#these are adults who have been adults longer than they've been kids and they have that life experience

[sanguineterrain]

okay i've had this thought brewing for a while and i think you're the only writer who would do it justice!

reader meets jason again post-lazarus pit and he's amazed by how different reader is look-wise. reader was a teenager the last time they saw jason and now as an adult they've gotten a more "adult" body. reader is curvier, fleshier, no longer as lean as they were as a teen and is a bit self conscious about their body. but it drives jason wild to see his old crush all grown up into this mature body, hell he's changed a lot too. but yeah i feel like jason would be so body positive and full of praise 🩷

decided to combine this with a request i got for this prompt: 8) we share the bed because this is what we’ve done since we were kids, regardless of the adult implications now. i so agree with you anon, i think jason would be simultaneously body positive and absolutely FERAL for his old/current crush ;)

jason todd x gn!plus-sized!reader. reader used to work with the bats and is best friends with jayjay. reader is insecure and speaks poorly about their body. jason does NOT like that and desires you carnally! wahoo! suggestive content but no outright smut.

****

You haven't been in Jason's room in five years.

Alfred's kept it pretty much the same. Same books on the shelves, same Gotham Knights sweatshirt Dick gave Jason for his birthday. The curtains are the same shade of maroon, and the left one has a tear from when you played with a batarang. Jason had covered for you and was grounded for a week.

You flip through a dog-eared copy of The Three Musketeers. A few of the pages have underlining in pencil. You trace them with your finger.

The door creaks open. You look up.

Jason freezes in the threshold. His wrist is bandaged and you can see stitches on his forehead. You frown.

"Hey." You set down the book and go to him, offering your shoulder for him to lean on. "You okay?"

Jason sighs, ignoring your shoulder. "Who called you?"

"What d'you mean? We're psychically linked, Jay-Jay. I sensed that there was trouble afoot in Gotham City."

"Uh-huh. That didn't work when you tried to convince the old man I needed a puppy because you psychically divined that it knew me in a previous life."

"You and that Terrier were soulmates and I'll hear nothing of the contrary."

You take Jason's arm, despite his protests that he can make it two feet to the bed. He lays down, trying to hide how his arm twinges in pain. You frown and slip in beside him.

Jason's a lot bigger than he was the last time you shared a bed. Well. You both are. You roll over so you're facing him, squished against his side. You pull your leg up, suddenly self-conscious about everything Jason might be able to see.

Jason is warm. He's warm and big and solid and good God, you've missed him.

Your best friend is also fucking gorgeous and you really want to kiss him, but, uh. Ignoring that. You're very practiced at ignoring the urge to kiss Jason.

"Thanks for comin'."

The light is still on, casting a soft orange glow across Jason's features. He glances at you, lashes casting shadows on his cheeks. You can count all the freckles on his nose, this close.

"I'll always come when you call, Jay," you say. "Well, when Dickie calls. Said you got a concussion."

He turns his head, sighing at the ceiling. "'S not a big deal. Mild concussion. Leslie said I'll be fine in a week, but we all know that's code for two days."

"Yeah, I don't think so. You bats really are birds of a feather."

"How dare you. 'M nothing like those wackos."

"Sure, buddy. Keep lying to yourself. You brought me in all those years ago for a little normalcy."

"My mistake," Jason says.

He gets thwacked with a pillow for that. It fluffs his curls. He grins at you.

You tuck in closer, resting your chin on his shoulder. Jason turns his head so his cheek rests on the top of your head.

"You can have the bed," he says.

"Don't be a silly goose."

"'M gonna go home anyway."

You scoff. "Not like this, you're not."

"Been worse for wear."

You roll your eyes. "How are you gonna ride your bike with a hurt wrist and a concussion, genius?"

"Please, babe. The real question is how will I sneak past Alfred?"

"I'm a babe, now?"

Jason half-smiles. "Always were."

"Liar. Can you imagine me in a Batsuit again? Exactly, you can't. I simply don't have the bod for it."

"Hey." Jason reaches down and gently pinches your thigh. "Why ya doin' that?"

"Doing what?"

"Talkin' bad about yourself. Don't do that. 'Sides, it ain't true."

"Jaybird." You level him with a look. "Be serious. I know you're my best friend and you have to say that, but c'mon. I've seen the hotties you work with. Hell, I've seen Bruce and Dickie."

Jason's face twists in disgust. "Do not call my dad and brother hot."

"Okay, fine. I've seen you."

His brows rise. "What?"

"What, what?"

"Are you... callin' me..."

You snort. "Duh. Have you seen yourself? You've always been cute, Jason. If you didn't have the demeanor of a honey badger, you'd be fending off marriage proposals left and right from the Gotham public. You've always been the prettier one of us, Jay-Jay."

Jason's quiet. You keep going.

"Anyway, neon's never been my color, and it seems like that's a pretty immovable requirement these days. Like, I get Clark's trying to be seen from space but he doesn't get bloated. And the Spandex? Goodness gracious—"

"Y'really see yourself like that?"

Jason's staring at you with a wrinkled brow, mouth set.

"Like what?"

"Like you're not pretty? Like I'm too good for ya?"

You prop your head up on your arm. "You've always been too good for me, Jason Todd."

"That's just not true. And you're fuckin' beautiful, so stop sayin' that shit."

You blink. "Jay, c'mon—"

"No. It's true, so stop. You're the most beautiful person I've ever had the pleasure to know, and if anybody's gettin' proposed to, it's you."

"Jason." Your face is on fire. Why did you open your mouth? "Stop. It's fine. So I'm different; my body's changed and shit. I'm not an athletic vigilante anymore. My thighs have, like, their own zip code. It's my own fault. I didn't keep up the training and whaa—!"

In one fluid motion, Jason's rolled you onto him. Your legs straddle his waist. You catch yourself on his shoulders, then begin to scramble off, burning with embarrassment.

"Sorry, I'm heavy, you're injured—" you babble, picking up your leg.

"Will you quit?" Jason keeps your leg exactly where it is, tenderly stroking your ankle with his thumb. "Actin' like I'm made of whipped cream."

"You're concussed."

"Mildly."

"Stop, Jason. Please. You don't have to do this to-to prove a point. I get it, I won't talk bad about myself."

Bit hypocritical, considering some of the stuff you know for a fact Jason believes about himself.

But this is humiliating, your extremely attractive, crime-fighting best friend pretending that you haven't totally let yourself go all to bolster your ego.

"Nah, I don't think you get it," Jason says conversationally. His hand creeps under your shirt. You squirm. "I really, really don't think you get how fuckin' gone I am for ya."

"Huh?"

"Oh, yeah. Now, that's my fault, never sayin' anything. I was being cowardly. So lemme make it clear for ya, sweetheart."

His hand leaves your ankle and pulls your face to his. And then Jason kisses you.

"You're concussed," you whimper against his mouth. "Jason, you're—"

Jason laughs, low and sweet. He strokes the side of your face. "I could have amnesia and I wouldn't forget the fact that I've been in love with my best friend since I was fourteen."

"Are you sure you don't want me to move? I can—"

"No way. Y'know how long I've wanted you on me? Shit, I sound like a creep, thinking 'bout you like that, but—"

Jason rolls you both onto your sides. He hefts your leg over his, so you're slotted between each other. Then he kisses your neck, mouth hot and desperate. You gasp, belly swooping.

How long have you wanted this? How long did you believe you'd never feel this way about another person after Jason?

"I can promise you," Jason says, breathing hard against your skin. "You're a knockout. You knock me out. And I'll knock out anyone who says otherwise."

You huff and get a little braver, kissing Jason and returning him onto his back. He grins, sharp and hungry. He wants you. There's no doubt.

"I still think you're concussed," you murmur, letting him feel up your shirt. "But lucky for you, I have the utmost sympathy for poor, bedridden bats."

Jason hums, grunting when your teeth scrape his ear. "Oh, I've always known I was the lucky one, having you."

[taibhsearachd]

Saw a Gen Z kid on twitter going "I'm just imagining Gen Z people who get roommates and just communicate with them through Discord", implying that that would be Weird and Wrong, and I didn't have the heart to tell them that I'm a millennial who's been married for probably longer than they've been an adult and my primary method of communication with my wife is Discord.

[starlightwritcr]

android gojo headcanons

ok wow this was longer than i thought. i hope you guys enjoy

android sukuna version

You were a beta tester for Jujutsu Technology. Your job description was quite straightforward. You just acted like a customer who bought the product you were testing and gave feedback based on what you experienced.

This time, your employers wanted you to test out the newest of the Gojo line, the S4T0RU model. He was an android for a myriad of purposes. The engineers must've been quite proud of themselves for coming up with him.

He was the strongest and most durable out of all the androids they've come up with, possibly even surpassing the SUKUN4 model. Not only that, but he came with Jujutsu Technology's best intelligence chip, their most advanced one to date. He could learn at speeds no human could match.

He could protect his owner from any and all harm, he assists with all your chores with peak efficiency, he can tutor your children, help out with homework, he could provide companionship... and other more "adult" things.

In short, he's the jack of all trades for androids. There was a reason he cost the highest out of all of them.

For this simulation, you were meant to act as a single mother who recently lost her husband and needs assistance with her two children. The two children were androids created for testing, since it was too risky to use actual children in the process.

It started with unboxing him, the same way any buyer would. So far, you encountered no issues. Setup just required you to log into the app and configure the mode you need him for. Options included: Fighter mode, Caretaker mode, and... Pleasure mode. You clicked on "Caretaker mode".

When he woke up from his slumber, he greeted you and your children. Megumi didn't take too well to him, but Tsumiki quite liked him. You noted that his voice module was fully operational, no glitching or echoing. This version of him was still a prototype so his personality was a bit blank for the time being. It'd likely only start developing after spending time with you and the kids.

Your theory was proven right when you put the S4T0RU android to the test, asking him to do basic chores like vacuuming the floor and cleaning up the kids' toys. Tsumiki showered him in praises, which he basked in, wearing a smug smirk as he showed off his prowess.

You couldn't help the amused smile as you watched him pick up the sofa with one hand to vacuum, even though he could've just moved it to the side to achieve the same results. An android that was a showoff. How interesting.

Next task was to test his skill in teaching, asking him to help homeschool Megumi. It would prove to be a little more difficult than the basic house chores. This was especially the case with Megumi's model, who was designed to simulate a more... difficult and moody child. Androids who couldn't handle him usually didn't make the cut and got scrapped.

Despite Satoru's initial rocky start with him, he eventually got the hang of it and figured out how to get the child android to listen.

The more you spent time with him, the more attached you felt to the android. Out of all the androids, he seemed the most... lovable.

You weren't part of the Pleasure Department so you didn't have the most experience regarding the more... sensual androids.

But you couldn't quite recall whether the previous androids you tested were as... touchy as Satoru was. You never seemed to go a day where he hasn't had his large arms wrapped around your waist or shoulder.

While assisting you with chores, he made conversation, asking you about your interests and hobbies. He listened intently, hanging onto every word of your responses.

Whenever you got back home from "work", you'd find him playing with the kids, either having tea parties with Tsumiki or watching animal documentaries with Megumi. Upon noticing your arrival, his eyes light up with excitement. He rushes to your side, eager to help you relax after a long day.

He'd make you a cup of your favorite drink, making you sigh with relief. Every task you've made him do was a success. He should be good to go now. All you had to do was give him clearance to be mass produced and sold to the public.

As you rested your head on his shoulder, hearing the gentle hum of his system, you felt a twinge of pain, knowing that the life you've grown so attached to will eventually come to an end - that this fabricated life you've built with him would be gone in just a few days.

"Do you have to let me go?" Satoru's question made your heart stop. There was not a single android who has gained awareness of the simulation. But somehow, he acted like this was a fact he understood since long ago.

You let out a shaky breath. "I... have no choice. This is what they pay me for. You'll be taken from me regardless."

He gave you a chesire smile. "Their first mistake was giving me the tools to bust us out of here."

Satoru disconnected his system from the Jujutsu Network and grabbed the two kids, doing the same to them. Alarms started blaring, alerting all the workers that an android had gone rogue.

He picked the three of you up, breaking out of the compound.

You weren't quite sure what the future had in store for you. But you were sure that you'd be fine as long as you had Satoru and your newfound family by your side.

[usagifuyusummer]

Family Dinner Night!

Congrats Peri(winkle) for finally getting the Godparenting license!!! 🥳🥳🥳 - from your loving parents and godbrother 💖💖💖

More concept art and as usual my insane ramblings below.

I NEED TO GET THE CREATIVE URGES OUT OF MY HEAD!!! It has been bothering with my motivation to finish my gazillions of homeworks lmao. I have so many ideas I need to let out!!! It's suffocating. I hope this will satisfy my creative urges for a while... Or not I will yap about my FOP AU on a separate post (when I'm able).

I can't stop being sad thinking about this family lol. Timmy 😭😭😭

I am not kidding when I say that my head is just filled with so many things that I want to contribute in the FOP fanworks lol. There's a lot I want to do, but so little time...

For now, I've decided to practice my take on the FOP artstyle. I wanted to do something simple as drawing and coloring practice. That's why the coloring this time is flat with no shadings. I think the show doesn't focus on shaded colors too much (except on scenes where there's a heavy implication of day/night, for shock value, etc.).

Just wanted to draw something cute because I haven't been feeling so swell lately. Nothing too poetic or detailed this time.

Other than that, two of the outfits this time is actually inspired by @suki-na-kumo for Peri and an image I found floating around in Twitter/X (sorry I don't remember who shared it) for Timmy's design. Suki-na-kumo's FOP family redesigns are so cool and adorable! I like that they always include flowy attributes in Peri's outfits lol. It makes him look like a pampered brat (which he kinda is seeing how his family coddles him), an otherworldly prince and also a Twink TM (that is unavoidable lol). I kinda want to draw their other FOP redesigns, but I'll just go with Peri's first.

I am not sure where that 18 year old Timmy design is from, but it kinda can be his design for those who theorise him on becoming a lawyer as an adult. There's a lot of instances where Timmy is wearing a suit in the show, but this design is one of my favs due to the hairstyle change. My adult Timmy designs in the future will be influenced from this piece of official art. I wonder if there are more Timmy designs in the wild wild west out there that I haven't seen... It is certainly an interesting find (Teen AJ is also there, and his design also looks cool to me).

Cosmo and Wanda's oufits are something that I cooked up. I don't think the coloring looks good... I just did this on a whim, and for about 13 hours. Damn, I am procrastinating on my work lmao.

Still, the context this time is, that they've had a family dinner to celebrate on Peri's achievement on finally obtaining his godparenting license!!! Good for him!!!

This is an AU if Timmy somehow was able to find a loophole in the "losing your memories of your fairy godparents after you become an adult" rule. Because of that, he continued his life as normal (as Timmy's chaotic life can be), but this time he is able to keep in contact with his fairy family even if they're not contractually obligated to stick together. Timmy does live with the Fairywinkle Cosma's around his college to early work years, but he eventually was able to move out and live on his own at where he works as a lawyer after a while in his adulthood. (His birth parents eventually went on a lifetime vacation without him or just went away for too long that Timmy just lives on his own a lot after he is 18 and above...)

Despite living on his own nowadays (In a New Wish context), Timmy does keep in contact with his fairy family and visits them when he's not busy with his job. Cosmo and Wanda still took a long vacation in this AU, first due to, yeah, Timmy is no easy feat as a godchild lol, and second, they actually want to take their time to raise BOTH of their children (even if Timmy is no longer a child/godchild) and guide them until they're stable adults. Timmy during college years actually only stays with the Fairywinkle Cosma's on holidays, so when Timmy's busy with college, that is when Cosmo and Wanda take their time relaxing lmao.

Sometimes when they really want to have some time alone or when Peri wants to see his bro, they will send Peri to Timmy's college for a day or more. Timmy babysits Peri so much during his college years lol. They both had fun though! With a lot of Peri newfound nuclear fairy power shenanigans at Timmy's college lmao. Studying law and taking the bar exam has never been more chaotic with babysitting a nuclear powered fairy child.

There's a lot more on this AU that I've been thinking, but I'll stop here for now. I need to gather my AU ideas in one post sometime later.

Also, Peri and Timmy are both adults here, Peri's around his 20's here and Timmy is on his early 30's I think. Cosmo, Wanda, and Peri are in their human disguises here, because they want to learn more about human culture (A New Wish context) while also having the desire to be more in Timmy's life.

I headcannon Timmy to be kinda short in his adulthood. This is also a nod to that episode when his fairy family used imperfect human disguises, even Poof/Peri was taller than Timmy in his human baby disguise lol. And also hey, wearing braces during his teen years paid off! (his big teeth are visible only when he opens his mouth lol)

As usual, here's some concept art and a png lineart pic if you want to use it to color it better than I did lmao. (that was a long yapping session... thanks for reading)

[lactoseintolerentswag]

when they've got interpreting spiderman noir under a specific cultural lens at the function [picture of me going insane]

I cant help myself.. what can i say. And since you've mentioned some research going on behind the scenes.. do you have any fun interpretations? Or even anything fun about the 1800s!

OH HI

Hm. I don't have anything as fun as historical dancing, but I suppose this does give me the excuse (thabk u) to blab about Noir's childishness.

(wow putting this under the cut bc it got longer than I thought it would LMAO)

I think what a lot of people (including Noir's contemporary writers and yes even the spiderverse interpretation) fall for when trying to read Noir's character is the imitation of his idea of what an adult is, that he hides behind. Like Noir's persona is incredibly exaggerated. He's playing pretend. Look here, he's practicing.

A lot of his persona as Noir is imitation! Imitation of his uncle, of Urich, of the violence he's been exposed to. He's running around in his uncle's old uniform. Fundamentally misunderstanding WHY his uncle had been ashamed of it and his role in the war.

And then he goes ahead and steals Urich's alias because it sounds Cool (which is such a teenage thing to do jesus christ).

But like that imitation of The Adult isn't something that's limited to that exaggerated persona that Noir encapsulates. Peter himself is trying So Hard to be grown up and tough and responsible that it loops back around to him being a brat who would try the three guys in a trench coat trick. He even gets beat up for it when trying to defend his aunt. And I mean I've posted about him being a brat.

About how he looks at Urich as a Prime Example of what a strong and knowledgeable adult is (which is part of why he reacts so volatile in response to Urich showing he's not exactly as morally righteous as himself, he's wounded and let down). Whiskey? Whiskey sounds like someone Mature and Cool would drink, I'll have it too. And then proceeds to throw his drink at Osborn and laugh about it. The illusion was broken for me then.

But well it's not broken for everyone. I mean like obviously I poked at the contemporary writers, but I'm more talking about the other characters in the narrative. Mainly Urich and Felicia.

Urich taking Peter under his wing isn't entirely under the motivation to nurture Peter. I think it Becomes that, but he's really envious of that kid. He wants to see him lose that hope that he once had (ruh roh the opposite thing happened, being around the kid made YOU more hopeful Ben. Guess you gotta be good. Hope you don't die now).

Urich really is exposing him to an extremely harsh reality, and taking him places where adults are typically only allowed. He's letting Peter get a glimpse into what it's like, which will eventually enable Noir's tool of violence. All these tests will accumulate into what Peter thinks someone powerful and strong can be and do.

Then his problematic relationship with Felicia (writers I'm malleting you for this). He's clinging to her adulthood and the safety she represents, and he's young but she sees some adult strength in him. I mean she trusts him with the blackmail Urich gave her, which she really. Shouldn't, even if that's what Urich wanted.

Anyway, strength is something she's been consistently drawn to her in her partners. Strength to feel as her own. Even if it's to hers and others' detriment. There's also a part of Peter that's drawn to Felicia because Urich was. He's still honing in the good parts of Urich he wants to be.

I think the one person in the narrative who doesn't fall for it? Is Aunt May. You could argue it's just her being naturally motherly, but for someone who was about to be eaten alive she's pretty frank with Noir. I think she can see that that violence and exaggerated grittiness comes from someone inexperienced and young. Even if she can't consciously recognize the similarities between Noir's persona and Peter's protectiveness of her. I don't think she wants to see that. I actually have a short comic script about that, but it probably will never see the light of day.

Ugh he's like a cat puffing up to scare away a predator. It's fake!!!!! It's all fake!!!!!! He gets intimidated by JJ, he never ties his shoes, gets powers and then immediately guns to beat the shit out of Osborn, sings about the sandman when he's getting his face bashed in, crawls to Felicia all pathetic and sad, and he made a costume to run over roofs at night in.

And it's funny how he's forcing himself to grow up, but also really sad because all the things he's being exposed to is already forcing him to grow up. He's witnessing things no kid should ever see or experience.

Then there's the time period to consider. The aftermath of WWI, being in the midst of the Great Depression, and WWII just around the corner. He's faced incredible hardship and is going to continue to face so much hardship, and he's going to mature faster than he ever should have. It should have made him crash and burn Hard when he became an adult, and to me he still does because I'm ignoring everyone after ewaof LMAO.

As for my research on the 1800s NY that's for my own spider iteration run I'm working on, so not too related to Noir until I reach the 30's :3

Hope that was satisfying!!

[ghostface-knight]

i'd like to present my concept of nightmare time episodes where every (or almost every) person is played by the same person, inspired by jaime lyn beatty in daddy. here are some ideas:

peter spankoffski is done being at the bottom of the hatchetfield high food chain, and so he seeks out help to become cooler. he comes across ethan green, who, having just been left by his girlfriend lex, decides, "what the hell, i'll mentor this kid on being cool". when ted spankoffski learns that his little brother is hanging out with "that no-good ethan green", he confronts pete about it, perhaps a little too harshly. his intentions are good, but when has anything ever gone the way he meant? ted, like everybody in town, knows about ethan's reputation, and he thinks he'll be a bad influence on pete. he knows that, if anyone can, pete can make it out of hatchetfield, and he doesn't want ethan screwing that up. so he confronts him, and one thing leads to another, and eventually pete storms out in anger. ted knows if he goes after pete immediately, he'll only make things worse, so he decides he'll let him have his moment of teenage rebellion and then reconcile with him after. a few hours later, ted spankoffski, now drinking his problems away, is approached by a mysterious man who has somehow gotten into ted's apartment. wilbur cross, as he introduces himself, half-convinces and half-mind controls ted into believing that ethan is responsible for this, and the only way to protect pete is to kill ethan. he storms into ethan's tiny basement apartment, wielding his now shattered bottle of booze, and prepared to rip him limb from limb with his new super-powered companion. ethan can hold his own, though, and the brawl is a tough match. eventually, though, ethan manages to get the remaining shard of the bottle and shove it straight through ted's chest. as this happens, pete comes out of ethan's bathroom, revealing that he'd gone to ethan for comfort after his fight with ted. ted bleeds out on ethan's floor as pete holds him.

ruth fleming has graduated high school, and she's lucky enough to find a super chill job as a farmhand on the farm of emma perkins. one day, as they do their usual work (which isn't much, to be honest), they are approached by linda monroe, who is all but seething. she's goes on about how drugs are evil and she will not raise her children in a town where such depravity is taking place. they threaten her off the property, and they think that'll be over and done with. it's not like they've never had to deal with moralistic creeps like her before, and they've always come out the other side. linda comes back the next day with a petition signed by just about every member of the hatchetfield boating society. yeah whatever, perky's buds is not going to be dismantled by some stupid rich people who think they have more power than they do. in the midst of this, they've recently recieved a new client: 17 year old hannah foster. a quiet kid from hatchetfield high, who seems to have joined the smoke club as a way to make some friends. emma and ruth don't think much of it -- neither of them have any qualms about selling to teenagers, and business is business. however, hannah keeps coming back for more and more, and ruth starts to wonder if there's something else going on. back in the linda plot, linda has taken to bringing people out to the farm to protest. each day she (or, more accurately, the people she's hired) come with more and more people holding cardboard signs and chanting. it's really starting to get on emma's nerves. one day, while hannah is picking up her purchase, linda, surrounded by a mob of angry parents and hatchetfield adults, returns. suddenly, linda no longer seems like a nuisance, but a legitimate threat. her followers carry weapons and the menacing smile on her face tells emma and ruth that she isn't messing around. as the mob breaks through the door of the farm house, emma and ruth urge hannah to look for shelter. hannah refuses though, and emma swears her eyes begin to gleam almost inhumanly. the mob makes it to them, and are suddenly thrown back by a wave of psychic energy so powerful it shatters the walls of the house. hannah's new powers (on account of the weed) leave emma, ruth, and herself standing unharmed in the middle of a surrounding pile of groaning, injured people.

i have a few other concepts, but this is getting super long so i better leave it here for now lmao

[fridayyy-13th]

gonna be honest, feeling very conflicted about this episode, lads. i've been really hoping Protocol won't explain away the (NARRATIVELY IMPORTANT) mystery left at the end of Archives, i.e. Jon and Martin's fate, so seeing as they're the next thing Sam and Celia are gonna be investigating, this is kinda gonna be the thing that makes or breaks Protocol, for me.

i do think there's a solid chance Chester and Norris are the Jon and Martin from Protocol's universe, and that is something i absolutely would not mind. but i haven't actually made a post explaining why i think that, and i should probably do that before it's explained, just so i can mayyyybe say i called it.

(for the record, i'm pretty sure i came up with most of this before the series even officially dropped, when all we had was the ARG and the trailer. i haven't done much to connect this theory to the further information we've learned, so it's probably not fully accurate (if accurate at all). and quite a bit of it is kinda baseless conjecture; i'm just throwing my thoughts out there. just a little disclaimer.)

so!

in Archives, Jonah's primary motivation is fear of death. turning to the Eye is what allows him to body-hop as he does for 200 years, trying to create a world where his Patron reigns supreme, where he is seated upon its throne and cannot die. assuming his motivation is the same in Protocol, this new universe is (likely until recently) untouched by the Entities. if Jonah wanted to evade death, how could he do that without the help of an eldritch fear god?

easy—alchemy.

i'm not particularly knowledgeable about the subject as a whole, but i'm certainly familiar with the Philosopher's Stone (the symbol of which is also present in the OIAR's/podcast's logo, though it seems the OIAR is more focused on balance than on experimentation).

i also know that the seven metals used in alchemy (gold, silver, mercury, copper, lead, iron, and tin) are all components of computer chips. i've been thinking Jonah, or maybe his successors, saw that and began turning their research to how it could be utilized to extend—or preserve—life.

to cut to the chase, bc frankly it's hard trying to sound like i know what i'm talking about and this post would take forever to write otherwise, i think Jonah tried to Sergei Ushanka himself into a computer, because metal and plastic are a hell of a lot longer-lasting than a human being.

but he wouldn't shove his consciousness into some random motherboard without making sure it was safe, what do you take him for?? he is a man of academia. obviously he had to test it on others first, and then he'd do it himself.

cue the thought experiments the Institute ran on kids. the things the experiments quantify are empathy and obedience to authority, which to me screams that they were trying to find kids who were easy to manipulate into more dangerous experiments.

and who are two characters who were kids in the 90s, with circumstances that left them lonely, isolated, and who, even as adults, are desperate to please (whether a parent or a bad boss)? Jon and Martin.

i posit that Jon and Martin were both victims of these experiments, perhaps the first (and only) successful subjects, and Jonah uploaded his consciousness to the computer soon after. their records could have been stricken from the spreadsheet to hide that they'd even been part of the program, and given the Institute burned down soon after, and there were no survivors—it could have been assumed that they'd died in the fire. it isn't like they had the most doting guardians to worry over them.

...but Chester and Norris's voices are those of adult Jon and Martin.

best i can figure, Jonah's plan might have worked in the short term, but computers have had date/time hardware in them since the 80s, so they—and Augustus—are still aging. so they've been trapped in computer software since 1999, and now that Sam and Celia are digging into what happened, they're desperate to catch their attention and find a way out.

(and lastly, a fun little thought—given Jon and Martin were both born circa 1987, they would have been twelve in 1999. they didn't even get to be teenagers.)

[makeste]

So... How was watching that episode?

I meant to do a post on this sooner, as opposed to late on a Friday night hours before the next episode drops (eta: well apparently there's no new ep airing this week after all so that makes my timing slightly less atrocious), but yeah. basically I loved it. it hurt in all the right ways.

music was incredible. no shot it was ever not going to be incredible. Hayashi Yuuki thank you for always making my emotions your bitch.

there are admittedly a couple of moments in the anime which I felt weren't quite as impactful as they were in the manga. one of these is the moment when Jeanist, after seeing that Kacchan is (he thinks) traumatized and crying, immediately shifts gears from trying to hype him back up to return to the battle, and instead starts reassuring him that he's done enough and he doesn't have to fight anymore and they'll figure out a way without him. when I first read that part in the manga it absolutely slaughtered me. it's so rare to see media that stars young adults as the protagonists, and portrays them as capable young warriors, and yet also acknowledges that even so, they're still just kids. and to then surround said kids with adults who aren't dumbed down, and who are actually smart and capable and who are actively looking out for them and trying to protect them even though the kids are more OP than they are.

so to have a character that looks at someone like Bakugou and sees past how powerful and determined and ferocious he is, and instead just sees a kid who has been so incredibly brave and who they've asked so much of already. and to have that character make the on-the-spot decision to pull this kid out of the fight, regardless of the consequences, even if it means they might LOSE, just because he thinks the kid is hurt and scared and past his limits, and he needs someone to look out for him. that moment says everything about what kind of person Jeanist is. just, that one part got to me so much.

BUT, in the anime it all happens much faster and the moment gets kind of lost because Kacchan almost immediately starts doing his Deku-style muttering, and Jeanist quickly realizes that his initial read was wrong and this kid is actually FULLY AND COMPLETELY LOCKED IN MORE THAN EVER. which is exactly what happens in the manga as well, to be fair. but in the manga I got to read and absorb it at my own pace, whereas the anime just keeps on going with no concern over whether you've had enough time to process everything that's going on. and so that moment just kind of slips by, and almost isn't even noticeable unless you're looking out for it. it's not really a complaint, because there isn't really any other way the scene could be adapted, probably. but it does give me a good excuse to write a mini-essay about how much I love it, so yeah.

moving on though, in spite of my wishing we could have somehow lingered on that part a second or two longer, I did absolutely love the reveal of Kacchan mumbling and analyzing Deku-style. the first of many outstanding Okamoto Nobuhiko performances in this episode. full nerd powers activated. we'd already seen him do this in Bakugou Katsuki: Rising as well, but this is where it really stands out and it was awesome.

and by the way, shout out to the Big Three who are fucking great. eventually when I get around to posting my manga recaps for this part of the story, those will get more into their antics. for now though, I'll just say that everything was very well adapted. and the part where poor Mirio is all "???? sorry????" when TomurAFO has his brief little Tenko outburst was everything I hoped it would be, and Mirio's actor absolutely nailed it. like I knew it was coming and was anticipating it, and it still slayed me. easily a top five funniest moment in the whole damn series.

Kacchan standing up and telling Jeanist to look after the others filled me with just as much dread as the first time I read it. and the first time I read it, I had already been spoiled. so what I'm trying to say is, knowing what's about to happen does not in any way lessen the intensity of this moment. if anything it just enhances it.

the reveal of Kacchan's powerup was so incredibly badass. I can't even describe how badass it was. just, BOOM. now you see me, now you don't. LA DEE DA, HERE I AM! and the narration in the background talking about his quirk. chef's kiss.

no matter how many anime characters I see pulling off the omae wa mou shindeiru, I will never, ever tire of it. it's the single most badass thing anyone can ever do. especially when they were being underestimated the entire fucking time, and now all of a sudden they're out here scaring the shit out of the big bad himself. no one is faster than Kacchan. KACCHAN CAN RUN FASTER THAN ALL OF YOU. HE CAN FUCKING FLY!! HE'S BEHIND YOU RIGHT NOW!! GOD I LOVE IT SO MUCH.

and then Nobu hits us with the coup de grace. "Izuku… can I still catch up to you?" fellas is it gay to spend your last thirty seconds of life having an imaginary conversation with your beloved rival even as you're zapping around like a bolt of lightning, kicking more ass than anyone on earth has ever kicked.

and I was already dead by this point, but then the All Might vestige scene kicked in and resuscitated me so I could die again even harder. worth it.

so what really killed me nineteen times during this part was the way that Kacchan sounded so completely and utterly different from how he has ever sounded before. this is a scene that's taking place entirely in his head (or… in OFA land… maybe???? goddammit Horikoshi still owes us an explanation. THAT VESTIGE SHOULD NOT BE THERE I DON'T CARE WHAT ANYBODY SAYS). there's nobody else around. nobody to perform for. nobody to show off or look tough for. it's just him, and this big mysterious yellow All Might ghost thing.

and he sounds like an entirely different person. nervous, shy, sheepish. no crudeness, no insults. just, aw shucks. hand to back of neck. avert eyes. so this is kind of awkward, but... the thing is, I always wanted to... but I was such a brat when we first met... and I just never found the right moment after... anyway yeah I'm sorry and it's really dumb. but I really just. wanted to get your autograph.

just. this is him at his most sincere. this is who he's always been, all along. the one and ONLY time we've ever gotten a glimpse of him with absolutely no walls. and he is NOTHING like what he presents himself as to the outside world. he is sweet, he is gentle, he is self-effacing. he is painfully vulnerable, which is doubtless why he never dares to show this side of himself to anybody, ever. and he is ultimately so calmly accepting of this one last regret during what he believes are his final moments.

anyway. so yeah. it destroyed me. what else is there to say.

and then it happens. and once again, not to shit on the anime at all because this episode was fantastic, but this was another part that seemed much clearer in the manga. particularly that one page where we see that everyone else -- Jeanist; Mirio; Hadou; Tamaki; even Mirko -- tried to save Katsuki from that final blow, but they were all just a split second too late. the anime did its best to show that, but I think it was just harder to convey in that format. whereas the manga did it beautifully in a way that couldn't really be replicated.

but on the other hand, one thing the anime did VERY well was showing Kacchan's ragdoll body just flop lifelessly away afterwards. holy shit. I watched like a half dozen reaction videos to this episode on Youtube, and in most of them the anime viewers didn't quite realize how bad of a hit it was at first… until they showed that. then they were like, D: D: D:

and then last but not least… the image that broke the internet so hard that it spoiled me even in my paranoid social media isolation. Kacchan lying lifelessly on the ground. it's such a well-drawn panel in the manga, and the anime absolutely did it justice. having him be so pale was a wonderful touch. you see him, and you just immediately know. there's no room for doubt at all. it's powerful af. the Youtuber reactors all lost their minds. one woman actually started sobbing. phenomenal cinema.

so yeah! needless to say I thought it was spectacular. pour one out for the anime-onlys though. and now their watch begins.

[unnamed-axolotl]

HAAANDSS I've always prided myself on being able to draw them so HERES A FUN LITTLE THINGY I DID!!! Tried to get a good variety of hands here. With the humans, ranging from young child to older child to adult, plus a couple of skin tones and features. Then with the animatronics, what the difference is between a harshly-put-together robot vs. an actually well-put-together animatronic.

(AND AS A BONUS their handwriting and how I think they'd draw smilies!!!!)

HEADCANONS UNDER THE CUT, written in the order I drew them in, not the order they appear.

I started with Michael. I was originally going to make him a lot more worn out, but just kept it simple probably for the sake of my sanity. A good few scars from the stuff he's went through. He probably has rather good handwriting because he's had a lot of practice both with legal documents and probably journaling. (Not really taking into account the Logbook here. It totally wasn't because I don't know what his handwriting looks like off the top of my head and was too lazy to get out of bed and get the book to reference.) He does a pretty generic smiley face, too.

Cassie was next. I don't really draw human hands with fingernails a lot so that was a challenge. The idea here was to make a hand that was that of an older kid, but obviously not as big or with fingers as long as Michael's are, for example. I played with her skin tone for a little bit, and I'm not too experienced with working in color, so please do let me know if there's anything I can improve upon when I do darker skin tones in the future! I was trying to get that lighter tone on her underhand but wasn't too positive about it. I also gave her some funky little bracelets, one of which is a direct copy of a bracelet that my lovely friend (@masquayla-the-splendid) for me. Cassie probably has fairly decent handwriting and definitely dots her i's with hearts when she writes her name. She tries to make the smiley faces look cute.

Evan's turn! I headcanon Evan to be much younger, so I made his hands smaller and stubbier. He's pretty pale because of the whole dying thing, and he's got some freckles and moles, sort of inspired by my own hand in a way! I've got little moles everywhere so I figured I'd incorporate that into his design, partly as a way to add more flair to an otherwise plain base. Other than that, not much going on here. He's got messier handwriting because he's a kid, and in my AU he didn't really get to go to school for all that long, so his siblings probably taught him how to write before he died. The brain damage probably doesn't help much either. He's trying his best.

For Sun and Moon, initially I couldn't decide which one of the two to color. As I was making the base I was thinking pretty hard about it, but ultimately figured out that I could probably just split it down the middle, and it worked! I've been trying to give the Daycare Attendants longer fingers to reflect how their hands look in the games. I couldn't make their hands too big because it either looked stupid to me or took up too much space, so I settled with this. I also gave them little scratches on their fingerpads. Sun and Moon have different signatures, with Moon's being a little more neat while Sun's is more fun and just a tad messier. He also overdecorates a bit. Moon stays simple with his smiley faces and Sun loves to express Big Happiness in his.

Ennard's hands (particularly their wrists where their wires tangle together like that) never look the same twice when I draw them, but I like to think the placement of their wires probably changes fairly frequently too, like a Double Rex Rat who has a new coat pattern every few days. Their wires have tarnished over time, but they try to maintain just a little bit of glint, despite the rusting, which is particularly noticeable in the spots where their fingertips brush against things most often. They've also got those little stray wires that poke out of each fingertip. Of course, holding any kind of writing utensil with those Big Meaty Claws has gotta be difficult, so even if they try their hardest, it's not gonna turn out great. Same with their smiley faces. They're doing their best.

[torchflies]

Another Swamp Boy question because I love feral Jake and his little swamp chickens: Since Jake was so rarely in school, how did that affect his reading and writing skills? Does he have some quirks since he mostly taught himself?

Does this influence how he views the Hangman callsign? (seeing it as a poke at his janky writing skills?) Since the swamp chickens love Bradley (the fun, cool dude their brother is in love with), how do they react when they find out he's the one to give the callsign?

What if they get to see something similar to what happened at The Hard Deck, with Jake poking at Bradley, and Bradley sniping something downright mean back (because he doesn't always think before he speaks)? Jake is their snarky jackass big brother, but he's not mean like that unless it's in his kids' defense or he's striking back from hurt.

Do the swamp chickens know what happened to their mom?

Also love the friendship between Jake and Javy, BFFs for eternity 🥰

I AM SO GLAD YOU LIKE JAKE AND HIS SWAMP CHICKENS ❤️❤️❤️❤️😍😍🥹🥹🥹🥹 THANK YOU NONNY!

Jake absolutely has undiagnosed dyslexia as well, but he just learned to cope with it as he got older through sheer force of if I fail this my kids will starve to death.

He was never taught how to read and write correctly because of his attendance and everything he knows, he taught himself. He doesn't read for fun and will avoid reading aloud if he can, but he’s passable now as an adult. Bradley gave him his callsign after they started hanging out and he watched Jake try to read something aloud. He thought Jake was messing with him and called him Hangman as a joke, he didn't realize Jake was actually trying. 😭💔

The swamp chickens grow to love Bradley, but some take longer than others. 😅 Ree in particular, as the second oldest kid, remembers what they went through with far more clarity and Jake was far more willing to share his struggles with Ree than any of the other chickens. So he takes forever to like Bradley, just because he knows the history.

None of the swamp chickens are amused when Bradley starts poking hurts for real. Hangman leaving everyone behind?

They know Jake has a complex about that, it’s his biggest fear and Bradley talks about it like it’s a joke.

Those swamp chickens would happily drag that man into the dirt and beat him up if need be — these are backwoods hicks, they know how to take him down. 😂😅

Ree and Gunny both remember that night enough to know that she was murdered, they also have a bad feeling that Jake saw more than he lets on. Mack and the twins have never been explicitly told what happened that night, but they've been able to put 2 and 2 together.

Javy would follow Jake to the ends of the earth, mainly because he knows how hard Jake works to be a good person. He won't ever forget little Ness, who was kind even when it was clear that no one had ever shown him any kindness. 😭❤️

Javy got a lifetime subscription to Jake and the Swamp Chickens and he complains about it to anyone who will listen 😂😂😂

[misty--nights]

This is not at all coherent, I don't think. I have a cold and woke up from a nap with a weird idea so I'm putting it out into the world in case anyone else finds it as entertaining as I did.

Do you know what I think would be a hilarious Dead Boy Detectives ship? Jenny/The Night Nurse. Now hear me out.

Imagine Jenny who goes to England with the ghosts and Crystal because her whole life has been turned upside down and she needs a new start. Imagine her trying to adapt to a new, completely different place, after spending her whole life in Port Townsend. Imagine her trying to cope with the fact that the supernatural exists and things are not how she believed for all of her life.

Imagine also the Night Nurse who has just been basically relocated from her job and forced to oversee these kids that have made her existence so incredibly hard lately. Imagine her having to live on Earth full-time for an indefinite period of time just because those pesky kids managed to charm her superior. Imagine her being incredibly frustrated about all of this, and not really having a way of venting about it because all of her power is meaningless in the face of her superiors.

Now imagine them meeting at the Agency office. Just a casual meeting once, when Jenny comes over to pick something up while Crystal and the boys are off on some case. Jenny remembers some of her first meeting with the Night Nurse. Not the specifics, of course, because the Night Nurse took that, but she does remember the fear and the weirdness afterwards. And to the Night Nurse Jenny is just some random human of no interest. So that first meeting again is kind of awkward.

But then, they keep crossing paths. They've both become this sort of reluctant parental figures to the Agency kids. Like the Night Nurse is obviously ordered to be Charles and Edwin's keeper, and Jenny has sort of taken it upon herself to look after Crystal (whose parents suck) and Niko (once she gets back to them, because I don't believe in a world where she doesn't make it back to her friends from whatever weird limbo state she is in.) And then because the four teens are now a package deal, Jenny and the Night Nurse start spending more and more time together.

Eventually, they get to talking. Still a little awkwardly at first, but they start finding common ground (complaining about the teens) and spending more time together with the only other adult figure in the group. Yes, Charles and Edwin have both been around for longer than Jenny has been alive, but they still at like teens most of the time. And yes, since Jenny's human the Night Nurse doubts their experiences can truly relate and they're not actually anywhere close in age, but it's not like she has many other options. So they talk sometimes. And slowly those talks become more and more frequent.

They start meeting like once a week. Jenny has opened a new shop down the street from the Agency and they meet there when the kids are off on a case. Maybe they share a bottle of wine or something and trade stories. Mostly complains about the teens, of course, but then also more personal things. Jenny's brain isn't quite able to grasp everything about the Night Nurse's lore, so she just drinks and listens.

The Night Nurse wouldn't admit it to anyone, but she enjoys having someone who will listen to her complains and not act like she's being unreasonable. Why wouldn't she be annoyed that this kids keep making messes for her to clean up and leaving her with mountains of paperwork to fill? (Some things never change, huh.) Jenny understands. She also finds the paperwork tedious. She also thinks the kids have an otherworldly ability to make stupid decisions and get on their nerves.

I think Jenny would be the first to catch feelings. Or at least she'd be the first to realize.

Once their meetings stop being a weekly thing and become almost daily, she starts noticing all these little things. Like how the Night Nurse is actually really soft for the kids, even if they annoy her. How she genuinely cares for her job in a way that goes beyond just being made for a job and preforming it for eternity. How she always does her best to keep the teens safe even when she knows they will try their best to get into as much trouble as possible. How she can be all dry humor and unexpected kindness underneath her business attitude. Eventually, she realizes that there's something about the Night Nurse that really calls to her, that draws her in despite her better judgement.

Jenny wouldn't do anything about those feelings, though. How do you go about romancing an eternal, trans-dymensional being? You don't. You sip your wine and listen to her as attentively as you can manage and you don't say anything.

The Night Nurse would take longer to realize she's falling for Jenny. It's not that she doesn't know how human relationships work or that she doesn't understand that she and Jenny are getting closer. It's just that she has many other, bigger, concerns.

It's not until much later, after a bad case, that she realizes. It's the kind of case that gets them all banged up and somehow, Jenny ends up involved in it too despite her insistence that she wants nothing to do with Agency business. I'm going cliche here, but I think her somehow getting cursed to be trapped inside her mind or something could work well. Because then the Night Nurse would have to go through her memories to get her back or something like that. And along the way, she would realize Jenny has a crush on her, of course, but also she'd realize she has a crush on Jenny too?

These past few months or however long it's been have been so much better knowing that Jenny understands at least some of her troubles. She can't begin to explain how much it means to her, knowing there's someone who will listen and commiserate and give the most human advice imaginable. It's a lot and she cannot ignore it now that she's realized it.

So, once things are back to normal and the kids have gone out to celebrate another case closed, the Night Nurse slips into Jenny's shop with a bottle of her favorite wine. Jenny still looks a little shaken, but she smiles and brings a couple of glasses to their usual corner and blushes prettily when their gazes meet for a second too long. Neither mentions it, but they're both aware of what has changed between them. And as the Night Nurse settles her hand on Jenny's she thinks of a man living inside of a sea monster and wonders if this is also an adventure worth talking about.

[livwritesstuff]

heyo! loving the steddie dads. was wondering if either of them suffer from nightmares or ptsd after everything they've been through? and how they might deal with that on a day-to-day/anniversary basis.

Hi friend -- took some time on this one because this is a Topic for me.

Short answer – yes, 100%. I don’t think any person on the planet could experience that kind of thing and not come out of it with some serious issues to work through. 

Longer answer, and not to abuse my psych degree, but it’s really tough to say how they would be affected 10, 20, 30, etc. years down the line because PTSD and trauma are both so unbelievably complex – for many reasons, but in part because PTSD can do two things (sort of) simultaneously.

Wane over time

Completely and permanently alter the “wires” (neural pathways) in your brain

I think that there’s sometimes this perception in the ST fandom that every character in the show who experienced a trauma would have PTSD by default, but that might not necessarily be true. Stats actually show that the majority of people who experience trauma in some capacity will in fact not display PTSD symptoms. I think Mike and Dustin at the onset of season 2 are a fantastic example of how two people can go through the same events together and come out of it affected very differently.

(Sidebar: I think Stranger Things has a fantastic opportunity to show how varied the effects of trauma can be. Granted, I don’t think that’s the story they’re telling, but they totally could.)

Experiencing a traumatic event is not necessarily a one-way ticket to PTSD symptoms and/or a PTSD diagnosis – to be clear, this doesn’t mean that there are not lasting negative effects from that traumatic event, but it is still distinctly different from PTSD (in its official definition) – and right now it’s not clear why this is the case. 

I have individual thoughts about each character as it relates to what they specifically experience and how I think they would be affected by it long and short-term, HOWEVER I also recognize that I haven’t answered your actual question, so I digress.

Rather than dive into whether or not I think Steve and/or Eddie have PTSD, we’re just gonna call it capital-T Trauma and move along. You’re welcome.

Anyways, by the time Steve and Eddie (as they exist in this ‘verse) are in their fifties, I doubt that any residual effects of their Trauma would still be anywhere near debilitating. Generally speaking, they can go about their day-to-day lives without thinking about what they went through all that much.

I do think that those effects may temporarily worsen around anniversaries, but even that really isn’t all that noticeable by the time they hit the 2020s.

They’ll still occasionally have nightmares and I don’t think Steve ever fully lets himself believe that it’s truly done in a way that Eddie doesn’t relate to because he never had to experience what it’s like for it all to come back.

(Small potatoes, but I also don’t think Steve could ever own a dog no matter how much his daughters campaigned for a puppy when they were in elementary school).

I think the Trauma that Steve experienced shows itself in his adulthood when it comes down to raising kids. 

I’ve talked before about how Steve has a moment when Moe turns ten where it kind of clicks for the first time just how young Erica had been when he allowed her to get caught up in everything. He hadn’t been able to see it until he was a fully-fledged adult raising a ten-year-old, but he gets really hung up on it, and then he spends the next few years being like – Moe’s eleven, that’s how old Eleven was when she broke out of the lab; she’s twelve, that’s how old Will was when he got stuck in the Upside Down; she’s thirteen, that’s how old Dustin was when he almost got eaten by demobats in those tunnels. 

Then the girls start hitting their high school years and Steve starts realizing – oh, it wasn’t just the younger ones. I was also a kid still and put in a really fucked up position. It’s the thing that makes him truly see how few adults he had in his corner.

Eddie has a similar moment when Moe graduates high school and he realizes that his oldest daughter is as old as Chrissy ever got to be.

That being said I also don’t think Eddie gets as torn up over Chrissy as the popular opinion suggests but i’m a little afraid to voice that one lol

I definitely think Eddie and Steve never let themselves forget how Max, Chrissy, Patrick, etc. were vulnerable to Vecna’s curse because of a very specific circumstance – they were grappling with something internally that they didn’t feel they had the resources or people they trusted enough to address outwardly. Sure, they know that their kids aren’t at risk of being possessed and murdered by an evil monster, but the notion of bad things happening when people don’t have the support that they need is a very real phenomenon with very real consequences. By no means was that exclusive to Hawkins and it certainly didn’t go away with the Upside Down. 

I think that this becomes the crux of Steve and Eddie’s mentality behind parenthood – to make sure that their kids never feel like they can’t go to their dads for support, to never allow their children to be in a position where they have to suffer in silence. That, to me, is absolutely rooted in the parts of their Trauma that re-wired their brains irreparably.

Anyhooooo this is really just the tip of the iceberg imo but this is long enough already lol (but if anyone wants to hear more about the Stranger Things-Trauma paradigm, let me know because I could probably talk about it for hours).

[beanghostprincess]

Been thinking about teenage Shuggy for some godforsaken reason trying to hide that they are dating from the rest of the crew. Maybe they are still shy about this entire thing, maybe they are afraid their crew dynamic will become “weird”, maybe they are just daft teen boys who think they can keep a secret like this for longer than a week and feel slick doing so. Crocus knocks on the door and all he hears is a muffled thud and an “oof”, before he opens the door to Buggy trying to look like he’s laying casually in his hammock and Shanks under said hammock, also trying to look casual as he blinks away tears of Pain. “Hi Crocus!” “Hello….” “… I was reading.” “And I was listening to him read!” And Crocus just rolls his eyes and tells them they are needed on deck in twenty minutes. He doesn’t have the energy to deal with teenagers anymore. After every successful raid the crew knows these two will suddenly disappear for about half an hour, before one of them comes back visibly more flushed and mussed up and the other one conveniently follows suit just about five minutes later. Shanks thinks he’s being sooooo smooth when he sends a flying kiss towards Buggy when nobody’s looking, only for Buggy to huff and flip him off before just making the tiniest heart hand motion back at him. Meanwhile Rayleigh and Roger are just looking at their dumbass boys from the forecastle “… should we tell our sons we know that they are an item?” “Aaaaah. Let those brats have their fun thinking they are getting away with something… the look on their faces when they tell us and we tell them we already know is going to be priceless anyways.”

This is actually my favorite flavor of Shuggy!!!!!! Teenage Shuggy hiding their relationship because they're just stupid like that and genuinely think they can pull that off without being caught is the funniest but sweetest thing ever. I think they just wouldn't be ready to tell the others because it's embarrassing. Because they're the only kids and the rest of them are, well, it's either the men that raised them or adults, and of course, they are not telling them they are dating. They wouldn't understand. The only situation they're possibly confessing this is if they've had a huge fight and need advice from Rayleigh and they genuinely don't think he knows, but everybody knows, because they're not subtle.

Teenage Shuggy is so funny and cute to me because they'd try to sneak out to make out and often get caught because there is no way they can do this quietly. They're always arguing even when they're being romantic. Shanks is too obvious and is too much into PDA not to get noticed. And Buggy gets unbelievably angry and possessive when a girl talks to Shanks on whatever island they're at. Shanks is always too close and they always end up sleeping on the same bed, so of course everybody notices.

But as I said I think they'd have one of their fights but this time is one of the bad ones, and Shanks goes to Rayleigh for advice. And he "confesses" he's been dating Buggy and makes him promise he won't tell anybody. And Rayleigh is like "yeah, kid, I won't tell anybody. You keep the secret so well. I had no idea" / "Really???? :D" / "No. You two suck at keeping secrets and everybody knows and maybe the reason why you fight so much is because you're always on and off. Maybe try to be normal teenagers for once, huh?".

Of course, Buggy finds out and thinks Shanks told everyone and gets even angrier BUT at least after that fight they don't hide anymore. But they still suck at trying to sneak out to be on their own.

[waffletheorist]

So, in Part 2 of Masks, if you translate the Sheikah text from the Slate, it says "Someone will die." So, what does this mean? If we go by loophole logic or what I sometimes call PJO logic for prophecies, it has been fulfilled by Twilight's experience, or can be fulfilled by someone dying, and then being revived by other means, such as a doll, fairy, Mipha's Grace, or a different revival method.

The problem arises when we consider that we don't know on which logic this prophecy runs on. Can it be escaped by a loophole? Or is it infallible? Does the death have to be permanent?

If the death does have to be permanent, then it's most likely to be a side character, because, most of the chain has some reason to survive. The issue with prophecies like this is you never know when they've been fulfilled.

Time: Twilight is living proof he lives for a bit longer after this.

Hyrule: According to the guidebook, he has the "gift of tongues", and is destined to be a great king. So, he could potentially die of the guidebook isn't considered canon. It would also add the blood curse plot point.

Wild: TotK.

Legend: If we go by game logic, there are actually two Legends, and one is the descendant of the other, although they've been combined into one character for the sake of the comic. There's also the possibility Hyrule is his descendant. So, overall, like Hyrule, he has a reason to live, but it depends on what Jojo considers canon.

Sky: The whole royal bloodline.

Four: Temple of the Four Sword in ALttP. It's a sad ending, and although it could potentially occur on this adventure, it's highly unlikely.

Wind: Founding of the second Kingdom of Hyrule with Tetra, and it's doubtful that out of all of them, the kid will die, one of the adults is more likely.

Twilight: I saw somebody consider that the wolf in Hyrule Warriors ridden by Midna is an older Twilight, although it's not canon, if it was it would provide reason for him to live. For actual reasons though, there's also the "Wild is Twilight's descendant" theory, and he's already got the near-death trauma, so it's unlikely for him to be killed off again after he just survived this.

Warriors: I haven't played much of Hyrule Warriors, so I can't say much about him, so anyone more knowledgable than me can help with this one. I'd say that with him and Legend's sort of rivalry though, it is likely that he may have a near-death experience so that they get a moment, and make up after that, and then he tells Legend about Marin, because she appears in his game, which would be nice in my opinion.

So, all of them have reasons to survive (although some are less credible than others, and I haven't found Warriors yet). So, who could die, if not any of them? Dink. What if Dink was the one prophesied to die? If they defeat him, he'll probably die, and the Sheikah Slate just says "someone", not someone in the group. (Loophole logic). What if the whole thing was a red herring to scare us, and it's just letting us know the big bad will die in the end?

Although, that could potentially be anticlimactic, and a bit boring. So, let's say it isn't Dink. We don't really have anyone else except the postman, and Epona. And Epona better not die. The postman doesn't really seem like a likely candidate for death either. So, I'd say Dink will die, there'll be a temporary death and then a revival, or another character will be introduced and killed off.

[cerealboxlore]

Sometimes, I wonder what Billy is going to do when he grows up.

How would he look like? I see him all the time as a kid, teenager, but as an adult? I feel like he wouldn't actually grow into looking how he does as Captain Marvel, given all that malnutrition and most likely having a stunted growth from living off the streets of Fawcett for many years.

How would he run and maintain the Rock of Eternity without the help of the Wizard? Would his powers become different as he grows older? Would he even need to transform into an adult in order to use his powers? Would there come a point in time when Billy no longer needs to chant the Wizard's name in order to use his powers?

How far into the future will Billy live? I've seen him choose the next Captain Marvel once, and then she never popped up again in comics (I can't find her. What happened to her???). Will he train and mentor her differently than how the Wizard mentored him?

What if Billy opened up a school for magic under his teaching, alongside his sister, Mary, when they grew older? Mary has been shown to be good at teaching and rallying kids/students under her leadership. Who wouldn't want to learn Magic under these two? Once they've mastered it themselves, obviously.

Would Billy need to have his secret identity become public after a certain point in his adulthood? Most of his villains do know him to be Billy Batson, after all.

I wonder so much what will happen to Billy when he grows up. What about y'all?

[am-i-the-asshole-official]

🤽‍♂️ WIBTA if I broke a pool rule made specifically about me? 🤽‍♂️

Long story short, I (27M) am a freediver and work as a lifeguard at my local pool. I'm one of the few adults who work there, and most of my coworkers are either in highschool or barely out of it.

To be perfectly honest, I would not trust a good number of them to save me if I were to drown. And thats not just because they're teenagers, some of them have some seriously dangerous bad habits that they've been warned before about.

So now that winter has started and I can't go out to the lake, I've been practicing my breath holds at the pool to stay in practice. But I do NOT do this when one of the problem guards is on duty. I only ever do it when there's a good guard on, it's not too busy, and they're at least some level of aware about what I'm doing.

Shortly after I started doing this, big "No Breath Holding" signs went up.

Of course none of the guards were told about this because communication is sometimes a problem at this pool. So I have no other information other then there wasn't a sign, and now there is.

But I'm reasonably sure the signs are specifically because of me. I guard there pretty frequently, and I've never seen anyone hold their breath for a concerning amount of time. Its mostly kids who do, and none of them can hold their breath more than 15 seconds and they pop right back up, so other than keeping an eye on them, I've never been legitimately worried about them. That's one of the things I'm least worried about while guarding tbh, there are a LOT of other dangers.

Frankly, I think the rule is silly. I'd think it were less silly if we had a problem with patrons holding their breath for long periods of time, but I've never seen it happen. So unless it happens in the hours I don't work, I can only assume the rule is specifically about me.

Maybe I'm being paranoid or having main character syndrome, but from what I see, I'm the only one who would actually be affected by this rule.

Now since I only dive in front of a handful of guards anyway, I figure there's a decent chance that if I warn them about what I'm doing ahead of time that they wouldn't raise a fuss about it.

But it IS a liability issue for the pool (a lot of our rules are mainly to do with liability tbh), and I worry that very explicitly breaking this rule is an AH move and I should just accept I'm going to have to retrain in the summer from scratch.

NOTE: The lake does not have any lifeguards, but I never dive alone. But it is CONSIDERABLY safer to practice at the pool where the water is clear and there's a lifeguard right there. I'm comfortable practicing for longer at the pool for this reason, while at the lake, I'll usually only do 2 practice dives to warm up, a few shallow dives, and one big dive.

YES, I recognize that freediving can be a dangerous hobby. NO, I don't need to be told that. Most outdoor hobbies are on some level dangerous, and so long as you actually know what you're doing and have a spotter, I honestly think it's at least as safe as something like horseback riding or biking on roads next to cars - either of which can kill or maim you in a heartbeat if something goes wrong. Dangers in freediving usually (not always) occur when pushing yourself too far, and I'm incredibly cautious about my limits for that exact reason.

What are these acronyms?