#they are still two people speaking in icebergs

[actiaslunaris]

- How’s Kusanagi?

...

- He’s grateful to his best friend.

[sweet-as-an-angel]

Father’s Friend! John Price Headcanons

Warnings: 18+, Forbidden Romance, Age Gap, Implied Smut, Brief Descriptions of Smut, Cock Warming, Unprotected Sex, Creampie, Cum Inflation, Stomach Bulging, Teasing, Older Man/Younger Reader, Pet Names, Profanity, No Pronouns Used For Reader Except ‘You’.

He tells you to keep quiet when you’re being intimate; he silences you with a sibilant “Shhh,” when your moans get too loud, telling you to “Keep your voice down, Sweetheart. Wouldn’t want your dad to walk in on his precious little angel getting fucked by his best friend.”

He’s a tease, too. “Or, maybe that’s what you want. Want me to fill you up and send you out there with your belly pumped full of me. Show em all how much you like getting speared by an older man’s cock.”

And if he finds it you’re going on a date with someone who isn’t him — WHOO, that will NOT end well for you.

He’ll bend you over the nearest sirface and pound into you. Gently enough that you can still walk after the encounter, but hard enough to remind you who you belong to.

“Can he fuck you like this?” John pants, teeth gritted and eye twitching as he feels you clenching around him, speechless. Drooling onto the cover of your bed beneath you. His hand slides up your front. Presses into your stomach. He growls as he feels himself there, his tip throbbing inside you. “D’you think he can make you feel like this?”

And when your date arrives to pick you up, he watches you walk, a hand placed over your stomach to hide the bump formed there, your thighs together pressed together to try and stop John’s semen from leaking into your underwear. And John watches you, a thin, sly smile on his face as your gaze finds his. He waves you off, knowing you’ll back. For more. For him.

For the rest of the evening, all Price can think of is you trying to go about your business knowing that you harbour a secret in your stomach; namely his cum sloshing around inside you. He can just imagine the surprise on your date’s face if you decided to get intimate with him, only for him to tear your underwear off and find you already wet with another man’s cum oozing from your hole and rolling down your thighs in thick globs.

John’s life has been a series of high-action, adrenaline-filled moments. But none of those compare to when the two of you are hiding your forbidden relationship from everyone around you.

Price’s unwavering love of cock warming has almost led to the two of you being caught multiple times; namely when you’ve been sat on John’s lap, squirming as his dick lays nestled deep inside you, only for someone to come bursting through the door, making you jump, tighten around John. He has to try and stifle the guttural growl clawing up his throat you’re squeezing — milking — him in your moment of panic.

Luckily, John’s ridiculously large desk - the one you’d often remarked he only got to comfortably fuck you on - hides what lays beneath the surface of this particularly dark and colossal iceberg. It conceals the outline of John’s cock inside you, the material of your shirt seemingly too thin for the job.

John dismisses the person who rudely interrupted you. Sure, they gave the two of you a strange look upon seeing you sat in John’s lap, but as far as that person’s concerned, that’s all it is. Flirting at most.

John’s interest in you isn’t purely sexual, though. He cares for you. Truly and utterly. You remind him of the feeling of first love — the one he never got.

He takes you out to fancy restaurants, ones far enough out of town that nobody knows who either of you are, letting you act open with each other. Hand holding, forehead touches, fingers running up your thigh, quick kisses, slow kisses, kisses that stray into dark waters.

Speaking of a hand running up your thigh; John’s classic, default move whenever you’re at a crowded event together (especially in the presence of people you know). You and John always sit beside each other, which always leads to his hand slipping beneath the tablecloth and up your leg, stopping only when he reaches the warmest spot — the inside of your thigh.

And he does this all while maintaining conversations with other people while you’re left mute and wanting.

Of course, he always delivers.

He’ll pull your underwear to the side and start toying with you. Gently, at first, his pace slow as not to attract attention. Then, when your face starts to get red and your voice is but a string of whimpers, he leans in, closely, so you can smell his cologne that charges hundreds by the drop, feel his beard tickling the side of your face, and whispers: “Don’t get yourself all worked up, Love. We’re with guests, after all.”

John will never let you cum under these circumstances. He’ll take you to a nice and isolated room and have his way with you until you’re having to lean on him for the rest of the evening, his arm about your waist and his semen pooling in your underwear. Heavy. A mistaken gesture of friendship.

If anyone ever did get suspicious of your relationship, John would tell you immediately.

“I can’t risk losing you,” he’d say, stare solemn. “We’ll have to keep our distance — just for the time being.”

God forbid you start crying, otherwise he’s on his knees, taking your hand in his and pressing long, deep kisses to your knuckles, his breath nigh-frantic and hot against your skin.

“I promise, Darling, this is only temporary.”

It would have to be, because John can’t go two minutes without thinking of you, needing you.

He sees something that’s your favourite colour in a shop window ? There you are, in the forefront of his mind.

You still interact with each other, of course, but you can’t be as close to one another as you’re used to being. As you’d like to be.

John can only watch you as you fraternise with other guests, party-goers, your father’s lawn party a hit. And yet all he can think about is having you by his side, fingers interlocked and looking down at you with all the love he’s never been able to give to anyone else.

These avoidant periods usually always end with John coming to your door and knocking profusely, his visage that of a man who’s seen nothing but ghosts all his life. And he takes you in his arms, pressing kisses to every inch of your face, leaving the two of you gasping for breath by the end of it, his eyes filled with adoration he’s never known and will only ever know for you.

Usually, you can expect a mountain of gifts to be waiting for you after your suspicion avoidance era ends - a collage of everything John collected that reminded him of you in your absence.

Some of it he purchases solely for you to wear for him and him alone, to put on a show for him. Sure, it’ll get torn off shortly after, but John can’t deny that you look like a present wrapped up just for him to unravel, to ravage.

Clothes, jewellery, accessories, shoes; he watches you wear them out and about. Something about seeing you wearing things he’s bought for you sends him feral — the fact that you’re drenched in his wealth while nobody else knows what lies beneath the surface. Beneath the layers of satin and silk and silver are the remnants of the night before. Teethmarks, bruises, scratches; the etchings of hours of pure, uninterrupted love-making. Breathless confessions, promises of a life together where you don’t have to hide your love.

Every outfit, every coat, is the disguise for many a night more.

Reblog for more content like this! It helps creators like myself tremendously and it is greatly appreciated :-)

Masterlist Masterlist [Continued] Masterpost Modern Warfare AI Masterlist

AO3 Wattpad

[nichuuu]

Lemon.

Word count: 13k+

You decide that you don’t quite like Balls (get your head out of the gutter).

Music: odd. Yes, it’s a fancy mansion—5 floors, the works… But you don’t know how to feel about the sole pianist in the centre of the foyer, the one that’s playing some classical piece that has the people around you murmuring about his technique and sound (whatever the hell either of those meant).

People: you don’t know a good half of them. Scratch that—it’s a sea of strangers

Drinks: strong, way too fucking strong for your liking. The drinks are free of charge, and the bartender clearly didn’t shake this Pina Colada well, but you have to drink it if you want to even try and get into the mood of the party. Around you, men in posh suits and women in flamboyant dresses skirt each other, talk to each other with placid smiles—hoodwinking each other with their highfalutin laughs and smiles to establish connections that probably won’t matter in a couple of days. The only person you’ve talked to tonight is the bartender, and that was just to order your drink. 

This whole place stinks of capitalism, and you feel out of place in your cheaper suit and dress shoes. On your right, some guy is talking about how bitcoin and blockchain will make a grand return, some lady is gossiping about the latest Gucci handbag on your left. In front of you, a man and a woman are clearly flirting with each other, bashful grins on their faces as they hold their fancy drinks in their hands and talk about god knows what. You’re wondering if you should ask for a straw from the bartender just to dip your toes in social interaction.

Wonder why Cinderella was so hot on attending a Ball, thing seems pretty bland to me, you’re thinking, watching the tip of the ice that was shaped like an iceberg melt away and sink beneath the surface of your margarita. Some guy in a tux comes by, orders two glasses of Prosecco—one for him, one for the woman next to him. He’s talking loudly, disrupting your peace and quiet. Your solution: move seats.

From a distance—two chairs away from your original seat—you watch as he takes the two glasses from the hands of the bartender, hands one to the woman, then clinks his glass with hers. He’s preternaturally genteel, and you’d know because you recognised him as the guy that got slapped at the start of this whole thing because he grabbed the ass of someone’s wife. Impropriety, but it’s the behaviour of the newfangled rich. 

Now he’s bragging about his car. Nissan GTR fitted with this engine, this ventilation, blah, blah… Whatever it is he’s saying, the woman’s having none of it. You’re no psychologist, but you can tell that she wants to get out of a conversation; her smile is awfully sweet, but you can see that she’s silently importuring him to shut his trap—her eyes give it all away. You pity her, silently sending her your best wishes as the man grabs her by the arm and leads her back into the sea of people. Personally, you’d be screaming if you were in her shoes.

(Off to your left, just at the edge of your vision, you see your boss talking to a woman. She’s getting touchy, really touchy and really flirty; her hand’s on his thigh, fuck me eyes out to play and on full display—A trite tactic used by these types of women to get lucky with a rich man at these type of events. Luckily for her, your boss is quick to bite on to such bait. God bless them both.)

For the record: you’ve never really enjoyed Balls or anything of the ilk, because quite frankly speaking, you’d much rather burrow up in your bed at home and binge Kimini ni Todoke till you were giggling and squealing like a little schoolgirl. Maybe I’m still young, I’ll learn to like these types of events later on, you tell yourself, I’ll need connections at some point, maybe I should start—

A sickly sweet fragrance crawls up your nostrils, truncating all thought. Perfume, you’re quick to identify, and then you’re aware of the presence of someone on your right. Your grip on your glass grows tighter in the slightest; you’re praying—Please just be ordering a drink, please be ordering a drink.

Frankly, you don’t know why you’d ever think anyone would talk to you, an unimportant cog that just tagged along with his boss because he had nothing better to do. Irrational fears are really a funny thing.

Sharp, clear, resonant—three words that came to mind when you heard the voice of the person next to you, the voice that delivered the simplest of orders: Yamazaki. I want it neat. 

Your first thought is, Damn… Neat Whisky? Someone’s having a horrible night, as you turn your face away from her (if you couldn’t see her, she wouldn’t be able to see you, right?). And just as you’re wondering if she’s gonna take her drink and leave, your question is answered by the soft creak and even softer rustle of shifting fabric from your right. You bristle.

The glass makes a sound against the wood as it’s gently placed down on the table.

(Now would be an excellent time for a subtitle to come in, one that states in square brackets: Awkward silence.)

You can hear her swirling the liquid around in her glass. Fuck, now this is awkward… You’re thinking, and then you’re wondering if you should just get up and leave, absquatulate, skedaddle—any word that can convey the act of disappearing in an instant—right out of there. But as you start to slide your butt off the chair, that voice rings out once more.

“Not much of a talker, are you?”

She doesn’t know how her simple sentence has caged you in the most challenging position (to you at least). Now you’re sliding your ass back into the bar stool and you turn and face her—

(Now that you’re looking at her, your second thought about her comes in: God, she’s beautiful. Dark brown hair that falls just past her shoulders like velvet curtains, soft yet somehow piercing eyes, a smile that makes you feel fuzzy all over—probably one of the most attractive women you’ll ever meet. She’s the woman from earlier, the woman that you saw smiling and nodding placidly to that guy who got her the Prosecco. She must’ve found a way to slip away, and she has your full respect for that.)

—and you find that you’re drumming your nails against the base of your glass.

“Shy, huh?” she’s throwing out a guess, watching as the Whisky in her glass slowly swirls to a stop inside the chilled glass. “It’s been a while since I met a shy man. You’re a breath of fresh air.”

You shift in the stool, and your first instinct is to ask her if you two had met before. It’s only after that last syllable leaves your mouth that you realise how stupid of a question it is. You don’t know her, and judging by the fact that she hasn’t called you by your name: she doesn’t know you either. You let her decide whether to oust you as a fool as she scans you up and down.

(Update on your boss and that woman: She’s kissing him now, full on making out. It’s an unsettling sight to behold, and you attribute your queasiness to the fact that they’ve somehow found they’re way behind the woman you're talking to. Your boss doesn't see you; you choose not to see him. God bless them both.)

“Well… Considering that you don’t look the least bit familiar,” she sets the glass down, “and that you haven’t been introduced to me like some product by a crusty, old man… I think it’s safe to say that we’re.”

Now her eyes are on your drink. What are you drinking this fine night? She’s asking, using her chin to gesture towards your Pina Colada. You tell her exactly what it is, and she cringes slightly. They say Pineapple doesn’t belong on pizza, I say it doesn’t belong fucking anywhere. Oust it as a fruit! she’s telling you, making sure to add a little more emphasis on the word “oust” as she couches her firm belief, something you find rather hilarious considering that it’s your first meeting with her. She sips the Whisky, grimaces a bit, then sets the glass back down to say, we skipped past a lot of formalities, didn’t we?

And here comes the part of talking to strangers that you’re the most comfortable with—Introductions. You think that it is safe to assume that just about anyone would find saying hello and telling someone your occupation much easier than holding up a conversation, what more with a beautiful woman like her. You give her your name, tell her what you do for a living, the usual stuff. She listens, the gleam in her eyes that comes when you’re done talking ever so enigmatic and cryptic. 

“Lawyer huh?” She’s playing with her glass again, “considering were we are right now, I really shouldn’t be this surprised… Yet I am. Little shy for a guy dealing clients on the daily, no?”

Somehow, by the grace of some supernatural force (you call it alcohol), you crack your first joke of the night—I know. The most I ever talked is in court—and you’re relieved that she’s kind enough to humour you (or maybe she really does find it funny. You’ll never know), and gives you an elegant chortle, one that makes your hair stand at their ends as your third thought about her goes through your mind: even her laugh is attractive. Is there anything wrong with this woman? 

And when she tells you her name, you realise why she seems to be exuding this inexplicable aura; Minatozaki Sana, pleasure to meet you, she introduces herself with a generous amount of pizzaz. You’re scanning her up and down at this point, and only now do you take in the expensive dress that dons her slender frame, the same dress that’s accompanied by a glimmering necklace and earrings, 3 rings on her middle, index and ring finger respectively.

“You’re…” you begin.

“The host’s daughter? Yes.”

Now you’re at a loss for words. Well uh… It’s an honour to meet you, is what you plan on saying, but it comes out as a simple, more blunt manner: Oh damn. Sana’s giggling to herself, swirling her Whisky as she watches you struggle to find things to say to her.

“I take it that you don’t come around here often?” she asks. When you raise an eyebrow, she explains how her father hosts a Ball like this every other month to try and find her a “suitor”. Apparently, 27 years old is “too old”  to still be single, so my Dad just gets a bunch of men together and parades me around, she’s carping. The glimmering chandeliers, the array of drinks and food, the vanity of all these people; the dazzling marble floor, the glass sculptures, the embroidered tablecloths; this event, in all its glory and prestige, is all about her. 

Christ, you’re thinking to yourself, money really gets you to places, huh? 

Now she’s explaining how some of the people here are frequent visitors. Mothers and their sons, fathers and their sons, young business men, old business men, middle aged businessman; whoever can afford to come to this lavish Ball—all of them frequent this mansion like moths to a flame, all looking for a chance to ingratiate with the Minatozakis so that maybe, just maybe, they get a chance to get Sana’s hand in marriage. It’s a glorified yet obsolete form of Tinder really.

(Your boss is nowhere in sight now, and you’re pretty sure that the two of them have gone off somewhere to get it on. Maybe this event isn’t just about Sana, it’s about finding a rich person that can spoil you for the rest of your life too. God bless everyone here.)

“So what brings a man like yourself here this fine night?” She seems oddly interested in you (and also very hot on using this fine night as well apparently). You give her the truth that carries your watered down emotions in your tone—My boss asked me to tag along. Apparently all attendees were to bring a male plus one.

Sana chuckles, but it’s one of bitterness.

“So Dad’s reverted to these tactics huh?” you hear her whisper before taking an alarming large gulp of Whisky. She swallows, then sighs, “wonder what he’ll do next… Maybe an arranged marriage?”

Past the frustration and utter disappointment, there’s amusement in her voice. It tells you: if I could, I’d kill my Dad. It’s more of an inference from your end than a message that you’re sure that she’s trying to imply. You always had a bad habit of reading between the lines—probably picked it up from your job.

Sana downs the rest of the Whisky in a flash, wincing as the alcohol burns her throat. She scratches her nose, then turns to you and asks, “say, you don’t look like you want to be here, and neither do I.”

Behind you, you can hear the voice of a man approaching. He’s talking to someone—my daughter should like you very much, you seem like a man that suits her taste—and Sana bristles. Her father, you deduce, noting the way that the woman before you is searching around for an exit. Then you blink, and in that split second, she grabs your hand.

“Let’s get out of here.”

Just like that, you’re running through a crowd of people, spewing a million-and-one apologies as you jostle your way through the crowd, in tow behind a woman you've known for a grand total of 5 minutes. 

A very unlikely start to a romance really.

*

Now the gears in your head are whirring, your stomach’s churning—there’s no other way to describe how you feel when Sana’s looking at you like that from across the table: small smile, a slight gleam behind those eyes, hand under her chin and fingers tapping against her cheek… She’s got you in perdition just with a look. You’re a guy of relatively taciturn nature, and the last time you went on a date was in university. That date went horribly, and now you’re wondering if this one was gonna go up in flames as well. Your brain urges you to say something to her, but your mouth seems to be sewn shut. 

On the other hand, Sana’s poised as ever. “What’s wrong?” she’s cocking her head and pouting slightly, “nervous?”

You're not ashamed to admit that you indeed are, and that you’ve never really gone out on dates in a long time. Sana seems tickled by this—It’s been a while since I’ve seen a shy man. I like it, she tells you—and assures you that she won’t bite. In fact, she’s glad that you’re quiet and not rambling off about some business venture. She tells you, I don’t recall the last time I’ve been with a guy like you, though I’d appreciate it if you assist me in starting some conversation, and you’re slightly ashamed of your reticence. 

There’s a gleam in her eyes when you start asking her some questions on her personal life, and she finds it congenial to gesticulate in a moderate manner as she answers your questions. Her outgoing nature leaves you flummoxed, and there’s barely enough space in your brain to remember everything she tells you about herself. Born in Osaka, likes yoghurt smoothies, likes to take walks in the park, likes this, likes that… You vaguely remember her telling you this on the night that the two of you escaped that event.

(To jog your own memory: She took you to the garden, where the two of you spent the rest of the night strolling amongst shrubs and other greenery that thrived in Spring. The Pina Colada in your system allowed you to hold a conversation, one that lasted long enough for her to take a liking to you. At the end of it all, she gets your number, you get her’s, and a date’s been settled in some french restaurant she patronises.)

“Now, I don’t expect you to remember all of this,” she’s watching the wine leave streaks against the glass, “but if you do, I believe you're entitled to some extra points.” 

“Points?” you’re keen on inquiring, “we’re keeping a scoreboard?”

Sana simply smiles. For asking that question, minus 2 from you, is her answer—not a very good one if you were to be blunt. You can’t suppress a chuckle as you take a sip from your own wine.

Unwittingly, Sana has eased you into her presence. It suddenly feels like you’ve known her forever (if forever meant 2 weeks that is).

A smooth start to a relationship if you do say so yourself.

*

“Sana, there’s people out there.”

“I know.”

“They might hear us.”

“I know.”

“We could get caught.”

“We won’t.”

It’s the confidence in her voice that irks you really. The lack of hesitance combined with the sheer lack of shame towards the fact that anyone outside the changing room in this damn Prada store could easily raise a phone over the door and start recording. It’s not that she’s not cognizant of this, but more of the fact that she doesn’t give two shits if someone captures a video of her blowing you in this dressing room. Shameless, aplomb, obstinate, are the three words that come to mind when dealing with Sana at the given moment, but there’s no energy in you to convey this to her, not when she wraps her lips around your cock. The outfits that she chose remain untouched behind her, fabrics still in light while the person that chose them remains active on her knees. 

(Almost a year. Almost a year the two of you have been dating. You thought you’d learned all there is to know about her, yet she’s hitting you with new facts and surprises every day, left, right, and centre. There are probably many more things that you have yet to figure out, but they’ll all come to light in due time.)

Really, it’s on you for not exercising due diligence upon entering the store; you should’ve known better from the moment you saw that look in her eyes while she was looking at a dress. But there’s nothing you can do about it now, not when she’s already enraptured you with that damn gaze—the one that exudes want and lust, the one that’s the leaven to your morality in her eyes. She knows that she’s got you wrapped around her finger when your hand rests itself atop of her head as she slowly bobs her head over your crotch. She’s taking her time despite the situation that she’s placed the both of you in. 

“This has always been on my bucket list,” she’s letting her hand run along your shaft, spreading her saliva with each stroke of her palm. Her nails, freshly done just over 2 hours ago, glisten under the light—partially because of her spit and partly because of the gloss. “Everything about this is just so… Eroctic, isn’t it?”

Christ, she’s really into this thrill-seeking thing, you note as you choke out a reply: Not particularly, but whatever floats your boat Sana (obviously, it doesn’t come out as smooth as it should. No one would be able to get out a full sentence with phonics properly strung together if they too were getting blown in a changing room). She’s got a glint in her eye, but it’s covered by your shaft as she slides her tongue down your cock, nose brushing against the base of your cock, just behind her tongue. She knows what she’s doing, she’s given you head before; she’s building up the suspense and waiting for you to beg for more. You really don’t want to indulge her, you really don’t, but there’s not much you can do when she starts placing kisses on your shaft—base to tip in a fervently slow fashion. How far is she gonna go with this, you can’t help but wonder, but you quickly have your question answered in the next second or so.

“Unenthusiastic?” she quips, “minus four”.

She wraps her lips around you and pushes her head forward, and you almost let the people in the store know that something’s going down in here.

You figure that the feeling of her lips wrapped around your shaft will never get old, not when it sends electricity up your spine and makes your hand ball into a fist in her hair. Her eyes seem to glint as you let out a sharp gasp. Yes, you could be caught by an employee at any second. Yes, you could very well be caught on camera by a customer at any second. There were a lot of things to consider when assessing the dangers of the circumstances that Sana has put the both of you in. Yet, none of them take anything away from the pleasure she’s bringing you, not as she starts to bob her head in beat to the metronome in her head. There’s no point in trying to figure out her pace. 

“Jesus… Fuck… Sana I…” Your voice is—somehow—hushed as you struggle to convey how weak she’s making you, but it’s not like you need to anyway—she knows exactly what she’s doing, and she’s loving every second of the havoc she’s wreacking upon your senses. The slight tug in the corner of her lips is the suggestion of a smirk, and the muffled noise that rises from her throat is the implication of a giggle. 

There's a knock on the door and you bristle; Sana slows down, but she doesn’t stop. Past the door, the voice of the staff that led you to this very room asks if everything is alright in there, and you’re praying that her eyes aren’t set on the floor. Sana locks eyes with you, then darts her eyes to the door to tell you—Answer it goddamnit. Of course, she doesn’t make it easy for you as you open your mouth, applying light suction to your tip as you find the strength to say: Yep, just give us a few more minutes please, making you choke on that last word and sending alarms blaring in your head. Thankfully, the store assistant is kind enough to leave you with a take your time sir, and the shadow of her feet disappear from the gap beneath the door. It’s then that Sana pops your glistening cock out of her mouth.

“A few more minutes, huh?” She’s got drool on the corner of her lips as she rises to her feet. “Better make this quick then. You gotta keep your word as a lawyer, don’t you?”

Her wit is certainly better than most of your colleagues.

(There are customers outside now, you can hear them talking to the store assistant. They sound vaguely familiar�� Maybe you heard them at the restaurant? Or maybe they’re colleagues… No, that can’t be it, at least you hope so).

Now for the record: you’ve seen Sana naked on multiple occasions, be it voluntarily or not. The shower, the bedroom, even a public shower at the pool… You could name a lot more places where she’d shamelessly flaunted her nude body before you off the top of your head. “A body to die for” is a fitting expression for Sana; you’ve always wondered if you’d find her on the top of the Google image search if you were to look up “dream bodies”, and you figure that you can probably get her there if you could somehow take pictures with your eyes as she undresses before you. She’s more methodical than anything, straying away from her usual teasing nature for the sake of being quick (that’s what you infer from her behaviour, but really, she could just be extremely horny and desperate. There’s never a solid answer to Sana’s behaviour). Mini skirt, then top, then bra; she’s going through the motions that she’d usually drag out just to get a reaction out of you preternaturally quickly.

Why is she getting naked in a changing room? You have no clue. Your best guess: she’s doing it for the thrill of it. The thought of getting caught completely nude with her boyfriend speared inside of her must be sending lethal doses of adrenaline through her veins. A pretty solid guess if you do say so yourself. No time for anymore guesses anyway—she’s already brought your hand up to her right breast, and she’s closing her eyes to enjoy the feel of your fingers closing around the semi-firm flesh. Her top lip’s furling behind her front teeth, she’s letting her other hand rest on your arm. She’s telling you where she wants it—did you cum in my ass yesterday? Or was it the day before? Ah, whatever… Give me a fucking creampie—in this soft, low voice that sends a velvet chill down your spine. Then she's kissing you softly, sweetly, nibbling on your top lip as usual, all while pushing you to the corner of the room where your feet aren't visible to those outside, flushing your back against the wall. It’s an uncomfortable fit, but that quickly changes when she grips the middle of your shaft and lines you tip up with her slit. The hand on her tit is guided to that slim waist, your other hand quickly finding its place on that symmetrical, slim figure. 

“I don’t care if I cum or not,” she drawls, trailing a finger down your chest, “I just want your load inside me, right here, right now. Just focus on that, nothing else.”

(Half request, half demand—give her an award for being so damn ambiguous. Subtitles that could translate what she truly means would be really, really handy right now. Alas, such a system doesn’t exist.)

Describing how Sana’s pussy felt would be doing her injustice. The feeling was ineffable. From entering her to hilting yourself inside of her, there was never a second of that process where you had an easy time breathing or thinking. You’ve never been so reliant on your senses to keep you grounded in reality, nor have you ever been so glad that Sana’s nails are digging into your shoulder. This position—facing each other, standing and fucking against the wall of (all places) a changing room—is a stranger to the both of you, but the sheer tightness of her cunt working hand in hand with the intimacy of it all has you welcoming it with open arms.

Your hips are moving on their own, taking liberties without signals from your fried brain as you start thrusting into Sana. For long, wordless minutes, you're thrusting into Sana in a mindless, slow fashion, relishing the  feel of her skin in your palms, the look on her face, the soft moans that are slowly slipping from her ever so slightly opened lips. Then your ability to think slowly returns, and you’re thinking like a damn neanderthal—tight, wet, hot, so fucking good—as your grip on her waist tightens. Your shaft glistens in the light of the changing room, slick with her sweet juices as it slips in and out of her slick, spearing into her with depth, making her legs weak. Sana cups your cheek, lifts your head, and it’s now that you see how her eyes have been completely glazed over with lust and want. Her face, her figure down to the sounds she’s making; everything about her, about this, is the phantasmagoria of a wet dream.

If you were being completely true to yourself right now: You couldn’t care less if you got caught. 

And as if on cue, the voices approach as soon as you finish that train of thought. 

“Do you provide altercation services?” It’s the voice of a man, closely followed by that of the store assistant: Of course sir. After you try on the suit, you can note how you’d like it to be altered to your liking. 

A shadow of feet appears at the base of the door. Sana cups a hand over her mouth as the door rattles—the customer trying to open it. You stop your movements, breath caught in your throat as the store assistant tells him to use the other fitting room. Sana’s breath is loud in your ears as a second set of footsteps approach, followed by a female voice that asks, “Is my husband in there?” 

Yes ma’am, is the assistant’s reply. Of course, this is hardly the end of it.

Now, as the woman engages the store assistant in conversation right outside your door, Sana lets the hand on her mouth drop. She flushes herself against you as the store assistant answers, and she whispers, “Keep going”.

Endlessly seeking thrill. Classic Sana.

The logical part of you warns you against doing as she says. Sadly, there’s not much room for logic in your head in the given circumstances, not when your balls-deep inside your girlfriend in a changing room. There’s barely enough room for dilemma to occur; Sana’s the sole occupant of your mind, rent-free, free-hold, and really: she’s the only thing that matters right now. 

She almost, just almost, lets out a cry when you spear yourself back inside her. You didn't expect to start so soon, and neither did she. However, catching her by surprise is a novelty to you, and you relish in that brief rush of smugness before you restart your movements. Her mouth is frozen in a silent scream, but her eyes say all that she wants to: smug asshole, I’ll kill you later. You reply by letting your index and forefinger slip into her still-open mouth. 

“Personally, I enjoy the Italian selection more…” The store assistant’s voice is barely audible to you over Sana’s small, muffled moans that manage to skirt your fingers and Sana’s closed lips, and as the lady starts talking about trench coats, Sana coats your fingers with a fresh layer of saliva, turning your fingers slick and slimy with her tongue as she looks you dead in the eye, as if challenging you: Is this the best you can do? Is this the riskiest you can be?

Every question from her deserves an answer, and your’s is to remove your saliva-slicked fingers out of her mouth, draw a circle with her spit just above her collarbone, then whisper right into her ear: I’m gonna mark you right there. The involuntary gasp that she lets out tugs the corner of your lips up into a perverse smile. Slowly your lips drift down to the glistening spot, and you wait just a moment to build up that sweet-sweet suspense. It’s a split second, but it’s a second too much for her to bear—the way her body tenses when you finally make contact is the clearest indication you will ever receive. And when you start sucking, God does she almost drive you over the edge: she tightens, she gasps, she starts twitching; she loves it, every second your lips stay locked around that sweet spot of skin is bliss to her.

You can hear the door to the other fitting room unlock, and you hear the man’s heavy footsteps as he walks out, no doubt in that suit he had earlier. The compulsory question comes: how do I look?

There’s a brief moment of silence, and you’re almost fearful of the fact that maybe, just maybe, their ears are picking up on the ragged breathing and slightly audible squelching coming from the other fitting room. All consternation dissipates when the woman starts to comment on how she looks, but Sana seems to have an answer to his question as well: So good. So fucking good. Harder, let me feel all of you, fuck me harder. Oh fuck, you’re so fucking deep. 

You look dashing honey. The pitch of the woman’s reply harmonises with Sana’s soft whine as your lips leave her skin, the same patch where you’ve left your purple artwork on. I think we can afford to alter the pants—

Sana crushes your lips against hers, hot breath filling your mouth as you feel her lift her leg. You hold the back of her knee (like the gentleman you are), bring it to your side, hold it there. She bites your lower lip, hard enough for her to pull and tug it as you start losing yourself in her: her scent, her breath, her skin—all of it’s so deliciously addicting. You can’t get enough.

Then she’s going straight to moaning into your mouth, letting those muffled cries permeate in the small space and hopefully not outside the fitting room. She’s wet, she’s tight, she’s everything you need right now. You want, so badly, to pull her apart, ruin her till you can’t put her back together, get her begging at the top of her lungs for you to fuck her harder and harder. 

And you’re almost on the verge of calling her a slut. There’s no need for that though, she knows what she’s made of herself.

—so that they’re a little shorter. I think we could also try—

Sana’s figured out the best way to moan: straight into your ear. She’s not letting up with them, and she’s giving you one hell of an array of sounds. There’s the common ah, the not so common, oh, and the very common shit, fuck, fuck me and so good. Her phonics are so loosely strung together that they’re just a jumbled mess, and you're perfectly ensconced with that; you love hearing those lazy, sloppy cries, and they only seem even more melodic at this volume, at this moment. Fuck, record them and play them as white noise as you sleep.

—changing the colours of the buttons? Ooh! Maybe we could even change the stitching around—

She tilts her head back, and you’re peppering her neck with kisses. She loves it, you know she loves it; all this attention, all this adrenaline, all this carnality she’s invoking—all of it for her. Each time you grunt, she knows that she’s the damn reason for it. Every time your fingers dig into her thigh a little more, she knows it’s because of her. Every kiss on her neck, every inch of her pussy you fill with your rock-hard meat, all of it’s for her. She isn’t vain, nor is she a pick me girl, but she sure as hell knows how to make you treat her like she’s the only girl in the fucking world, and you’re more than happy to give her what she wants.

Because it’s always like this with Sana: if she wants it badly enough, she’ll formulate a stratagem to get it, nip her cravings in the bud before they turn into desires that she can’t control. Mind you, she’s not dissolute; she’s just “riding the highs of life” as she calls it. Pretty bullshit and circumlocutory, but you always let her off the hook.

—the pocket area? That’s my two cents. What do you think darling?

Another moment of silence follows, and Sana seizes the opportunity to nibble on your earlobe. Her leg’s sweaty, slowly slipping from your grasp and trembling from the pleasure that’s giving her voice this lilt when she says: Carry me. Fuck me. Cum in me. Please. Pleasure, coursing through your veins, makes you comply in an almost servile manner. It’s precipitous, even fatuous to pull such a stunt in a fitting room of all places, but when your hands are supporting her by her ass and her legs lock around your waist, there’s no turning back.

And as the man starts going off on his own preferences, Sana’s wrapping her arms around your neck, letting you get a look at those bouncing breasts as you reach new depths inside of those slick, warm walls. If she could cry out, she would, but those damn customers outside are placing her in a box here, and it’s clearly frustrating her. If you were at your place, her hands gripping your sheets and her juices messing up your quilt, she could moan, mewl, cry and cuss however loud she wanted. In a way, it was funny to watch her hold back, but at the same time: you so badly want to make her scream, undo her right here and now and make her a mess in your arms, but you’ll settle for what you have right now. What the two of you have created is controlled chaos, and should it be released past that damn changing room door, God knows what will happen.

Now it’s the store assistant’s turn to speak, and she’s giving them a rundown of the pricings. Outside, they’re talking about the possibility of a discount; inside, Sana’s talking about how deep you feel inside of. Outside, the man’s trying to guilt-trip the store assistant by saying how exorbitant the price is; inside, Sana’s exclaiming and pleading in a hushed voice—Own me. For the love of God, fucking o-own me!—as each thrust you make into her pussy sends her further and further down this rabbit hole of pleasure. It takes guts to fuck in a fitting room, but it takes the guts of Minatozaki Sana to be this needy while fucking in a fitting room. The risks of being caught are high, the risk of being heard even higher, but neither of those affect her ardour. At a controlled volume, she’s pleading for you to fuck her harder, faster, unravel every single bit of her being while she tries to keep herself together. It’s one hell of a show, and it’s one hell of an experience too. 

(The sight of her perfect body flushed against yours as she’s fucked in the air, the smell of her sickly sweet perfume, the feeling of that divinely tight pussy wrapped snugly around your shaft like a damned glove, the way those sonorously soft moans filter into your ears. Add these together with the fact that the people outside could hear you at any second, and you’ve got one hell of a recipe for a voyeurist’s wet dream. You’re no voyeurist, but everything about this moment is making you feel like one.

Right now, this is everything to Sana. Having you this close to her, feeling that cool Prada air conditioning against her bare body, listening to you grunt and sigh as you piston yourself in and out of that slick, wet slit… All her needs are being fulfilled, all of her senses heightened and primed, aware of every movement you make inside of her pussy. Sometimes, you feel so good and oh fuck, or maybe even oh god isn’t enough to convey how she feels, so she just opts to let out this strained, strangled gasps that tells you everything you need to know—a maelstrom of emotions and expressions compressed and compacted into one simple “hngh” is enough for you to know that you’re doing something right.)

“You like this Sana?” you find yourself whispering. “You like being fucked like a damn slut with people just outside, don’t you? You like everything about this, don’t you?”

Right now, she doesn’t have that capacity to reply. Of course, you know this, which makes you feel all the more smug as you watch, watching as she slips into a state of complete, utter bliss: her mouth hangs open, her eyes are unfocused, she’s barely holding on to you. The purple mark that your lips have left on her neck sears itself into your sight, and it’s joined by the breathtaking view of her breasts loosely bouncing each time you drive yourself into her. Loose strands of hair are flying, neither of you have any hands free to fix them. Her legs are quaking around your waist, neither of you want to stop just so that she can be back down on the floor. Her eyes are closing, you can feel her heartbeat in her pussy, she’s begging, pleading, fucking imploring you to keep going. 

Christ. You want her to moan as loud as she can for you.

It’s hard not to get turned on by the sight of it, and it’s even harder to keep yourself controlled under the rapidly tightening grip of her cunt. Her breaths are shallow, her head is almost completely limp. She may not seem to be aware of it, but you sure as hell are more than cognizant of the fact that the both of you are about to hit that peak that you’ve been chasing for the past God-knows-how-many minutes.

“Sana.” Uttering her name is all that’s needed to bring her back to the real world. When you have her attention, you give her the sentence that she’s been waiting to hear for so damn long: I’m gonna fucking fill you, and It’s like the air gets heavier when she softly whispers, pleads for you to fulfill her new desire; cum with me. I need it so bad. 

Controlled orgasm would take strength to pull off, and you silently pray that you have that strength as you send one final thrust between her shaking legs. Your cock twitches, spasms and the first rope of your warm seed that’s sent into her waiting walls is enough to send her over the edge. She bites down on your shoulder, quick enough to muffle the cry that escapes her throat. The tightening of her walls seem to coordinate with each spasm of your cock, and they sync up, working together to get every last drop of cum out of you and into her. She lets a soft moan escape her lips with each spurt, as though welcoming it, as though each one were something she long wanted and needed. You let out a single, soft grunt, as though thanking her, as though every twitch of her walls that sends a shock down your cock is a treasure to be relished.

So the scarf that she brought in to try is no longer just an ornament like the rest of the outfits. Even after adjusting her outfit, the fabric still can't seem to cover that hickey you left on her collarbone. The simple solution: Sana waits there, you buy the scarf, hand it to her, she puts it on and the both of you walk out of the store like nothing happened, like the both of you really were in there to try on some clothes, then leave. 

It’s unsuspecting, it’s smooth. The store assistant wishes you a good day, and Sana smiles and waves to her, looking exactly like she did when she entered, plus a scarf. The only difference in Sana’s entrance and exit from the Prada store is the load between her legs.

But that’s a secret for the two of you.

*

“Hey. Could I talk to you about something?”

In your two years of dating Sana, never have you heard her this nervous in your life. The fact that your client isn’t responding to you a day before his trial plagues you no more, and your laptop is shut before she can close the door. 

Your posture—arms crossed atop the desk and back straight—is all she needs. The message is implicit: I’m here, all ears, and she smiles softly as she walks over to the bed. The frame creaks a little as she settles down.

“My uh… My Dad is organising another one of those damned Balls again.” The way she intonates her words tells you that the Ball is the least of her concerns at the moment. “It’s gonna be at the usual time.. Usual place… Not like we can move it anyway.”

You offer her a chuckle to assuage her, diffuse the tension a little. She manages a half-forced giggle at her own joke. Is this a transitional opening? Or is this legitimately the subject of her conversation? you’re thinking, and as you sip from your cup, that subtle shift in her posture is shifting the atmosphere of the room. 

She’s scared, but of what?

“I was wondering,” she drums her nails against her knees, “could I… Introduce you to him tomorrow? M-My Dad I mean.”

And now you suddenly understand why she’s on edge. She’s not scared for herself; she’s scared for you. The head of the Minatozaki clan, Sana’s father—you heard much about him, partly because of the stories that Sana tells you and partly from the things you heard through the grapevine at work. In your firm, there’s a whole box dedicated to storing suits that have been opened by him on the intern’s table (it’s a hilariously off-putting thing to say out loud), and from what you’ve heard: there’s another two in the storage room. Personally, you’ve assisted a colleague in one of his lawsuits, and the emails you billed weren’t pretty. You’d be throwing out a fib if you ever couched that you never once thought: It’s a pretty bad first impression of the man, could he maybe… You know… Stop suing people? Please? but you’re not going to let a mere few boxes and one night of reading through emails determine your perception of Sana’s father. 

And hopefully, he won’t judge a book by its cover too.

“I have a trial tomorrow Sha,” you remind her, but it’s not like you actually expected her to remember this; you whispered it to her while cuddling on the couch a solid week ago. “I don’t know when I’ll end. It might be a little tight for me.”

It's undeniable that she sighs in relief. The blush that follows the breath is a clear indication. She’s glad, too glad. You can't help but ask: What’s up? Think I’ll flub everything when I meet him?

Sana does that thing where she wants to answer, but doesn’t know how to: her mouth opens, closes, opens again—longer this time, then closes again. It isn’t an easy thing to talk about; what your father will think of your partner is never not a touchy matter. All touchy matters should be discussed in comfort (Sana knows that you strongly believe in this, that’s why she’s situated herself on the bed), and you join her on the mattress. 

“WIll he feel that I’m not enough for you?” You’re prodding, all while you gently reach for her hand and grasp it in your own. It’s cold, really cold. You’ll warm it up with your palms, keep them there while she replies, “it’s not that… I know that you’re more than enough for me, that’s what matters to him… At least I think so.”

She’s staring down at her hand, the one that’s slowly heating up via the warmth of your hand. Then what’s making you so worried? you’re asking. She folds her bottom in, past her front teeth. You rub her knuckle with your thumb.

“Yea I… I don’t know what’s making me so worried either,” she finally muses. “Guess I’m just… New to this practice. Never had to do it before...”

Because all the men that have tried to win you over have never lasted for more than a week, you complete in your head, smiling as she lays her other hand over yours. It’s cold too—that won’t do.

And as you set another hand atop hers, she’s asking you for a kiss. Luckily for her, obliging her wants is your specialty, and your lips are quickly travelling that small gap between the two of you. Connection is made, and you physically feel her relax. You know. You know that she belides a truth that she’s not ready to divulge. It’s in her kiss, it’s in her hands, and that’s fine with you. You can infer that it’s not something that’s going to be detrimental to your relationship, and whenever she’s ready to speak about it, you’ll always be available.

Now the kiss is done, she’s asking for fried chicken. You counter-ask if the kiss was to soften you up so that she could ask for her Famichiki. Of course, you get a classic Sana reply: a “maybe”, followed by that mischievous grin. You rise from the bed to grab your coat. 

You're glad that the Konbini is just next to your apartment. Sana’s glad that she gets to be close to you as you walk through the snowy street.

“You know,” she’s whispering, “I really won’t mind if you propose to me one of these days.”

You laugh it off, kiss her on her forehead. 

In your head: you note to start looking for a nice ring.

*

Money can get you to places, but it can also get you a private soundproof karaoke room in a club. Three and a half years of dating—that’s all you need to know: you can bet your left kidney that Sana is taking full advantage of that room.

The bottle of Whisky that she opened to get the room is hardly the main event; Sana, slowly slipping out of that tight black dress she’s wearing, foreground to the default music that’s on the TV, has your unwavering attention. The smile on her face could've been mistaken for a sweet one if it weren’t for the fact that she’s getting naked, and the lack of a bra really doesn’t help with her case either.

“There isn’t a time limit to the use of this room, right?” You know the answer to that is no, the lady at the counter told you so. The question is more of a gauge, an instrument that’s helping you assess her plans for the night.

“If you’re trying to know how long we’ll be here for,” she slings her dress onto the couch next to you, and in her stockings and panties, saunters over with a sultry sway in her hips, “my answer is a secret.”

“I have work tomorrow, Sana.”

“Too bad. Call in sick.”

She picks up the glass of Whisky, raises it to her lips. When she drinks, she lets some of that amber liquid trickle out past her lips, down past her chin and onto her tits. In the light, her wet skin glistens and shimmers, and you once again find yourself in absolute awe with the woman before you. And as she straddles you, glass in hand, the way she uses her fingers to tilt your face up to the light tells you that she’s in control. She takes a sip of the amber liquid, swallows it, then brings it to your lips.

“Be a good boy,” she’s tipping the glass as she speaks, a strong way to convey that there’s no room for disobedience, “say ‘ahh’ for me baby.” 

The glass is cold against your lips, the liquor even colder on your tongue as it flows into your mouth at a manageable rate. When she stops pouring, you take the cue, and you swallow all of it in one gulp. The burn in your throat is oddly rewarding, probably because Sana’s smiling down at you, stroking your hair and telling you how obedient you are as you swallow. Then she makes you open your mouth again, pours another portion down the hatch. 

How does it taste, she’s asking, cupping your right cheek as she swirls the glass. You give her a short honest review of it: It’s good. The answer pleases her, and she sets down the glass in her hand to pick up the bottle from the table next to you. 

“Yamazaki, 12 year old single Malt.” She’s letting you see the bottle under the light, though you have to admit that her tits right next to the bottle are a horrible distraction. “My personal favourite.”

She unscrews the cap and takes a swig straight from the bottle, swallows it without even flinching. She’s always been able to hold her alcohol well, and you know for a fact that she can probably outdrink 5 of your colleagues and maybe, just maybe, your boss too. But you’ll never have a fair gauge on how well she can drink in comparison to your peers; she only drinks around you. 

Your face is back in her hand, and she’s got some more things to say—Drink it neat, on the rocks, add it to another drink, it tastes great no matter what—as she starts to lightly grind herself over your throbbing shaft in your pants. But you know what the best way to drink it is, she asks you. She’s not looking for an answer from you, just finding a way to transition from the Whisky to whatever it is she has in mind—you can tell because she leans down to capture lips right after she throws out the inquiry, kissing you deeply, her tongue playing aggressively on your lips before searching your mouth for its counterpart. The smell of Whisky is so damn strong on her breath, and the only thing hotter than the burning sensation in your throat is the fact that she’s using one hand to play with herself, the bottle of Whisky in the other. You can hear it slosh next to your ear as she raises it. 

And as she breaks the kiss, the thin strand of saliva connecting the two of you doesn’t stop her from providing the answer to her question—it tastes the best when you drink it right off my body—as she straightens herself. The next second, still playing with herself, she’s bringing the bottle to her lips, tipping it just before it touches those red-tinted lips to let the golden liquid flow down her chest and breasts. There's no time to admire; you reach out and catch the rapidly falling liquid, your tongue pressed tightly to her skin to lap up as much of the bitter liquor as you could. Her skin glistens with the Whisky on it. It looks like gold in the snow. She smells like lavender and lust.

Your tongue, saturated with Whisky, finds and captures her left nipple. You close your lips around it, suckling deeply from her chest, enjoying the taste of her body and the liquor that made it spicy and bitter. Sana gasps and moans as you have your way with her chest, fondling her small mounds, suckling both of her taut nipples—roughly, hungrily. You could say that she’s wasted some perfectly good Whisky, but you say that she’s added complex flavours to an already exquisite meal. The blend of alcohol and Sana’s skin is not something you never knew you needed, but now you do. The novelty of it, the sheer lust she’s emanating, all of it makes her tits taste better than ever, and you find yourself leaving marks on her cleavage, the right side of her left breast, the left side of her right breast; every centimetre of skin that can be reached is marked and tasted—your attempt at dipping your toes in a little control in this karaoke room that is Sana’s domain.

Maybe you’re a little over-indulgent in her, maybe you’re just unaware, but you certainly can’t feel her slipping your tie off your neck. By the time you’re aware of the sudden feeling of freedom at your throat, she’s already wrapping your wrists, securing them together with an intricate knot. You know damn well that even the boy scouts couldn’t untie this one, even if they sent their best member. The theory is only enforced when Sana asks you to try pulling your wrists apart, and it feels like they’ve been superglued together. Satisfied, she feeds you some more Whisky off her body, then it’s time for her fun.

Palm flat against your chest, eyes flaring, wicked smile; Sana pushed you back against the couch with graceful authority—something that only she is capable of. Then it’s onto your shirt, and he’s unbuttoning it with practised dexterity: unfastening, pulling—motions so fast that she has your reverence for mastering the art. She takes a moment, parts the fabric covering your chest and runs a fingernail down the centre of your torso. The nail—painted black with little Sakura flowers adorning it—stops at your belt. It isn’t hesitance that keeps her finger there; it’s the innate cheekiness that makes her linger there a little longer, that makes her smile softly as the other hand joins in and starts undoing the clasp of your belt. Not a word is uttered as she pulls apart your belt, then goes straight for the buckle of your belt. 

Then it’s back to kissing. Sloppy, passionate kissing. Sloppy, passionate kissing as she runs her fingers through your hair. The Whisky on both of your breaths mingle. Admittedly, you’re feeling a little floaty, engendering a pleasant tingle on your skin as she starts placing kisses on your cheek, then on your jaw. Next thing you know, she’s sucking hard at the nape of your neck, marking you with those lovely lips, as if she’s placing a wax seal on you, declaring: you are mine and mine alone. And when she successfully sears the shape of her lips onto your skin, she traces the slick outline with a finger, whispers softly, You have no idea how much I want to own you right now. 

The excitement is palpable, the tension even more so. She’s whispering all sorts of things to you—most of them entailing what she’s about to do with your cock—all while she starts to slip your briefs off of your legs. Your cock springs out of your pants, slaps against her ass and twitches on the rotund flesh. The smile grows wider, devilish dimples appear. And for the record: no, she’s not gonna blow you. She’s gonna make herself cum before anything else happens, and she’s going to make you feel things you’ve never felt before. 

She slides off you, gets back up on her feet. With her back turned to you, she bends forward at the waist, shaking her ass while she uses her thumbs to hook onto the waistband of her panties. She looks over her shoulder, eyes locked on yours. With a little hop, she pushes the fabric down and off her hips, kicking it to the side. She looks over her shoulder, eyes locked on yours. With a little hop, she pushes the fabric down and off her hips, kicking it to the side. Her pussy glistens in the light, flushed pink and folds tantalising as ever puffy and swollen with excitement.

She bends her knees, getting down on all fours.

She wiggles her ass at you, looking back at you over her shoulder.

“Bet you wished,” she gets on her back, spreads her legs to get the spotlight on her slit, “that you could absolutely own me like this right now, don’t you?”

She’s so cocksure. It’s driving you crazy. You swallow, your voice barely audible as you utter her name. She crawls to you, sits up, her face in front of yours, so close, so hot. Her hand touches the back of your head, her voice barely a whisper as she grips the base of your cock—but you can’t, and it’s so damn frustrating, isn’t it?—and rubs your tip between her dripping folds, lathering her juices all over your head and smiling all the way through. 

And when you least expect it, she turns and sinks down on your cock.

You throw your head back, groan, the sound of her wetness as she takes your cock into her pussy loud and clear over the music. Your head falls forward again, watching her sink further and further, taking more and more of your cock inside her with every passing moment as she lets a long, drawn-out moan float through the air. When her crotch meets yours and you are fully embedded inside her, a soft, wordless cry of pleasure that leaves open lips. You meet it with a sigh of your own, somehow tearing open your own shut eyes to watch the expression on her beautiful face as you fill her. 

Christ, fuck and god—just some of the words that you want to cry out as she starts to slowly grind herself against you. The ride she’s about to take is one that’s of perverse nature; it’s not going to be a slow, pleasant ride. Naturally, her habit of jumping straight into things leaves her unprepared for what she’s about to experience, so now she has to slowly slowly adjust to your size, like striking the flint over and over next to the fireplace as you hope to get a flame going. Usually, this would be a time where you’d caress that beautiful body, run your hands over that unblemished white skin and pepper kisses all over the places that she loves to be kissed. But she’s not in the mood for that, not when she has this room and you at her disposal. 

Then the fire ignites, and it is merciless, a force of nature—untameable, unrelenting. In your bonds you are unable to resist. You never would’ve in the first place. She begins to move, her pussy tight and slick around your cock. She rides you like she was made to do this, like a pro. She rides you fiercely, roughly, taking you in and out of her tight wet heat, caring little for your comfort or much of anything aside from stuffing herself over and over with thick, hard meat. Throughout it all she is digging into your thigh, crying out like her life depends on it as she goes up, down, up, down—a lewd seat on a merry go round.

Yes, yes, yes—she throws her head back, auburn hair flying like streamers in the wind as she has her way with you—o-oh fuck I need this! I need this so fucking bad! The rhythmic, repetitive motion, her unbridled desire to be filled, it sends you reeling. The pressure on your leg is forgotten, the slight discomfort in your arms pushed out of the way. You can do nothing but watch her ride you. You can do nothing but marvel at how good you feel inside her, how the tightness of her pussy massages your shaft, how the way she takes you so completely into her folds, how you stretch her and make her quiver and quake.

A part of you wishes the mirror were visible from your current position, so that you could watch as Sana impales herself over and over on your cock. You want to watch the expression of pleasure wrangle her cute features, want to watch her full, round breasts bounce up and down, want to watch every muscle of her long, perfectly shaped legs work to throw her body again and again against your cock. But you’ll have to content yourself with the almost equally alluring view of her sweaty back (not that it was a particularly difficult position to enjoy. How could you call it “bad” with the view of her round, full ass as she slams it down against your crotch?). It’s not like you can change anything about this anyway. No—the only thing you can do is sit back, watch, and savour how her ass jiggles as it crashes against your crotch.

Oh fuck, oh yes! I’m so fucking full! I’m so stuffed with this cock!

You lose yourself to the sound of her voice, the feeling of her pussy as it swallows up your cock, the sight of her back arching and her hands shaking. As much as you try, you find yourself unable to move, as though your own pleasure has been drained out of your body, and you are just an observer. You watch as she pushes herself down further on your cock, impaling herself with every thrust of her hips, her voice growing louder and louder as she gets into that dangerous rhythm, the rhythm that makes you think she’s on Acid. Well-formed breasts bounce, you see them past her slender figure. Her shapely, luscious ass ripples. Long legs work overtime, cooperating with the stamina of the girl who is using them to drive herself over the edge like it’s her be-all and end-all. It’s exhilarating. It’s thrilling. 

It’s so fucking hot. 

Oh god. You’re stretching me out so good. This cock feels so damn good!

Two things are getting you at the moment: (1) The sweat glistening that’s building up on her back. (2) The fact that she’s pushing your thighs apart to get more of you inside her. The former sight is a breathtaking process really: beady moisture on that well built back, pooling at all the best places and making her skin glow as some of it slowly trickles down her spine. The latter’s no grain of sand either mind you, maybe even hotter than Sana’s sweaty back if you dare say. Freshly done nails sit just outside the insides of your thighs, the palms that they’re connected to pushing down against the flesh beneath them. They’re indenting the muscles of your thighs, it’s uncomfortable, but only for a second at a time. 

I don’t wanna stop. I don’t wanna fucking stop!

In your restraints, your hands grasp at the flesh that’s so close yet so far, the skin that’s rippling and slapping against yours. Her ass taunts you, tempts you, teases you. It’s so frustrating yet so erotic; you aren’t sure if you should welcome this mix of emotions or reject it before it folds its wings and nestles itself in your chest. The mix of desire and vexation, exasperation and ecstasy—any two emotions that shouldn’t go together are mixing, blending, forming these bubbles in your chest that you can’t explain. 

One woman; innumerable sensations.

You need more. More of everything. More of her.

You wish you could touch her.

You wish you could fuck her.

But all you can do is watch, watch as she starts going down harder, crying out even louder. 

Her body, so flawlessly feminine, is in deadly motion, working you over from the inside like you’ve never experienced. The air is filled with the wet, lewd sounds of her pussy sucking you in your hips slapping against her ass, her moans and groans, her curses that seem to go on perennially, blending in perfectly with that shitty synth in the background.

And you’re just along for the ride.

You have no idea… How good this is.. Oh fuck. Fuck, fuck, fuck.

And she wants you to see it, she wants you to watch her—it is exactly that kind of attention that she is basking in. So you watch. You watch her, the way she looks back at you, the way her eyes flare as she takes you in, the way her hands claw at your leg. The way she's moaning with that lilt back in her voice. Everything about this spectacle seems like it’s been scripted for some porno, and her body is certainly making you feel like you’re in one. The only grasp on reality that this situation offers is… Well, nothing. And it’s not that there really isn’t anything for you to root yourself in this real world, rather you’re choosing not to make that mental effort to do so; every little corner of your mind is being bled with whatever colour the image of Sana bouncing on your cock is. There’s no room for reality, and it's addicting, enthralling.

Fuck. You can't get enough of her, and you probably never will.

So deep! So fucking… Oh my god!

Your breath is ragged, and it takes every bit of control you have left in you to not cum right then and there. It takes every ounce of focus not to simply give in to her, not to simply melt into the couch, not to lose your mind to the sensation of her tight, wet slick as it swallows you in, pushes you out; fucking itself over and over and over again on your rock hard shaft. You don't know how much longer you can hold out for, and as if she can tell, Sana starts to move faster, her movements getting even more aggressive. The slaps of her ass against your crotch are louder now, and the wet smacking sound of her pussy's getting faster and faster. Her fingers are digging into your leg, her moans more frequent and more desperate. You can feel her tightening around you, the way her walls clamp down, the way her legs are trembling, the way her voice is going up in pitch. 

(It’s the moments of privacy that really get her going; the moments where she can scream and cuss and moan like there’s no tomorrow are everything to her. 

Yes, she likes fucking in public spaces for the thrill of it, but she likes it better when she can hold you freely as you fill her, not having to care for the fact that the way her body’s positioned engenders any discomfort or risk of being heard.

Yes, she likes it when there’s the chance that someone can walk in on the two of you, but the prospect of being able to own your cock, uninterrupted and unheard, thrills her like nothing else in the damn world.

Yes, she likes to see if she can hold in her cries while you’re rearranging her insides in a bathroom stall, but she prefers it much more when she can slam herself down on your cock—be loud and be proud of the fact that she loves every inch of meat that fills her till she can barely breathe. 

Bottom line: she likes chasing that thrill of being caught, but she loves those moments where she’s alone with you in private even more. Now is one of those times, and God… She’s barely herself anymore.

She is a storm of pure, unfiltered lust. And you must say: it’s fucking sublime.)

Then the game changing sentence comes from her, and it's beautiful. 

"I'm fucking cumming!"

The words ring out, clear and loud. And she doesn't stop; she keeps riding you, taking you into her wet hole and milking your cock, using you to bring herself off. It's not until the final second that she slows down, her back arching as she lets out the most satisfying scream that you have ever heard in your entire life. It is all that you can do to watch as she slumps forward, breaths ragged and body twitching as you hold yourself back. It takes everything—every fibre, every cell and every last bit of will—to not cum in her right there and then. And when the final spasm has passed and the shuddering has subsided, when Sana has collapsed against you, your cock still buried inside her, she turns to you.

There are no words spoken, just a mutual understanding of what comes next. She slips off the couch, takes your slick shaft in her hands. A few pumps are delivered, and they’re considerate and slow; she’s good at building tension.

“You’ve already marked my tits. Might as well cum on them.” She’s still got some cheekiness left in her, and that smile is really doing everything for you. 

“Fuck, Sana, I—” “Do it. Paint me.”

You feel the semen gather in your balls before coursing up your shaft and erupting from its tip, landing in thick, wet, warm ropes upon Sana’s creamy skin. Your tip is directed between her cleavage, and the first spurt of cum shoots itself between those wonderful mounds. It’s quickly followed by a second rope, and the third lands on her upper chest. With grace, she manages to direct your spurting cock by the base so the fourth and fifth ropes cover the front of her tits, then the rest don’t matter anymore.

The last ropes of thick, warm semen land upon her face, staining her soft, blushing features with creamy white cum. Some of it lands on her cheeks, on her forehead and onto her open mouth and the thirsty tongue within it. When you finally open eyes you hadn’t known had closed, the picture of Minatozaki Sana, face and chest painted with your warm, thick cum, is one you never want to forget. And as she scoops up your seed with her fingers, she’s got a thing or two to say.

“Excellent load,” she whispers, watching as the cum slithers down her palm. “Plus two to you.”

Just two? Is your reply of false bewilderment. Sana chortles. 

Maybe if you can give me a load up my ass, I’ll consider adding another three points.

*

Now the ring’s oddly heavy in your pocket. 

Sana’s father seems more imposing than he should for a man his size, and looking at the Yamazaki bottle on the desk, you can tell that Sana gets her liking for Whisky from him. 

“I’ve never met you in my life,” he begins, “and now you come here like a friend, asking for my daughter’s hand in marriage?”

Sana’s head is bowed. In the corner of the office she sits, hands clasped over one another as she listens in silently. No amount of trials or oral submissions could ever prepare you for this tension.

“Mr Minatozaki… I understand that all of this is sudden,” you begin, but you’re interrupted by a raised hand.

“You know boy… You sure do talk like you know everything about the situation.” His voice is nowhere near threatening as he speaks, and it’s absolutely terrifying. “For a lawyer, you sure do sound quite the fool. Guess I shouldn’t have been expecting much considering your background.”

And it’s that very statement that has you on tenterhooks. You’ve never met him, never even seen his face, yet he knows your occupation which you never even touched on, and from the sound of it, knows what went down in your family. Sana’s head snaps up, her eyes wide as she watches her father produce a file from under his desk. 

“It’s not the suddenness,” the air quotations he uses hold more weight than they really should, “that doesn’t sit well with me dear boy. No, no… It’s more than that.”

The broad leather chair in his office grows constricting. As he rises from his seat, the foam that holds your butt up seems to depress. And as he begins—if you sauntered in here as just a lawyer, I would’ve let you take my daughter in a heartbeat!—his explanation of what’s grinding his gears, you start feeling uneasy. For context on the severity of this feeling: the last time you felt like this was when you first met his daughter.

But you’re not just a lawyer—he’s opening the file in his hands, flipping through its contents—you’re a disgrace to this very world. You shouldn’t even be in this damn house right now. 

Into the file his hand reaches, and out from it: two mugshots. You bristle; Sana gasps (and it’s not that she didn’t know, rather because she was shocked that her father knew.)

So it’s the next sentence that seals your fate. Frankly, you kind of expected it, but it still doesn’t take away from the sheer bedlam that goes down in your head when Mr Minatozaki waves the mugshots of your parents before your face and shrieks at the top of his lungs. 

This isn’t the way you pictured this going. 

Honestly, you never pictured this happening at all.

 “Do you seriously think for a second that I’d let the son of two druggies—two disgraceful, repugnant, filthy, druggies—marry my daughter?”

*

It’s hard to forget what she told you over the phone after your talk with her father (if you can even call it that): we’ll figure this out. I promise you, we’ll figure this out. 

Money can get you a nice fancy Ball, some nice Whisky and a private Karaoke room. Naturally, it can grant you a means to keep the son of two convicted drug abusers that hung themselves in their cells away from your daughter. 

So not even 12 hours after that fate-sealing conversation did you get a phone call from your boss. Next thing you know, you’re uprooted from your workplace in Osaka, transferred to the branch in Nagoya; Sana’s number mysteriously changes itself, none of your letters ever reach her. 

It’s over the payphone, months after all of this, that Sana finally reaches you, and she’s ugly crying over the phone. 

We can fix this, we’ll figure something out. We’ll figure this out. I promise you, we’ll figure this out. 

In a way, she ended up being right. 

And in your suit, you smile as you watch her walk down the aisle. She’s beautiful as ever, and you feel like that white veil over her face is doing her the biggest disservice ever. The little boy carrying the wedding rings seems a little confused, but it only adds to his adorable aura as he stumbles behind Sana. The flower petals are being scattered, the crowd’s on their feet. They’re clapping; you’re crying. Have you mentioned that she looks beautiful?

Oh? You have? Odd…

But just in case it slips your mind, you tell her how beautiful she is in your head, all while she walks right past you and continues to the stage. It feels like the ring boy’s acting stupid to taunt you for being the fool here. 

In a way, she ended up being right. If “We” referred to Sana’s father and that man on the stage, “We” did indeed end up figuring things out. The invite broke you, and this wedding is breaking you even more. You know that this invite wasn’t sent by Sana—she isn’t cruel. This has the fingerprints of her father all over it: the seat close to the aisle, your wristband to authorise your access to the venue holding the same serial code as your father’s prisoner ID… All of it is him. 

But there’s not much you can do about it is there? You chose to come, you chose this for yourself. There was the option to not come, to tear the invite up and go cry in your apartment in Nagoya, but you bought the Shinkansen ticket here, didn’t you? You walked through the doors of this damn place and took your seat, didn’t you?

And the Yamazaki doesn’t taste as good as it should, and the Spring air is sharper than it should be at the afterparty. They’re over there, congratulating the newly weds and wishing them all the best; you’re over here, sipping on your neat Whisky behind a bush as the music roars on.

It really shouldn’t be a question on how she finds you; she knows you too well to know where you’d go at a place like this. And in her wedding gown, she stands where she is, this look of a god-knows-what mix of emotions simmering on her face. You rub your nose with a thumb, sip on the bitter Whisky as your remedy. No words are spoken, not even a “hey” or “how have you been”—both of you know that there’s no use in starting a conversation here. It’ll go sob, fast, and this isn’t the place for it.

There will never be a place for it.

So why not substitute words with actions? 

So in her bare feet, she hikes up her gown, runs over to you, lunges to close those years of separation between you two to hug you like she used to. The Whisky is knocked out of your hands; you’re knocked off your feet. And in the grass, she buries her head into your shoulder and weeps. 

You always thought that only death would make you cry, but now as you hold her for what may very well be the last time, you realise: you're not as tough as you think.

Like a Lemon, the realisation that comes is bitter, and it has you bawling.

Cause maybe in a world that wasn’t so cruel, you could’ve been the one on that stage.

(Then the two of you could be in love, happier than ever.)

[ghostboneswrites2]

Arrowhead Jr ||One Shot

New account! @ghostbones was banned! Transferring all my work here slowly!

Summary: Daryl has baby fever

This was a request on my old blog: "ever since i saw daryl holding baby judith ive dreamt about him having absolute baby fever w reader and after babysitting him pestering reader about one?"

18+ MDNI || WARNINGS: Profanity, birth, babies, mostly fluffy

        "Check this out." Daryl said excitedly, holding up a camo onesie he found. You were on a small run with a few others in search of some new clothes for little Judith, since she had outgrown most of the ones she had. 

        "This is for newborns." You told him, taking the tiny outfit out of his hands.

        "I know.." He shrugged, taking it back and setting it down. 

        "Oh, god. Don't start." You begged. "Not again."

        You had been with him since the prison, after Woodbury fell. You were one of the many refugees Rick had taken in after the town fell apart, and the archer took a liking to you from the beginning. You guessed it was partially due to your friendship with his morally-gray brother before his unfortunate passing, but it was mostly just because you were you. He loved you for it. However, recently, with the safety of Alexandria's walls, he somehow caught one of the scariest diseases; Baby Fever. Especially after the two of you spent a day watching her so Rick could work and Carl could go do normal teenager things for a change.

        "Not startin' nothin." He mumbled.

        "No, but you're doing that thing again!" You argued.

        "What?" He shrugged.

        "That! The sad face and the--"

        "That place is perfect." He explained. "The--"

        "I know, I know. The big walls and the pretty houses and the people and the--"

        "I see you with Judith. I see how you look at her, how you rub her nose to get her to fall asleep and all them lil songs ya sing when she cries."

        "So what are you saying?"

        "Just that we could." He admitted. 

        "Just 'cause we could doesn't mean we should." You sighed

        "I know that, it's just... I wanna."

        "Well that's easy to say when you don't have to carry and birth a child to get one." 

        "Forget it." He huffed.

        The rest of the trip was in silence, and not the comfortable kind you so often shared. You were both frustrated. Him, because ever since he held Judith for the first time, when he fed her that first meal she ever had and felt the rush of nurturing a crying, sweet little baby, a hole formed inside him and it grew bigger every day. He never could have seen himself as a family man before that moment, but ever since, it was a primal urge he couldn't resist. To love a woman, to father a child, to protect and provide for his own family. He had already achieved finding a woman worth his affections, which was you, of course, but he still didn't have his own family and it ate him up.

        Your frustrations were sourced elsewhere, though. For one, giving birth sounded absolutely terrifying, especially in a world lacking in hospitals, epidurals, prenatal and postpartum care. You could handle a fair amount of pain, but birth was an entirely different playing field. Not to mention the risks. You had heard what happened to Judith's mom. How could you risk that? How could he expect you to? And that was just the tip of the iceberg. What kind of world would this be for a child? What kind of life would it have? Alexandria was always too good to be true, and sooner or later something would happen, and you'd all be running for your lives again. It was only a matter of time, to you. To be pregnant would mean no more runs, no more fighting, none of the things that made you useful. You'd just be a big burden with swollen ankles.

        You didn't speak when you all arrived back home, or during dinner, or after. It wasn't until you went to take a shower, until you had already stripped down and stepped into the steamy stream of water. He had silently snuck into the bathroom, undressed, and surprised you by pulling the curtain aside and joined you. You had your back turned to him, allowing the water to rush over you and wash away your racing thoughts. He grabbed the bar of soap and lathered it in his hands until he was satisfied, then he began to wash you. You loved when he did that, it was one of your favorite affections he'd show. He always started by massaging your neck and shoulders, then your back, then your arms, and he'd turn you around and work on the front. With little explanation needed, that was his favorite part.

        "Can we at least think about it?" He finally asked, eyes and hands stationed on your bare skin as you watched his face.

        "We can think about it all we want but it doesn't change anything."

        "But this place is safe. And there's a doctor here. And-- Hell, this house alone is more than either of us could've given a kid before the world turned to shit." He argued. You sighed.

        "I just can't shake the feeling that none of this is permanent." You confessed. He stopped washing you for a moment, considering your concerns.

        "What else?" He asked.

        "What else what?"

        "The other reasons. What else?"

        "This place could fall."

        "Don't mean it will."

        "The doctor could die."

        "I'll make sure he don't."

        "There could be complications."

        "That's what the doctor's for."

        "I can't help on runs or fight or--"

        "Got plenty of people that can do that."

        You took a breath. Was he gonna have a rebuttal to each argument you made?

        "Well," you said, "pregnancy makes us crazy."

        "You're already crazy." He smirked. You rolled your eyes.

        "What about medicine? Epidural? You need and anesthesiologist for that and we don't have that which means I'll feel everything and it's gonna hurt!" You rambled. His smirk grew into an amused grin. "What?" You scoffed.

        "You're scared." He said.

        "So what if I am? I should be. You should be. I could die. The baby could die. It could die down the line when we can't protect it--"

        "Now you just insult me. I'd never let a damn thing happen to you or that kid." He snapped. You gritted your teeth together.

        "You can't control everything. What about childbirth? Women died during birth when there were teams of doctors and surgeons. What about now?"

        "You wont." He shook his head. 

        "Why would you want a baby with me anyways?" You groaned. "I don't even like kids!"

        "Now that's just lyin' to yourself, darlin'."

        "Is not!" 

        "Might've been able to convince me if you never let me see you with Lil Ass Kicker, but you're a natural."

        "Jesus. Are you gonna give our baby weird nicknames too?" You asked as the two of you switched sides in the shower so you could was him too.

        "Our baby?" He repeated. You eyes widened.

        "Hypothetically." You corrected. "Our maybe, hypothetical, improbable baby."

        "Nah, I was thinkin' Arrowhead Jr for ours."

        You couldn't help it, you laughed.

        "You're insane." You shook your head, massaging his shoulder with the suds.

        "Look," he sighed. "I'm not gettin' any younger and I want a family. I already got the girl, now I need the girl to have my babies."

        "Babies?!" You gawked. "How many do you expect me to have? I'm not a damn fetus factory I can't just spread my legs and pop them out on a fucking conveyor belt." 

        "I was thinkin' two."

        "Two." You repeated, hoping that hearing the word from someone else would wake him up, maybe make him understand how ludicrous he sounded.

        "Mhm." 

        Guess not.

        "Two!" You said again. "Two babies that you want me to grow and birth."

        "Yep."

        "Do you know what you're asking me to do?"

        "Yeah." He said, turning around to face you. "I'm askin' you to be the mother of my kids and spend the rest of your life with me."

        "Um, the rest of your life. Women live longer than men, statistically speaking."

        "Then think about it. Make the rest of my life mean somethin'."

        "Ugh." You growled. You really weren't going to win this one, no matter how hard you fought. "If you wanted kids so bad why didn't you find someone who had the same goal?"

        "Don't want no one else. Just you."

        "And a kid."

        "Two kids."

        "Let's start with one." You relented.

        He grabbed your face as soon as you spoke the words and kissed you excitedly.

        "Better start workin' on it then." He said, lifting you off the ground and pressing your back to the wall. Things only got steamier from there, and not because of the hot shower.

----

        "Shit!" You whispered, staring down at the third test you'd taken. "Shit shit shit shit!"

        To say it was panic would be an understatement. It was sheer terror. You guessed you knew this was coming but you weren't ready for it yet. The only solace you found was the fact that Daryl would be home soon, and you'd get to see his face light up when you handed him not one, not two, but three positive pregnancy tests.

        He came home shortly after you wiped your tears and pulled yourself together. You were in the kitchen making him a pot of coffee, one that you'd usually share. Yet another thing you wouldn't be able to do for the next nine months.

        You heard the door open, you heard him kick his boots off and set them by the door, and you heard him greet you as he entered the kitchen.

        "Hey." He said casually as you turned to hand him a steamy mug of black coffee, just how he liked it.

        "Hey." You replied, sitting down at the table across from where he took his usual seat. He gave you a weird look when he sat down. He could read you like an open book, and there was very obviously something going on with you that day.

        "No coffee?" He asked, taking a sip of his own. You shook your head. "You okay?" You shrugged. "Talk to me." He said.

        You decided to let him see for himself as you failed to form the words. You were terrified for a lot of reasons, but most of all your pride wouldn't let you say the words, because as much as you hated to admit it, you were also happy. You were happy to make him happy, and you were excited to have someone else to love.

        You reached in your pocket and set the first test on the table. He stopped blowing on his coffee and stared at it for a moment before looking back to you. Then, you set the second one down. He pushed his eyebrows together, either out of confusion or shock, you weren't sure. Then you slapped the third test down beside the first two. He set his coffee down and stood, leaning over them to examine them. You realized he probably didn't know what a single line versus a double line meant, so you gave him a second to read the tests before he reacted.

        The second it hit him it showed. His head snapped up at you, eyes wide.

        "F'real?" He asked quietly. You nodded once and he rushed over to your side, gripping your cheeks between his hands and kissing you over and over and over. You couldn't help but chuckle as you tried to push him back.

        "Oxygen, Daryl!" You giggled. "The baby needs to breathe!"

        "C'mon. We gotta go tell Carol. And Rick. And Glenn. And Maggie." He rambled on and on, adding names as they popped in his head while he pulled you to your feet and ushered you to the door.

        "Daryl!" You protested. "Wait I need shoes!"

---

        You could barely hear Carol as she coached you through pushing with each contraction. The pain was insane and Daryl's hand was probably broken after you had been squeezing it so hard. Denise, the new doctor after Rick may or may not have killed the last one, was also talking you through, sending encouraging words as the baby's head made an entrance.

        "Okay. Breathe. Breathe. One more big push." Carol cooed to your right as Daryl encouraged you from the left.

        "C'mon, (Y/N), you're kickin' ass." He said. Admittedly he spent most of the time it took you to get to this point silent, shock written all over his face. He had no idea how to help you through this, he realized, but he fed off Carol's energy and began to give small words of encouragement when he heard Denise say she could see the baby's head.

        When the next contraction hit, you screamed in agony, pushing with all your might, just like Carol told you. 

        "It's just like doing a sit up."

        You could feel when the baby was out, but you were so exhausted your head just fell back on the pillow as you caught your breath. It wasn't until you heard the baby cry that you looked down at Denise to see her wiping the baby clean and wrapping it in a blanket. She walked over and set the baby down on your chest. "Skin to skin contact is important." She told you, before looking over to Daryl. "For you too, if you want to take your shirt off."

        Daryl was too stunned, just watching in awe as you stared down at your crying newborn baby with admiration. It took him a minute, and a little nudge from Carol who had walked over to his side, before he snapped out of it and leaned in close to you. He got a good look at the baby before he asked, "Boy or girl?"

        "Boy." Denise smiled. She was ecstatic, having successfully aided in the birth of your child.

        "We have a son." Daryl laughed, although it was more of a happy cry. He wiped a tear from his eye as he stood up and removed his shirt, holding his arms out in hopes you'd let him hold his boy.

        "Yeah, we do." You grinned, giving your baby a kiss on the head before you passed him over to his father.  Daryl was breathless as he scooped the infant into his arms, bouncing him and whispering sweet nothings.

        "Hey, little Arrowhead." He laughed. He had called him that for the entire pregnancy.

        "I was thinking about naming him (name of your choice). What do you think?" You asked.

        He nodded and kissed little (baby name). 

        "Hey, (baby name). I'm your daddy."

[silverbladexyz]

*Part 2 is here. Third and final part is here*

Imagine unrequited love with Chuuya.

You didn't mean for it to happen, really. The feelings had just suddenly seized you one day, filling you with a rush of warmth so overpowering that it was certain you could never look at him in the same way again. Whenever he looked at you, with those blue eyes of his that reflected the beauty of the skies and the seas- or whenever he offered his hand to help you with whatever you were stuck on, the very same warmth would erupt in your chest, spreading all throughout your body and ensnaring you in such heat that you would certainly have been crowned the title of Cupid's most lovestruck victim.

And who wouldn't fall in love with Chuuya Nakahara? He was strong, handsome, and rich- three qualities that would've already caught the attention of many people the moment they laid their eyes on him. Despite being somewhat violent and brash towards enemies, he was normally calm and thoughtful, alongside being respectful to anyone he deemed as harmless. Nobody could resist his unspoken charm- with you being proof of that.

But beneath that tough guy mask he showed to everyone was a soul so kind and loyal that anyone would weep at his tragic predicament. A soul that clearly didn't deserve to be trapped in the hellish depths of the Port Mafia, where his hands were stained innumerable times with blood; blood that had no right to belong on the palms of an angel. The very same palms that had held yours as you grew up alongside him all throughout the years, offering a strong and stable sense of support in the abyssal underworld of Yokohama.

You were the only person whom he was softer to. He was still rougher around the edges in the friendship, but you didn't miss the way that he would step in front of you protectively when you met a formidable enemy. Or when he would buy you something you'd only eyed for a second longer, not taking no for an answer as he placed the gift in your hands without expecting anything in return.

Those were only the tip of the iceberg. Chuuya had risked his very own life for you multiple times, even if he had tried to deny it with the statement that he had it all under control. He would also bandage your wounds for you, while scolding you about being too reckless on the mission. You knew that he secretly didn't mind treating your injuries, though. It was what best friends were for, afterall.

It was obvious that you had a special place in his heart.

And he had stolen yours.

You would've confessed to him first, if only he hadn't confessed about something else that made the words die on your lips as soon as it left his.

"Hey, Y/N, can I tell you something? You must promise to keep it a secret though."

You looked up at Chuuya, who was standing with his hands in his pockets. The two of you were currently standing on the balcony of the apartment that the Port Mafia provided for it's subordinates, with the city of Yokohama serving as a witness to the moment between the two of you. A pair of best friends whom shared a bond so deep and precious that it couldn't have been replaced by anything else in the world.

"Of course. You can tell me anything, Chuuya. I promise that I'll take it to my grave." You straightened up from your slouched position on the railing, facing him. Underneath the moonlight, he looked as gorgeous as ever- the epitome of beauty for all mortals to admire. As if in response to the thought, your heart beat sped up, preparing you for the confession you'd tell him after he finished speaking.

Chuuya inhaled a short breath, before releasing it in a quick sigh. You tilted your head, staring at him with curious eyes, despite just wanting to grab him by the shoulders and profess how much you loved him. Surely he must have felt the same way you felt towards him, right? Even Mori had noticed how the executive acted different around you compared to everyone else.

Just say the three words already, you silently begged.

"I like Yasuko."

You blinked.

Time seemed to come to a stop as you wondered if you had heard him wrong. But you knew that you didn't.

"T-The civilian girl that you managed to save from an enemy organisation a few months ago?" You cursed at the stutter, but Chuuya didn't seem to notice. Instead, he seemed to be... shy, almost. The look in his eyes had noticeably softened at the mention of her name- a look that he never gave you in all the years of your friendship with him.

"Yes. She wanted to repay me for my help, and I somehow couldn't say no to her. Then after getting to know her for a few months... I realised that what I felt for her was stronger than what I felt for anyone else. She makes me feel... safe. Warm. Like she was a haven I could always return to." Each word felt like an iron-hot knife being stabbed into your heart, with the blade twisting deeper and deeper into your flesh as you slowly comprehended what Chuuya was telling you.

"... That's great," You forced yourself to say, smiling at him through your pain.

"She deserves someone as gentlemanly and loyal as you. Someone who would never hesitate to put her needs before his. Who would treat her right and make all the other ladies jealous of the pure love you have for her."

Your heart was shrieking at you, pleading for you to stop before all chances you had with him were gone. But you pushed your feelings behind the best-friend mask that you always wore around him. Chuuya's happiness was what mattered to you, even if it meant that you had to suffer for eternity to let that happen.

"You should tell her how you feel. Because I guarantee you that she definitely does reciprocate those feelings." You patted him on the shoulder, before heading back into the room so that he could make his decision.

He didn't know that you had collapsed onto the floor as soon as you shut the door behind him, clutching your chest as it threatened to tear you to pieces because of the pain. He didn't know that you had cried yourself to sleep that night, the hot tears staining your pillow that muffled the sounds of your heartbreak so that you wouldn't alert any of the other residents. And he didn't even need to know, because his eyes were focused only on Yasuko.

He took your advice, confessing to the girl a few weeks later with a bouquet of roses and the finest chocolate that you could find in Yokohama; and just as you predicted, she harboured the same feelings towards him. They were the sweetest couple ever, and your best friend genuinely appeared the happiest that you had seen him. His new girlfriend was nice, polite, and slightly shy- an angel truly fitting for the kind sinner that Chuuya Nakahara was. Hell, you even met her a few times, and any sort of dislike you harboured towards her seemed to disappear whenever she smiled that innocent smile at you. How could you hate her when she never did anything bad to you or your friend?

The butterflies in your stomach now turned to shards that pierced your chest whenever you saw him with Yasuko. Those loving eyes that you had stared at him with were now full of pain and longing, housing a heart of glass that already shattered long ago. Yet you covered it all up with a smile and your usual expression, even when it hurt so damn much.

It was you who stayed by his side when the Sheep betrayed him. It was you who comforted him and assured him that he was human even as he doubted it. It was you who held him close that night when he lost his friends after the Dragon's Head incident. And it was you who never left him ever since he joined the Port Mafia.

But why was it her that he fell for? Someone that he only knew for a couple of months, whilst you had known him for seven years. Seven long years of special camaraderie; of hurt, of loss, and of growth. Things that he could never hope to achieve again with Yasuko.

Was it because you were a killer? A monster that had taken away countless lives, and would continue to do so with no restraint for many years to come? Did Chuuya only decide to stay best friends with you because he pitied you? Or did he laugh about your foolish, helpless self with his girlfriend- his sweet sweet girlfriend that giggled and kissed him happily whenever he pulled her closer in private?

La Douleur Exquise, the French called it. The exquisite pain of pining after someone, knowing that it would never be returned even if you gave up your life for them. How fitting that the language of love would describe your situation perfectly.

Oh, how cruel it was, that fate decided to trap you in it's web of misfortune and laughed at your face as you tried so hard to move on from him.

You loved him dearly, but he would never come to reciprocate that love. How could he, when it was Yasuko that was the one he clearly needed and adored? Just like how a flower in the dark yearns for the light, you yearned for Chuuya to look at you like how he looked at her, even if it was for one second.

But you knew that it was impossible.

Because no matter how deeply you felt about him, his heart would forever belong to someone else.

Someone who wasn't you.

@circinuus @riiwrites @ruanais @sariel626 @chocsra @oldworldpoolhall @yuugen-benni @yasu-masashige @justcallmesakira @heartsfourdazai @i-just-like-goats

[felikatze]

THE ISLANDER EUPHRASIE THEORY: THE CRACK HEADCANON THAT RUINED ME FOREVER

HI. you might know me as the kingphie divorce guy. or as the guy who wrote the 6k ludonarrative essay. Today i am going to introduce to YOU @the-bitter-ocean's fantabulous ISLANDER EUPHRASIE THEORY!!!

DISCLAIMER

This post contains SPOILERS for ALL of In Stars and Time. INCLUDING THE ACT 6 SECRET!!

You have been warned.

ALSO!!!!

The original headcanon/theory is VERY MUCH Ocean's fantastic work! I am merely rehashing all the arguments for it that have been laid out across various chats into one cohesive thing people can look at. Also citations! Who doesn't love those.

WHAT IS IT?

Well, it's quite simple. It's the theory that Euphrasie, love of my life and Head Housemaiden of Dormont, is from the forgotten island, same as Siffrin and the King.

(Yes, this is why divorce AU exists.)

WHY DO YOU EVEN BELIEVE THIS?

Quite a lot of reasons, actually.

It's really funny

Let us begin with: the basics.

SUPERFLOUS AESTHETIC DETAIL

HAIR COLOR

This is Euphrasie. She's very pretty. I love her.

You might notice several things about her, like her fantabulous white hair.

Well. What other characters have white hair?

You have guessed correctly. The ONLY OTHER white haired characters with actual artwork are Siffrin and the King, both from The Island The World Forgot. Thus we can assume that it's a typical hair color for islanders. Makes it stand out very much that Euphie also has it.

(What about the beautiful one- sh sh sh he's blonde. He's blonde.) (Well, actually, considering that they are the only one who acknowledges that Vaugardians are also weird, what if he's from the island as well? Checkmate atheists.)

EYELASHES

Correct. Eyelashes.

Going back to our portrait of Euphie, she is drawn with precisely three eyelashes. Why is this notable? Because Siffrin and Loop are.

So much so, that being drawn with three eyelashes, is specifically an element of foreshadowing to Loop's true identity.

(squints at character portraits) literally no characters besides Siffrin, Loop, and Euphrasie have eyelashes? Oh my god. What? Nobody has eyelashes? What the fuck? (okay, some moments later: Mirabelle has eyelashes in some battle artwork, but these three are the only ones specifically with eyelashes in dialogue portraits, which is still incredibly odd.)

SPEAKING HABITS

Hey, so, you know when you talk to people in Dormont, a lot of the NPCS will have a nametag that just says "[something] One" right? Daydreaming One, Castle-Loving One, Beautiful One?

And I've seen people wonder, are these titles? Nicknames?

And I bring you this: Siffrin addresses these people with these epithets in his head, because they have no fucking clue what anyone's name is.

So Siffrin just naturally lapses into this style of nicknaming strangers.

Which two other people also do.

Bright one... ...... Do you remember? Traveling one! Are you done talking with your companions? Yes, wonderful, wonderful!

Funny little tidbit that these three characters all speak alike isn't it :)

Okay. With aesthetics out of the way, let's move onto the next tier of this iceberg:

THE MECHANICS OF FORGETTING AND BEING FORGOTTEN

I realize in the process of writing that we must outline the nature of the curse. What gets forgotten and what gets to stay?

The particularity that's important to us right now is: what people get forgotten?

All evidence points toward this: an entire person is only forgotten if they were physically present on the island when it vanished.

I'm pulling up two example cases to prove it: Siffrin and the Daydreaming One.

The thing with Siffrin is: we know he witnessed the exact moment the island vanished. And, very notably, Siffrin was in a boat.

You can get the dialogue that proves this only in ACT 2 in a secret room most people don't find on their first playthroughs, which is both very funny and very evil. Here's the dialogue.

Siffrin: "I ran away from home once!" [...] Siffrin: "And so I took our boat! Got to the beach, rowed away from the shore a bit. I was going to come back right away, I just wanted to scare my parents a bit!" [...]

Siffrin: "I started to row back towards the shore... And then, I... I... ..." Isabeau: ... Sif? Siffrin: (Woah! What?) "Um, yes?" Isabeau: Um... You were telling us how you ran away from home? Siffrin: "I... was?" Odile: You... Were. Bonnie: DID YOU FORGET WHAT YOU WERE TALKING ABOUT WHILE TALKING ABOUT IT?!?

Siffrin is from the island, but was not physically present when it disappeared. This resulted in Siffrin forgetting their entire identity, including given name and spoken/written language.

Additionally, this is confirmed via Word of God to be the exact moment the island disappeared, so here's proof I'm not reading into it:

Shoutout to bibliomaniac's insane google spreadsheet for the easily searchable screenshot. god bless. Brinny, ily.

On the other hand, with the Daydreaming One, we have proof of a person who is not originally from the island, but was physically on it at the time of disappearance.

Siffrin: "Don't you have a sister?" Daydreaming One: I... I don't? I just said I'm an only child, silly!

(For her to forget someone like her sister, so easily... Her sister must've traveled to...)

Secondly, we know that remnants of the island were not completely forgotten immediately.

Memory faded gradually, starting with the ability to still speak and think about it with accompanying headaches, until it ramped up in intensity and everything is simply gone.

The Sparkling Diary in the library is more or less proof. Memory of the island was gone, but... people still remembered that they forgot something. People still knew what they were talking about, (an island north of Vaugarde), just without the specifics.

"Urgh. Also, Dad noticed no one can say the name of the island north of here anymore?" "I tried to say it yesterday and I got like the WEIRDEST headache for HOURS."

And Odile also remarks the following

Odile: We also know that people could remember that country clearly, before.

This will be relevant later. Moving on.

CONTRIVANCES

THE HOUSE'S OBSERVATORY

SO. The House of Change of Dormont has this funny little room on the third floor. It's an observatory. To look at stars with. When entering this room for the first time, Mirabelle says this:

Mirabelle: What...? Was there a room like this in the House? Y-yeah, I remember! Someone was working here... Studying... They looked like... ... Um... Sorry, I can't remember.

This reveals to us several things:

This room is innate to the House, and not brought here by the King's weird redecorating

Someone from the House was using it for study

All memory of who or what was studying and being studied was erased alongside the island's existence

Of course we can say, "yo, what if Euphrasie was using this room and just forgot?" but that is. a headcanon. I ADMIT! It is a stipulation

However, I find the general presence of the Island written all over the House incredibly interesting.

Inside the Observatory, there's a pile of papers with messy handwriting. You can't read these in until ACT 4. Even in ACT 4, you can't read them. But you do learn what's written on them.

(A pile of papers.) (It looks like someone was trying to write your country's name.)

Inside the observatory is also a globe. Upon repeated interaction in... act 4, i think, you get this:

(You see a spot on the globe where the paint has started wearing out, like someone kept dragging their finger on it.) (You drag your finger there too.) (Erased. You almost want to look for lightless paint.)

BOOKS

During the various quests to discover the truth of the loops, you run into a lot of books, written in the forgotten language. Now, Dormont is not close to the island. Dormont is not close to the coast.

Bambouche is. That's why Bonnie has heard about the island before and knows it was a big deal - they lived really close to it.

Bonnie (and then1): I think, I think my village was really close to it!!! My sister said it was all everyone could talk about for weeks!!! Mirabelle (anxious1): That's so frightening... I'm glad that whatever happened, she didn't get caught up in it!

As we can see in this map, Dormont is in the southern half of the country, and very centrally at that, meaning it has basically maximum distance from all waters and ports. So why does this landlocked small town have so many books in this language?

These aren't just dry books, either. In Dormont's library, there's actually a translated version of volume 2 of The Cursing of Chateau Castle.

(You take the book out again.) (You can read its title, now...) (Your heart is beating, badump, badump, badump.) (It's...) (... A translated copy of "The Cursing of Château Castle", issue #2.) (You start laughing.)

CONCLUSION OF THIS SECTION

Islanders lived in Dormont. Maybe even multiple! We've established that whoever is in Dormont when it vanished would not simply disapper, instead

they forgot where they're from.

One day, the islanders in Dormont could no longer remember being anywhere but Dormont. Being anything but Vaugardian. The observatory fell into disuse, as the person studying there gradually forgot what they used it for, even as they desparately tried to hold onto it, boring holes into the globe, and scribbling its name over and over until its unintelligible.

And, in all likelihood, eventually that knowledge was just gone forever. They simply became part of Dormont, none the wiser to their own history.

Books slipped into cracks. Rooms fell into disuse. Nobody remembered to clean out the remnants.

Now. The real cinch of this.

Why, in particular, do I think Euphrasie is one of them?

Answer me this, then.

How does Euphie know what Wish Craft is?

1. How could she read it?

Euphrasie knew specifically that Wish Craft exists, when all books on it are written in a language nobody can read.

The book in the storage room? The diary in the room behind the star door? The book in the secret library? None of them are legible.

There are no legible records of Wish Craft.

2. What about the Favor Tree?

Euphrasie knew specifically that Wish Craft is related to the Favor Tree. It's also a Vaugardian practice to make requests of the Favor Tree, but they're just that - requests. Nobody thinks they actually have power.

Only Euphrasie does. She thinks it's the key to defeating the King.

(This is... A list of people who wished to save Vaugarde!!!) (You look around her desk, trying to find out more.) (Why would she record the people who wished to save Vaugarde?) (... There!!!) (It's a little notebook, jammed between random boring paperwork...) (In it, the Head Housemaiden talks about Wish Craft... How in the days before the King attacked, she noticed everyone was wishing to the Favor Tree for the same thing:) (To save Vaugarde.) (And she started wondering if this wish could be the key to the King's defeat, somehow...) (So the Head Housemaiden knew about Wish Craft!!!)

Except, when Isabeau talks about it...

Isabeau: Well, it's just a random big tree. But when you're a believer of the House of Change, the biggest tree in a certain place is called a Favor Tree! It's like, it’s the tree with the most power, so you can ask it things? As a favor?

He struggles a little to explain it. Almost, as though the tradition came from some other culture, imported into Vaugarde, and no one can definetely remember where it came from.

To note, here, is that the Favor Tree is hugely associated with Loop, and wishes in general. Wishing on a Favor Tree is such a hugely powerful ritual when executed correctly, that it caused the entire timeloops.

And I'm not even gonna break out citations to prove that Wish Craft is associated with the island. Come on. You know that. You played the game. It's required to beat the game.

If you haven't beaten the game, what the fuck are you doing here. Go back and play it, baka.

3. Something's breaking, failing, rotting

At the end of ACT 4, when Siffrin confronts Euphrasie about her knowledge of Wish Craft, Euphrasie is distinctly aware of this: the people of Vaugarde are wishing wrong.

It's true. All of Vaugarde wished to the Favor Tree, wished for us to be saved. We wished for a savior. A way for us to win against the King. And Wish Craft gave us the means to do it, didn't it? Made sure it'd work? [...] But... But something went wrong, didn't it? Something goes wrong, every time!!! [...] The only answer I can find... Is it's because we did it wrong. I don't know what happened But we must've done it wrong!!! None of us in Vaugarde knew the exact ritual, but-- But we must have done it so wrong, it broke, and it doesn't answer to us at all anymore!!! [...] I don't know, I don't know, I don't know!!!

There's only one person who knew how to make a Wish correctly. And he made it by sheer instinct. Something they could not place even if they tried. Just... a forgotten ritual, dredged back up by muscle memory. Something he's probably been doing since he's a little kid, something that's so backed into their habits they use Wish Craft to carve figurines out of wood.

To end, I leave you with this. Dialogue you get when you try to talk to Euphrasie again, before you talked to everybody else.

If you talk to me... REALLY talk to me... It's all over. What "it" is, I have no idea... I know... I can feel that... I couldn't change whatever comes next, even if I wanted to. But I know it is the will of the Change God. Or, no, perhaps... The will of something even bigger... ... Something will end, once you talk to me.

There is a way for Euphrasie to know all of this. To know Wish Craft exists, to be aware she's doing it wrong, but not knowing, remembering quite enough to get it right.

If she knew it all beforehand already.

[butchdykekondraki]

its time for scp required reading... TWO!!!!!!!!!!!!!!!!

please for the love of god heed the fucking warnings im so serious . like as much as i want to keep the tone of this post jokey and funny you NEED to heed the warnings on these

ok with that out of the way. read about my blorbos boy

''incident 239-b clef-kondraki'' (general warning for violence and blood/gore) - this one fucks. thats all i have to say about it

''technical issues'' - this one's funny + im biased because i fucking love pat the tech guy

''routine psychological evaluations by doctor glass'' - again i have personal bias about this (<- simon glass enjoyer + host is a glass introj) + this ones funny + if you're more into the fanon versions of the foundation staff this is right up your alley

''tradition'' - halloween party fun :-)

''dr cimmerian hits reply all'' - this is exactly what it sounds like i don't now what to tell you

''stupid cupid / stupid cupid: stop picking on me!'' - my house my rules read about cimmerian and his boytoy

''hawaiian shirts'' - clef fucking Breaks. thats all i can say about this without exploding into viscera

''help me my (love for) my daughter was born too still'' (general warning for mentions of child death) - i have personal bias about this (<- #1 agatha rights enjoyer) but this tale is So Good in general and a super interesting look at how agatha perceives herself and her work/life balance

''so leave yourself alone.'' (warning for graphic depictions of vomit and attempted suicide) - REALLY really really good look at clef kind of dropping his cruel persona and iris' mental health struggles regarding the foundation

''yesterday'' (warning for violence and implied/reference suicide. kind of.) - :-( <- this is the only way i can express my emotions about this tale. anyway it's really good and an interesting way of showing clefs relationships with people

''an apple a day...'' - REALLY good look at how dr glass is as a person and how he acts with people + this entire tale fucks SEVERELY

''personal log of dr gears / personal log of █████ 'iceberg' ████'' - good example of how gears and iceberg both format their documents / how they speak + its vaguely gearsberg + this gives a look at how gears and iceberg met. read the gearsberg tale boy

''portraits of your father'' (warning for graphic alcoholism, suicide, survivors guilt, and blood/gore) - super good look at draven and his relationship with his father, and kondraki's alcoholism, and also talloran is there. also three cheers for dravoran

''life's cold'' - most normal day iceberg has at this fuckass foundation + this is a good look at how iceberg acts and thinks

''fond memories'' (warning for death and body horror) - draven proposes! Draven proposes.

''scp-3999'' (warning for bugs, paranoia, death, body horror, sexual assault/rape, unreality, self harm, and depictions of bodily mutilation) - unironically this one fucks me up so bad its so fucking good dude. go read about james talloran RIGHT NOW

''i stared into the face of everything and nothing and made it back alive'' - this one also fucks me up so bad like i dont even have anything to say. read about talloran and draven RIGHT NOW

''you are at the center of everything that happens to you'' - james talloran talks to himself. kind of.

''a suicide note'' (warning for mentions of rape, child murder, survivors guilt, and suicide) - interesting look at clefs thoughts on him and his work

''date night'' - objectum win! dr alto clef is objectoromantic AND objectosexual! <- that should tell you all you need to know about this one

''scp-4231 / montauk house'' (warnings for graphic depictions of sexual assault, rape, child abuse/neglect, murder, domestic violence, verbal/physical abuse and survivor's guilt) - absolutely gut-wrenching look at alto clef/francis wojciechoski and why he's so fucked up. uh genuinely do read the warnings on this one because when i say graphic i am not exaggerating. all of these things are explored in detail and are genuinely triggering so.

''okay, that's enough, let's get you home'' (warnings for some dubious make-out sessions, (mentioned) suicide, implications of rape/sexual assault, and vomit) - shameless moldhouse plug sorry not sorry. HIGHLY recommend reading this and it's other parts in their entirety because it genuinely drives me up the fucking wall it is So good. i will sing moldhouses praises until my throat goes out. read moldhouse Now

''duke 'till dawn'' - bpd king!!!!! anyway i dont have a lot of thoughts on this its just really good. also i didnt know dracula was an actual scp until i read this which is kind of funny to me

''rights' birthday party'' - my house my rules you're going to read about agatha rights whether you like it or not

''sex at a frigid temperature'' - again, my house my rules. read the depressing gearsberg tale, boy.

''7 things that new level 3 researchers should know'' - i dont have any thoughts on this i just think this one has really cool formatting

''home is where i want to be'' - no greater thoughts this is just really neat i think. also kiryu labs is in it and im biased as fuck

''gentle wings flutter quietly in the dark'' - read about zyn kiryu NOW

[astralexpressarchives]

The Renheng Iceberg Explained

Alright so there's this renheng iceberg on twitter that I was recently informed about. I'm wayyy too deep into the lore so I skipped to the bottom and everything there was stuff I was already more than familiar with.

So I figured why not put all this information to some use and make a post explaining the more obscure items on the iceberg and leaving out the self-explanatory ones, doing my best to reference as well as possible.

Blade gazing at Imbibitor Lunae statue

This was a hidden interaction where you could find Blade standing near the statue of Imbibitor Lunae at the scalegorge after revealing Dan Heng's vidyadhara form. He says he is 'mourning for folly' and asks you if Dan Heng is happy. You can watch a video about this here.

Good friends who are bad for each other

This is Kafka's description of what she knows about Blade and Dan Heng's history in her companion quest. This answer is a "truth" in her game of truth and lies.

"Apparently, they used to be good friends... Well, good friends who were bad for each other. Bladie forgot nearly everything, so he doesn't remember well. Together, they did something bad — something terrible. It led to horrific consequences. That's the information I managed to piece together. Bladie refused to tell me the details."

Dan Heng gets nightmares about blade

We see this in-game in the cinematic leading up to the Xianzhou questline. This is also suggested in the Only Silence Remains lightcone description.

Matching Jade Ornaments

Referring to this idea.

There is also a vidyadhara egg that says:

"You edge closer to the pearlescent shell and have a dream in which you are a Pearlkeeper who rides the waves, and travels across the ancient sea with your true love. The time you have spent with your lover is full of happiness, but the time of hatching rebirth is determined by destiny. You secretly put a jade pendant in your mouth so your lover can recognize each other in the next life."

And considering that DH:IL 4 story has him refusing to speak during the entirety of his interrogation, death sentence, and final verdict, it definitely leaves room for imagination.

Bracer Lore

This one encompasses a few of the other ones on the iceberg, too. Really, it's worth reading the entirety of the Passerby of Wandering Clouds relic set lore. Keep in mind all relic sets are in chronological order of head/gloves/body/feet. The bracer also mentions this part about 'That owner also once shared company and drinks with the unnamed, the two of them simply gazing at the moon with no words exchanged.' This has an interesting meaning in CN that tells us this drinking was an engagement ceremony. People thought this must be a typo but, despite many tickets from people, their only response has been that they're unable to comment further. They still haven't changed it as of patch 1.4.

Dan Heng polishes and gaze longingly at Cloud Piercer

A recent addition in patch 1.4 where Pom-pom now says:

"Passenger Dan Heng often carefully maintains and polishes his spear. Although the Express is very safe, it seems that he is not willing to drop his guard. Hmm, Pom-Pom can tell that when he polishes his spear, there isn't just alertness in his eyes, but a glint of longing, too. Don't underestimate me, Pom-Pom had dealt with all kinds of different passengers!"

I'm sure by now everyone knows that cloudpiercer was made by Yingxing (Blade).

You can see screenshots of this interaction in this post.

Mirror Inverted Colours

Apparently, a big part of CN character design focuses around the concept of inverted colour palette designs for ships. Because Blade and Dan Heng share inverted colours, this is considered a good sign for the ship as it indicates they were most likely designed together.

Danmei Coded

Danmei is the CN genre for mlm. It has a lot of stereotypical tropes that are very common in this genre and apply to renheng also. My personal opinion is that renheng is very similar to something written by Meatbun in particular - this is a danmei author who wrote erha, yuwu, and casefile compendium. The associated tropes are:

Lovers to enemies back to lovers angst timeline often including misunderstandings involving tragic betrayal

Black/red character x white/blue/green character

Under the moonlight

Amnesia and/or reincarnation themes

Protag did something that made everybody turn on them + complicated political drama plot

Redemption in death/isolation/retreating from the world at the end

Waiting frankly ridiculous amounts of time to be with the lover again

One character pursuing the other character literally

One character considered dead or demonic in some capacity, the other is ethereal and godly

Mortal x immortal

Afterlife/spirit realm shenanigans usually involving fractured souls as a result of torment

Contrasting personalities + others don't think they should get along/are bad for each other (usually the deviant personality is considered to be corrupting the noble/revered personality in some way which often involves a rebellion)

Mirrored Ultimates

Their ultimate animation sequences are very similar with close eyes with weapon - open eyes - attack.

And both of their ultimates take place in different versions of the same location:

Vidyadharas can't identify items belonging to their past yet Dan Heng got the bracer, jade pendant(?), and cloud piercer

There is an NPC named Lingling in the alchemy commission who is responsible for assisting in vidyadhara hatching rebirth. She collects the personal belongings of vidyadhara who claim that they want to keep the items for their next life. She says that:

From what I've seen, most Vidyadhara lack emotions fresh after their rebirth, and are unable to understand the sentiments of their previous selves. Not a single one has ever been able to identify which one of these items used to belong to them.

This is a big indicator that DH = DF and that their romance will be continuing in this life, too. We know from Passerby of Wandering Clouds relic set that Dan Heng is still in possession of the bracer because of the line: "His fingertips could still faintly feel the temperature from the other."

The stars always accompany the moon

This is a reference to their names in CN where the Xing in Yingxing means moon and the Yue in Yinyue jun (Imbibitor Lunae) means Moon. Their ship name Xingyue means Star and Moon, which is often why you will see them referred to with the Star/Moon emojis as well as the sword/leaf emoji.

Blade came to see Dan Heng blushing when Xiyan asked him to act the character in his story

This is referring to this video on weibo where Dan Heng is talking to Xiyan. You can see the characters in the crowd then Dan Heng starts blushing. The next time you see the crowd, Blade has arrived third from the right.

"Eternal Regrets of a High Elder" and "Dreams from a Past Life"

These are arias from the Cloudcry Songbook written by a Vidyadhara named Lingjie who reincarnated into Chunfen. Lingjie was an opera singer and apparently a big fan of Dan Feng and his romantic life.

My friend wrote the poem analysis of both of these arias. I would strongly recommend reading her translations.

TW: These translations do include mentions of a new leaked poem. Some of the content is NSFW.

Dan Heng named himself "Dan Heng" due to the "Dan" character carved by Yingxing/Blade

We know that Vidyadhara do not usually name themselves based on their past lives as they have no attachment to them. The other iteration of Dan Heng was named Yubie for example. Dan Heng's name in CN is  丹恒. The Dan 丹 means red/pellet/powder/cinnabar. You can see Dan is inscribed on his spear that Yingxing made for him, thus the logical conclusion is that Dan Heng saw the inscription and chose it as his name.

The Star of the East (Jupiter, Wood Star)'s god is Ying Xing, and their guardian beast is Azure Dragon/Canglong/Qinglong

This one is the only one I didn't understand when I first saw it, so I had to request the help of my CN knowing friends to figure it out.

Yingxing's name is 应星 (where the 星 means star).

The CN god of Jupiter Taisui Xingjun 太岁星君 is known as Yin Jiao 殷交

Jupiter is the planet associated with the Chinese wood element, known as the wood star

Azure Dragon is known as Canglong or Qinglong in CN. This is the guardian of Jupiter (the wood star).

Blade's fansong equates Yingxing with 听星 (judging star) which is an alias for Taisui Xingjun

You can read my friend's explanation of the relevant line in the fansong below.

Dan Feng's crime was inspired by Chang'E, the moon goddess for stealing an elixir of immortality and Yingxing was inspired by Hou Yi, a mortal and husband of Chang'E (he was given immortality but didn't, this parallels and contrasts Yingxing's immortality)

So there's actually a bit more to this. I'm going to just use my friend's explanation here:

According to Shang dynasty’s Guicang, It is said that there is a moon maiden who escaped to the moon after stealing an immortality pill. This story was eventually given more details: The moon maiden became known as Heng’e 姮娥, who was the wife of Hou Yi - the hero who shot down the 9 suns. Hou Yi was given an immortality pill/herb as a reward, but Heng’e stole it and flew to the moon. In some versions, upon finding out, Hou Yi tried to shot down her to prevent her from floating to the moon, but he hesitated and ended up choosing not to in the end because he still loved her. In the moon, Heng’e stayed in a palace called 廣寒宮 (the Vast Palace of Coldness) and cursed to be separated from her husband, alone with only the moon rabbits and the immortal osmanthus tree forever. Later on, her name was changed to Chang’e 嫦娥 because Emperor Wen of Han’s name was 劉恆 Liu Heng, and so the 姮 Heng part of her name became a taboo. The interesting here is that 姮 (Heng’e), 恆 (Liu Heng), 恒 (Dan Heng) are all alternative ways to write the same character, 姮, which originally means moon, Heng’e. In addition, we also have a lot of official artworks depicting Dan Heng with the moon and osmanthus flowers:

Yeah so I think that just about covers everything. I left out the ones that were self-explanatory but if anyone is still confused about any of them I can try to elaborate further in the replies.

[cryptidcorners]

Mike Schmidt x childhood friend headcanons pls

Mike Schmidt x GN!Childhood Friend

Description: You've been friends with Mike ever since you were kids, but your relationship rippled after he moved away due to the loss of his brother Garrett. Now, you're his nextdoor neighbor. Despite Mike's graphic changes, you still hold a great care for him, and possibly more.

# requested by anon

Media: FNaF!Movie

Character: Mike Schmidt (+ Abby)

Tags: Childhood Friends, Headcanons, Fluff, Reconnecting, Romantic Implications (up to your interpretation), Soft!Mike, Found Family, Comfort, Domestic, Sweet Stuff as usual.

Warnings: FNaF Movie Spoilers, Mentions of Kidnapping, Depression, Childhood Trauma & Trust Issues.

read my TOS + Mike Schmidt Masterlist

When you saw each other again, Mike couldn't believe his eyes, and neither could you. It had been over a decade since you two had been together, and now, you both were shyly delivering compliments and lazy stories as an attempt to rekindle your friendship.

Mike trusted you around Abby despite everything that happened in his youth, even if he hadn't seen you in years, Mike had an intense soft spot for you. Besides, Abby should know the person brought him intense joy as a kid.

You were surprised how private he was despite being incredibly outgoing before he had moved away. If you two go anywhere in public, he strays close to you. Not because it makes him feel safer, but because it eases his paranoia. Plus, Mike is a lost puppy dog when it comes to being around strangers.

Semi-affectionate. Especially with back hugs. Mike doesn't use his words too often to describe how he feels, so he'd rather express it in other ways. He also really enjoys patting your back and holding your shoulder.

Loves talking about all the shenanigans you both got up to while you were kids. Of course, you'd definitely keep it far away from Garrett territory. Anytime there's a mention of younger relatives, he gets very silent. + Mike loves listening to you to you talk.

Will buy things relating to your childhood interests. Another way he shows affection. Even if you weren't into a certain band or sitcom, he'd get it for you regardless. You probably have a mini-collection.

You're one of the rare few Mike will actually open up to. Of course, you'll probably only hear the tip of the iceberg, but you're content with him taking it slow. Speaking of which, he'd drop everything for you.

Mike loves spending time with you and Abby. Seeing you two close together makes his heart melt. Especially when Abby said you all together was like some strange family.

Something Mike enjoys is showing you around his neighborhood, or some of his favorite places to go. He's even taken you to Sparky's a couple times, somewhere you were surprised he liked (of course, he'd always go there devilishly early to avoid people and noise.)

Absolute sweetheart towards you. Due to being a huge part of his life, Mike can't bring himself to get angry at all, even if you're both in an argument. It hurts too much to get upset towards somebody so important.

You're definitely Abby's babysitter. And if Mike could, he'd pay you triple. You cannot tell me he doesn't get sad when you come over with no payment.

Loves the nicknames you give him.

Mike probably wished you could live with him, but he doesn't want you to get hurt because of him.

There are several moments you need to take care of him, whenever it's from a hard day of work or life in general. Mike always smiles when he wakes up on the couch with a blanket over him.

[quillthrillswriting]

sooo.... anyone else ever wondered how different ATLA would have been if aang had been frozen at age 16 instead of age 12?

yeah... me too 😌 my new fanfic "the teenager in the iceberg" follows the events of the show, but with only aang aged up, while everyone else remains their canon age.

also...cmon....how funny is it to switch zuko and aang's iconic dialogue to "you're just a teenager!" "...so are you?"

enjoy the excerpt from (the upcoming) third chapter!! updates every wednesday!!

⁎⁺˳ ✧༚ ˎˊ˗ ♡ ˗ˏˋയ ✩

Aang led the way through the temple, and Katara winced at every single skeleton that lined the halls of the stone pathways carved through the sacred building. Aang couldn’t look at them, didn’t let himself look at them. Katara didn’t blame him for it. She hadn’t been able to look at the handful of bodies left after every Fire Nation raid, and yet, here were the bodies of all of his people, his entire culture. 

She was snapped out of her spiralling train of thought by the screech of stone against stone as Aang funnelled air through a complex looking lock system, the gears driving it creaking from disuse. Sokka and Katara flinched, but Aang stayed still. 

The door opened to hundreds, if not thousands, of stone statues, gazing unflinchingly back at them.

Sokka dropped into a defensive position out of habit, as if the statues would lunge toward them at any minute, and Katara just rolled her eyes and giggled at her brother, pushing past him as she stepped towards the statues in awe. Weaving between them, she stopped at one of a woman with traditional water tribe clothing that made her heart twist with homesickness. She felt Aang standing behind her, his exposed chest through his one-shoulder robes radiating heat in a way that made her face flush with colour.

He reached up over her to brush a finger against the statue’s delicately carved hair. “She has your little…hair thingies.”

Somewhat unconsciously, she reached up to brush her own loops of hair, grazing the white bone-beads with her ring finger. “I didn’t realise the great Avatar paid attention to things like that.”

A teasing smile spread across Aang’s lips. “I think you’ll find that I’m a very attentive person.” He said the words innocently enough, but the way honey seemed to wrap around every syllable caught Katara off guard, sending warmth spreading down her spine as she momentarily forgot how to speak.

Aang grinned again, looking as though he was about to add something, before a chittery, squeaking noise echoed through the room, bouncing between statues. “What was that?” Sokka yelped, jumping away from the statue whose armour and sword he had been examining. The screech of metal against stone sounded from somewhere on Sokka’s side of the room, and both Katara and Aang quickly wove between statues to join him, all three tensing.

From between the statues, the sound got louder, and a helmet dragged between the sculptures, moving haphazardly as it scraped against the floor.

“GHOSTIE!” Sokka yelped, jumping backwards as he pointed an accusatory finger at the helmet. Katara stayed silent, visibly pale. Aang looked back at the two of them, then faced the helmet again. He stepped through those same strange airbending forms, his movement ending with the sharp expulsion of wind from his fist. The helmet blew away, clattering against the stone, revealing….

⁎⁺˳ ✧༚ ˎˊ˗ ♡ ˗ˏˋയ ✩

♥ check out the two chapters of this (ongoing) fic & my ao3 here! ->

[mah-o-daryaa]

For a show that's progressive, one-of-a-kind, ground-breaking for its time, and relies on "Show, don't Tell" a lot throughout the series, it bugs me how ATLA (or, more specifically, Bryke) preferred to tell the audience that Aang is a master airbender without showing us why. I mean, Toph, Zuko, Azula, and Katara are all shown practicing and improving their mastery in bending (although Katara has become rather overpowered), so why can't Aang have the same treatment?

Yes, Aang may be a child prodigy, and he did get airbending tattoos from inventing the air scooter, but I personally think that inventing an airbending technique (which demonstrates impressive ability and skill) is a way to gain the arrows prematurely, but isn't a requirement. Nothing in the show ever suggests just how far he's mastered his native element, let alone the other three. In the beginning of Sozin's Comet, Part 1: The Phoenix King (3:18), Aang says he thinks he still needs to practice his firebending more (which in hindsight makes sense, as he's just started relearning it from the dragons five episodes ago), and Toph notes that his earthbending could use more work too. Right off the bat, Aang is two elements away from complete mastery of all four, but later on he's seen practicing waterbending with Katara, implying he hasn't mastered it either.

We don't even see Aang practicing his airbending by himself post-iceberg, preferring to show off to random girls (like in Kyoshi Island). He just learns the elements, but doesn't really learn the philosophies behind each element. In this regard, he makes Kuruk and Roku look venerated in contrast. (To be fair to Aang, he had a specific deadline to master the four elements before Sozin's Comet that no other Avatar besides Wan had to deal with, but couldn't he try to make an effort to learn from the other nations?) Additionally, compared to Tenzin and Zaheer, Aang doesn't stand a chance against either of them (even though Tenzin is his son, but since Tenzin wasn't the Avatar, he could focus on upholding the Air Nomad culture and legacy). Even Jinora could go toe-to-toe with him at similar ages. He isn't really that impressive in any of the elements, to be honest; we've seen what a master of any specific element can do in both ATLA and LOK, as well as in the novels.

The main thing people often get wrong is that mastery isn't a final goal; it's a specific mindset. As in Pai Sho, what separates true masters from everyone else is that true masters always look for improvement in their strategy or skills. That's why Aang isn't a real master of the four elements: He always takes the easy way out, never trying to better himself or improve what he can already do.

I think this quote from Zaheer perfectly sums up what I've been saying: When you base your expectations on what you see, you blind yourself to the possibilities of a new reality. Even though it stems from his anarchist beliefs, it is genuinely one of the more insightful pieces of wisdom in the franchise because it promotes progress, a constant theme in life. Toph was able to invent metalbending because she wanted to "see" a reality where she could be recognized for her own talent in spite of her blindness; Zuko could learn firebending from the dragons because he could see a reality where he would regain his honor and fight alongside the Avatar, and so on. By contrast, Aang only takes things from surface-level, not putting any effort into understanding the true meaning of being the Avatar.

Speaking of Pai Sho, guess which Avatar constantly improved his/her abilities? Kuruk. Unlike Aang, Kuruk readily asked his companions, Jianzhu, Hei-Ran, and Kelsang, to continue teaching him, ever after he mastered the four elements that he was required to do, saying they would all benefit from the experience (the "true master" quote I mentioned above was actually said by him). Not only that, it was even inverted; sometimes they taught Kuruk, other times he taught them (which technically makes him the first known Avatar to teach bending to others). He was right, as during their lifetimes, they were the most powerful benders of their respective elements in the world!

Kuruk also had an intuitive connection to each of the four bending philosophies, which to this day remains unrivaled by any other Avatar, and was also one of the first people to suggest the idea that the four elements are connected (homeboy's literally a younger Water Tribe Avatar version of proto-Iroh, I'm honestly not going to be surprised if Iroh actually learned his belief from Kuruk during the former's visits to the Spirit World over tea and Pai Sho matches). If you ask me, Mone, learning the cultures and philosophies of the four nations is way more important than mastering the four elements, because the Avatar isn't just the bridge between the four nations; he/she is also the symbol of a unified world, and the franchise is saying that only one Avatar even bothered to do that? In my opinion, if we go by this rule, that easily cements Kuruk as the greatest Avatar in history!

Aang, on the other hand, never does this. Instead, he puts the Air Nomads on a high pedestal (which in turn causes him to place Katara on a high pedestal), and doesn't respect or learn from other nations' philosophies. He openly disrespects SWT culture and actively makes sure Tenzin doesn't have any exposure to the culture that Tenzin still belongs too, and worse, he pushes his own culture on other people's throats (remember the time he forced a homeless couple to "give up on hope because it's a big waste of time"? Or the time he forced Katara to not murder Yon Rha?) and values his own nation and values above the rest of the world (like the time he refused to kill Firelord Ozai because "all life is sacred", even though he has actually killed before, but if he doesn't kill Ozai, the latter's going to burn the entire Earth Kingdom to the ground!). That doesn't sound like something the Avatar is allowed to do, but Aang gets away with it anyway because ... hero?

There's actually another Avatar who focused on his/her own nation above the rest of the world. Avatar Szeto, Yangchen's predecessor, became a government official in his homeland, the Fire Nation. Under his tenure, the Fire Nation transformed from a fragmented, disaster-stricken state to the centralized, technologically-advanced nation we know of today. Unfortunately, this led him to neglect the other nations and, shortly after his death, the four nations were caught in a political event known as the Platinum Affair, which Yangchen had to deal with, eventually kick-starting the cycle of the current Avatar fixing their past lives' mistakes, while leaving problems for their future selves to fix. This problem might have even led to the growing ambition of Firelords Zoryu and Sozin as dictators, with the latter starting the Hundred Years War.

Aang not only valued his own nation's values above the others, he also forced said values on his non-Air Nomad companions; signed anti-miscegenation laws and tried to forcefully deport Fire Nationals from the colonies to return the land to the Earth Kingdom, even though they had already blended in with Earth Kingdom citizens, didn't wan to be separated from their families, and Zuko perceived the citizens of mixed heritage as his own subjects; refused to let his family practice SWT culture, even though his children could benefit from being members of both cultures, not just one or the other, and set an example for mixed-race families around the world; refused to teach Kya and Bumi Air Nomad culture because he thought they weren't airbenders and therefore "not real Air Nomads", even though they were just as Air Nomad as Tenzin was, if not more; and forced Tenzin to uphold the legacy of an entire nation on his shoulders. The fact that this was all written by complete accident is the cherry on top, representing just how badly Bryke screwed up.

... On a completely unrelated note, The Other Side of Paradise by Glass Animals (which is also one of my favorite songs) is definitely a Kuruk song. The last third of the song in particular sums up his tragic journey as the Avatar so well, and I always think of him while listening to it.

[a1307s]

Flickers of Green #2

(Dick Grayson & Jason Todd)

[Art is not mine! Credit to fish-goat]

Requested by: quirkyshortdumbo11

Keys:

Y/N: Your Name

Word Count: 6,214

Warnings and/or Pre-Notes:

Cursing

Mentions of Death

———————————————————————

I walk out of the abandoned building, the sounds of my gunshot and the now-dead drug lord's screaming still ringing in my head.

Nowadays it seems that these sounds comfort me more than Bruce ever could. Fucking Bruce. I hate him. I hate Batman. I hate the Joker. I hate myself for letting Y/N die. For dragging her to her death. For not being able to save her. For me being the one that's alive.

I can't let guilt cloud my mind right now. It's hard to kill someone as you're feeling guilty for causing the death of someone else. I need something to clear my head, something to reset myself. Coffee should help, it always did when I was originally alive.

I glance around, trying to get my wits together and figure out where the nearest coffee shop is. I tug my phone out of my jacket, taking a glance at the time. Nine thirty-two. Late but not too late, except for coffee. I don't know if anywhere with a decent cup of Joe will be open. I don't need that watered-down bean soup shit they serve at gas stations.

Pamela's cafe will be open. They're always open. I don't want to go there though. The last thing I need is more memories of Y/N.

I do a quick Google search, hoping to find any other cafe open, but I don't. I don't need coffee, but I do need something to eat and a donut sounds so good right now. I can't even remember what a donut tastes like. I'll just have to eat my feelings alongside the donut then.

I pull up Google Maps, glancing over it quickly before heading towards the cafe. The plus side of Pamela's is that the staff is pretty chill with anything; heroes, villains, and citizens alike.

It seems that in the past couple of years, the girls on staff have been adopted by some of the villains. I see Ivy, Scarecrow, and Harley coming and going from there a lot.

When I was at the Iceberg Lounge - aka Penguin's bar, strip club, and not-so-underground business - he mentioned that he "keeps up" on the girls and pays some of their tuition. He also mentioned there's a new girl that started a couple of months ago and that she's "a feisty little one that doesn't fear shit". That coming from Penguin is a bit of an honor. Not many people can get a compliment like that from him.

Maybe I'll meet this feisty new girl tonight. Maybe I'll take her home. I could use the distraction. However, I don't usually end up doing anything with them when I do get them home. I usually just lose my shit cause it's not the same as it was with Y/N.

I switch between being mad and being indifferent about being unable to move on from her. She died only ever loving me, why can't I live only ever loving her?

The neon lights of the cafe cut into my line of sight along with cutting through my thoughts. I forgot how obnoxious all the neon was. Standing right outside the cafe is Penguin and a young girl. She's in the 50s dinner uniform Pamela's staff wears. She's also wrapped up in a fancy-looking coat.

I feel half bad for the girl. If she's working at a cafe, she can't afford a coat like that, which means it's from the Penguin. It's never good for anyone - much less a young girl - to be in debt to Penguin.

My pace slows as I approach them. "Come on Feisty, just let me pay for your courses. Then you wouldn't have to work so much."

"No, I'm good. I don't mind supporting myself." The girl's voice is soft but firm as she speaks. Maybe she isn't as stupid as I thought.

"Listen here you little bitch-"

"No, you listen here you fucking flightless bird," the girl yells back, causing a bit of laughter to brew in my chest. "I already told you I don't want your money and unlike most of the other girls, I don't owe you shit so back off."

"And if I don't?" He asks, starting to turn the head on his cane. Under the head is usually a knife that Penguin is known to use on people when he doesn't get his way.

The girl yanks the cane away before any damage can be done, causing shock in both the bird and me. "If you don't I'll stab you to death with your own cane. Go back to your dumb pimp square." Penguin stands there for a second, just staring at the girl before he walks away mumbling to himself. His wobble is more present than usual now that he doesn't have his cane to support him. The club owner wasn't kidding about this girl not being scared of anything, or at least she was good at pretending.

Now that the fat man isn't in the way, I'm able to see the girl he was talking to. As my eyes scan over her my mind both empties and explodes. Standing in the neon lights is the spitting image of Y/N, which is impossible... because she's dead.

Or is it? I'm technically dead and yet here I am. But if she was alive, she would have looked for me, right? Like I did for her? She would at least be at the manor, right? Bruce would take her back in or at the very least Dick would... right? Or maybe she didn't want to go back to them. Maybe she's mad at them too.

Y/N - I think it's her - turns on her heels, heading down the road. I need to follow her. If she is my Y/N I need to know. I need to be a hundred percent certain. At the very least, if it's not Y/N I should still watch the girl get home safe after she disagreed with Penguin.

What if it's not Y/N? What if it is? What if this is a trap? Is Al Ghul fucking with my head again? Did he set this up to trap me back within the League? Even if he did, I need to know what's going on. Just in case it is a trap, I stay hidden. I'll have the element of surprise if shit does go south.

I follow this girl, not paying much attention to where she's going but making sure to keep pace with her. If it is my Y/N I can't lose her again from careless mistakes.

My mind runs a mile a minute as I trail her. I need answers, I need to hold her, I need her to be Y/N.

Maybe-Y/N turns, making my heart race. Fear of losing her around the corner mixes with the joy of a split second of light enveloping her.

I catch a glimpse behind her ear. When we were twelve, right before Bruce took us in, we thought it would be a good idea to give each other stick-and-poke tattoos. We tattooed each other's names behind our ears. My name is there, behind her left ear, in my chicken scratch handwriting. It has to be her. There's no way Al Ghul could know about that. I don't even think Bruce knows about our matching tattoos.

My pace quicks as I slide around the corner after her. I need her. I need to tell her I'm here. I need - it's a trap.

Hands land on me, throwing me to my right. My boots slide against the gravel on the sidewalk, aiding in me losing my balance. I fall hard, harder than the Roman Empire.

On my way down, my helmet comes into contact with a trash can. The noise echoes within my disguise, promising to give me a headache.

"What the hell?" I bark, quickly getting back to my feet. I should have known this was too good to be true. I should have known it was a trap. I should have known to pay attention to my surroundings. What the fuck is wrong with me?

Once the sound rattling around my helmet quiets some I'm able to get a grip on my surroundings. Standing in front of me is Dick Grayson in his signature black and blue spandex suit. "Fucking Nightwing," I husk out, shaking my head to get the last of the echoes out.

"Hood," he answers, positioning himself for a throwdown.

From my last run-in with Bruce, it's evident he knows who I am. Despite his attempt to hide it, the Bat was throwing his punches. I'm guessing from the greeting that he didn't share his findings with Dick.

But fine, if a fight is what Nightwing wants, a fight is what he'll get. It shouldn't be difficult to get him down.

I cautiously walk toward him, preparing myself to swing. One easy hit. Just one to knock him down long enough for me to sneak off and find Y/N.

I swing at him, but he ducks. What a little shit. I don't want trouble, I just want to go find - he thinks I'm stalking her. Dick thinks I'm stalking Y/N. Does he know it's Y/N?

"Just move aside, Wing, it's not what you think," I call out louder than I meant to. I throw another punch, trying to get him down again. I don't have time for this. I don't have the want to explain who I am and who I'm chasing after.

Dick needs to get out of my way before I lose Y/N. I can't lose her again. I'd burn the Earth to a crisp before I let that happen.

My thoughts distract me, making me lag as Nightwing tries to sweep my feet out from under me. I almost managed to avoid it but do end up tripping a bit from my late reaction.

"You're a notorious killer chasing after a girl, what else am I supposed to think?" Grayson calls, his cocky attitude present in his words. Well, that answers my question; he doesn't know it's Y/N. Or who I am. Or maybe he does and doesn't want me to know that he's connected to her. I hate the hush-hush behaviors we both inherited from Bruce.

I stumble back, again causing my helmet to come into contact with more metal. I'm definitely going to have a piercing headache for the next couple of hours. Great.

As the object behind me catches my fall, my guns slide across it, reminding me of their presence. If he's not going to go down with physical force, a gunshot sure as hell will work.

Nightwing approaches me, pulling his weapon out from behind his back. He's mumbling, probably answering whoever is on the other end of his coms. Great, I'm going to have to go through Batman too to get to Y/N. If that's the case, so be it. Bruce's name is as good as carved into my bullets if that's what it takes to get Y/N back.

I take Nightwing's distraction as a chance to get the upper hand. Being the asshole I am, I sweep Nightwing's feet out from under him. It's what he deserves and quite good karma. He stumbles back, landing on his back a couple of steps ahead of me.

No time is wasted as I start closing the gap between us. My gun feels heavy in my hand as I pull it out. Richard made his own grave trying to get between Y/N and me again, but that doesn't mean I like laying him in it. I watch as he grabs for one of his sticks as I tower over him. He can try all he wants but it won't stop me; nothing will stop me. Y/N will be safe from him, from Bruce, from the life I dragged her into it.

I level the barrel to his head debating if I should just end it here. It would be quite the message to Batman. "Lady don't!" A young voice screams out.

I glance up to find who else is present but before I can my eyes lock on Y/N. She's rushed and flustered as she races towards me. Before I can stop her, she's shoving the gun up towards the sky. "Don't shoot!" She shouts, her words followed by the sound of the gun going off.

Fear flickers through me before my senses come in. Y/N isn't shot, she can't be, the gun is pointed too high.

She stands in front of me, anger rooted in her eyes as she looks at me. There are flickers of green mixed in with her normal eye color. I take in the rest of her, letting my mind go silent as I look her over. Y/N has a strand of grey mixed in her hair, just like me. She has to be alive because of the Laza pit. She has the same greying hair and recent green added to her eyes, just like me. Mine were caused because of the pit, so hers have to be because of it too, right? Is she suffering from the same side effects I did because of the pit?

"What the fuck is your problem, you daft cow?" Y/N yells, tugging the weapon from my hand before I can stop her. I have to stop myself from laughing at the situation. It's too much like it was when we were younger. Dick and me going toe-to-toe and Y/N swooping in to break us up once again.

"Don't stand there and look dumb at me. What do you think you're doing?" She repeats herself, her attention turning towards the gun.

I shift to point it down, so she doesn't accidentally shoot herself, but she beats me to it. The barrel is pointed at the open pavement between our feet as her hands work on disconnecting the bullets from the gun.

Y/N's fingers look smooth and soft as they work. I want to touch them. I want to hold them in my hands. I want to press kisses into them. I want to touch her. I want to know she's real.

"I..." I start, my mouth feels heavy and suddenly full of cotton. "Hi." The word sounds loud when it tumbles out.

"Hello," Y/N says back, her eyes sparkling. The color I've grown so used to comforts me despite the newly added flickers of green. She's so bright and here and alive.

Her focus stays on me for a beat longer as she hands me back my gun. Our fingers bumping into each other, sending shivers up my spine. She's alive.

I let the feeling envelop me as my eyes switch from her face to staying locked on the shitty tattoo behind her ear. My mind is on overtime, running through a million questions even as Y/N moves up and down in front of me. I can hear her voice as she talks to Dick but it's hard to focus on processing her words.

My eyes snap back up as Y/N stands. She whispers something, the words lost in her uncomfortableness. Am I making her upset? Is Dick? I glance around her to hopefully see what shifted her tone. Since being distracted, Bruce's new Robin has appeared in front of us. Is he making her upset?

Y/N starts walking away, causing panic about losing her to wash over me. Before I can stop myself, I reach out for her, my hand wrapping around her arm to stop her movements. "Let..." I start again, my mouth still feeling dry, and it gets drier as Y/N turns towards me. "Let me walk you home." The words come out quieter than I thought they would.

Her eyes harden as she looks at me and shakes me off of her. "What the fuck is with all you superheroes? Two days ago, I had a frantic Batman shoving hundred-dollar bills into my hand. You have been trailing me for three blocks, you-" So she knows I was behind her? Does she know it's me? Does she not remember Bruce is Batman? What does she remember?

I shake my head again, trying to Etch-A-Sketch the thoughts out of my head. I focus my attention back on Y/N. Her hands are on her hips, her right one popped out. I want to touch her again. I want to put my hands on her hips. I want to feel her between my fingers. I want to feel her warmth against me. I want-

My thoughts are cut off again when Dick starts touching her. "I... Y/N?" Dick says his tone as quiet as mine was. All the love-struck feelings wash out of me and are replaced with anger and jealousy. I don't want him touching her. I should be touching her. She's mine. She's always been mine. What the fuck does Dick think he's doing?

"Good guess," Y/N answers, her figure relaxing some. Does she remember that Grayson is Nightwing? Why does she remember that but not that Bruce is Batman? Does she like him touching her?

"Y/N?" He repeats, his face scrunched up in confusion. He needs to stop touching her before I lose my shit.

Almost as if Y/N can read my thoughts, she shrugs him off and starts walking away again. "That's my name, don't wear it out." Her tune is light and happy, making butterflies flap around my stomach. Nightwing and I stay frozen, watching her slip out of the alleyway before vanishing from our sight.

Dick's attention turns back towards me. His eyes are watery. Apparently, I'm not the only secret Bruce has been keeping from him, how in tune for the bat. "What's next? You going to end up being Jason Todd?" He asks, a sad laugh following. It tinges my heart, almost making me regret being willing to kill him a few minutes ago.

I hum a bit, turning towards the direction Y/N went in as I think about what I'm going to do. I start heading after her before changing my mind. I know she's alive and in town. That's all that matters. It'll be best for her if I back off, give her time to think over the event, and give Dick time to tattle to Bruce so I can see how they'll react. I glance at Nightwing behind me before opening my mouth again, "We both know that Y/N being alive isn't the only secret Bruce Wayne is hiding from the world."

I let the words hang behind me as I walk away. Waiting to go after Y/N also gives me time to think over what I'm going to do. If she doesn't remember parts of her life - if any of it - I don't need to scare her away by coming off too strong.

———————————

My heart jumps around as I walk up the path from the other day. The neon lights are still obnoxious as fuck, but I don't mind. Y/N will be there. I know she will. I've been watching her, keeping tabs on her, getting the hang of her schedule. I know, I know, I know. I sound like a stalker. But it's not stalking. It's... intel collecting.

I know she'll be here. She works until nine-thirty, so unlike the other night, I come in earlier, so I have time to see her. Time to talk to her. I also know they're not too busy at night so the cafe will at least be mostly empty, if not completely deserted.

From my stalk- intel collecting, I know Dick came in earlier to talk to her. I don't know what they talked about though. I don't know if I want to know. It pissed me off seeing Dick with Y/N. Pissed me off seeing him touch her again. Pissed me off seeing the smile that stayed on her face even after she left the cafe for class.

What does Dick think he's doing? I'm not stupid or blind. Hell, even a blind man can see how down-hard Dick is for Y/N. Even when we were younger, he pretty much had hearts in his eyes anytime Y/N was around. She wanted me last time; she'll want me this time too... I think.

The jingle of the bell on the door competes with my heartbeat for space in my ears. Sitting in one of the bar chairs at the coffee island is Y/N. Scarecrow is next to her, helping her with her chemistry homework. I'm not thrilled about this arrangement but at least Y/N is getting the academic help she needs.

"Hello!" Y/N peeps out, sending a smile at me as her attention turns away from Scarecrow. Her eyes soften when she focuses on me. "It's you again."

"It's me again," I mumble, taking slow steps towards her.

Scarecrow stands up, placing himself between Y/N and me. He's always been a small man, even when I was a kid, but he seems even smaller nowadays. "Again?" He asks, trying to look intimidating. He's barely intimidating when he's in his suit, and definitely isn't when he's dressed like a civilian.

"Again," Y/N peeps up, her voice still airy and soft. The same voice that used to whisper sweet nothings into my ear until I fell asleep most nights. "Helmet man here walked me home after I argued with Penguin the other night."

"You got into an argument with Penguin?" Crow asks, turning his attention from me to Y/N. "What did he want?"

"You know, the usual. He wants me in debt to him for another body to do his bidding," She teases a soft smile on her face in an attempt to comfort Crow. Scarecrow shifts around a bit glancing at me a few times.

I step aside, standing next to the skinny man and joining him looking at Y/N. She's so pretty, even out of her style and in the dumb uniform for the cafe. "Can I buy you a coffee?" I ask her, slowly tugging my helmet off as well as making sure the mask under it stays in place. The last thing I need is Scarecrow knowing I'm Jason Todd.

"Look at you, pulling all the guys today," Crow half teases, sending glares my way.

"I guess so," Y/N says, her smile even bigger as she scans over my face. Maybe she does know who I am.

"I have something to deal with. Will you be okay if I leave?" Crow asks, his attention not being pulled from me.

"I'll be fine. I'm pretty confident that I can take him if need be." Y/N giggles at herself, pulling a soft chuckle from Crow as well. He nods at her before turning on his heels and walking off. "What do you want to drink?" She asks, standing up and sliding behind the counter.

"I'll have whatever you're going to have." She hums, starting to make whatever it is she's making. I watch her move around, my eyes drinking in every moment. Memories flow in and out as I watch her. Memories of her hands on me, her lips on me, of her laugh, of her. "What do you think he's off to go do?" I ask, being careful not to call him Scarecrow in case she doesn't know. It would be better if Y/N didn't know; it would be one less person to protect her from.

She hums, her hands working at pouring our drinks out. "He's probably going to go line the fog machines in the Iceberg with fear gas. He gets pretty pissy when Penguin fucks with the staff." So, she does know. Is that good or bad? Probably good in this situation. "Here you go," She murmurs, pushing my cup towards me before walking back around the counter with her drink.

Y/N slides back into her seat, patting the one next to her. I obey, sitting down. Her eyes stay locked on me, the flickers of green swirling around them as she stares. The space is quiet, the only sound being us sipping on our coffees. "Are you stalking me?" She asks, filling in the space and causing me to choke a bit.

My lungs force out a cough in an attempt to counteract my choking. Y/N's eyes stay locked on me, the green standing out as she watches. "I... no?" Why the fuck did that come out as a question? That's pretty counterproductive. "No, I'm not." That's better... maybe.

She hums again, sipping on her coffee as she thinks over my answer. "Defiantly seems like you're stalking me. Most people don't sneak around and follow me all day." Once again silence falls between us. How am I supposed to respond to that?

Y/N sits in silence, enjoying her coffee as she watches me. Even though I know she's suspicious of me, I still find comfort in her gaze. "I don't remember much of my life before six months ago so if I'm supposed to know you, I'm not avoiding you. I just don't know who you are, so you don't need to sneak around me; you just need to talk to me. Well, and be patient please." She says, being the one to break the silence again.

Oh... So, she doesn't know anything. That's... scary. For many reasons. "Is there anything you do remember?" I ask, gently pushing my coffee back and forth between my hands.

"Snip bits of stuff. Though some things have started coming back since I ran into Nightwing and you. Some more came back after my coffee chat with Richard Grayson too."

Don't fucking say his name. Don't say it. You should be saying my name. Should be remembering stuff because of me. Not because of fucking Dick. "Oh ya?" I peep out, glaring ahead of me at the menu instead of focusing my anger on Y/N.

"Mmhmm..." She falls silent, nodding her head back and forth as if she's trying to wiggle her thoughts around. "Helmet man-"

"Red Hood," I say, cutting her off with my correction.

I turn my attention back to her, being met with her eyes already on me. "You're my Jason, right?"

"Ya," I push out, suddenly finding it hard to breathe. The word 'my' repeats nonstop in my head, bouncing around my brain as I try to sort through my feelings of bliss.

"I think I love you," She whispers, her hand dipping back behind her ear to mess with her tattoo.

The bliss is all washed away once the words hit my ears. She thinks she loves me? Does she not remember loving me? Of course not, Y/N doesn't remember anything. Well, at least a small piece of her remembers me. Remembers me enough to know she's supposed to love me and that's good enough. There's enough hope there for me to build on.

"Well, I know I love you," I whisper back, keeping my eyes on her to see her reaction. She's still looking at me, her eyes shining.

She hums a bit, tilting her head as she scans me again. "Can I take your mask off?" Y/N asks, her hands slow and gentle as they slide over my cheeks and come into contact with the mask covering my eyes.

"Ya."

Her fingers are soft as they snap off my mask. The joy drains from me as the warmth from her touch is removed. "Your eyes are green... I remember them being blue," Y/N says, her fingertips soon back on my cheeks.

I can feel my cheeks heating up, both from a blush and the hands present on my skin. "They used to be, now they're green." Y/N hums, running her fingers over my cheekbones before sliding them into my hair. I let my eyes close, soaking in her touches. It's calming, being able to be so close to her again, feeling her touch me again, feeling proof that she's alive. I lean forward a bit, getting close enough to feel Y/N's soft breathing coat my face. "Can..." Asking to kiss her might be a little much right now. Maybe I shouldn't ask.

"Can you what?" Y/N prompts, her hands dropping down to my shoulders.

My eyes snap open and once again they're met with the familiar color and the newly added flickers of green. Why did she only get slivers and mine completely changed color? "Can I take you on a date?" I finally ask, shifting a bit so our noses are touching. God, I want to kiss her. I want to hold her. I want her in every way possible. It's going to kill me having to work back up to that.

"I'd like that, Jason."

Yes. God, yes. "Say my name again," I mumble, rubbing my nose against hers.

"Jason," She whispers, bopping my nose with her own before pulling away from me.

———————————

Butterflies flap around my stomach, threatening to come up in a not-pretty way. My hands shake as I lift one to knock on the door of Y/N's apartment. The knocking feels loud as I do it. Maybe I knocked too loud.

The door swings open soon after, the door frame filling with the image of Y/N. She's dressed up with her hair down to cup her face. "Hi," I breathe out, my eyes drinking her in. She's so pretty, so perfect, so alive.

"Hello," she answers back, her eyes glancing at my hand. "You got me flowers?" Y/N asks, leaning against the door frame.

"Oh ya," I bark out, definitely too loud, as I push the bouquet toward her. I couldn't decide what flowers to get so I ended up getting three different bouquets and had the lady mix them. "Your favorite flowers are orange roses, but I didn't know if you still liked them or not, so I panicked and got more flowers than you probably need or want." That was dumb. Why did I say that? I feel like a thirteen-year-old with his first crush again.

"I still like orange roses," Y/N tells me, taking the flowers from me before walking back through the door. I follow after her, making sure to close the door behind me. Her apartment is small but cozy. There's not much in her home either but I guess that's expected since Y/N doesn't know herself.

There is a small couch and one of those old, bulky, shitty TVs tucked into her living room. The apartment smells nice, like pork and chili pepper. A million different dishes are stacked up around her countertop in the kitchen. "What are you making?" I ask her, sliding my jacket off before laying it on the couch.

"I'm making Pozole. I remember you liking it. Or I think you liked it. Somebody did at least," She mumbles a bit, keeping her attention to the pot on the stove in front of her.

"I like pozole. Alfred and you used to make it for me all the time."

Y/N's eyes light up at my words, making my chest fill with the warmth of joy. I walk into the cramped kitchen, making sure to stay out of her way as I stand in her presence. I watch her like a hawk as she works away, letting the warmth of the stove and the smell of dinner fill the space between us. For the first time in two years, I finally feel okay, finally feel at peace.

"You didn't answer my question the other day," I voice, sliding in closer to her. I want to hold her; I want to wrap my arms around her waist. I debate it for a second. I don't want to scare her off.

"What question?" Y/N asks, glancing at me before turning back to her project at hand.

"Is there anything you remember from our - er - your life?"

Y/N snaps the heat off, continuing to stir the pot as she thinks it over. "There's not a lot I do remember. I'm starting to remember this dude named Wally, I think. I don't know. I'm going to talk to Dick about him tomorrow. I remember a bit about Dick too but not much. I remember a bit about you... about us." Her eyes glance at me, before turning back to our dinner. She picks up some heat absorbers, wrapping them around the pot before setting it on a cutting board on the counter.

She's talking to Dick? About her memories? Or lack thereof, I guess. I don't want her talking to him. What's he going to say to her? What has he already said to her? What ideas is he putting into Y/N's head? Has Dick tried anything with her?

"What do you remember about us?" I ask, trying to push for more information as I try to forget my worried thoughts.

Y/N floats around the kitchen, taking out dishes for our food. My eyes trail her as she moves around the small space. "Umm... I remember us kissing a lot."

I chuckle a bit at that response. We do - did kiss a lot. We did other things a lot too. "Ya, ya we kissed a lot. We were very... touchy." Y/N giggles a bit as she makes our plates. My eyes keep glancing from her face to her hips. I really want to touch her. Before I can stop myself, I push off the counter I'm leaning on and wrap her up in me. My hands are firm on her hips and her back is pressed into my chest as I bury my head into her neck.

Y/N stiffens a bit in my hold before relaxing her muscles again. "We danced a lot too," I mumble into her neck, softly shifting her hips so we can sway together. She sways with me, her body weight feeling so good against mine. "You liked to read out loud to me too."

"Do you not know how to read?" She teases, shifting in my hold so we're face to face.

"I know how to read, I just read too slow for your liking."

"Oh ya?"

"Absolutely not, I just like your voice," I answer, lifting my head from her neck and placing our noses next to each other.

Y/N's hands slide up my arms, resting on my shoulders. "Our favorite book is The Great Gatsby, ya?"

My heart swells a bit at her words. "Ya, it is," I whisper, trying to focus my eyes on hers instead of her lips. It doesn't work so I decide to close my eyes, letting myself focus on her body heat instead. We stay silent, sitting like this, with me holding her. I could stay like this forever.

"Could you kiss me?" Y/N mumbles, shifting in my hold.

My eyes snap open, taking in her face. I roll the words over in my head. I already thought holding her was much for a "first date" and now she's asking me to kiss her? Maybe this is a trap. Maybe I'm making her feel like we have to move fast. Maybe Al Ghul is fucking with my head somehow. "Why?" I peep out, loosening my grip on her.

"Well, my therapist says doing stuff I used to do can help with my memories coming back. We were together ya?"

"Ya, we still are." Her face pinches some as her body stiffens again. Maybe I shouldn't have said that. It isn't fair of me to expect a relationship from Y/N. She doesn't even know who she is, let alone who I am.

"Well, I thought maybe kissing you again would help. We don't have to-"

"I really want to kiss you," I say, cutting her off, and tightening my grip on her again. Y/N's hands slide to the back of my neck, her fingers shaking a bit against my skin but her body relaxes again. "Close your eyes," I mumble, sliding my nose against hers again.

Y/N obeys, fluttering her eyes shut. I take my time, trailing kisses across her nose, her eyes, and her cheeks, before placing myself above her mouth. I soak this scene in for a second before closing the gap between us. Her lips are soft against mine and taste like mint gum.

I shift my hands up, cupping her neck with one and softly dipping the other into her hair. All my need and want and love is boiled into the kiss. Our lips shift against each other for a while, the kiss getting heated way more than it meant.

As my lungs start burning, Y/N pulls back, making me a bit sad. I'd gladly suffocate to death from her kiss. "Jason," She murmurs, her words a little slurred.

"Say it again," I whisper back, tilting my head so our lips are close again.

"Jason," She mutters again. Her lips brush against mine as she speaks.

Fucking Christ. This is too hot, too heated, too much for her right now but I can't stop thinking about hearing her whisper my name all night. "I can't wait for you to fall in love with me again," I say, keeping my tone at a whisper as I glance over her face.

"Why is that?" Y/N asks, her fingers tangling into my hair.

"Because I still love you so fucking much."

———————————————————————

[alphaformation]

I was wondering if you could do a mm Mikey x reader who is like really involved in the fine arts? (Stuff like singing, dancing, and acting) Maybe reader does musical theatre or songwriting? Is on the dance team? Or maybe on the improve team with him? It’s up to you but I just think it’d be really cute! I’d prefer a fem reader but you can do a gn reader if you’re more comfortable with that!

Thank You!🫶

hi hi anon!! this is such a cute request, & I figured it'd be more fun to explore in a headcanon format, so I hope you don't mind :)

╭──────.★..─╮ Limelight. ╰─..★.──────╯

Mutant Mayhem; Michelangelo / Fem!Reader Content Warnings: N/A

Summary: A girl in Mikey's Public Speaking class catches his attention, and he decides he needs hers in return.

✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

Though he was more than excited to dive into his improv elective, Mikey was just a little apprehensive about the iceberg that was Eastman's performance and fine arts courses.

They weren't massively funded, it wasn't a great school mind you, but it WAS a big one. There were so many people and so many groups, he found it a bit arduous to know where to start.

So he started small.

He took a public speaking course for his first semester, figuring it was a good start without taking a headlong dive.

That was where he met you.

You were so cool!!

Mikey admired you so much when you met, seeing your confidence in every silly exercise or warmup your class did.

While his brothers made their goals around grades and extra-curriculars, Mikey's number one top-of-the-list plan was to get your attention.

and like.. let's be real, it's true of all of the Mutant Mayhem boys that he made a complete fool of himself trying.

so many jokes that fell flat... So many gags that went nowhere......

but like, humor was his thing! If he couldn't impress you with that, he was never going to.

Fortunately, you didn't require all too much pandering. As soon as Mikey flat out asked to hang out with you, you were happy to accept.

Let me tell you, Mikey's so excited for you when it comes to every school production that you're a part of.

Even if you get screwed over in casting, you KNOW he's still gonna drag his brothers to that musical.

"Dude, she doesn't even have a speaking part, why are we here?"

"Wow, Don, I thought YOU of all people would appreciate good choreography."

When he eventually asks you out, it's a whole affair.

Unlike Donnie, he's confided in his entire family about his crush, and you can definitely expect some odd looks from all three of his brothers in the time that hes working up the nerve to ask you out.

He shows up to a study date one day with a pizza and one of those heart teddy bears you get on valentines day.

"hey so, like, It's.. Totally cool if you don't vibe with this, but. I like you. Like... a lot?"

He tries to downplay it-- he really values your friendship, and if you don't feel the same he doesn't want you to feel weird about it.

When you tell him that you do reciprocate, he gets so excited.

He.. definitely forgot to actually bring his backpack and stuff to this study date, since he was pretty distracted with the whole confession thing.

When you eventually step foot in the lair, prepare for his entire family to place their attention on you. Every single one of his cousins is going to want to meet you, and naturally Splinter is going to have to sit you down.

Prepare for the whole "What are your intentions with my son." Talk. Splinter doesn't care that you're a girl, he's protective!

But once he's deemed you a good fit, you're practically part of the family.

As the two of you have been dating for longer, expect him to start following you into your extra-curriculars more.

Mikey is taking a shot at everything! If there's something you're auditioning for, he's two steps behind you.

In short, he adores you, and he owes a lot of his growth to you! He's really come out of his shell since meeting you, hehe.

[ladytauria]

Pairing: Tim Drake/Jason Todd Rating: Explicit Words: 6.8k

Jason really should learn to watch his tongue around Tim.

finally. after over a year. this beast is done <3

Jason takes a drag from his cigarette, holding the smoke in his lungs for a beat, two—then exhaling through his nose. His shoulders loosen, the nicotine doing wonders for his frayed nerves. The smoke joins the general haze of the Iceberg Lounge; the frosty interior and low lights making everything look almost dreamlike.

The night is starting to wind down. If it were up to Jason, they would have left hours ago. He knows his appearances at the Lounge are necessary if he wants people to keep following his rules, and that he gets decent intel from it, but—

Fuck, he just gets so tired.

At least Tim is here, tucked sweetly under Jason’s arm like he hasn’t spent most of the night being an absolute menace, making idle conversation with Jason’s lieutenants.

He has one last informant to meet with, and then they can get out of here and go home.

He snubs out his cigarette and takes a sip of his whiskey. He’s been nursing the same one most of the night, for appearances sake if nothing else. Tim squeezes his thigh under the table—more reassurance than teasing, though it definitely adds kindling to the smoldering flame in Jason’s belly.

Jason lowers his glass as he scans the room.

Finally.

His informant perches on a bar stool, waving at the bartender before looking over his shoulder. Their eyes meet through the swirls of smoke, and the informant dips his chin. Good. They haven’t been kept waiting all this time just for there to be nothing to hear.

Their eyes meet through the swirls of smoke, and the informant nods once; the barest dip of his chin. Good. Jason’s not sure what he would have done if he’d waited all this time, only for there to be nothing to hear.

He stands, ghosting gloved fingertips across Tim’s shoulders, straightening the strap of his dress—a slinky black number that emphasizes his hips and gives a tantalizing view of his fake tits. Jason has been resisting the urge to slip his hands, or his head, under it all night. “Hold on a minute, sweetheart. Daddy’s got some business to take care of.”

He nearly turns scarlet the moment the words leave his mouth. Why did he say that?

Tim doesn’t miss a beat, tilting his head back to peer at Jason through false lashes and sending another wave of jasmine perfume wafting under Jason’s nose. There’s a sharp, amused twinkle in his eyes. “It’s all work with you, Red,” he says, a pout on crimson lips. Jason wets his own unconsciously, stomach clenching. “When are we going to get to play?” Tim trails a long painted nail over Jason’s forearm, the slight scratch of it leaving behind a faint white line.

Jason swallows, as subtle as he can. The irony of Tim asking such a question is lost in the smoky tone of his voice. “Soon, baby,” he promises, voice rougher than he’d like. He can’t help but lean over and kiss him, right on that red-painted mouth. It’s not nearly enough. “Just let me take care of this, and then I’ll take you home.”

“I’m holding you to that,” Tim tells him—and it’s a little bit femme fatale, but mostly, it’s Tim himself speaking. His pink tongue darts out; wetting his lips like he needs one last taste of Jason.

Jason has to tear his eyes away, taking a fortifying drink of whiskey before passing his glass to Tim. “Finish that off for me, won’t you, baby?” He nods to his lieutenants, and then he’s off, still fighting the blush that threatens to take over his face.

Stupid, stupid, stupid. Of all the things he could have said—

It’s all Tim’s fault. He’s been driving Jason crazy all night. Jason never should have complained about his nights at the lounge; then Tim wouldn’t have suggested this idea in the first place. But—well. Jason hadn’t seen how Tim playing as Hood’s arm candy could go wrong.

Big mistake.

He’d forgotten just how much effort Tim put into his undercover identities.

Or—

No, that wasn’t quite right.

Jason had been expecting Tim’s identity to cater to their audience. And in a way, it did. It was easy for them to dismiss him as a threat, association with Hood or no. The amount of conversations that had taken place right in front of him, as if he wasn’t even there, would be infuriating if it wasn’t playing right into their hands. But the appearance of the disguise…

That was tailored specifically to Jason.

Subtle makeup to soften his face; just enough padding to give him the illusion of curves. Small breasts, a black wig, just a bit longer than his natural hair—and jewelry to draw the eye from anything he couldn’t disguise. And—look, okay. Jason is biased. He thinks obsessive, 72 hours no sleep, wearing his rattiest clothes, caffeine-addled gremlin Tim is hot. This Tim? Dolled up in provocative outfits and sultry make-up? He’s a goner.

And Tim knows it. He walks a fine line, teasing just enough to work Jason up without also compromising his persona as Hood. It’s maddening… and hot as hell. Could anyone blame him, if maybe his brains were a bit addled? Or if maybe, just maybe, he wanted to turn the tables on Tim, even if just for a moment?

Jason doesn’t think so.

If Tim asks, Jason will tell him it was a slip of the tongue. He got too deep into the Hood headspace. Otherwise—they can just… forget about it. Pretend it never happened in the first place.

Yeah. That sounds good.

[darkcircles4lyfe]

Hii I’ve stumbled across a few of your posts and haven’t even gleaned the tip of the iceberg that is your blog, but I would love to hear a more fleshed version of your Bakugo with AFO post (if you have more that you wanted to share), because that is such a cool concept???

Like, it’s such a nice way to address the symbiotic nature of the two quirks + Bakugo’s relationship with Midoriya at the same time, and there’s also so much to explore in terms of the repercussions of that (not just the symbolism of it, but also the parts you’ve mentioned like what that would mean for people who’ve had their quirks stolen, how they will deal with all the stockpiled quirks, or even on a wider scale of how the media would react if AFO/OFA is leaked/ revealed to the public).

Just imagine the amount of continued exploration in terms of the nature of quirks v nurture of society, because AFO/OFA has so far been (imo) one of the few evidence that quirks carry personality, which is so awesome because it’s like saying a quirk literally holds a part of you through the vestiges while demolishing this idea through basically the entire plot of the manga loll. (To phrase it slightly better, the manga is sort of reaching the conclusion that a quirk is a part of you and you only, without being all of you, and that it’s exactly what the name says it is: a quirk.)

The thing I don’t really like about this conclusion is the blatant disregard for the quirkless community, which was the initial point of discussion and social commentary in bnha. This is why I think Bakugo being given AFO would be great fuel for the debate of should we be allowed to mess with the quirks we are given.

As in, who gets to decide? Who gets to play god? How will it be regulated? Should it even be regulated? How do you do all that without dehumanising Bakugo the same way society dehumanised pro heroes? (Bonus points for linking this to real life because I’m all for social commentary/ reflections in fictional media)

And then on a personal level, what will it take for Bakugo to be able to control AFO’s personality (hello, eye symbolism + name symbolism) within the quirk? How will All Might handle this info? How does this all relate to the conflict of children in war? The development of the league of villains’ character plots (esp Tomura’s)?

I have a lot of questions with very few answers loll, I would love to hear your thoughts on this!!

this post, for reference

Gosh, I am so sorry for taking forever to answer this. But you ask so many good questions! And I think this is actually a pretty good time, after 419.

I guess where I stand with the idea now is still somewhat ambiguous. All for One as a power is too big and interesting to go away--or at least, if it did go away, it would speak volumes. It feels like an almost elemental, fundamental, and even spiritual power, something beyond the man himself. So I'm still wondering about its future.

While a lot of other characters' narratives, including Katsuki's, are about this "nature of quirks vs. nurture," with the original Japanese name for quirks literally meaning "individuality" ("個性" or "kosei"), All for One (the power) oddly represents a lack of individuality. Like a shapeshifter with no form of its own. With that in mind, might we actually compare it to quirklessness? This is worth considering if we're trying to guess who might be a fitting person to inherit it.

I'm at least certain that Tenko shouldn't keep it, since he was literally groomed for it, to be a vessel. For him it represents a lack of individuality in the absolute worst way: a lack of agency, and an identity determined by/in the image of someone else since before even the moment of conception. Actually, as of 419, it seems like if there is any echo of him left after being possessed again, Tenko needs to get rid of the quirk. If he is able to regain control for even a second, the most logical action he can take to save himself and do something of his own free will for once, is to pass the quirk on to someone else.

What I'm a little less certain about is who should get it. On the one hand, Katsuki has a very strong sense of self, especially now. As I said before, this would make him an interesting candidate because he wouldn't want AFO, and thus wouldn't use it for his own gain, on principle. However...

In between now and when I wrote that little post, the future of One for All has also become ambiguous. Does Tenko have it even though All for One does not? (because of Izuku's intent in passing it on?) I've wondered for a long time what would happen if OFA and AFO combined. Would they become more than the sum of their parts, creating something new? Maybe something that can connect with other people and build them up? Perhaps it would develop some aspect of agency that takes away its capacity to exploit people. I'm just speculating...

And I haven't wanted to talk about it, but I'm ambivalent about Izuku becoming quirkiness again. As in, I think Horikoshi could pull it off either way. So this is just an idea:

Izuku could also be a candidate for AFO because he lacks a sense of self, in his own way, as I've gone into before. At best, this means a lack of an ego, the opposite of AFO's personality. In AFO's words, Izuku is the boy born with nothing, who now has less than nothing. There's also a nice symmetry to this idea: Izuku giving OFA to Tenko, then Tenko giving AFO to Izuku. It would be interesting to see what the power would be like in the hands of its antithesis.

But like I said, if you ignore AFO's own selfish interpretation of the power as a tool for domination and a sign of his natural superiority, its essence is a lot more comparable to quirklessness. Just as one's quirk does not encompass one's entire self even though it is unique to them, so too does the quirk have potential beyond its user's point of view. It is potentially ideal for someone who wouldn't make it a part of who they are or use it to enforce their desires, and this applies to both Izuku and Katsuki.

The final thing to mention from your question is the possibility that whoever received AFO would have to deal with overcoming his possession. Maybe this is too much for one person to handle. Maybe Katsuki plays into this either way.

[oneatlatime]

The Boy in the Iceberg

58 seconds in and I can already see why people say this show is gorgeous. Look at those colours! Although the double image around some of the line art is distracting.

Can water do that? Just have random fast currents in an otherwise pretty still ocean? Also, Catara couldn't have grabbed a spare paddle and helped? Actually they seemed screwed anyway. If they were going any faster they probably would have landed harder, or not on ice at all.

Judging by Sokka's lack of reaction to Catara's temper tantrum, I'd say she has that exact rant at least three times a week.

It's a face!

Maybe the giant orb created the current to summon them there?

Catara has no self-preservation instincts at all. Giant glowy orb washed up in front of you, don't poke it!

Tiger seals.

Solitaire. Neat.

That haircut is not good. Also a very unique choice for a voice. Wait this is Zuko? The guy everyone's obsessed with?

I love Appa already.

"this is Catara, my flying sister." A man after my own heart.

They really would have been stuck without Aang to offer a ride. What was their plan to get home?

Zuko is a prince? Hunting the avatar to reclaim his honour. Not sure how those two go together but ok. I guess 100 years ago the avatar stole a time-travelling Zuko's honour.

Appa can swim through the night? Why does he have six legs?

I didn't know this was a dream sequence at first and I was wondering where Sokka and Catara were. For future reference: dreams are brown.

Aang should have frozen to death by now. That's nowhere near enough clothes. And Catara can't be only just noticing the blue lines now.

Seems like the village has hit a rough patch.

If this is how catara reacts to a bald child, she's gonna spontaneously combust the first time she meets a teenage boy who isn't her brother. And how is an air bender going to teach her water bending?

Between the Appa snot and the watchtower gag, I sense Sokka will become the butt of many jokes.

You know, if you want him to actually learn, maybe tell him what he did wrong rather than reciting philosophical stuff and then shooting fire at his face? His presumably scarred face? Scarred presumably by fire? Kudos to Zuko for not flinching.

Is there a stick in Zuko's hair that's supporting it upright or does his hair just do that? Does Zuko have Pippi Longstocking hair? Speaking of hair, why does Catara have her hair like that? Surely that gets in the way of seeing stuff? It does look good when her hood is up though.

Good sneaky exposition dump Zuko. Didn't notice it until I thought about it after.

There's something hilarious yet tragic about Sokka spouting the wartime equivalent of live laugh love quotes and losing the battle with potty breaks. He has no idea what he's talking about but he believes in what he's saying so much.

Did Aang spend an hour in there?!?

So pretty.

Appa has six legs and penguins have four wings. Is the rule in this show that animals have 50% more appendages?

Last airbender smothered by penguins, more at 11.

"I haven't done this since I was a kid!" "You still are a kid!" That line feels like something that's going to come back.

Was the whole 'being a bender is showing no fear' or however that line went actually about bending, or do you really just want to explore the ship, Aang?

Gerbils at the south pole?

Would the fire nation send people back to rig a lost ship or are all fire nation ships rigged at all times and the crews are just used to working around the traps? Actually that would be a great way to catch spies.

I would jump to brain-damage induced amnesia from being trapped in an iceberg for a few hours before I'd ever think of a century long cryo-sleep. "it's the only explanation." Really?

All of these backgrounds are so pretty.

Air bending gets you some serious air. Those hops are stupid big, even accounting for cartoon physics.

I really like the end credits music. And according to the credits, I've been mispelling Katara's name this whole time.

Some final thoughts:

Katara (with a K) is too idealistic and trusting and Sokka is too cynical and suspicious. A perfect sibling pair. Also I love Sokka's sense of humour.

I like Aang's specific flavour of goofiness. He seems secure in himself and genuine. He has attention issues though.

Appa is a sea bison actually. Common misconception.

I like that they introduce the antagonist like 10 minutes into the first episode, but they're going to have to flesh him out way more before I read Zuko as anything other than an asshole. Also the voice is going to take a while to get used to. It's not that it doesn't fit the character design, it's just that I've never heard an actual human talk like that naturally. It's kind of muppet-like. Maybe he damaged his throat when he got that scar?

The voice acting is just superb. Even single lines like Gran Gran have distinct character. I did have to rewind a couple of times to catch what the old man with Zuko was saying.

The shading on the snow, the clouds and the skies, it's all so beautiful. You could watch this episode on mute and still be satisfied.

Katara is the only waterbender in the whole south pole, Sokka is the only man in the whole village, and Aang is the only air bender in the whole world. Gonna be a lot of lonely kids in this show. I sense a theme. I bet Appa is the only sea bison too.

Sokka is my favourite so far, but I think Aang is going to grow on me. Katara is a little bit too much of a Little Sister (TM) and Zuko just feels flat. But that just means more room to grow for both of them as characters. Of course Appa reigns supreme. I hope there's more of him in the next episode.

Even though this was half of a two-part episode, the cut off didn't feel abrupt. Maybe not a full self-contained story, but they left off at a perfect place.

Rereading this before posting, I asked a lot of quetsions. That's good! So many hooks to get me into the show, all in the first episode. I'm looking forward to the next one.