundtrack for that, so it's probably that, or “A Kind of Magic,” I suppose, makes a certain sense for a supernatural being with unearthly powers.

COLLIDER: That's a good answer. But you also work very closely with Michael Sheen, who you not only work with on this but also on Staged, you're quite close. What's it like getting to put that friendship dynamic to use? Especially since this and Staged are so completely different.

DAVID: It's very nice to get to work with a friend every day, you can't pretend it's not. I mean, we did have the pleasure of doing Staged during lockdown, which of course probably wouldn't have happened were it not for us getting to know each other so well on Season 1 of Good Omens. It wasn't so long after the first Good Omens came out that we were all locked in our houses for months on end. We managed to come up with this notion of doing Staged and making a show on our laptops, which, really, we did initially just to amuse ourselves, to see if it was possible. Then it ended up becoming more. We just [premiered] Series 3, so between the first season of Good Omens and the second season of Good Omens, we managed to do three seasons of something else together!

COLLIDER: This show has had such a massive fan response. How much of that are you really aware of? Are you seeing how people are reacting to this show?

DAVID: Oh, it's been quite overwhelming. I've been to a few Comic-Cons over the last few years, and when I visited them pre-Good Omens, I saw a lot of people dressed up as me from…another show. But that has slowly changed until the amount of Doctors and the amount of Crowleys I meet are certainly neck and neck these days. But what's lovely about the Crowleys and the Aziraphales is they always come in pairs, so you get to meet people who've got all dressed up often with their best mates.

That's one of the great joys of being involved in this show, that these characters are so beloved. And of course, the great honor of taking on something like that, a character that people are so enthusiastic about, is that the great terror is that you'll break it, that you won't be… I think, especially with a literary character, the act of reading a book is such an internal mental spell that you cast, isn't it? Those characters are almost more vivid than a character that you might see on screen. So embodying characters that have been so loved for so long, not breaking them, not, you know, crushing dreams… The way that we've been accepted by those fandoms, it's been quite humbling, to be honest.

COLLIDER: You're also part of another Neil Gaiman joint, you play Loki in The Sandman audio series. Obviously, that's a different medium, but are there any similarities between working on The Sandman and working on Good Omens?

DAVID: The Gaimanverse is certainly its own creation, but Good Omens is always slightly different, of course, because it wasn't just Neil, it was very much co-created by Terry Pratchett, who also had a very distinctive voice and a distinctive universe. But there's something very specific about the Good Omens universe, which is where these two very distinct, very vivid authorial voices blend together to create something very specific and quite unique. So, I don't know how similar it was being part of The Sandman. I mean, it was a great pleasure to be part of it. It was wonderful to make Loki come from Scotland as well. I think Tom Hiddleston should take some notes. There's nothing better than a Glasgow Norse god. I’m kidding, obviously, he is the definitive Loki, but I did my best to sort of, you know, target his coattails.

COLLIDER: Besides Good Omens and Staged, you are coming back to Doctor Who this year. It's all anybody I know can talk about, but obviously, the spoiler police will come and get me if I attempt to talk to you about too much. So if you could describe what audiences are gonna see in November in, like, three words, what three words would you use?

DAVID: Three words? Three words?! Three new stories. That's not very good, is it? That doesn't give you very much away. Neil Patrick Harris! There you go.

[icarusredwings]

Snippet of my one fic series im calling

"Finding home."

This comes after DOG TAGS. They're spending the night at the Xmen mansion when someone pays them a visit. Established Poolverine.

Warning: Wade is just.. Wade. Logan (worst wolverine) is learning to stand up for himself, Complicated stuff with Jean Grey and other xmen characters. Post unknown context.

Angst, emotional hurt/comfort, fluff.

Coming into the room, Logan had found Wade lying down. Sprawled out beautifully like a dame in one of those fancy paintings. As if he was worn out. This had pleased him greatly. It meant he had so much fun that he was satisfied with the level of exercise and socialization for today. Something that was a rare sight.

Walking over, he climbed into the bed with a big smirk, pulling him close, underneath him.

“Hey..”

“Hi.”

He chuckled softly, starting to kiss him all over. The kind of kisses that meant he was hungry for something more, already nipping at his lips and his neck. Putting his head back into the silk pillows Wade groaned, putting his hands up to the back of his head, beginning to pet him.

Sliding his shirt up, It wasn't often that Logan let himself wonder so confidently. Which is why Wade whined, his stomach fluttery a bit as he groaned. Maybe it was because Logan was leaving a trail of nips down his abdomen or maybe it was because of how nauseous he was getting, but something wasn't right.

“Oh god. I usually would never in a billion life times say this but.. Stop?” What ever has gotten into Logan had got him good because he only chuckled again and bit his ear, Holding him by the hem of his jeans. “Sorry, Bub, But you're all mine now. Stuck with me. So get used to it because you're gonna be scr-”

“Logan Stop.”

Almost instantly, Like a switch he sat up, No longer touching him. In Fact the look he gave him was filled with concern and almost ashamed for the things he's done. For not stopping the first time. There've been plenty of times where stop didn't actually mean it, but he knew better when it was said in that tone.

This only made Wade pout more. Look at him!! All confident and ready to play the way they've been training his self confidence for. And the dirty talk too? Come on! How he was sitting like this? All obedient and worried for him? Ugh! He only wanted to fuck him more now. It wasn't fair.

“I'm gonna puke.” He stated a quick explanation that made the man frown, his thoughts instantly going to because of him, as if he were too gross to play with, but a single brain cell pipped up as he remembered his dear fiancé was not new to throwing up.

“If… if you don't mind. Do you think we could just cuddle tonight?” He asked, looking almost ashamed of himself too, feeling bad for turning him away.

“Yes. I mean- Of course… Do you want help?” Watching him light up like a puppy with hope to be helpful.

Wade couldn't help but stifle a laugh, giggling after the scoff. “Can you hand me that trash can? And.. maybe look away. Or something.” He muttered, not liking when people saw him so gross, especially not him. No one wanted to kiss you with vomit in your mouth. Within a few seconds, He fetched the trash can, sitting next to him as he rubbed his back.

“You're alright.” He whispered, reassuring Wade that it was okay, that he could do whatever he needed to do, and no one would be mad at him. Sometimes, he became upset with himself for times like this. Thought it ruined the moment, and past shitty hookups have convinced him it was true and his fault.

This was the opposite of looking away, but no one really wanted to be alone when sick.

“You're burning up…” he mummbled, looking away but kept his hand on him as he hurled, gagging and grunting how much he hated doing this.

Listening to him try to catch his breath was the worst part for him, knowing how sensitive he was to unauthorized breath play and cancer didn't exactly believe in safe words.

“I know.. I know.” It took him about a month to finally get it when he first moved in, that Wade wasn't lean and thin because he wanted to be, Rather, he could barely keep anything down some days.

“It's alright. Hey. You're okay. I got you.” He whispers to him. Wade put his head back, tears in his eyes as he breathed deep and slow.

“There we go. Better?”

Starting to nod, this quickly became a shake of his head, putting his head in that trash can again. Oh, the poor thing…

Opening the door, Logan swallowed as he saw her. “Hey…”

To make matters worse, there was a knock at the door. God, they couldn't catch a break, could they? Without even getting a chance to ask, Wade went off to the bathroom, slamming the door. He always did prefer a toilet, really. It's much easier to throw your guts up when you don't have to worry about holding a bucket full of vomit. Much easier to clean up too, just flush it instead of rinsing it and cleaning it with soap.

“Erm.. Hi?”

“Look.. Logan I- We.. we're sorry. For everything.”

Crossing his arms he looked away, leaning against the door frame. “I don't know what you're talking about.”

“Yes. You very much do. You claim that you're different, but the way you've been acting shows that we even hurt you in your timeline, too. So.. While I don't know what we did then, I want us to be on good terms.”

“Us?” He asked, a little confused, shaking his head a bit. “Jean.. that was a long time ago. And you're not even the same person. I'm not even the same person.”

Blinking, Logan looked outside of the door, as if trying to see if there was anyone else. “I'm sorry- this is bothering me. We?? Who's we?”

“I know.. but that doesn't mean we can't apologize... Maybe start over? We would like that."

“Well.. you know how he can be.”

“Jean, Usually when people apologize, they're in person and say it to their face. Not send their pregnant wife to come confront them by herself.”

A Small look of horror came to her face, as if she hadn't told anyone else yet. A look that said ‘How did you know?’ But she only sighed.

“Only ever what mattered…” His nose crinkled a bit, Able to smell it. She wasn't far enough along for him to tell if it was a boy or a girl, but the baby was healthy. That's all that did matter to him. There was nothing wrong with worrying for a friend's child.. was there?

“I never could hide anything from you...Could I?”

“Logan, Please. He really is sorry. He's just.. you know.. with the school and you of all people know how much a man's egos can get in the way of things...” She mumbled, taking his hand, rubbing over his knuckles.

She wasn't even doing anything with her powers, and yet he felt this intense wave of relief fall over him, only for it to be instantly covered with a sense of protectiveness. She always had that effect on him. He wanted to protect her no matter what.

Swallowing again, he pulled his hand away as it started to sweat.

“That's exactly my point.. If he actually was sorry and believed he did do something wrong, He'd be standing here with you, now wouldn't he?”

“That's not-”

“I'm not finished!” He growled, tired of being spoken over. Wade did a hell of a job to connect his emotions to his mouth, and now he wasn't shutting it off. He worked hard to turn his grunts into words. And she would litsen.

Becoming quiet, she nodded, Implying that he could finish without another interruption.

Taking her other hand, he held both of them.

“I know you're an independent woman. You always have been. But you shouldn't have too. You need a man that will not only defend you, but will take care of you, and stand next to you for things like this.”

This speechless promise quickly becomes a lie. “Logan-” Her eyes were almost… hopeful.

Tears welled in her eyes but wouldn't let them drop.

“I'm not that man.” He started, shaking his head slowly as he did, not wanting her to get any ideas.

“Not anymore… Do you understand? Hell, Even Forge stands up for Ororo and would defend her until his last breath despite her practically being an all-powerful weather goddess!... and your husband won't even stand next to you while saying sorry? Think about it.”

“F-for what?”

“Jean, I'm sorry.”

“Because I'm happy. I was never going to fit into your marriage. Not ever. Not… well. At least. Everyone thinks that relationships are finding someone who matches your puzzle piece. When in reality it's finding someone who's willing to change pieces to fit. I mean- I'm engaged now!” He whispered this bit, almost excited, leaning down some to talk to her.

“Is.. he okay?” She asks.

“How crazy is that? The Wolverine settling down? Crazy to think about. And with a dying maniac at that.” He smiles, only to frown, hearing a big cough and a groan of frustration from the bathroom. “Oohh Fuck..” It said.

He now stands, putting his hands in his pockets. “He gets tummy aches.” He lied, whispering. “Gluten sensitivity.”

“Ooh…then why is he-”

Just before she could say it, Wade came out with a stretch, seeming better as he dramatically held his stomach.

“We're pregnant!!”

“No- we are not.”

“Pfft-” snickering some, Logan put his hand to his face, rubbing it embarrassedly.

“Oh we so are! Don't you remember? It's the only reason he's marrying me really. Got me knocked up and now we're having A shotgun wedding. How scandalous! I can see the headlines now.”

“There's not going to be any headlines, you lunatic!” He chuckled, almost at the brink of giggling.

A frown came to her face, only to softly smile.

“... I've never seen you laugh like that before.”

“Huh? Oh… heh.. yeah. I uhm… I didn't know that I could..”

“Hmm.. Well.. I guess I should be going..” She whispered. “Leave you two alone..” Turning to leave, she had mixed feelings about the interaction. Happy for him yes, but also now had other topics to think about.

“Mmh.. Yeah.. Oh- And Jean?”

Turning, the hope in her eyes made him frown, feeling sort of bad for being kind of a jerk to a pregnant lady. “When Scott grows some balls? He knows where to find me.”

Sighing, she nods. “…Goodnight, Logan.”

“ ‘Night.”

Closing the door, he came back to bed, still giggling a bit. “Why did you tell her we're pregnant? I can't get you pregnant, idiot.”

Laying on the bed, Wade looked slightly offended. “Are you calling me a liar!?”

“I'm calling you the biggest liar.”

He shrugged. “Oh well. And who knows? Maybe I got a cancer baby in there or something.”

Rolling his eyes, He climbed under the blanket with him. “Oh shut up. You don't have a cancer baby.”

“You never know…So…marrying a dying maniac?”

“Oh… how much of that did you hear?”

Grunting, He rolled over, Putting his face in his hands again. “Nngh.. I'm sorry.. I didn't mean for you to hear all that..”

“The bathroom has surprisingly thin walls.”

“It's alright. It's always nice knowing that you're just as big of a whore as I am.”

“Hey! Am not! It was just… complicated.”

“That's what whores say when they can't pick one dick to ride” he giggled, Rolling over to climb into his chest, nuzzling up under his chin.

“Are…are you sure you aren't happier... here?” He asked, the questions slipping out.

So many things were running through his mind, things that he probably shouldn't be thinking but he's learned that as long as it stays in his head, no one would get hurt… except.. that was the hard part.

Logan let out a deep sigh. “Wade?”

“I mean- Do you even like that i'm with Vanessa? What were you doing? Being a barrack bunny? But for the mansion? The mansions personally sex pet or some kinky shit like that?”

“Yeah, yeah.. shut up.. I know...”

“Wade.”

“hm?”

“I let you cut up my dog tags…and turn them into a ring”

“Technically Forge did that- actually.”

“.. a ring that you own now.. right?”

“Uh… yes?”

“And dogs go with their tags.. right?”

“I guess so?”

For a few seconds there was silence.

“So what does that mean?”

“25- no! 26. I'm pretty sure it's 26.”

“What?” He laughed. “That wasn't even a math question.”

“Ugh, just tell me. I'm not good at stupid riddles! If I ever met the riddler I'd just shoot him in the face.”

“The who-? erm, nevermind. If the tags belong to me. Yes?”

“Ok..”

“And now you own them. Yeah?”

“Okay..”

“Then that means..”

Blinking, he suddenly gasped a few seconds later, going into a giggle fit as he held him tight. “Oohh!! I wanna get married!”

“We will. Just not yet.”

“Tomorrow!!”

“No-”

“Why!?”

He wasn't tucking and running anymore. He would stay like a loyal mutt. As long as he wore that ring on his finger, he'd follow him. Whether here, or at that shitty apartment. He didn't care which.

“Because.. you deserve a good one. And good ones aren't planned overnight.” Logan smiled.

“And for your information… I was always the Barrack bunny..”

“GASSSP!! No way!! Same!”

“Yeah I figured that much… and.. As for Vanessa? We're inviting her to the wedding right?”

“Obviously. Duh.”

“.. Go ahead and kiss her after me.”

“Shut up and take orders, Wilson.”

“Really? But that’s- I don't think-”

“Yes sir!.. erm... peanut?”

“Do you still want too?....you know”

“Hm?” It was these late night talks that really made him enjoy having him around. The pressure on his chest, the gabbing, the giggles. It made him feel young again.

“Eh.. not really. 'm tired."

“Oh thank god! My stomach is killing me.” He groaned. Shifting them to lay on his side, Logan pulled him close into his chest, rubbing his stomach softly.

“Behave, Jr.” He mumbled, earning himself another laugh and a deep kiss. “Mmh..” intertwining their hands, Wade curled up against him, happy as always just to be next to him.

“...I love you..” Holding him in his arms as he said this, he felt embarrassed and almost.. nervous. As if he wouldn't say it back. But if there was anything about Wade he knew, it's that he'd never skip a beat to reciprocate affection.. something he wasn't used too.

“..How much?” Usually, he wouldn't ask such childish things. But Tonight? He might have needed it.

“I love you too, Logan. A lot.”

“I'd fight the entire world.”

“You do that anyway. More than tacos?”

“Woah there, Angelcakes! Know your place.”

They both laugh, the giggles die down, and snoring replaces the sounds.