#the source material of the books literally don’t have any

[fideidefenswhore]

i don’t actually mind iterations of AB where she’s ‘mean’ (…again, whatever the fuck that means in the 16c); but i really do reject portrayals where she’s completely devoid of warmth. unfortunately for me, one of them has remained #1 prestige ‘blueprint’ tudor drama since 2012 😭

[twinsarekeepers]

Reading some of the critiques of pjotv and now I know why y’all are on tumblr and not in the writer’s room 💀💀

[perseruna]

Endiness made a beautiful long post with all his quotes on that topic that I think is very informative and worth looking at, so here’s a link to that. And with that already discussed, I thought I’d make a thread of all his changes that we are aware of, because when you look into them, you find that none of his “book accurate” changes are actually book accurate. 

His decision to make Geralt grunt and cut his lines.

HC: "All the grunts, I either added or I didn't say anything and just grunted instead. It was often up to the other actors to go, 'I think he's not gonna say anything now.'"

JB: "Henry likes to cut his lines, 'cause he's lazy. No, he literally just likes to cut them. He likes to do more up here [frames his face with his hands] and just with face and hmms and grunts. There's a lot of hmms, and so I often have to take a lot of his lines and turn it into a lot of my stuff so that the plot happens."

So, as everyone who has read the books knows that Geralt is and always has been a yapper. Gerakt often talks or thinks in monologues, and definitely not in short grunts.

Of course when the audience started making fun of Geralt for not being able to speak in full sentences Henry promptly went back on admitting the blame and instead said that the big bad writers were the ones who didn't give him lines, and now it was his life’s mission to fight for a book accurate Geralt who speaks. 

Roach’s death scene

After S2 came out, Lauren received a lot of backlash for Roach’s death scene, with multiple sources citing that she wanted the moment to be more “comedic” before the brave Henry Cavill stepped in and refused to participate in such horrible anti source material activities.

LH: "Henry was so unhappy with the line. Finally I said, 'You know what, you come up with something. I trust you, you know this material so well, you know the book so well, you don't even have to pitch it to me.' And he came back the next day with a beautiful speech that's at the end of 'Sword of Destiny' when Geralt is facing death.”

This is the line he ended up using:

“Enjoy your last walk across the meadow and through the mist. Be not afraid of her for she is your friend."

This was Lauren’s response AND the original line.

LH: “Here's what was scripted, in homage of the fact that a previous Roach had existed, and another one will exist soon. It's hardly a joke. Henry wanted a longer, more emotional moment, which I was more than happy to give him. Don't create drama where none exists.”

So in S2 Geralt ends up quoting a part of his monologue from ‘Sword of Destiny’ when he’s at his lowest after thinking that Yennefer had died at the battle of Sodden Hill, and he has nothing left to live for. Which to me doesn't work that well with Roach at all. That line was a response to Geralt thinking he's lost the love of his life, not his horse. In my opinion, the original line Lauren penned out is more heartfelt and actually more emotional and more book accurate as well.

The absolute removal of any Triss and Geralt “romance”

This one we don’t have that much information on in comparison to others. But there were multiple reports that at the beginning of S2 Triss and Geralt were supposed to have some kind of a romantic scene with each other which then was cut during production, and it was largely speculated that it was due to Henry Cavill. 

“Several months ago we reported on a sex scene happening between Geralt and Triss, sometime in the first half of Season 2. That didn’t happen, as we all saw, but here’s what we know about the original plan for that: Geralt and Triss are in a room together, they seem friendly at first. They are playing some kind of weird game. Whoever wins a round, gets to ask a question. We’re not privy to the exact flow of the conversation, but it eventually leads to both of them ending up in bed. We can only guess why this was cut, but perhaps it was thanks to Henry Cavill.”

Now, irrelevantly on your feelings on book Triss and Geralt you have to admit that that short-lived “romance” is indeed a part of the books and therefor book accurate. So the removal of it would go against Mr I’m fighting to make this show as much book accurate as possible. 

The removal of the Yen and Geralt sex scene in S2

"We just wanted to be very careful that it was true and real, and it didn't turn into something that we, as actors, didn't believe it should be," Cavill stated. When Yennefer and Geralt unite, they embrace, but it doesn't go further than that. He continued: "We wanted it to be emotional rather than sexual. It was really, really important, and we had to lean away from what was originally on the page." Initially, Geralt and Yennefer were written to have a more passionate night. Henry Cavill and Anya Chalotra went to "The Witcher" producers and explained why they thought a steamy evening was not the way to go. "These are people who believe one thing about the fate of another and then find out something else is true," Cavill said about Geralt believing Yennefer was dead. "That's not how they behave," the actor added. "How they behave is they just want to be with the person and emotionally recognize their existence again in that shared space.”

This one is a bit tricky because I am willing to get behind an actor who doesn't want to do a sex scene out of comfort reasons or whatnot, but Henry saying that "That's not how [Yennefer and Geralt] behave”, is quite absurd in my opinion. Because that is very much how Geralt and Yennefer behave, especially in the short stories and ToC. They are inherently a very sexual couple who come crashing in and out of each other’s lives while having very passionate sex. But I can understand wanting this scene to be more “emotional” (as if sex isn't emotional), so this one I am willing to give him a bit more leeway on. (But then again looking at the blinds saying that he refused any sex scenes because oh his “ideals” and was allegedly really nasty to Anya about it, well..)

Geralt being the perfect father figure to Ciri with no flaws and no struggles (which inevitably snowballed into the Yen Betrayal Arc)

This one I don’t see talked that much at all, and to me this one is his most detrimental one. 

@LHissrich: “In interviews, Henry explains how he felt strongly that Geralt NOT be bumbling, nor a struggling father figure. In fact, a lot of S2 is about how Geralt does come from a loving (albeit unconventional) family. Henry was passionate about this shift, and we discussed it a lot, and ultimately thought it was wonderful for his character development. But it also had the domino effect of changing what Ciri needed from Yen when she entered the picture. Thus, introducing the idea of balance.”

So I don’t know about you, but I love when characters have flaws and naturally progress be it for good or bad, some would say that that's what story telling is about, well that someone wouldn't be Henry Cavil. Geralt being a struggling father figure at first, someone who makes mistakes and learns from them and tries is very much a prominent theme in Blood of Elves and is actually very real, people make mistakes! Especially in huge shifts such as “becoming a father overnight’ but we didn't get that because Henry refused to play it that way. What we got is Geralt who already basically knows exactly how to parent, he always knows what to say, what pep talk to give and also doesn't hold any resentment and any negative feelings towards Vesemir at all. It's all one dimensional happy family here! Which goes against not only the books but what he preached about fighting tooth and nail to make the “forgotten” male characters three-dimensional as well because the horrible feminist Lauren only thinks about female characters. 

Lauren then goes on saying that “it also had the domino effect of changing what Ciri needed from Yen when she entered the picture. Thus, introducing the idea of balance” So, it is fair to speculate that Henry’s refusal to showcase Geralt having any flaws at all and act book accurate snowballed into The Controversial Yennefer Betrayal Arc. 

These are the ones that I can remember off the top off my head, so there might be more, there’s probably more that we aren’t even aware of. I think putting them all together showcase a very interesting picture. One of Henry Cavill never actually understanding who Geralt fundamentally is as a character, and of him not being a team player at all. I just hope that more and more people are aware of the insane PR his team did for him when it came to this show, and that more people are able to see through it. 

[cherry-blossomtea]

How to make money in this godforsaken anime game because I promise it’s not hard

Tips for everyone:

Universalis is free and not against TOS because it’s a website. Use this to easily see what things are selling on your world.

You should be sending your retainers out on ventures as often as you can. Send them out on explorations to get stuff to trade in for GC seals that can be used to purchase items from the quartermaster that sell well on the Marketboard as well as More Ventures. Or just send them out directly to get stuff.

Wondrous Tales has a decent payout on top of the exp boost. It’s not a lot but it’s free. Make sure you’re saving your Gil bags tho for>>

Doman Restoration in the Doman Enclave, at max level, will net you 30k gil per week. It’s not a lot but it takes five minutes a week. Use the gil bags to easily fill out your donation basket and don’t worry about canon.

Leve quests don’t pay a LOT comparatively but they are a reliable source of income for any job.

Do ur hunts. Not because this will make you gil. But because this will save you gil. Literally just slay the elite mark that week for a couple expansions, and spend your hunt tokens on aetheryte tickets. Never spend 2000 gil teleporting from Sharlayan to Radz-At-Han again.

If you like running instanced content:

Adventurer in need bonuses are not one time only. They persist even after your daily reward has been claimed

Roll on everything. Turn that into your grand company for seals. Use seals to purchase items. Sell these items. Ta-Da

Same thing for tomestones. Go buy shit from the vendors in the small cities with your poetics, and current tomestone mats will always sell well

If you like rping

Get a job. I’m serious. Clubs are always hiring wait staff and backend folks (no ERP required). I’m sure people who are in this scene know more about it than me.

ERP pays well my guy

If you like crafting/gathering

It doesn’t matter what level you’re at. Go to your crafting log. On the left hand side is three tabs marked with a stair, a bag with a star, and a book. Click into the bag menu. Scroll down to housing. Look what you can craft. See what’s selling. Purchase what materials you don’t have so long as you make a profit. Congrats.

Send your retainers out to gather items for housing crafts. Or just the mats directly and sell those. Do a little research into what free companies use for things like airship and submersible voyages/components and farm that

If you are maxed out, remember HARM—Housing, Aethersand, Raiding supplies, intermediate Materials. It can be difficult to sell gear because of market saturation, but the materials to make gear are always in high demand, especially those tricky intermediate crafts. Selling raid food and tinctures is easy money.

Diadem. Skybuilder mats sell well. Like. REALLY well. And you can hop into the diadem with a really low level. Have fun.

Speaking of the firmament, your skybuilder scrips are basically worth a fortune. Almost everything you can exchange for skybuilders scrips sells super well on the market.

Do your custom deliveries. It really doesn’t take long. Do whatever you want with the scrips. Materia always sells well.

The end

[mysterycitrus]

Hey there, Happy New Year! Sorry if this ask seems confusing.

I've really come to enjoy your blog as someone who is kind of new to navigating the world of comics and how to read them and you seem to be one of the people that's more vocal about all the fanon and canon differences and how that damages people's perception of characters. I'm just a bit confused in what you consider to be the difference of headcanons and fanon, I know fanon is a more of something that a big number of people believe, but if someone headcanons something that isn't covered in canon, would that be "bad" or fall on the fandom category?

Hope this doesn't sound mean or anything, I'm just a bit confused

hello!! welcome to batburger!!!!

wrt fanon vs canon my issue is this — parts of comic fandom are very vocal about not engaging with the source material. deciding what fanon is “good” vs “bad” isn’t the point because im not interested in policing peoples fandom experience. however there is a point where i don’t understand what exactly some people are fans of, because what they talk about is so disconnected from the original text.

imagine meeting a hunger games fan, and when u ask about their favourite movie or book, they instead tell u that they’ve never read or seen any part of the series, exclusively read fanfiction, and then inform u that they believe president snow is peeta’s grandfather and that actually haymitch was the authoritarian mastermind behind the hunger games. that doesn’t make any sense, and has no basis in canon. it’s a very extreme hypothetical, but i wouldn’t really take what they say about the hunger games seriously. it also reminds me a bit of the hp marauders fanworks that exist almost autonomously to the books (while still containing the same issues as said books).

most fanon enjoyers (and this is particularly pervasive with batfam fans) enjoy characters and relationships that simply do not exist. that alone isn’t a problem (crackships and headcanons have existed since ye olde star trek zine days) but the issue is that these fanon interpretations are loudly asserted as being the correct way to engage with the characters. i do not believe it should be controversial to prefer characters in their canonical text, or to ask why some fanon content is taken as gospel, especially when so much of it is racialised.

this lends into a wider trend where these headcanons are respected more than canon despite often being actively reductive, accidentally demeaning, or just plain bad faith interpretations. it’s much harder to combat the racism present in conversations about damian wayne when the people in question aren’t grant morrison or judd winick or scott snyder, but instead a nebulous group of people on twitter.

flatly, i encourage people to read the source material. there are a lot of comics, but googling ‘[literally any character] reading list’ has literally never been easier. start by consuming the movies or cartoons or films or shows or the one volume graphic novels, then pinpoint what u like and start from there. people are discouraged from reading comics — and they shouldn’t be!! especially for popular characters there are very accessible starting points!! u will find characters to love with rich history and lore!!!! support queer artists and artists of colour who are actively changing the industry!!! i guarantee that the fanon version of that male character u love is actually originally from a female character with a great miniseries written by greg rucka!!!!

[inkblot22]

(PS I don’t actually know the source material for idia I just stumbled upon one of your fics while looking at FFXIV Yandere fics so sorry if this sounds OOC)

I’m not super creative but what do you think might actually be Idia’ routine with his darling? Does he fall into any routine, does it change a lot?

Have a wonderful day (and happy late bunny day!) 🫶

I actually am of the opinion that this is a very creative thought! You should give yourself more credit. I like to idealize the day to day life, but it never occurred to me that writing it down might be a good idea. On that sentiment, I think maybe Vil or even Leona would have a better day to day routine. Dividers by @/cafekitsune

Also, wow, what a pipeline, FFXIV to twst?? You've got good taste lmao welcome to my blog.

I'll put this under the cut, and I'm also not promising that this will be very good. I use the 24 hour clock. I am constantly getting told irl that American people don't do that, but I'm evil, so I'm putting the times in 24 hour clock format.

TW for mentions of noncon, coercion, captivity, someone keeping someone else awake, a hint of Idia being an asshole

+ Idia doesn't really seem like he has much of a set schedule, but Ortho absolutely does and Ortho is lowkey kind of bossy, so...

+ Yeah uh, Idia's partner is absolutely out of luck. Idia likes night gaming a lot, and he gets loud, so good luck sleeping. Idia himself goes to bed late and wakes up whenever the heck he wakes up. He could go to bed at 0300 in the morning and wake up again at 0700.

+ As his kept partner, the schedule is a little more normal, like I said. Ortho doesn't really need to sleep from what I understand, (I haven't read all of book 6, no spoilers or else I WILL temporarily block you) but it's silly to imagine that he doesn't wake up or attempt to wake up everyone else around him as early as 0600.

+ After waking up, Idia will eat breakfast. I think it'd be delivered usually since Idia and his partner are basement dwellers, one by nature and the other by force. After breakfast begins work...

+ Or procrastination. Idia flip flops between extreme focus on what he should be doing and what he should not be doing. He manages to get his schoolwork done, but more often than not, he's asking his partner to cuddle up and watch a movie, drama, or his fingers flying across the keyboard. Idia will not ask them to cuddle if he is doing schoolwork or virtually attending classes.

+ I like to think that he smells smoky, on account of the flaming hair, and he runs hot, so prepare to SWEAT. In the case his partner doesn't really want to hang out with him, he will usually sulk and only occasionally get upset to the point of doing something about it.

+ I don't think he showers every day. I think he's an every other day type of showerer, based solely on him not being particularly active. This means that his partner doesn't have to run on his showering schedule and gets extra hot water on Mondays, Wednesdays, and Fridays.

+ By the way, in the case that Idia's darling ever gets peckish, Idia has a snack stash that he proudly pulled out and showed them as soon as they were allowed to wander a bit. I figure they get hungry some time around 1400, especially if Idia is also eating at that time.

+ I think his metabolism is fast, but also a bit odd. He is a young person, and therefore he strikes me as the type to get randomly hungry. If asked very nicely (and with the promise of physical affection in some form) he'd be incredibly willing to make his partner something to munch on when he makes his own.

+ Despite Idia's partner being literally held captive in his room, with all his suspicious items and, worst of all, himself, Idia is about as respectful as a kidnapper can be about demanding sex. He doesn't like to be physically forceful about it, and he often will just jerk off in the bathroom.

+ The reason for this is very simple: If Ortho ever saw Idia having sex with ANYONE, Idia would spontaneously combust. Well, obviously he doesn't know that for certain, but it's a theory that he is not willing to test. He won't even talk about his preferences around his little brother.

+ As far as I'm aware, most people in captive situations do not tend to ask their kidnapper to fuck them unless they're being threatened in some way, but Idia's partner isn't typically being threatened (ignore the shock collar,) so they never ask Idia to have sex.

+ This does not stop Idia from being a whiny bitch about not having sex enough as soon as Ortho is gone for a few hours. The close quarters and sudden advent of a human being who he doesn't mind touching him is a big thing for Idia.

+ Ortho goes on "walks" in a sort of unusual schedule. That is to say that he doesn't have a schedule. If something needs to be picked up, he's tired of Idia not listening to him, he has his own stuff to do, or he just feels like it, Ortho will go out, sharing his location with Idia. From there, Idia will typically calculate how long it'd take Ortho to get back paired with whatever Ortho said he was going to do before he left, and see if he can squeeze in some coerced touching.

+ So. Good luck, Idia's partner. Idia will make a big stink until he gets bored or his partner gives in. His partner usually gives in, based on fear of what he might do alone.

+ Bedtime is somewhat randomized. If Ortho was out, when he comes back and it's any time after 2000, he will very subtly try to get Idia and his partner to start winding down. If both or one ignores him, he'll start getting upset.

+ Like I said, Ortho is kinda bossy. He will nag someone, and the worst part is that he's usually got their best interest in mind.

+On the off chance that Idia decides to go to bed at a decent time, he curls up behind his partner. He runs hot and smells smoky, and at some times it's not the worst thing. Some times.

+ By the way, a lot of this flies out the window in the event that Idia decides to attend classes in person. This is rare, so don't expect it to happen often, but it's not as good as it could be. Ortho goes with him and he locks up any way to reach the outside world, so all his partner has to entertain themselves is his manga collection, or the fun pastime of destruction of property. (This is a very bad idea, and I can expand on punishments later.)

+ In Idia's partner's case, every day is much of the same but just a little different, which makes it hard to keep track of time. The fact that Idia prefers low lighting and no natural light doesn't help this whatsoever.

[arliedraws]

In the books, Sirius's devotion to Harry is of course very deep, but it never translates to something physical. He only shakes Harry's end when he leaves his bedside in book 4, and in book 5 there is something resembling a hug, like twice...? As a dog he stood up his hind legs and front paws on harry's shoulders and a half hug after Christmas. Idk it sort of drives me crazy, because in the movies Harry and Sirius are so affectionate! That first hug when Harry arrives in Grimmauld!! Gary and Dan had an amazing chemistry that other actors were jealous of, they mirrored the book characters, so it palpable on screen, the few scenes Gary is in at all at least.

So, what do you make of this? Do you in musing for art imagine a more affectionate relationship between Harry and Sirius? Maybe if Sirius survived the war? Molly's hug in book 4 was a poignant moment but imo that should have been a moment between Sirius and Harry. Sirius already says he expected something catastrophic to happen to Harry in the third task, that's what he stutters when Harry comes in with Dumblebore. So he is literally afraid of his godsons life and it still shows of course, Sirius staying at Harry's side was very beautifully written, like the devotion is clear, but I am foaming at the mouth for more affection between them in canon? Platonic, not shipping. So between the movies and the books Im just kinda torn what's better

It's more a rant than an ask, sorry lol, but if you have any input I'd he so stoked to read it. Not many peeps in the fandom even give Sirius and Harry any time of day, nvrmind even understand what they had (which also drives me kinda nuts but ok)

Ohhhh, anon, you’ve come to the right spot! Mostly because I love them. I would say that 80% of my fandom interest is just Sirius being a dad to Harry.

To your question, I don’t think one is better than the other. Each has their purpose. Let me share my thoughts:

1. I am soft for movie Sirius and Harry’s affectionate touching. However. The dynamics of their relationship were NOT mirrored from the books, which…is fine. Honestly, I just don’t think it was a priority for the filmmakers. This particular bit doesn’t bother me because the movies are not supposed to replace the source material—they are an interpretation. To me, watching the movies is like reading fic—fun to watch but not canon. Also, the filmmakers removed so much of their relationship in GoF that they HAD to make Sirius and Harry physically affectionate in order for movie audiences to see what losing Sirius would mean to Harry. Their complexity is completely unexplored in the films, and they had to do SOMETHING to get the audience to feel sad when Sirius died. This started in PoA when they really downplayed the context of their relationship. (Lol, see my rant on PoA. I really don’t like that movie hahahahaha.)

2. In the books, Harry and Sirius are not physically affectionate with each other despite their intense love for each other, and I think this is an effective way to show characterization. As I tell my students, this might have been intentional by the author, but it could have been an instinct that she followed (what feels right for the characters).

Here’s what I think: both are so terrified of losing the other that they won’t allow themselves to get too close, and, crucially, they both fear showing vulnerability. Touching someone and reaching out for a hug or comfort is an extremely vulnerable thing to do. If you reach out for a hug, you are showing your true feelings. To be rejected physically is sometimes more devastating than someone telling you to just “go away.” It’s a sign of trust to touch someone—you are trusting that they feel the same way about you, and you are trusting that they won’t pull away. Both Sirius and Harry understand rejection, and both avoid it. How do you avoid rejection? You distance yourself.

I’ll put the rest under a cut because I think this might get long…

Sirius and Harry, for all that they love each other, fall out of trusting each other by OotP. Part of this is trauma, but it is also miscommunication. Harry is worried that Sirius will do something stupid—either out of concern for Harry or because he wants to get out of number 12–but he’s worried he’ll lose Sirius. So by withholding affection (which I’m not sure if he knows how to give physically), Harry distances himself from Sirius which will, theoretically, keep Sirius safe (of course, it backfires). Sirius is…you know…going through stuff in OotP. He is already vulnerable—he perceives himself as being emasculated because he’s not allowed to leave his childhood home and he’s relegated to performing ‘uninteresting, domestic work’, and he must be inactive when he’s a man OF action.

When it comes to Goblet of Fire and the odd handshake… I think Sirius is reeeeeally holding back. Harry does NOT want him to go, and Sirius knows this. (Why DOES Dumbledore send him away? Literally anyone else could have “alerted the old crowd” and NOT the convicted murderer. This is clearly the author’s excuse to get Sirius away from Harry—and, I’ve spoken to this before, Sirius is too much of a miracle character—too smart, too loyal, too loving to support the story that the author wanted to tell.) Sirius, if he had stayed, would have been the emotional support that Harry needed. So if Sirius holds Harry, what if Harry doesn’t let go? What if Sirius himself can’t let go? A handshake will have to do.

So Sirius leaves Harry with that bizarre handshake. That Sirius leaves at all damages their relationship—it could have been repaired with time (if they’d been allowed time), but this moment makes Harry realize that he cannot rely on anyone, not even Sirius. This leaves Harry to be isolated in OotP, and it leaves him to feel like he cannot trust anyone. I’m not blaming Sirius for leaving, but I believe this action causes a rift between them that carries into the next book.

My point is, I HATE that they don’t touch but it is very important that they don’t, at least when it comes to the story that the author wanted to tell. I think it was the right move when we look at the story as a whole. Do I like it? NO! But it’s interesting, and it DOES feel right for them. Is it devastating? Yes!!!!!!!

TL;DR: I don’t think either interpretation is necessarily better than the other, but they both have their purpose. Both are effective!

Touch is…huge in HP. Consider Voldemort’s “I can touch him now” and causing Harry pain. Touch is a privilege, and to be touched without permission is a violation. Harry kills someone by touching them. He is only touched by his family when Dudley beats him up or he gets shoved in his cupboard.

Weirdly, one of my absolutely favorite moments when Sirius and Harry touch is in PoA when the Dementors are closing in on Sirius, Harry, and Hermione, and Harry, as he’s about to faint, reaches out to grab an unconscious Sirius by the arm, thinking something along the lines of “the dementors weren’t going to take him” and such. And this is about two seconds after Harry has accepted that Sirius is telling the truth! Harry physically tethers Sirius to him—this touch-starved teen reaches out to this man who is now everything to him, who is now his only real family, willing to risk death (or worse) to keep it. BUT THEY JUST MET!!!!! Devastating!!!

Also…another thought: the first time Sirius and Harry touch is the first time Sirius has been touched as a human in twelve years. And Harry is beating the absolute shit out of him…and then Sirius nearly strangles him…

Also, also, not to like…self-promote, but if you want some Sirius & Harry family feelings and a wee bit of affectionate touching, I wrote a one-shot where they talk about their feelings in OotP.

Anyway, this got longer than I thought. Thank you for the prompt!!

[procrastinatingsoicanreadfanfics]

How would Vikings react to Ivar being remembered?

summary: it's in the title :)

notes: no warnings except for maybe mentions of death

tagged: @majesticwren @obsessiveformiyatwins @levithestripper @cookielovesbook-akie @leithdragon @demon-of-the-ancient-world @alicedopey, @ivarlover @batmandallyboy @akayxo09 @vrtualfairy @esme-viridian (hmu to be added/removed!)

masterlist | based on this request

Ragnar

Pretends he always knew (eugh he’s such a bitch ong)

Nooo I would never set my son out in the wild… meeee? No wayyy…

He takes credit for it for his ‘great parenting’ and ‘legend genetics’

If Ivar had any legend genetics, they came from aslaug

Aslaug

Proudest mom out there, acts like a soccer/pta mom when she hears

Aslaug actually always knew

She quotes her prophetic dreams from like, 853 AD?

“I knew since I was five years old.” (truth)

Lagertha

Okay? Who cares? What about Bjorn?

Totally not pissed that he may be more famous than she is (lie)

Defo sulks about it to torvi and then kills someone important to expand her own legacy

She’s in the fame biz

Bjorn

Bro throws a toddler tantrum

He will literally stomp the ground

“That’s not fair, I discovered the Mediterranean!!” (he says that in the stupid tone he gets in the later seasons)

So so bitter about it (he deserves that)

Ubbe

Ubbe’s smoking weed in America with Floki

He does not care

“That’s just bad taste from people from the future. Me personally? I’d admire the person who found a continent. Idk, that’s just me though.”

Gets over it the fastest

Literally just thinks that it’s so dumb of modern people bc Ivar is a silly little guy with anger issues

Hvitserk

Similar reaction to Ubbe, except he doesn’t have to get over anything

Just kinda shrugs, he’s too busy worrying about his own legacy

What’s he in the history books for? His cuisine skills?

Yeah, bro’s kinda busy managing his own shit and trying to stay alive

Sigurd

Don’t tell him

For your own safety

Will kill you and then himself

Ivar

Don’t tell him either

Never lets anyone hear the end of it

So so so annoying for a silly little guy

He just loves and hates himself so much that, at the same time, he so needs to hear this and also never, ever hear this ever at all

Floki

Floki is the same as Aslaug, he KNEW

Also, he takes credit for raising ivar and being a father figure (fair enough)

He’s a teeny tiny bit sad that ivar was friends (in a weird homosexual way) with Alfred though (kind of, and this only applies if we’re talking about tv show Vikings)

Honestly, Floki would be such a good source to add to the material we have of ivar

Ecbert

So mad he didn’t have a bigger impact on ivar

Also so mad that all the kids around him have such big legacies (Alfred, ivar) but not him??

He wants to get mentioned!! Footnotes aren’t enough!! He needs to be the main character, always.

Gets sad drunk over it way too long

[middle-earth-mythopoeia]

The latest bad take on Amazon’s Rings of Power is, “Rings of Power doesn’t contradict Tolkien’s canon, because there is no such thing as canon.”

I’ve seen more and more Rings of Power fans claiming that the show doesn’t go against canon because there are different versions of canon anyway, between The Silmarillion and the History of Middle-earth, and The Silmarillion wasn’t published by Tolkien, but by his son. They’re basically saying, “Canon? What canon?” And I just... No. The idea that “the show doesn’t go against canon because canon is so wishy-washy anyway” is SUCH a false argument to make.

Yes, Christopher Tolkien edited and published The Silmarillion after his father’s death. And yes, there are multiple conflicting versions of stories in The Silmarillion and HoMe. But that doesn’t mean there’s no such thing as being faithful to Tolkien’s stories. A lot of the choices Amazon has made in the show are completely wrong and would be wrong in any Tolkien adaptation.

The characterizations are totally off base. For heaven’s sake, hobbits wouldn’t abandon their own people on a journey. Elrond wouldn’t swear an oath like that. And the Númenoreans don’t hate Elves because Elves are stealing their jobs, they envy them for their immortality—it’s kind of the main theme of the Akallabêth. And, in the show, Galadriel—whose people were literally victims of the First Kinslaying—tries to steal a boat??? I mean, hello??????? Amazon hasn’t even tried to stay faithful Tolkien’s characterizations. Yes, adaptations usually take liberties with the source material, but holy shit.

And the very framing of fundamental issues is completely wrong. In the show, going to Valinor is portrayed as some sort of reward for valor in battle, which is not how it works in Tolkien’s books. The show also compressed the entire Second Age into a much shorter span of time, which is absurd and completely goes against what Tolkien wrote. The show glosses over the First Kinslaying, of course (I know it’s because they don’t have the rights, but it’s still their fault for mangling the story and themes), which makes it seem like the return of the Noldor to Middle-earth was some sort of righteous war, and it wasn’t. The list goes on and on.

And they can’t get basic details right, either. Obviously, the short-haired Elves are one example of this; so is the emblem that resembles a Fëanorian star on Galadriel’s armor. And it’s astounding how poorly the showrunners seem to understand the nuances of Tolkien’s names and constructed languages.

Tolkien was a linguist, and the languages he invented were extremely important to him and to his stories. So what did Amazon do? They completely ignored the internal logic of Tolkien’s secondary world. In The Silmarillion, Ar-Pharazôn banned Quenya in Númenor—but Amazon’s version of the character names his son a Quenya name. In the show, characters call Galadriel “Galadriel” even in Valinor, despite it being a Sindarin name given to her by her husband, Celeborn. It is anachronistic and inaccurate to refer to her by that name before Celeborn gives it to her, especially during the Years of the Trees when she didn’t even speak Sindarin. The show also gave one of the hobbits a Dwarven name, Nori, for no apparent reason. There are many more examples like this.

Amazon has also invented some things out of thin air that have no basis in Tolkien’s works at all. I understand that they had to invent original characters and storylines for this show. Inventing original characters could, in theory, work alongside canon instead of contradicting it, even though those characters aren’t found in Tolkien’s books. But mithril containing the light of a silmaril? What? And what’s with that weird bit where Amazon Elrond and Amazon Celebrimbor are talking about the silmarils and they say Morgoth cried when he looked at them and almost repented??? What the hell??? It makes no sense.

This is by no means an exhaustive list. The people who created this show have many many, many choices that completely fly in the face of Tolkien’s characterizations, worldbuilding, languages, and themes. (I haven’t watched Rings of Power and I don’t intend to, but this information is widely available if you read reviews and episode synopses.)

The show is also poorly written and ugly to look at, but that’s beside the point. The point of this post is just to say that no, just because there are multiple, conflicting versions of canon in The Silmarillion and HoMe doesn’t mean Amazon gets free reign to trample all over Tolkien’s stories. There is such a thing as making a faithful Tolkien adaptation, and this isn’t it.

[maryonaccross]

I want to dedicate this post to the top five most brain dead, brain cell killing lines TB characters have said in season one that  meant literally nothing coming from the characters that said them and have been interpreted as “wow slay they’re so smart” moments by their fans for reasons that are beyond me. The vast majority of them don’t even require an explanation.

First up we have:

“And yet you toil still in service to men” - Rhaenys Targaryen

(wow, we all lost a lot of respect for you there Rhaenys’. The second hand embarrassment was very uncomfortable)

Followed closely by:

“ And now they see you as you are” -Rhaenyra Targaryen

again, meant absolutely nothing

“ that whore of a queen killed my brother and stole his throne”- Daemon Targaryen

Daemon, sweetie, do you need a kitkat? Are you ok? What on earth are you even alluding to???? Is your vocabulary so limited that you cannot come up with a word other than whore to describe women you don’t like??

Next up we have:

“ it doesn’t matter what they want” -Rhaenyra Targaryen

Rhaenyra you feminist girlboss queen.

And:

“ You are the dragon, your word is law”- Daemon Targaryen

lmao, and you wonder why he couldn’t hold a single small council position? This is exactly where the intellectual gap between him and Otto becomes a very apparent.  I’m not an Otto fan but he is a person who seriously understands politics and achieved something in life while Daemon is a man child nepobaby that failed at every responsibility was assigned to him ( organizing a police brutality event and running amok on civilians being one example of that ) 

I’m serious, these two, Daemon and Rhaenyra, are the ones that are going to bring back the glory of old Valyria? 

(Adding to that, not really a sixth thing because it hasn’t been hyped by TB fans as much as the others but remember Jace also saying “ it doesn’t matter what they think” in regards to him and his brothers being bastards. People’s prince…? I’d rethink that )

I swear to God, anytime I see edits starting with any of these lines I burst out laughing. 

It’s honestly sad to think about how house of the dragon is a real show that cost a hell of a lot of money to make. The actors are fantastic and the costume designers, set designers etc. are doing a really good job but like… actual writers actually sat down and wrote that script and these lines. And they didn’t even have that much to do considering they had the book as source material so they didn’t come up with any of the major plot points. I might make a separate post about this but all they had to do was alter a few characters if they want to and give them believable motivations. And I cannot think of a single character in this show that has actual reasons to be doing what they are doing and whose plans and motivations stay consistent throughout the show (take Rhaenyra, Alicent, and the Velaryons for example)

[in-flvx]

that sirius crossword post is what happens when ppl don’t read the source material, just atyd. lol.

I wish I could agree with you lol. But I have actually read both the source material and atyd and neither implies that Sirius is actually illiterate or stupid.

We know that in Canon Sirius is so great at solving puzzles that he sees a rat with just 9 fingers, manages to break out of azkaban and into hogwarts multiple times, and then is able to be on the lam for two full years, while also helping Harry solving the triwizard tournament, and the plot of voldy. While being a dog for most of his time, the last time of him being part of a society being 13 years earlier. And after 11-ish years in the torture prison of hell.

But even atyd Sirius isn't this stupid. His and Remus' friendship largely builds on Sirius reading their school books to Remus in the first year or two. Bc Remus has dyslexia. Which translates to being basically illiterate in the 60s and 70s. Which the author explains both in the text and in the notes. But after that sirius actually makes up his own personal spell that reads out loud what your eyes are seeing. Which he does solely for Remus' benefit. So he's neither illiterate nor disinterested in puzzles. He also still becomes an animagus on his own. Now, I'm not sure if this is Canon to atyd or to the sirius pov of it I read, but his later hatred of learning and spending time at the library can be attributed to his being literally tortured by both his parents in their family library.

So. As much as I'd like to blame atyd for this fanon version of Sirius, I sadly can't. That being said, it's definitely a result of an echo chamber in which jokes get taken as Canon to either of these works, and then built upon, all the while flanderizing Sirius more and more to the point of becoming entirely unrecognizable in any way other than his name

[mostlymaudlin]

not responding directly to that post abt Neil’s demisexuality bc i have no ill will toward op or anyone reblogging it but also I have thoughts. it’s a very slippery slope to put rules on what’s ooc or not in fanworks. its nice to be able to see ourselves in characters and it’s totally fair to not enjoy portrayals of said characters that we disagree with. but when we find a connection with the source material, then imo that’s the end of where we get to claim any type of ownership of a character — fanfiction is the wild west and there’s no point in introducing morality to it when so much exists and it all caters to different audiences. to me, “ooc” is not a real thing, because every fic writer is going to portray the characters different than the source author does, because that’s how art works. so if people want to make neil more sexual in fanworks then that’s their right — we have the power to grimace and close the tab when we find fic we don’t like. it just means it’s not for us. but it’s not inherently wrong. esp with neil, his backstory and relationship to sexuality are so complex. he literally avoids thinking abt it at all in the books except for what’s happening right in front of him with andrew. there’s actually so much wiggle room! like, he literally says allison is “hot but off limits” at one point before spiraling into thoughts abt his mom — im not at all saying this proves he’s not ace/demi, or that he’s attracted to allison, but there’s lots of ways to interpret that. and there’s plenty of things about neil that people might connect with beyond sexuality — like, that’s not the only reason to be writing about him. fic writers might be more focused on exploring other aspects his character and that’s their right. and ofc worth mentioning that the aspec experience is soooooo vast like for me, i am aspec but if i vibed w someone even on a platonic level right away and they wanted to, i might smash bc im sex-neutral & it could be fun even if I’ve got a different relationship to attraction/arousal.

ANYWAY fanfiction is a contribution to a community, but individual works are not community-owned… we’re free to dislike anything, but i think it sets us all up for failure to make claims abt what’s a right or wrong way to portray characters in fic

[charmac]

They’re not allowed to read fanfic? Darn, I kind of assumed Rob found your Twitter handle from reading your fic since he didn’t seem to do anything else on twitter when he followed you

So it comes down to the basic idea of copyright. It’s not illegal or technically even banned, but since RCG are creators, writers, producers, etc. on Sunny and not just actors, it’s really a dicey area for them.

The copyright laws/legality of fanfiction is actually really interesting, there’s a long, messy modern history of fighting for the right to publish and protect fanfiction from studios and/or creators claiming copyright infringement. This use to be a huge issue where authors would send cease and desists to websites like Fanfiction.net to take down all fanfiction of their work. OTW (Ao3) kind of spearheaded the right for fanfiction to exist apart from what it's derived from. The T standing for Transformative argues that because fanworks ‘transform’ the content they are based off, they are exempt from copyright law, as long as there’s no profit. So we cannot find ourselves in legal trouble for publishing fanfiction. As long as it's transformative (aka you're not just republishing source material), it's new/original content.

So that means fanfiction kinda has its own protections in return. As long as you're not profiting off of your work, you have a right to claim that your fanfiction and the ideas that are new/original belong to you. Which means if there is ever any proof that a creator read your work and then a later episode (or sequel, book, etc.) reflected anything you wrote that was not already in the source material prior to that, it can get very messy, in that there may be grounds for you to claim they profited off of your work. So most creators (writers especially) avoid reading fan works.

You can see why for a show like Sunny they might be especially careful reading anything, since there’s so much you can do in that show. If RCG have an idea for something as simple as The Gang Goes Camping, for example, but they’ve previously seen or read a fan work that hit that plot they’d be pretty inclined to never make the episode.

The basic idea being that you don’t want to hinder what you can in good conscience, with no legal issues, write, so you avoid fanworks all together.

I'll give you an example based on what happened with Charlie: he was in public and surrounded by fans and one fan hands him his spec script, or plot idea for an episode. If he had read it, all of a sudden whatever was on that paper becomes a legally grey issue in the writers room. If they liked the plot idea or dialogue (or whatever was on that paper) and end up using something in an actual episode, what claim does the fan now have? Everyone at the event could potentially tell you that this fan contributed to the show, so it's best not to read it. Don't risk ruling out a plot line you may have wanted, don't risk accidentally stealing from a fan, don't risk the show ending up in a legal battle.

Also, first anon: I still don't know why or have any solid proof as to how Rob found my account, but at the time he followed me I did have a 5hr old Tweet with ~15k likes reposting one of his TikToks and calling him the cringiest person alive. I didn't tag him or name him, he didn't like it, or interact with it or any of the replies or literally any other Tweet that day, but I have to imagine he saw it and that's why he followed me. Degradation kink overrules everything else.

[sunscreenstudies]

Iconic Things My Coding Professors Have Said (Part 12)

"real data is always messier than data you get in textbooks, but thats true about real life and fiction books too"

Prof: "does any group want to go first? no? anyone?"    Student: "we dont care"   Prof: "oh... okay… does any group care?"

"this is very common, uh, draco and harry slash fiction. does anyone know what the slash means? no? really? that’s alright, i bet you do but i won't embarass you by making anyone say it, so i'll say it instead. Draco and harry have a lot of gay sex... that's not something i ever thought i'd say as a professor to a room full of students in a professional, academic environment, but this is where we are"

"This model requried a lot of input from a lot of people, and, as you probably know, people suck"

"but for what? i mean i know that they want to make a lot of money, and they don't really care who's exploited to make a profit, but i doubt they want to destroy the world… not yet, anyway"

"we asked for ages for this company to make their book open source but they always kept refusing us… and now they're not around anymore. But no hard feelings"

"of course, if you say you're investing time in something, you're not literally investing anything material. Humans understand this, but stupid computers do not"

Prof: "Wait, why is marie kondo listed as fiction?"   Student: "so's the bible"   Prof: "oh boy, let's not get into THAT"

"I absolutely adore this book, so if you're expecting any sort of objectivity from me… uh, yeah, you're not gonna get it"

"i won't be able to explain it in five mintues, but if you do ever have some time… probably not until after this entire masters course, but if you do ever have some time-"

"one character who dramatically loses popularity in fanfiction, is, of course, hagrid, which is probably because he isn't suitable for a sexual encounter with another character, gay or otherwise"

"journalist texts use registers other than those used in text messages or emails or even letters, if you remember what those are, or snapchats or instabooks-"

"As for the others, we expect you to actually collaborate with each other - and yes, i know, we're computer scientists so that sounds horrible, but just deal with it"

Prof1: "how many of you have reviewed a book online? One? Two? Two people. Anyone else?"   Prof2: "I wrote a few fake reviews online for my own books, if that counts"

"For this evaluation we need to use humans, and as you know, humans are what? Yes! Too expensive. Not that I've tried to buy one of course - they seem like far too much trouble, to be honest"

"It's only advantage is that it doesn't need human intervention, such as annotation, and thats good because annotation sucks, as we all know. It’s quite similar to people in that way"

Prof: "This book only became popular because the author was a celebrity, so thats why i think this book is there"   Student: "but what about ‘Great Expectations’? by Charles Dickens?"   Prof: "well… i mean he's not an internet celebrity"

"you can see that the centrality of harry has dropped but draco has increased, because in fanfiction, draco is a very common character because of, obviously, the afformented gay sex"

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8

Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14

[mitziholder]

do you feel as negatively about lesbians writing F/F fanfic as you do about the state of fanfic / how women engage with fanfic overall?

that is a fair question. fujos and (het) self-inserters are an easy target because they’re the majority of fic writers, and since most of everything is bad, there is naturally going to be a lot of really really bad man-centric fic. it’s easy to complain about them because of that. I’m sure there is also a lot of really terribly written f/f content too, very little of which touches on anything I’m actually interested in reading about. do I believe it’s literally impossible to write anything of value if you’re using other people’s characters? no, that would be absurd. but I’ll quote myself from an older, deleted blog:

“I just find it weird how fanfic, generally speaking, has homogenized to the point that in nearly every single fandom for every single book, movie, show, every genre and every medium, all have basically the same stories with the same plots and tropes no matter where you look. if you check every fandom it will be heavily weighted toward m/m, slash, yaoi, whatever the term is nowadays… and for the most part, even if explicit fic is a minority within the fandom itself, the most popular fic will always be porn or long fic that includes porn.”

“…it seems to always, in my experience, utilize a terribly pedestrian narrative style. combine that with shared tropes and source materials and the majority of fanfic has you reading the same things over and over with little variation other than maybe a different perspective. I can count on one hand the number of fics that have impressed me with experimentation! the vast majority are just… blah. blah blah. these two characters have sex. these two characters pine for each other for a really long time and then have sex.”

those posts were written a few years ago, but they’re still true. and the reasons for that are fairly simple: fanfic is, by its very nature, derivative, and the barrier to entry (publishing) is extremely low, making it easy for children + less skilled writers to throw their hats in. in addition, there is a strong, decades-old taboo against “unsolicited concrit,” which is expressed as “don’t like, don’t read.”

when you put all of these things together, what you get is a community that is A) very repetitive and B) very averse to challenging itself. that is not the recipe for genuine and raw artistic expression. it’s mass-produced unedited shit from people chasing the high of their favorite tropes. they are not interested in improving.

you have people who will admit to reading nothing but fanfic! and the people who read nothing but fanfic will go on to write more fanfic, at which point the cycle of degradation is unavoidable, because all they want is more of what fanfic offers: predictable, clearly labeled content made according to a formula that has been perfected for the broadest appeal + max kudos.

fanfic readers love tropes. they live for tropes. their “plotting” (lol), their dialogue, their characters and character dynamics are saturated with tropes. that’s why YA literature is starting to market itself on the basis of tropes - they sell! little soundbites. easy money. because fanfic readers are generally not interested in anything that might surprise them. they don’t like risk. that’s why they’re reading the same shit about the same characters over and over and over again. and these tropes, which are picked from and regurgitated into fic after fic after fic, become further and further removed from any genuine expression of human emotion. they become abstract. nonsensical. for the most part, fetish fodder. and if that is the only thing you’re reading……. It’s literally over🙁

because most fanfic is about sex or romance, because most fanfic is written by women, and because most women are heterosexual, f/f content is considerably rarer than the alternatives. writing about women does marginally broaden the scope of what fanfic is interested in/capable of exploring, but it doesn’t solve the main, underlying problem of what fanfic is and how people (mostly women) engage with it.

are there some good lesbian fanfics out there? probably! but that isn’t the norm. is it the end of the world if you read fanfic? no! but also read real books and write something original please.

[hsvh-hp]

Hi! Thanks for all the responses -- I hadn't realized how many chapters I'd gotten through since your last round until I saw the emails lmao

I was wondering, in regards to this:

And omg, I totally feel you on being a trans person in the HP fandom. It's very weird how my tumblr dash is set up. I have mutuals still from old fandoms who are queer, and I feel so ostracized from them at times when they toe the line of 'anybody in the HP fandom supports JKR, you're a bad person if you're still engaging with it'. I'll spare you the essay on why I disagree with that, but oddly the safest place I feel on the internet as a trans person is in the HP fandom. Which is weird at face value, I suppose, given what JKR is doing, but we really are separate from her. I've yet to see substantial evidence that fandom, which is infamous for generating zero revenue, is floating trans peoples' demise. It's just a thought crime, I guess.

if you would, perhaps, not spare me the essay? lol

I feel the same sort of ostracization which is especially frustrating when I am in such "thought crimes are fake!" circles, and I'm interested in your perspective, if you want to give it!

Sure, I’ll offer my perspective on it! This is probably best broken down into bullet points:

1. JKR was already a billionaire before she came out as a TERF.

There is nothing in the world that will change this status. Even if every single person currently engaging with her various IPs immediately dropped them, JKR would still have a billion plus dollars to drop on anti-trans movements and whatever. A billion dollars is immensely difficult to picture. The easiest way is to think like this: if you make $50,000 a year, the equivalent of her dropping $75,000 the other day is you spending $3.75. How often do you spend 0.0075% of your income and give it any thought? JKR’s wealth is not directly tied to ‘levels of fandom engagement’.

Which leads to…

2. Boycotts don’t work.

Sorry. They don’t. Not against someone this politically powerful. If they did, the flood of people out of the HP fandom in 2020 would have had a measurable effect. What did have a measurable effect? People not going to watch the Fantastic Beast movies (because they were hot trash lmao). Not giving JKR any more money works in the sense that it cripples her future projects, but it has zero effect on what’s already in her purse.

Also, think of boycotts this way: wasn’t it hilarious watching conservatives try to boycott the Barbie movie, Nike, Bud Light, and whatever else they’ve systematically locked on to? But so then why do progressives/the left/whoever think it’s going to work the other way? Like with Hogwarts Legacy? Just don’t interact with the media, dude. And if you do, pirate it.

3. Fandom is not mainstream. I have never seen any data to substantiate that participating in a fandom directly correlates to dollars for the IP. Copyright literally prevents that from happening. To bring up to popular saying, “there is no ethical consumption under capitalism”, fandom exists outside of capitalism—for me, at least, as a fan fiction writer. This is a hobby to me. I have never seen a red cent for any of the hours of work I’ve put into my fics.

And I can probably guarantee that no one has stumbled upon Harry Potter through me, lol. They didn’t read one of my fics and go, ‘you know, I should check out what source material this is coming from’. Harry Potter is so well-known that there’s no way they came in blind.

Also, the TERF discourse is very much an online thing. I work retail irl and I’ve had conversations with customers who’ll say “you know, I really don’t get all this hubbub against trans people” but are too boomer to be anything more than tangentially aware that Harry Potter is a Thing. Like, ‘oh yeah, my kids read those books when they were coming out, but I never bothered’. One of my employees bought a set of the HP books because they were on a wicked deal at Costco, and when we were discussing it I told her that while I still enjoyed HP, I wasn’t comfortable giving JKR more money because she’s extremely transphobic and donates a lot of money to anti-trans causes. My employee was horrified and said that had she known that, she wouldn’t have bought the books. Lots of people just don’t know!

Which takes me to…

4. This type of online activism isn’t effective.

I’m talking specifically about being anti-Harry Potter or anti-JKR. Falling into those two categories does not automatically make you pro-trans. This was pretty blatantly obvious back when the books were being burned for promoting witchcraft. As far as fighting for trans peoples’ rights, screaming until you’re blue in the face about how anybody who engages with Harry Potter is a traitor and JKR BAD is wasting time better spent doing something productive - something that could actually benefit trans people rather than…I don’t know…virtue signalling that their blog or twitter account is a safe space?

5. I personally do not feel welcomed or vouched for by these people.

Listen, I’m going to break myself down into all my stupid little categories. I’m trans. Autistic. Intersex. Aromantic. Asexual. Basically, all the things that people love to try and cast out of the queer community, whether that means they’re trying to split LGBTQIA+ at the T or Q.

The anti-Harry Potter stuff, as far as attacking the fandom, feels like the latest strain of purity politics to me. As I’ve laid out above, abandoning HP will not right the wrongs of JKR in any measurable or tangible way. Boycotts don’t work. Fandom does not feed JKR’s coffers, and destroying the fandom will not cripple her. There are trans people inside the HP fandom, and what of us? Are we traitors? Are we not ‘really’ trans, because obviously we don’t care about the current political climate? Are we just confused and need to be enlightened as to what harm we’re doing? Where have I heard this rhetoric before?

One small thing, tangentially related:

6. I don’t care what JKR says about how engaging with Harry Potter tells her about who her ‘supporters’ are.

Seriously? She’s a lying dirtbag, and I’m just supposed to take her word on this? This is the one thing she just so happens to be right about?

When she started spouting TERF shit, I was really saddened by the writers who, upon leaving the fandom, also deleted their works in protest. Seeing as the majority of the HP fandom is queer, I’m sure that JKR was very pleased with the amount of queer media erasure that occurred. Why did we do that for her?

7. I believe JKR actually seethes and malds over the prospect of her fandom being queer and producing queer content.

As a writer, there’s a special kind of pain that comes from someone not quite interpreting your work the way you would have wanted them to. What do you think JKR’s first reaction was when she first learned about the Harry/Draco ship? The Draco/Hermione ship? If she didn’t live in a stone castle, I bet she would’ve punched a hole in the wall.

So, yeah. Transing and gaying all of her characters is a pretty nice way to get to her in a way that she can’t legally or financially retaliate. Every time she screams ‘WHY ARE YOU STILL HERE?!’ at the queer people in her fandom, a trans person’s crops are watered.

8. The HP setting is very welcoming to trans people.

Potions exist that can change your body. Enough said.

That the Harry Potter books never really says anything specifically about trans people (NOTE: obviously JKR’s prejudices even back then showed through, but this isn’t about that) leaves the question on the table. Obviously trans people exist in the Harry Potter setting, because they exist everywhere. So, how did they never get any page time?

Well, who says they didn’t? In a setting where potions exist to change your body, trans people are just…people. I don’t even think that they would have a marginalized identity because gender dysphoria would be something very easily treated. Think of it like someone who takes medication for blood pressure. They need the medication, it’s life-saving, and while there isn’t a magical pill to ‘cure’ high blood pressure, it can be managed. The magical world revels in being strange. Why would being trans, while being considered strange here in the ‘Muggle’ world, be anything other than normal there? Why can’t it be?

And then there are Metamorphmagi. People who can literally change themselves at will! If that isn’t a trans person’s dream, I don’t know what is. I would personally love the option of being the biggest, hairiest dude with a dick so big an erection would make me black out, and then ultra femme and delicate the next.

Last on this point, Harry never notes anyone specifically trans in the text (NOTE: touching on things like the physical descriptions of Rita Skeeter and Marge Dursley, JKR tends to do the ugly=bad person thing. Although she describes Rita and Marge as mannish in appearance, they aren’t trans characters. They’re women that JKR wants to frame as bad people. Like I said above, this is JKR’s prejudice showing through). If Harry never notes anyone as specifically trans, that probably means that it’s impossible to tell at face value. The same as blood pressure medication, to return to that analogy. How do you know someone is on them? They tell you. You see the pill bottle and happen to know what that medication is for. They complain about side effects. They complain about the symptoms that led them going to the doctor in the first place.

9. Queer HP fandom content can potentially be how a Harry Potter fan realizes that they’re queer (or that queer people are just regular folks).

Hey, the first one happened to me!

If someone comes into the Harry Potter fandom unaware of JKR’s politics - maybe they were gifted the books for their birthday or happened to catch the movies on TV - it’s good actually that this person doesn’t fall right into an echo chamber of JKR’s politics. I’ll be happily here to correct her record in a way that isn’t shaming or policing them.

Anyway, I think that’s everything lol. To summarize:

- The HP Fandom is a neutral setting. Engaging with it doesn’t help JKR, and not engaging with it doesn’t help trans people. Just don’t spend money on official HP merch.

- If you want to be a pro-trans activist or trans political ally, please just ignore JKR and put all your focus on the real world.

- There are trans people in the HP fandom who are left feeling awkward and uncomfortable due to virtue signalling.

- Generating queer HP content is good, actually.