changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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I got brain rot of Cowboy!König just being so fucking frustrated over his darling sometimes because she’s so sweet and trusting and just a bit naive so she does stupid things like leave her doors unlocked so he has to go and lock them for her just so that he has some peace of mind.
He will never know peace with Bee. Even when they get together she's the type of person to go, "Why would I worry about that? König will handle it." And he will but Christ woman, worry about something, please.
You are so interminably trusting it is bordering on insane. König twists the knob on your front door and sighs when it opens with little fuss. When you’d talked about how safe this town felt he really had hoped you didn’t mean it was “leave your door unlocked” safe. Apparently you had. He slid the door open enough to let himself in, and shut it quietly behind him.
He may as well, you practically left him an invitation after all. Stupid. Naive. You’re a woman living alone, shouldn’t you know better?
He thinks you keep your spare keys in your kitchen. Really you should have offered him one with how often you see each other, but it’s fine, he’ll grab one for himself and lock up while he’s at it. König is quiet searching your kitchen drawers, mindful of the clink of silverware as he eases each drawer open to look for your keys. It’s late enough that you should be dead asleep, but one can never be too careful. Nothing. He goes to check the table by the door, wincing at the creak of unoiled wood sliding against itself. He pauses, sliding his fingers carefully into the opening to feel for- yes, there it is.
A little ring with two pink metallic keys. He slides one off and takes a moment to put it on his own key ring before replacing the spare and sliding the drawer back into place. There, nothing left but to lock up.
He hesitates, his hand on the front door waiting to open it. What is stopping him from leaving? No. What’s stopping him from staying? Your little orange cat winds its way around his legs, just as eager to see him as its mother always is. König bends down to scoop it up, feeling the rumble of its purr and scratching between its ears.
“Bringen wir dich zurück zu deiner Mutter,” He tells it with a low whisper. That’s what’s stopping him, he wants to see you.
He knows where your room is, of course, up the stairs and at the end of the little hall. Your old floors may creak for you, but he’s never had any trouble. Your door is open, your windows are open, you are open. Sleeping soundly under the cool breeze from the ceiling fan, looking so sweet and soft, and vulnerable.
This was the problem. You left yourself too vulnerable to threats. It’s just not healthy. What if something were to happen and he wasn’t here? He sets the cat down on the floor, and brushes a strand of hair off your face. Pretty. His pretty girl.
You make a soft noise as the cat jumps on the bed, and he- God- No, no, he has to go. He can’t stay. He can’t.
It is a long walk back to the front door, but he doesn’t forget to lock it behind him.
König is such a worry wart sometimes, you think it’s funny that a man his size is worried about safety. He looks like a one man army, but he always double checks that he locked his front door before he leaves. You just wait for him in the truck, eager to get to town and get your weekly shopping done. When he finally gets in the cab and turns the truck on, you catch a flash of pink hanging with the rest of his keys. It looks just like one of your house keys, but that can’t be right.
“Is that my key?” You ask, feeling something pull in your gut, König glances down at his key ring, “How did you get my key?”
“You gave me one, did you forget?” König says with a frown, “You said you needed someone to feed the cat when you go into the city.” You nod hesitantly, thinking. Did you give him a key? You do need someone to feed Spot when you have to make the trek out to civilization.
“Huh, yeah I- Thanks for that, I guess.” If König says you asked him you must have. He’s got no reason to lie to you.
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