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#they live in an old victorian manor
luvbugtrait · 1 year
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A witch and her vampire gf
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hawnks · 2 years
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having thoughts about true bdsm couple. like……. one wants to be punished/craves release and the other craves control.
nicest people you’ll ever meet, but behind closed doors…..
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spotaus · 6 months
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I wrote almost 15,000 words in a fic that will never see the light of day. Very Me of me.
#this thing is so Bad it's gonna be one of my favorites#I just love putting Swap and his brother in Situations#context:#Victorian Era setting where Blue and Cross are the main characters#Blue was an orphan trying to take care of his brother (Rust) and eventually sent Sent away to a priesthood academy so he'd have stable fooda#and housing and some form of education#meanwhile Cross grew up in a suffocating household where his father was Not Good and was a wealthy busibessman in charge of trade and a#larger company#Blue ends up accidentally joining a cult (Thanks to Ink. not on purpose) by mistake. he stays there a few years before they decide#to use him as a sacrafice to summon their diety. Dream. but Dream helps Blue escape with his life instead.#and Cross just a few months earlier had taken the chsnce to summon a demon. Nightmare. who he made a deal with to get his father out of the#picture and help him live the life of his dreams#Cross is alone in his Manor besides Nightmare and Night's souls that are bound to him (Horror/Dust/Killer) and occasionally Lust#so when Blue stumbles onto his doorstep asking for help Cross helps him.#and from there it gets even more complicated but boy is it fun#it's an old idea that used to use Error as a main character but obviously I swapped aroubd some roles#boy I hope no one's reading these tags lmao- (hi if you made it this far!)#i tend to bounce off projects so this one is a stress-relief drabble before I go back to Doppletale and such ♡#i also got super busy so this is between stuff throughout today lmao-#spotatalk#spot!written#oh and this doesn't have any upfront ships either#just me being goofy about fun plot ideas. can u tell I like messing w/ religious Imagery?
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soullessdianthus · 7 months
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w: hinted dark themes, dark romance?
Victorian AU where Reader moves to the secluded manor in the countryside as Lord Simon Riley has hired her to be a caretaker of the house. She barely sees him around, an odd yet respected man, but the cheery gardener Johnny keeps her company most of the time, walking by her side through the lawn swallowed by thick mist. 
As the winter approaches, she realizes there are no other living souls in the house than her, the Lord and Johnny. Some lies had been told and she started to doubt Simon’s true intentions of her stay here.
Something about that old manor is unsettling. Or rather, its residents.
Working on a longer piece, just need your patience. If you're interested.👉👈
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leth-writes · 1 month
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yandere batfam x vampire reader
BRUCE
You wake up chained to a corner in an ornate room. It seems that Bruce Wayne has caught you. The chain is iron but the collar is a plush fabric, preventing chafing. This really symbolizes your period of captivity with Bruce. Harsh rules, soft application.
He keeps you in that room, absent of any furniture except a bed and the bathroom, which you have to ask to use, until he can fully trust you. Even then, you won’t be able to ever leave the grounds of the manor. Alfred is intrusted to taking care of you during the times where Bruce can’t be around you.
He completely shifts his sleep schedule to match yous; sleeping during the day, in a room right next to your so he can hear you through the walls and watch the live video feed of you curled up, napping, as he falls asleep. He wakes during the night and cuts down on his time as Batman, at least until he can trust you.
When it comes to drinking blood, he prefers if you drink from him, usually from his wrist as he stands, hovering above you, but he’ll let you use some of his extra stash in the cave if necessary.
DICK
With Dick, you wake up in his bedroom. You’re probably in a pen, cordoning off part of the room; he wishes he could trust you but he just can’t, not yet. There’s silver bars that’ll burn you if you get too close, but otherwise you aren’t chained up.
He’ll push to psychologically break you as quickly as possible. He’s forcing you to stay up and stopping you from drinking any blood until you’re begging and pleading in a heap on the floor, crawling toward him when he opens the door and steps into your pen.
He holds your exhausted, weak bodhy in his arms and feeds you his blood, watching and smiling as you lathc onto the small incision he’s made on his wrist. He’s practically rocking you back and forth, soothing any anguish you’ve been feeling.
The sudden absence of pain, combined with his touch, trains you to associate him with pleasure rather than fear, and you’re suddenly clinging onto him, refusing to let go.
This was his plan all along, and now you can come cuddle on the bed with him :)
JASON
You’re completely tied down with thick leather straps. He isn’t letting you budge for at least a year, but due to your vampiric abilities, you won’t get hurt from that. The only exception is when he feeds you laced blood and lets you go to the bathroom.
He only feeds you blood he’s gotten from the family; as much as he wants to, he can’t feed you his for fear of corruption due to the lazarus pit. It kills him that he can’t feed you, but he’d rather keep you soft and compliant.
So, he laces every bag until you’re comfortable with him touching you and moving you around. This is when he stretches your limbs and makes sure your muscles don’t fully atrophy.
He secretly likes how weak, how dependent, you are on him. You remind him of a younger version of himself, and he’s incredibly protective. Won’t let any other member of the family into the safehouse, let alone in the same room. Various members try, he threatens to shoot them, they leave.
Your feedings are soft and comfortable, all cozied up in a blanket on his lap as he feeds you from a mug. It’s kinda weird but he also warms it up. Don’t ask, he swears it’s better for you.
If your teeth start to hurt from not being able to bite, he’ll massage your gums. Don’t fight it, he’ll tie you back down and pump you so full of drugs you’ll see stars. Jason doesn’t mess around when it comes to your health, it’s his main priority, even over your pride.
Eventually starts to wean you off the drugs, and you’ve come to rely on him for practically everything. being able to nurture you and keep you safe heals that vulnerable part of him he’s pushed deep down, under the pit, and lets that old part of him blossom.
TIM
Tim takes the longest amount of time to get you used to him. He probably gets you set up in this old victorian mansion, and you honestly have the run of the place, except for the windows and doors, which are lined with silver bars. Blood bags are delivered through a slat in the door, covered with his scent. It’s the only connection you have with the outside world.
You spend over a year in this mansion. At first you’re convinced you’ve got it easy, until the touch starvation starts to set in. You start spending more and more time just lingering by the door, hoping that he’ll come in and finally talk to you. You spend more time begging and pleading through the slat than you do drinking the blood, and you find yourself clutching the thick bag to yourself, just to keep that scent, that connection, for even a moment longer.
Finally, he starts talking back. It’s slow at first, just little one-word answers here and there, maybe once a week, then he slowly ramps it up.
Eventually you’re having hour-long conversations, trying to beg him to just come in and hug you, you’re so desperate.
That’s when he swoops in and takes you back to the manor. All of your old relationships are completely decimated and you’re entirely reliant on him to keep yourself sane, latching onto him like a lighthouse in the storm. It took a while but honestly your bond is probably the strongest out of all of the examples. He knows what he’s doing.
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hedgehog-moss · 3 months
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Do you know much of the history of the town you live near? I noticed some very old-looking stone buildings in your photos from the cow parade - does much of the town look like that or were those heritage buildings?
Unfortunately almost every town has some Ugly Modern Houses, but they're usually in the outskirts, while the centre is quite preserved. It's mostly ~200yo houses though, with the occasional very old house (like, 17th century). The towns that used to have a castle often still have a mediaeval layout, with a cluster of houses and narrow streets; sometimes (remains of) ramparts. And every village worthy of the name has the mandatory mediaeval church in the plaza (except mine which has a modern Victorian Gothic church that's like 150yo, but we have the ruins of a mediaeval monastery to make up for it)
One little local history fact I know is that this town that had the cow parade was named after a Central Asian tribe that invaded the region ~1,600 years ago and later helped fight off Attila when the Huns were invading! The cows don't know that. I love knowing where place names come from (unless they mean stuff like "by the river" which is boring.) I went to visit a Gallo-Roman site recently and there was a sign displaying some text by Julius Caesar in which he listed all the Celtic tribes he defeated here, and I thought it was so cool that some of these names are still familiar because they are preserved in place names. The Roman invasion days, two millennia ago, already feel quite faraway but by then the Celts had already lived here for centuries—I wish the specific Gallic tribe that started farming around here in the Iron Age could know that 2,500 years later people are still farming in this place that's still named after their tribe.
Your question made me realise that what I associate with "appreciating local history" is like, going to see the ruins of some 2nd century Roman thermal baths or temples or learning that a town was named after a guy who owned the place in 847 AD, and I don't pay enough attention to the 16th century houses near my dentist's office or the 12th century church in front of the vet clinic. I should appreciate these time periods more! I do love the look of mediaeval towns with their tiny tortuous streets that make life difficult for people who drive stupidly big cars. And I love mediaeval castles, though I've only visited 2 of the 150-or-so castles (not counting the ruins) this region boasts (I use 'boasts' ironically, there's another region nicknamed "the 1001 castles" so our score is pitiful.) (They don't actually have 1001 castles, they're lying, it's like 600, plus some glorified manor houses that don't count)
Last-minute addition: I drafted this reply last weekend and today I saw some ruins in a town where I went to have my spring water analysed, and decided to pop by the town hall to learn more. I learnt that the ruins are what remains of the town's castle, which "successfully resisted many English attacks" (that's what they always say) and was then offered by the King to a courtier in the 1450s, and the courtier hated it because it was 400 years-old and cold and draughty and falling apart so he never lived here. The town hall lady was so unimpressed by her town's attractions it was funny—I imagine if I'd been a tourist she would have tried to sell it to me more but knowing I live nearby she was like, well our town has a 13th century church like everyone else and here's our "castle" that's a ruin now and that was already a ruin in Joan of Arc times. To add some fun fact about their castle she said that a Valois Queen had slept there for a few nights at some point and I said eagerly "Queen Margot?" and the woman said "... no it was in the 1300s. Queen Margot went to [better castle farther North]", in such a humble tone that I felt bad for accidentally pointing out that unlike [Rival Town] they got one of those obscure Valois queens no one cares about.
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inky-duchess · 2 years
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Fantasy Guide to A Great House (19th-20th Century) - Anatomy of the House
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When we think of the Victorians, the grand old Gilded Age or the Edwardians, we all think of those big mansions and manors where some of our favourite stories take place. But what did a great house look like?
Layout
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All great houses are different and some, being built in different eras, may adhere to different styles. But the layout of certain rooms usually stayed somewhat the same.
The highest floors including the attic were reserved the children's rooms/nursery and the servants quarters.
The next floor would be reserved for bedrooms. On the first/ground floor, there will be the dining room, drawing room, library etc.
The basement/cellar would be where the kitchens and other food related rooms would be. Servants halls and boot rooms may also be down here too along scullery, where sometimes a maid would clean.
Rooms used by Servants
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Boot Room: The Boot Room is where the valets, ladies maids, hallboys and sometimes footmen clean off shoes and certain items of clothing.
Kitchen: The Kitchen was usually either in the basement or the first floor of the house, connected to a garden where the house's vegetables were grown.
Butler's Pantry: A butler's pantry was where the serving items are stored. This is where the silver is cleaned, stored and counted. The butler would keep the wine log and other account books here. The butler and footmen would use this room.
Pantry: The Pantry would be connected to the kitchen. It is a room where the kitchens stock (food and beverages) would be kept.
Larder: The larder was cool area in the kitchen or a room connected to it where food is stored. Raw meat was often left here before cooking but pastry, milk, cooked meat, bread and butter can also be stored here.
Servants Hall: The Servant's Hall was where the staff ate their meals and spent their down time. They would write letters, take tea, sew and darn clothes. The servants Hall would usually have a fireplace, a large table for meals, be where the servant's cutlery and plates would be kept and where the bell board hung. (these bells were the way servants where summoned)
Wine Cellar: The wine cellar was where the wine was melt, usually in the basement. Only the butler would be permitted down there and everything would be catalogued by him too.
Butler's/Housekeeper's sitting rooms: In some houses, both the butler and the housekeeper had sitting rooms/offices downstairs. This was were they held meetings with staff, took their tea and dealt with accounts.
Scullery: The scullery was were the cleaning equipment was cleaned and stored. The scullery may even also double as a bedroom for the scullery maid.
Servery: The Servery connected to the dinning room. It was where the wine was left before the butler carried it out to be served. Some of the food would be delivered here to be carried out as well.
Servant's Sleeping Quarters: All servants excepting perhaps the kitchen maid and outside staff slept in the attics. Men and unmarried women would be kept at seperate sides of the house with the interconnecting doors locked and bolted every night by the butler and housekeeper. If the quarters were small, some servants may have to share rooms. Servants' bathrooms and washrooms would also be up there, supplied with hot water from the kitchens.
Rooms used by the Family
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Dining room: The dining room was where the family ate their breakfast, lunch and dinner. It was also where the gentlemen took their after dinner drink before joking the ladies in the drawing room.
Drawing room: The Drawing Room was sort of a living/sitting room. It was mainly used in the evenings after dinner where the ladies would take their tea and coffee before being joined by the men. It could also be used for tea by the ladies during the day. The drawing room was seen as more of a women's room but any of the family could use it. The drawing room was a formal room but could also be used for more casual activities.
Library: The library is of course where the books are kept. The family would use this room for writing letters, reading, doing business with tenants and taking tea in the afternoons.
Bedrooms: The bedrooms would take up most of the upper floors. The unmarried women would sleep in one wing with bachelors at the furthest wing away. Married couples often had adjoining rooms with their own bedrooms in each and equipped with a boudoir or a sitting room.
Nursery: Was where the children slept, usually all together until old enough to move into bedrooms. They would be attended to be nannies and nursemaids round the clock.
Study: The study was a sort of home office where family could do paperwork, chill and write letters.
Dressing room: Dressing Rooms where usually attached to bedrooms where the family would be dressed and their clothes would be stored. The valets and ladies maids would have control of the room.
Hall: The hall was where large parties would gather for dancing or music or to be greeted before parties.
Furnishings and Decor
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Most of these Great Houses were inherited which means, they came with a lot of other people's crap. Ornaments from anniversaries, paintings bought on holiday, furniture picked out by newly weds, all of it comes with the house. So most of the time everything seems rather cluttered.
As for Servant's Quarters, most of the furnishings may have been donated by the family as gifts. Most servants' halls would have a portrait of the sovereign or sometimes a religious figure to install a sense of morality into them.
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saintsenara · 5 months
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wait how bougie was Tom Riddle Sr.? How nice would his Manor have been? Was he like an actually Lord with a title and stuff?
thank you very much for the ask, anon!
in half-blood prince, dumbledore refers to tom riddle sr. as "the squire's son" - which allows us to state with certainty that he was a minor aristocrat.
however, the word minor is important here.
there are - historically - two levels of aristocracy in britain. the first are the peers of the realm - which refers to families which hold one or more of the titles of duke, marquess, earl, or viscount. these are the elite of the elite - these gradations of nobility were created in the middle ages as a way of distinguishing those who held the titles from other noblemen, usually because of a close relationship [often one of blood or marriage or both] to the king.
the titles are hereditary by male primogeniture, and the holders - while this is no longer the case - used to have political power [such as the right to sit in the house of lords], simply by virtue of their birth.
[this is why they're called "peers" - it refers to them historically being close in status to royalty, and therefore expected to serve as royal advisors.]
there is another class of peer - a baronet - whose title is similarly hereditary, but whose position doesn't come historically with the right to sit in the lords or advise the king by virtue of birth. [baronets may - of course - have been members of parliament, or royal advisors selected at the king's discretion, but this would be separate from their title. a duke, in contrast, could historically expect to request a meeting with the king simply because he was a duke.]
while some families have historically been ennobled at the king's discretion, access to any of these titles is pretty much restricted to the small group of families who've held them for centuries.
but below the peers of the realm, there is a second, more minor class of aristocracy, the landed gentry - of which a village squire is a textbook example.
historically, what is meant by "landed" is an ability to live off of the rental income of one's country holdings, which would be leased to tenant farmers. that is, they are landlords in the original sense of the term - lords of the land. this is what tom sr. tells us his family does in half-blood prince:
“It’s not ours,” said a young man’s voice. “Everything on the other side of the valley belongs to us, but that cottage belongs to an old tramp called Gaunt, and his children. The son’s quite mad, you should hear some of the stories they tell in the village - ”
what is also meant by "landed" is that the family in question is of the upper-classes, but that they are still "commoners" - which in this context doesn't imply a value judgement, but which is a socio-legal term which simply indicates that they don't hold an aristocratic title such as duke, earl etc.
[and gentry families certainly aren't common in terms of financial standing... the most famous member of this class in literature? fitzwilliam darcy, whose ten thousand a year is something like thirteen million quid in today's money...]
gentry families might be very old - they might have received their lands from the king in the middle ages as a reward for knightly service, and it's interesting to imagine generations of gaunts and riddles brought up alongside each other in little hangleton - or they might be comparatively newer - tom sr.'s great-grandfather [feasibly born c.1810] could have been a self-made victorian industrialist who bought the lands from the original holder and established himself as gentry.
by 1900, it was becoming much harder for the gentry to live on rental income alone, and many would also have had jobs. these would have been elite, and very frequently were in politics, the civil service, the military, or the law. tom sr's father - whom the films call thomas, so let's go with that - might, for example, have served as a high-ranking officer in the army [including during the first world war], be the local magistrate, or be the local member of parliament.
in terms of titles, thomas riddle would almost undoubtedly be sir thomas - and this is how it would be correct to address him. but this title would be a courtesy, and it wouldn't be hereditary unless the riddles were also baronets [which it's entirely plausible that they were].
which is to say, tom sr. would not have a title while his father was alive - although he would have the right to be referred to formally in writing as mr thomas riddle esq. [esquire]. the correct form of verbal address for anyone other than friends and family would be to call him mr riddle, although the riddles' servants would probably refer to him as mister tom.
tom jr. would not have a title while his father or grandfather was alive. if the riddles were baronets, he would technically inherit the title after he kills the rest of the male line... but given that tom sr. never acknowledged him and his existence was presumably unknown to the riddles' lawyers this wouldn't be something which happened in reality. the estate's executors clearly took control of the riddles' property, the land was portioned off and sold, and the house became a standalone property for sale.
the riddle house - which is a name used informally for it in little hangleton, it would have a different "proper" name - is described in canon in ways which show that it's a typical manor house, which means it would look something like this:
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these houses are obviously very impressive, but they're tiny in size in comparison to the magnificent stately homes - places like blenheim palace, chatsworth, burghley house, holkham hall - lived in by the titled aristocracy. the riddles would entertain - for example - by giving house parties, dinner parties, hunting parties, etc., but they wouldn't have a ballroom or a dining hall capable of seating hundreds.
[they would probably also own a property - probably a flat or small house - in london.]
they would have servants, but not colossal numbers - they would undoubtedly have a butler but not footmen, and the upstairs maids would report to the butler since they probably wouldn't have a housekeeper. they canonically have a cook, who probably had one or two kitchen maids assisting, and they canonically have a gardener - frank bryce - who probably doesn't have any assistants. they may, depending on the size of the estate, have a gamekeeper. sir thomas undoubtedly had a secretary and a chauffeur, and his wife might have a lady's maid. tom sr. would have had a nanny and then been educated until at least the age of eight by a governess, but would then have attended a prep school [either day or boarding] until the age of thirteen, and then gone to a boarding school, from which he likely went on [on the basis of social class rather than talent] to oxford or cambridge.
the family would have enormous social influence locally. most people - and also businesses - in little hangleton would be their tenants, and they would also probably have a say over the appointment of the local clergyman [an important figure in the community in the nineteenth and early twentieth centuries], since the parish church is likely to have been something called a "living" - the thing which turns up again and again in jane austen - which means that the church and its parsonage technically belongs to the landowner, but is granted to the vicar as a freehold while he's in post.
gossip about the riddles' doings would also be the main source of local interest - the servants were dining out for months on tom sr.'s elopement and return.
so they're something resembling celebrities - but they're local celebrities. nobody in london - and even nobody in cities we can imagine are nearer to little hangleton, such as liverpool - would particularly know or care who they were. tom sr. might have made it into the london gossip columns if he was part of a particularly scandalous "set" [a group of friends] who socialised in the capital, but these mentions would have been fleeting - and the press would have been much more concerned by the doings of members of his set who were genuinely titled or who were legitimately famous.
[this is the reason why mrs cole doesn't recognise the name. if merope had said her son was to be named cecil beaton after his father, she may well have been prompted to hunt him down...]
so tom sr. is elite - but he's elite in a way which is extremely culturally-specific, and which is [just like the portrayal of aristocracy in the wizarding world - the blacks, for example, are far less aristocratic than the riddles in terms of canonical vibe] often exaggerated into the sort of pseudo-royal grand aristocracy which the british period-drama-industrial-complex makes such a big deal of.
and tom jr.'s character is affected by this in a series of extremely interesting ways.
by which i mean that, in terms of blood, he's probably the most aristocratic character in the series - the absence of grand aristocracy in the wizarding world would mean that [were he raised by his father] he would come from a social background which was equivalent [even as it was divided from them by virtue of being muggle] to any of his fellow slytherins, and would help him easily blend into their society because the manners, genre of socio-cultural reference points [he would recognise, for example, that quidditch heavily resembles both rugby and polo], accent and way of speaking etc. that he would possess would be broadly indistinguishable from those of his pureblood peers.
[this is why justin finch-fletchley and draco malfoy speak in essentially the same way.]
but he would then be given the enormous boost in cachet - one which would genuinely elevate him above the rest of his cohort - of his maternal line.
and we see in canon that this does bestow some privilege on him among his peers while he's in school:
Tom Riddle merely smiled as the others laughed again. Harry noticed that he was by no means the eldest of the group of boys, but that they all seemed to look to him as their leader. “I don’t know that politics would suit me, sir,” he said when the laughter had died away. “I don’t have the right kind of background, for one thing.” A couple of the boys around him smirked at each other. Harry was sure they were enjoying a private joke, undoubtedly about what they knew, or suspected, regarding their gang leader’s famous ancestor.
where he's let down socially is that people like slughorn - to whom he can't reveal his slytherin ancestry and hope to maintain cover for his wrongdoing - don't think he's come from anywhere particularly special. this is because he has a muggle father - absolutely - but it's even more that he has a muggle father who, since he left him to be raised in an orphanage, was presumably working-class.
what the young voldemort lacks is any socio-cultural familiarity with the muggle class performance which the class performance of the wizarding world parallels. abraxas malfoy boasting about how important his father is would be something a tom jr. raised by the riddles could match - "oh yes, my father gives to all sorts of causes too. in fact, he was invited to buckingham palace because of it." - establishing himself as an equal in terms of class and social influence even if he isn't an equal in blood.
what actually happens in canon is that the orphaned tom - with his uncouth manners and his working-class accent - has no hope of gaining any sort of social equality with his posh peers.
so he becomes determined to outrank - and humiliate and control - them.
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Baby Photos Part 2!
Part 1
Since the lovely asker @lilithram did say to pick between Sakamaki baby photos or reader baby photos, I chose both. While the previous part was less overall fluff and more early relationship I decided to make this one closer to an established relationship. I’m a bit nervous about making the boys ooc so any feedback on parts that are good and in character or those less in character would help me work to tailor my writing.
I worked under the ages proposed by @diabolik-shu-lover from this post.
Shu Sakamaki
Visiting le château de Heinz wasn’t your ideal vacation spot if you were to be completely honest. Unfortunately a major downside to dating a crown prince is how business minded people are going to be about your relationship. Shu had delayed taking you here, sharing his wish to live a more ordinary life until his accession, and even then he still wanted to have a more “normal” relationship. So far your little trip had consisted of a dinner with Shu and his father where he quizzed you on your life, followed by two days of loneliness where Shu was kept away by business of some kind with his father. 
Waking up to day 3 of being alone you elected to at least try to find some evidence of Shu’s childhood you could tease him on. There had to be some silly sailor uniform or ruffled collar from when he was a small Victorian lad. Wandering the halls the castle was a thousand times creepier than the Sakamaki manor had ever been, especially when you were left without a lazy vampire keeping an eye on you. Karl Heinz had requested that his sons not kill you but that was before you began dating the son most likely to be forced into some arranged marriage. It didn’t help that the staff weren’t hidden familiars, they were standing in every room just looking… creepy.
Eventually your exploration landed you in a gallery, paintings decorated the hall with spotlights above each painting. Many seemed very old and depicted pretty women in the castle gardens at night. One of these paintings had a woman you were convinced was Shu and Reiji’s mother. She was under a gazebo in a red dress staring lovingly at someone standing somewhere behind the painting. 
“This must’ve been back when they were all in love before Cordelia.” You mumbled to yourself, turning away and continuing down the hall. You found some more imposing portraits of men, a few being Karl Heinz himself, and some more general landscape paintings. 
After nearly 2 hours of this you found a new hall of all six Sakamaki sons in a series of paintings, VICTORY. It’s always a bit weird when you get obvious reminders of your boyfriend being 387 years old even though he looks like a 19 year old. Seeing paintings of him in severely dated clothes and poses was just bizarre, snapping a picture of him in a wig from the Georgian period was a good form of pay back for his abandonment of you these past few days. There was one painting of him unlike all the others, he looked roughly 3 or 4 and was sat in his mother’s lap with a silver rattled as he peered down at a bundle in Karl Heinz’s lap, the raven coloured hair giving it away as Reiji. He looked so curious and his father looked so happy. He was cute, with blonde curlier locks and a big round face, he looked like any modern day child meeting their younger sibling. Seeing him with eyes so awake and full of life, and no animosity between the two oldest sons of Karl Heinz.
“She kept scolding me for not sitting still.”
Shouting in shock as you turn to see your MIA boyfriend with a shit eating grin on his face at your reaction.
“What’s with that face woman, girlfriend’s are meant to be happy when they see their boyfriend’s not scream like a banshee.” Teasing you as he stepped closer, moving his hands to sit comfortably at your waist. In response you let your head fall with a thud into his chest, wrapping your arm around his back.
“Well boyfriend’s aren’t meant to tell their girlfriend’s they’re going on vacation to then vanish off for days. We never get time together in the manor without your brothers hanging around and now your dad is keeping you busier than you’ve ever been.”
Sighing, Shu buried his nose in your hair  wrapping one arm around your shoulder and another around your lower back huddling you close. “I’m sorry. That guy wouldn’t stop talking about all this protocol and other crap about properly introducing you as my chosen queen. He wanted to rush everything.”
Pulling back just enough to look up eyes wide at what he was saying. Queen, you a queen? Not to mention having to meet more creepy vampires. Sensing some of your unease, Shu smiled.
“Relax, I managed to get him to agree to a much slower schedule, you won’t be rushed off to a ball anytime soon. For now the worst of it will be seeing some property we own and meeting his close advisory staff and my other’s old staff. After I have you to myself for another few months we’re going to graduate first.”
Letting out a sigh of relief you lay your head against his shoulder, staring back up at the painting. “As a kid you were pretty cute Shu.”
“Not as cute as you as a mini ballerina,” he shot back, absentmindedly rubbing little circles against your back as he also stared at the portrait.
“If I do end up as Queen you’re not allowed to marry anyone else, I refuse to deal with the whole situation with your mothers. And you can’t ever let our kids have such a poor relationship like you and Reiji.”
“Not if, when, princess and don’t work yourself up over stupid things. You’re mine, I'm not letting some woman try to take me away ever. Seriously such bothersome thinking.”
Leaning down he gently kissed you, as if you were so delicate and precious. Looking up at blue eyes finally looking awake and closer to that childhood Shu then he had in centuries.
Reiji Sakamaki
“The box I’m looking for is about as big as an envelope, and has a leather strap holding it shut. Let me know if you spot it.”
“Alright, anywhere you’d prefer I don’t look. I don’t want to run into some secret Laito porn stash up here.”
You hear Reiji chuckle at that. “Laito doesn’t come up here, too many spiders. I do not care where you go, we are partners, we agreed no secrets right.”
That made you smile, your relationship with Reiji was the fruit of a long journey of trying to reach an understanding. For a while you were both not fully able to understand each other, and while no relationship is perfect, especially yours, hiccups that would’ve caused serious arguments before were now easier to settle over tea. It felt good to feel like a respected partner.
Looking through the attic for this mystery box was a good time to find mementos to learn more about Reiji. Looking through older books and boxes of clothes or unused houseware most of the items in this portion of the attic seemed unimportant. Reiji focused his search on the opposite side of the room where the ceiling was higher, you were shorter than the 6ft man so were less uncomfortable searching where the roof sloped down. A small dusty window allowed some of the early morning light to stream in. Reiji had begun waking later during holidays to allow you both to have a day that had more sunlight for you. He claimed it was to reduce risk of seasonal depression or vitamin D deficiency, with the added benefit of allowing you both to go to museums and other date locations. Waking at 12am gave you the opportunity to see sunrises daily, and if you were honest the view of your boyfriend in the hazy early morning glow was always a welcome sight. 
“You’re staring.” 
“I see nothing wrong with admiring my boyfriend”
He let a smile sigh pass his lips as he smiled, shaking his head. Looking back down at the stack of cardboard boxes he was rifling through. You pull your eyes away and back to the room around you, you spot something sticking out behind a shelf. Pulling it out you find a handful of photos and a small box. The photos were black and white, Daguerreotypes, on metal sheets. The images showed a younger Reiji taking what looked like test photos. Some were of him, slightly blurred from incorrect technique, others of items. The last photo was much clearer and was of Reiji sitting in a chair with a book in his lap. He must’ve gotten a familiar to take the photo. 
“Hey Reiji can I take these down? I don’t know how to store such photos though.”
Looking up Reiji walked over, taking the photos from you to look through. He picked up a box placing them inside before handing them to you,
“I will have the familiars store them properly and make scans so you can have more stable prints of them. If you wish to have images of me to display however, I would prefer you take more modern photos with both of us.”
Smiling down at the box of photos, Reiji spoke again.
“Smiling over such trivial things as a few photos, you should be harder to please.”
“You’re probably the first man to ever say that Reiji, besides it’s nice to have childhood photos of each other. I only have my locket but what happens when your children ask to see what you looked like as a child?”
“Our children will have plenty of paintings of me to see at my father’s castle, and if we are so lucky your only response will be that they look exactly as you did as a child.” Adjusting his glasses Reiji knelt down and picked up the box you had also pulled out with the photos. Meanwhile as his words set in your face flushed slightly.
“Our children…Reiji you shouldn’t say that stuff so casually. Besides, why would you want them to look like me? I'm human.”
That was not a response he liked, gently lifting your chin with his thumb and pointer finger Reiji looked you in the eye as he spoke. “Our children should be as pretty or handsome as their mother. I’m insulted you think, after all we’ve been through, I have not grown out of the belief that blood is a final decider in terms of superiority. You are superior, you are who I want, you alone are my partner and equal so strong as to be able to hold my heart in your hands. Am I clear?”
Your blush darkens as Reiji flusters you further, you can only nod your head in response to such strong compliments said so earnestly. Smiling Reiji’s thumb gently swiped over your bottom lip before leaning in to kiss you. Reiji always kisses you with the aim to convey all of his feelings for you, as if you will never be able to kiss him again. Moving in tandem you ended up leaning against a shelf with Reiji’s arm pinning you there, your arms holding onto his collar to prevent him pulling away too soon. 
Unfortunately, Reiji has to ensure you take in air so moves back. Opening the box, he removes a key, turning it over in his hands.
“This key is to my father’s laboratory here, he used it when he was visiting us as children. I sealed it off years ago and elected to use my room for my experiments. However, due to the chemicals it is not safe for you to sleep there so they must be moved.” 
“What’s wrong with my room?”
“It is a guest room, I’m not going to sleep every night in a guest bedroom in my own home. No, my room must be altered to fit its needs and to do so I shall reclaim the laboratory as my own to allow you to rest safely.”
All you could do is follow along as Reiji began to return back downstairs, gazing down at the box of pictures. Looking at the sad younger Reiji you couldn’t help but compare him to the cool, confident man he had become.
Ayato Sakamaki
Ayato had demanded you meet him in the garden of the castle that evening, something about having something special to show you. You weren’t sure what to expect really, surprises with Ayato were often either very nice or sweet but messy failures. Breakfast in bed when you’ve never cooked before was a bad idea in hindsight, even he had to admit. Still as the night started to fade into dawn you made your way to the gardens, examining the sights around you as you went. 
The father of the Sakamaki’s had summoned them to return for some festival of sorts. Ayato had been vague in describing it, rather unhappy to be returning. It seemed like some carnival was being set up, you hoped it was a carnival anyway. As you ponder the pros of encouraging Ayato’s competitiveness to win you stuffed toys you eventually reach the garden. Opening the glass doors you see Ayato sitting on a blanket, under the stone gazebo and some candles lit around. He had a few plates of your favourite deserts around as well as takoyaki. He grinned as you approached, arms crossed and pride beaming from his face.
“I set this all up, yours truly is the best boyfriend ever, and I have a present for you.” Pulling out a box with a bow stuck on the lid, he gestured for you to open it. You sat down cross legged, opening the box to reveal a collection of photos. 
Lifting some out you realise these were the photos Ayato had burnt after he had first met you, before you had started dating. They looked untouched. Ayato, not trusting your silence, began to speak again.
“Ore-sama got the familiars to find copies and I had those losers in the tech club at school print them. They couldn't say no to yours truly. Do you like it?”
“Why did you do all this, you threw them into the fire.” Ayato blushed before looking away, a hand on his neck.
“I…felt…bad about making you cry like that. It’s only fun when you cry from my bites, not over that stuff.” 
Your sniffling brought his attention back to you, panic spreading across his face. Pulling you into his lap and holding you close as his brain froze trying to find the best course of action. Your hands rising up to hold his cheeks as you attempted to calm down, a smile on your face.
“It’s ok, they’re happy tears. I’m happy Ayato.”
“Are you sure, don’t lie to yours truly.”
“I’m not, I swear! Thank you Ayato, these photos are important to me.”
Sighing in relief, Ayato leant back letting his head thunk against one of the gazebo pillars. 
“Damn it, you’re not meant to cry when Ore-sama gives you gifts.”
Running his fingers along your back. You began rifling through some of the photos noticing some new additions to the collection. There, between the photos of a younger you were pictures of you and Ayato on various dates. You, completely unaware of the camera while Ayato was looking and seemingly taking each photo. There was also one picture of a painting, it was of three boys with the child on the left resembling a much younger version of your boyfriend. 
“I didn’t know you had any childhood photos of Ayato.”
“It’s the only one, you can’t have a collection of photos without one of yours truly to admire.”
Giggling you sit back leaning against his chest while you both began to enjoy your picnic and company. 
Laito Sakamaki
You were currently facing a big problem, for some reason the 2nd year history department had decided to assign a project discussing your family history…in detail. So you were currently stressed out of your mind trying to figure out how to worm your way out of this one. Laito was covered, his family history well laid out as a royal and all of his ancestors having false human lives, it basically wrote itself. Yet here you were unable to write anything. It’s not that you were necessarily ashamed of your orphan status, and your close companions now also ‘brides’ of the Sakamaki’s were virtually sisters and you could maybe write about them. But people always got weird about orphans, and while you weren’t ashamed to be one by any means, being Laito’s girlfriend let alone a Sakamaki girlfriend involved gossip, it came with the territory. Extra rich boys in a school full of rich kids would always mean they were an aim for many girls and their parents alike, let alone Laito’s colourful past meaning he’d slept with basically any 2nd year heiress he could say a word to. All of them convinced they’d be the one to make him want to stay, and all of them feeling the same disappointment or satisfaction when one failed. Then in comes a girl under a sponsorship by said extra rich kid’s father who then ends up dating each of them effectively removing them from the market, and meaning every single girl, generally all conventionally very attractive and whom most men would gladly keep as girlfriend, being ‘beaten’ as they saw it by someone with no assets. 
So to put a long story short, while you weren't super torn up about not having an easy to explain family tree, you weren’t ready to deal with everyone’s response to that little tidbit. All of this led you to now, sitting with Laito as he brushed your hair listening to your predicament.
“Like whatever about the teacher getting weird, I’ll gladly take the free pass to ask for extra stuff. But you really made everything difficult. I can handle snide remarks from Hana, Aoi, and Emiko; they're mostly harmless. Yet, if they get it in their heads that I don’t have parents to cause any issues they might get worse.” You stopped to pick up some popcorn, holding your arm backwards to give Laito some. He took the opportunity to lick your fingers, snickering as you pulled your hand back, wiping it on your jeans. 
“Don’t be nasty, I'm having a serious talk. I just… some of the 1st year girls were horrid to Subaru’s girlfriend just for finding out she had been at a boarding school. They cornered her in the bathroom and stuck gum in her hair. Gum! Like yeah me and the girls tore them a new one but…gum!”
Humming thoughtfully, Laito placed down the brush switching to running his fingers through your hair. He moved to rest his head on your shoulder, letting a comfortable silence sit over you while he thought of what to say.
“If you want, I can get you a family tree in full detail”
“How would you even do that, if you just make people up and anyone finds out then it's worse.”
“We could always make one~”
A pillow to the face shut that idea down, laughing as he fell backwards against the cushions while you were glaring at him.
“Be serious! What am I meant to do?”
Sitting back up, Laito took your hand pulling you up.
“Follow me.”
Walking through the manor, Laito took you to a less well maintained wing. Cobwebs littered the hallway and the wallpaper was peeling slightly in patches, there weren't any electrical lights either, only wall sconces with candles Laito lit as you walked by. Laito was silent for most of the journey, only giving a hand squeeze of reassurance whenever you caught his eye. You weren’t sure if the squeeze he gave passing a portrait of Cordelia was to reassure you or him, whenever you even heard of that woman it sent shivers down your spine.
Paintings became more common the further you walked, most were of adults with a vague similarity to Laito and his brothers, others were portraits of women in beautiful dresses with a characteristic pale visage. Finally stopping in front of a picture of three young boys with a signature red and purple haired look.
“This is the only painting or picture of me and any of my brothers together. Me and the other triplets don't argue as much as Shu and Reiji but we aren’t close,” he turned, taking your hands in his. “You have sisters, actual sisters who you have stories and pictures with. Anyone who disagrees, I will handle.” 
“Gum in my hair Laito. It’s not a good look.” Laito sighs, pulling you close before you hear him mutter.
“Theirs will look worse when I cut it all off.”
Kanato Sakamaki
“Dolly, why are you in here?”
Turning to greet Kanato from where you sat in the quiet wing of the Sakamaki manor, placing your sketchbook back down beside you and making room for your boyfriend to sit nearby.
“I come here to sketch the portraits since I can’t get a good wifi connection to look up references. I really like this painting, it’s of you right?” 
Kanato sat down looking up at the painting then to your sketch. It was different to the painting in many ways, the main difference being that it was a younger him alone with teddy. You had changed his posing too slightly to make him look less nervous. He was pinching his fingertips though, a sign he was uncomfortable that he picked up from the exercises he had copied you doing to help regulation. You could see he was struggling to find his wording. Scooting closer you placed a gentle hand on his shoulder to reassure him you cared and were listening. 
“It’s pretty, but dolly I don’t like you being here.”
“Why Kanato? It’s nice here, nobody comes here to interrupt or be loud and there's all these pretty paintings. What’s wrong?” Continuing to play with his fingers, he moves closer to you turning to face you straight on.
“This is where…her room used to be. We have to leave me and Teddy hate it here.” Immediately you were filled with questions. While you knew Kanato, Ayato, and Laito killed their mother and have mixed feelings towards her, you had never seen Kanato spooked. It did explain why this area was not well maintained. You had to bring a brush with you during your first visits to the wing to remove some of the largest cobwebs and first from your seat. However, you had to admit that with the newfound knowledge that these halls were where your boyfriend had been tormented by his own mother for centuries it changed the atmosphere. Suddenly the quiet was now tense, the weathered appearance of the halls becoming creepy signs of lifetimes long since passed. 
So you went along with Kanato’s instruction, returning to the more familiar manor where Reiji had familiars ensuring everything was organised and dustless. Following behind while mulling over the best way to approach this particular conversation. He led you to his room, sitting on his bed with your sketchbook and flipping through it. Pacing the path from his bedside locker to his balcony doors slowly, Kanato watched you. Around your fifth lap he gently grabbed your forearm guiding you to sit next to him, playing with the pages of your sketchbook. He turned to one of your favourites, you had drawn Kanato sitting in front of a backdrop of rose bushes. A small smile on his lips and a glint of childish glee in his eyes.
“I’m hanging this one up.”
“That one isn’t fully vanished, it's only a sketch.”
“But I like it, so it’s finished and I want it on my wall. And I want a matching one of you to go beside it.”
Sighing in acceptance you took his hand winding your fingers with his. It was probably better to shelf some questions anyway, while you were well past the stage of Kanato stabbing you with a fork for too many questions it was still not always easy to bring up sensitive topics. 
Subaru Sakamaki
“Oi, idiot the car is outside. Are you ready to go or what?”
Grabbing your earrings and standing, you began walking over to your boyfriend in a new sundress and short heels for a lunch meeting with Christa at some new vampire restaurant she had taken a liking to. In the years following yours and Subaru’s relationship, both of you had begun to put work into  helping both Subaru and his mother move forwards in their lives and reducing the impact their past traumas had on them. It was a slow and difficult progress with what felt like 100 steps back after every step forward but Christa had reached the point where her good days outnumbered her bad ones with the help of a team of specialists and patience. 
Within the last half a year Christa had begun to travel short distances from her home, a fairly new cottage Subaru had built her close to the manor after we graduated from Ryoutei Academy. Today’s trip was to a cafe she had been to numerous times with her trusted hand maids, so it was an obvious choice for the first excursion you and Subaru were joining in on. On Subaru’s part you had nothing but admiration and pride for the strides he had taken, he still had periods of self doubt often linked to birthdays and when his father was involved. However, such episodes were short and he had grown into more healthy responses to these thoughts, that still didn’t reduce his worries when interacting with his mother in environments that could trigger an episode. It took reassurances from Christa and her therapist to show that there was a set of precautions to ensure her safety before he agreed to this lunch. 
That brought you to today, where your boyfriend adjusted the collar of his pale grey shirt and looked at you with eyes that clearly showed his trepidation about this trip. Looping your arm around his as you made your way to the car you offered reassurance.
“She’s been looking forward to this lunch, she goes there every week at this point it's basically the same as when we have dinner with her.”
“The first time we had dinner with her she started screaming at your halfway through thinking you were a thief, before she tried to cut your hair off.”
“That’s not a fair comparison and you know it. Christa has found medicines that work and worked with Dr. Estelle for years now.”
“You know she  wants you to call her mum.”
“She’ll be mum when you get on the ring choosing we both agreed last time at dinner remember. She even offered to help you plan everything.”
Grunting, he looked away squeezing your arm while opening the passenger side door of his porsche. The ride was mostly quiet with you running your shared spotify playlist with Subaru mentioning concerns for you to counter with considerations made to address them. Once you arrived at the cafe Subaru relaxed quickly seeing Christa behaving normally. 
As always, you were greeted with hugs and excited interrogations as to the going ons of your life since your last visit. Christa had been so kind as to give recommendations based on your individual tastes, having an excellent grasp on the menu. She was also so kind as to bring an album of photos her staff had made of Subaru growing up to allow her to feel more included in his life while locked in that tower. 
“Oh my goodness! He looks so cute here, when was this one?”
You pointed to a photo of a roughly 8 year old Subaru sitting on a wooden table licking a spoon covered in some batter. Smudges of the batter were on his cheeks and shirt as a fire was lit in the background. It was a cosy image and something you had seen Subaru do before. Anytime you baked anything he insisted on spoon cleaning duty to ‘make it easier to clean’.
“Ah, one of my ladies in waiting had that painted after she heard me talking about how happy I was during that visit.”
“I love it, Subaru was such a cute kid!”
“I don’t see what's so cute, I’m just stuffing my face there.”
“Oh shish Subaru. She’s right, you were an adorable kid with cute little cheeks.” To emphasise her point she pinched his cheeks while cooing at him. Subaru only scowled in response, but it held no actual malice behind his glare.
While leaving the cafe, after nearly 5 hours of catching up, Christa pulled you aside to give you the picture claiming she had hundreds more. During the drive home Subaru kept looking at you admiring the photo. 
“You can always take pictures of me ya now. You don’t need to use a kid photo of me for that.”
“I have photos of you, I just like this one, it's special.”
“You’re such a weird woman.”
“Would you have me any other way?”
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amerricanartwork · 4 months
Note
Hi! I just wondered if you've played Hollow Knight based off how much you like Rain World. I'd be interested in any thoughts you had on it. :)
Thanks for the ask! No, I have not yet played Hollow Knight, BUT my interest in the game has been piqued! However I still have to see if the gameplay itself seems up my alley, or get invested enough in the characters that I want to discover more than I've already found out (and I have spoiled quite a lot for myself) before I actually decide to buy the game.
Regardless, from what I do know it does seem like an interesting story, albeit one far more tragic than Rain World's in my opinion. The characters I've seen are also pretty cool, both in design and personality. In fact, it was some ship fanart I found a few weeks ago that got me interested in diving deeper into the game once I realized it was where the featured characters were from, especially since one of the characters I had remembered hearing about before.
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Here's a little sketch of some characters I was thinking about and whom I've been meaning to draw for a bit! Hornet because she's very Shaped™, Quirrel because from what I've seen he's quite wholesome, and Tiso because he was the first character I heard about and I think he's kinda silly!
Also, some more comparing/contrasting thoughts about the game below:
Firstly, I like how the premise of Kollow Knight involves anthropomorphic insects! It's something I never realized until recently despite being aware of HK for at least a few years, but I usually tend to take interest in stories starring non-humanoid creatures, so it's a plus! I also enjoy the more gothic/Victorian-looking magical high fantasy aesthetic, though it's pretty different from Rain World, which I'd consider far more sci-fi and specbio-esque in its aesthetic.
Now to get into themes, so far Hollow Knight seems to share Rain World's theme of lost/dead civilizations, which is also a very interesting premise to me! However, HK seems to have a greater focus on interacting with the people of its dying civilization and as such you get far more definitive knowledge about what happened to cause it to collapse. The player character seems to take on more of a classic epic hero role, because from what I've heard about the lore and endings, they end up directly influencing the fate of Hallownest, even potentially destroying or defeating the force that caused its ruin. The visuals have this very dark, cool tint overall to sell that gloomy, mournful vibe, and the structures, while presumably old, are still mostly smooth, ornate, and not super deteriorated, with these castle or manor-like appearances more similar to real-life buildings or things in other high fantasy works. Then, the orchestral music I've heard alongside all of these elements really creates this impression in me that it's aesthetic and overall concept is more akin to a high fantasy epic tale, albeit a rather tragic one.
Meanwhile, Rain World seem to have the player take more of an anthropologist role, observing and trying to piece together the story of vast remnants of its dead civilization, which seem alien and impossibly complex because so much of the history they're from has been lost to time. One of the core themes is being very small compared to these long abandoned structures, to really sell the idea that this history is so much older and more intricate than you'll ever know. The colors of Rain World are often warmer, which can be associated with old things, and the structures are far more weathered and broken down, with the only living survivors of the people who made them being the iterators, whom we only get to hear directly from two of. Combined with the focus on simulating an ecosystem, the more directly religious ideas within, the themes of natural cycles and an entire civilization evolving, changing, and ultimately disappearing over deep time, and the overall alien, sci-fi industrial designs of the architexture and strange creature designs that look like things out of "Of Rust and Humus" or some other alien speculative biology worldbuilding project make RW fit well in with that genre of fiction in my opinion.
Sorry if I seem like I kinda took a sudden shift there, but I wanted to talk about this contrast in artistic aesthetics and story genres for a moment because the "lasting impression" an art piece creates something I've recently concluded is pretty important overall in works of art, at least for mine!
But anyway, I hope these thoughts were satisfying for now! Thanks again for the ask!
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serenityinstone · 4 months
Text
Affections of an Apparition
Yandere Ghost England x GN. Reader
TW: Yandere Behavior | Character Death | England tries to kill (Y/n) more than a few times but then he becomes a simp | Magical Kidnapping | Imprisonment | Magical Induced Forgetting | idk if I forgor something
Uhhhhh I wrote this in literally a day, I don't want to talk about it okay :(
(There is technically one use of the world 'she' by another character but I'm pretty sure that's it. This was originally fem. reader and I don't want it to differ from my other publications so I'm gonna leave it)
Word Count: 5916
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Perhaps you should have thought a little harder and dug a little deeper inside of yourself when deciding to buy a haunted house… But it was just so cheap!
Sure the shutters creaked during the frequent storms like a man in unpeaceful rest and the wind howled past the house, desperate to invade, but the view was beautiful… When it wasn’t completely enshrouded by a heavy mist so thick that you could get lost and find yourself in another realm altogether. But inside!... wasn’t much better; with winding corridors that created an inescapable maze and sharp corners filled with shadows. Every eave and crevice hid strange noises and eyes; some days you could swear that you heard the whisperings of a man rush by your ear, stiffening your hair to stand on end. You never found any evidence of rodents or even spiders, only a thin layer of dust that blanketed the entirety of the house.
Though there had been an attempt to add electricity to the estate, power surges and complete blackouts rendered it useless. All wiring would alight until it was charred and unusable and bulbs burnt out within days. Things often overloaded and it was a gamble whether or not the outlet you were using would choose to spark. There was a backup generator but it was in worse condition than the wiring and often didn’t work.
That meant that on nights like tonight, where the storm had knocked out your power –again– you had to rely on candles lit around the large manor. You were half sure that you contributed to most of the candle market in the small town.
The ancient Victorian home had belonged to an old noble family whose only surviving member had been assassinated. It had floated through many hands over the years, including yours. The house overlooked the nearby town, of course, that depended upon if the fog would break. The town itself was small and quaint, only a few hundred people and a few large families. Gossip spread fast and you did your best to click with the ‘in’ group. When your wi-fi wasn’t feeling spotty, you often texted with a few local people. They were in their twenties like you and were positively bored of the small amount of people that their hometown had to offer.
It was from them that you learned that the townspeople wholeheartedly believed that the restless spirit of the old manor lord haunted his home with a vengeance. At first you took it as a small town’s superstitions, nothing more than a fantasy or a spiraled rumor. You had lived there for about nine months but it was starting to get ridiculous.
Can you punch a ghost? Because if you can, you were totally going to. All you wanted was toast and tea. You were drinking tea because the ghost absolutely abhorred coffee and would spill your coffee grounds all over the hardwood floor. It didn’t matter where you put it or how tightly you secured it. Every morning you would come downstairs and find the brown powder spilled all over the floor like a crackhead had rifled through your cabinets. You thought, at first, that it might be the brand of coffee. But no, alas, it was the coffee itself. So you were now a tea drinker. Thanks, ghost.
Anyway back to the current toast issue. You had jumped back a split second before the sparks from the outlet would have reached your skin. Eyes blown wide, you could feel your entire body shaking. A second longer and you could have been dealing with multiple-degree burns. Unconsciously, you rubbed your bare arms over where the injury would have been. Suddenly the lights went out, encasing you in total darkness, save for the low silver light filtering through the windows, bathing what it touched in a blue tone.
You and this stupid ghost were going to have to have a chat.
Stomping angrily down the long hallway, you did your best not to huff the dust you were kicking up. You passed by countless amounts of old Victorian furniture, all in the same place they had been since being placed there over a hundred years ago. It was entirely in vain to try to move the furniture as any time you or any other previous owners had tried, you would just find it straight back in its spot the next morning. Save for the times that pieces would be moved just slightly so you would run into them or stub your toe.
A large portrait caught your eye even through your mad march. It was a painting of the lord of the house. Your current tormentor: Lord Arthur Kirkland. His toxic emerald eyes burrowed into your soul, curling inside and freezing you from the inside out. His shaggy blond hair framed his face, carved into a permanent scowl. Above his eyes lay two thick eyebrows. Oh great, the bane of your existence had caterpillars for eyebrows. He was wearing the ruffles and coats of the period but the tightness of the clothing had you gasping for air just looking at it.
Wait… Nothing filled your lungs when you tried to inhale. Fear struck itself across your face and you thrashed violently, scratching at the air in a desperate attempt to remove the block to your airflow. Finally, like sweet nectar, air rushed into your body and you collapsed to your knees. Tears had formed in the corner of your eyes and a single droplet fell down your soft cheek. Your face erected a scowl of your own as a strand of hair fell down in front. Okay, ghost. Now this was personal.
If this assholic spirit wanted to make your life a living hell, then you’d make its death a living hell.
“Oh it is on.” The fight had begun.
Clearly, he had a very strong hate for any change being done to his home. The constant destruction of cables and any other foreign objects made this clear. So you thought about it. What would a Victorian ghost hate more than anything to have in its house? Most of the decoration was already intricate and ornate to a slightly tacky degree. Then it hit you.
Grabbing your car keys, though quickly stopping to get dressed, you raced out the door towards the only home improvement and building store in town. It was run by a local family, as most things in town were, and you happened to be friends with the oldest son. Dashing through the front door, the brunet looked up at the sound of a jingle. He smiled and stepped out from behind the counter.
“Hey (Y/n),” he said, waving as you bounded over. “What brings you here?”
“Revenge,” you answered simply, stretching the upper half of your body to look at the wallpapers set up past him.
“Against who?” he asked, clearly not sure if he wanted to know.
“The ghost,” you responded, bouncing over to the racks of paper. “He tried to kill me and so I’m going to ruin his precious house.”
“He what!?” Ben’s face dropped. He spun you around and grabbed you tightly by the shoulders. “(Y/n) you can’t stay there anymore. If he’s actually trying to kill you…”
“Sure I can,” you reassured him, prying his arms off and patting him on the shoulder. “I’ve got it all figured out.”
He sighed, exasperated. “(Y/n) you can’t win this fight with house decor. Also if he’s hurting you...”
You ignored him and continued your perusing. “I’m hearing a lot of can’t and not a lot of can and that’s just not a growth mindset my dear Ben.”
“(Y/n) you are dealing with an angry and vengeful ghost who has now expressed interest in murdering you.” You felt the texture of an especially pink wallpaper between your thumb and index finger. “(Y/n) don’t ignore me.”
You sighed, turning back to look at the man. “If you’re really that worried” –he rapidly nodded his head like a dog– “then I guess you could come with me to put the wallpaper up.”
After a few moments of contemplation, he spoke in a defeated tone, “I’m not going to talk you out of this, am I?”
“Nope.”
You opened one of the double doors in a wide, exaggerated movement and it skidded into position with a thud. Humming, you trotted inside with Ben a few paces behind you carrying the roll of wallpaper and the bucket… and the brushes and everything else needed for this little makeover. The door slammed shut loudly after the two of you had reached the inside with no input from either of you. Though you were unbothered, Ben jumped and stood petrified like a deer for a moment. His eyes were wide but he reluctantly took another step, then another, then another and then quickly followed after you.
Hopping up the wide grand stairs, you watched as Ben struggled up the twin staircase with all of the materials. Once he reached the top, you were waiting for him and grabbed a singular paint brush daintily and then scampered into a large room.
Ben’s honey eyes went wide as he took in the grandeur of the room. The ceiling was inlaid with swirls of gold depicting handcrafted patterns that framed a large crystal chandelier. Heavy curtains hung above the imposing windows, filtering the little light that came through. Similar gold patterns continued on the wall, outlining the four walls bathed in a shade of dark, luxurious blue. That was a good word to describe the room: luxurious.
“Do you– Do you sleep in here?” Ben asked, astounded.
“Nah. I think it’s the ghost’s room and I’ve already had enough of him.”
“Then why are we doing it in here?!” You just gave him a smug look. “Right. Revenge.”
You snapped your fingers, having remembered something. “I forgot the glitter!” you exclaimed, leaping over towards the door. “I’ll be right back. Don’t have too much fun lovebirds!”
Snickering at your own teasing, you quickly hiked down the stairs and out towards your car. Left behind, Ben twiddled his thumbs, too nervous to sit down on anything for fear of offending the ghost. He chuckled nervously and swayed from one foot to the other. There was something in the room, he could feel it.
“So…” He paused, unsure of what to say. “That’s (Y/n) for you. Always running around with no sense of self-preservation.” He sighed, this wasn’t making him feel any better. “She’s like a little gremlin sometimes… an adorable little gremlin.”
You burst into the room, shouting at him, “Ben, I’m back!” He froze with fear for a second and you waved your hand in front of his face as he blue-screened. You spoke with a wispy and falsely ethereal voice, “Earth to Ben. We have revenge to do. And lunch. Definitely lunch.”
Once you got your things set up and prepared, you started to work right away. You made Ben take the high spots. He was like 6 '3, it would be a waste to have yourself do it. Standing back, you took a moment to admire your half-finished handiwork. It would be so ugly when finished. It was perfect.
“I don’t suppose I’m getting paid for this?” Ben asked, and you looked towards him.
You looked back at your masterpiece. “No.”
There it was. A full room covered entirely in four different wallpapers. On one wall, the first contender: leopard print. On the second: pink flamingos with googly eyes. On the third: something that could only be described as Picasso meets impressionism. And the fourth and final contender, the most ugly of all: banana leaf print that doesn’t match any of the other decorations in the room. Not to mention they’re all covered with glitter so no matter how much the ghost cleans, he’s never getting rid of the memory.
You snickered evilly in the background, rubbing your hands together like an old-timey villain. Suddenly, you snapped back to normal.
“You wanna get lunch?"
The two of you sat at a table outside, happily basking in the sunlight. Behind you was the dumbass manor you owned. It was surrounded by fog and looked cartoonishly evil. You were starting to understand why the townspeople disliked it so much. It interrupted the view.
“So–” You took a moment to ravenously take a bite and swallow it. “Why did your parents stock that hideous wallpaper anyway?”
“For people like you, (Y/n). People like you.”
Because you felt bad, only a little, you decided to pay for lunch. Ben still tried to insist upon paying but every time he got close to the check, you would swat his hand away. He drove you back up to your house and the two of you ended up sitting on a porch swing. It wasn’t original to the house but it was one of the only additions the ghost seemed to approve of.
“You know,” you started, swinging the bench. Ben lifted his legs up so it could move. “I think I figured out the ghost’s problem.”
“Really?” Ben questioned, humoring you. “What is it?”
“Well, he never got married, right?”
“Yeah?”
“Given the time period, that probably means he never… you know, too.”
“(Y/n), really?” Ben face-palmed.
You argued back with impassioned earnestness, “No, no, no, no. Hear me out on this. He’s like all mad and angry and stuff because he’s a bitch loser virgin boy.”
Something cracked in the background.
Ben tried his best to stifle his laughter and push down the smile threatening to stretch itself across his face. “I’m– pfft– pretty sure that the ghost– pfft– is not upset because he’s a–” He stopped for a moment to center himself. “–a ‘bitch loser virgin boy.’” He airquoted your words and you harrumphed, crossing your arms.
“Fine. What do you think then?”
He blinked at you, almost as if asking ‘are you serious?’ “He got murdered, (Y/n). My guess would probably be that.”
“Orrrr.” You dragged out your ‘r.’ “Maybe we’re both right.”
Ben sighed, agreeing with you if not to just end the conversation before the ghost decided to kill you both. You waved him off about a half hour later and headed back inside. Though you wanted to check in on your ‘artwork,’ you didn’t really want to run directly into the spirit again.
Walking through the manor, you found yourself in front of another portrait of the man. He looked as judgemental as ever, his lime green eyes piercing even as an inanimate photo. You don’t know why you talked to it, or even why you stopped. But you did.
“You know…” you started, hugging yourself tight. “For a bitch loser virgin boy” –A ghastly hand illuminated in a cold blue glow stretched out for your neck– “You’re actually pretty cute.”
The hand froze in place. You blew a strand of hair out of your face, readjusting to take another look at the portrait.
“And for how ridiculous that clothing is, you kind of pull it off.” The hand backed away, the light dimming. “I know I keep making fun of your house but I wouldn’t have bought it if I thought it was ugly.” It was barely visible at all now. “I mean, sunshine and a working heater beyond a centuries-old fireplace might be nice but otherwise it’s actually a very nice home.”
You blinked up at the portrait. Somehow, the expression the lord was wearing seemed softer now. There was less disdain and more of a quiet loathing on his face. Nothing could fix those caterpillar eyebrows though.
“The coffee thing was annoying but I guess I’m healthier now because of it. I was really tired that first week though. Anyway…” you trailed off. “Thanks, I guess.” You sighed at what you thought was only yourself. “What am I doing? I should… take a nap.”
Soft breathing filled the room; it was utterly quiet besides the faint sound. Your face contorted into uncomfortable expressions from the rapidly dropping temperature and you curled into the heavy blankets of the large bed. Only your head remained above the covers, the rest below like a figure bobbing in the waves on the open sea. The sun was slowly sinking below the horizon, a low orange light just barely slipping through the mist. The copper colored light spread across the wooden floor and stopped at the edge of glowing, blue feet, creating a soft purple.
They stepped out of the light and into the shadow, the illumination of the azure color growing brighter with each passing step. A face appeared from the foot of the bed, slowly coming into view. Unkempt hair cut in every direction floated lightly, encapsulating the face of Arthur Kirkland, last lord of the Kirkland manor. He watched with calculating yet curious eyes, looking for any sign of guilt or deceptiveness. He found none.
Though the man walked to your side, it would better be described as gliding. The tailcoat pieces of his jacket hovered to the same slow rhythm as the rest of the loose articles on his body. He brought a gloved hand to your face, lightly brushing his fingers across your cheek. Your face contorted from the biting cold and he quickly drew his hand back.
A low thought crossed his mind. If he hovered his lips above yours, could he suck the warmth and life out of you? To make you like him? Arthur stopped himself. Those were improper thoughts. No matter the time period, he shouldn’t think that way, especially of a lady he was not in courtship with.
Still… No!
He suddenly faded out of existence, his presence slipping out of the crevices and with it, the freezing cold. The warmth had returned to the room and in response, you had pulled the covers back down to adjust to the temperature change. Thank goodness he left when he did, you were wearing a tank top. Shoulders, scandalous!
Ben called you the next day, worried about what might have befallen you and your tricks.
“So, is it still there?” he asked, voice scratchy over the phone.
“No. He took it down.” 
Ben sighed. “All that work for nothing.”
“Not nothing,” you said, sitting comfortably on the couch. “I think we finally called a truce.”
“Really?”
“Uh-huh. I guess I’m just too wonderful to hate.”
“Who are you talking to?” A third voice interjected.
“Oh I’m talking to Be–”
You dropped the phone.
“(Y/n)? (Y/n) are you there? (Y/–”
You weren’t listening, instead, you had slowly turned behind you, eyes wide as saucers and body as stiff as a board. There, in glowing blue glory, was the man from the paintings, bushy eyebrows and all. Blinking a few times, you kept expecting the visage to disappear every time you opened your eyes again. But he never did.
“Well don’t look so shocked now, love,” he huffed, crossing his arms and carrying that signature scowl.
“I– I– I–” It was your turn to bluescreen and the ghost rolled his green eyes, tapping his arm impatiently.
“I say, with how chuffed you were over that last stunt, I’d thought you’d have more to say than that,” he insulted, drifting through the couch and watching as you astonishedly followed him.
“(Y/n)?! (Y/n)?!” Ben implored through the phone.
“Oh, I recognize that voice,” Arthur answered his own question. “You can continue on with your nonsense conversation later.”
With a wave of his cerulean hand, you watched in horror as your phone short-circuited, sparked and then burst into flames. It was the threat of fire that knocked you out of your stupor and you quickly ran to the kitchen to grab the nearest fire extinguisher. The white foam drowned your phone but also safely put out the fire. You dug through the froth to find the piece of metal and silicon, uncaring for whether or not it got on you.
As soon as you got it, you dropped it again, the heat from the searing flames had left the metal as hot as if it had been outside on a summer’s day. The ghost seemed oblivious to your plight and as you shook your hands off, he waved one of his own and the floor returned to how it had been before. He looked towards you, cradling your steaming phone with a pair of oven mitts you had grabbed. You felt like crying and clearly the blond could tell.
“Oh don’t cry over spilled milk. You can just get another one.”
No. He was wrong. You couldn’t just get another one. Sure you could get another phone but you hadn’t backed up any of your pictures or videos or documents and there was no way in hell you possibly remembered all of those contacts. From the sorry state the melted rectangle was in, you could pretty much guess that the SIM card would be unsavable. Years worth of memories; gone.
The spirit looked down at you in slight curiosity; you weren’t usually this quiet. He watched as you silently stood up, solemnly placed the phone into the sink, removed and put away the mitts, and then quietly walked up the stairs and back to your claimed room.
You didn’t come back out for dinner. Or for breakfast the next morning. He hadn’t even blown out a fuse this time. By lunchtime, he could feel himself starting to get worried. Well not worried, because he couldn’t possibly be worried about you but simply concerned what your mental state might mean for the physical state of his house. You had lasted the longest out of his tenants because that's all you were: tenants. You didn’t own the house after all, he did. And he was quite sick of people thinking otherwise.
Suppertime rolled around and he still hadn’t seen you. Usually, you’d be trying to figure out how to make the microwave not explode or trying to watch the ‘television’ while you ate. He always knocked out the power when you did that. Dinner should be eaten at the table. He looked towards the kitchen. The one you had chosen as your primary was a servant’s kitchen and so was relatively smaller. It happened to house one of the few things he allowed to work in his house: the refrigerator. Even he could see the usefulness of such an advancement.
Arthur impatiently tapped his foot, it was now eight p.m. and this was around the time you liked to watch a movie or a television show. He didn’t enjoy having the loud television in his home but the drawing room you had chosen for it was far enough from the main foyer. Besides, sometimes you watched this ‘Dr Who’ story and he quite liked those nights. 
There was no one present to change the candles and it's not like the lights were in working condition so Arthur sat in darkness. He forgot how empty this felt. At nine, someone knocked on the door. He –invisible– watched as you slowly trudged down the stairs. You were wearing the same clothes as when he had last seen you and your hair was a mess. There were bags under your eyes but it was the kind from sleeping too much. You pulled open the door and looked up at Ben. The concerned look on his face became even worse as he watched you blink out of sync.
“(Y/n), are you okay?” he asked frantically, pulling you into a hug.
The front porch light flickered in and out.
You shrugged your shoulders, feeling the empty lightness of your stomach now that you were awake. Ben pulled apart from you, grabbing your face to look into your eyes. He rubbed his thumb over your eyebags and pulled you inside, uncaring for the ghostly apparition. After placing you on the couch and throwing a blanket over you, Ben ran to the kitchen to find some kind of food. His eye was temporarily caught on the burnt sockets all over the room but refocused on his mission. Though he wanted to make you something, he’d heard tales of the terror of the appliances in this place. Instead, he rifled through your cabinets and eventually just brought you a bag of marshmallows. He watched as you slowly chewed on the sugary fluff, stopping to take a sip out of the iced tea he brought you.
“What happened?” he finally asked, scooting closer. “I heard a voice and then you cut out.”
Instead of speaking properly, you pointed to the kitchen and mumbled out, “Sink.” 
Then you continued to gnaw on a marshmallow. Ben walked over, took a look inside the sink, stared with wide eyes for a moment, and then walked back to sit beside you again. The two of you stared ahead, not saying a word.
“Ghost did that?”
“... yeah”
“(Y/n) I think you should come live with me.”
You looked up at him with tired eyes.
“I–I mean.” He sighed. “I just really don’t think it’s safe for you here. And besides” –His cheeks were alight with a pink glow– “Would staying with me be so bad?”
A picture frame crashed down from the wall. 
Your heads snapped toward it and Ben pulled you closer unconsciously.
“I… I think you’re right,” you agreed with him, standing up to pack your things.
“I told you; this house is a lost cause,” Ben said, moving to help you.
The crystal chandelier high above glinted threateningly.
The two of you walked close together and as you walked under the hanging tree of diamonds, the strange shaking suddenly stopped. You didn’t take much so it didn’t take very long to pack. You insisted that you would be back after you gave the ghost time to ‘cool off’ but Ben seemed hesitant. The door closed with a creak and with it, the light.
From the shadows glowed a brilliant blue, forming into a humanoid shape. There, in all of his ghastly glory was Lord Arthur Kirkland. Alone again. A window cracked and he fixed it using magic with little thought.
As soon as you were gone the lord sank down. Past the servant’s quarters, past the locked doors and into the passageway that not even any of the other supposed ‘owners’ of the house had the key to. That’s because this door didn’t unlock with a key. Whisperings of Latin slipped out of his mouth and the runes in the door glowed and spun, turning until they clicked into place and the door slowly opened.
His magic may not have been as strong as it had been when he was alive but that didn’t mean that he didn’t still have deep and rooted connections to the ley lines that had been passed down through his family heritage. Books and papers flew open and danced around the room as he rushed through. He searched through ancient tomes until he found a heavy book covered in a thick layer of dust. His ghostly breath blew the grime away, revealing a brilliant ruby-red cover.
Arthur had never seen the point to attempt this before but now you had given him a reason. He was going to perform a resurrection spell.
On himself.
You couldn’t say that you hated the last couple of days. It was nice to be able to use modern appliances without the fear of them blowing up on you. Ben had taken time off of work to take care of you and you could feel the guilt piling up. You didn’t deserve him. Not to mention you were pulling possible profits away from his family’s store. They just gave you cheeky grins before poking and teasing you about a wedding. Small towns are just like that.
After literal hours of begging, Ben finally agreed to let you work with him in the shop. It allowed him to keep an eye on you and for you to feel less bad. Many of your friends stopped by and they were almost as bad as Ben’s family. It was still far more relaxing and less stressful than fearing that your phone charger would suddenly spark and electrocute you. You hadn’t gotten a new phone yet. You knew you needed one but it wasn’t exactly on the top of your priority list.
At the end of the week, you had been reorganized and shelving a collection of nails. Your ‘shift’ was almost over, which meant that Ben’s shift was almost over and you were positively buzzing with excitement for movie night. The bell jingled and you leaned over to shout ‘coming’ before shoving the last box of nails in and racing over.
Putting on your best customer service face, you spoke to the person who had come in, “Hi! Welcome in! What are you looking for–”
You stopped. Standing right there. In front of you. In the flesh was Arthur Kirkland. It couldn’t have been him, but it was. Who else would have that shaggy blond hair? Those horribly maintained eyebrows? Those piercing green eyes? You stuttered and buffered and the man just smiled amusedly at your short-circuiting.
“Why I’m looking for you of course,” he answered, taking a step forward.
You took a step backward. “You– you’re– you’re alive…” you gasped out, staring at him, completely stunned.
He wasn’t wearing the period clothing anymore, though what he was wearing still looked quite old. Instead, he had on just a dress shirt, black pants and similarly black shoes. When he grasped his hand around your wrist, you visibly shuddered from the cold but could not break free. You were locked in a staring match until Ben came to find you.
“Hey (Y/n)–” He froze.
“Oh good. I was looking for your dimwitted friend too,” he admitted, pulling you closer.
“Are you–” Ben stopped, looking on in disbelief.
“Goodness, you peasant people are just as slow as a hundred years ago,” Arthur huffed, rolling his emerald eyes.
Somehow, the next time you blinked you were back in the manor house. Ben was there too but he was knocked out and you couldn’t move to reach him. Arthur looked towards you, somewhat surprised to see you awake.
‘I guess my magic is still weak. It won’t matter after this,’ he thought, walking towards you.
More than anything, you wanted to struggle, you wanted to cry, you wanted to scream. But all you could do was watch. The blond snapped his fingers and you unfroze, becoming limp. Your limbs were still useless and Arthur seemed well aware of this as he carried you up the stairs. The two of you went past many rooms, including your own until you reached the site of your former masterpiece.
The door swung open and he waltzed in. The deep blue walls had returned to their normal extravagantness and there wasn’t a speck of glitter in sight. He gingerly placed you down on his bed, the soft mattress bending to your weight. You could do nothing but have your eyes reflect terror as the man manually tied your limbs to the bed. Finally, he placed a soft gag in your mouth and with it, you could feel the strange enchantment break. It wasn’t like your struggling could do anything anymore.
“Sorry, love.” He placed a kiss on your forehead and ran a hand through your loose hair. “I’ll need all the power I can get, so I can’t be expending it here.”
He walked away from your struggling form and quietly closed the door. None of your screams would make it through the walls of that room anyway. Arthur regally walked down the stairs to find his other captive missing. Instead of searching, he chose to stand completely still, hands crossed behind his back.
From the shadows, snuck a disoriented Ben, carrying the only chair he could lift. He smashed it into Arthur’s head, the impact shattering the wooden chair. The brunet expected to see blood and bits of gore. Instead, he came face to face with glowing green eyes, full of rage and jealousy. His jaw was slacked the wrong way but a simple movement clicked it back into place.
Ben dropped the remaining chair legs he had been holding onto and began to back up like a frightened deer. Arthur followed, slinking after him like the apex predator he was.
“You see,” Arthur started, stepping closer. “I’m not exactly alive per se. At least not yet. I’m on borrowed time, unfortunately.” He cornered the man. “Lucky for me, so are you.”
The next time you saw Arthur he looked different. He looked alive. His chest moved up and down, he blinked at regular intervals and you could see blood flushing through his body. Most of all, he was warm. So comfortingly warm.
Eventually, those thoughts faded and you laughed internally at ever thinking that Arthur could have been dead. He looked like a distant relative who had once owned the manor and shared a name. But he wasn’t. He was a different Arthur Kirkland, one who had come from London to learn that he should have been entitled to the estate. That’s when he found you, the person who had recently bought the house. That’s when you fell in love and… there’s something you feel like you’re forgetting.
There was always someone you felt like you were forgetting. No one in the town knew either so you had always assumed it to be a bad dream that stayed with you. Arthur had always encouraged you to forget and move on, but it always stuck with you.
Arthur had helped you properly install appliances and electricity in the house that wouldn't almost kill you and/or burn down the house. Well, he hired someone to make that happen but it was close enough. It always felt so nice to be able to flip a light switch and watch the room light up in a comforting yellow glow, though there were some days where the blond man did insist upon candles. You didn’t know why you flinched when the lights flickered or when the fire on the stove got too hot but Arthur was always just around the corner to watch you. He seemed to enjoy doing that.
You rested your head on his chest, listening to the sounds of his heartbeat and feeling the movement of his chest. The constant fog that surrounded the manor finally dissipated and the two of you were peacefully watching the sunset on the porch swing. Arthur was rocking the bench lightly and the gentle swaying movement threatened to put you to sleep.
“Don’t fall asleep now on me, love,” he laughed lightly, lifting your head to look at him.
Grumbles came out of your mouth instead of words and you burrowed yourself back into his warm chest. He just shook his head and looked towards the fading light.
“Do you still think I’m a ‘bitch loser virgin boy?’” he asked in a teasing tone, running his hand through your hair.
Stretching, you readjusted yourself to situate your head higher, closer to his shoulder. He took in a deep breath, smelling the (smell) shampoo you had used. After yawning, you gave him an answer.
“Hmm... Yes,” you answered tauntingly, closing your eyes again.
He chuckled, continuing his brushing motions through your hair. “Not for very long, love. Not for very long.”
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flowerandblood · 1 year
Text
Sweetly desire, bitterly deprive
Halloween Request Oneshots Series
[ Victorian Horror • Aemond x female ]
[ warnings: sex content, smut, angst, partial rape, choking, violence, murder and suicide, obsession ]
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[ description: Lost in his own emptiness and cold, Aemond lives with his family in their large estates, wandering their halls like a ghost, lost in his own madness. One day, his mother's friend arrived at their manor with her husband and daughter. He becomes obsessed with her, which leads to a series of unfortunate events. Obsessive, delving into madness, poetic, very dark! Aemond. ]
This oneshot is my idea and a reference to the wonderful work of Edgar Allan Poe, his Eleanor and Morella and is created with Halloween in mind, so unlike what I usually write, these fisc will be very dark and uncomfortable. Keep this in mind before you start reading.
*English is not my first language. Please, do not repost. Enjoy!*
My others works: Masterlist
_____
It seemed to him that something in him had disappeared, collapsed when he lost his left eye − he had partly ceased to be human and had become some kind of caricatured creature, menacing, tall as a tower, pale and cold as marble.
He had never lacked anything − his family was wealthy, owning many mansions all over the country, all identically decorated, sumptuously adorned with portraits of their ancestors looking at him melancholy and proudly out of the canvas, continually judging him.
He had the impression that at night their faces changed − his great-grandmothers and great-grandfathers seemed suddenly to be some kind of phantoms, their faces contorted, displeased at the sight of him, his existence.
He still felt watched, he felt overwhelmed, he felt that something hovered over him, but he could not name this premonition, this certainty.
He had tried to explain it to his mother once, but she had looked at him with such concerned, frightened eyes that he decided he would never mention it again.
He knew that his family considered him insane − a man out of his mind, irrational, aggressive in his words, with a gaze that cut like a sharp blade, making interlocutors turn their faces away from him, unable to bear it.
He saw her for the first time when she arrived at their residence with her parents, Mr and Mrs Orwell, at the invitation of his mother, who had been friends with Mrs Orwell as a child. He watched closely her small, graceful figure standing in the corridor behind her parents, her gaze lowered downwards, thoughtful.
She shuddered as if she subconsciously sensed that she was being watched and glanced in his direction − her pupils dilated suddenly, as if from a dream world she had returned to earth with the cruel pull of some unknown force, as if his figure, his silhouette had crushed her.
They stared at each other for too long to be considered in accordance with good manners − only when her parents walked into the living room where he sat did he rise from his chair, reminding himself of such a basic thing as breathing, and straightened up, folding his arms behind him, allowing himself to introduce the people who would be guests in their home from now on.
He knew that Miss Orwell could feel his burning gaze on her, fleeing from him to the far end of the room, looking at the books stacked on the shelves of the old oak bookcase.
He watched from behind her beautiful neck, her hair pinned up in a bun and braids framing her head on either side − her gown was sewn from a delicate, light-coloured fabric, its cut was simple, perfectly emphasising her figure, her almost bare shoulders.
Her neck and her shoulders drove him mad.
The perfect curve of the transition of one part of her body into the other, her shiny, soft skin, the softness of the shape that was forming.
Then he lifted his gaze higher and discovered her slightly rounded, short, proportionate nose, forming a perfect angle with her straight, smooth forehead, the totality of this view framed by her eyes like precious stones, bright, shining, surrounded by long lashes like veils, emphasising its depths, giving her an aura of mystery.
Finally, he struggled to dare to shift his attention to the most intimate exposed part of her body, her fleshy, full, pink lips, both pressed against each other, still remaining virtually imperceptibly parted, the point of their contact seeming incredibly soft and moist.
He saw her throw him an uncertain, frightened look and clench her hands in front of her, not knowing how to act, how to dissuade him − she only relaxed when his sister, Helaena, walked into their living room.
They greeted each other as if they were old friends − even though they were seeing each other for the first time, they grasped each other's hands and from then on they were inseparable.
He often watched them through the window, seeing their silhouettes move unhurriedly ahead of them through their vast park, discussing with each other something in a cheerful voice and laughing, their pearly sounds reaching his ears muffled by the glass.
In his presence, her smile disappeared from her face, her laughter died in her throat and a faint dread coated her, her pupils dilated suddenly, her lips pressed together in fear.
His tall figure standing over her frightened her, his hands folded stiffly behind his back seemed frozen like a stone − unable to make a sound near him, she lowered her gaze quickly, terrified.
One day, however, she dared to take a step towards him − a step towards the unknown, as, realising that he spent every evening by candlelight sitting in their library reading books, she joined him.
He watched her every move vigilantly, not taking his eye off her − her delicate figure strolled around the room in a light, slow motions, her hands folded in front of her in a humble gesture.
He could not express how melancholic and heavenly she looked walking like that in the faint light of the candles, her person seemed as if enveloped in a mist, a glow.
He felt himself to be merely an observer of events, a point to which all her presence referred, being a counterbalance to her subtlety, spread out around her like the blackness of the night that surrounded them.
She looked at him at last, for the first time as if she really wanted to see him, what was inside him, what was inside his heart, inside his mind − he looked at her with empty eye, knowing that there was only nothingness there, an abyss, a coldness without end or measure.
He was surprised at her courage, at how confidently she walked towards him, standing by his side, looking over his shoulder, wanting to see what he was reading.
He did not turn his head behind her − he only watched the shadow of her silhouette out of the corner of his eye − he could feel beside himself the warmth emanating from her body, her scent, the rustling of her gown made him feel a tickle in his fingers.
"Machiavelli. What a brutal choice." She whispered, but there was no disapproval or judgement in her word, more a soft surprise − there was something in the way she said the last sentence, in the way the tip of her tongue clicked as she uttered the syllables, that made him lick his lower lip involuntarily, turning the page.
"Brutal?" He asked lowly, hearing the timbre of his own voice, glassy, cutting like a blade, clear, assured, cool.
He heard her swallow quietly and draw in the air, her body standing beside him somehow enveloping him in her existence, pleasantly teasing all his senses.
"Cesare Borgia was his ideal of a ruler. That says enough about him." She said lowly − he heard her avert her gaze thoughtfully, looking at some point in the distance.
Involuntarily, the tip of his tongue ran over his lower lip, moistening it − he grinned at her words, shifting in his seat.
"They are both no longer among us and have no way to defend themselves from your cruel judgement." He murmured softly, lifting his eyes to her at last.
Their gazes crossed, her eyes at once full of uncertainty and curiosity − he had the feeling that her figure was quivering and trembling, too filled with life, the desire to breathe, to move, to feel.
They looked at each other and he knew that they had both experienced this when he first saw her, when they were unable to stop, when they both realised that something was happening between them that they could not tell anyone about.
He didn't know how it happened, what moved his loins to stand up, towering over her to grab her with ease and seat her on the table. He decided that it was just purest curiosity, as his fingertips ran over her shoulder, over that gorgeous arm, and traveled up the hill of the length of her neck, his hand tightened around it, again, merely in curiosity, and he found to his surprise that it fit there perfectly.
He looked at her face, into her eyes glittering like the most expensive precious stones darkened by the veil of her lashes, looking at him hazy, hesitant, at once fearful and devoted, wanting and demanding. When he took a step towards her her thighs spread in front of him like a book, as if it were the most natural of reflexes that didn't even surprise him.
Without letting go of her gorgeous neck he began to travel and explore the mysterious nooks and crannies of her body occupying his mind, the finger of his free hand lifting tentatively the material of her gown and her petticoat, running over her ankle covered from him by the soft material.
He ran his hand upwards, higher and higher, as if running his finger over to the surface of the water, until he reached the soft, surprisingly hot skin of her naked thigh and they both parted their lips, looking at each other wordlessly, breathing deeply.
His fingers ran over her flesh as if it were the keys of a piano, pressing her skin, and made their way to what was between her thighs, to what he could feel the pulsing heat from, the source of her trembling, of her sleepless nights.
She let out a shuddering, sweet sigh as he touched her there and found her sticky moisture, with circular motions collecting it on his fingers, both of them looking at each other as if surprised by this discovery, this disturbing, intimate act.
With each movement of his fingers, with each circle across her warmth, her thighs spread wider and wider in front of him, her body finding support on her palms placed on the table top, her breasts hidden under her gown rising and falling, her hips beginning to meet his movements.
He had the feeling that they were both in a trance, that they didn't understand what they were doing and didn't want to understand it − they weren't thinking about it or judging it, they were simply discovering a new experience, testing the taste of the sweet, unspoken secret that hid deep between her thighs, the loud, shameless click of her wetness accompanying every flick of his hand.
He licked his lips when at last the tip of his finger met the tight slit between her folds which throbbed with heat, wet and pulsing. Encouraged by this intriguing discovery, he slid his finger there, wanting to see what she felt like inside − he found with interest that her core was rough and fleshy, throbbing and slick, clenching steadily on his skin, her head arched back with a cry of exertion.
He slid his finger deeper, feeling it stretch her entire structure, pushing deep into her flesh, and a quiet, ungodly mewl erupted from her lips, her eyes clenched, her mouth parted in something akin to elation, delight.
He felt his body react, a pleasant heat and pulsation in his erection, the same as he felt inside her − he thought they were like two parts of the same thing, like two sides of the same story, beginning and end, day and night, sun and moon.
Just as everything had its companion, just as the world had for centuries misunderstood the nature of loneliness, telling people to discover the joys of living with someone, man and woman were destined to explore themselves with amazement.
He slipped his finger out of her and, with a light, unhurried movement, untied the fabric of his breeches, lowering them slightly so that she could not see what was beneath them, hiding that sickeningly physical, animalistic sight beneath her gown.
She knew what was about to happen, and though she didn't understand it, she felt subconsciously that from the moment they looked at each other they were destined to connect, to take something and give something to each other.
She trembled all over as he directed the tip of his length with his palm against her burning, hot entrance, her body instantly refusing this sudden, unholy act of divine violation.
"− don't −" He hissed coolly, and she froze, looking at him tearfully, letting him force the pink head of his erection, dripping with his moisture, inside her.
With surprising patience and devotion she endured the discomfort of fitting him inside her, a weary, helpless sob came from her lips − he opened her slowly on his manhood, bit by bit, stretching her tight muscles, sinking into the warmth of her flesh.
He realised suddenly that he was inside her, that he was her and she was him.
That they were a whole, that he would never be complete again without her.
His hand tightened around her neck and did not let her escape, slamming into her with a quiet grunt of sickening pleasure, sliding into her so deeply that she throbbed, seeking fulfillment in it, any kind of relief.
He gave in to his animal instinct, the feeling that he craved to rub against her, craved for her to squeeze him, craved to move inside her − the thrusts of his hips were violent, intense, deep, sure, as if taking her, filling her with himself again and again, physical stretching of her body with his flesh was written into his nature.
Their bodies pounded against each other with wet, loud clicks of her moisture as if they were fighting, as if he was about to pierce her with himself − her head was tilted back, her expression showing simultaneous delight and horror at this unexpectedly pleasurable act.
She was panting along with him, giving herself over completely to his brutal thrusts, needed to be filled, to be satisfied.
"− you won't escape from me − you know that, don't you? − I'm going to fill you −" He growled between one quick, hard slap of his hips and the next, and she only mewled a desperate plea, refusing and at the same time asking him to do it, writhing beneath him, her face all flushed with pleasure.
"− no − please − God, forgive me −" She cried out with difficulty, tears of effort, pain and delight running down her cheeks, her body leaning back, surrendering at last.
He felt her insides suddenly clench violently against him and begin to convulse, a moan of sweet suffering came from her lips, her body shook with a wave of something he was yet to understand.
This sight made him speed up instead of slowing down, feeling that something was about to happen, that he was already so close.
"− yes − don't resist me − fuck! −" He cursed for the first time in his life, feeling that his whole body was in a hot frenzy, his hips moving deep inside her throughout her fulfilment, her hands trying fruitlessly to push him away with her loud, broken moans, unable to take any more, overstimulated and sensitive.
He made a low, throaty, animalistic sound as a wave of pleasure shook him − he felt his own fluid spilling over her insides, filling her like wine fills a chalice, and he thought it made him feel the most natural reflex in his life, the filling and that she felt exactly the same way about the sensation of being filled, as if it was her primal, most important need.
Not to be empty.
They stared at each other, breathing loudly, feeling the fog around them begin to blur and disappear, their vision began to sharpen, their cool judgement returned to their minds, and with horror they realised at last what they had done.
They pulled away from each other in pain, both feeling that the fact that they were no longer one was unnatural, ungodly, against some fundamental law.
They were incomplete again.
They were imperfect again.
He watched out of the corner of his eye as she corrected her gown in despair − she stepped down from the table and ran out of the room with a loud, broken sob, terrified of their act, of what consequences it might bring.
He tied his breeches back, sitting down in his chair with difficulty and listened to the intense pounding of his heart, staring blankly ahead, trying to calm his breathing, feeling more empty than ever.
Over the next few days she avoided him again, her face even paler than when he first saw her − he had the feeling that she was in a progressive agony, that she was dying before his eyes.
Wanting to put an end to their torment, one morning he moved after her, seeing that she had gone for a walk through their park, and asked for her hand.
Only then did she confess to him, crying with unspeakable pain, that her fiancé had been waiting for her for weeks.
He felt like he had fallen into a state of complete emptiness and wasn't sure he understood her words.
He even thought they were amusing as he sat in the living room, taking a sip of wine from his glass, chuckling under his breath, much to the consternation of those gathered.
It wasn't until several hours later that people began to be concerned about her disappearance.
He took no part in the search.
As he walked down the corridor of his mansion in the evening heading towards his room, he looked at the appraising faces of his grandparents, their eyes seemingly bulging, terrified, their lips clenched as if in rage.
He began to rip portrait after portrait off the wall, destroying frames and canvases, causing a commotion all around him − his mother tried to calm him down, but he broke free from her embrace.
It was only when he walked into his bedroom that he noticed her silhouette, pale and corpse-like, her eyes wide open, looking towards the door as if she was waiting for him, his bedclothes all covered in her blood.
He saw out of the corner of his eye an open window facing straight into their park and realised that she had broken in here, taken his letter knife and slit her wrists.
He approached her slowly, feeling the pounding of his heart, the sweat on the back of his neck as he noticed the bruises on her neck, a clear marks matching his hands that he was sure he hadn't seen when he had spoken to her that morning.
How could that be?
He glanced at the floor out of the corner of his eye and saw his shirt, all dirty from the sand and grass.
He began to breathe deeply, feeling the whole room swirl around him.
He pushed from his mind the sight of her terrified face, the sight of her tears when she fell with him to the ground, when he told her that he was empty without her, that he had filled her with himself and she could not be anyone else's, just as he could never be anyone else's again.
It seemed to him that she had come to terms with his words, for she stopped struggling, looking at him with affection, and he praised and comforted her, telling her that the end would come soon, that she would fall asleep, that she would not be in pain.
When she stopped moving and fainted he took her body in his arms, numb and spilling in his fingers, and walked as if in a trance through his open window into his bedroom.
He laid her on his bed, where she belonged, right beside him, and left, longing to return to her in the night, believing that she had fallen into an eternal sleep.
She woke up.
She finished his work.
_____
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thebramblewood · 1 year
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Lilith and Caleb Vatore's lineage can be traced to Tartosa, from where their forebears emigrated in the early 1800s to establish Willow Creek's first and finest vineyard and winery. The future heirs to the Vatore Family Vineyard (and fortune) were born scarcely two years apart on the cusp of the 20th century. Although lauded and adored by polite society, they quietly resisted cultural norms by declining to pursue courtship well into their young adulthood. Before either could marry, both siblings disappeared under mysterious circumstances, leaving the fate of the family's accumulated wealth (which grew exponentially during Prohibition when underground operations continued alongside the legitimate production of medicinal spirits) to be hotly contested by long-time employees and distant relations alike. More than three decades later, two curious individuals came forward claiming to be their children. Apparently, the missing Vatores (long presumed dead) had assumed new identities, started families, and gone on to lead private yet unexceptional lives. No one could make sense of why the siblings left their inheritance behind, but the strong family resemblance was difficult to deny. Some even thought the resemblance too strong, but the conspiracy theories that arose from these suspicions were simply too preposterous to consider. The new Vatores promptly sold their ancestral estate and business, instead choosing to purchase a neglected Victorian manor in Forgotten Hollow, a strangely secluded and perpetually gloomy village where reported sightings of the same pair (having purportedly not aged a day) continue. Perhaps the old rumors hold some truth after all. Did they discover the fountain of youth, become initiated into a cult of immortality, or unknowingly stumble upon the dark knowledge of vampirism? Or are the Vatore genes simply so powerful that they persist through generations? The truth may never be known. (But some may say certain conclusions can be drawn from the spate of unsolved murders in the area that seemingly only started upon their arrival.)
- Introduction to Tangled Vines: A Complete Investigation of the Vatore Disappearances
Ran these through ArcaneGAN to make them look more like paintings, and I'm a bit obsessed with the results. Originals for comparison below. Special thanks to @sims4thehoes and @smok3inm1rrors for giving me the vineyard idea!
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elliebyrrdwrites · 3 days
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Nott Manor looked like something that was built based on a Victorian Era Gothic novel. In fact, it was built during the Victorian Era after demolishing the old home that was wrought with decay and dark magic. The home sat on nearly 35 acres that had been passed through the male lineage and was located right in the middle of Derbyshire, surrounded by thick woods.
The home was all slate gray stone and bricks built into a three story manor that donned pointed rooftops and cylinder shaped columns on either side. The home had been there so long that the earth wanted to gobble it up. Ivy was growing alongside the front of the house and along the edges, almost all the way up to the second story. Age and weather darkened the shingles and along the edges, appearing to be a rather sad little home, even in the middle of a bright and sunny afternoon.
Overall, the home looked quaint, even for a manor that had passed through generations of Notts. But these lands were heavily guarded by dark magic and impenetrable wards. Not even the ministry bothered Theo. They knew what he did for a living, often hiring him themselves. But the history of the Nott family and the danger of entering into their land without Nott’s permission was too dangerous.
And beneath the home was the most wicked slice of property.
It was accessible through the woods that hugged the southside of the property. A cellar door was built into the middle of the woods and inside of this door, were stairs that led them deep underground. The cellars were stone and frigid cold. Moisture dripped from the walls, as if the land itself wept for anyone unfortunate enough to be placed within.
The cellar went deep and consisted of a very large, open room that held several small cells barred off. But each cell allowed a view into the middle of the room where a large, stone slab dais sat. A table for working on prisoners, adorned with leather straps bolted into the rock.
Currently, Cormac McLaggen was huddled into the cell furthest in, huddled against the stone walls and Draco could barely recognize the man. One of his eyes was so badly beaten that it was swollen shut and the skin was tight and black with blood that was trapped beneath the surface. He had a broken nose that appeared to be healed several times before it was beaten again and again. His golden brown hair was tainted red and his clothes were dirty and also covered in blood.
Theo went to town on him, apparently having a field day with him before allowing Draco to have his turn.
The sound of Draco and Theo’s shoes clipping against stone and dirt caused McLaggen to jerk his head up in fear and his back to press further into the corner.
His one good eye was following their every step as they stepped into view.
With his hands in his pockets, Draco tilted his head to appraise the man who fooled the world into believing that he was decent. Into making everyone believe he had coveted Granger only to willingly hand her over to a psychopathy.
The memory of the way Cormac’s hand had gripped on Hermione’s. The way he had tried to lure her with lust in his eyes and evil in his heart...it was enough to make Draco want to kill him now.
And, he could.
He could kill him quickly, with a curse. He could take his time, dismembering him as he cried out for help. He could do it anyway he chose, because nobody would ever know.
Nobody would ever find him. He’d shrink each limb down into little bite sized pieces and then toss them into the fireplace that Theo’s ancestors installed into this room for that very reason.
But, he had to stay focused. He needed Cormac to talk.
“McLaggen,” Draco drawled as he stepped up to the bars. “Enjoying your stay at Nott Manor?” Cormac said nothing, only gulped and lifted his chin in defiance. “You should feel lucky.” Draco gripped onto a bar and slid his hand up, looking around at the tiny cell. “Not many people get invited inside.”
Theo chuckled, shaking his head as he leaned his hip against the raised, stone slab in the middle of the room. Along the wall opposite of the cells were tools meant to cut, cut and inflict the most amount of pain onto the human body. There was no need a wand here, in order to make a man speak. Draco didn’t need the magic that thrummed inside of him as he watched the man cower away as Draco moved to the cell door. Because this man had willingly pursued a woman he never intended on dating. He only had ill intentions and Draco found it hard to feel any remorse for what was about to happen to him as Theo flicked his wrist and allowed the door to spring open.
Cormac pushed himself further into the wall, uselessly kicking his bare feet against the dirty floor. They slid and slid and he went nowhere.
Nowhere, at all as Draco slowly stepped inside of the cell and pinned his cold dead stare onto him.
It was easy to slide back into this colder version of himself. It was where he had to live most of his life, particularly in public. And it wasn’t until his father was arrested and put on trial did Draco allow himself to reach the tips of his finger out for a bit of something good and warm.
It was what allowed him to kiss Granger that day outside of the courtroom.
But remembering the way she had hugged him before he kissed her? The way she had responded to him when he did? It was what allowed him to slip into this terrible person he had dreaded becoming again. Because he would do it if it meant she would remain safe. He would do it if it got him the answers he needed to make sure she stays alive.
“You have been a very naughty wizard, haven’t you, Cormac?”
“Tsk, tsk, tsk.” Theo clicked his tongue against his front teeth and wagged his finger at the man, illiciting more fear to grow in his eyes.
Crouching down in front of him, Draco rested his elbows on his knees and peered at him. Cold, murderous eyes met wide, frightened ones and for a moment, Draco said nothing. He simply allowed the fear and anxiety to build and build as he waited for whatever may come.
When Draco inhaled, McLaggen winced. Draco smirked as he spoke. “I’m going to give you one shot, Cormac.” He held up a finger. “Just one.” His eyes refused to release Cormac’s. “To tell me everything I want to know. When you, inevitablly, fail to give me what I want, I will have to force it out of you.”
Theo started to bounce on his heels, Draco could feel the anticipation in his friend from here.
“And there is no need for Veritaserum, here.” Draco waved a hand over his shoulder, gesturing to the wall of tools meant for today’s session. “Because you will, eventually, talk. You will tell me everything I want to know or I wont hand you over to the DMLE. I will not take pity on you. You will remain her, enduring anything Theo wishes to inflict upon you, every day.” He paused and allowed his eyes to roam Cormac’s face, reading the fear and disbelief hidden in his eyes before he finished. “Until your body gives out and your mind has checked out.” He stood and slid his hand back into his pocket. “And then you will die here. Alone.”
He spun on his heels and jerked his head at Theo. “Shall we get started?”
Theo wiggled his eyebrows before rushing past Draco and into the cell.
Cormac started to kick and scream. “No, no. Malfoy!” He was clawing at the floor and the wall as Theo grabbed a foot and began to drag him across the cell floor and toward the stone slab.
Draco turned around to observe the archaic and primitive devices of torture when the sound of bone snapping echoed in the room before Cormac’s howl erupted.
Spinning around, Draco lifted a brow as Theo let go of the man’s foot. It was twisted at an unnatural angle and was already turning black and blue. It was broken, twisted and snapped at the ankle. Draco sighed and lifted something off of the wall.
“Really, Theo?”
Theo rolled his eyes and shrugged before pulling his wand from the holster on his chest and aimed it at the man. Cormac’s body levitated into the air before it landed, clumsily, onto the stone slab. The straps quickly cinched over his ankles and his wrists before they tightened and pinned Cormac’s body to the rock.
“I really felt like he needed a reminder as to who, exactly, we are.”
“You’re fucking Death Eaters!” McLaggen lifted his head and snarled before he descended into a groan of pain as his broken ankle strained against the binds holding him down.
“Actually,” Draco slid the device up to Cormac’s hand and shoved his fingers in. A large metal screwed was attached to two slabs of metal. Once one was to start twisting the screw, the top slab would lower and lower until the fingertips were crushed and rendered useless. “I was the Death Eater.” Draco sniffed and began to twist the screw, watching with intrigue, as the top metal plate began to lower. “Of course, I didn’t want to be one, mind you. But, if you’re going to go around throwing accusations, you may as well get your facts straight.” He huffed when the plate finally met the pads of his fingers. “But, you know, we are not the ones in question here, McLaggen.” He twisted and twisted and Cormac began to growl in pain. His one good eye squeezed shut as his groans turned into screams.
“Yes.” Theo hummed and tilted his head, watching the fingers turn red and then blue as the bones began to break beneath the pressure. “What are you, McLaggen? What kind of prosecutor gives his date a glass of poisoned champagne?”
Draco’s lips pulled back as he bared his teeth, twisting and twisting the screw until skin began to break.
“I didn’t know it was poisoned!”
“Liar!” Draco stepped back and shoved his hair away from his forehead. “I saw Moore help you escape. You have been hounding Granger, practically begging her for a date.”
“Because I fancy her!” Cormac cried. “I’ve fancied her since school, you idiot!”
“Then why did you poison her?” Theo asked, calmly as Draco moved and grabbed a poker off of the wall. With his wand, he lit a fire and held it up to the tip of the prongs.
“I didn’t know it was meant to harm her.” He was panting through the pain, his eye wildly searching for Draco. “It was only supposed to knock her out.”
“Why?” Draco’s eyes glanced from the poker, to Cormac.
“Because I wanted to take her home with me. Moore told me that he would help me win her over.”
Draco snarled and stabbed him in the shoulder with the poker. “Win her over? How on earth would knocking her out win her over? What the hell did you plan on doing with her once you got her home, McLaggen?”
Theo rested his elbow onto Cormac’s chest and tucked his hand under his chin as he grinned down at him. “I think you should take his good eye, Dray.”
“His eye?” Draco frowned and pulled the poker out of his shoulder and held it up so that Cormac could see it. “With this?”
“Yes, he doesn’t need it to speak.” He batted his eyes down at Cormac. “Do you?”
Cormac was panting, gasping for air, his eye rolling around in pain. But he balked at Theo’s voice close to his face. “I wanted to fuck her!” He admitted, causing Theo to suck through his teeth and shake his head.
The heat of anger dissipated, and Draco was struck anew with that frigid cold. it was like death, seeping out from his pores. Death he could deliver to anyone he deemed worthy of it.
“You knew she didn’t want you.” His voice was just as cold. Just as dead.
“You or Weasley don’t deserve her!” Cormac’s angry was suddenly bursting out of him. “Weasley is a useless idiot and you!” He laughed. “You are nothing but the worst kind of trash.”
“And you?” Theo continued to dig his elbow into Cormac’s chest. “You, the mighty prosecutor with big dreams to turn politician? What was your end game? To force Granger into being your wife so that you could run for minister and have all of the support she fought for to be bestowed onto you?”
Draco could see Cormac’s death, now. It would be so fucking easy. And it would feel good. He didn’t want to use the poker. He didn’t want to use a knife or even a wand. He wanted to use his hands.
“She would have made the perfect trophy wife.” Cormac sneered up at Theo.
But Theo was smiling, serenely. As if Cormac had said exactly what he hoped he would have said. Unbeknownst to him or even Draco, tucked into Theo’s right hand which was resting on the slab just beside Cormac’s right side, was a knife meant for gutting game.
Cormac grunted as the blade jabbed into his side, right between two ribs, while Theo kept his eyes trained on his and watched the man grow pale as the knife twisted.
Theo was taking over for Draco because he had to. Draco was going to kill Cormac. And then they would never get the information they needed. And then his soul would be tainted in a way he had worked to avoid for years and years.
Because, he wanted to save his soul to match Hermione’s. The idea reminded him that she was at home, waiting for him. She knew he could be a bad man and she wanted him anyway.
Draco dropped the heavy, iron poker and watched Cormac flinch as it clattered against the stone. “Tell me about Moore.“
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dilfhos · 1 year
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PART ONE.
#!WHO; Sukuna the demon ft. GOJO.
#!CC: deadoves! no warning. MDNI. [read the tags on original knktbr fic. this is still dc.]
note: soo, ive been craddlin’ this baby since 2019, only recently deciding to add Sukuna and Gojo. very begrudgingly posting it here, however i will not be updating if this flops. ik how tumblr is with long fics/series—unfair. so if you’re interested lmk or else you can read on my ao3 !!
You arrive at the old Kaisen house, adoring the scene. The demon sets his sights on you.
WC. 3.8k+
[I.] [II] [III.] | KINKTOBER ‘23 | plz reblog if you enjoyed, id love to reach an audience!
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“We’re here,” Your eyes fluttered open, the sun rays spilling into your vision as you stirred awake. Beside you was your best-friend, Gojo Satoru, sitting back, his hand tugging at the hem of his damp shirt. You looked over at him then forward through the front window, met with an old gate. Behind it was the house, large in stature and almost intimidating as it stood in front of the afternoon sun, casting long shadows along the lawn.
“Looks like the gate is—”
“I got it!” You interrupted eagerly, unbuckling your seatbelt and leaping out the car. You made your way towards the gate, unlatching the metal and pushing it open. You then stood, admiring the house further.
It was a beautiful old giant, its Victorian style exterior being the highlight of it all. You glanced around you, noticing how the rest of the street seemed almost separated from your patchy plot of land. As if the neighboring houses were trying to get away. Segregated from the quaint smaller houses filled with decored and neat lawns, was your new home.
You made a motion towards the car, prompting Satoru to reach and grab the bag that held your prized item. You took your camera and eagerly paced back and forth near the entrance until you found a good spot to take a photo.
Yeah, there would be plenty of pictures in the future. The house was even more beautiful through the lens as you snapped a couple. In front of the house to the left was a large tree, nearly scarce of green leaves as it added more touch of age to the scene.
“How long are you going to be out there?” Satoru called, an arm draped over the open window. You could hear a tinge impatience in his tone but you didn’t move yet.
“Sorry! I’m coming!”
He sighed, leaning his head back against the headrest, fingers strumming against the wheel. A thin coat of sweat beaded along his skin, slicking his white locks down against his forehead.
This house really gave him the creeps. He understood you wanted to get away from everything but he didn’t think it would go this way.
A couple months ago, he had visited you in the city and was surprised by the fact that you were wanting to move out. Not just out of the apartment but out of the entire area. You told him you wanted a change in pace, in scenery. To quit your current job for the time being and just be at peace. He honestly thought you were out of your mind but after coming to terms with how that life was treating you, he supported the decision. He was your best friend, he would always support your decisions, even the…bold ones.
His eyes scanned the surroundings.
This part of town was quietly tucked in the country and had plenty of beautiful places to photograph and “run through fields” as he put it. Given the little population and even fewer vacancies, there weren't any options to live except for the old manor a little bit on the edge of town.
Being protective, Satoru didn’t waste time in Shadowvale’s research and made privy to the stories but he didn’t believe them. It was just a silly ghost legend made up by the oldheads to spook outsiders and the younger generations. But it didn’t stop him from telling you about them.
Being much like your friend to find the story silly, you laughed it off, ecstatic that you would finally be moving. And he wasn’t that far of a drive from you so he supposed it was fine.
Satoru watched as you finally circled back to the passenger side, eyes down on the camera screen. You got in, sighing at the gust of cool air. The car began moving again as it crept forward past the gate and along the dirt path that led up to the large house.
“Get any good shots?”
“Yes! It’s more beautiful through the lens than in person. And the way the light was hitting it…” Satoru smiled as he listened to you excitedly fill him in as if he could understand a half of what you were talking about.
. . .
“What is in here? ” Satoro croaked, nearly collapsing on the porch. He had one of your boxes in his arms, stumbling toward the door. Following close behind him was you with another box. You rested a foot upon the first step of the porch, ignoring the stressed creak it brought.
“Just clothes?” You honestly didn’t know. It could have been anything really and as far as you knew, it wasn’t even heavy. He probably just wanted something to complain about.
“They feel like bowling balls,” He sat the box down in the foyer, swiping at sweat that began to bead down his temple. You rolled your eyes as you followed behind him placing the box on top.
The sky was beginning to darken, more clouds obscuring the afternoon sky. Shadows seemed to appear in the dimness, warping spindly shapes across the lawn. The thicker clouds that seemed to come out of nowhere loomed over the countryside with promises of rain in the night.
You shivered, arms pricking in goosebumps as you crossed the threshold, placing down another box. It seemed so cold all of a sudden, a stark contrast to how it was nearly an hour ago when your clothes were practically melting against your skin. You jumped when you felt a firm hand grip your shoulder.
“Woah, jumpy already?” Satoru grinned, pinching your cheek. “If you’re gonna chicken out, tell me now so I won’t have to load the rest.”
“You’re just trying to get out of work, Gojo,” You playfully shoved his arm and made your way back to the car. The only thing that remained was your television, propped up at an odd angle because of its large size. The trek to the house was awkward with the screen nearly bigger than you, but you made it, sitting the appliance against the wall of the foyer.
At least the chill was gone, after having broken another sweat. You watched from the doorway as Satoru closed all of the doors. Once more, your eyes ventured up towards the sky, another shiver running down your spine.
“You okay?” He questioned, making his way towards the door. You nodded, stepping back to allow him inside before closing the door.
Sukuna’s canines were made visible as his malicious grin widened, stretching inhumanly against his face. Raven spikes jutted out every which way, a part only tamed enough to fall before his striking crimson eyes as he looked over the railing of the staircase. He ran a clawed finger teasingly over the wood, always touching but never feeling.
The demon licked his lips slowly, his intense gaze catching you and the way you ran your hands along your arms in the foyer. His claws began to strum lightly against the wood as he continued to watch you with focus.
You walked further into the house, in awe at how spacious the interior was. To your right was a winding staircase, leading up to what looked to be a balcony. Unaware of the demonic presence, your eyes linger in the place he stood before moving on to your left.
The foyer spilled into a wide den, already furnished with a couch and a couple love chairs covered in plastic. The plastic crinkled under your touch as your fingertips ran along the surface of the couch, seeking out small holes and other old looking stains.
Everything had an antiquated touch to it and you wondered how long the house had been standing, abandoned by its previous owners.
Your eyes wandered to the fireplace on the far end of the living room. The entrance was gated with a rusting metal. You squatted down, fingers running along the rough bricks. Frowning at the dust that gathered on your skin, you straightened, rubbing your hands against your jeans.
From the balcony, the demon had the perfect view of you. So curious, eyes darting around only to pause and inspect something of little significance just for you to do it all again. He watched as you made a circle around the den, studying everything your greedy eyes took in as if the sight were new.
“Gojo?” You called, making your way back towards the boxes.
Was that what the other one was called? Frankly, he couldn’t bother to care as he’d already signed off on him. He’d make a decent meal though.
“Yeah!” Satoru responded from the kitchen. You peered in that direction for a few seconds waiting for him to emerge. Rolling your eyes, your attention returned to the box you were squatted in front of.
“Don’t go running off. You still have to help me,” You whined, hands rummaging through the cardboard. Empty handed, you flipped over the flaps to a nearby box, doing the same thing.
“This sink doesn’t work! It's like… stuck or something,”
“Just leave it before you break it more. I’ll call someone tomorrow.” You shouted, standing up. You sighed, stretching as your little fingers wiggled upwards. Sukuna watched unmoving as you stretched, eyeing a brief sight of your tummy.
Those were a lot of boxes. Not the occasional suitcase or makeshift plastic bags he usually saw with squatters.
So you were moving in. He chuckled darkly.
He actually couldn’t determine if you were stubborn or just plain stupid. You probably thought that nothing existed beyond your little mortal realm, that no outworldly dangers could harm you.
The small chuckle developed into a much throatier laugh, the noise disappearing into nothing. He was about to disappear before his attention snapped back towards you, his hands gripping the peeling wood of the banister almost painfully as he leant over the bar.
You had gasped, his ears picking up on the familiarity of sound, quickly identifying it as surprise. Fear? Sukuna watched in intrigue as your eyes darted around for the source, only briefly ghosting over the place he stood. He remained frozen, holding his breath as you looked right through him.
You could’ve sworn you heard laughter. The floorboards creaked beneath your feet as you walked around, trying to strain your ear for whatever you heard.
“Toru?” Maybe he was on the phone or something.
Unfortunately for you, that second was all it took for the demon to be immediately interested in you.
For decades, he remained rooted to this cursed plot after his grisly death with the inability to be seen, felt, and most definitely heard. He only controlled the physical realm which made for a lot of entertaining nights for whoever dared to trespass. Not to mention he was granted his demonic familiars. They had no intelligence but it kept him company, he supposed. Less lonely being evil if he’s surrounded by the very essence.
But something about that little gasp as if you heard something illogical... It made him lick his lips, something dark and enticing settling into the pit of his stomach. His mind was racing with new fun and exciting things he wanted to do with this information.
Satoru finally emerged from the kitchen, his shirt spotted in darkness, hair dripping in water. You took one look at his disgruntled form and bursted out laughing, immediately forgetting about the noise you heard.
“Its funny that your new sink is janked up?”
“Janked up?” His seriousness only made it funnier. He sucked his teeth and made his way towards the boxes, hastily searching for a towel.
“What were you...even doing...in there?” You said in between giggles. He only ignored you as you wiped away the wetness that gathered in your eyes.
“Are you done?” He deadpanned. You nodded with a smile. He only scoffed before he started to bring out contents from one of the boxes. You then took your place next to him, sorting through the items.
“Hey, what was funny earlier?” You cut through the silence.
“What do you mean?” He crinkled his forehead.
“You were laughing at something. Did Suguru send a dumb meme or something?” You giggled. Your face only fell at his response.
“I wasn’t laughing and I haven’t spoken to him since last Tuesday.”
Little words were exchanged as he helped you unpack. He was probably still upset. After a while, you grew bored and wanted to venture around. Even though you’d already seen the house on the tour, you were itching to do something. Standing up, you brushed off your hands, attention venturing to the staircase balcony.
“Hey, I’m gonna go check out the rooms upstairs,” A simple grunt was made as Satoru looked towards you.
“I’m not getting paid to do this!” He shouted as you began your trek. You smiled, calling back, “The unwavering devotion to the best friend in the entire world should be enough to start right?”
Upon going up, you felt a weird chill and found yourself turning towards the wall. You paused midway, eyeing the surface where you saw what was assumed to be a large painting or portrait.
You couldn’t really tell with the dingy cloth that covered it. Your fingers itched to tear away the cloth to reveal what was underneath but you didn’t. This was just one of the many things left behind by the last owners and you felt if you did, it'd somehow be disrespectful. You should call the realtor to inquire about possibly having some of the stuff taken out of the house.
“Hey, I’m going to step out for a bit, I need some air,” Satoru called from the doorway, suddenly feeling nauseous. You leaned over the wooden balcony, amazed at how high you were. After waving him off, he walked out, the door creaking shut behind him and you turned, facing the hallway.
The way you stood there was kind of enticing, especially with the way your eyes darted around with that same greedy look he noticed before. But something else was mixed with it, Sukuna noticed.
Unease.
He could sense it in the way you tensely rocked on the balls of your feet, looking between the few rooms that lined the dark hallway. Sukuna stood at the very end on the hall, leaning against the peeling door with arms crossed, watching for your next move. He really wanted you to walk his way so he could get a taste of that nerve-racked aura but much to his dissatisfaction, you chose the first room on the left.
It was fine, he could be patient. He only had the rest of his eternal death.
With a menacing grin, his form shivered, bending into the light until he was gone.
. . .
Even though you’d seen the rooms on the tour, viewing them again took your breath away once more in how spacious it was. Every part of the house exuded mystery and refinement. The bathrooms had surprised you the most; one being nearly as big as the bedroom, having room for a large claw-footed bathtub, a shower, plus two sinks. Giving one last look, you decided that it did pair nicely with the room attached. As expected, the large king-sized bed was still there, neatly made. Deciding to exit out the bedroom, you made your way toward the door.
“What the…” You tried the knob, jerking the brass but it was stuck. You tried once more, taking the handle between both hands and jiggling it as hard as you could.
You could see the wooden door moving against the frame but it wouldn’t open. This didn't happen on the tour. You stepped back, deciding to go through the other way but stopped in the middle of the bathroom, an eyebrow lifted in confusion.
Did you close the door behind you?
It was shut just like the other. No...you didn’t think you did. You moved towards the door turning the handle.
It was stuck too.
“Gojo?” You called, gripping the doorknob. Was he messing with you? You pulled and pushed with more force now, pacing to the other door to be met with the same result. Your stomach churned thickly as your skin began to prickle with heat.
“Gojo, open the door! This isn’t funny!” You called slapping your palm against the wood. You were beginning to grow frantic until finally, the door gave way.
Stumbling forward, you immediately gag at the sour odor that hit your nose. It smelled rotten and it caused you to cover your face with your arm.
But the odor was immediately forgotten when your eyes settled on the sight of the last room. You moved to the large rectangular window across the way, the sides framed by flowing curtains. It ran from the edge of the ceiling, stopping just above the hardwood floors.
The view outside was just as breathtaking as the first time, spreading over the fields of the rural side. You could see some houses peppering the golden hills of early autumn land.
“Wow,” You whispered, moving around the room. There was a queen-sized bed on one side, neatly made in a similar fashion as the one in the other room. Against the other wall was a desk.
You fell back onto the bed, breathing in deeply despite the rank smell. You loved it, everything from the antiquated vibes to even the apparently faulty doors.
You felt really at home, a feeling you haven’t had since your life in the city. You laid there, basking in the final fleeting heat rays of the setting sun until you suddenly tensed, eyes snapping open. Hairs stood up on your skin, making you shiver slightly.
That same chill.
Sitting up, your eyes scanned the empty bedroom. The shadows shifted in the corner, tricking your peripheral into moving your full attention in the area. Getting up, you moved over to the opposite side, running your fingertips along the smooth walls. It was just a simple corner, void of that special something. That something that you decided you were definitely going to set up as your photography corner. You smiled, trying to think of that instead of the foreboding unease that just wouldn’t leave you alone.
From behind you, Sukuna stood close, clawed hands reaching out to trace the outline of the nervous aura that you emitted despite your exterior calmness. When he brushed your neck, you jumped, whipping around, eyes wide.
Nothing.
But it was most definitely something, you rubbed the back of your neck, eyes darting around until you decided it was just a draft. Your walk toward the door was brisk though and if he'd known better, it almost seemed like you were in a hurry, as if you couldn’t get out of there fast enough.
The door creaked shut behind you.
. . .
“Have fun exploring?” Satoru asked as you bounded down the stairs, not even looking up from his phone. He decided not to tell you about the sudden sickness that overpowered him earlier instead deciding your bliss was something he didn’t want to ruin.
You nodded, expressing your excitement for the way you were going to set up your hobby station. You looked on the coffee table to see a box labeled Photography, in his sloppy scribble. Satoru looked up, catching your gaze.
“Before I go, I wanna get a picture of us,” When you raised a brow, he smiled before continuing.
“In your new pad. It’d be the first picture you take since the city and y’know, since I did most of the grunt work its the least I’m owed. Besides, by the time you get settled in, there’ll be photos scattered everywhere by next week,” You both laughed.
“Sure thing Toru,”
Another hour had passed after some coaxing to help you actually settle in. Satoru helped you place them where they belonged. Bags of cutlery, pots, pans and other kitchen ware were all sat upon the glass table in the dining room. You forgot how beautiful this area was, spacious and home-y for meal nights, which you were looking forward to. It was separated by an island, the other side made as a kitchen.
Your photography stuff and your clothing were taken upstairs to the room where it was placed on the desk.
“Isn’t this room amazing?” You beamed, arms spread wide as you stood in the center. Satoru stood in the doorway, looking everything but impressed. Something about the space bothered him, yet he couldn’t determine why. For you though, he smiled genuinely.
“Yeah, I think it it was made just for you,”
By the time you were done, exhaustion was heavy on you both. By now, the promised photo was long forgotten and you were on your porch, clinging onto your best friend in a tight embrace.
“Are you sure you don’t want to stay?” He smiled, shaking his head as he once more expressed how early he had to be up for work. It was lucky he was in only the next town over, but it didn’t ease the lonely pit in your stomach as you watched him get into his car.
As Satoru drove away, his eyes glanced in the rearview mirror, watching as you waved him off. His attention wasn’t on you though, but on the looming presence of the house seeming to swallow your body.
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DILFOS. ALL RIGHTS RESERVED. DO NOT PLAGIARIZE OR REUPLOAD MY CONTENT CURRENT OR ARCHIVAL.
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inky-duchess · 1 year
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Fantasy Guide to A Great House (19th-20th Century) - The Lives of The Family
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When we think of the Victorians, the grand old Gilded Age or the Edwardians, we all think of those big mansions and manors where some of our favourite stories take place. But who lived here and what did their lives too like?
Who are the Family?
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The family are the owners of the house. They are the employers of the servants, the caretakers of the house/estate. Since we're discussing a great house family, they are usually upper-middle class or nobility. A family can consist of a couple and their children but since great houses are so large, sometimes extended family members would live with them such as unmarried aunts or widowed mothers.
Roles Within the Family
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In this era, the gentleman of the house would be the head of the unit, even if his wife holds their title in her right. They were in charge of hearing the troubles of the tenants, they would meet with representatives from the estate, deal with lawyers and other officials. He would often meet with the butler to discuss the household but would not be totally involved in its day to day running.
The lady of the house was heavily usually involved in the running of the household. She would meet with the cook daily to discuss menus, work with the housekeeper to ensure the smoothing run of the house during and outside events, keep an eye on the household accounts, the stock of supplies and the welfare of the servants. She would be in charge of her daughters' education and would will also be heavily involved with the local charities of the region.
Children lived relatively seperate lives from their parents. They would usually be cared for by nannies, nursemaids or governesses. They would eat seperately, sleep in the nursery and usually be left behind while their parents travel for the Season. Sons may be educated outside the house, usually sent off to boarding school. When they are passed their education, they would move out of the house (unless they were the heir, then they may be expected to stay around) and join high society. Daughters would live at the house until they are married. It's common for unmarried daughters to remain in the household as spinsters, even after the death of their parents. Daughters would be educated in the house by their governess and their mother.
The Daily Schedule
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Morning: At 9, the family would be awoken by the arrival of their hot water. Married ladies have the luxury of staying in bed to eat breakfast. Valets and lady's maids would arrive to dress the family after being summoned by the bell. Unmarried women and the men of the house would eat breakfast in the dining room. After breakfast, the couple would withdraw to their business of the day, such as meeting with estate agents or dealing with paperwork. Just before midday, the lady of the house meet chef to discuss menus. The children would go off to their lessons with their governess or tutors. Luncheon would be served at 1. After luncheon, the ladies of the house may travel to appointments such as fittings or paying calls to friends.
Afternoon: Tea would be served around four. After the tea is finished, the children would be brought down to spend time with their parents. With tea finished, the gentleman and lady would finish their work.
Evening: At 8, the butler signals the start of supper giving the family and any staying guests, 15mins or more to get ready. Valets and lady's maids would already be upstairs at this point, helping their master/mistress with dressing. When the family head downstairs, they linger in the drawing room to chat. They would dine together. The ladies would adjourn to the drawing room for coffee and tea while the men stay in the dining room to drink and smoke. When the men have finished, they join the ladies before going up to bed.
Social Aspect of the Great House
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One of the main functions of a great house is society. The family would host gatherings in the off season when they aren't in the city for the social season. If one lives in the country, one might be expected to host relatives on hunting/stalking/fishing holidays. All those extra rooms can be let to guests staying the night. Bachelors would be kept on seperate floor from the unmarried daughters with couples rooming together or side by side. The Great House family is expected to be gracious hosts and spare no expense to their visitors. Servants would have to do many times more work and put up with a lot of nonsense because of the added work load.
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