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#they did not study
eilafleuret · 2 months
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Study sessions 😺🦐
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emikart · 6 months
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Sleepy Vampire
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drulalovescas · 3 months
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THINGS THAT HAPPENED:
Jensen Ross Ackles made the acting choice to pick up Castiel's trench coat and fold it gently like a flag because he believed that's what Dean would've done.
Jensen Ross Ackles was so pissed about the Destiel conflict and Dean treating Cas so harshly in the so-called divorce arc that he confronted the writer (Bobo) about it. He asked for explanation and toning the conflict down.
Jensen Ross Ackles, when asked about what he was most excited to tackle with his character in the final season of the show, took a time to think about his answer and then WITH ZERO HESITATION said: CAS.
Jensen Ross Ackles called Castiel's goodbye (aka the confession) a pivotal moment for the whole arc of the show.
Jensen Ross Ackles asked a crew member to record the confession ON HIS PHONE because he wanted to have the og, unedited version of the confession.
Jensen Ross Ackles said Dean would've said "I love you too" and then hugged Cas.
Jensen Ross Ackles admitted to the crowd of thousands of fans that Dean's biggest regret was not being able to save Cas.
Jensen Ross Ackles wrote a song about Cas.
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sketchy-tour · 1 month
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Thank you, Remderem!
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o0kawaii0o · 2 months
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Nami on the brain!
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marzipanandminutiae · 10 months
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quotes by Victorians about the 1920s view of their generation's women
"We are frequently told that the Victorian woman...generally behaved like a pampered and neurotic infant. This is all moonshine. I do not think that I ever saw a woman faint before I came to London in 1869, and not often after then...they enjoyed a hearty laugh, and a good many of them a contest of wits with any man." -Nineteenth Century, a Monthly Review, 1927 (written by a man born in 1850)
"What queer ideas the girl of 1929 has about the Victorian period- they are not a bit true...Marriage was by no means the end and aim of our existence. Oxford and Cambridge claimed quite a few of us after school days were over. We had great ideas about 'life' and what it all might mean to us." -St. Petersburg Times, 1929 (written by a woman born in 1853)
"True, debutantes were chaperoned at balls. But that fact did not prevent them from dancing as frequently as they chose with their favorite partners. The idea that girls in the Victorian era spent their days sewing seams and practicing scales is another fallacy." -Gettysburg Times, July 1, 1927 (quote from the Dowager Lady Raglan, Ethel Jemima Somerset, who lived from 1857 to 1940)
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milli0n-dollar-fool · 10 months
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This has probably been said before but good omens had made very clear aziraphale and Crowley's relationship at the end of season 1 for any doubters
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Here Crowley says 'time to leave the garden,' like God had said 'the story ends as it began - in a garden,' not just referring to Adam young. The Garden of Eden represented their responsibilities as angel and demon, especially their very first responsibilities. Leaving the garden means leaving it all behind.
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When they met in Berkeley Square, they met no longer as angel or demon but as lovers, 'the first meeting of two lovers in Berkeley Square.'
Gonna go scream now
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nikoco11 · 6 months
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study o the day
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supine-ly · 5 months
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without glasses ver
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midnightcrows · 8 months
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Matthias Nonius, the greatest swordsman of the Ninth, vs the Sleeper
Inprnt store here!
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briseise · 8 months
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his silly rabbit <33
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0yorixu · 20 days
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attempt to draw kitsune eefo but didn't turn out good
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beybuniki · 7 days
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fishing trip day 2 & 3 🎣🍀
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why-the-heck-not · 2 months
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makes a to do list. gets too stressed to start on it before it’s waaaaay to late (ohno!!)
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lyrichi · 17 days
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[mc is reading a devildom textbook that is on human world history]
mc: .......
satan: ... you look troubled
mc: yeah cause it's all wrong
satan: what do you mean?
mc: well, first of all it says the earth is flat
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yuwuta · 18 days
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CAN’T KEEP MY HANDS TO MYSELF (I MEAN I COULD, BUT WHY WOULD I WANT TO?) — JJK BOYS + TOO HOT
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featuring. gojo, okkotsu, choso, itadori, fushiguro
content, warnings. playing too hot with the jjk boys—(too hot is a party game in which two people kiss while keeping their hands to themselves; the first person to touch their partner loses), making out, tongue sucking, uhhh slight predator/prey in yuuta’s oops, they’re a bunch of losers to be honest, there’s a word for the thing yuuji does but i don't know it lolol
word count. 1.6k
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SATORU GOJO Satoru is prideful, but you also know that he is nothing if not handsy, borderline clingy on his worst days. The concept of personal space is foreign to him, he’s rarely not touching you when you’re in his proximity, and when you aren’t, he closes that gap—so you’re confident that he’ll lose this game. 
And he does. It takes ninety-two seconds for Satoru to put his hands on you; his palms cupping your cheeks, forcing your jaw open for him to lick at your tongue. You yelp in surprise, try to take in your victory, taunt that you’ve won, but Satoru’s playing an entirely different game now. “I know, I lost,” he pushes his thumbs at the corners of your mouth, parting your lips and staring at your open mouth. Briefly, his eyes flicker to yours, drinks in your pliant expression, the soft touch of your fingers around his wrists, the feel of your body sinking below him, and he smiles, “But I want something else right now. Indulge me?” 
You tap at his right wrist and he moves his thumbs away from your lips, stroking against the soft skin of your cheeks instead so you can speak, “You lost, you’re not supposed to make demands.” 
“Take pity on a rookie like me, won’t you?” Satoru hums, tilting his head to kiss your cheek, then closer, just below your bottom lip, “Please, sweets?” 
“Depends on what you want,” you pout, but your words are strained against Satoru’s kisses. He grins, guiding a thumb back to your lips, this time pressing past the barrier of your lips until they’re wrapped around his digit, smile turning cheshire when he feels you sucking, “I have a different game we can play instead.” 
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YUUTA OKKOTSU “Ah, ah—” you pull away from Yuuta, much to his dismay, pulling the hem of your shirt from his grasp, “That counts as touching. You’re not supposed to touch, Yuuta.” 
He’s looking at you intensely, gaze bordering on predatory, slow blinking with blown-out pupils. He nods shallowly, moving his hand from where it was to your side, palm pressing into the couch next to your thigh; it lets him that much closer to you, the tip of his nose grazing yours, you can feel his laborious breaths tickle your lips. Yuuta tilts his head ever so slightly and pauses, blinks, waits—for you to make a sound, for you to tell him no again, for you to run. 
You don’t. He shifts his weight and positions his other hand to rest at your side, caging you between his arms, slotting you underneath his gaze. You curl underneath him, backing up until you’re pressed against the arm of the couch, until Yuuta’s crawled to slot his knee between your legs. You crane your neck away, but you’re still within his reach, and now you’ve presented the perfect canvas for him. He dips his head into your collarbone, leaves a deceptively soft kiss there before nosing up the expanse of your exposed skin and sinking his teeth into your neck. 
Yuuta feels you tense underneath him, body going rigid in a moment of surprise, and then slacking with an exhaled moan, like a bitten bunny. Reflexively, your hands find purchase in his hair, and Yuuta nips over the tender skin, and smiles, “Caught you.” 
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CHOSO KAMO “You’re nervous,” you conclude, pulling away from the shallow kiss Choso gave you. 
Beside you, he’s flushed, a hand coming up to reach at the back of his neck as he replies, “I don’t know why,” he exhales, “It’s just... weird to not touch you. I have to think about not touching you, and that means I have to think, which tends to make me, you know... nervous.” 
You giggle, leaning in closer to him, careful not to touch; careful to keep your hips raised above his, even as you straddle him, keep your arms and hands at your sides even though the instinct is to wrap them around Choso’s neck. He doesn’t pull back, even though he should; you like that he doesn’t. “You don’t like to think about me?” 
“No—no! Not like that,” he’s too loud for the proximity, sighing in embarrassment shortly after; you’re too close, way too close, and he’s not supposed to touch, but he wants to—Choso doesn’t like this feeling of restraint, of constriction; it’s too close to when he had a hopeless crush on you, to when he was pining and praying you’d spare him the time of day. Isn’t the point of dating that he gets to have you? To touch you, to hold you—to not hold back? 
“Because I like to think about you,” you admit, leaning in even closer, pressing a kiss to the base of Choso’s neck—and he whines, “I think about you a lot, Choso.” 
The sound of his name from your lips is sweet torture, as is the way you trail your kisses up his neck, up his jaw, behind his ear. Choso’s certain he’s going to rip a hole in his jeans with how taut he’s pulling them between his fists. This isn’t fair—nothing about this is fair. “I don’t want to play anymore,” Choso whines, eyes screwing shut when you suck a hickey onto his collar.
“But we’ve only just started,” you giggle against his skin, “And nobody’s won yet.”
Choso bites his lips, his knuckles are sore, his resolve is weak, and you smell good, you feel good—and he can’t do this. Pathetic, maybe, but he doesn’t care; he didn’t make you yours to try and stay away from you. So, Choso gives in, unwinds his fists, places one hand on your waist, and the other against your back, pulling you flush against him, and burying his face in your neck. 
“There, I lose,” he grumbles, not caring for your laughter reverberating against his chest, “Now I can touch you as much as I want.” 
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YUUJI ITADORI “Th—this isn’t fair,” you tremble, attempting to move away from his kisses, but you’re caged in between Yuuji and the wall. There’s nowhere for you to run, nothing for you to grab purchase onto but Yuuji—nothing to do but lose. 
“I didn’t hear any rules against this,” he feigns innocence, suckling at your skin, “Think it’s fair game.”
You close your eyes, trying to focus on something, anything else, but it’s hard when all you can see, all you can feel is Yuuji, Yuuji, Yuuji. Kissing up your neck, at your cheek, then your lips, and you find yourself sighing into his touch, balling your hands into fists to avoid the temptation of cupping his face. 
Yuuji moans when he feels your tongue against his, kisses you back fervently, swirling his tongue across yours and into the cavity of your mouth. He inhales all your breaths, makes it impossible for you to do anything but succumb to his kiss, to swallow his moans, to take everything he gives you. You didn’t expect Yuuji to have this much resolve—you’d anticipated a short, cute round of a silly party game, but you should have known better; Yuuji has never lost a challenge before, and you were naive, at best, to think otherwise.
Predictably, it’s you that lets go first, whining when Yuuji sucks on your tongue, hands trembling and reaching to hold him, to cling to him as some kind of recourse, unable to squirm or move anywhere else. That doesn’t stop him—Yuuji only sucks harder, only forces more moans out of you until you’re digging your nails into his shoulders and bending your knees, weak. 
Then he pulls back, leaving you breathless, tilting his head up to kiss your forehead and flashing you a grin that’s equal parts boyish and wicked with intent, “I win.” 
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MEGUMI FUSHIGURO It’s the kind of thing he usually turns down; cliché, fruitless, and unnecessarily time-consuming; but it’s you, so he makes the exception. You’re too eager, positioning yourself to sit on your hands, your legs folded under your knees, peering up at him from where he’s sat slack against the couch, and he thinks you look awful cute on your knees for him.
“Okay, ready?” you smile, “Three, two—” but Megumi already knows his plan, already has his lips on yours before you can say “one,” drinking in your surprised yelp and greedily licking against your tongue when you part your lips to kiss him back. He turns his body towards you slightly, taking advantage of his height and position to bully you into chasing him upwards, to push his tongue into your mouth with ease. 
He indulges in the back and forth for a while, sighs into your kisses, groans when you nip at him. It’s when you pull away, that Megumi decides he’s played along long enough; when he can see your chest swell with heaving breaths, see your hands in your lap, neck craned and spit-slick lips that drive him to reach for you. He’s less than gentle, hands finding purchase on your hips, and forcefully pulling you into his lap, ignoring your yelping, choosing to turn them into moans when he sinks his teeth into your neck. Megumi licks, and bites, and bites, and bites, until he’s certain he’s left a mark, until he feels your hands tugging at his hair and giving him permission to splay his palms against your back and buck you forward.  
“I lose,” he hums, soothing over raw bitten skin with open-mouthed kisses, “So, how do you wanna punish me?”
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