so in an attempt to actually use positive thinking, anytime i fuck up and my brain reacts as if ive cause a minor apocalyptic event, i compare my fuck up to the 4 minute fuck up committed by the crew of the uss william d porter.
and only today, as i was having to explain what happened to my mom when i was explaining the whole comparison thing, did i realise that most people dont know about it and ive decided that needs to change because its objectively hilarious.
...which is a weird thing to say about an event that occured on a warship in 1943, specifically november 14th.
see the uss william d porter was a fletcher-class destroyer but you dont need to know what that means, just that she had guns that went bang bang and that she was escorting another ship, the uss iowa, to cairo.
while they were on their way there, they performed some gun trials like testing the anti-aircraft guns or the torpedos. and while they were running a torpedo drill, the crew of the porter managed to fire a live torpedo straight at the iowa which you know, in terms of a list of things to do while escorting a ship, shooting a torpedo at them is not on that list.
especially if the president of the united states is on board.
yeah so fdr was on board and the gun trials were actually his idea, and part of the trials was that they were conducted under radio silence.
and that means the crew of the porter couldnt just call the iowa to be like "move out the way, we accidentally shot a torpedo at you."
but they did have signal lamps and you know, the signalman on board was trained to signal this exact kind of message.
...and uh never mind, the signalman did manage to successfully tell the iowa that a torpedo was coming toward them but wasnt as successful when it came to the direction the torpedo was coming from.
not all hope is lost though because the signalman could still use the signal lamp to correct his previous mistake and-, never mind, he announced that the porter was reversing, which she wasnt.
yeah so at catastrophic mistake number 3, they broke radio silence to warn the iowa and she managed to turn out of the way just in time which meant no one got hurt. and even though the inquiry into the incident led to chief torpedoman (fantastic job title btw) lawton dawson being sentences to hard labour, fdr intervened and waved away his sentence, saying it was all an accident.
but yeah, so thats my new measure for "how much did i really fuck up?" and when i compared accidentally picking up a pencil case without a tag on it in wilko, turns out it was a very minor fuck-up. yes, the cashier had to ask another worker to grab a duplicate so they could scan the barcode, but i didnt nearly kill the president during wartime via accidental friendly fire
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more clone^2
snippet 21: Danny is Bruce Wayne's Clone and--
Star, with the rest of the A-List girls: alright ladies! it's time for our quarterly 'cutest boys' list! Now I'll get straight to the point, in our number one spot is--
All girls, in unison: Danny Fenton
Star, writing it down on a whiteboard: and for our number two spot--
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Snippet 22: clone meet clone
Ellie, dramatically: Danny!
Danny, equally dramatic: Ellie!
Ellie, pushing past him and looking around: where is he! i wanna see the little guy!
Damian, with a sword, brandishing it dangerously: *in arabic* don't come any closer, stay back!
Danny, wrapping an arm around Ellie's waist and pulling her back: woah, woah - he's still adjusting to everything
Danny, turning towards Damian with his google translate open: [please don't stab her. this is Ellie my clone.]
Damian, lowering his sword in disbelief: 'there's MORE of you?
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Snippet 23: Ellie has the same epiphany as Danny
Ellie:...hey Danny
Danny, pouring over his arabic book: hm
Ellie: since I'm your clone, and you're a clone of Bruce Wayne, and Damian is a clone of Damian Wayne, does that technically mean I'm his mom - uh. dad-mom?
Danny:
Ellie:...its a fair question
Danny: .....*deep sigh* you're his cousin until further notice.
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Snippet 24: wait for me ii (hadestown, live vers.)
(i'm not sure of the context, but i've been thinking of Danny saying this to Damian during a serious moment for days. the snippet title is the song that the dialogue below is from)
Danny, fixing up Damian's wraith suit: the meanest dog you'll ever meet
Danny, zipping up damian's jacket: it ain't the hound dog in the street. he bares some teeth and tears some skin, but brother,
Danny, adjusting Damian's gloves, pausing to look him in the eye: that's the worst of him.
Danny, he holds a finger up to Damian's eyes and points it at him: the dog you really got to dread, is the one that howls inside your head
Danny, grabbing damian's mask and smoothing it over his eyes: it's him whose howling drives men mad, and a mind to its undoing
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Snippet 25: Danny is Bruce Wayne's clone-- (Battinson Vers*)
Ember, in the middle of a fight with Phantom + Wraith:
Ember, knocks off Phantom's mask for the first time: lets see what ugly mug you're really hiding under there, Phantom--
Phantom: *the wettest, most pathetic looking pretty boy on the planet*
Ember:
Phantom, dryly: what, did your mic die out or something? all that caterwauling finally make you lose your voice
Wraith, unsheathing his sword: *vibrating with baby brother rage bc he knows EXACTLy why Ember is silent*
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Snippet 26: Damian is finally starting to play nice :)
Dany: hey... guys.... whatcha doing
Damian, hanging out with Sam: Me and Manson are plotting ways to crush the Mayor's plan to cut budget funding for the city parks and cut down the native trees
Danny: oh, i see.... is this safe?
Sam: probably
Danny: hm.
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Snippet 27: digging up cold case
Danny: ....if Damian is out with Sam tonight with their plot against the mayor....
Danny, turning towards his desk: then that means I can work some more on Mrs. Witherbury's murder case that she asked me to solve without Dames guilt-tripping me into bed :)
Danny, settling down at his desk with a thermos full of coffee: i'm glad sam and damian are finally getting along
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Snippet 28: sparring
Damian, frowning: your reflexes are incredible but your combat is downright awful, brother. it's truly a miracle i didn't skewer you upon our first meeting
Danny, got his ass kicked by his 7yo brother: *groaning in pain* not everyone has super secret assassin training, Damian. And I don't really have time to actually practice anything.
Damian: Mrs. Fenton knows martial arts and her form is proficient enough, I'm sure she would be delighted to teach you if you asked. I will join since I need to keep my skills sharp and my training was unfinished when I arrived here.
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Snippet 29: daytime surprise
Phantom, fighting Skulker in broad daylight: *under his breath* at least Lancer's english test will get canceled for this...
Phantom, dodging a blast from Skulker: *in ASL, furious* don't you have anything better to do, you fuck!?
Skulker: foolish ghost child, speak! I know you're capable of it - speak before you lose the ability to
Phantom: *flips him off instead*
Wraith, sending back a ecto-blast with his sword: please pay attention, phantom
Phantom, doubletaking: *in a hissed whisper* what are you doing here!? it's a school day, you should be at school!
Wraith: Tt. If the boot fits.
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Snippet 30: guilt
Danny with his head on his desk, his elbows propped up as he massages his hands: hn
Damian, lurking to the side with a guilty look on his face:
Damian: can i....
Danny, silently holding his hand out to Damian: hrm
Damian, immediately taking it and doing the massages + finger exercises: ...im sorry
Danny: hm... I forgive you
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i think that i've figured out why i don't like show sally.
ok like don't get me wrong, virginia kull?? she ATE with that interpretation. her acting?? amazing. like i could truly get the core of her character.
it's just that i don't like the character the writers give us.
cw: discussion of abusive relationships, of toxic family dynamics, probably a good bit of generational trauma. I don't really get into details except with stuff shown on the show and written in the books but i wanted to be safe.
as someone from an immigrant household, as someone whose mom works a part time minimum wage job, as someone whose seen and been there as my parents fought, i just really really dislike sally's portrayal in the show. and it's partly because of poseidon and partly because of gabe (mostly because of her character in general but yeah, lets get the men out of the way first)
I feel strongly about poseidon in his relationship to sally very specifically. i don't mind his relationship to percy either books or show. but it's pretty damn clear to me that this show was written by someone who's never experienced sally's situation, of being the single working parent with an absentee partner (or in gabe's case a partner who literally ahHHHHHh). because from the beginning, from sally's reaction and snark to gabe, I felt like something was wrong or off, and it was Specifically the show because i read the books and i watched (some) of the musical and i never felt that way towards either of those. i'm not saying that my family situation is sally's (don't have a god for a father for one), but. by all accounts sally knows that this is an abusive relationship, the only reason that she's with gabe is because of the protection he offers percy. i have to assume that this is true because sally jackson turning gabe to stone is something i'm assuming is staying in the show, and i remember this being mentioned by grover? or someone in the first few episodes. and the cord that struck in me was not the traditional (that is, visible, defined, i don't like this word but i don't have a better one) abusive relationship but relationships in my community, of women staying with husbands because of their children, women outright saying this, women who know the world is cruel to single women and to single mothers specifically. sally, to me has never been under any illusions that gabe is any sort of relationship material. she has never been under any illusions that poseidon would be able to help in any way.
and that crux of sally's relationships made her first scene in the show all that more jarring. but it's not anything specifically that i can put a finger on. and maybe i'm wrong for this or maybe i'm expecting too much. but. sally doesn't have the resentment or the quietness or the bitterness or even the loudness that i expected. you have been the only true caretaker for your child, the only one in the house that really puts food on the table and on top of that is expected to do emotional labor? to cook and clean or at least pick up the food?
but she treats gabe like he's an annoyance. someone to brush off. and you see the manipulation tactics from gabe, you do, but.
its not that i want sally's spirit to be crushed. my mother's spirit wasn't crushed. the women in my community, they laugh, they cry, they watch silly tv shows, they have lives that they live, and in many cases they live well.
but the women that i know are also angry. they are either on fire or they used to burn. when they banter with their partners it often turns ugly because they are tired of the same damn argument day after day, because often the trivial things that are asked are compounded and compounded and compounded because you live in the same house, there is no escape, there is no private space, not really.
it's new york and sally works a job to support an apartment and her family. they are not well-off. sally has no support network we can see, and how could she? poseidon mentions that she has no one to talk to about these things, her parents are clearly out of the picture. all this to say. there is a certain understanding of class that exists within the books that was excised, i believe unknowingly, from the show, and it is the worse for it. there is a tiredness, a worn-down-ness from being low income that sally had in the books, but in the show i only see a struggling first time single parent. i don't see the complexity of a woman who literally gave up on finding a fulfilling relationship to be with a man for her child. i don't see the complexity of a woman working fulltime and still getting demanded from at home. and i didn't realize that I wanted to see that until I saw the show. i didn't realize that that was what i loved about the books.
i hate that they tried to bring poseidon back into sally's life as this perfect man who through cosmic forces can't help. i hate that sally calls him, i hate that he says he'll listen. but most of all i hate that sally just accepts him, falls into him. it's really hard to be a mother when your partner doesn't seem to help you parent in any way, even if he cannot help you. he's a greek god, there's no way in hell that he can begin to understand the lengths that sally has gone through to sacrifice and survive, the very human things that she's done. sally in the books thinks of poseidon as a sweet memory, almost a fairytale, and it's clear that this story is the one that brings her comfort. poseidon is a one night stand, a sweet stranger, she understands he's not coming back. but this poseidon comes when sally calls, and that i cannot believe. i cannot believe that she still thinks of him as the fairytale man, that she accepts him so easily if there isn't that distance. i cannot believe that there is no resentment, that she still puts faith in him as her god (the first episode when she talks about him just felt so wrong to me) if he's not a memory, but a recurring figure. this is not a story of star-crossed lovers, sally feels too real as a human being for that.
sally finds trust, finds contentment, in the books after percy leaves home, after she no longer has to put up with gabe for his safety. she does not find poseidon again. she marries a human man, a very ordinary human man who cares for her. poseidon visits after she is in this relationship and its an amicable one. he is percy's father but also distant memory all in one. sally has the strength to survive a terrible relationship and still find a way to heal and live fully after that.
but the anger. the fire was there. she turned gabe to stone. she reclaimed her life with her two hands.
you don't kill a man for no reason. you don't kill a man without emotion.
but it's that reason and that emotion that i don't get from the writer's room. and it just makes me deeply sad.
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