#there's like. so much complexity to this particular experience

[arodrwho]

the best way to write is however ur little heart desires obviously but personally subjectively pettily i think that most of the time people would be better off just writing how they talk

[nothorses]

"the public education system is intently evil and all teachers are abusive because it was the worst experience ever for me personally"

guys, look, I'm legitimately sorry that happened to you. that's fucked up. it shouldn't have happened, and it shouldn't be allowed to happen again to you or anyone else. I'm sorry.

public school was hard for me too, at times, and I'm still suffering the consequences for the harsh grading, the arbitrary deadlines, the hours of completely useless-to-me homework. I could name a few teachers who have been pretty fucking terrible. the fact that nobody considered getting me evaluated for ADHD has had an impact on my self image and academic success that I can't erase.

and also.

I grew up in an area where education, in particular, is incredibly progressive-leaning. educators are working really hard to create and try out education philosophies and practices that prioritize kids and their learning, rather than teachers and what they think kids should learn.

My sex ed was comprehensive, and came entirely from school. My gay sixth grade teacher taught me about HIV/AIDs in a useful, accurate way. In high school, I learned about the way orgasms work & I was prepared not to feel shame for normal stuff.

I learned that Communism was not what the USSR actually practiced, and what it really means. I learned about atrocities and, specifically, the genocide of indigenous people committed in/by the US. I learned about the military industrial complex, the school-to-prison pipeline, and I learned about manifestations of racism specific to my local area. I learned about Stonewall, and the intersection of the civil rights movement with gay rights and disability justice.

My creative writing teacher taught us about LSD, and the real reasons we shouldn't do it, after a hilariously ineffective assembly run by some local cops. He spoke gently, carefully, and emphatically about his friends and his own experiences. Later in the semester, he read us a story he wrote about two gay men finding each other in a deeply homophobic environment.

My sci-fi teacher made me feel safe & seen as a kid with "weird" interests. My US History teacher helped me research and put together a 10-page paper on the modern relevance and mission of Feminism. My government teacher made me feel appreciated for the work I put into the class, and the thought I put into what I said in it, even though he disagreed with a lot of it. My sixth grade teacher bought me books to read with his personal money, whichever ones I asked for. My third grade teacher made me feel safe. My science teacher in middle school made me excited for and passionate about science, and saw and nurtured the effort I put into her class.

A lot of stuff sucks, absolutely. But I am seeing new teaching methods being tried out all the time, and I am watching teachers get really excited when I teach their students about the roots of modern graffiti in US black history & to question property laws, and just...

There's hope. there are so many people doing so much work to make things better. so many people agree with you on what education should be, and are trying so fucking hard to put that into action, and so many public schools- not just teachers, but whole schools and even districts- are really doing that work. so much is getting better.

I had more to say, about necessary childcare and trusted adults and outside contacts and time away from abusive family. But like. Please just sit down and listen to more people on this, and please talk to educators and education professionals about what's really going on in this big huge world of philosophy, science, and practice.

[anneapocalypse]

I cannot help feeling like the tendency to see Inquisition!Leliana in stark contrast to Origins!Leliana has led to some people forgetting what... Leliana is actually like in Origins.

In fairness, as in all Dragon Age games some very revealing character moments happen in party banter which makes it easy to miss. But the gentle-hearted mystic who desires only to draw others unto the love of the Maker has never been all that Leliana is, and it's always been in direct conflict with the side of her that is not only adept at intrigue and yes, violence, but enjoys those things. This is the central conflict of her whole character, and it's not a trivial conflict, because there is not one simple answer to who Leliana truly is. She is both of these things. She is deeply religious and finds comfort in her faith, and thinks it should bring comfort to others as well. She's also prone to gossip and pettiness and all the qualities that helped her thrive as a bard.

There's this one particularly revealing piece of banter with Alistair if the Warden is in a romance with Morrigan:

Alistair: So have you heard? Morrigan and him are... you know. Leliana: Have you nothing better to do than to spread idle gossip? And besides, he can probably hear us both. You're not being very discreet. Alistair: No, look, he's not even paying attention. Leliana: Hmmm. maybe. You don't... think that he's serious about it, do you? The woman is a vile fiend. Alistair: Well, look here, now who's an idle gossip? Me-ow! Leliana: You're the one who started this, I might remind you. And I'm... well, I'm ending it!

I once had the especially entertaining experience of getting this banter, and minutes later hearing Leliana turn to Morrigan to give her the "It's so nice that you're together, isn't love wonderful?" line. But whether or not you have the pleasure of hearing them back to back, I think this dialogue make it pretty clear that while Leliana would like not to think of herself as a gossip, it takes very little prompting from Alistair to get her to slip back into that mean girl persona. And Alistair (who is more perceptive than he often gets credit for), calls her on it immediately, clearly embarrassing Leliana--who realizes that her mask has slipped.

I don't think it follows from this that Leliana necessarily hates Morrigan unilaterally. There's something much more complex going on between them, in my opinion, because they are such distinct opposites in upbringing and personality. Both Leliana's faith and her life of courtly intrigue are nonsense to Morrigan, who neither believes in the Maker nor has much patience for intricate social graces (at least, not yet). Meanwhile, I think Morrigan's outward self-possession and the sense of power she exudes is a source of both fascination and frustration for Leliana, who thinks she understands power, both social and divine--but finds in Morrigan a kind she cannot fully comprehend. (I also think you can definitely feel some sexual tension into their banter, especially the much-beloved banter about the velvet dress.) Ultimately, both of them are very concerned with power, but approach that concept very differently. And Leliana responds to this clash of ideals in a particular way because her own self-image is so conflicted.

As all great Dragon Age foils do, Leliana and Morrigan needle one another, push each other's buttons, challenge one another's sense of self, and in doing so reveal one another in their complexity and sometimes in their ugliness. It is perhaps easy to write this off as the tired trope of women being unable to get along with one another, or conversely to claim that they get along just fine and fandom has fabricated the tensions between them; I think to do either of those things diminishes a genuinely complex and sticky relationship that serves to reveal a lot about both characters.

[murdrdocs]

thinking abt sejanus and coryo sharing a girl in their peacekeeper days ohhhhngmgnnggngkgg

god this got my little brain going walk w me here ... fem!reader

the differences in the way they fuck : sejanus is gentle. he cares about your pleasure a little more than his sometimes. he drives into you with gentle thrusts, even when they’re faster than they usually are. he’s never rough or incredibly fast about it. instead, he treasures the time he has with you. he’s asking for reassurance (“are you still doing okay? yeah? okay, just keep me updated”) with a dimpled grin. he’s reassuring you with moans (“you feel so good, love”). he’s truly a gentleman. someone you go to when you want to be fucked softly and cuddle with afterwards, taking about anything under the stars and feeling as if a proclamation of three little words are on the way.

coriolanus is nearly a stark contrast : he has his nights where he bears similarities to his friend, asking for reassurance and praising how good you feel. but his comments are harsher. dirtier. he claims you from the inside out (“my dirty girl” “my little slut” “mine”). coriolanus treasures his time in a different way, instead bending you and placing you in whatever way he wants, as if you’re an experiment for him to study. he treasures his time by fucking you relentlessly, working you to as many orgasms as possible instead of making the one incredibly worth it. coriolanus isn’t fast about it, either. he drags it out instead, edging a particular favorite past time of yours. and each time you cum, he makes it worth it with a cocky grin.

coriolanus is jealous : he likes to claim you as his, even when he’s well aware of your nights (and days, sometimes, if the loopy grin on the plinth's face when he returns from patrols is anything to go by) with sejanus. anytime the other boy brings you up, coriolanus can’t help the way his nostrils flare and the hardening of his eyes. he can’t help but storm off from his supposed best friend to find you as quickly as possible, without guaranteeing dishonorable discharge. he likes to make sure that the next time sejanus is with you, corionalus has left his mark somehow. whether it be as simple as hickies along your pretty skin, or as complex as a limp in your walk and bruises along your hips. and if sejanus comes to coriolanus about it, voicing concern with descriptions like “our girl”, coriolanus just smirks and claim that you like it. because with the way you were moaning when he did it, there’s no way you feel the opposite.

despite coriolanus reluctance to share, sejanus feels the opposite : sejanus constantly mentions the inconvenience of each boy getting with you at separate times, since they live together and it’ll be much easier for all three of you to act on your urges at once. coriolanus is quick to disagree to the idea, pouting and rolling his eyes and pushing the idea off before he can even truly consider it.

but then they run into you at a bar, catching you dancing to the covey's band. sejanus joins you first, moving around with you in a way that shows that you two know each other's bodies well. you cast a look over your shoulder, beckoning coriolanus to join you, and he figures that no one here, in this bar in district 12, will care if he joins. so he does. he presses his front against your back, and ignores sejanus' look of shock over your shoulder. he rests a hand on your left hip while sejanus takes the right. he kisses at your shoulders and neck while sejanus kisses your lips.

and for once, coriolanus doesn't feel jealousy. he finds the delight in sharing when sejanus fucks you from behind while you take coriolanus' cock in his mouth. he understands the pleasure in a threesome when you moan coriolanus' name, followed by sejanus'. he feels his ego swell when sejanus sits at the edge of the creaky bed and simply watches, palming his cock slowly while you ride coriolanus. he considers doing it again when you have both of their cum painted along your chest in pretty ropes.

[river-of-wine]

I know I’ve mentioned this plenty of times before but I’m still kind of annoyed by how the fanbase just kind of completely declawed the four lords and placed the entirety of the responsibility for their wrongdoings on Mother Miranda.

The Baker family are great, I love them, they’re an incredible unit of antagonists who are intended to be very sympathetic, at least for the most part. Jack and Marguerite in particular have lost all control over their minds and their bodies, turning into extremely violent murderers and cannibals who threaten and attack their own family, kill anyone unfortunate enough to come across them and, especially in Marguerite’s case, lose complete autonomy over their own bodies. Marguerite turns into a walking bug hive who’s only purpose is to feed her family and birth her new children. Jack is an unstoppable murderous force of patriarchal violence who has so much fun chasing down and harming his victims, which in the Daughters DLC includes even his own daughter. The exception to this is obviously Lucas, who has been cured of his infection and his acting of his own free will. All of this is caused by Eveline, everything Jack and Marguerite do controlled by her, and yet Eveline is just as sympathetic as the rest of them. She’s a ten year old girl. Even Jack, who has watched his family and their victims suffer because of her infection, doesn’t seem to hold any of it against her. She just wants a family of her own, after all. It’s a complex and tragic situation.

The four lords, while I suppose being similar in structure, are not the Baker family. Not in dynamic, not in character, not in the kind of tragedy that they embody. I could talk for a while about just how completely different they are, but I don’t know if I really need to.

The Baker family are so tragic because they were just innocent bystanders trying to help a woman and a little girl they found in a shipwreck out in a storm. That’s the only reason they ended up in the situation that they were in. While the lords have similar origins, being victims of Mother Miranda’s experiments to bring her daughter Eva back, an important distinction between them is that in the case of the lords, all four of them are still acting of their own free will. Yes, Mother Miranda has undeniable power over them. She leads the cult they are part of, she has control over the village, she is their superior. However, I really dislike when every negative action by the lords is pushed onto her, as if the lords are not all grown adults who are for the most part acting independently of her.

With Alcina, she is the head of her own extremely brutal crimes. I think a lot of people have forgotten quite how horrifying the situations of the maidens are, possibly due to the prevalence shipping between Alcina and the maidens, and though we have minimal information what we do know is very frightening. Alcina uses her work force like livestock, draining them for their blood in a cellar full of horrific torture devices, and leaves their corpses to shamble around, armed and ready to attack any unwanted guests that have slipped out of the daughter’s clutches so that Alcina still doesn’t have to do her own dirty work, given how highly above everyone but Mother Miranda she appears to view herself as. While yes, Alcina does need human blood to survive, her methods are brutal, and none of this has been enforced upon her by Mother Miranda. Similarly to Jack on occasion, she takes a great deal of pleasure in hurting and attacking Ethan as he runs from her. Additionally, everything she does to Ethan is against Mother Miranda’s request. While yes, it is retaliation after he killed Bela, the part I often see people leave out is that Alcina is equally as upset that he entered her property and was attempting to steal from her, and she isn’t just after him to kill him.

Alcina has also been an active participant in aiding Mother Miranda with at least one experiment, considering that I’d how she got her daughters. While I’m sure her strong admiration for Mother Miranda and Mother Miranda’s power over her has absolutely had an affect in this, that’s not something I’ll deny, Alcina is still a grown woman and in her written entries about this shows no qualms about her participation in this. Her general attitude towards others, using young women as a good source and turning men into scarecrows, also leads me to believe that she does not exactly care who gets hurt or taken advantage of when it comes to her and Mother Miranda’s personal endeavours.

Donna and Moreau are the two more sympathetic people within the four lords, but they are not innocent. To start with Moreau, he’s desperate for Mother Miranda’s approval, as well as the other lords. He’s insecure and lonely, and he’s doing what he has been instructed by Mother Miranda when it comes to protecting the flask. However, he does also take quite a bit of joy in trapping Ethan in the reservoir and swimming after him with the intention to eat and kill him. Moreau though, given his conditions and circumstances, is the one I think is the least to blame for what he does.

Donna is hard to discuss because we know so little about her. Her parents are dead, as well as whoever Claudia was to her, she communicates through Angie and she can cause those who enter her house to hallucinate. According to Mother Miranda, Donna is severely mentally ill and that is what has made her an unfit vessel. I think a lot of people took this to mean that Donna is unaware of what she is doing, that the hallucinations she is showing Ethan are frightening, but after having been a fan of this game for years I just can’t agree with that anymore. Donna intentionally lures Ethan into her house with visions of his supposedly dead wife. Donna is going after fears she likely knows Ethan has, making him relive Mia’s death, take apart a mannequin of her, listen to her voice panic over something being horribly wrong with Rose, all building towards the horrifying baby that chases him through the house. There is no way Donna doesn’t understand how what she is showing Ethan is distressing, especially when you consider that, given how she can make herself appear and disappear at will within Ethan’s vision and that Angie is sitting in the hallways stationary and unspeaking, Donna was likely close by Ethan at all times and could see and hear his frightened reactions to what she was intentionally showing him.

Donna’s death is upsetting, but Ethan was not just chasing her down and killing her. Donna was attacking him, or at least she was controlling her dolls to do so. It’s still a hallucination, but Ethan doesn’t know that. When faced with a threat that is keeping you trapped and trying to end your life, you will likely try to get away or try to fight back, as Donna is doing to Ethan after he starts to attack her and Ethan is doing to Donna when he thinks his life is still in danger. I would also like to remind everybody that Donna communicates through Angie. What Angie is saying, that’s Donna. Angie doesn’t talk or move once she’s dead, it is Donna who controls her.

Lastly, Heisenberg. I think Heisenberg is the one of the four most entrenched in headcanons. Headcanons are fine, I am never in this post trying to suggest they aren’t, but my issue comes in when people use them to try and change the canon of the game. For example, it’s fine to believe that Heisenberg was experimented on by Mother Miranda as a child, but that isn’t canon. It’s fine to believe that Heisenberg mourned the deaths of his siblings, but that isn’t canon. The opposite is, with Heisenberg not viewing the cult as an actual family and being very openly mean to all three other lords, even Donna and Moreau who seemingly haven’t done anything to slight him. While his goal of killing another Miranda is a very understandable and sympathetic one given what she has done to him, using a six month old baby as a weapon and trying to bring her father into the mix only to try to get him killed when he denies him is not. I cannot overstate quite how little Heisenberg actually cared for Ethan and Rose’s safety when it came to his goal, and given that we are playing as Ethan, Rose is the priority.

Heisenberg has built an army of corpses he has presumably stolen and desecrated. This is kind of fucked up actually, and done completely independently of Mother Miranda. He also puts Ethan through a very dangerous lycan gauntlet before he even reaches the factory, which makes it even stranger to me that people seem to interpret Heisenberg’s deal as something that would have benefitted both him and Ethan and as if he ever had Ethan’s safety in mind.

All four of the lords have tragic aspects to them and there are definitely reasons to sympathise with all four. They’re victims of Mother Miranda, who knows they will all be killed. She wants them to be, giving her less to deal with by the time she has Eva back. They never meant anything to her. Not Alcina or Moreau, who were desperate for her attention. Not Donna, suffering from her unspecified but apparently severe mental illness. Not Heisenberg, who was seemingly her favourite creation. However, all of them are grown adults who do their own bad things independently of her.

And it’s fine to still like them. It’s fine for them to be your favourite character. It’s fine to have happy or nice headcanons about them or want to kiss them or be their friend or to want them to have survived. It’s fine to like characters who do shitty things. It’s to be expected in a game series like Resident Evil. It’s a horror game series. People are going to do bad things.

I just find it so boring when people take away all their bite. What makes a character like Lady Dimitrescu so fun it’s that she’s completely over the top. She’s campy and ridiculous, her castle layout makes no sense, she’s got three kids made of swarms of flies dressed like a set of goth triplets, she’s a lesbian who’s castle is full of naked statues of women, she turns into a big dragon and laughs maniacally while flying around and trying to eat you. She’s evil and it’s fun. It’s the same with Heisenberg. He’s a campy show off with a fun voice and a massive hammer he never actually uses. He can control metal. He looks like a cowboy. He pronounced Miranda in a funny way. He talks to you over an intercom while trying to get you killed. They’re fun and evil and they fight over who gets to kill Ethan like they’re two little kids. It’s absurd.

What makes a character like Donna so scary is that she’s silently working in the shadows, unassuming at a first glance and unseen for most of the time in her house. She is the least threatening of the four upon first glance, and yet she has undeniably the most frightening part of the game. Pretending as if Donna is completely unaware of what she is doing and babying her like she is an incapable child waters her down completely and takes away from the effectiveness of her character.

Villain characters are great! They’re very often the highlight of the story they are in, and they aren’t real! The four lords especially are often so completely exaggerated in what they do as well. It’s fine to like villains! It doesn’t make you bad! Characters can be bad people and you can still like them!

It’s just frustrating seeing a group of very fun and exciting villains, all designed with different aspects of horror, all over the top and campy and stupid and fun, all doing their own set of fucked up things, watered down to a set of poor innocent victims who have never done any wrong ever. If you want Jack and Marguerite, take Jack and Marguerite. Lady Dimitrescu loves killing and eating women and Karl Heisenberg turns corpses into soldiers. They’re bad people and they do comically exaggerated bad things. If you can’t stomach liking a character like that, horror is probably not the genre for you. Unless it’s Resident Evil 7, I suppose, but apparently tall women aren’t hot when it’s Marguerite Baker crawling on the walls.

[missshirophantom]

Yandere Alphabet Sebastian Solace

From the author: hello everyone. I apologize for the abrupt disappearance after the first posts. There was a lot of shit going on in real life. And now especially, especially when I almost had a panic attack. This post... a small attempt to somehow cope with all the emotional problems. Ahem, I apologize for the mistakes, because English is not my native language and I used a translator. Yes, and I just got over it now... Tears, that's it. If I feel better (and a positive reaction will be enough), then I will write a small sketch using this post.

Warning: dr#g use without consent, threat of broken bones, threat of bondage, slight isolation, hint of c#nnib#lism. If you are for the fact that yandere Sebastian is gentle or dark, then you are absolutely not here. The author does not approve of the above written in real life.

Affection: How do they show their love and affection? How intense would it get?

— Due to so many years of literal torture and DNA implantation, Sebastian has forgotten how to show love and affection. At least, that's what many people imagine.

— Thanks to vague memories of his past, he often gives "gifts". These are usually very rare deceased marine life that he found while exploring the complex. Most often, he drags soft objects such as pillows and blankets to another person.

— It is worth considering that he will often be... Biting his beloved is not strong, of course, but deep enough and in prominent places so that the bite mark remains as long as possible.

— In rare moments, Sebastian can clamp his beloved with his tail and hands, preventing them from moving. Such moments last quite a long time — from several hours to even days. But don't be afraid, he will feed you.

— About feeding... Sometimes Sebastian intentionally brings dead marine life and forces the beloved to eat them raw, saying that he did not find a normal meal for you, and that's all he found, and there is no necessary equipment to cook.

— And I. Don't even think about giving up this "meal", because he can get very angry at you the longer and more persistently you refuse.

Blood: How messy are they willing to get when it comes to their darling?

— This case can be described as follows: rarely, but aptly.

— Sebastian hates people, especially getting dirty in their blood. But when the threat is directed either at him, or at the beloved, or at his refuge, then... Yes. It's better not to see it. In particular, you don't need to know where that poor guy's body goes next.

Cruelty: How would they treat their darling once abducted? Would they mock them?

— Despite his hatred of people, which he skillfully hides by contacting them in his store, especially if you are a person yourself, but in moments of his bad mood, Sebastian can mock you. Especially when you are trying to escape or are somehow stubborn, protesting against his actions and the like.

Darling: Aside from abduction, would they do anything against their darling’s will?

— It all depends on how his beloved behaves. If they try to escape more than once, he will give them a "medicine" in order to keep them in a sluggish and weakened state in the shelter.

— Well, he also locks them in a shelter while he goes out to get supplies. For good behavior, they may not even tie you up and tie you to the railing of the stairs.

Exposed: How much of their heart do they bare to their darling? How vulnerable are they when it comes to their darling?

— It's not much... It is difficult, especially when Sebastian vaguely remembers his life before his arrest and experiments.

— But if he is in a good mood, he can talk about his past. Especially about his cat, whom he misses.

Fight: How would they feel if their darling fought back?

— Definitely an annoyance. And the stronger and longer the beloved resists, the stronger his irritation, turning into anger.

Game: Is this a game to them? How much would they enjoy watching their darling try to escape?

— Sebastian does not consider this a game, even though he finds it funny to watch the escape attempts of the beloved and their plans for this. But still, he is serious that even for the sake of his "fun" he does not allow another to escape.

— So, yes. the DNA of the same white shark, which awakens in him the instincts of pleasure over the attempts of another to escape.

Hell: What would be their darling’s worst experience with them?

— Oh, definitely quite strong and a decent dose of "medicine" if the beloved misbehaves for too long. Sebastian rarely uses physical punishments. Except when he is very, very driven. Then he will definitely break a couple of bones in his legs.

Ideals: What kind of future do they have in mind for/with their darling?

— Sebastian just doesn't know. The arrest and experiments forced him to think about the present, not the future. Especially when there is a looming danger over him because of his mutations. And not only that.

— But somewhere in the tender moments with his beloved, he definitely thought about having a family with them. And also a safe place where they both don't need anything and no one bothers them.

Jealousy: Do they get jealous? Do they lash out or find a way to cope?

— As long as the other person does not speak directly and flirt, or God forbid, does not try to touch the other, then Sebastian is ready to be patient. And if any of this happens, he immediately throws this person out of his store and forbids him to come back. Believe me, this is the mildest thing he can do in bouts of jealousy.

Kisses: How do they act around or with their darling?

— Believe it or not, but it's pretty good, let it depend on the mood. Sebastian definitely likes to hold his beloved with his tail and sleep in this position, curled up in the "nest". Bite them, thereby marking them. As it was written above, he gives, albeit sometimes gloomy gifts: dead marine life, someone's bones. But it's definitely nice to get the same pillows and blankets from him. On particularly "lucky" days, he may even bring some simple puzzles, blank paper, and writing supplies. Or even the clean clothes of the employees! And also, as it was written, he definitely likes to watch the beloved eat the food he brought.

— However, do not try to annoy him in any way or, God forbid, make him angry. And even if nothing serious happens for the first time, it's better not to push your luck.

Love letters: How would they go about courting or approaching their darling?

— He will definitely compose a little poetry and read it to you. But mostly his love language, if you can call it that, is gifts, not particularly frequent physical contact, as well as... preening when Sebastian's mood is definitely high. He likes to mess with the hair of his beloved, untangling tangles with his claws and cleaning them from dirt. But it's definitely somehow caused by injected DNA and getting some instincts. Well, Sebastian can also be a good gentleman.

Mask: Are their true colors drastically different from the way they act around everyone else?

— Yes. Quite a lot if you continue to test his patience.

Naughty: How would they punish their darling?

— It varies depending on how much his patience is exhausted. If he speaks from the most harmless to severe punishment, then it goes something like this: stronger and deeper bites that leave a scar; short-term deprivation of food; small doses of "medicine"; medium doses; a large dose; broken bones, usually legs.

Oppression: How many rights would they take away from their darling?

— Freedom, defined. Sebastian will definitely lock the beloved in the shelter while he goes on business. But even without that, he still has no intention of letting them out of his sight, especially when they are not the first to try to escape or behave badly.

— It will also definitely monitor your meals with extreme care and sleep patterns.

Patience: How patient are they with their darling?

— Surprisingly, he is quite patient. But even such patience has its limits.

Quit: If their darling dies, leaves, or successfully escapes, would they ever be able to move on?

— Sebastian will refuse to believe that their beloved has died. By that time, he will have time to get very attached and it will be a blow to him. So be prepared for the fact that he will simply lose the remnants of his humanity and will babysit your body by locking himself in a shelter.

— Well, if it's an escape... It won't be difficult for him to find you. He knows this place like his own... "Five" fingers. Plus, his senses are highly developed, as are his newfound instincts.

Regret: Would they ever feel guilty about abducting their darling? Would they ever let their darling go?

— Definitely not for both questions. And even if Sebastian hated people and if you are a person yourself, he will not let you go.

Stigma: What brought about this side of them (childhood, curiosity, etc)?

— After the accusation that he did not commit, years of experimentation on him, torture, as well as the loss of some memories, you evoke in him... Something really different and new, amidst all this hatred and irritation. This feeling made him relax a little, feel the warmth in his chest and just made his barely controlled instincts calm down.

— You can say that he is really curious. Plus... Years of loneliness in this cruel situation are making themselves felt.

Tears: How do they feel about seeing their darling scream, cry, and/or isolate themselves?

— Definitely a confusion. Why do you want to come back at all? There, on the surface, you will find a much more cruel world than here, next to it. Yes, the conditions here are not so good, but it is much better than sitting behind bars in a dirty cell or, God forbid, being a test subject of these disgusting people.

— Despite the confusion, Sebastian understands these feelings. But he definitely didn't want to watch the situation worsen. He will definitely give you "medicines" to let you forget, but he will not work hard with it. After all, Sebastian does not want to be like the people who conducted experiments on him.

Unique: Would they do anything different from the classic yandere?

— Not really.

Vice: What weakness can their darling exploit in order to escape?

— It's definitely that Sebastian has become a monster, without a shred of humanity. Despite everything, he still misses the time when he was human, and these words will infuriate him. Plus, the same flashlight or flash in sensitive eyes. This disorients him for a few seconds.

Wit’s end: Would they ever hurt their darling?

— Mentally? Not much. Physically? Quite a lot, and it depends on how much you've exhausted his patience.

Xoanon: How much would they revere or worship their darling? To what length would they go to win their darling over?

— It depends on a lot of things. From the time you are with him, situations have occurred, especially those related to your life. The longer you stay with him and the more situations there are related to your life, the more he will begin to take care of you. But as for the conquest, this is another story and much longer, because Sebastian lost that normal part of himself, acting on the basis of instincts and vague memories.

Yearn: How long do they pine after their darling before they snap?

— It depends on the situation.

Zenith: Would they ever break their darling?

— Oh, Sebastian, which is a little surprising, will try to prevent this. He doesn't want a man like you to become even a little bit like him.

[togglesbloggle]

Voltaire's Prayer

“I have never made but one prayer to God, a very short one: Oh Lord, make my enemies ridiculous. And God granted it." -Volaire’s letter to Étienne Noël Damilaville, 16 May 1767

I’m inordinately fond of sex, in the political sense.  It’s saved us so often from the worst parts of ourselves.

As far as anti-authoritarian elements of the human experience go, sex is right up there with curiosity and the search for truth- maybe even more so.  When a new tyrant comes to town, shutting down the universities and the libraries is only the second thing they try.  The first thing is to regulate human sexuality to within an inch of its life.  Rules for marriage, rules for courtship, rules for which genitals may touch and where they may touch and when they may touch.  Rules for who and rules for whom.  Rules for which kinds of sex must doom characters in literature, rules for which things may be described as sexy, rules for which things may be described in a sexy way.

Of course they do!  If you’re trying to bind a large polity together under a common ideological narrative, to render people predictable enough to quash dissent and legible enough to exert power through them, the last thing you need is a bunch of folks running around being horny about stuff without permission.  Nature gifted us with a great capacity for reason and community; we have the innate opportunity to learn about ourselves and our neighbors, and to form complex societies based on that understanding.  It was Aristotle who first called us the political animal, and the fruits of that extraordinary capacity will always be within our reach, if only we can come together within a shared understanding.  The invention of the city is the great triumph of our species, and with it we conquer the universe.

But also this extraordinary, reasoning mind has been sculpted from the raw clay of a biology that’s anchored in sexual reproduction, and this ends up being very, very funny.

The problem isn’t so much that the sex instinct exists, per se.  It’s how it’s implemented.  Like most biological forms, the full complement of 86 billion(!) neurons in your brain aren’t encoded in a particular configuration; the brain is much too complex to be described so precisely in the only ~725 megabytes or so of human DNA.  The particular shape of your brain is in there somewhere- the lobes and subregions responsible for vision, memory, cognition, all that- but only up to a point.  The genius and fundamental limitation of genetics is that, below a certain level, the genes instead describe a process for the production and reproduction of specialized cells, and simply constructs them in such a way that they can be relied upon to order themselves as they go.

This is all well and good when we’re talking about kidneys and livers, but the fact that you can encode any kind of specific behavioral instinct in a brain this way is nothing short of a minor miracle.  Think about it!  Spiders don’t have a ‘spider web’ gene, the gene is for ‘proteins that come together in self-assembling electrochemically sensitive gelatin tissue which, when complete, encodes patterns that operate organ systems such as legs and spinnerets in such a way as to reliably create silk webs.’  This is absurdly impressive, and also completely insane.

What I’m getting at is, powerful behavioral instincts in a complex animal aren’t precise instruction manuals by which we pursue evolutionarily advantageous behaviors.  Sex and eros are prior to logic or language, let alone strategy.  Sex is a double-thick electrical wire discharging lightning bolts right through the middle of our cognitive centers, installed in the brain by a surgeon wearing mittens.  It’s an untethered firehose whipping chaotically through the cathedral, unpredictably spraying golden reliquaries with substances unmentionable.  It’s the first and greatest anarchist.

I really can’t overstate my gratitude for this.

Obviously this results in any number of deeply goofy outcomes by way of kinks and odd sexual practices- it gets tangled with pain centers, with random bits of anatomy and proprioception, with our taboos and aversions, with our greatest terrors or our greatest yearnings or just arbitrary stimuli from adolescence, and of course it gets enmeshed so often with our notions of power and submission.  It imbues these things with a fascination and potency out of all proportion with their mundane meanings.  And ultimately, you end up with human pleasures and human values that diverge so far from banal evolutionary imperatives as to be all but unrecognizable.

Even when this process somehow manages to propagate through the brain in such a way as to drive behaviors that are legibly aligned towards some adaptive constraint- e.g. heterosexual mating practices resulting in biological reproduction and careful childrearing- it’s still madness.  Love and sex penetrate deeply across tribal and national and racial boundaries, across economic interests, across battle-lines and enmities.  We become traitors, apostates, emigrants, and artists.  Declare a law, and in short order some hot-headed young people come along to break it in the name of sexual passions you could not possibly have seen coming.  Divide your neighborhood into us and them, and by the time the ink is dry on your proclamation there will be a forbidden relationship across the fence.  There is no social order, no ethical system, no theory of human nature that can entirely withstand contact with the full spectrum of human sexuality, because sex and eros are always going to be exactly as bonkers as the complexity of the human mind and culture will allow, plus a little extra just to be sure.

This isn’t always a delight, of course.  Many prohibitions exist for a very good reason, and the chaos of human sexuality makes no exemptions for true evil.  Some of us end up really, truly victims of this process.  But for all the dangers, the chaos at the root of all this isn’t oriented towards evil.  Chaos just means chaos, essentially arbitrary and hence absurd in character.

And in the grand analysis, we are so lucky to have this thing moving through our communities, this ridiculous madness that guarantees that there will be cracks in every wall and slips exploding cigars in the pockets of the powerful few.  Not in everybody as individuals, of course, and not everybody the same amount; asexuality is certainly one of the outcomes that all this mad gallivanting through our brains can produce.  Sexuality would never be so predictable as to guarantee its own existence, after all.  That’s part of what makes the joke so funny.

But all of us, regardless of sexuality, get to live in a world where the grand anarchy of sex is constantly driving home this lesson that no category is inviolate and no law is perfect.  That we should not and cannot take ourselves too seriously, or forget that we’re animals.  That we don’t exist only for the sake of others, or within their understanding.  That cities are made of cooperation, grace, and forbearance- not conformity or mere compliance.

People sometimes worry about immortality.  In the political sense, I mean.  They worry about eternal dictatorships and unconquerable gerontocracies.  This fear isn’t entirely unjustified; death has often played a role in progress and liberation.  But as long as enough of us are still getting horny without permission, still falling in love in stupid ways, I think we’ll be okay.  Romeo and Juliet don’t have to die at the end to make a difference in the world, as long as they’re brave enough to get weird with it.

[marlynnofmany]

Playing Translation Telephone

“Hi,” I said as the door slid open. “Captain Sunlight wants to know how your translations are going.”

Coals sighed. “They’re going. This one’s a mess.” He shook his lizardy head, brick-red scales dull in the light by the doorway. That part of the translation suite was always dim because Trrili liked looming in the shadows there.

But today she was at the workstation in the back, surrounded by glowing screens and a cloud of irritated hisses. “I think we missed a language,” she announced, snapping her pincher arms and angling her antennae into a scowl.

“What, really?” Coals asked. He ran a hand over his head, scales clicking quietly. “How many is that now?”

“Sixssss,” Trrili hissed.

Coals grumbled something I didn’t catch, and walked back over to the workstation.

Curious, I followed and let the door shut behind me. “What kind of project is this one?”

“Old records of a multi-species colonizing effort,” Coals said from his floating chair with the tail hole. “The originals are lost, and all that’s left is this jumble that’s been translated through a succession of languages, none of which they bothered to write down. And they want us to figure out what the originals actually meant.”

“Sounds tricky,” I said. Each of the screens held writing, most in languages I didn’t recognize. Some were notes in the trade language we all spoke, and I was amused to see how much swearing was in Trrili’s notes.

“It is very tricky,” Trrili agreed, jabbing a little wrist finger at the screen in the middle. “The grammar doesn’t match the words, and the idioms are an utter tar hole. It’s anyone’s guess what culture came up with some of these details.”

“I’m pretty sure the bit about rocks is a Strongarm saying,” Coals said. “It makes more sense than a Frillian interpretation.”

“Yes, fine, probably,” Trrili said with an irritated wave of her pinchers. “I’m stuck at this part that goes off on a tangent about the family arrangements of the wildlife. It’s clearly significant, and at least one layer of translation wanted to make sure the full interpretation was spelled out, but that just makes it more confusing.”

“How so?” I asked. I’d gotten the job on this ship because of my animal-care knowledge, so maybe I could offer some insights. I peered at the screen.

“This part,” Trrili said, “Is a recounting of a colonist’s experience in retrieving goods from a shuttle that crashed in a lake. The water creatures seem to have complex social arrangements, and somehow that relates to their behavior toward this particular colonist.” She folded her pinchers and leaned back, glaring at the ancient diary. “Of course this had to be written by someone disinclined to speaking clearly.”

“What kind of behavior is it?” I asked. “Are we talking mating advances, or aggressively protecting the young, or—?”

“Aggressive,” Trrili said immediately. “This word means mouth, possibly teeth specifically, and in the grammatical arrangement that it’s currently configured into, it has to be saying that the thing bit the colonist.”

Coals flipped through documents on another screen. “Do we know what the official name for the creature is?”

Trrili hissed. “Not even close. That’s what this whole tangent is: an attempt at describing it. I’d love to know if it was the original colonist or someone later who decided it would be helpful to tell us that this creature’s ancestors rejected social bonds.”

“Rejected how?” I asked.

Coals brought up another document. “I’ve got something on the legal system of the original colony. Sounds like there were multiple types of family arrangements at play. Possibly this colonist was just musing on a similarity to their own life.”

Trrili hissed. “How does that help us? I don’t see any accounts of this person’s family life, or even their species. We have no way to know if their own parents performed the socially-accepted rituals or not.”

“Wait,” I said. “Is this about the animal’s parents not doing a certain ritual? Like marriage? Is the colonist calling the fish a bastard?”

Both of my alien coworkers looked at me. Coals asked slowly, “That’s an insult in human circles, isn’t it?”

“Yes!”

Trrili threw her pinchers skyward and stalked away from the workstation. “Of course it is. You people are sentimental about everything, including reproduction. This would have been so much simpler if we’d known from the start that there was a human layer to this.”

“So what does it say?” I asked. “The colonist went into the lake to help with the crash, and got bitten by a bastard fish?”

Trrili was walking in circles hissing, so Coals scooted in front of the center screen. “Going by what we’ve figured out so far,” he said, “The colonist was trying to move salvage from the shuttle. Walking through shallow water. The water creatures were of many bright colors — it goes into detail about that, comparing them to refractive prisms and seaspray — but they kept their distance as long as the colonist kept moving. Pretty sure this part says one came in for a bite as soon as the colonist stood still. And that’s where we go off on an elaborate description of the creature’s family arrangements.”

I grinned. “‘Dear diary, today I waded through a lake and got bit by a rainbow bastard fish. Terrible experience; wouldn’t recommend.’”

Coals looked closer. “It does actually say something like that afterward,” he admitted. “There’s a suggestion that the next person to enter the water wear protective clothing.”

Over Trrili’s aggravated hissing, I said, “That colonist might have been a human.”

“Might indeed,” Coals said. He scrolled up through a page of notes. “That could actually shed some light on a couple other spots, now that you mention it.”

Trrili appeared beside us. “Bring up the part about the colony leader mating with someone’s mother.”

I laughed. “I can tell you right now that that’s an insult. The colonist is likely complaining about the boss, not describing something that actually happened.”

Coals looked at Trrili. “Told you we need an insult chart.”

Trrili tilted her head dramatically. “That’s so much work!”

“So’s this,” Coals pointed out. “How about you take another look at what we’ve got so far here, and I’ll start a list of common human insults.”

Trrili took a position in front of the screens, hissing quietly.

“I’ll be happy to help,” I said to Coals. “My people are very creative on that front.”

“So I gather,” Coals said. He scooted over to me, digital notepad at the ready. “And not one of those insults revolves around eggs. Mindblowing.”

“Well,” I said with a tip of my head. “There is the thing about teaching your grandmother to suck eggs. That’s kind of an insult.”

“What?” Coals said. “Never mind. I can tell this is going to be a long list.”

~~~

The ongoing backstory adventures of the main character from this book. More to come! And I am currently drafting a sequel!

[literatureloverx]

Mdni, ideal type! fem!reader x Dazai Osamu, VERY LONG AND DETAILED, platonic relationships such as: Odasaku, Atsushi, Kunikida, Chuuya and Sigma are briefly mentioned, Yandere behaviour, unhealthy behaviour, psychological disorders and suicide/double suicide mentioned.

DAZAI’S MASTERLIST => HERE

I enjoyed writing for Dazai very much, he has a big place in my heart.🩵 I received a request regarding PM!Dazai’s ideal type as well, I’ll post it in a few days.🩵

Dazai’s ideal type

Dazai is a complex and enigmatic figure, who can be described as a romantic—though not in the conventional sense of actively seeking love and connection.

Instead, he romanticizes the idea of meaningful connections. What does this mean?

Dazai is known to suffer from depression and harbors a deep desire to end his life.

However, he doesn’t wish to do so alone. He fantasizes about dying with a “beautiful woman” in a double suicide, which is inherently romantic.

This desire echoes tragic love stories like Romeo and Juliet or Cleopatra and Mark Antony, where love and death are intertwined.

This suggests that Dazai may deeply fantasize about love and being loved—perhaps even yearning for someone who loves him so much that she would sacrifice her life for him.

But why would someone wish for a double suicide in the first place?

Dazai sees no purpose in life, a perspective not commonly shared by others.

This makes it likely that his ideal partner would be someone who not only values life but is also grateful for what she has—because Dazai is only truly comfortable when he is surrounded by such people as Atsushi, Kunikida, Chuuya (debatable), and even Sigma.

He needs to learn this perspective to find his own meaning in life.

She would possess a sweet, positive spirit but would still be able to fully grasp Dazai’s bleak outlook, his feelings, and his philosophy—or the lack thereof.

Dazai might be drawn to a partner who is calm, patient, and nurturing.

Given his often childish behavior, it’s possible that he never had the chance to experience love in a normal, healthy way during his childhood.

We know little about his upbringing, but it’s clear he lacks any emotional connection or attachment to his parents.

Dazai is deeply wounded, depressed, and feels empty—though the reasons remain unclear.

The only person Dazai has truly loved, and who loved him in return, seems to be Odasaku.

So what makes Odasaku so special? What traits does he possess that Dazai might seek in a partner?

Odasaku was always calm and patient with him, seeing through Dazai’s lifeless eyes and empty heart.

He recognized Dazai's pain, suggesting that “someone needs to rip that pain out of this child’s chest.”

What if Dazai's ideal partner is someone who embodies these comforting and meaningful qualities, loving him unconditionally?

I believe this to be the ultimate solution to many aspects that trouble Dazai.

Teenage Dazai, in particular, strikes me as more of a “puppy” than the “cat” he becomes as an adult—craving affection and warmth.

He needed someone who cared for him, and that someone was Odasaku. His partner should be able to do the same.

Dazai might love a calm partner who can handle his antics but also sees through them without violating his comfort zone or coping mechanisms.

She would understand his inner darkness but wouldn’t fear it—instead, she would embrace it with a loving demeanor.

She would be confident, but in a strangely shy and quiet way.

She would be someone who is at peace with herself, someone who is inspirational to others.

She would accept him as he is and believe in him, helping him to become the best version of himself.

This is why Dazai is so fond of Atsushi.

Atsushi is empathetic, having suffered himself, and he embraces Dazai with unconditional love.

If Dazai were to meet a woman who could offer the same understanding and compassion, it’s hard to see why he wouldn’t be saved.

Dazai feels responsible for Atsushi, and it gives his life a certain meaning he doesn’t truly grasp yet.

If he felt the same responsibility for someone much closer to his heart—his lover—it would have a profoundly positive effect on him.

Regarding physical traits, Dazai doesn’t seem overly concerned with them.

However, he has expressed a preference for “beautiful” women, as seen in his desire to commit double suicide with one.

While physical beauty might not be his top priority, he likely appreciates aesthetically pleasing women.

Dazai claims to like all women, but I can imagine him being drawn to a feminine, quiet, and insightful young woman.

This woman would possess an innate ability to sense others’ emotions and motivations, her sensitive and calm nature allowing her to do so effortlessly.

She would be observant, with her beauty often leading others, including Dazai, to underestimate her at first.

And yet, it would be as if she could read his mind and heart—something deeply uncomfortable for someone as guarded and inflexible with his own vulnerability as Dazai.

Interestingly, some of these traits might also make her an ideal partner for Fyodor.

However, while Dazai and Fyodor are alike in some aspects, they differ in others.

Fyodor’s ideal type might align with Dazai’s, but with less submissiveness and more approachability.

Does it ring? The drama that might approach?

Let me summarize: In terms of personality, Dazai has a soft spot for empathetic and loving people.

Therefore, he would undoubtedly adore a darling who is very empathetic, sensitive, and kind.

I don’t see him having a specific preference for body type—short, tall, curvy, or skinny; it doesn’t matter to him.

He will always find a way to appreciate your body in every sense, as this is simply part of who Dazai is. You shouldn’t be surprised by that.

I can see Dazai taking a liking to long hair (similar to Fyodor), as it emphasizes femininity.

He might particularly favor wavy or curly hair because it gives a more approachable, sweet, and innocent appearance compared to straight or short hair.

This style implies youth and an ethereal quality, which aligns perfectly with Dazai’s romanticism.

Skin color, as well as hair and eye color, wouldn’t matter to him at all.

In his mind, he would view you, his love, as aesthetically ethereal and one of a kind.

Your features would be etched into the canvas of his mind's eye, surrounded by fitting backgrounds and colors.

With you, he would find solace, love, and acceptance, as well as the meaning in life he has been desperately searching for.

You don’t need to match his intellect or mastermind abilities; he cherishes those around him who don’t possess these qualities, and he doesn’t look down on them.

What he needs is someone empathetic enough (like Oda [ in his case platonically]) to love him unconditionally and sincerely, without judging him—someone who would guide him to the light without expecting anything unnatural or selfish in return.

However, his darling would need to be mentally strong and willing to share his burdens.

This is difficult to do and would only work with true, pure love, which is why Dazai needs someone who loves him unconditionally.

I don’t see Dazai manipulating his darling because he doesn’t manipulate or control the people he cherishes. Instead, he trusts them.

This would be the case with his darling as well. He would trust her, and this trust would be a choice that greatly benefits his well-being.

You would need to bring brightness to his life—love, warmth, connection, and compassion—balancing out his dark inner world.

He would be astonished when he realizes how deeply you love him without being manipulated, how pure your feelings are, and how you seem to see his soul and accept him as he is (much like Fyodor).

Your dedication to helping him improve, because you see the light and potential in him, would touch him deeply.

To you, he is human, and you wish to help him see that too. He loves you for it, so, so much.

Once Dazai recognizes this, he would never, ever let you go.

He might fear losing you or worry that you deserve better, but he would be too selfish to let you be with anyone else.

This would make him fiercely protective of you, even as he tries to maintain his enigmatic self, playing it off with his usual clinginess.

But of course, you would see right through this and reassure him that you’ll always be there for him, protecting him from anyone and anything else, even from himself.

In return, he would protect you, love you, and obsess over you—affectionately.🩵

TO MY OTHER WORKS => HERE

[torpedopickle]

I want to talk about how Dungeons and Dragons Honor Among Thieves is an excellent use of meta humor applied seamlessly to a story without ever breaking immersion.

Mild spoilers. I'll keep it vague so nothing will be spoiled if you choose to read on

This movie integrates many things that someone familiar with D&D would recognize from the narrative structure of a campaign.

There are some things in particular that demonstrate this particularly well

At one point, the party is joined temporarily by the character Xenk. But he really feels like he'd be an NPC party member controlled by the GM rather than a player. So when the other characters banter and quip, this character doesn't really join in or get their jokes cuz he simply wouldn't have the agency to. More examples of this would be how he's much more capable than the others, but he doesn't overshadow them. He provides aid if it's desperately needed, and will sometimes bail rhe party out of situations they can't manage on their own, just like how a GM should utilize an NPC companion. He even has a quote that perfectly reflects this. "I've given you the tools. Now you have to be the ones to use them". There's even a more direct joke about his NPC behavior. When he leaves the story, he walks off in a random direction, going straight forward, even stepping over obstacles and terrain unnecessarily. This all amounts to him feeling like a very clear GM controlled NPC, however he is presented in a way that still makes him feel entirely faithfull to his own world and does not break immersion

Other ways the movie plays around with the GM campaign structure would be the approach to backstory. The only time a character outright explains what their backstory is, in full, directly to us, is at the very start, to give context for the story going forward, as the character even puts it himself. Backstory later in the movie is told to us whenever it's relevant. Characters will toss in another fact or two about themselves in situations where mentioning a past experience would fit in. Much like how players usually prefer to build their characters.

And one of my favorite instances of being meta about D&D campaign structures comes in the second act.

the characters are faced with a complex and dangerous obstacle. The GM's stand in, xenk, explains the method of progressing through this obstacle correctly. But in true D&D fashion, the party immediately does it wrong and now the campaign has been derailed and the GM's setup squandered. So now they straight up don't have a way forward in the narrative. Logically, it should end there. But that'd be a shit campaign, so the GM would naturally bend the rules to get things back on track. So after the party fails the obstacle, one of them goes; "Hang on, that stick we've had with us the entire time isn't a stick after all! It's actually a magic staff that solves our EXACT predicament at this EXACT time". That is such a clear cut meta joke about GM's having to get things back on track cuz players are all chaotic evil. Is it a plot contrivance? Absolutely. One of the biggest ever. But it's what D&D is built on

[civetfish]

Was gonna wait to post this outside of ko-fi until I posted the corresponding part of my fic BUT since that's on hold for a hot second I might as well do it now!

So much yapping under the cut because I can't help myself lol (Mostly just a stream of consciousness, so its kind of a word salad)

I like to think that colors can change in brightness, mix with others, and appear in certain areas/patterns to give a bit of complexity to the use of colors for communication.

Top left is pretty straightforward- yellow is fear. It's the full body "puffed up cat" kind of fear where it's the ony emotion being processed. A lingering anxiousness would be shown more like a general yellow centered around the chest, while the rest of their body remains the same color. Feelings like a slight nervousness (Like handling a delicate object with big crab-claws, for example) would be shown through a "rippling" wave of yellow overtop of whatever colors are already present, originating from the chest or hands. ((link) this is pretty close to what I imagine (If the link doesn't work, skip to about 2:10) Spooky ocean warning! though if you're seeing this post in the first place I assume you're probably fine with it )

Green is analytical - He does this a few times in-game, and it's what makes the most sense to me. I also like to think it's the reasoning behind a lot of the Architect's... well, architecture. Green is a really predominant color in all of the architect structures / data hubs / machines / etc., so in cultural sense it would make sense for the Architects to be using the color representing their core values. The light blue around his sides is amusement/joy. (I put a little bit of this into my first chapter iirc) This is also based pretty closely to what we see in-game. (I.e. the little wave he does back at Robin, it's silly and playful and I love it sm)

The gray/dull tones (bottom left) are just that- the "muting/dulling" of whatever color it's applied to. The Architect who kind of killed his entire species is a little depressed if you can believe it! A muted blue (indigo, rather than light blue) would be melancholy, and the yellow tint in there is stress/dread. A completely dim gray Architect is basically completely numb, which is distinct from the typical "resting color" that Architects have when not feeling any emotion in particular at a given moment.

Dark blue (Or indigo, bottom right) is sadness. It could also be read as a sense of longing or wistfulnes, or a lot of other nuanced feelings depending on other colors or context clues.

And of course magenta (bottom middle) and that coral-ish color are love, more or less. It's a sense of fondness and deep affection, though Al-an himself is probably under the impression it's more like a loyalty and protectiveness; I don't think he has any real experience with love considering what we know about the network.

The coral color in the center of his chest is something I'll dive into more when I get that chapter out, but I think of it as a flush/heat, like an Architect blush. Orange is added to colors to increase the intensity of the emotion underneath, such as the inclusion with magenta to mean flustered or to red to mean a more heated rage. An embarassed architect would be fully orange, possibly leaning a bit towards pink, red or yellow depending on the specific situation.

For an "emotionless peak of innovation and efficiency" I am determined to shove SO many feelings into this shrimp horse. This stream of word spaghetti will eventually get rewritten into a basic color code.

[vacayisland]

Id be so happy if u could write some Branch x reader!! I love when he acts apathetic or like he doesn’t care but in the end will always end up helping the people he cares for. And has a weakness for the one he loves. Secretly insecure but loves looking for ways to impress them.

I dont have anything in particular to ask for, just would love to see some more branch x reader content!

@!; Bakin' with Love! Branch / Baker! Reader

"Summary"! In which Branch met Poppy's baker friend at the grand opening of their bakery and has a self realizing moment. "Tags!" Fluff :( I love Branch so much, he deserves so much better.

@!; "Oh come on Branch!" Branch was, reluctantly, following Poppy across Troll Village; Well, in fact, he was being more tugged along than anything, as Poppy was basically trying to sprint while Branch did his best to keep up, despite being unamused at the lack of explanation he has received. It was, usually, never a good thing when Poppy was dragging him off to some unknown direction. Branch has learnt that from experience, "Poppy! Where are we even going?" And that seemed to get Poppy to stop, digging her feet into the ground as she spun around to look at Branch. Which set him off, coiling away a little as he took in the shocked, jaw-dropping, exaggerated look Poppy held. Did he forget a holiday, an anniversary, a birthday? Branch didn't know, nor did he know of anything special happening on this specific day. There wasn't anything in his colander, which spans the next few years. He hasn't heard anything by mouth of other Trolls, which were always excited to word vomit about anything that might be happening the next day. So Branch only shrugged when Poppy asked, waving her arms around to emphasis her question, "Branch! Do you not know what today it?"

Which seemed to make Poppy ever so more shocked, which was slightly amusing. Though Branch also knew in the next 5 seconds Poppy was going to explode and basically word vomit what was happening to him; in an over-the-top way that he had to learn how to listen to. More like how to break down and make sense of, because sometimes Poppy made no sense when she just pukes words. "Branch!! Troll village is finally getting a Bakery and one of my very, very good friends is opening it! It's the same person who usually makes the cupcakes or cakes or baked good for any of the parties we have thrown recently. They're an amazing baker and it's always been their dream to open a bakery! I cannot believe you haven't heard about this, it's all everyone has been talking about." And there Poppy went, right on time, waving her arms and yelling with the most excited tone in her voice. "A bakery?" Though that wasn't the answer Branch had expected, and he couldn't help but cross his arms and cock an eyebrow up at Poppy. "You're dragging me across the village for a bakery?" "Not just ANY bakery Branch! This is the a bakery by the best baker in the village!" Branch snickered a little at Poppy's excitement, the way she bounced on his toes. He rolled his eyes, knowing and expecting, Poppy to grab his wrist again so they could b-line it for the bakery. "And she's opening today and we cannot miss getting her double fudge, triple chocolate, licorice cupcakes! Oh, oh! Oh her glitter ball cupcakes or- OR ANYTHING!" And Branch, again, was right as Poppy grabbed his wrist and began to rush over to the other side of the village; dragging Branch over to a little half-stand and pod-like building on the ground. There was already a crowd formed around the entrance and inside, with other Trolls sitting around and eating baked goods they had gotten. Branch watched the trolls and their desserts, noticing a wide arrange of different pastries. Some on the more simple side and others more complex, such as cupcakes, brownies, cakes, bread, croissants, and even chocolate souffle. Now that made Branch do a double take, not having expected such a high-skilled dessert coming out from a bakery that just opened. "AH! Branch, this is so exciting!" Poppy was basically jumping up and down on her toes, grinning from ear to ear. And she wasn't the only one who shared the excitement. As Viva, who seemed to come out of no where, popped up besides Poppy with the widest grin. Branch had to coil back a bit, scrunching his nose, as Viva squealed along side Poppy, "I KNOW RIGHT!" "Hey, this is different!" Floyd, with Clay in tow, walked over to Branch, Viva, and Poppy; seeming to have been following Viva before she rushed off to her sister. "It's a bakery," Branch couldn't help but shrug as the line moved forward. "So many trolls can bake, or poop out baked goods. I don't really see the fuss about it." "Well, one it's actually the first bakery we have in the village-" Floyd would start, hoping he could get his brother to understand the excitement a little better. Yet Floyd was cut off by Clay, though he didn't mind much, "And I've heard that their baking is like, THE best in all of Pop Troll village! Viva came back with a dozen of their cookies one time, I had to physically restrain myself from eating them all!" "Oh, great." Clay tilted his head at Branch's sarcasm. "You know anything anyone eats here is sweets, right? I mean it can't be that healthy." The group would reach the front of the line as Branch crossed his arms and shook his head, wondering why the village would need another output to feed such an addiction. Yet, he was only met with a hand on his shoulder from Floyd as Clay rushed forward to order alongside Poppy and Viva.

"Just be happy for everyone else, yeah?" And Branch softened a little, seeing Floyd's small smile and sincere eyes. His hard stance broke as Branch relaxed his shoulders for a moment before he shrugged softly and nodded in agreement. "Alright, yeah, okay." Branch mumbled, receiving a pat on the shoulder from Floyd and a slightly bigger smile before he turned to go order. Branch decided to hang back for a bit before he followed, standing next to Floyd as he watched Poppy and Viva basically drool over the confections behind the display case. They chattered and debated which sweets they should get, and whether or not they should just buy one of everything; which Clay was trying to disagree to, claiming it was a waste of money, yet it was obvious he also couldn't choose what to get. Floyd was the first to notice when Branch walked around behind everyone to stand behind Poppy and Viva to look into the display stand. He noticed there was some steam that rose from products, which he guessed where more fresh than others; though he could also deduct that they were all baked between yesterday and today seeing as the scent of everything was so fresh. "I think, for the most bang for your buck, you should get some of the cookies that are slowly crumbling or the ones under steam." Branch pointed out from behind the sister, which caused them to pause and glance over at him. Both confused yet intrigued at his answer. Poppy placed her hands on her hips, giving Branch a challenging look, "Branch! I didn't know you knew sweets!" Branch only shrugged, "Well, the ones still steaming are likely the freshest, and the ones slowly crumbling have a desirable texture of a soft cookie. They're stiff enough on the outside to hold their shape but soft on the inside where they're slowly breaking, a nice balance." "And here I thought you were a crunchy cookie type of man." Viva added, pointing up and down at Branch. Yet they couldn't speak for long, as the back door of the bakery, which separated the kitchen from the front floor, swung open and a Troll carrying a cooling rack of sweets rushed in. They apologized for the wait, not taking a moment to look up, before they opened the display case and slid in the hot batch of cookies. When they finally looked up to greet everyone with a, "Hello! Welcome to Pop's Cookies, my name is (Y/N), how may I help you?" They stopped mid-sentence upon seeing Poppy and Viva, in which the three would share an excited squeal. "Oh my god Poppy! Viva! Hello you two." You exclaimed from behind the counter, moving around the display case and towards the register. Poppy and Viva would follow, "What are you doing here?! I thought I told you two that you didn't have to come!" "Did you really think we wouldn't come to support you?" Poppy quipped as Branch noticed the gleam in your eye. For some reason it made him pause and stare, so much so he didn't realize his brothers coming to stand near him. Floyd softly spoke to Clay about getting a strawberry shortcake brownie slice as Clay tried pitching that he was going to get an almond-cherry explosion cookie. Though they both knew that Clay would much prefer a cherry-lime cheesecake, yet was trying to keep up his 'professional' attituded. "Oh! (Y/N), have you meet Branch?" Poppy's voice pulled Branch out from his thoughts, causing him to blink and shake his head a little. That's when he noticed all eyes being on him. Well this was awkward... and he had to save it. "Hey!" Branch waved his hand once, giving you the only type of smile he could muster on such a short notice. In which, he could tell was a little odd and off, seeing as Poppy and Viva started at him a overly questioning look. While you, you stared at him with a quizzical look; Tilting your head to the side, as you stared at him like you were trying to read the very structure of his being. It was off putting how he felt like you could see right through him and at the same time see him. Branch glanced at Poppy for some sort of help, but she gave him a nervous smile and waved him off.

Branch tried to gulp back his nerves, wondering if he was being tested on his reaction or if you were simply judging him for not being as excited as everyone else about your bakery. It's not like he didn't support it or anything, he just wasn't the overly outward excited type and he hoped someone would explain that. And Branch saw Floyd glance over, seeming ready to say something or hopefully stand up for him. Yet he didn't seem to have to after a big grin grew on your face, "Say, Branch, you look like a soft double chocolate chip cookie with a fudge center type of guy to me! Would you like one? "Oh- uh- sure!" Branch answered with a small smile, somehow feeling rather relaxed despite his earlier anxieties. Though he did notice the shocked look from the others, you didn't seem shocked or disturbed he had agreed. In fact you seemed proud, for whatever reason, as you quickly grabbed a bag, fluffed it open, grabbed a wax paper and opened the case. You mulled over which cookie to select for a moment before taking the one you deemed as 'perfect' and began to bag it. "Braanch!" This is when Poppy spoke up, "You like double chocolate with a fudge center? How come you never told me!" And to that, Branch only shrugged his shoulders once more, "You never asked, Poppy." Branch explained as he walked over to the counter and accepted the bagged cookie. Later, when everyone had ordered and they decided to take a seat inside, Branch took out his cookie and couldn't help but look at it for a moment. Everyone around him was laughing and talking, eating their sweets at the same time, and he couldn't help but feel oddly seen. And by a complete Troll never the less. Usually people assumed he would like hard cookies, or the boring almond and nuts. Usually people assumed a lot about him because he was so different, and despite your slightly unsettling stare you had correctly guessed one of his favorite cookies. One he didn't even realize you had baked every time Poppy brought a dozen over to his bunker. So then that brought up another question in Branch. Did you just correctly guess his favorite cookie or did you remember it from the countless times Poppy (most likely) told you. Either way, why and how? That's probably what confused Branch the most. It's what made him turn around in his seat and look at you, watching as you served another costumer. A chipper smile on your face and an excited gleam in your eye. You weren't doing that guessing game or glare to anyone else. . . was he somehow special? Nah, probably not. But it did make him think as he took a bite into the cookie you had given him. Maybe he should come back tomorrow and talk to you about it. Yeah talk to you about the incident and for nothing else. Just clear up the air and all. Yeah... and maybe get another cookie.

.ᐟ this work is published and owned by @vacayisland. please do not plagiarize, copy, or steal this work; like, reblogs, and saves are appreciated :D

[meanbossart]

I finally thought of a question! What does your Astarion think of all that's happened to him, now that it's all Over, and what does Drow think about what he knows about Astarion? Does he ever contemplate and compare, does he have passing thoughts like "Oh yeah, he told me this" brought on by nothing in particular? If Drow or Shadowheart were to bring it up either when drinking, or after a heated moment, what would happen?

Thank you so much for your art and your words! Your handle on Drow made me really crack open my Tav like a nut

AND WHAT A GOOD QUESTION IT IS.

(I use some dialogue excerpts from for A Novel Experience here to illustrate my points that some might consider to be spoilery, I don't think it's stuff that would affect one's reading enjoyment too much. Still, just figured I would mention it for anyone who minds it.)

In regards to Astarion, it is understandably complicated. I think the way he's found to get by so far is by not dwelling at all in what has happened. He's tried to turn the symbolic new leaf that night in the cemetery and likes to think of himself as not only freed, but a new man open to what life has to offer him and unburdened by his past - when memories rush back, he pushes them away. When something bothers him for reasons that relate to his past experience, he tries to push past the discomfort because he doesn't want to be defined by it. He is fairly self-conscious of being seen as a weakling or a victim, especially when he's constantly confronted by DU drow's utter indifference to his own past.

He has, by all intends and purposes, done well. He understands that he's a grown man who's been given a second chance at un-life by an exceptionally lucky turn of events, he absolutely does not want to waste a second more of his own time by being sullen, broken, or guilt-striken. He thrives for as long as his past doesn't directly confront him - but when it does, the avoidance catches up and he very easily loses his cool.

His feelings regarding the decisions he made underneath Cazador's palace are mostly rigid. He's happy to not have Ascended and content that the spawn were set free, but he does not like to dwell on what their lives may be like moving forward and, if ever discussing it, does so with callousness and indifference, shutting down the conversation before it can begin. While he doesn't bask in the feeling, he does take the smallest bit of pride in the fact that he has sacrificed eternal power for the freedom of thousands - when doubt arises and he's haunted with the could-have-beens, he soothes himself with the fact that his sacrifice had a purpose.

DU drow has no moral quandries with what Astarion did while under Cazador's control or regard for the people he victimized at all, but he dwells constantly on the suffering he's endured. He flip-flops between thinking of Astarion as a perfectly capable individual and someone who is overly sensitive and finicky the moment something upsets him - someone who needs protection. He has a grand hero's complex about him and at times difficulty trusting Astarion's capacity to make his own choices - since he didn't have the opportunity for such a long time. He isn't controlling, but Astarion knows him well enough to read the doubt in his face even when he's quiet about it.

Interestingly enough, this seems to mostly apply to when Astarion's ideas go against his own, or make him feel powerless or unneeded in some way or another. He's perfectly happy to go along with his impulses otherwise - even when they seem to be made in bad judgement.

It also applies to intimacy for a while, with DU drow proceeding to avoid sex even after he's rid of his urge - not only because he's still afraid of his own desires, but also because he doesn't trust Astarion to express his agency during the act.

But that's an issue that they solve fairly quickly (well, ten-chapters-in quickly. sixteen if you only count when they first have sex since the events of the game) , especially as Astarion asserts himself as the more dominant half of the relationship.

I don't think either DU drow or Shadowheart have the nerve to use Astarion's actions while enthralled against him. DU drow because he doesn't care or thinks he's held accountable in any way, and Shadowheart because she knows better. That said, things do come up between him and other characters and then - well. He doesn't deal well with it at all:

[shisasan]

Picking a single favourite quote might be an impossible task so which quote (or quotes) do you seem to come back to more often than others?

Picking a single favorite quote might truly be an impossible task because there are so many brilliant writers out there whose words have deeply influenced my life. These extraordinary souls have breathed new life into me when I was ready to give up on everything. Without any particular order, these quotes are not intended to enlighten or educate anyone but offer a brief insight into the words I turn to for comfort, inspiration, or understanding when I'm not at my highest self.

I'll begin with my most dearest Hermann Hesse, whom I like to call my Alpha and Omega. He transformed my life from a young age, opening mysterious portals to other worlds and making me feel deeply understood, embraced, with a true sense of belonging. His writing not only awakened my mind to new realms of thought and emotion but also offered immense solace and companionship through his exploration of the human spirit:

"A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal, and sterile life."

"I have always thirsted for knowledge, I have always been full of questions."

"We have to stumble through so much dirt and humbug before we reach home. And we have no one to guide us. Our only guide is our homesickness."

Rainer Maria Rilke, a beautiful and tender infinite soul, whose writings deeply resonate with the complexities of the human condition and the relentless quest for understanding:

"I am dark, I am forest."

"I grow strong in the beauty you behold. And with the silence of stars, I enfold your cities made by time."

"Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer."

Novalis, who occupies a cherished place in my heart for his poetic and deeply insightful exploration of life and love.

"We are eternal because we love each other."

"I often feel, and ever more deeply I realize, that fate and character are the same conception."

"Sometimes with the most intense pain a paralysis of sensibility occurs. The soul disintegrates—hence the deadly frost—the free power of the mind—the shattering, ceaseless wit of this kind of despair. There is no inclination for anything anymore—the person is alone, like a baleful power—as he has no connection with the rest of the world he consumes himself gradually—and in accordance with his own principle he is—misanthropic and misotheos."

Egon Schiele, whose intense and raw portrayal of human emotion and beauty has deeply moved me, revealing the unfiltered essence of the human experience.

"I must see new things and investigate them. I want to taste dark water and see crackling trees and wild winds. I want to gaze with astonishment at moldy garden fences, I want to experience them all, to hear young birch plantations and trembling leaves, to see light and sun, enjoy wet, green-blue valleys in the evening, sense goldfish glinting, see white clouds building up in the sky, to speak to flowers. I want to look intently at grasses and pink people, old venerable churches, to know what little cathedrals say, to run without stopping along curving meadowy slopes across vast plains, kiss the earth and smell soft warm marshland flowers. And then I shall shape things so beautifully: fields of colour…"

Anaïs Nin, a force of nature and embodiment of feminine strength, whose deep exploration of inner life and boundless creativity has left an indelible impression on me. Her work continues to inspire and challenge me to embrace the fullness of my inner world:

"She was colour, brilliance, strangeness."

"I have the power to multiply myself. I am not one woman."

"Ordinary life does not interest me. I seek only the high moments. I am in accord with the surrealists, searching for the marvelous."

"I can only connect deeply, or not at all."

Carl Gustav Jung, one of the most brilliant psychiatrists, psychologists, psychotherapists, and empiricists in history. Jung's exploration of the collective unconscious and shadow self has offered me invaluable tools for self-awareness and personal development. His legacy continues to inspire and guide those seeking to understand the depths of the mind and the path to self-discovery.

"A man who has not passed through the inferno of his passions has never overcome them. As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being. Everything that irritates us about others can lead us to an understanding of ourselves."

"People will do anything, no matter how absurd, in order to avoid facing their own souls. One does not become enlightened by imagining figures of light, but by making the darkness conscious."

"The privilege of a lifetime is to become who you truly are."

Fyodor Dostoyevsky, the maddening genius with profound understanding of human nature and morality:

"If you want to overcome the whole world, overcome yourself."

"People speak sometimes about the 'bestial' cruelty of man, but that is terribly unjust and offensive to beasts, no animal could ever be so cruel as a man, so artfully, so artistically cruel."

"People. People. Endless noise. And I am so tired. And I would like to sleep under trees; red ones, blue ones, swirling passionate ones."

"I exist. In thousands of agonies—I exist."

"If there is no God, everything is permitted."

Virginia Woolf, a literary giant whose deep introspection and exploration of the human condition have left an indelible mark:

"No need to hurry. No need to sparkle. No need to be anybody but oneself."

"What is the meaning of life? That was all—a simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead, there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one."

"I want to raise up the magic world all around me and live strongly and quietly there."

"Reality? Reality has never been enough for me."

Mikhail Bulgakov, a masterful writer and playwright, another troubled soul who faced censorship and persecution in his lifetime, with immense talent and a deep soul, fascinated me with his imaginary worlds that blend reality with fantastical elements, feeling both familiar and boundlessly expansive:

"But would you kindly ponder this question: What would your good do if evil didn't exist, and what would the earth look like if all the shadows disappeared? After all, shadows are cast by things and people. Here is the shadow of my sword. But shadows also come from trees and living beings. Do you want to strip the earth of all trees and living things just because of your fantasy of enjoying naked light?"

"Kindness. The only possible method when dealing with a living creature. You'll get nowhere with an animal if you use terror, no matter what its level of development may be. That I have maintained, do maintain and always will maintain. People who think you can use terror are quite wrong. No, no, terror is useless, whatever its colour – white, red or even brown! Terror completely paralyses the nervous system."

"Everything passes away - suffering, pain, blood, hunger, pestilence. The sword will pass away too, but the stars will remain when the shadows of our presence and our deeds have vanished from the Earth. There is no man who does not know that. Why, then, will we not turn our eyes toward the stars? Why?"

"There are no evil people in the world, only unhappiness disguised as evil."

And then there is indispensable Franz Kafka. Although I have shifted away from his writing in recent years and no longer resonate with it as much, he was a dear friend and frequent company during my darkest, loneliest, and most challenging times. His work, full of raw honesty and insight, offered a kind of companionship that felt both intimate and enduring:

"The way he can risk everything and risks nothing, because there is nothing but truth in him already, a truth that even in the face of the contradictory impressions of the moment will justify itself as such when the crucial time arrives. The calm self-possession. The slow pace that neglects nothing. The immediate readiness, when it is needed, not sooner, for long in advance he sees everything that is coming."

"I, for the most part silent, had nothing to say; among such people the war doesn’t call forth in me the slightest opinion worth expressing."

"You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet, still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet." Of course, there are many more authors who deserve to be on this list, but I chose these because they have touched my life in ways that are both unique and deeply personal. I hope that at least some of you will read to the end and find a bit of inspiration and insight in these quotes, just as they have given me. If you’ve made it this far, thank you. 🌹

[scentedpepper]

Attempted Vehicular Manslaughter

BILLY HARGROVE X MALE READER

Summary: Max Mayfield hosts a pool party.

Content Warnings: Use of the F-slur, Use of Queer in a derogatory manner, Injuries, Verbal Abuse, Abusive Household Dynamics, Reader makes a 'if I wanna kms' joke

Other Pairings: Nancy Wheeler x Male Reader, Jonathan Byers x Male Reader, Max Mayfeild x Male Reader, Mike Wheeler x Male Reader

AUTHOR NOTE(S):

Oh brother we got a chatterbox

Had a dream about this ya'll

Readers a little sassy

Reader has a little brother

Reader has a bit of savior complex

Readers also kinda impulsive?

It's 3 am

_________________________________________

The grass was rough and patchy in the backyard, filled to the brim with wilted daisies and weeds crawling through the sprinklers. It was hardly worth a note of much consideration, as there had been nothing of great importance to discuss. There were many trees boarding the house. Pine or oak, maybe. And one dying cherry tree that was a stand alone in the yard. That was about the extent of anything substantial past the old silver fence that matched your shoes.

Nearest the house, under the shade, were several lawn chairs designated for the so-called "chaperones". The older brothers and sisters of the tweens. But really, it was nothing more than a cover-up.

Something to appease the parents' of the Hargrove house because Max knew it was odd to be friends with a group of kids the same age as her brother. Even her mother, who'd tried to remain impartial to any situation, narrowed her eyes and shifted her purse tighter when the suggestion of more than a couple 17 year old's parading around her house came.

Your mom was just happy you got along, let alone made some real friends outside the books, and encouraged the notion. More parental control, she reasoned. Less chances you were off with someone who intended on trouble.

Of course, all the shit about fighting monsters and being on the brink of death with these same friends wasn't factored in.

But no one besides them and the sheriff's deputy needed to know that.

The first time you had met the kids was, admittedly, what one would refer to as a kerfuffle. Riled up and trying to be dominant. Of course, because Billy was there, it spiraled even farther, and someone's head nearly got bashed into a rock.

That someone being you of obviously, after you'd been goaded into the fight and decided to step up. And boy, did Billy hate to lose. Hated being talked down to by a smaller kid who barely had pimples left on his face, let alone bulk.

You put up a good fight. You had a mean hit, especially the lick you gifted to Billy's chest, knocking the wind out of him when it connected. There was a bruise on his ribcage for days after and all the satisfaction he could possibly imagine at knowing it was from you.

But then he nearly killed you so, things turned sour rather quickly.

Which led to a rather impromptu welcome into the group of misfits, the lot of them. Unannounced and unexpected, you marched into the party after your small break down. Ready to be let in and accepted.

Finding out about the Upside Down was a mere accident.

You hadn't gone out of your way to befriend a group of children. Hadn't expected much in regards to friendship period even after getting your ass kicked by Billy Hargrove. Let alone a lifetime, one built from the shared experience of the horrors that lurk just underneath town, attached to one particular boy of the group.

But here you were. Standing in the backyard of Max's home like an idiot with the sun bearing down at your back. The late summer day nearly reached over 100 degrees as the clock neared the noon hour. Something you might have missed otherwise if it wasn't for the black analog watching you closely every time you renetered the house for a drink.

The main gaggle of kids swam and screamed every few seconds, trying to drag you into a half-baked game of Marco Polo that had the older Hawkins teens eyeing each other with concern.

You tapped the top of your can to ease the anxiety, looking around the edge of the yard again, past Max's mother, who waved awkwardly and would come around every so often, offering drinks or food to you, Nancy, and Jonathan.

"Nervous?" Jonathan prodded in his way, looking up from the half eaten sandwhich Will had taken two large bites from, making sure he had gotten his fill and packing it away when he received two big thumbs up from his little brother before he rentered the pool.

"Ah. " You leaned against the lawn chair, rolling your neck before looking over. "Expecting Billy to jump out from one of these corners, " you gesture towards the many hiding places you have spotted in the yard. "cause a scene. "

Nancy shifted uncomfortably, twisting her skirt slightly. "Not yet, at least. " She added while fidgeting with the button over the waist. "I thought he'd show up at least half-way through this thing. "

"Yeah, " you agreed, "thats why I'm–"

"On edge?" Jonathan filled in for you, a soft smile gracing his lips as Will looked over.

"Ready, he means. " Mike piped up, his hand was fully plunged into the cooler chest, blindly shifting around the ice as he looked over at the three.

Something in the tension held firm in the pit of your stomach, because the only times that this happened was whenever a confrontation was supposed to take place.

And judging from all the past events that had occurred, however mundane or fantastical they may be, this was probably going to end badly in more than just a couple of ways.

You'd managed to keep pretty calm in the past concerning Billy. Kept a level head about whatever shit he'd decided to cause that week. But something felt wrong today. That air in your gut had been hard to shake.

And the fact he had yet to make an appearance so far, did very little in easing you. And apparently everyone else involved.

"Don't know what his fucking problem is. " You curse, sitting up in the chair, "Never waits long to start shit."

In fact, you can almost pinpoint the time he entered the premises, an excuse to blame him for the sudden tightening in your gut and the goosebumps on your skin. Yet, he hadn't entered the backyard once since he got home. He stayed holed up in his room the entire day and that much was evident every time you, or Nancy, or Jonathan or one of the kids entered the house and heard the rock music blasting from his bedroom.

He hadn't even made a shadow to have showed his face.

For hours you waited.

Hours of worry and unease ate away at your gut while the rest of the party commenced unhindered.

And yet, it seemed all but for nothing in the grand scheme of things. Because as the sun started to lower from its zenith, you and the rest grew more tired and eventually, the temperature started to cool to a point where splashing around in the pool was no longer appropriate.

The kids came clamoring out, dripping in more chemicals than water, screaming and laughing in the process. It was getting near the five hour mark by then.

Your mind was heavy when you stood up to go inside, nearly tripping when your eyes clashed with the eldest person in the home, the both of you freezing awkwardly in the middle of the walk.

Both you and Max's mother were silent in each others presence. Stoic if there was ever a word for it.

Neil always seemed to be staring off into nothing, zoned out to some far away place only those who drowned themselves in alcohol and other momentary pleasures existed. They didn't interact, besides maybe the occasional conversation starter, or nod in passing whenever a person came too close for an inch of comfort. Not unusual in your opinion of strained marriages.

You began to speak, went to get yourself out of this weird positioning you've seemed to found yourself in. But Susan beat you to it.

"Can you do me a favor?" She beckoned before turning around and trotting off into the kitchen. Already assuming you would listen. You usually did. There weren't any hidden agendas for her actions and nothing against you personally.

She held some power that you wished wasn't. You would take just about any job that required you to be away from the current obstacles of your personal life. But as she turned back to look at you with that indescribable air and knowing nod, she had beaten you.

"Whats up?" You replied, voice more gravely then you meant it to be as you walked up behind her. She was sticking something into the microwave.

"Bye, Y/N/N. " Nancy had emerged from the Hargrove bathroom when she stood on her toes to place a friendly kiss on your cheek before joining Jonathan.

"See ya, Nance. " You say as the dark haired girl glided away, passing a wave to Jonathan and then they were out the front door.

The house was mostly empty now with nearly all the kids back home, and Dustin and Max tucked away in her room, waiting for Dustin's mother. There was enough silence now that you were itching to leave. The house had settled quiet, but you couldn't describe it as comfortable. There was a ribbed blanket across the couch that had obviously been sat on by its dishelved look.

The TV was on but the volume had been lowered so much that you were better off listening to Billy's faint music from down the hall for entertainment.

Water rushed from somewhere on the other side of the house and the distinct slam of a door being pulled shut gave you the visual to what you were hearing. Your little brother, most likely. You'd seen him dip down the hallway like he was about to shit himself the moment Nancy exited the bathroom.

You shifted around, placing your backside agaisnt the counter as you found new things to look at. Languidly, you watched, senses picking out different things around the house to latch on to. The light green walls, the ugly brown patterns on the carpet, the hum of the refrigerator that, strangely enough, harbored no family photos, just magnets with various corny sayings.

Your eyes lingered on the fridge.

Everything here was simple. Blank like a fresh canvas of dry paint. Apart from the dishes left in the sink and the few items of clothing to be picked up off the ground, it felt oddly wrong for an occupied residence.

"Y/N?"

A shift in the environment rippled over your skin and something felt charged but not in a fearful sort of way. You're pulled from your small internal worry by the same woman from before.

"Billy hasn't come from his room all day, mind taking this to him?"

Susan's got a glass plate in her hand, slightly extended our towards you. It's filled at every turn with food she'd transfered from the tupperware after the ding of the microwave you hadn't quite heard.

That same gut feeling crawled up your insides again, but you blamed the way your throat tightened on the anxiety. Why it was something now and not earlier, you can't be sure.

But, if there's one thing you learned from movies and popular tv shows, it's never to interrupt the motherfucker when he's listening to rock. But, here's your excuse. So, with a small nod and the plate in your hand, you try to shake it all away.

Because the worst that could happen is you get your ass beat again.

Stepping up to the wood slated door gave your lungs a run for their money. It was as if all the air had been sucked from the atmosphere and the pressure collapsed the walls around you. Only breathing through your nose you shook the fear away with a raised fist to the door, clenched the plate in your opposite hand.

Bass rattled through the floor and past the wooden door, you're graced with the faint sounds of the guitar on the stereo. There were bits of vocals in the background, a baritone voice that spoke. And perhaps that was part of the appeal. Your fingers danced on the metal that resided at the entrance. It felt cool on your skin.

You knocked again after a few seconds. Nothing sounded on the other side of the door but you were still unsure if Billy could hear you above the music. Maybe he'd turn it down once his father returned from whatever place he'd ventured off to in the night. But you didn't exactly have that time to be waiting around, despite your own fathers late tendencies.

You took a moment to think if you should just leave the plate on the floor, let him pick it up, and try to call a ride. You exhaled quickly, shifting your balance onto your other hip.

Before you even touched the doorknob with a single digit, the music turned down significantly and suddenly the atmosphere was more intense than you'd anticipated.

Which, was the new normal.

But, still.

Things felt off. The pressure in your bones caused your limbs to rise upward, to defend yourself, to at least put yourself in some position that wouldn't leave you open to attack.

For what?

You didn't know.

Because all Billy did was peer up at you from the crack in his door. Nothing significant yet his stare was nothing less than striking. Those blue things could put the oceans to shame, rivaling even the sky in its vivid colors. They were a mirror.

They shifted to the food, briefly. Then immediately returned back to you as the speaker could barely emit its sound.

You watched as the boy straightened, sighed and then opened the door wider, leaving the frame unguarded as he trailed off into his room.

The door held open but his gaze disappeared into the space on his mattress, and the music lowered a touch, no longer loud enough to break the door from its hinges but loud enough that Billy had to raise his voice over it to be properly heard.

You took a cautious step forward after staring at the boys backside, his attire didn't leave much to imagination but his half nude state was the least of your discernment seeing as one, you were fashioned the same way and two, Billy Hargrove was wordlessly inviting you into his room.

You thought maybe this was some kind of trick, a ploy to get you cornered, so your eyes danced over him in brief, consistent glances as you proceeded forward.

He was sitting by his window, a cigarette stuck between his two fingers as he silently stared off into the the darkness the world outside offered.

It was strange. Seemingly off guard as he propped the knee of one leg against the window, giving a free range to his left to lean. Hair swept over the shoulder to show part of his sharp jawline, which dimmed only with each intake of the deadly nicotine.

The room was bland save for a few posters, white walls, brown dresser pressed against a corner and a night stand tucked at the opposite. Clothes were tossed about, either on the floor or hung up half assed on something that you could only guess as a proper hanger.

His nightstand was covered in trash and empty beer cans and you thought of shoving them away before deciding to place the plate on his bed instead.

You spared him a last glance after the action, perplexed by the fact he was just so— quiet. Which, was certainly odd to everyone at least within half a mile from here. Usually the moment you entered his space, his bubble, he erupted like an animal defending its territory.

You decided not to push your luck. Because right now, it felt like the deadly cat across the African plains simply hadn't noticed you. And so your steps were as carefully placed as they had been when you entered. It was almost relaxing despite the looming feeling from the boys demeanor.

Billy felt a wave, a sort of ripple through the air as the presence of another remained in the room. He didn't bother to speak, only raised the unlit cigarette to his lips in a curious manner and took an unsteady puff, letting the wind carry the smoke out the screen. There was a storm, one he had sensed earlier but was hard to make out amongst the many things that had clouded his mind with anger.

Luckily, the only thing he could blame his outburst on earlier this morning was exhaustion, a clear sign of his lack of sleep from the night before which would easily explain his half dead posture and irritability that had pissed off nearly everyone around him.

Another explanation for his hideout in his room but one you couldn't quite understand.

You neared the exit when the floorboards creaked just as they had before and you almost wanted to freeze in your place. Like the cat would come pouncing now, mauling you to death.

"Not gonna make a show of it?" Came Billy's voice, it was low and calm but you caught the slight strain of it. As if he needed a clear of his throat to even be fully heard.

"A show of what?" You cast a glance over your shoulder, brows knit.

The blonde gestured with his lips, the subtle shift in his elbow drawing attention to the stick of tobacco. "I was waiting for some goddamn spectacle, L/N. "

"I don't know what you're talking about, Billy. " You sounded exasperated already and you stepped over a black shirt with a design you couldn't quite decipher from its crumpled up state. You made sure not to add anymore scratches to the ground and turned around, placing your back firmly against the door frame.

Billy's muscles became tense with the new body turned on him and he felt the wave again, the stirring of new energy entering the atmosphere.

But you had simply done so so that your back wasn't uncomfortably to him when you left.

"Whatever. " Was all Billy seemed to say before shutting you out, shoving that fucking piece of shit plate away from him. And in the split second your brain focused on how fast food was supposed to get cooled and not nearly three seconds after swallowing his cancer stick Billy must've caught the attention of the devil himself.

There was no denying the jagged yell, the shuffling in his voice like someone was gripping his head and holding it under water. You jumped away, eyes as wide as saucers as Billy's bedroom door flung open, smacking the adjacent wall with a loud slam that nearly cracked the plaster from the force.

And yet, his voice was a lot less louder than his grand entrance. "Hey, shit face. Why don't you make yourself useful instead of sitting around all day, having our guests, " he gestured to you, "bring you your own fucking food. "

You moved a step back, almost tripping on your own footing from your struggle to balance yourself without the solid sense of feeling. Your eyes darted frantically between the two people within your viewing distance, and you could barely make out Susan a few feet away who had her hand clasped on Max's shoulder.

She was ushering her daughter to their bedroom but Max refused, and the red head stood beside the door with a wary look.

"Get up. And give him a ride home. " Another gesture to you and when you looked towards the entrance of Billy's room again Neil was taking up the entire frame.

"That's really not–" You began but stopped as both of the parents turned to look at you with an appalled look. It was nothing personal but you doubted Billy even knew where you lived and the only time you ever rode with him was pervious to when he'd beat your ass.

"My dad–" You tried again.

"He won't answer the phone, much less pick you up. " Susan jumped in, though the hesitation on her voice made you doubt if that was her plan all along. "Your brother got a ride with the Henderson's. "

"Put on a shirt, stop acting like a balless queer, and go. " Again Neil thrust a drawn out, mocking tone, like his son couldn't comprehend basic sentences and he stepped out of the way to make room for your departure.

Billy's got a storm brewing in his expression and there was one moment where his eyes met yours and you were sure you'd drown in all the hate there was.

You didn't get a chance to argue about the amount of time it would take to get there and about how you would manage on your own. In fact, something in Max's eyes told you it'd be better not to. So you pressed your lips against each other as Billy grabbed his keys and pushed past you.

You watched Billy stalk past everyone, a gruff 'Yes, Sir' leaving his lips that you almost hadn't heard as he passed his father.

You exited the room shortly after, not sparing Susan or Neil a goodbye as you gingerly took your shirt from Max's hands.

She made a comment, something quietly spoken that not even your heightened hearing could make out over Billy's obnoxious slamming of the front door that he knew he would pay for later. You watched the young girl as she returned to her room.

Silence welcomed you when you first stepped into the driveway, stretching across the cement with a sense of uncomfortablity that didn't seem to fade as you entered the car and were met with a chilling quiet.

Billy didnt look at you as his ignition roared to life, nor did he speak to you as he pulled out the drive way. He stared ahead, chin down as he leaned just slightly forward, supporting an arm on the side door, palm rubbing soothing circles into his temple.

He was going 20 above the speed limit. You assumed you two were trying to get as far away from the house as you could. But, the further into the neighborhood you went, the lower the numbers on the radio dropped and the more the car filled with quiet music.

Hargrove was completely out of it, lost in some other space where you weren't welcome. And the car had filled with a tension you doubted he'd meant to cause, but given his current mood, you didn't think he could avoid it either.

Despite this, you chose to press yourself against the door with a turned head, the muscles in your body growing taut with discomfort the more you tried to make it seem as if you weren't even of existence in the passenger seat.

You wanted out of the car.

That much you could draw from your mind when you found that the speedometer was at 55 and increasing.

"Billy. " You tore your gaze from the meter, flickering over the silent boy who was intent on looking only at the road ahead.

No answer. His jaw was tightened and set. There were lines buried in the skin.

"Billy. " Your voice held a certain firmness that he didn't quite like.

Silence still and he tightened his grip on the leather, knuckles turning white. The streetlights were getting ready to cast those obnoxious eyes and like a perfect chain of events the little hairs of a certain song burst from the speakers.

His hand, fast with anger, whipped across the volume dial, ceasing the tune and replacing it with the rumble of the engine.

An inhale, then a single word. "What. "

Somehow you think that's the opposite of an answer. It's barely a question. With the tone of voice he held he shouldn't have phrased it that way because he clearly didn't want to know what you had to say, what you thought.

"Stop the car. I'll walk. " It was simple enough and on any normal occasion Billy might've done just that rather than wasting his gas on you. But tonight was different, and Billy, seemingly fueled by his own agitation, just blew past the stop sign and sent the speed at which the Camaro rolled up with you at dangerous levels.

The car vibrated lightly beneath you, air whistling as you tore through the neighborhood at an alarming rate.

"Oh for fucks sake. " It was a mutter to yourself because you hadn't exactly expected the boy to be cooperative but you didn't think you'd be forced to jump out of a moving car again. Yet, here you were; gripping the handle, poised like a god damn animal, eyeing the road as you built up your goddamned gallantry.

You didn't catch the surprise on Billy's face when he noticed you push the door open against the harsh winds.

Fuck it.

You fell with ease and with a soft oof! your limbs were somehow able to stand the blow rather than becoming mangled chunks of meat against the pavement. You could hear the car skidding to a stop five houses down as you took a moment to roll around in your own pain.

Your shirt had rode up on your torso, back pressed against the heated road as your skin made contact with the tar. You had a few scrapes along your spine, one over the delicate hip bone. And you were pretty sure the road had peeled the skin on your forearm all the way down to the elbow but hey, at least it wasn't your fucking face.

A few drops of blood gathered on a pebble directly to your right. Your nose gave a sharp twinge of pain.

"Dick. " You said that in regards to him, for every aspect of his personality. Because Billy Hargrove was what others considered a giant dick.

If you hadn't suspected it before you were sure when you heard the wheels start to turn again, the shift of a gear springing the Camaro back to life. And then footsteps, louder than the car itself, were slapping against the asphalt.

"Are you out of your fucking mind!?" You raised your head, eyes coming to focus on Billy's very fucking pissed form towering above you. Arms crossed defensively, face twisted with irritation as he glared down at you with something close to— well it looked a lot like anger but Billy only knew one of three emotions and that was definitely not concern.

"Fuck you. " You managed through a puddle of blood in your mouth that you promptly spit out, only having realized it was there the moment it began forming bubbles when you tried to speak.

Billy's voice stuttered in reply. "What the fuck is your problem? Do you want to fucking kill yourself or something?! "

"Better than death by fucking vehicular manslaughter on the account of Billy fucking Hargrove. " You muttered, hands pressing into the road to give you leverage when you attempt to stand up. Your body immediately yells a no to this action and you lay right back down on the road.

"What?" Billy is completely distraught in the sense that his brain has seemed to burst due the sheer incomprability of your actions.

"Oh I don't know, Billy, maybe the next time I feel like killing myself I'll call you and we'll go a hundred miles an hour off the fucking side of a cliff. "

The boys eyebrows were nearly touching his hairline as he stared at you.

"Watch me die like an old school movie where they're surrounded by bubbles and colors and shit. "

You spit the last remnants of blood from your mouth and Hargroves face ran red and blue. "Can you fucking shut the fuck up and get up already before anyone sees you. " He demanded, practically dancing around your form. Arms stretched out with a stance that reminded you very much of a gymnast.

"No. No. I think I'll lay here for a sec. " You roll onto your backside, a groan in your voice, arms folding over your body, posed like a corpse.

Billy stops in his antics and stares at you incredulously. "Are you serious?"

"Very serious, yes. " Your voice almost comes out like a sigh.

Billy reels, and if it wasn't for the fact your eyes were sealed shut now, you'd be able to see the absolute bewilderment of the teen as he stood there in the middle of the empty street. Arms half poised over you but not touching your form. As if he didn't know what do with you.

"...Get up. " He demands, standing straight again, his hands on his waist. This time he's not commanding you in that cold manner. There's a little rise to his voice like he's beginning to lose his patience, his forehead furrowing with anger.

You take another few moments to enjoy the silence. You swear you hear a cicada or something squeak from a window sill nearby and the air felt cooler than it has in weeks. Until it all becomes overbearing and your chest burns from a lack of oxygen. You didn't even realize you were holding your breath.

You open an eye to test the waters.

Billy's scowling now, a hand on his hip and the other resting across his forehead in disbelief. At you or the situation, you weren't entirely sure. Both you imagined. But there was a certain look on his face like he was ready to pull some kind of theatric, a reaction, throw a punch to knock some sense into you but ultimately decided against it.

"Where do you live?" He asked the question in such a manner that you couldn't help but be wary of his intentions.

"...Why?" You asked, the caution obvious in your voice. As he loomed over you like that... it wasn't doing a whole lot of trust building.

You almost hear the growl of frustration from his throat as he began rocking on the balls of his feet, hands swinging like he wasn't able to grab hold of something. "So we can fucking go. Before someone calls the fucking cops. "

You still hesitated.

"Before I fuck you up so hard they'll have to identify you by your fucking sperm. " Okay there were his threats. But they lacked the substance of his normal demeanor. He didn't seem overly angry like he typically did but still, his body gave some kind of look as though he couldn't quite will himself to control the way it trembled with adrenaline.

"Nice one, but you're not my type. " Another bite and a second of Billy looking absolutely befuddled as he tried to keep his voice down. His glare had weakened but only because he was taken off guard, and his cocky expression fell to a tight line.

You watched as he took a moment to look around the empty street. The lights weren't too bright so you couldn't make out that typical, telltale flush of his skin that you've grown accustomed to in his anger.

Your eyes flickered across his face, scanning every inch like a beacon. Curiously, you looked at him the same way he always did. Maybe you'd find some sort of answer hidden somewhere behind his icy blues.

The look on his face was strange. Pensive.

"Get up, Y/N. " An even voice this time. Calming maybe. And to think, all it took was a slightly gay comment in order to simmer the violent bastard.

You half wondered where the fag-bashing erratic moron went. Maybe he'd packed his bags and runaway. You could hope.

You did more than that infact, you put that right there on your bucket list, and with a frown, more for yourself than anything else, you looked away from the boy above you.

"Fine. Alright. " Your movements were stiff with pain as you moved to push yourself up by the palms of your hand, your arms trembling beneath the weight. The skin on your hand and forearm burned with a stinging sensation.

Billy watched at your pathetic attempts, a sneer or two on his face but he didn't seem to offer much help until it'd all get too pathetic and he had to reach out and aid you.

"Idiot. " His lip curled as his palm met yours, his fingers holding onto the back of your hand tight as possible.

You stumbled slightly upon becoming fully upright, teetering against Billy for a moment as you took a minute to regain your ground.

"Yeah, well whose fucking fault is that. " You've developed a lovely habit of hissing through your teeth with an unnecessary amount of spite. You're surprised Billy hasn't knocked you on your ass and left you for dead by now.

He scoffs, trying to put as much distance between the two of you while still having your arm linked through his, helping you along. To the ignorant eye, you suppose this would look platonic enough but anyone that knew the two of you well would certainly think otherwise.

Billy's all rigid limbs and stunted movements. Even when you'd finally started to walk on your own and your grip on his arm began to slack, he held firm with a grip like a vise.

And by the time you're at the passenger's side, he's shoving you into the seat and you nearly knock your head on the top of car.

You didn't bother giving a remark when he practically seethed through his teeth, slamming the door in your face. He strode around the car like a man on a mission.

"If you go more than 5 over the speed limit—" You felt the warning die on your tongue when you saw the look of pure anger etched onto Billy's face.

"You'll jump out. Yeah. " His hand came down on the shifter. "Got it. "

There was a part of your brain that you didn't recognize that was screaming in terror, completely and totally convinced you were going to die tonight at the hands of the ever brooding Billy Hargrove.

But much to your surprise, Billy maintains that 5 mile leway the entire drive home even when there's barely a car in the streets. He hadn't muttered a single word since throwing his angry body in the driver's seat.

Instead, he'd cranked up the music all the way as if it'd some how compensate for the lack of speed and conversation, not that there would be much to say anyway.

You hadn't bothered looking at him. He hadn't bothered looking at you. But somehow, in one way or another, the feeling as if you were watching each other was even more abundant in the silence.

Whatever hostility had remained from Billy's mood in the first half of the night had receded back into his depths for later. Though the occasional frown on his face never quite leaves no matter what, his eyes are softer now.

And by the time he's pulling into the dirt driveway of your home, the soft beams of amber and yellow from the streetlights dimly hitting half his face, there's no sign of anger or any real semblance of emotion. It's oddly quiet, and the only thing to really speak up was the steady rumble of the engine.

"Thanks. " You beckon quickly and with reluctantance as you awkwardly grabbed at the door handle, trying to turn as quickly as you could while still maintaining balance. Anything just to get out of his car and away from the guy.

"Y/N. " He voices and the moment you pull at the handle you come to find it's resistance. A dull tingle shoots up your spine and the hair on the back of your neck raises with tension.

You turn, facing the teen who kept an unconcerned façade. He was a calm still pond with blue eyes flickering like small waves in the face of a strong wind, and although most times they were ice and snow that held such a cold, unforgiving passion of arrogance, there were times they were the ripples of a breeze.

Now was one of those times.

"Don't go around pulling fucking stunts like that. "

That was definitely closer to a warning than anything else that had come from his lips the entirety of the night.

"This is coming from the guy who beat my ass into the concrete two months ago. " And at this point, you were too exhausted to be filled with spite for the boy.

His posture falters and not just figuratively. There's a shift to the way he's sitting but the flicker of his eyes remains. Even with you half turned, his stare remained. In fact, it seems to have gotten all the more intense.

"What's it to you anyway? " The way he tilted his head might have been endearing in another life. Now, it seemed to hold meaning, the way a predator stalks its prey with such observant behavior before sinking its teeth into its jugular.

His gaze on you could have bored into your brain, much like a drill for how quick your defenses seemed to start dissolving.

He'd always looked at you like this. Whether or not you caught his eyes on you was by chance.

In class, in the halls, it was all the same to him. He'd get one look and that was about all it took. He'd stare with the attention like an interrogation, as if trying to decode some secret behind your stature, trying to pick you apart bit by bit with those watchful baby blue's of his. And if there was no easy route to doing that he'd dig his little meat hooks into you until there was.

You were all he'd focus on. Not you in particular. More so the idea of you.

Whatever that meant.

Of course the only instance Billy looked at you without fail, hard looked at you like the blue was about to spill out of his eyes and swallow you up like a tsunami, was when he was a little tipsy or riled up with heat and fury. But like most of Billy's emotions, they were very intense. Too intense for something as simple as just a fucking stare. It almost gave you the illusion of a dangerous threat that made your skin buzz with goosebumps, your nerves rattling in their sockets.

He was doing the same now, except, the only difference was that he wasn't pissed faced or smoldering with alcohol this time. In the confines of his car, beneath the yellow white shine of the nearby street lights, he couldn't tear his gaze away even if you begged.

Billy was the sort of thing to stop you mid thought when you glance and feel your limbs freeze, suddenly petrified with all this uneasiness and sudden confusion as to why there was only one sort of definition to put on why you felt such things whenever his presence was met with a hundred paces of distance.

"I..." He starts but his voice falls flat. Something beyond frustration, something between anger and concern. The sort of look that told you he was working something out in his mind. Or he just couldn't find the proper word choice that didn't end in an f-bomb at the end of his sentence.

He's still staring, his eyes flickering back and forth between yours, like a candle wick in the night. Wavering. Stuttering. Inconsistent uncertainty.

Like he's just asking for guidance to fill his barren vocabulary, the words never existing like an undiscovered civilization in his brain, unable to conjure up the sort of speech that would get him what he wanted.

An abrupt sense of panic washed over you. You inhaled sharply and you didn't let the breath go until your next move was placed in front of you like a chess piece on the board and you couldn't take the time to think out any future moves on your part.

All of your attention was pulled to him, focused entirely. The way he moved, the way he breathed, it left a tingling feeling trailing behind him like some faint breeze of emotion.

Everything stilled, it was him and you. Him. And you.

And he's just looking at you like that. Mouth halfway opened and the noise of shallow heavy breaths were the only sounds falling from his lips while he's looking at you all wide-eyed, like some fresh-faced virgin whose never seen one in person before.

You cursed yourself. Cursed the wind. Cursed the ground. Cursed Billy and his stupid face. And every corner of his stupid car and everything else about him. You can curse the sun but that'd probably be a step too far. Especially the moment you met those watchful pools of sea foam.

Fucking Billy Hargrove and his stupid, fucking car and his even more stupid...

Lips.

Lips and teeth.

Teeth, pale pink lips.

Blue eyes, long lashes.

Stupid fucking curly hair.

The sort of curly where it always managed to get you by the tips, tangling its brambles in your fingers and refusing to let go.

Which is why the second Billy made a small noise– not even really a noise, it's a breath. A single exhale that hits your nose, hits you the way nothing has before, and it causes a wave of heat to wash over you, overtaking your senses.

You grab those curls, your fingers entwine them and his breath is alot heavier, alot hotter as his hands grip tightly onto your shirt, like he's a frightened child.

His lips are wet.

He's messy.

Sloppy.

Like he's never kissed before in his life. Lips that keep moving, and his tongue is too sensitive, too eager.

Every sharp inhale of breath reeks of sweat and chlorine.

There's no time to stop and make sense of the situation.

He's scrambling over the middle console, desperate hands gripping on your collar and in any other scenario, this would've been the step before he plummeted his fist into your face. But there's hardly anything suggesting that. At least not without the time to see the tiny trail of tears lining Billy's eyes, glossing his cheeks.

He tastes as he looks. Like liquid gold with his tongue rubbing against yours in a hot mass of burning motion. And any semblance of a rational train of thought was chucked out the window.

There was enough room in the front seat for a teenage boy and then some. Billy Hargrove was not such a teenage boy. There was barely enough room to shift and breathe and wriggle around in this half straddle.

You can faintly hear a heavy car pass over a mound in the road, an off balance tire or perhaps someone forgot to inflate it and the uneven troll on the road, not entirely deafening, but it's there. And Billy hears it and he jumps from you, leg grazing the shifter, head knocking into the top of the roof.

His ears are steaming red as he all but falls into the driver's seat, face flustered and hair slightly disheveled.

He's looking around like a wild animal caught in a trap and he can't escape, eyes flickering back and forth; from the gearshift all the way to the rear view mirror and then to your face.

Pupils shot open, dark and wide, and a hand coming up to press on his forehead, eyes squinting.

"Billy‐ " It's a start, but it doesn't stay long enough to be deemed a full sentence, not with his name lingering on your lips while you try to swallow down the heat in the pit of your stomach. Billy's looking at you, breathing heavy.

"Get out. " He mutters forcefully, the lock clicks open and when his hand comes up to rub across his face, it's shaking.

"Billy. " More insistent this time.

He looks a few shades redder than when he was before, his head snaps back to meet your stare, hair curling beneath his ears in a gentle mess, curls threatening to fall into his face.

"Get out!" His voice pitches, breaks into something close to a sob and Billy swings his arm wildly, fist connecting with the steering wheel and there's a loud honk as a warning before he shouts again. "Get the fuck out, you fucking faggot!" His voice reverberates across the entire neighborhood, shattering your ear drums in the process.

There's dogs barking from far away, probably due to the horn.

You hesitated but only for a moment before swinging the door open, just barely missing the opportunity to knock the shit out of your leg by the time Billy decided to slam down his foot on the pedal. The door shuts fast. The car speeds off before it has the chance.

You watched him drive away, with just as much intensity as the boy inside the car watched you in the rearview.

As your house began to shrink away into the distance, and the glare of the car grew smaller and smaller. You could hardly see those searing blue eyes the way you did in class. Though this time, instead of a look of hatred or scorn, it was one of fear and dread.

And maybe, just maybe, if there were more light shining on his face, it would reflect a thousand scenarios playing on his cheeks. Not that you would've been able to tell from all the way out here.

"Fuck. "

[becausegraf]

So... Gulool Ja Ja and his troubled eldest

Some musings on why the Dawnservant, social skills-powerhouse, observant and transparent and trustworthy and capable and responsible Gulool Ja Ja

seems to have massively dropped the ball when it came to, you know...

preventing his own only biological child from turning towards murderous self-destructive supervillainy.

Gulool Ja Ja's biggest, most tragic failure in my understanding is that when it comes to Zoraal Ja specifically, he has a blind spot, and I think he knows it but he can't fix it.

I mean, what do you think is the ONE area that, unfortunately, he truly has nobody, not a single person in Eorzea, he can seek experienced, trustworthy counsel on?

It's being born a Blessed Sibling, living as a Blessed Sibling, Ruling as a Blessed Sibling, and raising a Son Of A Blessed Sibling who doesn't have two heads and will grow up facing extremely vicious treatment by some people as a consequence.

Zoraal Ja is unique, and the complications that come with being what he is in this cultural context are SMACK in the hazard zone of Gulool Ja Ja's own vulnerabilities and struggles.

Gulool Ja Ja's flying blind on this one, and his son's temperament is precisely the sort that his usual tools aren't a good fit for.

Papa's style is to give his children space, let them make their own decisions, to invite them to seek help and give them everything they could ask for in their environment to support them when he cannot.

Zoraal Ja's issue is one that would have required Gulool Ja Ja to be much more confident in his capacity as his parent than he seems to have been. He needed to see clearly that his son was struggling and that under his circumstances, he couldn't just ask for help, and ACT ON THAT OBSERVATION. Asking for support is not something that comes naturally to Zoraal Ja, and I can see a dozen reasons why he would actively avoid it, too.

'Kiddo, something's bothering you and for your own good, we need to talk or have you open up to someone else before this causes you great harm, and I will be accountable for this happening whether you're happy to cooperate or determined to run away from it. We're gonna figure this out, okay?'

That's the initiative it would have taken, at a much, much earlier point in time, for Zoraal Ja to have gotten the support he needed. He needed his parent to see the danger and protect him from it.

Gulool Ja Ja, through no ill intent or inate fault of his own, simply failed in that.

He doubtlessly has his own hangups, painful topics, things that drive even him to look away and lie to himself. Even if he had the amazing instinct of compensating for a shitton of his own flaws and limitations by cooperating with others that had what he lacked, again, in this one regard

literally nobody in existence

would have any sort of experience with this particular complexity, let alone the keen eye to identify Gulool Ja Ja's massive blind spot AND take the initiative to reach out to him and offer aid.

He and Zoraal ja both are masters at hiding their pain (these chicken dudes are a lot like cats, apparently), and both have pretty compelling reasons to do so. There aren't many people that would

a) care about them personally enough to even decide something needs fixing

b) have the emotional insight to detect what's going on and empathize with the exact problem

c) be the kind of person who could think of a suitable way to help without making a mess

d) have the guts to prod at their personal life without being asked to do so, and avoid getting shown the door immediately

In a sense, Gulool Ja Ja's unique circumstances, the rare thing that DISconnects him from others with no overlap with others anywhere, is his Achilles heel, his one fatal weakness in a person otherwise dipped in invulnerability.

And Zoraal Ja is the arrow that came for it, and it makes my heart break for the both of them.

(This gets a little personal for me, too, in the sense of 'my parents are so capable and smart and empathetic, they're so admirable and competent with everything and everyone EXCEPT WITH ME, for SOME reason, what the FUCK is wrong with me'. Nothing, my issues were just too much like their own issues, which isn't my fault and not theirs either.

Tell ya what, it's really weirdly painful to be in such a position as a kid, caught between love and admiration on one hand, and burning frustration and resentment and shitty self-esteem on the other.)