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#the worst man in existence
silly-goofy-mood · 1 year
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About to listen to ep 61 - death of a salesman
Wish me luck y'all
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inkskinned · 10 months
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he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
#i used to think it was romantic too and then i was like. now i see it as a HUGE red flag#writeblr#it is also almost EXCLUSIVELY said by immature ppl who think this is normal#fyi even if u think it's funny and ur like 'im an introvert it's just TRUE' like. you need therapy (ily tho)#healed introversion is just ''i would prefer to be by myself'' not ''i hate every person'' ... hate is not normal. that is not healthy#im sorry. i know it feels accurate. but if you're walking around with that kind of rage....#1. you're making a LOT of assumptions about every single person u have ever met. which is often unfair and unkind#and also usually involves judging people based on their worst moments or little mistakes#2. you are being unfair to the person who is ur ''exception''#3. there is a VAST difference between ''ur my favorite person'' and ''the ONLY person i like.''#idk i think this is just a personal bias thing tbh#im sure there are people who have this experience normally#but i have YET to find a man who thinks like this and ISNT absolute DOGSHIT. although tbh.... like. im sure he exists#when u hit like 30 some of the things that were once kind of hot now just sound fucking exhausting. like ''im in a band''#edit in the tags: i used to kind of be like this too. but the thing is that like. my life became so much more peaceful#once i started believing that people are generally good. like yes i am mad at the world at large#but it's just.... a very hard way to live. you're not a bad person or wrong for the ways other people hurt you and taught you to be angry.#but that anger will continue to hurt YOU. it will punish YOU. it will prevent YOU from making new deep connections. it will protect you yes#but it will also cause MASSIVE blowback. bc if you lose the One Person... your life will fall apart. i know this personally.#i really recommend just trying to be... cautiously optimistic instead. like. yes#people can be horrible and cruel and there are some communities (incels for example) that aren't worth that optimism#but i think like... most people will hold a door for you . most people want to help you find your wallet .#i hope one day you are able to find peace. i hope that rage eventually smooths over. i know how hard it is PERSONALLY#and i know what must have happened to you. and im deeply deeply sorry we share the same wound.#but i promise - sometimes we all need someone else to help us carry the weight. eventually the rage has to die so that we can let help in#i had to spend years biting at outstretched hands. i still often do. im still very wary . and my heart breaks that you flinch too.#here's the thing: i don't blame you. but we were both acting out of fear and pain. .... not out of healthy behavior. and ... change#was needed. i needed change too. rage was useful for a while. then it just left me isolated and bitter. i had to (with effort)#choose to let that rage go. and let people in . VERY SLOWLY THO LOL
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redkelpfish · 1 year
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We all remember this moment right
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ruporas · 1 year
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can’t talk about it
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.
Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."
The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"
The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."
The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."
The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."
The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]
#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#Theyre both thoroughly exhausted tired individuals -- vash having to fight this lonely battle for over a hundred years and getting dragged#back into inevitable situation with knives after a 2 years hiatus of being a gunslinger. they both need so much Rest and comfort in this#department... .SIGHS. BUT I JUST THINK ABOUT WOLFWOOD . AND HOW... LITTLE He has existed on no man's land. how majority of his years being#alive is being used as a weapon and to kill when him at his very core is the most giving and selfless individual ever#badlands rumble inspired me a bit but i do think wolfwood gets dragged into occasional tasks from the eye of michael while on his duty of#guiding vash -- or i think that one chapter where we got to see other members of eom -- there's like a clear division within the eom too#i think.... so i figured similarly to vash but not to the same amount -- there are people that look for wolfwood too. but most of the time#it's probably wolfwood that has to look for someone else and take them out. i feel like it happens ever so occasionally.#evidentially these two don't talk enough canonically but they always know how to express things properly to affirm that they're okay#they have the worst time ever sharing burdens - can't willingly burden the other and has neeever asked for help or reprieve in their#desperate situations... vw is a huge case of right person wrong time syndrome so they just. in the time they get to spend together -- even#if romantically - they don't have enough time to heal to get over that kind of hurdle. They've just never asked for help in all the years#they've been alive -- they don't even know how to and its just aughhhsgskg#and well! they don't even need to ask! because they'll be there for each other anyway at the end of the day -- company and presence alone.#ruporas art
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Still on my Ulder & Wyll bullshit but like
I keep thinking of Ulder Ravenguard, sending away his only son at seventeen, and years later hearing of a hero with a fine rapier and mismatched, kind eyes and manners from a storybook, and thinking, demanding surely not. that cannot be my son. my son is a devil's servant. it cannot be. i have no son.
and then after seven long years meeting Wyll again, at Wrym's Rock through a mindflayer's thrall, and feeling something like relief, not at seeing him but at this cold surety that this boy, this man, this hero of the frontiers could not be his son, because his son was not this tall and old and sure-footed, and did not have curling horns and a devil red eye, and the rumors must be wrong, and this Blade must be a stranger.
And then Wyll looks at him, with such kind eyes- his mother's eyes still, even devil-tainted- and calls him "father", and he knows, he knows, and his son is here, so much older and wearier and stronger, too, and he's a hero and a man and by gods he's a monster and by gods he's his son.
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coquelicoq · 1 year
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if you're wondering what the big deal is about the louis-philippe sentence in les misérables, it is, in the original french, 760 words long. the subject of the sentence doesn't appear until 95% of the way through, at word #711; the main verb is word #712. the sentence contains 91 commas and 49 semicolons and is almost entirely a list of laudatory adjectival phrases describing the erstwhile king of france. this is perhaps especially notable because les mis is, shall we say, not known for being particularly gung-ho about the monarchy.
this sentence copied and pasted into Word takes up more than one page single-spaced. in the 1800-page folio classique edition, it is fully two and a half of those 1800 pages. that means that les mis is 0.14% this single sentence. more of les mis is made up of this sentence than earth's atmosphere is made up of carbon dioxide (0.04%). if the page count of les mis stayed the same but every sentence was the length of this one, les mis would consist of only 720 sentences total.
incidentally, guess who named hugo a peer of france 17 years before the publication of les mis?
#he also goes on for another six pages after this but by then he has remembered the existence of the full stop#the endnotes say that hugo 'se devait de faire [ce portrait] aussi favorable que possible à la personnalité de l'homme#qui avait favorisé sa carrière' (had to make this portrait as favorable as possible to the character of the man who had favored his career)#in fairness to hugo it's not like louis-philippe was alive to read this. so he wasn't just sucking up to get something out of it#he says at the end of the chapter that this description is 'entirely disinterested'. which like on the one hand i get#bc like i said louis-philippe was not in power and reading this. but otoh victor 'ancien pair de france' hugo u r not exactly unbiased. lol#les mis#lm 4.1.3#i just looked up the english translation and gasp! hapgood turned it into four separate sentences!!!!#so i think y'all who are reading it via les mis letters (which uses hapgood i think?) are gonna miss out on the full experience :/#my posts#linked to#syntax#idk if i got this across but the worst part is that the subject of the sentence - the beginning of the independent clause -#doesn't occur until the very end. so for the first 95% of the sentence you're just waiting for the bass to drop!!!#like reading it out loud you have to raise your pitch at the end of every dependent clause because you haven't gotten to the subject yet#AND THERE ARE SO MANY CLAUSES!! 49 SEMICOLONS PEOPLE!!! FORTY-NINE!!!!#victor hugo would be TERRIBLE as a hype man. he would take so long that the crowd would tear him to pieces with their fingernails#before louis-philippe could come out on stage. and then they'd be so mad at louis-philippe for inspiring him that they'd tear LP apart too#actually i think i'm using hype man wrong. i'm thinking of the guy that gets the crowd hyped up for the main guy before the main guy#makes an appearance. a hype man is the guy who makes interjections during a song. victor hugo would be bad at both of these#like just imagine the announcer at the beginning of a basketball game. and now...your starting lineup...at power forward...#and then he just says the 760-word louis-philippe sentence.#dead. murdered at the hands of the fans. microphone shoved down his trachea.
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thegoatsongs · 26 days
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Arthur day reminded me of the time Newman explained his (frankly baffling) reasons for making Arthur Holmwood an unsympathetic serial killer in his AU.
(I don't even think the other characters praise him much. Lucy obviously does, because he's honestly a good boyfriend. She praises Jack Seward for being "handsome", not Arthur! His wealth isn't even exceptional, since Mina points out Quincey is rich, funds parts of the trip like their weapons, and gives her gifts. As for "nobility and decency", the one who gets praised for those most by others is Quincey.)
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psymachine · 3 months
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post-macdennis reveal episode in the same vein as "the gang spies like u.s." where mac and dennis get tired of fighting and decide to look for a third partner for casual sex so they can both bottom get what they want. except they have a hard time finding a guy they're a. both attracted to and b. neither of them are jealous of, so they keep sabotaging/scaring away each candidate.
meanwhile, charlie sees them sneaking around to screen all these guys and thinks they're trying to replace him with another gay friend since they're both gay now. a confused confrontation ensues where he essentially re-applies to be their friend by bringing up all the weird shit they've done together over the last 30 years and insisting he can fulfill all of their needs even though he's not also gay.
dennis and mac misunderstanding this and freaking out while considering whether they should/want to just fuck charlie until everything finally blows up.
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sentientcave · 3 months
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Heavy Weighs the Crown
Here we go friends! These chapters just keep getting longer. A larger plot begins to reveal itself to me. I am having a lot of fun here and I hope you are too.
Chapter 3 - Reading Between the Lines
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Read on AO3
Contains: Generic fantasy setting, Princess Reader, No Y/N, Some exposition, Reader's dad (deceased) was a real piece of work, Bad memories, A spot of magic, Voyeurism, Reader description kept pretty neutral but I kind of got slightly more specific about black hair care so you're just going to have to live with it.
~6k words
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The next morning, it rains.
The pitter-patter of rain against your windows wakes you up, because it sounds wrong. There’s only one small window in your room in Kate’s house, and when weather blows in it’s the sound of water trickling down and dripping off the thatch roof that’s loudest, not the rain itself. Here the sound echoes strangely in the big space, and you wake with a start, disoriented, your heart-hammering in your chest.
It feels like your life in town is the dream, trickling away faster than you can cup your hands to hold onto it. You fly out of bed and wrap a blanket around your shoulders, dashing out into the hallway, bare feet cold on the stone floor. The king’s bedroom is directly across the hall from your own, and you stare at the door, frozen and unsure if you’re willing to risk knocking, breath caught in your throat, chest tight, anxiety squeezing your ribs until they ache.
You’re sixteen and twenty-six both, living two lives out in one panicking body. You no longer belong here and you’ve never been anywhere else. Your father is alive, angry, terrifying, and he’s dead and buried where he can’t hurt you anymore. You are a tossed coin landed on it’s edge, waiting to fall.
The door in front of you opens, and you leap back on instinct, but breathe a sigh of relief when it’s John standing there, looking at you with surprise first, and then concern. “Sweetpea?” he asks, stepping forward to meet you, but leaving space between your bodies, like he knows that it would be worse for him to touch you right now. “What’s wrong?”
You press your shaking fingers to your mouth, holding back a sob. You swallow it down, pulling yourself together enough to speak. “I thought it was a dream,” you say at last. “I thought he was still alive.”
There’s no question who you mean. John reaches a hand out, an offering, and you take it, clinging to him like a life-line. He reels you into his arms, and you lean in, the solid, warm bulk of him as reliable and real as the earth below. “He’s not,” he says firmly. “I put him in the ground myself. You’re safe.”
You nod against his chest, feeling small and silly now. “I’m sorry,” you say, although you’re not sure what you’re sorry for. For showing weakness, maybe, for being lost in your own memory, for needing reassurance.
“It’s early yet,” he murmurs against the top of your head. “You should try to sleep a little longer.”
You’re not sure you could even if you tried, and even though you’re still tired, the adrenaline leaving your body cold, fatigue dragging at your bones insistently. You could maybe sleep against John’s chest, holding onto him, his heartbeat steady and strong enough in your ear to drown out the still-frenetic tempo of your own. “I think I’ll just get dressed,” you say, pushing away. He drops his arms instantly, letting you put a little distance between you.
He shakes his head, smiling at you fondly, eyes crinkling up at the corners. “Sweetpea, the sun hasn’t even risen. Go back to bed. I know just the thing to help. Go on.” He turns you toward your door and nudges you along.
There’s no point in arguing with him— You are tired, and although you suspect sleep will be beyond your reach, it’s cold in the hallway, especially now that you’re no longer pressed against John’s warm chest, and your bed is still warm when you climb back in.
Darkness presses down on you, heavy as grave-dirt, and you lay there, staring at the ceiling. You touch the crystal lamp next to your bed to light up the room, but that’s no better, really.
John knocks, but doesn’t wait for your answer before coming in, a dark wolf with blue eyes trotting in on his heels. “Go on, Soap,” he says, and Soap hops up onto your bed and lays down half on top of you, his head on your shoulder, tail wagging. John pats him on the head like he’s just a dog. “He’ll keep an eye on you.”
It should probably feel weird to cuddle up with a werewolf, since he’s really a man, and you’ll have to face that silly, crooked grin in the morning, but you need someone to cling to, and you’re to proud and cautious to cling to John. “Thank you,” is all you have it in you to say.
“He gets nightmares too. Usually sleeps across someone’s bed. I’m sure he’d be happy to stay with you while you’re here.” John says it simply, without a drop of judgment or condescension, and scratches behind Soap’s ear. “He’s a real good listener when he can’t talk back too.” He withdraws, tapping the light and throwing the room into darkness again.
You don’t even hear the door click shut. You bury your face into the thick fur around Soap’s neck and fall asleep almost instantly.
When you wake up again, it's with a very large, very naked man on top of you.
You yelp, scrambling back on your pillows. Johnny’s eyes snap open at your first movement, on high alert before he’s all the way awake. He scrambles too, and falls right off the side of the bed with a solid thud.
"Oh! Johnny I'm so sorry," you look down at him from the edge of the mattress, trying not to laugh. "I forgot you were here."
"It's alright, lass. I didna mean to startle ye. Ah shift back overnight sometimes. Price didnae remember to warn ye." He sits up and leans against the bed, forearms folded over each other. He looks no worse for wear, and like he slept as solidly as you did, those last few hours. There’s a faint imprint of lace from your nightgown on his face, and half of his hair is stuck straight up, the rest pressed flat. "Are ye feelin' better?"
“I am. Thank you for staying with me.”
“S’nothin’ really. Nicer sleepin’ with you than Gaz, he kicks awl night long. An’ Nox doesnae like me none, so I cannae stay with Ghost.” He grins. “Price lets me stay but he makes me sleep at the foot of the bed like a dog. Sometimes a man wants a cuddle, ye ken?”
You giggle. “I ken.”
"Really livin' up to yer name, aye Sweetpea?"
You laugh again. "Johnny, you know that's not my name, right?"
"No? What is it?" He shakes his head when you tell him. "I like Sweetpea better. Suits ye."
"Me too," you tell him. It has no connections to your previous life. It just reminds you of the pretty pink, purple, and white flowers that grow on delicate, curling vines that you like to grow over the side of the chicken coop.
There's a knock on the door, and Johnny leaps up to see who it is. You have to hold your hand up quickly to avoid getting an eyeful of things you're not supposed to see. He's absolutely shameless-- you suspect he wouldn't think twice about strolling down the hallways without a scrap on. You have a curiousity about men's bodies that you're too bashful to indulge, even if you're pretty sure that Johnny would stand still and let you look as long as you liked. Well, maybe not stand still. But you doubt he would mind.
It's Ghost at the door. He doesn't wait for an invitation to come in, but he has clothes for Johnny hung over his arm, so you don't mind. Honestly, you can bear a few overzealous men who feel entitled to your space for a few days, because after that you'll get to go home and get back to your life.
Ghost positions himself between you and Johnny, just as he had yesterday. "Price said you 'ad a bit of an episode earlier. You olright?"
"Just fine," you say brightly. "No need to worry."
"Och, let him worry, hen. He likes ta do it."
"I'm really fine," you insist.
"You want to visit the mausoleum? Might make it feel more real."
You'd be more interested in going there to visit your mother's grave, if you're going at all, but you think that you'll wait for a sunnier day. A gray, dreary morning like the one outside your windows is no balm for dark memories or old wounds. Sunshine might be. "Not today," you say. "Maybe tomorrow." You get out of bed as gracefully as possible, well aware that you have an audience. "Perhaps the two of you could step outside for a moment while I get dressed?"
Ghost glances behind him, checking to see if Soap is covered up enough for him to move, and then walks over to your closet and pulls out a screen that you hadn't noticed sitting in the corner there, and sets it up. "There you go, Sweetpea. You'll need help with all your fastenin's anyway, won't you?"
You imagine that he's smiling under the mask, more than a little smug about it, but you let it slide. "Very thoughtful."
"Try to be."
The blank face of his mask gives you nothing when you glance over, aside from that he’s looking back. It’s not the first time that you’ve wished for more insight into what he’s thinking, but there’s a gravity to his attention that you swear was never there before, and it prickles at the back of your neck even after you duck out of sight.
You choose a sunny yellow dress today, to counter the deluge outside, and remove the silk scarf wrapped around your head so you can twist your braids on each side from your brow back to the nape of your neck, pinning the lengths into a knot. You’ll have to redo them soon, but without Kate and her wife to help you, you know it’ll take hours, if not most of a day.
You walk over to where Ghost is sitting and turn your back to him so he can button it up for you. He hands you his gloves to hold while he does so, and you run your hands over the detail of white leather bones stitched on over the well-worn black leather, decoration and extra protection both. Idly, you slip one on, but your hands are so small in comparison to his that you have to stretch your hand out just to get your fingers arranged inside it properly. He stands behind you, and leans over you to gently pull them from your hands, as though to underline again how much bigger he is than you are.
The top of your head brushes his chest when you tip your head back to look at him. “Thank you,” you say.
“I’m always ‘appy to ‘elp,” he says. “I’m with you for the mornin’ anyway. Might as well make myself useful, eh?”
“Stuck minding me?” you tease, sweeping around to fold back the sheets on your bed, only to find that one of them had already done it. Ghost, most likely, judging by how neat it is. You touch his arm lightly in silent thanks, and the three of you leave your room together.
Other than insisting you eat breakfast (served in a communal dining hall, where they insist on bringing things to you rather than let you suffer the indignity of standing in a line, and watch you eat with unnerving intensity), they’re content to follow you around as you refamiliarize yourself with the castle, mapping out changes so you don’t get turned about looking for anything. You find a number of familiar faces here and there, and have an perplexingly similar conversation with anyone you know, where they welcome you back cheerfully, and grow a bit quiet and nervous when you insist that you won’t be staying long, and when you try to press them on that, you’re ushered out, told they’re too busy to chat, and that you’ll find time to catch up later.
You suspect that Ghost and Johnny are the source of their nerves, but both of them always seem to be a few paces out of (human) earshot, and minding their own business, talking about something else quietly between them.
"Where's Kyle?" you ask as you're hustled out of the the healer's work shop and back out into the hallway. It’s become abundantly clear, no matter how well they feign innocence, that your hulking shadows are making the staff nervous, and you decide not to subject anyone else to their company. If you can slip away from them later, you might be able to have an actual conversation.
“Prob’ly ‘oled up in ‘is workshop,” Ghost says. “Some weeks we ‘ardly see ‘im.”
“Wizardy shite,” Johnny adds, his tone disapproving. “As if there aren’t a thousand ways ta blow shite intae bits withoot wigglin’ yer fingers. Can blow up flour, did ye know, Sweetpea? In barrels isnae much different than black powder.”
“Still useful to have a little magic,” you say, flipping your palm over and conjuring a flame in the centre of it. It’s one of the few spells in your cache, and you’ve mostly just used it to light candles and the stove. Your lessons barely dipped beyond simple control— You’d been told that magic was no proper pastime for a lady. When you think back on it now, you think it’s more that your father never wanted you to have defenses that he could not control, or that could be used against him. A grim thought, from this side of things.
“Forgot you ‘ave a little magic in you.” Ghost holds his hands above yours, feeling the heat coming off the small flame. “Come on, pet. Let’s find Kyle. Might be enough to pull ‘is nose out of ‘is books.”
You close your hand, extinguishing the flame, and let them guide you through a few corridors and up a spiraling stone staircase.
Johnny hesitates at the door, nose wrinkling at the slight, hard to identify smell of complex magical wards that are carved neatly into the doors. You can feel the slight hum of it in your teeth. Ghost pushes the door open without knocking (you think all four of these men might be allergic to knocking), and steps inside.
You follow, and stop right there in the doorway while Ghost ventures in further. Kyle is shirtless, doing pushups over a heavy looking book. He doesn't look up, doesn't even stop when he turns the page, just continues the exercise one handed. He's in perfect shape, every muscle well-defined, putting even some of the finely-carved marble statues you've seen to shame. He has a frame for wiry muscle, but he's worked so hard that he's gotten bulky too, and although he's not as broad as Soap or as big as Ghost, it's clear that he's stronger than most men. Certainly stronger than men of his occupation have any need to be.
"What do you want, Ghost?" Kyle asks, still focused on his reading. "I'm busy, you know."
"Brought our girl by to see you, and you don't even bother lookin' up."
Kyle’s attention does snap up at that, brown eyes sliding past Ghost’s legs to you, still hovering in the doorway, Johnny a step behind, peering over your shoulder. Kyle scrambles to his feet, sending the book flying with a gesture. It settles on the desk behind him as he steps around Ghost, dusting his hands against his trousers before he takes yours, pulling you more fully into the space. His skin gleams with a thin sheen of sweat, but he's not the least bit out of breath. “Come on in, Sweetpea. Did you come all the way up here just to see me?”
“Of course,” you say. It’s a silly question, although now that you look around the space, you’re gripped by curiousity. The circular room is lined with bookshelves, each full of thick, leather and linen-bound tomes that hum with power. The whole room sings like a chorus, the sound not in your ears, but tickling the back of your mind instead. “I was wondering where you’d gone off to. I don’t want to interrupt, of course, if you’re working on something.” Although, now that you're looking, it seems like he’s working on many things, all at once. He has a carousel of research tomes open next to the desk, and neatly written pages laid out over the desk to dry, a stack of opened and unopened correspondence in a basket hanging from the side, ingredients measured out by a shelf full of bottles and jars of strange and familiar ingredients, and there are unlit candles set around the perimeter of an open area on the floor, a circle of iridescent tile set into the stone, pale and glittering.
“Nothing important this moment. Just studying while I wait for ink to dry. The mind grows dull if you don’t take the time to keep it sharp.” He glances at Johnny meaningfully, and receives a rude gesture in response.
“There’s more’n just books if ye want to keep sharp,” Johnny says, his voice flinty. “Isnae the only way to learn, ye know.”
You glance at Ghost. His mask looks back at you, blank as ever. “There’s a place for books, and a place for practical application,” you say diplomatically. “Wisdom can be found in many places.”
“In a pretty girl, for one,” Ghost says approvingly. “Would be good for you to crack a book once in a while, Soap. And for you to spend a little less time ‘oled up in ‘ere.” His head turns toward Kyle.
“I have a lot to do, you know,” Kyle says. “I can’t just shove everything to the side whenever I please.”
You drift closer to the desk, peeking at the tome he was referencing earlier, the pages opened to a chapter on illusion spells. Curious, you glance to his notes, humming with interest at the first page you glance at. It’s something about setting spells of illusion into fabric, weaving magic into the very stitches. “Are you trying to make a cloak of shadows?” you ask, picking up the page carefully by the edges, still mindful of the mostly dried ink.
Kyle looks over at you and smiles, but it’s all teeth. “Something like that. I didn’t know you were interested in magical theory.”
“She’s got a little sorcery in ‘er,” Ghost explains. “Maybe you should give ‘er a lesson or two. While she’s ‘ere.”
Your ears perk up at that, and you drop the paper back to the desk, forgetting it entirely. “Would you?” you ask excitedly. “I really would love to learn more.”
Kyle slips his shirt back on and beckons you over to one of the bookcases, smile turning sly and conspiratorial. “Can you give me a hand Sweetpea? I need something off the top shelf.”
You look up at the top shelf, which is well out of your reach. “Kyle, I think maybe you should ask Ghost.”
“Sorry, pet, I’m busy keepin’ Soap from pilferin’ alchemical ingredients.”
"Wasnae pilferin'! Just takin' a wee looksie. Isnae a crime."
"Soap," Kyle says pleasantly. "If I find anything missing we are going to have a long talk about it." He shakes his head lightly, sweet brown eyes finding yours, amused.
"D'ye think he means a good rough fuck?" Johnny asks Ghost, not quite quiet enough for you not to hear it. "Or an actual chat? Because that's goan ta change what I do here."
"I really don't think I can help," you say to Kyle, ignoring Johnny's query as much as you can. "Unless you'd like me to climb the shelves."
"Here." He crouches down in front of you and hugs your knees to his chest, other hand a higher on the backs of your thighs to hold you steady, and pops up. You let out a little shriek, and press your hands against his strong shoulders for support. "Don't worry, Sweetpea, I've got you. Now, can you grab that slim blue volume to the right? The one with no title on the spine."
Scanning the neat row of books, you locate the one he means and pick it up. "Ive got it," you inform him, laughing. "Now please put me down."
He slides you down his front carefully, adjusting his grip, your skirts bunching up and exposing your stockinged calves, and he holds you just above him for a moment. You loop your arms around his neck reflexively, holding the book behind him. He looks up at you, so dazzlingly handsome, you're almost surprised that he's real.
"Kyle," you remind him gently. "Please put me down."
“You sure?” he asks, bringing you down just a little more, so that your face is just above his own. “You look a bit tired today, princess. Could just carry you around for the rest of the day if you like.”
“That will not be necessary,” you say firmly. “But it’s a very kind offer.”
You hear a snort from the other side of the room, but you’re not sure if it comes from Ghost or Johnny. “Nothin’ kind about it,” Johnny says, crossing his arms. “Bastard just likes the idea of bein’ pressed up against ye all day.”
“You slept in her bed last night,” Kyle reminds him. “There’s no need to be jealous.”
“Ahm no’ jealous! Yer just bein’ a fandan charmer tryna cop a wee feel, an’ ye willnae admit ta it.”
You look over at Ghost, and he shakes his head. You imagine that he’s rolling his eyes, just as exasperated by the two of them as you are. He comes to your rescue though, carefully pulling you out of Kyle’s arms and setting you back down on the floor. “Thank you, Ghost,” you say archly, shaking your crumpled skirts out with one hand.
“Sorry, Sweetpea,” Kyle says, and you can’t help but note that he certainly doesn’t sound sorry. “If you read the first chapter of this tonight, we can do a lesson in the morning. This will probably be a step up from whatever paltry lessons the old wizard gave you— I know he took offence to the idea of training you at all, the closed-minded old bastard. If you have any questions, make notes, and we can go over it.” He taps the top of the book you hold. “You can write in it, if you like. I’ve scribbled in the margins a few times myself.”
You tuck the book into your pocket. “Thank you, Kyle. I appreciate that.”
“Anything for you, Sweetpea.”
You hesitate, a bit nervous to ask a favour when he’s already agreed to take time out of his day to give you a lesson in something you’re not sure you have enough talent in to warrant. He’s cleary a busy person, and you don’t want to waste his time.
Kyle senses your hesitation, and reaches for your hand, squeezing reassuringly. “Anything,” he repeats, brown eyes oh-so earnest.
Your ears feel hot. Flirting comes as easily to him as breathing, and even though you’re sure he means little by it, by his relationship with Johnny and the claim that John has laid on you, it’s hard not to grow flustered when he directs the full force of that sunshine smile at you. “Did you ever, um, help your sisters with their hair? I’d like to have a bath this afternoon, and wash my hair, but it’ll take me ages to rebraid it alone. I would really appreciate an extra set of hands if you have a spare minute tomorrow.”
He grins at that, pleased to be able to help you with something that Ghost and Johnny are ill-equipped to. The scar on his cheek dimples slightly when he smiles this hard, the slight flaw in his complexion more a dashing accessory to his charm than any detractor. “Would be happy to help. Do you have everything else you need? Oil? Curl cream?”
You hadn’t thought to check what was in the cupboard in the bathroom. “I’m not sure,” you admit.
“I have some. I’ll bring them by your room later this afternoon, just in case.”
Ghost offers to walk you back to your room, leaving Johnny behind to discuss something with Kyle, although as soon as the door closes, you hear a crash and a series of colourful swear words. You glance behind you as Ghost ushers you down the stairs. “Should we—”
“No. Trust me, Sweetpea. They’re just fine, and not doin’ anything you want to see.”
“Oh.” The implication warms you from the tips of your ears to somewhere in your belly.
“You’ve got the lads all worked up,” Ghost adds, as though you needed more context. “Competin’ with each other to get a smile out of you. Let ‘em blow off a little steam.”
“I don’t understand why they’re so concerned with me, if they have each other,” you say, trailing one hand over the wall, feeling the bumps of cool stone and seams between the cut blocks as you descend. “And John has made no secret of his intentions.”
He touches your arm to halt you, and moves past, taking a few extra steps so he stands below you, the near-hidden gleam of his eyes on level with yours. The two of you are alone here, where the curve of the stairs create a private universe, a pocket of stone and crystal light casting meagre shadow. "What are your intentions?" He asks. "Are you goin' to just let 'im take what 'e pleases?"
"I intend to go home," you say. "I won't be staying."
"Olright, maybe you do go 'ome. And what'f Kyle or Johnny came sniffin' round to court you themselves?"
"They won't."
"Why wun't they? You're a ray of sunshine sweet girl. You're the only one that don't see it."
"Ghost--"
"No, hush up for a moment, princess. You've got the wrong idea. I personally threatened every man that so much as looked your way. For years. Din't think about 'ow that'd make you feel. You're beautiful. Enough to chase, enough to go to bloody war for." His body is still, save for the slightest twitch of his fingers. “I don’t know why you can’t see it. You make us all crazy.”
The surety that John would really let you go slips as Ghost speaks, something fundamental about your footing in the world shifting uneasily beneath you. You had found comfort in the idea that you were quotidian, unremarkable. That the crown alone was aggrandizing, and you could pass unnoticed without it. Now you wonder if you’ve ever gone unnoticed, or if it was just that you had been too obtuse to see. “It doesn’t matter,” you insist. It’s easier to reject what he says outright, even if Ghost has never lied to you, never given you a reason to doubt his words. The ground settles. “I will be going home in a few days, and once John has my official endorsement none of you will have to keep an eye on me again.”
“You won’t rid yourself of me that easily,” he says firmly. “Keepin’ you safe’s one of the only jobs that I do that’s worth doin’. I promised your mum I would, an’ I don’t intend to break my oath just because you don’t think you’re worth it.”
“My mother asked you to?” You had always thought Ghost’s orders had come from your father, setting the quiet, faceless, black-clad knight on your heels, as close as a shadow, only leaving your side when the king sent him off to fight, somewhere far and away. “Why?”
“Figured she could tell I ‘aven’t got an ounce of ambition in me. Used to, before I came ‘ere. Didn’t do me any good. Can’t trust my own head, sometimes. But if I can trust what’s ‘ere—” He puts his hand to his chest, head tipped slightly to the side. “— Then I know I can trust what’s in there.” He lifts his hand and taps his finger against your forehead lightly.
You blink at him, surprised by how much he’s said all at once. Abruptly, he turns around and continues down the stairs, finished the conversation. You spur yourself back into motion, sweeping your skirts up with one hand so you don’t trip. There’s no doubt that you could trust Ghost to catch you, but the risk of sending you both tumbling down the long spiral staircase has you moving cautiously.
He stays with you for a bit, offering help unbraiding your hair and unbuttoning your dress, and leaves without protest when you ask him to. Predictably, he’s quiet the entire time, as though he used up his daily quota of words all at once in the stairway.
You lay out everything you need close to the tub, and sink into a hot bath, sighing. This is perhaps one of the few things you really did miss about castle life— Hot running water. If you wanted a hot bath in town, you would either have to go to the public bathhouse, or spend a good hour boiling enough water to fill a tub at Kate’s house.
You hum happily to yourself, which turns to singing out loud, the acoustics in the tiled room too good to resist. You sing your way through a number of folk songs as you run a cloth over your skin and scrub your hair clean, hot water and soap washing away what little of the darkness from that morning that company and distraction hadn’t banished, clinging shadows in the corners of your mind scoured clean again.
You pull the plug and let the water start to drain, and stand up, wringing your hair out before you reach over to the towel you’d set aside for yourself, bracing you hand on the side of the tub.
“What are you two muppets doing?” John’s voice coming through the cracked open door startles you. And it startles Johnny and Kyle too, because they tumble through the door onto the tiled floor, landing on top of each other in a heap.
You clutch the towel to your front, unable to keep yourself from letting out a surprised shriek. It takes a moment for surprise to give way to anger, your shocked, wide-eyed gaze traveling from Johnny’s red face to Kyle’s guilty expression to John in the doorway, a complicated mix of stony anger and surprise in his blue eyes. Both emotions fade as his attention lingers on your exposed legs, crawling up slowly.
“I came to drop off— But he was—” Kyle starts to try to explain himself.
“Dinnae try to blame tha’ on me, ye fuckin’ roaster, Ahm no’ a’ fault for what yer doin’,” Johnny cuts him off angrily, shoving Kyle off of him. “Yer no’ better than me just ‘cause ye weren’t here first.”
“I wouldn’t have—”
You level a glare at him that has his mouth shutting so fast that you can hear the click of his teeth. “Get out.”
The two of them scramble up and nearly fall over themselves trying to get out as quickly as possible, mortified to have been caught. They start sniping at each other before they’ve even gotten out of earshot.
John, however, doesn’t budge from the doorway. You direct your fury at him. “John. Get out.”
He doesn’t scramble to obey like the younger men did, as is he has any more right to be there than they did. “Sweetpea,” he says evenly, as though he expects to be able to talk you down from your very justified anger with a few measured words.
“Now,” you snap. “Before I lose my temper.”
He hesitates a moment longer, but the look on your face makes him reconsider trying to have a conversation with you for the moment, and he leans into the room just enough to grasp the door handle and pull it closed behind him as he retreats.
You look at the ceiling for a long moment, swallowing down the urge to scream.
By the time Ghost comes to fetch you for dinner (unsurprising that the other three didn’t have the nerve) you’ve mostly calmed down, untangling your emotions as you do your hair. You hope that John will have news of your cousin’s witness, so you can count down the days. The longing for home has intensified, and all you want is to curl up in your bed in Kate’s house and cry. If it will be weeks, you’ll ask if you can go home in the interim, and come back when the time comes to make your speech.
Ghost helps you button up your dress. You’re so tired of needing help from them. Your ire bleeds over, and you’re snappy with him too, annoyed that you’ve had to spend so much time with men lately. Aggravated that you’re forced to rely on them for something as private as getting dressed, when they shouldn’t even be alone with you in your room to begin with.
You apologize on the way down the stairs, however. Ghost just chuckles in response. “Even when you’re snappin’, you’re a peach,” he says. “Don’t think you missed a single opportunity for a please and thank you. Can’t ‘elp yourself from bein’ sweet.”
“Well, you didn’t do anything,” you say. “I’m not angry with you, I shouldn’t be rude.”
“Think it would be a bit of a lark, you bein’ rude.”
You laugh, and it clears away some of the lingering bitterness, like sediment washing away downstream. You feel remarkably clear-headed when you enter the dining room and face the three sets of guilty eyes.
All three of them start to speak at once, and stop as soon as you raise your hand. “I don’t want to hear it,” you say firmly. “All three of you are grown men, and you should know better than to behave so shamefully.”
John frowns, not happy to be receiving the same share of the blame. “Sweetpea, I wasn’t—”
“I am not finished.” You cut him off with a sharp look. “I know I do not need to chastise any of you. All of you were in the wrong. But I share some of the blame too, allowing you all free access to my space in the first place. So here is what will change. One, I would like a lock on my door. No more popping in without permission. Two, you will all learn how to knock. Three, I would like a lady to accompany me for the rest of my stay here. It is not appropriate for me to accept assistance from any man with dressing, and I do not require shadows following me everywhere I go.”
Ghost shifts beside you. “Now ‘old on,” he says. “You need protection.”
“I need no such thing. I do not believe there are assassins waiting around every corner for me.”
“I should be with you,” he insists. “If somethin’ ‘appens—”
“What do you expect is going to happen?” you ask hotly. You’ve lived on your own for years, and your hiding place was apparently well known to everyone. If an assassin was coming to dispatch you, they would have already come. The opportunities had likely been plentiful.
“Ghost is right. You need to be kept safe.” John holds up both hands when you look at him, half a surrender and half a plea for you to hear him out. You raise your eyebrows slightly, waiting. “A compromise. A fighting woman. Someone that can help you with anything you need, and can defend you if something were to happen.”
You incline your head. It’s a reasonable compromise. “That would be acceptable.”
“Farah?” Kyle asks.
“If she’ll say yes, she’d be the person I trust most with Sweetpea’s safety.” John glances at you, and offers you a little smile, like he’s not sure that you’re entirely done scolding. “You’ll like her. I’ll have her meet you in town tomorrow. Want you fitted for something nice to wear for your speech.”
“There is a closet full of perfectly nice dresses in my room,” you say. “I do not need anything else.”
“Indulge me. Your cousin’s man will be here tomorrow night, and the day after we’ll have you make your statement.” John’s smile widens, turning the slightest, inexplicable bit smug. “Want you to look your best, if it’s to be your last day as a princess, hm? And then on to better things.”
You sigh. It can't hurt to give in on this matter, since you won't have to stay much longer. “Very well, John. Although I think it’s a waste.”
The look in his deep blue eyes is inscrutable, but his smile doesn't slip. “I disagree. Nothing you let me give to you could ever be a waste.”
***
Image credits: 1 - 2 - 3 - 4 - Divider by CafeKitsune
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milk-ducts · 7 months
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[Brief] Thoughts on Film Theory's Analysis
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I was gonna post this on my priv twt.. but moots convinced me to post it here so here we are.. beware of spoilers, gore, bla bla bla ..
FIRST OFF I'm gonna start by saying, I AM ESL. I may or may not have misinterpreted some of his words, but this is mainly how I thought of his analysis. This is not meant to be ill-guided or rude ! so sorry if it comes off as this way. I will be very repetitive.
Another thing, most if not all of the information matpat gave out i alr discussed with a few mutuals on discord about a few months back so this is not new territory to me 😭😭 I thought most folks would already knew the concept of how the brain deteriorates overtime But honestly, that indisposition shouldn’t even apply to omni man??? matpat tried to compare an immortal Viltrumite's psychology to that of an aging human's, which can be misguided.
Let's start by how he compares Nolan's brain to the average aging human's brain so the audience could understand his psyche more and how empathy declines overtime. First and foremost, Nolan is not a human, second; Nolan wasn't raised with empathy or around an empathetic environment - it was an alien concept to his race. Something frowned upon. He was raised from birth to conquer and destroy without remorse. His brain never developed those neural pathways for empathy in the first place. It's not that they deteriorated over time, they were never even formed.
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By the time he came to Earth, all this familial stuff was new to him. Sure, he knew he was gonna outlive them, but He didn't think he'd get attached. HE didn't process that he'd grieve over them when the time came.
Interacting with humanity for the first time ignited unfamiliar emotions in Nolan that he didn’t know how to process.
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His time living amongst humans caused conflicting feelings he’d never experienced in his centuries of systematic slaughter. Loving Debbie and Mark went against everything he was taught, but he couldn't help it. For once, the lives he was manipulating to further Viltrum’s goals meant something to him. He developed a [what he presumed, NOT what he felt about them in reality, his love for them is far more profound than he assumed it to be which we later on see in the last ep of s1 and the second season] petty facsimile of love for his ersatz family.
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So no, his capacity for empathy didn't decline with age as MatPat claims. His empathy was stunted from the start. An underdeveloped skill, not a deteriorated one. We had characters like Debbie to help him understand those notions, help him grow it. With Mark in the mix? it only amplified that development.
Viltrumites are societally and culturally predisposed to violence and domination. Nolan was never accustomed to forming emotional connections or grieving loss. Those were entirely new experiences for him after arriving on Earth. He was not jaded. he was grown into jamais vu in viltrum.
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This is why the whole conflict in s1 happened, he was treading between double lives he wasn't sure of. He was conflicted because his past values were refuting with his new experiences. He found love on Earth, he found himself unable to accept how he'd lose Debbie. Of How jaded Mark might become. Everything he said to Mark till that point was his own self-projections, his own fears, doubts.
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While the video did provide some interesting facts about neuroscience and aging, the application of those facts to Nolan's character was inaccurate. IT is educational for those who don't know, but it isn't recent news that the brain begins to deteriorate overtime so this video wasn't that informative which kinda disappointed me. Their analysis lacked alot of information about the Viltrumite race and Nolan's character. Comparing him to humans with normal life experiences just doesn't work. His immortal nature combined with a lack of empathy from birth created a psychology unlike anything seen on Earth.
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SORRY FOR RANTING ALOT AND OR IF IT SEEMS LIKE I'M GIVING MATPAT SHIT ... i really liked their analysis on immortal so i'll give them that. Immortal, unlike Nolan, was born human. He has lived among humanity for over 3000 years, inhabiting different identities of public and devoted historians. Because of this, his psyche developed quite differently. Immortal knows how to form connections, experience loss, and adapt to social changes. His perpetual existence didn't harden his heart like Viltrum's brutal culture did to Nolan. Instead, Immortal's immortality allowed his empathy and compassion to blossom.
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Humans are social creatures. Our brains have evolved to seek out interpersonal relationships, crave affection, and find meaning in community. For an immortal like Immortal, social interaction is vital to staving off boredom, depression and detachment from humanity.
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By inhabiting mortal lives, he stays tethered to the human experience. He continues learning, growing, and developing empathy.
This is why he's devastated when the guardians die.
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This is also why he goes fucking mental and tries to kill Omni-man.
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If Immortal had lived in isolation all this time, unable to connect with people, his psyche would likely resemble Nolan's more closely. Without social interaction, Immortal's brain would atrophy in ways that preclude complex emotions and moral reasoning. His sense of purpose would fade, achievements would lose meaning, and life itself might feel pointless. By engaging with humanity, Immortal gives his endless existence purpose and direction. He finds value in each temporary life, so loss still impacts him deeply. Socializing keeps his emotions and cognition flexible, which prevents the apathy and hardness of heart seen in Nolan. Nolan never had these opportunities in his early years, this is why it's more difficult for him to stray away from his indoctrination. It's that he's unused to it, underdeveloped.
60 years to Nolan would've been a year and a half, so what's 20 measly years on Earth for him? Yes, he found profound connections in that little speck of time, but Immortal's emotional capacity is far more extensive.
In summary, Comparing Nolan to a human, whether mortal or immortal, is kinda inaccurate. His Viltrumite psyche rules out him from possessing JADED human qualities. You could say he's desensitized to violence sure, but no.. unfortunately.. he does not have [boomer] brain. He has [indoctrinated alien-fascist brain]
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Leave your own thoughts down below or through reblogs, I'm really interested on what others may think of this! (URGHHHNN... my hcs r slipping away from my fingers cuz now people r gonna accept what matpat says as truth.. someone gun me down from the hills..)
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gogciety-moved · 5 months
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he can’t help but to ^_^ at the kind strangers on his puter
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theposhperyton · 2 months
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All evidence suggests yes
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#starting a new power scaling system for the warlords of the sea but im rating them based on whether i think theyre an ally or homophobic#kuma is an ally because photos dont lie and hes clearly wearing an ally pin#also you cant spend that much time around somebody with the title “Queen of the Queers” and somehow be homophobic afterwards#unless youre sanji but hes still on his internalized homophobia growth arc. i believe in you buddy you can beat this#crocodile is trans and baroque works is the alphabet mafia in a literal form#with that said. he has the energy of “im not homophobic yall are just annoying”#doffy has the energy of a homophobic homosexual#like hed kiss a guy and then call him a f*g and throw him out a nearby window#jimbei joins the strawhats so ofc HES an ally#blackbeard sucks but i dont think hes homophobic#hes one of those people you meet and theyre just the worst all around and youre like “man this guy has gotta be homophobic”#somebody mentions their partner and you go “oh boy here it is” but he just has no reaction whatsoever#hes such a problem but at least hes not homophobic on top of everything else#Gecko Moria is such a virgin that i dont think he knows being gay exists any more than he knows being straight does#Typa MFer who thinks “sex” is just a synonym for gender#also hed see your top scars and get excited because he thinks youre a zombie#gecko moria probably thinks LGBT is an acronym for some branch of the navy that he doesnt know (or care) about#Because Boa lives on Sapphic island i would jump the gun and immediately say she's an ally but i feel that its more complicated than that#not unlike moria. she also doesnt actually have a real strong grasp on being straight vs being queer#but thats just because shes used to everybody being whipped for her equally#somebody tries to explain it to her and shes just like “??? but theyre all obsessed with me?”#if she ever encounters a gay man it will be a reality shifting event for her#id say itd be the same if she met a sex/romance indifferent aroace but like#monkey d luffy#its already happened#mihawk is probably both an ally and queer himself but he just minds his own business so much that we may never know#one piece#seven warlords#warlords of the sea#bartholomew kuma
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heeliopheelia · 8 months
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Okay just had to put it here for the ones who haven't seen this already
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honey-nut-scooter · 6 months
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Words cannot describe how much I despise him, but he has such a fun character design I couldn’t resist.
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chadillacboseman · 16 days
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"He's as loyal as a starving dog, and twice as likely to bite."
Everyone LOOK at this commission of Jesse from @romanoe and weep.
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dinner-partys · 10 months
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