#the truth of the matter. (open.)

[laufire]

"batman is first and foremost about rehabilitation and the possibility of redemption for everyone-" is he. is he really, though. when he clearly believes "criminal" is some personality trait divorced from circumstances and goes around calling goons "scum" and acts as if killing once, even under extreme circumstances that are not at all their fault, taints someone forever?

[vickyvicarious]

seeing ppl go "lol jonathan why are you admitting you found them hot what will mina think of you when she reads it!!!" has me go "*shakes you* you are going against the thesis of the book!!!"

I know some of why is dependent on knowledge of future events, and so people new to Dracula Daily won't be aware of it. But to be honest, Jonathan admitting his attraction to the vampire ladies is so, so important to me. On several different character levels, even outside of the entire book proving over and over again that sharing knowledge is absolutely vital (and is also an expression of deep love/trust/support).

Let's just stick the quote in here for reference:

There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina's eyes and cause her pain; but it is the truth.

Firstly - he needs to keep an accurate record. This is his only place to speak freely, his only opportunity to be precise about what he is going through. It is vitally important for him to keep his sanity intact that he be clear and try to remain logical in this diary. We see him fact-checking again and again. We can extrapolate from other statements that he doesn't always mention everything he suspects unless he feels it relevant or possible to prove. For example, repeatedly noting Dracula himself doing things before ever getting around to voicing the theory that the Count has no servants (he collected evidence first, didn't speak his suspicions until they were proven). Or putting the crucifix above his bed and taking the opportunity to sleep elsewhere, thus pointing to feeling unsafe and possibly experiencing bad dreams in his own room (he mentioned what he does about it, but not the feeling on its own or whatever nightmares he may be having). Jonathan works very hard to keep his diary focused on a few things above all: what the Count/ladies are, what everyone does, what Jonathan observes or learns, his actionable plans. He of course expresses his fears and emotions at times in his diary, more than he can out loud, but never going all the way down the rabbithole of fear, hopelessness, etc. He tries to calm himself by sticking to facts (all the harder when something strange is happening), which is in itself a soothing process for him so that's helpful too. His goal is to make this diary useful to himself and to others, if he ever gets the chance to share it. There is a goal here.

And what that means, is that the things Jonathan writes in great detail are things that feel relevant to him. The entire encounter with the vampire ladies was extremely important. It revealed a ton of new information to him, as well as being a truly horrifying and traumatic thing to go through. Jonathan's feelings are as relevant as his observations/actions here, because both are directly affected by the presence of the vampire women. Jonathan can't move. He feels dreamy. He feels attracted to them. He cannot resist and in the moment a large part of him didn't even want to. These are all effects they are causing, at least to some extent. I know mileage can vary a lot on how much of Jonathan's attraction is just coming from him, but honestly, I can't agree with any version that doesn't have a natural attraction at the very least being exacerbated by supernatural vampire abilities somehow. If not caused or called forth by them in the first place. The way he narrates, with so much obvious fear and revulsion mixed in with the desire, makes that clear to me. He sounds like he doesn't fully understand his own feelings at the time, at least where they all came from or why they were so strong. It goes along with all the other symptoms he is experiencing, and the other abilities they demonstrate. And so, to keep his record accurate - it has to go in. He cannot leave it out. It might become very relevant later.

Secondly - Jonathan is honest with Mina, specifically. I love this about their relationship. I don't think it's so much 'I noticed they were attractive' that he fears might hurt her, because Mina isn't particularly shy herself about noticing both women and men as good-looking, and even admiring their looks while on a date with Jonathan (poor Pretty Girl in Piccadilly). He also called local women pretty in his first entry as well (though he did say "except when you got near them" so it felt a bit backhanded to me), so again it's not the noticing that's an issue either way. It's more that he felt actual desire to act on an attraction, or rather for them to act. This is unusual, this is a separate matter from noticing people are hot, this is something that comes much closer to cheating or at least wanting to, and he feels very guilty about it. There's no real sense that he is worried Mina will be angry at him, and there's no sense that he will ever outside of that one moment ever want to act on any attraction he feels for someone other than Mina (or someone Mina also approves of, varying depending on your polycula headcanons). I personally do kind of tend to view Jonathan as some form of demisexual so how much he even tends to feel attraction to other people is often a little wibbly to me, but that's kind of irrelevant for the point of this. We can also set aside the shared language of "kiss" between Jonathan and the vampire ladies, and how this may point to a desire to become available for being drunk from, rather than necessarily sexual desire specifically, even if that's the type of language used. With regards to Mina: he's not worried about being caught, because he is choosing not to hide. He feels bad talking about the attraction because it might hurt her feelings, but he'll admit to it regardless because it's more important to him to be honest with her. Jonathan hates hiding things from Mina. This actually becomes plot-relevant later on. Even when she herself expressly forbids him from telling her stuff, he feels anguished about it and is certain to ensure that records are kept which she can read later. He trusts her completely. Embarrassment, shame, bad behavior, or whatever else - he will still share that with her. The only times he doesn't confide in Mina are when he's trying to repress everything because he thinks he was crazy (and possibly may even have some PTSD-related memory loss as well), or when he and the other men are trying to make sure she isn't exposed to danger (which is wrong in several ways but this post isn't about that so I won't get into it), and of course when she tells him not to. Every single time he feels upset about it. So yeah, he's going to regret that she may feel hurt, but deliberately hiding things from her would be worse.

Thirdly - Jonathan admitting his attraction here is a huge comfort to Mina later on. I truly believe this. I've talked about it before actually, but let me try to rephrase a bit to keep it on the same post. By being open about his own attraction and experience with nearly being drunk from, he provides precedent for Mina's October 3rd trauma. It makes it easier (though obviously still not easy) for her to admit to the same kind of desire:

"I was bewildered, and, strangely enough, I did not want to hinder him. I suppose it is a part of the horrible curse that such is, when his touch is on his victim."

Mina never blamed Jonathan for expressing such thoughts. She wasn't concerned about the issue being another woman when she came to him in the hospital, and when she read his diary she never mentioned any hesitations or misgivings about this scene at all. But even if she had secretly felt upset before (I personally don't see her thinking that way at all, but for the sake of argument), I think that experiencing something similar would make her grateful for Jonathan's candor. In a moment when she's already feeling deeply unclean and complicit, Jonathan's earlier honesty here relieves her from a little bit of the guilt she is feeling. It lets her recognize her own lack of desire to stop Dracula as something he did to her, just like Jonathan experienced with the vampire ladies when he couldn't/didn't want to move away. It's possible even that Mina felt more explicit desire for Dracula's 'red lips to kiss her' but didn't feel comfortable saying quite that much - even if so, again Jonathan's account would be a comfort.

And having that account written down long ago means she has already internalized this. If Jonathan had kept it hidden only to try and ease her mind later, well... first off, Mina too might have kept her reaction hidden out of guilt. And even if she didn't or he told her then, a confession at that time wouldn't mean nearly as much or carry the same kind of weight, I don't think. It would feel like he's making excuses for her, like he didn't trust her enough to tell her earlier, just... bad stuff mixed in, which are all avoided by having Jonathan be truthful from the start.

[ramadan90s]

Don't know who made this art , but all credits goes to him

Palestine will live

[deus-ex-mona]

seems like she’s just a mob character… she’s still really cute though~~~

[infinitysisters]

“People are reluctant to pass over from the notion of an abstract and negative deity to the living God. I do not wonder. Here lies the deepest tap-root of Pantheism and of the objection to traditional imagery. It was hated not, at bottom, because it pictured Him as a man but because it pictured Him as king, or even as warrior.

The Pantheist’s God does nothing, demands nothing. He is there if you wish for Him, like a book on a shelf. He will not pursue you. There is no danger that at any time heaven and earth should flee away at His glance. If He were the truth, then we could really say that all the Christian images-of kingship were a historical accident of which our religion ought to be cleansed.

It is with a shock that we discover them to be indispensable. You have had a shock like that before, in connection with smaller matters –when the line pulls at your hand, when something breathes beside you in the darkness. So here; the shock comes at the precise moment when the thrill of life is communicated to us along the clue we have been following. It is always shocking to meet life where we thought we were alone. “Look out! ” we cry, “it’s alive.”

And therefore this is the very point at which so many draw back–I would have done so myself if I could–and proceed no further with Christianity.

An “impersonal God” -well and good. A subjective God of beauty, truth and goodness, inside our own heads –better still. A formless life-force surging through us, a vast power which we can tap –best of all. But God Himself, alive, pulling at the other end of the cord, perhaps approaching at an infinite speed, the hunter, king, husband-that is quite another matter.

There comes a moment when the children who have been playing at burglars hush suddenly: was that a real footstep in the hall? There comes a moment when people who have been dabbling in religion (“Man’s search for God”!) suddenly draw back. Supposing we really found Him? We never meant it to come to that! Worse still, supposing He had found us?”

- C.S. Lewis, Miracles

[unproduciblesmackdown]

(genderly) chill as hell if i was only ever glimpsed / detected like this

[chappellrroan]

sometimes you need to stoop down to other peoples' level

[clingylilhoneybee]

I am being so goddamn brave

[dennisboobs]

sitting back after writing 3k words of a fic and thinking. what the hell is this

[toasted-valentine]

@pyrotechnicarus was right, that tv can fucking glow.

[outofthiisworld]

👽// if i ever take rly long on a doc thread please know its usually cause i have to write him being smart and unfortunately:

[royalreef]

(( Sometimes I feel the need to remind people that, even though Miranda is very outwardly emotional and tends to make a show of wearing her heart on her sleeve, she tries to hide her actual issues as much as physically possible. I feel like people often miss that, and assume that just because she doesn't come across as stereotypically repressed or emotionally constipated, if she doesn't vocalize her issues, then she doesn't have them.

Which, to be fair, Miranda wholly encourages and relies on in-character, as a further means of ensuring she can live in denial and no one ever has to know what her genuine upset looks like. Unfortunately, it also means I feel like a lot of people end up missing how much Miranda is fully the queen of denial and their muses relationships with Miranda likewise suffer, without them knowing exactly what the source of it all is.

[rhysnolastname]

Solas says I know a place and takes you to the middle of a swamp where he insults your culture, religious beliefs, and then dumps you.

[barrenwomb]

the fact that most people in a relationship either met their partner at work or on a dating app makes me want to scream my lungs off. no way i’m letting personal life get in the way with my job AND dating apps sound like literal hell + they’re, as a matter of principle, such a turn off. exposing myself through a virtual shop window and making the effort to sound interesting enough after a bunch of texts is so. i’d rather get shot. and i’m not saying it because i’m a hopeless romantic, quite the contrary, actually. i don’t believe in love at first sight either so it’s not like i’m hoping to meet the love of my life at a coffee shop wattpad style. if i have to be completely honest, i just want to have sex — not in a casual way, not in a committed way, but a secret third thing. don’t even try to mention therapy im going to kill you on the spot.

[monards]

my reactions to media depending on that platform is so insane

[louderfade]

exene talking about the state of the world. the good stuff starts at eight minutes. or you can just read the transcript complete with the usual errors that accompany robot transcribed speech (the irony of which is not lost on me). maybe it's not about transhumanism and living forever (or maybe it is who knows), but there's definitely an agenda of surveillance and control at work which is designed to keep the powerful in power. cash rules everything around me and you will own nothing etc. the future is worse.