Do I agree with his platform? Not really. Was there some cringey identity politics stuff said by his fellow speakers/guests? Absolutely. But I don’t care-this is still awesome. I remember more of The Other Wes Moore than almost anything else I read in high school, and the journey this guy went on is honestly amazing. With McCain and Bush Senior gone, this man is now one of, if not the highest ranking politicians who can actually be described as having earned their position. If nothing else, you can trust him to have integrity, and that’s more valuable than almost anything else in today’s political landscape.
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Elden ring modern AU where St. Trina & Miquella make a discord server that immediately turns terrible like most discord servers
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Hello I too am here for fae!dick it's getting me through the workweek
One of the Other things I am VERY intrigued by is Too Many Teeth. It feels a little Uncanny Valley to me. Because you see it, you know it's Wrong, but you're not entirely sure why, and even if you could explain it, who is going to believe you?
Dick has too many teeth? OK well how many teeth SHOULD he have? Maybe there are a lot of people out here knowing how many teeth one should have, but are people cracking open their mouths and letting you count them? Maybe his wisdom teeth came in weird. You don't know.
Anyway I don't know if this is in line with any folklore but Dick stealing people's teeth? Like if he whacks someone in the face and a tooth comes out, does he pick it up, dust it off, and stick it in his gums? You had your chance, it's his tooth now? It's not just Too Many Teeth, it's a collection of teeth.
Hehehe okay, some more lore time!
So line in the sand is: there is no line.
There’s no rule to the other beings. The fae creatures I grew up with did not follow any logic. They changed a bit with every retelling of the stories and every time you thought you caught a glimpse of them through the stained glass of the kitchen window they’d have some other feature you’d never heard of or seen before.
So when I say too many teeth I imagine anything from “teeth that look crammed into a human mouth” to “several rows of teeth like a shark’s” depending on what you expect to see and what the other being feels like looking to others on this fine day.
On this note, it would not be too far fetched to imagine Dick would collect teeth like a giggling magpie, only to adorn himself with them or shove them in his own gums when he feels like it.
You know, being a vigilante has the added benefit of being allowed to knock out criminals’ teeth every other night anyway. ✨
Uncanny valley indeed 🌙
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THE DICK VAN DYKE SHOW S05 E31
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Me anytime there's a scene is WBN with Eursulon's theme in the bg or his family
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Ryoshu and Rodya friendship where they sometimes sleep in each other's room when it gets too much in theirs.
When the candlelight in Ryoshu's gets too bright and suffocating with the heat and reminds her too much of the fire her daughter died in sometimes she knocks (more of. just letting herself in lmao) on Rodya's door to literally cool off.
Sometimes when Rodya's room freezes her down to the bone to the point where that she can't sleep, and the stench and sight of her dead neighbors haunts her every senses, Ryoshu gets a quiet knock on her door, and an even more surprising, a solemnly quiet Rodya outside, asking her if she can take a quick snooze here because she doesn't wanna go out and do the night watch.
Something something the only bed worth sleeping is the one right next to you (sad). Fire and ice duo. you get me riht
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It's really fucking funny living in a blue state during marijuana decriminalization bc I now have multiple doctors encouraging me to take cannabis for my chronic pain ten years after an entire childhood of being told just smoking a joint once would ruin my entire life as I descend into drugged out debauchery
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I almost didn’t catch this one @busylivinnow!
Again, I could put SO many things on this list, but I’m going to limit myself to books that made a big impression or that I’ve continued to think about over the years.
1) Great Expectations, Charles Dickens. I’ve read it at least four times and I’ve seen most of the movie adaptations (which never measure up). There’s just something about Pip, so desperate to be loved and accepted and going about it in exactly the wrong way. (Also, come on. Miss Havisham and her super toxic influence on Estella is so compelling.)
2) The Long Walk, Stephen King (originally under Richard Bachman). This one I’ve read at least a dozen times. At least. It’s very reminiscent of Shirley Jackson’s “The Lottery,” but we get a much longer, much slower descent into the consequences of that sort of system. It’s so beautifully and horribly accomplished. I don’t think I’ve ever managed to read it without crying.
3) The Things They Carried, Tim O’Brien. This is a collection of short stories about the Vietnam War, based on his own experiences. (One of several, I think. He had lots to say on this subject.) The Vietnam War is one of those historic events I find so perplexingly awful. The fact that you could sit in front of the news at night with your family waiting to see if your birthday (or your brother’s or your boyfriend’s) was called. That we sent sweet, 18-year-old boys with no life experience to die or be traumatized against their will. That’s so dark and dystopian.
4) The Road, Cormac McCarthy. Speaking of dark and dystopian, this post-apocalyptic quest story crosses my mind often. There’s a scene where he finds a coke while scavenging and lets the boy have it. Because he’s never had one before and likely never will again. Not an uncommon idea for that genre, but the execution was very good and the language of the book is highly stylized, almost like a very long poem. That scene comes back to me sometimes.
5) City of Girls, Elizabeth Gilbert. It’s got 1940s fashion, sex, the New York theater scene, and the very smart, dry humor Elizabeth Gilbert is SO good at. I’ve read this one twice so far, but I’m sure I’ll read it again.
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mariners: vibes 📈📈📈
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Hi, can i ask you why in your opinion some people consider the moors a proper character in wuthering heights? Do you think the story would have been so different if it had been set in a different location?
I've wanted to sit on this for a bit to see if I changed my opinion/reaction, because I thought of an answer instantly. I'm going to be sincere, what I thought was "because people have not read enough (good) books".
I'm not entirely sure why people consider the moors a proper character because I don't think it works as one at all. I imagine a big part of the reason why is the appeal of the aesthetic and how powerful an impact it has had culturally and even in general in the collective imaginary, but I don't think that's exclusively due to Wuthering Heights. Trying to dig more, I'd say it's because of the importance it has for the characters, emotionally, narratively and symbolically. And, digging even more, I imagine it's due to the metaphysical bond and even ontological identification between moors and characters some people read into it.
Most if not all of these characteristics are typical of significant settings in books, though. They don't necessarily confer the settings the title of "character". And, as much abstract personality as they may have, in my opinion the moors are lacking something to be comfortable calling them so. In Wuthering Heights I'd say the house itself, Wuthering Heights, feels more like a character to me than the moors. Still, I'd say even then there's a certain something missing.
As much character or importance in ambience setting Bly Manor has in The turn of the screw, I don't think one could freely say it's a character on itself; that's sort of the situation with the moors in Wuthering Heights, I think. In comparison, Comala in Pedro Páramo, Hill House in The haunting of Hill House, Macondo in One hundred years of solitude or Vetusta in La Regenta, to name a few, feel a lot more like characters. They are books in which the settings themselves feel fleshed out with care, thoroughly developed like a character, and they even read as having a certain will of their own, as actively participating in the narrative at times. The moors in Wuthering Heights don't work that way. And it's not a bad thing. They don't have to, that's not their role.
Now, on the question about whether I think the story would be so different if set in some other location... I think the answer is both yes and no? Of course the book would never have been exactly the same had it taken place somewhere else, and the heather and in general the description of wildlife and vegetation are symbolically meaningful. But also, I didn't have a clear image of what the moors were when I first read the book. I imagined something infertile, isolated and cold, but that's it, and it worked. I didn't know how the English moors were at all.
I do think the isolation aspect is necessary to make Wuthering Heights, and I'd say perhaps even the cold and generally bad weather, but it's also true in a similarish way Pedro Páramo works with a place that is very hot. Ultimately it's up to the writer, and it will work if it's well written and well waved alongside the other parts forming the book. Wuthering Heights was waved with the moors in mind specifically, and it works. Would the story in abstract be much different if set somewhere else? Not necessarily, probably not, but it wouldn't be exactly Wuthering Heights, just as it wouldn't be if one were to change any other of its characteristics.
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IT'S STAR WARS* IN THE CINEMA TIME
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I really wish some of the actresses who have voiced Disney Princesses would stop comparing their princess to the previous ones and claim how she was the "first" one to have *gasp* independence and strength *gasp*. Have they ever watched a Disney movie outside of their own?
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DICK VAN DYKE: We were like brother and sister.
MARY TYLER MOORE: We were going to play hospital.
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