#they need to be tragic to be as well written as they are. it's great and it hurts

[drbtinglecannon]

oTL

HIMMEL AND FRIEREN WERE PERFECT FOR EACH OTHER BUT BEING DOOMED IS THE FUCKING POINT OF THEIR RELATIONSHIP.

IT BEING BEAUTIFUL AND IT BEING IMPOSSIBLE ARE INTRINSICALLY INTERTWINED. FUCKING. AHHHHHHHHHHHHHHHHH

[hella1975]

i cannot stand the aot fandom this is not a new take at all they are universally intolerable but oh my dayssss u are FORBIDDEN from making ANY take about the show it's actually insane to watch. 'aot is perfect' no show is perfect. 'tell me you didnt get the show 😂🫵' people have different opinions/interpretations about things. 'eren is a good guy they could never make me hate him' i think there's actually 4 seasons and two movies explicitely using him as a tool to show that no one is 'good' or 'evil' they are only trying to survive. hello. the fandom r all so far up aot's ass that they actually discredit its writing in the process and it would be laughable if it wasn't so frustrating

[chooey]

just finished breaking bad

[milfbro]

I think about christopher lee doing that reading of the phantom of the opera so much

how many a bad writing is just the result of the writer having their own inner voice when reading the writing back that just doesn't translate to the next person?

[adventures-in-mangaland]

Another Dead Boy Detectives Fic Rec List

Netflix sucks and I'm sad, but the Dead Boy Detectives fandom continues to be awesome, so here are some more very quick fic recs!*

Tonight's the Night You Fight Your Best Mate's Dad by Opossum_Subatomic

Everyone's Alive College/University 5+1 things fic featuring Charles bringing Edwin coffee and slowburn payneland. Also Family/Wedding Drama involving Everyone Thinks They're Dating so acute is verges on Fake Dating. This author is seriously fantastic, everything they write is gold.

You should also check out Kissing Lessons, which is a high school AU that does what it says on the tin while also giving non-binary Monty and polyamory.

Ornithology by Rosie447

Monty gets a job working at Tragic Mick's. This one's not actually payneland, being gen and Monty-centric. I know, gasp. It's a fantastic and very sweet exploration of Monty discovering his sense of self post canon and works as a great metaphor for recovery from toxic family/relationships. Also, the ex-animal solidarity and bonding with Mick is lovely.

what some circumstance stole by Chrome

The Sandman crossover featuring Edwin and Hob being kidnapped and tortured together. Their friendship is really wholesome with eventual Father Figure and Found Family Feels for the whole agency and background Dreamling.

dandelion wine (life and death in summertime) by world_wanderer

Payneland Right Person Wrong Time AU in which neither of them die but they still meet and become friends. The May/December friendship is sweet but tragic, with a bittersweet ending. Superb.

Mirror Image by Anonymous

Charles' afterlife gets taken over my an evil shape-shifting doppelganger, leaving him with plenty of time to regret never talking to Edwin about his feelings. Angsty but with Feelings Realisation and the Power of Love and Friendship vibes.

my healing needed more than time by babyseraphim

Case fic with de-aged Charles! Baby Charles is precious but be prepared for discussions of childhood trauma/abuse.

The same author has also written I'm So Aces at Babysitting, which is a really cute two-chaptered AU featuring Charles and Edwin babysitting the kid versions of each other, with bonus Crystal and Niko doing the same. It's very wholesome and the author writes little kids really well.

Pouring into me by tragedy_machine

Love me some "Charles wants to date Edwin to figure out his feelings but gets turned down" fic. Feelings are hard, OK?

thank u, next by KiaraSayre

Edwin fucks and Charles seethes. It's very funny and also features some interesting worldbuilding with the Fae.

Like We've Never Known Hurt by dearheartdont

Just cute established relationship PWP and praise kink. So good.

all of these hollows by handwrittenhello

The boys are alive again but sans memories. Can they still find each other and prove their devotion to the Night Nurse?? While also evading heavenly and hellish forces trying to keep them apart??? Very interesting concept executed well.

Suo Gân by emryses

The agency takes on the case of a traumatised Edwardian ghost searching for her missing baby... Read it for Edwin family feels.

Where Primroses Bloom by PantryJesus

Reading aloud as a love language and Watership Down feels. Idk, I'm now convinced that Edwin is kind of rabbit-coded with the whole "if they catch you they'll kill you. But first they must catch you" thing. A lovely well written fic.

I'm so sick of online love by Hse11z5

College/University AU where the boys meet through a dating app. It's cute.

you can have the best of me, baby (and I will give you anything) by aletterinthenameofsanity

Again, it's the Friends with Benefits but with real feelings and mutual pining for me. Now has a Charles PoV companion fic.

True Love's Kiss by Asidian

In which Charles curses himself with a Sleeping Beauty enchantment in order to confirm his feelings for Edwin and Crystal is the real MVP. I love this one because the boys are both SO stupid but in very different in-character ways.

I also recommend Promised, in which they kind of play the Green card angle to keep Edwin out of Hell? Which honestly needs to be more of a trope. And Tight Quarters, starring the boys trapped in a magic circle, leading to Forced Proximity induced Feelings Realization (in more ways than one! 😉).

Something I Can Turn To by DontOffendTheBees

I love some domestic fluff, in this case as an Everyone's Alive/Childhood Friends AU in which the boys are poor but happy living together. I liked how they both survive their respective traumas, but Reality Ensues.

I also recommend Lived My Whole Life Before the First Light for a lovely but melancholy Soulmate AU that goes for the "seeing colours" trope for extra wistful angst.

Dining at the Ritz by TerresDeBrume

Meeting the Parents fic in which Edwin's parents are awful and Charles is Not Having It. This has Everyone Thinks They're Dating and autistic Edwin stimming representation, plus discussions of racism, classism and ableism. The fic is also part of a great Modern AU series in which the boys attended St Hilarion's at the same time and Charles saved Edwin from a non-supernatural but still almost deadly prank. Highly recommended!

The Case of the Couples Retreat by juliasfanart

Listen, I can't get enough of undercover fake dating/relationships at a couples retreat, OK? Some minor angst but overall very cute and fluffy.

acu (aysar cinematic universe) by ObsessedWithFandom

The agency is hired to solve the mystery of Charles' death and bring his killers to justice. I'm genuinely obsessed with this series; I love its OCs and Charles having an exboyfriend gives Edwin a fun crisis. Plus haunting Charles' killers is very satisfying and cathartic. Just imagine they're Netflix execs, y'all.

*Not actually quick, as it turns out. 😅

I love doing these lists because I always think I've only got a few recs and then I look back over my recent bookmarks and I've got a metric ton of great fics to rec. You guys are so talented. ❤️

[glytchellblog]

Critics about Tom and Ewan in House of the Dragon Season 2:

"Villainous brothers Aegon and Aemond are standouts – the actors seem to be having a blast chewing scenery, which gives their scenes an electric energy." – nypost

"And the children are all grown up. Mitchell was already great as the terrifying Aemond (and had a brief role in Saltburn), but he’s even better this season. Both Mitchell and his on-screen brother Glynn-Carney are the best-written characters here: their rivalry is a toxic scream among the treasonous whispers." – esquire

"...but everyone’s ever-so-slightly upstaged by the bold performances of two younger actors. Tom Glynn-Carney finds a way to make Aegon simultaneously more tragic and comic than simply “Joffrey with a Dragon,” while Ewan Mitchell transforms Aemond into a more terrifying threat than a real dragon. The magic in both performances is how you find yourself sympathizing with these devilishly dramatic royals while delighting in their mania." – decider

"Mitchell too is fascinating as Aemond, a character who is as cruel as he is cunning. The actor amps up the villainy of his character without making him a caricature, a look or change of expression can sometimes be enough to terrify and he is a formidable player in this ensemble." – yahoo

"Maybe I shouldn't be too surprised that Considine's best replacement is... well, Viserys' replacement, Tom Glynn-Carney's King Aegon II. The actor appeared late in season 1 and, while he was good, there weren't many shades to Aegon. That changes in season 2, where he gets to showcase a lot more range. Like Viserys, he provides the show with much-needed humor and levity, but there's also a real tragedy to the character, and you can feel how his role weighs heavily upon him. It's a terrific performance, and I was shocked by how much I liked Aegon in the first four episodes." – screenrant.com

[an-idyllic-novelist]

Angel Dust with Violet Evergarden!reader platonic fluff scenario

Warnings: spoilers up to episode 4, possible triggers. If you do not feel comfortable venturing any further, please leave now and read something much more pleasant.

For everyone else, welcome to this small piece of fluffy goodness! You guys might know me from my other blog, @forbidden-sunlight . You have sent me your ideas for future Violet Evergarden!reader scenarios for Hazbin Hotel, and here is one of them! :)

Sit back, relax, and let us dive into a chaotic afterlife, where even a bit of reprieve from dishonesty and hypocrisy isn’t possible…until now.

Angel Dust's first impression of you is the following: a cute weirdo who dressed like a doll and didn’t smile much. What was even more tragic is that you actually believed there is a chance for sinners to be redeemed, and that the only to do that is complete Charlie’s half-assed rehabilitation program. You still do, even your progress hasn’t gotten you one step closer to Heaven’s pearly gates and the next Extermination is in six months. Five months actually, but who's counting?

That was around the time when he had to go back to work. He didn’t want to, but he knew if he didn’t…well, he didn’t want to think about it. Valentino is a psychopathic freak. He promised to make him, Angel, a big star in Hell’s entertainment industry, and instead fucked him over six ways from Sunday with false promises.

Long hours, shitty pay. No time to even take a nap in his dressing room because of course Big Daddy Val had his favorite toy’s schedule booked until he couldn't walk anymore and needed a stiff drink. When his afterlife seemed to take a nosedive for worse, and after Husk knocked some sense into him, he started finding letters under his door.

At first glance Angel could tell that they weren’t from his fans. No one’s gonna go out of their way and buy expensive paper to type it on, shove in an envelope, and put a wax seal on it just to praise him for his acting skills and share their wildest fantasies starring yours truly. No. This was….someone else.

He honestly didn't know how to describe the context of these letters because he had never received something like this from anyone who did not expect anything from him in PS or PPS. The sender would write either a short or long letter. The short letter was about half a page long; the sender would ask how he was feeling and ask him one question. What was his favorite food? What is the color he would never wear? The sender included a little about themselves too, as if to encourage him to respond. The longer ones started the same, with a greeting and almost the same stuff written in the shorter ones, but they shared how their day went with him, even the stupid, mundane shit they do every day as a part-time clerk at an antique shop and when they come home. The longer ones were at least two pages long. Some stuff made him roll his eyes, made him laugh…but it was the closing sentences, even as they vary from letter to letter, always jerked his heart in a way which made him both sad and happy at the same time.

I’m happy I’ve met you.

Thank you for being here.

Good night and have pleasant dreams.

You are stronger than you think, Angel.

I hope I can receive a letter from you someday.

You made a lot of progress today in Charlie’s exercises. I’m proud of you.

You’re doing great.

Angel might be a bit of a dummy….but he could tell right away who had been sending him the letters. The bit about Charlie’s exercises…there were only a few people attending that day. Vaggie, Sir Wet Noodles, and you. Vaggie wouldn’t write this kind of shit, and definitely not the wannabe overlord. You. You’ve helped him get through it with these letters and you never expected him to reply back. It’s as if you just wanted your words to reach him through Val’s sickly red smoke and hold his hand in your gloved one.

Naturally…the best way he can say thanks…for caring about him in your roundabout way…is to write a letter back. Maybe have a drink at Husk’s bar and talk about shitty coworkers or why Smiles never stops smiling? He’s not sure, but he’ll figure it out somehow. Sex isn’t the only thing he’s good at. And he’d like to get to know you a little more too.

Taglist

@angelltheninth

@tired-of-life-86

@nixie-writes

@frompeach

@riddle-simp

@likesugarandcyanide

@witch-of-the-writing-desk

@22carolina08

@angel-tsugikuni-kamukura

@justamegafan

@saltyfruitbat

@lanxianschoenheit

@trecllllllll

@vikkirosko

@imperfectbloodmoon

@theunknowntravel3r

@thatstonedwriter

@isuckatwritingsobenice

@chroniccorvus

@food-theorys-blog

@doc-tooth

[whoishotteranimepolls]

In Defense of Nami and Robin (Off Anon for the pics)

So, yes, Oda's way of drawing women is...not great. But they are written beautifully, and to be fair, Toei (The anime) makes the design issue even worse than it is in the manga. (Also, the way in which they ugly cry is amazing, full snot, tears, wobbly lips, red face).

Nami and Robin are some of the best written, well rounded female characters I've seen. They have similar arcs, with tragic backstories that shaped how they see the world and affects their actions and relationships to others, and they have to learn to rely on others, and ask for help and put their trust in others. They are integral to the plot, Luffy will never be able to achieve his dream of being the Pirate King without them.

So first of all, Nami

Yes, this is probably the best picture of Nami's waist in the series, at least, post-time skip

Nami is the Navigator of the Strawhat Pirates, and an officer of the grand fleet. Unfortunately, the same face syndrome does start with her, a lot of the female characters will have her face. But design aesthetics aside, she is a wonder, complex, and dynamic character.

She was adopted by a marine women and raised on a tangerine farm with her older sister. They were poor, Nami always got her sister's hand-me-downs and their mom often skipped meals to make sure her girls had enough to eat. Nami, was an average 8 year old brat who did resent not having enough money to eat, or have clothes, or to buy navigation books like she wanted. But she was loved. So, of course, pirates attacked her village. They demanded a fine from each of the families in town based on adults and children in the household, and her mom was killed because she only had enough money for the girls. The same pirate, Arlong, made a deal with Nami, she could buy back her village for 100,000 belli, but in the meantime, she had to join his crew and work for him creating maps, where he preceded to work her until her fingers bled. She also became a thief and stole money from other pirates to add to the funds to buy her village back. This is where her catch phrase "I only love money and tangerines!" comes from. She intended to betray the Strawhats, but realized that they were the only people to ever show her love and kindness, and when Arlong betrayed her, she learned how to ask for help, to ease her burdens and rely on others when she needed it. Her scene where she was trying to cut her Arlong Pirate's tattoo off before asking Luffy for help remains one of the most profound moments in anime. While she was saved from Arlong, I wouldn't say she was necessarily a damsel in distress, she tried everything in her power, and part of her arc was accepting she didn't have to be alone. Luffy also never insisted on helping her because she was a weak girl or anything, he didn't care at all about her backstory, he just wanted to hurt whoever made her cry.

Apart of Nami's character is her love of money, desire to create maps and navigate the world, and how much she loves her friends/family and is willing to sacrifice for them, as well as the amount of forgiveness and kindness she is capable of and her love for children. She forgave one of the pirates that kept her as a slave, and when his friend, Camie, was almost sold into slavery, Nami didn't hesitate to spend all the money they had to buy her freedom. She discovered children were being experimented on by a crazy scientist and nearly went scorched earth.

When Nami came face to face with an enemy she couldn't beat, despite being a coward and thinking of herself as weak, she didn't back down because she refused to dismiss her captain. She showed incredible bravery and integrity, refusing to lie and break her ideals.

But she can also hold her own as well, she doesn't always lose or need to be rescued. She fights with a Clima-Tact, a weapon that allows her to summon lightning and use weather phenomena to her advantage. She beat Kalifa, a government assassin, Miss-Double-Finger, one of the strongest assassins in Baroque Works, Hotori and Kotori, and various other pirates. She also is particularly agile and has pretty high endurance. (Bonus points, in an anime filler arc, she is the first character with on-screen confirmed kill)

She also is a very skilled navigator, thief, liar, can predict weather phenomenon, maintains the crew's money and budget, a con artist, and cartography (including sea charts which are very difficult). She loves fashion, money, shopping, and is vain. She also somehow maintains her mom's tangerine trees while on a sailing ship.

The fandom widely considered her to be a lesbian, but of course that is only coding/head canons. But she has had very close relationships to other women in the series, including Vivi, and has expressed that she "has a soft spot for strong marine women."

Nico Robin

Her introduction to the series was strong, as she is one of the strongest members of the enemy faction Baroque Works. She was a serious threat, managing to infiltrate the Strawhat's ship and steal Luffy's hat and living to tell the tale, but she was also very mysterious and compelling. Despite being an enemy, she saved Luffy's life, and expressed amusement over his antics. When she tried to commit suicide in the tombs below Alabasta, after betraying her boss, Luffy saved her life, despite her protests. In return, she snuck back onto his ship and made herself his problem.

Like Nami, she has a tragic past that cause her profound trauma, sadness, a distrust in others, but ultimately, she found hope in the Strawhat pirates, and in Luffy, learning how to rely on them, and in return, being relied on. She can ask for help from them, but they ask for help from her as well.

When she was a child, her mother left to sail the seas and become an archaeologist. She was outcasted by her aunt, and her village, but she was accepted by the scholars who lived on her island. The island's name was Ohara. Against the other archaeologists wishes, she learned how to read the mysterious poneglyphs because she wanted to learn the true history of the world. Her first friend was a giant who washed up on the island and taught her how to laugh. But the World Government outlawed the language of the poneglyphs and learning about the true history. And so, they wiped her island clean off the map in an act called a Buster Call, and every single person but Robin was died. Desperate to capture her, they placed a 79,000,000 bounty on her head when she was only 8 years old, dubbed her a "devil child" and claimed she destroyed several marine battleships. For nearly 20 years she ran from organization to organization, only for all of them to betray her and try and turn her in.

While sailing with Luffy, it was the happiest she had ever been. Despite being an enemy just weeks earlier, they accepted her. Even when she was injured by another enemy, Zoro was pissed on her behalf. SO when the World Government finally caught up with her and blackmailed her into helping them while threatening to enact a Buster Call on the Strawhats (and an innocent island) she agreed to go along with them, even trying to sacrifice her own life so that the Strawhats can escape.

Of course, Luffy declared war on the Government and made Robin admit she didn't want to die, she wanted to live.

Robin is smart, capable, caring, funny, and strong. She just wants to learn history and have a family, and she suffered for years before she was finally able to be free enough to do so. She is a strong fighter because she had to be, and she is completely willing to became a monster and protect her friends. She hasn't been in many fights, but she won all of the ones she was in. She wasn't fooled by mind games and magic of enemies in Wano, and kept a calm and collected head. She is a skilled historian, archaeologist, osteologists, assassin, espionage, linguistics, and was a popular geisha. For most of the series she held the 2nd, 3rd, and 4th, highest bounties in the crew. When an enemy threatened the crew, a different enemy pointed out that, (at least, With Luffy not there) Zoro and Robin were labeled as the strongest and most threatening members of the crew, capable of killing an enemy before the rest of the crew were even aware of the threat. Oh, and she has a demon form.

Other Female Characters: Kiku/O-Kiku/Kikunojo of the Fallen Snow

A canonical transgender women who is also a samurai. She is completely accepted for who she is by everyone in the story, and is another strong and capable female character. She is shy and tries to keep a low profile (despite being 8 feet tall), but is more than willing to defend the weak and win back her home island.

The original ask mentioned healers, and there isn't a whole lot of female doctors/healers in One Piece but there is Dr. Kureha. Kureha is the oldest human character, wears crop tops in winter, and will beat Luffy with a rubber chicken and an axe for calling her old. She taught Chopper everything he knows. She is crotchety and stingy, but an amazing doctor and a professional.

Boa Hancock:

Yes she is the most beautiful woman in the world, and yes, her design leaves some to be desired. But she is also a rape victim and a former slave, she hates men, and runs an empire of female pirates. She shows kindness to Luffy once he establishes he holds no sexual desire for her and wanted so save the lives of people he just met.

Other Notable Female Designs

The first mermaid we meet is Kokoro:

Dadan is Luffy's adopted mom who raised 3 feral boys and is the leader of a band of mountain bandits:

Big Mom is one of the strongest female pirates in the series and has dozens of children:

Vice Admiral Tsuru is one of the strongest female marines:

Boa Sandersonia and Marigold, Hancock's sister with the same backstory :

Lola, one of Nami's friends:

Other Gender Stuff:

Ivankov and Inazuma who are genderfluid, and Ivankov is the Queen of an island of queer people

Bonclay who is genderqueer, refered to as both male and female

And Morley who is also transfem

Despite the character designs, One Piece has some of the best written female characters, even if at first glance they may seem like stereotypical shonen women, they hold much more complexity to them. They aren't all damsels in distress, but their strength goes beyond just being able to kick ass. They are kind and compassionate, and they kindness are rarely seen as a weakness. They are smart and experts in their fields of study, which is wide and varied, from history, cartography, science, and medicine. There are several female rulers of their countries, including Hancock, Vivi, and Big Mom. There is a variety of body types and faces, even if they are lacking in compared to male characters. All of their backstories are unique, fleshed out, and has an impact on their characters and their character arcs.

Did I spend two hours typing a 2000+ word essay on women and started to lose steam? Yes. Am I passionate about female characters in One Piece? Also yes. Can you tell I'm very gay for these characters? Probably. Am I sorry to the mod/followers for the long post? Eh, y'all asked for this lmao. Did I catch all the spelling mistakes in my frantically written essay. Maybe

For context, they are responding to this post about Nami and Robin

I don't have anything else to add other than great work

[gilverrwrites]

Dickies Mom has got it goin’ on

Had to get this convoluted, angsty but fun idea out of my head. One day I might expand it into a better-written, fleshed-out fic, but for now please enjoy my yappy ramblings.

Wally West/BatMom!Reader

CWs: Wally being a not so great friend.

So like, imagine you're roughly late 20s/early 30s and happily married to the love of your life Bruce Wayne, there's an age gap sure, but ultimately that's not important. What matters is that you've made a life with him and his children. You're especially close with Dick, his eldest (late teens/early 20s) as you've known him since he was a teenybopper.

All is well, until one day in true comic book fashion; you die. You sacrifice yourself for a greater cause. It's all very tragic.

A decade later, it turns out fate isn't done with you. You've no idea how or why, but you wake in a coffin one day and have to claw yourself out of it. Cold, alone, and afraid, you make your way back to Wayne Manor. There you're greeted by your husband Bruce, but not really. This Bruce is greying. There are fine lines on his face you've never seen before and a ring on his finger that does not match yours.

You're not mad, it's been 10 years, and he was supposed to move on! But it doesn't feel like 10 years to you, it feels like only yesterday everything was perfect. It's devastating.

Queue Dick finding out. He just so happened to be hanging with his best pal Wally at the time, they both drop everything to rush over in a flash.

Your first night back on earth is messy. It's emotional, and stressful, a hell of a roller coaster. Ultimately, you spend most of it with Dick and Jay who surprise is also back from the dead. Dick is really your emotional soundboard, while Jay offers more practical advice about navigating a world that has gone on without you. He recommends you just take some time off, heal your wounds, catch-up with friends and family. You should learn from his mistakes.

Wally helps too. Primarily in a comedian relief way but also just as a sunny friendly face. His freckles and kind green eyes go a long way in making you feel at ease amongst a sea of familiar strangers.

He's adamant you've met before but you insist you'd never forget eyes that green and it stops his heart. You mean nothing by it, but it means a lot to him.

After you’ve parted ways, Dick makes a point of telling Wally not to flirt with you if he ever meets you again.

“Flirting? I wasn't flirting.”

“I was there.”

“But, come on man she's hot!”

“She’s my mom.”

“But she's our age now.”

“Wally, she's my mom!”

Eventually, after a lot of teasing, Wally surrenders but he deliberately makes no promises. He can't, not when he's been replaying the same 5-second interaction you'd had at Dicks 18th Birthday party many moons ago in his head over and over. He’ll try for his best friend, but it seems to him like this was meant to be.

Bruce may not be in love with you anymore, but he still loves you. So he helps how he can, offers you food and shelter, medical attention, a job, whatever you need to get yourself back on your feet.

You decide to take Jasons advice. Bruce still has a lot of your things; your clothes and your car. You ‘borrow’ gas money from your widowed husband and hit the road to seek out lost friends and family. Sad, but eager to get away from the city that no longer feels like home. You leave your rings with Alfred, a sign to Bruce that you expect nothing from him, that you'll leave him and his new wife be even though it breaks your heart.

The first stop is Dick, obviously, since you have to travel through Blüd. After joining him for a routine patrol, you spend the night on his couch, eating Thai food and talking about his life since you… passed. Nightwing as just finding his footing back then, but now he's a force to rival Batman.

You're two states over when you get a call from a number you don't recognise. Most of the people you know have changed their numbers since you last spoke, so don't hesitate to answer. You're surprised however by whose on the other end.

“Wally West? How did you get this number?”

“From Dick.”

He's not lying, he's just omitting the fact that Dick doesn't know Wally got your number from his phone bill. If he didn't want that info getting out he should probably put his bills somewhere other than a lockbox in a safe and quit being only person in the entire world to still actively use a landline.

His not-a-lie works however, the implication of Dick's approval helps you to let down those mother-appropriate conversation walls.

“Heard you're travelling cross country, any chance you plan on stopping in Keystone?”

“Why? Whats in Keystone?”

“Um, the Patriots?”

“Baseball?”

“And hotdogs! Al who serves em does not skimp on all the toppings, you've gotta try em.”

“You want me to detour in Keystone for baseball and hotdogs?”

“Well, there is something else.”

“And whats that?”

“Guess.”

“Unmmm… You?”

“Ding ding ding. She's smart and beautiful, a woman after my own heart.”

He's cute. So cute. He's no Bruce, but Bruce never made you laugh like this.

“Wally, this is a bad ideas. I was married until like a week ago.”

“And? I'm not askin’ you to walk down the aisle again, just one game and like 20 hotdogs. For me. You don't have to eat that many unless you want too.”

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 重啟之極海聽雷/Reunion: The Sound of the Providence/The Lost Tomb Reboot/this thing has too many names

Reunion (I'm just going to call it that) is a 2020 action drama about the most specialest little babygirl in the tomb-raiding world, his two husbands, and the cadre of assorted weirdos they pick up as they try to follow a set of directions left by a dead (?) man in the thunder.

Imagine if someone showed you the Mandalorian, and you were like, gee, that was a neat little sci-fi one-shot! because you'd never heard of Star Wars. That was basically my experience watching this show, having no idea that the Lost Tomb franchise (DMBJ) was even a thing. Turns out that not only is there a whole big continuity out there with these characters, but that Reunion takes place a few years after the main story's resolution. Don't worry, though -- Reunion doesn't spoil you for that resolution. It doesn't spoil you for much, period. Look, DMBJ has a weird relationship to endings, okay?

I have written a more thorough where-to-start guide for DMBJ as a whole, so if you want to consider other entry points, well, that information is there for your consideration. Yet it is my opinion that this is the best entry into the overall franchise, and a fun thing to watch just in general, and I'm here to make my case for both of those.

The rest of this rec will assume that you have no familiarity with the DMBJ series. That's okay; you don't need any. All you need is to trust my five reasons you should watch this.

1. Old Man Yaoi

As you begin this show, you are introduced to the Iron Triangle. That's them in the picture up there. Left to right, you have: Xiao Ge, magically tattooed immortal hottie who just got back from ten years in [scene missing]; Wu Xie, our protagonist, who's just a little guy and it's his birthday; and Wang Pangzi, the literal best.

(And yes, Wu Xie is in his 30s and Pangzi is in his 40s, which is not technically old man anything, but ... look, if you watch, you'll see why I think I'm justified in calling it that.)

They are extremely married. They are a disaster trio of disasters so disastrous that no one else should ever be subjected to their chaos. They're going to make sure lots of people are, though, don't you worry about it. Sometimes those people even deserve it.

However, because the show (tragically!!) decides that Xiao Ge has somewhere else to be like 95% of the runtime, most of the relationship you get to see is between Wu Xie and Pangzi.

I'm saying this now as an old gay nerd who just this year celebrated her 15th wedding anniversary: I have never, never felt so represented in media as I have watching Wu Xie and Pangzi interact. There's a little wake-up song they sing together near the end of the show, and it just ... it packs so much character development into thirty seconds. These boys have been living adjacent lives for so long that they've made up their own little shared songs about the mundanities of daily living. That is just what happens when you marry your best friend and then decide to get old and weird together. Ask me how I know.

Look, if you want to know whether this show is for you or not, watch to the end of the first episode, to the part where Pangzi flips over the table. If your heart is filled with joy (as it should be), keep going.

Love makes a tomb-raiding syndicate family.

2. A fun-filled action-packed romp of nonsense!

If you're familiar with Hellblazer canon, this will make sense to you: Reunion is Dangerous Habits. If you're not familiar with Hellblazer canon, try it like this: Reunion is a terrible place to start because it plays on your extant affection for a character who gains a terrible status effect almost immediately. It's a also great place to start because it throws you right in the action with measurably high stakes and gives you a reason to build that affection very quickly.

I'm also going to warn you right off the bat: The plot of this show got cut to ribbons by censors.

See, the DMBJ books, being books, are allowed to get away with supernatural shit! So you've got zombies and ghosts and curses and monsters and immortality and all your other standard ooky spooky semi-urban fantasy trappings. But the DMBJ adaptations, being live-action, are heavily regulated in their content. This is why, in the early Reunion episodes, our heroes are menaced by human-looking creatures that are actually ancient mannequins made of leather that are piloted, mecha-style, by evil clams. Because evil clams are more scientific than zombies. I guess.

So yeah, the plot of this book already had to get mangled into a more "science"-compliant shape even before it made it to filming. The real problem is that a whole lot more of it got cut after it was all filmed and put together. I have read an explanation of what the actual storyline was supposed to be, and yeah, if you know what you’re looking at, you can see (and hear) the scars where major elements got hacked out with a weed whacker.

Therefore: You cannot expect this plot to make sense.

But that's okay! You're not here for the plot to make sense! You're here to watch some characters you love run around through ridiculous and sometimes beautiful labyrinths, trying to solve puzzles you're never given enough information to understand, all in search of the resolution to a mystery that had half its guts torn out before you got to see it -- and you are here to love it. If you have ever laughed and cheered your way through a Mission: Impossible film without pausing to care too much about the plot holes it’s dodging left and right, you are in the correct frame of mind to appreciate this. Just believe that whatever engaging nonsense the show tells you is correct for the time being and go with it.

You cannot watch DMBJ and care about the laws of physics. You simply cannot.

Do not, however, let me give you the impression that the shoddy plotting is accompanied by equally shoddy performances. A major part of this show’s incredible watchability comes from how the cast is shockingly good. There are some serious heavy hitters among the actors. A major part of why this Wu Xie and Pangzi are my favorite together is the incredible chops both Zhu Yilong and Chen Minghao have, to say nothing of their real-life affection for one another. (See that scar on Wu Xie's neck? That scar is there because Zhu Yilong commits to the bit.) Effortlessly charming Mao Xiaotong turns potentially irritating wunderkind Bai Haotian into a perfect precious weirdo baby. Wu Erbai's entire second-season character arc could have been unintentionally comedic, but veteran of queer cinema Hu Jun sells even the undignified moments as relentlessly tragic. And of course Baron Chen absolutely kills it with...

3. This giant fucking loser

This is Hei Xiazi. That's not his name, but it's close enough. Allow me to do a dramatic reenactment of my watching his first scene:

[camera pans over to him]

me: Ugh, I recognize this kind of wannabe badass character design. I hate his type. He's self-important, hyper-masculine, and just a big jerk, and the show thinks he's soooo cool. Barf.

[thirty seconds later]

me: Oh no. I was so wrong. I love him forever now.

This is because he is (as indicated above) a giant fucking loser. Yes, he's a good fighter who knows lots of things. He's also a wet potato chip of a man. Sure, he can get you into a headlock, but he can also annoy you into submission, and that's honestly more fun for him. My wife has used the phrase “Vash the Stampede-coded” to describe him. My wife is not wrong.

And the kind of ridiculous thing is, being such a loser is what wraps back around to making him cool again. He's a loser because he just doesn't fucking care. His masculinity is the opposite of fragile. You tell him to wear a dress and makeup, he'll do it -- and sure, he'll complain, but only because he enjoys complaining. He has no dignity. He’s tits-out. He's gender. He's the worst and also the best.

Hei Xiazi is a major character in the other installations, to the point where he and his boyfriend (more on him later) even have their own movie. But of course, I did not know this on my first watch, so I kept expecting the show to explain his whole deal. It does not, but you don't really need it to. He sees better in the dark. He doesn't age. He's a thug for hire. There, that's all the bio you need.

One of the things that makes him great is that he is the least sexually threatening person ever. Across all the properties he's in, he spends a fair amount of time with women -- sometimes in very close quarters -- and they are perfectly safe around him. I actually wrote a whole post about it once upon a time (warning for tiny spoilers for a series that isn't this one) wherein I claim that not only Xiazi but Reunion in general is the television equivalent of the shirt that says I RESPECT WOMEN SO MUCH I DON'T HAVE SEX WITH THEM.

That said, this loser does get a sort-of romance plot here -- and honestly, I find it very cute! It's not even the only instance in this series of a bisexual guy in a long-term same-sex relationship getting a girlfriend, and I like that other one too! Look, the handle of my DMBJ sideblog is @katamaricule because I joked that Wu Xie treats polyamory like a katamari, and if you don't move fast enough, you're going to be rolled right up into his gay little cuddle puddle.

This is not a show for exclusive ships; this is a show for inclusive ships. The Jiumen Association is a polycule. You don't even have to know what the Jiumen Association is to know it's true.

4. The power of friendship

This show has a lot of characters.

I'd say the supporting cast is divided into three categories: characters who have been in previous installments, characters who have not been in previous installments, and characters who probably should have been in previous installments (or at least mentioned) but who were only created for Reunion so we have to pretend like we've known about them all along.

There is no way to tell which is which -- which is part of my argument that this series makes a good entry point to the franchise.

Take Huo Daofu. Huo Daofu is a brilliant doctor masquerading as a donut stand operator who treats Wu Xie with all the cold disdain of a man confronting the person who left him at the altar years ago. On the one hand, yes! We do know Huo Daofu from a previous series, and we've known he's both a doctor and a bitch. On the other hand, oh, we have no idea why he's like this about Wu Xie, and we probably never will. The show just treats it like it's for an excellent reason, and you know what, from what you know about Wu Xie, it probably is.

Consider also Jiang Zisuan. One of the show's principal antagonists, Jiang Zisuan turns out to be the brother of ... well, let's just say it's someone whose having a brother really should have come up before this. It has not come up. (And that's even before we get into the issue of his surname.) His stated identity as that person's brother is so bizarre that my favorite interpretation is that he isn't actually that person's brother -- all the flashbacks we see are just his delusions about a relationship he's completely invented. But there's no way you'd know how fucking weird this is on your first run.

Then there's our friendly little support himbo, Kanjian, who shows up to all occasions with two tickets to the gun show and not a thought in that beautiful head. (His name just means "vest," which is par for the course when it comes to the author's naming conventions.) He was a lot more menacing in the last series (where they kept putting sleeves on him, geez), where most of what we learned about him is that you can loan him out to other tomb-raiding families. Now he's a golden retriever with great aim and a slingshot. It's an upgrade.

The trick is, you cannot be surprised when someone shows up and the show treats them like you should know who they are, even when there's no possible way you could know who they are. I mean, for heaven's sake, Liu Sang arrives in the middle of an obvious beef with Pangzi, the origins of which are never satisfactorily explained, while also having a giant do-I-want-to-fuck-him-or-do-I-want-to-be-him crush on Xiao Ge, which is also never satisfactorily explained. Whatever, you just roll with it. He's got good hearing, a bad attitude, and questionable taste in idols. Now you're good to go.

(I should throw in a special note here that Liu Sang is many, many people's little meow meow, and not undeservedly. For a fuller explanation of why that is, please consult this other post I made.)

Part of the fun of this big cast is the adorable interactions you get. All the characters have appropriately big personalities, and the show loves letting people you wouldn’t expect bounce off one another. It’s not your typical action-hero show where nothing happens without the protagonist in the room. There are lots of exciting combinations and tons of charming dynamics! Unlikely friendships form all over the place! Enemies become allies! Allies become friends! Friends become friends with other friends! Some friends become enemies again! You'll need a scoreboard to keep up!

This is not to say the show treats all its characters perfectly or equally -- one of the precious few main female characters doesn't even get a real name, for heaven's sake, and the less said about the brownface racism, the better. It is, at its heart, a dude show for dudes made in China, with all the troubling decision-making that implies. Where it does deserve credit, though, is in understanding that its supporting characters are actual people with personalities apart from their function in Wu Xie's narrative. Sometimes the show just asks "what if [random character A] and [random character B] had to interact?" and has fun considering the answer! Which is almost always a delight to watch, and sometimes even breaks your heart.

5. Amazing rewatch value!

And by this I mean the experience of watching this show is remarkably different once you have any understanding of the rest of the DMBJ universe.

For instance, there's a point where two characters are scuba-diving past some submerged coffins, and one character tells the other whose coffins they are. Working only on information Reunion has given you, you're like, oh, that's where they buried the guy who built this creepy place, that's a little weird. Once you recognize that name from other series, though, your reaction is far more, excuse me, they did WHAT to WHOSE corpses?

Or another point where a character you've already met is on a train, and there's a handsome gentleman who just happens to be riding with her. He hands her his business card! Aw, that's sweet, he seems like a nice guy! Well, no, Xie Yuchen is not nice, but he is one of our allies, and he's Hei Xiazi's boyfriend, and a lot of what he's doing hits real different when you have a fuller grasp on why he's doing it and for whom. (Honestly, a major reason to watch Reunion first is so you're not fully and appropriately upset by how your black/pink gays merely have one teeny tiny scene together.)

From the way the series treats the persistent absence of Wu Sanxing, Wu Xie's third uncle, I absolutely, 100% assumed that he was a completely new character to this installment of the series, an extremely long-lost relative that we've somehow conveniently managed to never talk about before now. So imagine my gobsmacked surprise when I went to watch a different series, set much earlier in the timeline, where the opening scene prominently features Wu Sanxing as an actual character in the present-day narrative! ...Well, sorta. Look, there's a lot of fuckery with his identity in earlier parts of the story, and fortunately you need to know none of it to understand Reunion. But when you do, it suddenly makes a lot more sense why Wu Xie talks about someone who was a major part of Wu Xie's adult life like he died when Wu Xie was nine.

AND THE FLASHBACK SCENE WHERE A-NING GETS KILLED BY THE SNAKE, AND YOU'RE LIKE, OKAY, AND THEN YOU WATCH ULTIMATE NOTE AND IT WASN'T LIKE THAT AT ALL look, I know there are kinda reasons for this, different production companies and all, but seriously, what the fuck

All of which to say is that the experience of watching Reunion the first time is, hey, this self-contained romp is a lot of fun! The experience of rewatching it after watching any of the other DMBJ installments is a transcendently wonderful head-clutching avalanche of one moment of recognition right after another.

And here's the thing: You will watch more. Reunion is a gateway drug. If you are interested enough to make it through all 62 episodes, you're going to be interested in watching more. Which is great. The English-speaking fandom needs more people. Come down into the tombs. It's great down here. We've got snakes and arguably unintentional homoeroticism. Join us. Join usssssssss

Are you ready for an aventure?

There are a couple different ways to watch the first half, but there's (weirdly) only one way to watch the second, so for both of them, I'm going to send you straight to iQiyi: Season 1 (32 episodes) and Season 2 (30 episodes).

And just so you’re ready when Reunion is done, here’s how you find the rest of the DMBJ series, in the absolutely non-chronological order in which I, personally, think you should watch them:

The Lost Tomb 2 (AsianCrush, YouTube)

Ultimate Note (iQiyi)

The Mystic Nine (iQiyi, Viki)

Sand Sea/Tomb of the Sea (Viki, WeTV, YouTube, also YouTube)

Also, there's a lot of movies and side series and other pieces that are worth seeing, and even a couple of full series I've left off the list, and you can just slot them in wherever. And maybe we'll get Tibetan Sea Flo-- IT'S HERE! IT'S HERE! And someday maybe I'll actually have time to watch it! What a concept.

They're so perfect. Perfect triangle. Perfect boys.

[elyvorg]

Kieran Part 2: It’s All About YOU

Well, looks like The Indigo Disk didn’t remotely drop the ball – it caught it in incredible style! Pokémon’s best character-writing job yet has been followed up and capped off with, if anything, something even better. Kieran is far and away the most complex and well-written character that mainline Pokémon has ever achieved, and I am here to talk about the second half of why this is, in very great detail. Consider me just, blown away. I have So Many Feelings about this boy.

This is of course a follow-up to my earlier analysis post about Kieran’s character and arc during The Teal Mask, which you can find here. Reading that before this is recommended!

(This will contain a couple of brief references to some post-epilogue lines, so if you haven’t got to that stuff yet and you really care about seeing it completely fresh, you might want to hold off on reading this for now. But there’s no actual spoilers for the epilogue itself in here, because, whoops, I think I’m gonna have to cover all of that in yet another post of its own.)

(Like last time, I will be largely referring to the player character as “you” for convenience, although I may shift into third person occasionally when I’m talking about the vague implications of a personality that they are given, since that’s a little more relevant this time.)

The gaping pit of inferiority

First, though, before getting into The Indigo Disk, I want to re-establish where Kieran’s character ended up at the end of Teal Mask, now that I have a clearer idea of exactly how that relates to where things are headed.

Kieran was always gripped by an aching inferiority complex, one too huge and unbearable for him to ever face directly. Prior to Teal Mask, he’d coped with that by clinging to the figure of the ogre as an ideal of strength. He imagined that maybe one day if he managed to grow strong enough to be just like it, the ogre would acknowledge him and be his friend – and that would finally mean that he mattered and he really was strong after all. He finally wouldn’t have to deal with the crushing pain of his inferiority complex any more.

But then, of course, you swept in with your amazingly perfect protagonist strength, ripping away Kieran’s chance of ever befriending Ogerpon and doing so in the most tragically agonising way possible that only seemed to validate and hammer home to him just how hopelessly weak he really is. Left with nothing but an even bigger gaping pit of inferiority inside him, and no longer able to cling to the idea of Ogerpon as a way for him to one day escape it, the only thing Kieran could do in order to cope was find something else to latch onto: you.

You became a greater ideal of strength to Kieran than even Ogerpon ever was during the events of Teal Mask, so now he’s hung everything on the thought of making himself strong enough to prove he’s just as good as you. If he can become strong enough to beat you, surely that of all things will be enough to prove that he matters and isn’t weak at all. It’s the only thing he can conceive of that might just free him from the grip of his terrifyingly massive inferiority complex, and he’s clinging onto it for dear life, striving for it to the point of obsession.

I saw a lot of people talk in the lead-up to this DLC like it was going to be about Kieran wanting revenge on you, but that’s not remotely it. He isn’t even able to comprehend the idea that anything you did to him could be considered wrong in the first place; that’s just how things were meant to go when you’re strong and he’s weak, right? Even though it was you who took everything away from him and made him feel so crushingly inferior, that pales in his mind next to how incredibly strong you are and how badly he needs to be like that himself. This isn’t even about him getting another shot at winning over Ogerpon, either – as much as you having become her trainer is a huge source of pain and jealousy for him, he seems to have pretty much accepted that there’s no changing that now.

What Kieran actually, consciously wants out of all this is…  well, it’s extremely vague and nebulous, but that’s precisely the point, because there is no rationality involved in any of it. What is he really hoping to gain from it, when (if) he beats you? For you to decide to be his friend after all? For him to instantly become happy and finally feel strong? For him to magically turn into you and have all the good things you have that he envies about you? Obviously none of those things would necessarily happen, but Kieran is not consciously thinking any of this through to its logical endpoint. He’s not actually hoping to get a specific Thing out of beating you – he just desperately, indescribably feels like he needs to beat you, more than anything else in the world.

What Kieran really needs out of this deep down is for you, this person he’s warped himself into idolising as the Strongest Most Perfect Person Ever, to acknowledge him and his strength. It’s just like he wanted Ogerpon to acknowledge him before, shifted onto a new target of idolisation and grown far more desperately obsessive. If you of all people acknowledged him, then just maybe it might actually be true that he really is strong and worth something after all. At its most fundamental level, Kieran has always just deeply needed to gain a sense of self-worth, and yet his self-esteem is so horribly low that he’s basically incapable of doing so on his own without outside validation. But I really don’t think he’s aware on a conscious level that this is what he needs and what he’s striving to get out of all this.

(And of course there’s no way you’d ever acknowledge him and his worth as a person anyway, right? He thought you’d maybe done that when you called him a friend back in Kitakami, but any fleeting hope of gaining self-worth that way evaporated when you went and lied to him, validating his fears that obviously you’d couldn’t possibly have meant it. After all, why would someone as strong as you ever want to be friends with someone weak like him? The only way you’d ever possibly acknowledge his worth is if he conclusively proved that he’s even stronger than you, by defeating you in battle.)

Blueberry Academy

The other thing I want to do before getting into the events of The Indigo Disk itself is to re-evaluate a few assumptions I made about Blueberry Academy in the previous post, now that we’ve actually seen it for ourselves.

I was assuming that a significant part of the reason for Kieran’s inferiority complex was due to him being bullied at Blueberry, but… there’s absolutely zero indication from any of the NPC dialogue that any such thing happened. If the writers wanted this to be a fact that was relevant to Kieran’s character, they absolutely would have put something in. However, in hindsight, I realise that maybe I was primed to assume a bullying problem at Blueberry due to the Team Star storyline, when actually, Kieran being bullied there doesn’t necessarily fit. His issues about being shunned and his paranoia that people are laughing at him behind his back are so ingrained that they have to have originated from quite a while ago in his childhood – and he’s only a first-year at Blueberry.

So, scratch that part of the previous post: Kieran was not bullied at Blueberry Academy, but he was almost certainly bullied earlier on in his childhood, at whatever school(s) he attended beforehand. It wouldn’t necessarily have needed to be a really overt, physical kind of bullying either – that’s the sort of thing that Carmine would certainly have noticed and protected him from. But even something more low-key like being constantly left out of things and looked down on by others would have left a huge psychological mark on him, and would have probably been too subtle for his socially oblivious sister to do much about. (Or, in some ways, she might just have made such things worse by being so fiercely overprotective of him. Most people wouldn’t want to go near the kid with the Scary Big Sister who’ll bite their head off if they so much as look at him wrong.)

Bullying aside, I was looking for any kind of clues at all from the NPCs as to what Kieran was like at Blueberry Academy before his big change… and there’s almost nothing. Plenty of people comment on Kieran now, because everyone knows who he is as the Champion, but nobody shows surprise that it was this timid kid who rose up and beat Drayton. It seems that as far as most of the students are concerned, he just came out of nowhere. But maybe that’s the point; maybe almost nobody ever even noticed him or thought anything of him at all until he grew stronger. By the time he joined Blueberry Academy, Kieran’s default coping mechanism must have been to make himself as small and invisible as possible, so that basically nobody even really thought twice about him.

Only two whole NPCs actually make any kind of reference to what Kieran was like before he became Champion. (Well, other than Carmine, of course, and also discounting Amarys because she’d have only known Kieran through her friendship with his sister.) One of them is Drayton, who’d noticed him as the incredibly shy kid who nonetheless lit up with joy more than anyone else when watching battles. And then there is one random NPC you can find in the Central Plaza who comments on how Kieran has turned into a completely different person. That’s it. Only two people happened to have noticed this timid kid enough to realise he’s the same guy who suddenly became Champion. (And, while they both seem at least a little concerned, neither of them appear to have outright considered Kieran a friend, because of course not. You really were the first friend he’d ever managed to make, until everything went horribly wrong.)

One thing I was expecting to get from the vibe at Blueberry that it absolutely did deliver, mind you, was the culture around battling. There’s all sorts of talk about battling and getting stronger, double battles as standard to make things more strategic, and even the random NPC trainers can actually be kind of challenging. So I was definitely right that this culture must have contributed to Kieran fixating on getting stronger and proving himself to you through gaining more battling strength in particular. One NPC near the entrance also remarks that “you don’t look strong”, as if people here assume battling strength to be correlated with physical appearance, which… yeah, that explains a bit about why Kieran felt he needed to look different alongside becoming stronger in battle, doesn’t it.

Changing himself

Of course, Kieran’s reasons for changing up his appearance go much deeper than just wanting to superficially “look stronger”. In order to achieve the nigh-impossible feat of managing to match you in strength, he felt like he had to become nothing short of a completely different person. He can’t be anything like that timid, weak, pathetic kid from Kitakami who got walked all over, because there’s no way that kid would ever, ever be able to beat you.

Which means that absolutely everything about who he used to be needed to get thrown away. That hairstyle that practically covered his face and let him hide himself behind it? Gone. His country accent and way of talking due to being raised in Kitakami? That always made him feel different and outcast among the students at Blueberry already, but more than that, it’s a distinctive feature of that kid he used to be and cannot be any more, so he had to cast it away and learn to mask it. Even the unambiguously good parts of him – the way he’d always get so excited and passionate over things he finds cool! – they’re a part of his old self, so they had to go, no exceptions. Far be it from him to ever say “wowzers” any more, for more than one reason. His old hairstyle may have been the one that visually resembled a mask, but now he’s putting on much more of a metaphorical mask than he ever was before. (Putting on a mask to become stronger and hide his reasons to be cast out and shunned – a bit like a certain ogre.)

(And since Kieran’s just on the cusp of puberty, I find it fun to imagine that maybe his voice happened to start breaking in the interim between the two DLCs, so that he doesn’t just talk differently and mask his accent, his voice literally sounds different now compared to how it did before.)

Unfortunately for Kieran, no amount of fervently doing everything in his power to change and grow stronger can make his growth spurt come any sooner. It seems it hasn’t happened quite yet, leaving him awkwardly still the smallest person in the room even as he is trying to project an air of being Strong and Tough now. He gets around this as best he can by adopting a mannerism of taking a step back from people, to give him less of an angle to look up at, and tilting his head far enough back that he can kinda sorta still be looking down on them, in a sense. He is so desperate to not feel small any more.

(Fittingly – or ironically, perhaps – you are the one relevant person who is the same height as Kieran and can face him eye-to-eye. That’s bound to be feeding into his complex about you: all the other people he looked up to and saw as stronger than him were older than him and so they had a good reason to be that strong – but you and he are the same age. You should be his equal, and yet you can already do and have all these things that he could only dream of.)

And his timid demeanour isn’t the only thing from before that Kieran cast away – he also got rid of almost his entire team of Pokémon from those battles back in Kitakami. Nearly all of them went the same way as poor Furret and Cramorant before them, because they weren’t strong enough to win him that vital battle that would definitely have decided who got to become Ogerpon’s partner (right?), so there’s no way they’d ever be able to help him beat you now. The only exception to this is Dipplin, perhaps precisely because Kieran knew it was capable of evolving again and so still had more strength it had yet to show him. The rest of his team got completely overhauled, no doubt informed by his fervent studies in battling strategies to let him put together the strongest and most optimal team he could come up with.

I nearly had a whole spiel here about how excruciating it is that his new team has a Politoed, in that he could almost have kept another of his old partners from his Kitakami team if he hadn’t hastily evolved Poliwhirl into the less strategically-optimal evolution as part of his efforts to prove himself to you during Teal Mask. Except, actually, a postgame line implies that Kieran’s Politoed is also a longtime partner of his, along with his Poliwrath, like they’re a pair. So it’s not that he went and caught a “replacement” Poliwag that he was less attached to – apparently he always had two Poliwag friends from the start and just only ever trained up one of them to use against you in Teal Mask. Then, when that one had failed to be good enough for him, it was the other one’s turn to prove how strong it could really be.

As for his other new team members: Porygon-Z and Incineroar are both available in the Terarium, but Grimmsnarl is only available, to Kieran at least, in Kitakami. So that must be another one he’d caught during the school trip, maybe a candidate he’d considered training up back then but never quite had the time to alongside the rest of his team. And then there’s Dragonite, which is an interesting one, because the Dratini line is nowhere in either Kitakami or the Terarium – meaning, Kieran must have gone out of his way to trade for it in order to get one. Perhaps he was really impressed by the strength of Drayton’s Dragonite and wanted one of his own to match that? (but his has a very different build to Drayton’s, so it’s fine, he’s definitely not just copying Drayton in order to win, okay.) I like to think that maybe he got it from Carmine, who’d apparently been visiting loads of other regions with Briar during Kieran’s obsessive training arc and therefore could have been in a position to catch a Dratini.

More importantly than just catching these new Pokémon, though, would have been training them, which Kieran threw himself into so obsessively that it and studying battling strategies now consume every single moment he has, to a concerningly unhealthy degree. He’s cutting back on sleep, barely eating proper meals, because spending any more time than necessary on even things like basic physical needs is not acceptable to him. You are so overwhelmingly, impossibly strong in his mind that, in order to match your strength, Kieran feels like he has to give everything, no matter the cost to himself.

Being Champion

And, well, his fervent desperate self-destructive training did indeed make him strong enough to become Champion of the BB League. It’s only a stepping stone, a means to an end for his ultimate goal of being strong enough to beat you – but it’s something. As Champion, Kieran’s known to everyone in the school, getting awed murmurs wherever he shows up. People respect him now, because he’s proven that he's strong. (The very converse of how everyone ignored and shunned him back when he was weak. That’s how it goes, right?) And on top of that, he’s earned himself a position of authority over everyone in the League Club.

…Frankly, it’s a very stupid rule the club has to make the Champion be automatically in charge of the whole thing, precisely because of situations like this, in which the trainer who happens to be strongest also happens to be someone nobody else wants bossing them around. But thanks to that stupid rule existing, Kieran’s in charge now, and everyone else has to do what he says whether they like it or not, because he’s the strongest of all of them. Way to validate and perpetuate Kieran’s toxic worldview that having strength (battling strength) means you get to call the shots and walk all over anybody who’s weaker than you, and that’s just how things work.

Our first glimpse of how drastically Kieran’s changed, the interaction we see him having with that one poor club member, is bound to be the epitome of how he’s been treating everyone in the club these days. And he is not simply being a dick for the hell of it just because he can now and he’s turned Edgy or whatever – everything about his behaviour here is agonisingly rooted in his own deeply ingrained worldview about strength and weakness.

It's so tragically telling how he phrases his scathing disapproval of the poor guy as, “So that means you’re just OK being this weak forever? That what I’m hearing?” That’s not at all what the guy was saying, but Kieran hears it that way because he can’t help but see his own former, weaker self everywhere he looks. At the end of Teal Mask, he was trapped in that horrible pit of feeling like there was nothing he could do except be this weak forever, unless he devoted himself obsessively to becoming stronger and stronger and stronger with everything he had. Any tiny sign of weakness in anybody else reminds him of that place, reminds him that the only reason he’s not trapped there himself right now is because he’s spending every waking moment trying to claw his way out.

The guy’s reason for not completing Kieran’s training assignment wasn’t even that he didn’t want to do it. He said he’d had hectic stuff going on at home that meant he didn’t have time, which ought to be a perfectly reasonable excuse! But… not to Kieran, it isn’t. Kieran has sacrificed everything to become as strong as he is, even basic physical self-care; he would have chosen training over busy home-life stuff in a heartbeat. Anyone who isn’t willing to do the same, anyone to whom growing stronger isn’t the most important thing in the world – they’re not good enough. They must obviously just want to stay weak forever, like Kieran himself absolutely could not bear to be. So he kicks the poor guy out of the club, thus dooming him, in Kieran’s view, to really being stuck this weak forever with no chance to improve.

It's bound to be just like this for everyone else in the club, too, based on plenty of comments we hear about how Kieran becoming Champion has taken the fun out of everything, and the ridiculously strict rules he’s apparently put in place. He’s projecting his own unhealthily high standards of strength onto everyone else, then shunning them if they don’t manage to live up to that, because that’s just what happens to people who are weak, right? It is agonising to watch Kieran perpetuating the exact same toxicity that he used to always feel like he was on the receiving end of, especially as that isn’t even really why he was ever treated that way.

None of this is the behaviour of someone who is even remotely secure and confident in their strength. Despite being Champion and having the respect of the entire school, Kieran is still constantly terrified that even the slightest thing, even so much as allowing a tiny instance of “weakness” in anyone associated with him, will cause all of the strength he’s worked so hard to build to come crashing down in an instant. (One detail I really love about the scene where he’s telling that one guy off is the way Kieran’s tapping his foot at the beginning. He probably means it as a way to express impatience, but really it comes across as incredibly anxious and insecure. The animators did some excellent stuff with Kieran in this DLC.)

And what’s extra heartbreaking is that Kieran doesn’t need to be doing any of this. He’s the Champion now; he is undeniably strong; he’s able to talk to others; people notice and respect him. He is already in a position to reach out and grasp everything he’s ever wanted: acknowledgement, friendship, fun. He used to love battling – he’s supposed to love battling – so he could be having a great time with all this! If he just dropped this toxic mindset and stopped letting it turn him into a massive jerk, he could make friends with the Elite Four and others in the League Club and not be alone any more!

But he’s not able to see any of that. None of the things he’s already genuinely gained for himself truly feel like they matter, not when they’re all just a means to an end for the one thing that does – proving he can beat you. By desperately hanging his entire self-worth on the idea of becoming strong enough to measure up to you and nobody else, Kieran has blinded himself to the fact that he’s already found a good amount of what he’d always truly wanted in the first place. And it also means that, if he can’t beat you when that day comes, everything he’s done will be for nothing.

Drayton and Carmine

But although nobody is happy with the way things are now (least of all Kieran himself), it seems only a couple of people have been willing to question Kieran’s “authority” enough to try and talk him out of this.

One of them is Drayton, who’s doing this not just out of wanting his club to go back to normal, but also because he’s the almost-only person to have noticed the timid yet battle-loving kid Kieran used to be, and he genuinely wants to help Kieran remember how to have fun like that again. Unfortunately, it seems that any of Drayton’s attempts to tell him this bounced right off Kieran, because fun and excitement were a part of that weak kid he used to be and absolutely cannot be any more.

Plus, with his newfound authority and validation of his toxic worldview, Kieran would easily be able to brush off anything Drayton said to him with the excuse that he doesn’t have to listen to someone who can’t beat him. He actually mentions at one point that Drayton “always loses” to him, implying they’ve battled more than once. Apparently, in an attempt to get Kieran to listen, Drayton actually went and challenged him to a rematch at some point, or maybe even several – a remarkable amount of effort, coming from Drayton – but he still couldn’t win.

(Kieran is bound to be super jealous of the way Drayton appears so effortless in his strength, when Kieran himself had to train and strive so hard to reach this level. But on the flip side, now that Kieran is the stronger one, he can use Drayton’s laziness as another way to paint himself as superior. Obviously the reason Drayton keeps losing to him is because he doesn’t train nearly as hard as Kieran does.)

It also doesn’t help that Drayton’s attitude towards Kieran when he’s not specifically trying to encourage him to have fun again is very sarcastic and condescending, drawing from his deep frustration at Kieran’s attitude. It must be very easy for Kieran to completely overlook the part where Drayton is actually doing this because he cares – he probably feels that Drayton just hates him and wants him gone. (Just like everyone who’d always shun him and treat him like an outcast before, right.)

Then there’s Carmine, who’s been incredibly worried about the change in her brother and is bound to have done her fair share of trying to talk him out of this too, evidently also to no effect. It’s certainly easy for Kieran to remain oblivious to the fact that she’s doing this because she cares about him and isn’t just trying to bring him down, since she has, uh, historically not been very good at showing that.

It seems that Kieran has largely been avoiding Carmine since he overhauled everything about himself. No doubt a lot of that is because, what with her being part of the reason for his inferiority complex in the first place, she’s capable of triggering his insecurities more intensely than anybody else can. But maybe it’s also partly because on some level, he’s aware that she’s got a point now with the things she’s trying to say to him, and that makes him feel bad, and have doubts that he can’t afford to be having. Carmine’s certainly right to be concerned that his behaviour now would be driving any friends of his away – although she is almost definitely wildly wrong to be assuming Kieran even had any friends other than you before all of this.

(For that matter, she’s very wrong to assume that you are still his friend right now in a totally normal way; ha ha ha. But then, based on your options of “yes” and “yes” when Drayton asks you if you're Kieran's friend, it seems that you – the player character – are also somehow completely oblivious to the fact that Kieran just maybe might not consider you a friend any more on his end. Which just makes this whole thing even more excruciating.)

The dynamic between the siblings during the one brief time we see them interact here has notably changed, in that Kieran is finally able to stand up for himself more, telling Carmine to shut up when she tells him off. And yet, he doesn’t do so very forcefully, averting his gaze in a way that suggests he just sort of mumbles it. He probably realises she has a point about what she was saying – that he shouldn’t act so condescending towards you. Which on Carmine’s end, she said because she doesn’t want him to drive away the one friend he still (supposedly) has, but that’s not how it’d read on Kieran’s end, because he doesn’t believe you ever were his friend at all. He must have felt like his sister has a point only because he doesn’t have the right to act that way towards you, not when he still hasn’t proven himself to you yet (and maybe never will).

Unexpected reunion

See, there’s a lot of interesting stuff going on under the surface of Kieran’s reaction to suddenly meeting you here. Literally everything he’s been doing this entire time has been for the sole purpose of defeating you when he sees you again. Which means that you showing up and challenging the BB League should be exactly what he wants and has always been waiting for. And yet.

The first notable thing is that he had nothing to do with inviting you here – the person responsible for that was Carmine. She probably figured that you’d be able to help her brother out, so she recommended you to the director when she heard he was looking for an exchange student to invite from Paldea. As Champion of the school, Kieran should also have had enough influence to make such a recommendation – but he didn’t.

Then, when Kieran comes to the cafeteria, he has plenty of condescending things to say to Drayton (about how taking a lunch break is a waste of time, because who needs to bother with basic physical needs like eating when they could be training instead, right). But the moment he sees you, he’s just shocked at you even being here… and then he’s very quiet for the entire rest of the conversation.

Drayton puts things to a vote among the Elites plus Kieran as to whether you should be allowed to join the BB League, and – despite that this should be exactly what he wants – Kieran is the last to vote. He only does so when he’s forced to break the tie.

(Although, it’s revealing in a different way that the Elite Four all ask each other for their opinions first, with none of them naturally thinking to consult Kieran. Despite his newfound strength and authority, he is still socially excluded – but this time he really has nobody but himself to blame.)

Kieran’s wording of how he casts his vote is so very telling. Just: “It doesn’t matter who I’m facing… I don’t lose.” – and he says nothing else before leaving in a huff. He words this in a generalised way, as if this an overarching principle of his that has nothing to do with you in particular, even though it’s always been about you. Because if he let himself think about how you in particular will be his opponent, then suddenly the statement that he doesn’t lose doesn’t feel so certain. But, put on the spot like this, he cannot show any sign that he’s afraid he might lose to you – that would be like giving up and accepting that all the effort he’s put in for all this time has been for nothing. So he has no choice but to let you join.

(Drayton totally knew he would refuse to lose face like this if put on the spot, of course, and that the Elites would vote 2-2 between them and leave Kieran with the deciding vote, which is precisely why he set things up this way. Kieran’s not unaware of this, either.)

There’s a brief interim here as you head to the front desk to officially sign up for the League. This gives Kieran a moment alone to process the fact that, welp, this really is happening, you’re really here, and, isn’t this supposed to be exactly what he always wanted? Hasn’t everything always been so that he can beat you this time? He manages to twist things around in his head, convince himself that yes, this is it, the chance he’s been waiting for, and he will win when it comes down to it, he will, because that’s what it’s all been for.

As such, when he shows up at the front desk to confirm that he’s allowing you to join, Kieran is able to be a lot more direct about you challenging him than he was in his one whole sentence on the topic in the cafeteria. Even then, he makes a comment to Drayton about how he feels like he was manipulated into this… then immediately insists that he’s fine with it because this is what he wanted anyway. If it was truly 100% what he wanted, he wouldn’t have felt manipulated!

To sum all of this up: it is abundantly, delightfully clear beneath the surface that Kieran does not actually feel ready to face you. He would never have felt ready for this, no matter how long he’d spent training and pushing himself, because your impossible unreachable strength and his own inherent worthlessness are both so deeply ingrained in his mind that he is incapable of truly believing he can match you.

But, well, here you are, and now Drayton’s trapped Kieran in this situation where he has no choice but to keep up the mask of strength and confidence he’s been putting on all this time. So he’s got to act like he’s fine with you challenging him, whether he truly feels ready or not.

Your Elite Four challenge

As you work your way through the Elite Four’s ranks to earn the right to challenge him, Kieran is very insistent that you’d better not dare lose to anybody else before facing him, or to have gotten weaker in any way since he last met you.

You might think that Kieran would be glad if you actually did lose to one of the Elite Four and never manage to make it to him, because, hey, that means he’s already stronger than you! He doesn’t even have to worry about whether he can win his battle against you! But… no, that wouldn’t be how it’s supposed to go. The way Kieran’s been building things up in his head the entire time, his whole life is supposed to magically somehow get better when he beats you. He needs to prove himself and his new strength to you, specifically. It wouldn’t mean anything if someone else beat you first, or if you’re somehow not actually still the impossibly strong person he’s idolised and fixated so hard on becoming equal to. That’d just be the most crushing anticlimax for him, in which he never gets to achieve what he’s been striving so hard for, and in which he’d have to somehow come to terms with the fact that… he’s already stronger than you, and yet he still doesn’t feel better or any less agonisingly inferior than he always did? If that happened, he’d be at a complete loss as to any other way to escape how he feels about himself.

But, fortunately for him (for some value of “fortunate”), you of course still are just as strong as you always were. On hearing you assure him of this, and also on seeing it for himself as he watches one of your Elite Four battles, Kieran gives this awful twisted grin that does not even slightly reach his eyes (because he has completely forgotten how to genuinely smile and no doubt hasn’t ever done so this entire time). Yes, he will still get to have his long-anticipated showdown with you, and winning that will still somehow magically definitely fix everything that was ever wrong in his life. Definitely.

There’s also the part where, because you come with such glowing recommendations, you get to skip working your way up the BB League from the very bottom and can start right at challenging the Elite Four. Kieran has to feel all kinds of ways about this – on the one hand, he’d tell himself he’s glad because this means he has less time to wait until the battle that he’s definitely totally ready for, and he knows full well that you wouldn’t need to waste your time on small fry at the bottom. But on the other hand… he had to painstakingly work his way all the way up from zero in order to get where he is, so it sure is something that you’re so special that you just get to skip doing that. (And if you did have to start at the bottom, then it’d give him more time to train himself, just to make absolutely sure that he really is ready to face you…)

When you’ve beaten the final Elite, Kieran shows up again and scoffs that this was kind of slow for you, wasn’t it? I believe this isn’t just posturing and was his genuine reaction – you’re so impossibly perfect in his mind that he can’t even comprehend the idea that you wouldn’t breeze through this effortlessly without a single hitch. But still, at least he can turn the fact that you fell short of his impossible expectations into condescension that helps him feel above you and definitely capable of beating you. (How long did it take him to beat the Elite Four, I wonder? Probably longer than you – but of course he’s not gonna bring that up.)

Drayton, meanwhile, has now picked up on the fact that Kieran isn’t just obsessed with winning like he’d initially thought – he’s obsessed with you. Maybe he’d have approached things a little differently if he’d been aware in the beginning that you were a lot more to Kieran than just an old friend. But, welp, bit too late to back out of what he’s set up now, whoops.

And on Kieran’s end, he hasn’t let go of the feeling of being manipulated into this, and now feels like you and Drayton are plotting against him. This poor kid’s paranoia and tendency to assume people are laughing at him behind his back has still not gone away, even if it’s taken on a slightly different form now. It’s probably a good thing he doesn’t ever learn that Carmine was the one who called you here, or he’d think she was in on this supposed conspiracy too.

(But, hey, while Kieran could never do anything about it before whenever he was ganged up on and shunned by others, at least now he’s finally strong enough to fight back and hold his own, despite being outnumbered, right? Just like the ogre did.)

THE BATTLE

So now, it’s finally time: the battle that Kieran has absolutely everything riding on. Of course I’ve already made it abundantly clear here that every single thing he’s done has been for the sole goal of beating you right here and now – but it says a lot that he spends his pre-battle speech making sure you know this. He probably feels like you’re such an amazing superstar trainer that challenging someone for their Champion title is basically just another Tuesday for you, like this is nothing on your end – but this battle is everything for him, everything that he’s been spending every single moment of every single day building up towards for all this time, and he needs you to acknowledge this.

And as if that wasn’t enough, as the battle opens, Kieran screams into the sky with the sheer uncontainable emotion of how much this means to him. Everything he’s been feeling, bottling up, clinging to for so long is spilling out of him now that he’s finally here in this one pivotal moment he’s always been waiting for.

It comes spilling out in a lot more than just that scream, too; he has so many things to say throughout the battle as it all reaches fever pitch inside him. While some of his in-battle dialogue during his Teal Mask fights had fun hints at his issues in there, this one battle here absolutely takes the cake. This is quite possibly the most dialogue in any battle in any Pokémon game, and all of it has something interesting and nuanced going on that’s rooted in Kieran’s massive issues. I cannot resist taking this opportunity to talk about every single bit of it.

His first line as the battle begins is, “I know I’m making the right choice… You’ll understand that soon enough!”, which seems kind of odd on the surface. What “choice” is he even talking about that he feels the need to justify? Accepting a challenge to his Champion position is just what Champions are meant to do. But that’s not what Kieran’s thinking about here – he’s thinking about all of those times that Drayton and Carmine tried to talk him down from the entire way he was acting and pushing himself too hard. Every time they did, he insisted to himself that no, training this insanely hard is the right choice, he needs to do this, and it’ll all be worth it when he beats you. …Somehow. Definitely. You’ll see, you will, you have to…!

On the very first hit he lands on you – it doesn’t even need to be super-effective, any damaging hit will trigger it – he says, “How do you like that? See how hard I’ve trained? Not like that kid you battled in Kitakami, huh?!” In reality, the hit he lands here isn’t necessarily any bigger than the kinds of hits he dealt to you back in Kitakami – but it feels bigger to Kieran. He’s trained so hard that he feels so much stronger and so different from the kid he was back then, and he needs you to see and acknowledge this too.

Meanwhile, your first super-effective attack you land on him manages to pierce through his mask for a moment and get a “wowzers” out of him. It’s not actually any more impressive than any other super-effective hit he might receive from any other trainer – but because it’s coming from you, it feels so much more incredible, triggering his instinctive irrational idolisation of you just for a moment before he collects himself and puts his mask back up.

Then he insists that he’ll still win anyway, even if “the type matchups work out for you”. Which… isn’t how type matchups in battles work? Sure, you landed one super-effective hit, either because one of your Pokémon happened to have a good matchup, or you just had a good coverage move. That doesn’t mean that all of the type matchups in the battle are inherently in your favour. But Kieran apparently feels like they are – because, when it comes to him versus you, he always feels like everything in the world is on your side and he has to claw and grasp to regain the tiniest bit of ground against his inherent overwhelming disadvantage.

Speaking of everything being on your side, when you land your first critical hit on him (and I say “when” here because this battle is long enough that statistically you’re extremely unlikely not to at some point!), his response is delightful, raging that “even luck’s chosen you over me!” and that it’s “not fair!!!” All of his bitterness and jealousy about Ogerpon choosing you over him is still raw, evidently, so even something like you getting a statistically near-inevitable critical hit feels to him like luck itself taking your side against him, because everything always does. And on some level, he may have realised that you befriending Ogerpon was partly due to the sheer luck of you happening to meet her while he wasn’t around, so of course he’s bitter about luck because of that, too. It’s not fair, how you always get everything, so effortlessly, while he has nothing.

(He doesn’t comment at all if and when he lands a critical hit, because of course not. Confirmation bias is one hell of a drug.)

And of course, you bringing out Ogerpon herself gets an extremely strong reaction from Kieran. “You’ve got some nerve,” he snarls among broken mirthless laughter, to bring her out “NOW of all times?!” This, right here and now, was supposed to be his moment, his time to finally shine and show you how strong he is and take the victory. And yet you’re choosing this moment to parade Ogerpon in front of him, a reminder of the painful losses and inferiority he suffered back in Kitakami that he’s tried so hard to forget and overcome by making himself stronger, just rubbing it in his face that you got to have her because you’re so strong and lucky and perfect.

His expression during this line is one hell of a thing as well: shocked and wide-eyed and practically terrified, in stark contrast to all of his other expressions in this fight. He’s not only reeling from the pain of having his inferiority from back then shoved in his face, but also, he’s always believed that Ogerpon is so incredibly strong. If you’re using her against him in this battle, you and her working together… how is he ever going to be able to defeat that combination of impossible strength…?

(Apparently, Kieran’s trainer AI actually has a modification in this fight that makes him prioritise attacking Ogerpon more than an AI trainer otherwise would, which is delightful, I love that that’s a thing devs programmed in there. Of course he’d desperately want to get Ogerpon off the field as fast as he could before she utterly destroys him.)

As his back’s against the wall and he’s sending out his final Pokémon, Kieran’s still raging, with increasing desperation: “Just go down already! How are you still standing after I’ve thrown everything I have at you?!” This battle is not at all going how he’d insistently imagined it would in his head, in which he’d prove himself and win, not even though he’s giving it absolutely everything he has. (And the thought that you still won’t go down even then is terrifying to him. He really has given everything to this, he couldn’t possibly have done more – and yet, what if that still isn’t enough to beat you? That’d mean it’s just impossible for him, no matter what he does, and he’d have absolutely no idea how to cope with that.)

Just before he Terastallises his Hydrapple, he insists that he “doesn’t need the old me”, that he’s changed – here’s the way he felt he had no choice but to throw away everything about his former weaker self in order to get stronger, even the positive parts. But then he adds, “and I’ll show you I can change again!” He’s not just literally referring to the Terastallisation he’s about to do (although it’s thematically fitting that he brings up this topic as he’s doing this – and his Hydrapple’s Fighting Tera-type is a neat link to him having changed himself into being obsessed with strength) – rather, he’s referring to what he’s convinced himself will happen when (if) he wins this fight. That’ll change everything for him, right? That’ll make everything good, finally; he’s going to change for the better once he wins this, he has to…!

And then… Kieran’s animation while he’s Terastallising is an odd one. He’s remarkably expressionless about it, compared to the intensity of his expressions in the entire rest of the fight. But I think the reason for this must be: most trainers wince with the force of it as they begin charging their Tera Orb – and apparently, Kieran doesn’t want to be seen doing that, because that’d make him seem weak. So he’s trained himself to put on an expressionless mask, not even looking at the orb directly, to avoid that. (And one of the few trainers who doesn’t wince, who’s able to stare directly at the dazzling power coming from their Tera Orb without flinching, holding it up for all to see… it’s you, of course. Kieran almost certainly saw this from you a few times back in Kitakami.)

His last possible line in the fight, as he orders an attack from his Hydrapple, at which point he is guaranteed to have only one or two Pokémon left and be desperately fighting to hold on with his back against the wall, includes him saying, “I’m capable of winning too, you know!” Because that is definitely a very normal thing for a reigning Champion to need to say to their challenger. Even with all the victories he’s had on his way here, Kieran still has to fight to convince himself that he is capable of winning, because being up against you and teetering on the brink of defeat like this just reminds him of all his previous agonising losses at your hands, his inferiority complex rising up to overwhelm him with the feeling that he’ll never be able to be strong or win anything at all.

(And, hey… what if he had actually managed to win? Tragically, the game does not let you see any of his reaction if you do happen to lose to him; it just rewinds time like it never happened. But there’s no way that Kieran beating you here would truly have helped or fixed anything about that massive inferiority complex of his. He’d ride the high for a bit, but then he’d go back to the same condescending façade he’d had before and gradually realise that… he doesn’t actually feel any better about himself beneath it like he was supposed to once this happened. Funnily enough, beating you in a Pokémon battle would not have magically turned him into you.)

Everything falls apart

But, of course, because the game refuses to let you not be the Perfect Protagonist (or, perhaps, because the narrative needs to go this way in order for him to actually get better in the long run), Kieran loses. The last time he lost a pivotal battle against you that he’d told himself everything depended on, back in Kitakami, he crumpled immediately in defeat – but this time, his reaction’s a lot more drawn out. Back then, the conviction that he could never ever beat you was right there at the surface to the point that he was basically expecting to lose despite his determination. But here, he’s spent so long insisting to himself over and over that he will win this time, he will, convincing himself that things just have to go that way… that it takes him a moment to even process the fact that they haven’t. He’s just shocked, lost, dumbfounded, not knowing how to react, because this wasn’t supposed to happen…!

But then the spectators around him mutter and begin to leave, apparently because he lost, because he’s no good after all and so there’s no point staying to watch him, and this seems to be what agonisingly drives home the reality to Kieran. All the respect and esteem he’d managed to grasp for himself – in this one awful moment it feels like all of it is crumbling away before his eyes. All of his effort to get here (so much effort) was worthless, all because he couldn’t beat you. He’s gone right back down to being nothing. I adore the blurry effects in the cutscene as Kieran sways and staggers and collapses, giving a visceral sense that the shock of this is hitting him so deep that it's rendered him physically light-headed and dizzy. Guh, this poor kid.

And then Drayton has to come along and rub it in. Kieran winces in agony as he gets smugly called “ex-Champion” – though he was never doing any of this for the Champion title itself, having it meant something and made him matter, and now that’s gone like it was never there at all. It’s bound to sting especially hard coming from Drayton, whom Kieran believed was plotting with you to take him down, take away everything he had, and now that’s exactly what’s happened, because he wasn’t strong enough to stand up for himself after all.

…The fact that Drayton felt the need to be a smug bitch about this first and foremost does not remotely help Kieran actually listen to and internalise the genuinely good advice Drayton gives just a few moments later. He really was doing this because he cares, and because Kieran ought to go back to having fun with things! But of course Kieran isn’t in any state to listen to that, not after all his paranoia about Drayton manipulating him, and then Drayton rubbing his loss in on top of that; he still has no idea that the guy genuinely wants to help him. (Unfortunately, while Drayton cares about the person Kieran should be, he has been deeply frustrated by the person Kieran is being, and that comes out in sarcasm and smuggery first, hence why this completely bombs.)

So instead of taking on board Drayton’s advice, which he probably wasn’t even listening to, Kieran just starts desperately, incoherently mumbling about how he’ll win next time. It’s the only thing he can cling to – the same thing he always has, to escape the all-consuming, unbearable thought of just being achingly inferior forever and ever with no way out. He still can’t see any other way out that isn’t beating you. (But… how is he ever going to win next time, when he’s already given it absolutely everything he had and still couldn’t manage it…?)

Seeing him being so clearly Not Okay, you approach him and (probably) attempt to say something to him, but it seems like even if you try, you barely get any words out before Kieran just shuts down even more. He reacts with slumping, and with an “Aw, man…” – the same words and body language he’d often have back in Teal Mask whenever something (usually his sister) would push back at him and make him feel small. Now that he can no longer cling to his façade that he totally is stronger than you and just hasn’t proven it yet, he’s reverted right back to the state of mind he was always in back then. And it’s you in particular that triggers his inferiority complex harder than anything else right now, even if you just silently approach him, or say a few words that certainly wouldn’t have been anything cruel.

It's a bit of a shame that the game doesn’t actually let us see what you try to say to him, assuming you do. But it most certainly couldn’t have been anything along the lines of “You put up a really tough fight!”, because that kind of thing – acknowledging Kieran’s strength, even though he lost – is exactly what he’d need to hear right now, and he’s clearly not hearing it. Whatever it was you did say, he probably barely even heard it beneath his crushing sense of inferiority at being near you, and you probably trailed off pretty quickly upon seeing his reaction.

(In fact, it might say a lot that your dialogue options here are so non-specific that they’re literally just “Say something/nothing”. This suggests that the player character has no idea what to say to Kieran at seeing him in this absolute state, and they can only choose to either accept that and remain silent, or to fumble for something to try and say anyway. I believe it’s pretty important to “your” role in Kieran’s arc that the player character is extremely socially awkward and just finds themselves utterly lost as to how to deal with him breaking down like this because of them. Someone with better social intelligence would be able to say the right thing here to help him at least begin to feel better! But that someone is emphatically not you, it seems. This apparent social obliviousness also tracks with the fact that you – the player character – agreed with Carmine’s very short-sighted decision to lie to Kieran back in Kitakami, thus unwittingly setting off this whole domino effect of his issues in the first place.)

Sudden legendary hunt

If Kieran had had longer to process his defeat, maybe he’d have realised that there really is no way he can “win next time” when he already gave it his absolute all this time, and he might have begun to approach the fact that there’s nothing he can do but let things go. However, while he’s still reeling, he almost immediately gets dragged into the meeting with Briar about her expedition to Area Zero.

Kieran looks like he’s barely even listening to the conversation at first, just staring miserably into space in front of him, no doubt stuck endlessly thinking how can I ever be stronger than you when everything I had still wasn’t enough??? But then Briar mentions that they’ll get the opportunity to find a legendary Pokémon on this quest – and whoops, now Kieran’s paying attention. Because here’s the answer to his impossible conundrum of how he can beat you next time.

Make no mistake: this is nothing like Ogerpon was to him. He’d been fixated on her and cared about her ever since he was little for deeply personal reasons based on him relating to her situation and projecting onto her. Her strength was part of it, but it wasn’t that he wanted to obtain that strength by catching her; he just admired her strength and wanted to be like her, and if he could, then maybe one day she’d acknowledge that by being his friend (and therefore also incidentally his Pokémon partner). But Terapagos is nothing to Kieran here other than a source of potential strength for him to acquire for himself by capturing it, a tool that will finally let him beat you.

Nonetheless, because this is another legendary Pokémon, Kieran can’t help but draw the surface comparison to Ogerpon anyway and remember the way she chose you over him. He’s probably already imagining that Terapagos might just do the same thing, because you’re so strong and special while he’s nothing – so he tells himself, fervently, that no, he won’t let that happen again, he won’t let this chance go.

He doesn’t ever say as much, but he’s bound to be already having doubts as to if he really could ever capture such an amazing Pokémon. Legendary Pokémon – or really, any Pokémon in general – are supposed to join trainers once they acknowledge their strength; that’s what battles to weaken and capture a wild Pokémon are all about. How is Kieran ever going to get Terapagos to do that for him when he’s so weak? But even so, even if it seems too good to be true, he has to cling to this possibility. It’s the only chance he has left to still just maybe be able to beat you, to continue running away from that gaping pit of inferiority inside him that he doesn’t know how to face.

(A minor nitpick I have with the game’s writing: it’d have been fun here if things had been subtler and Kieran hadn’t outright said that he wants to catch Terapagos at all. His intent would have been very clear regardless for anyone who could read between the lines – I realised what was up the moment he reacted to hearing about a legendary, because Oh No. But nonetheless, it seems like you the player character and also Carmine are both socially oblivious enough to fail to follow Kieran’s stated intent to catch Terapagos through to its obvious conclusion of “he’s still fixated on beating you”. I guess the two of you just assume, oh, hey, he’s found another legendary Pokémon to get excited about, that’s good, that means he must be getting over Ogerpon, right…? Ha. Ha ha ha. If only.)

Journey through Area Zero

As you make your way into and through the depths of Area Zero, Kieran seems to have largely lost hold of the condescendingly superior façade he’d been putting up all this time (after all, he doesn’t have the right to act that way towards you when he’s still weaker than you). This allows a few little hints of his true self to begin to rise to the surface and shine through again, at least a little bit.

He lets slip a “wowzers” on seeing the sheer alien beauty of the place for the first time, and later at the lab he’s so excited at the technology reminding him of a spy movie that he even forgets to mask his accent for a whole sentence. But both times, he’s quick to catch himself and brush it off and act aloof. That excitableness was part of who he used to be, that kid who was weak, and he's still convinced that he can’t afford to be that person any more. But, hey, getting these little reminders that he actually enjoys being his true self and has missed it, at least certain parts of it, has to help! Plus, Carmine seems happy at these moments of him being the little brother she knows and loves again; they have a bit of regular healthy sibling banter; she notices him being considerate about Briar reading someone’s private diary…

These are all good signs that Kieran’s starting to get back to normal, maybe just a little… but, not completely. The spark still isn’t there in his eyes, even when he’s smiling about the cool spy vibe of the lab. Despite the distractions, he’s largely very intent on just getting to the legendary Pokémon and nothing else. And perhaps most relevant of all, he barely says anything of substance to you, even if you try and talk to him.

He does have a notable reaction near the beginning when you mention that you came here last time with some friends of yours. Kieran had probably never quite considered the idea of you having other friends before – Ogerpon did not exactly prime him to imagine that about his idols, after all – but, now that he’s hearing it… of course you’ve got friends. Why wouldn’t you? You have everything, everything he’s always wanted so badly for himself but could never, ever have.

Then, of course, you’re the one who does all the hard work in the Underdepths to deal with the sparkling Pokémon that are blocking the way forwards. For the first one, Carmine almost asks Kieran to take care of it before changing her mind and asking you, which, ouch, that’s got to have stung. (I don’t think she did that to deliberately be unkind, though; it’s probably that she still feels a little weird and uncomfortable about her brother battling, because of the way he’s been, so she’d rather just watch you battle it instead.)

Because of all this, later on Kieran bitterly comments that he feels like everyone’s relying on you too much. Really, the only reason this is the case is because you just happen to be the one who has the lizardbike buddy that can navigate you to the Pokémon you need to defeat… but then, that in itself is another sign of how special and favoured by legendaries you are, isn’t it.

And actually, you’re not necessarily the only one who can reach the sparkling Pokémon! Kieran has a Dragonite, which must have been what he rode on for the flying Elite Four trial, so, in theory, he could go and deal with those sparkling Pokémon himself. But he doesn’t, because you’re already doing it anyway, and he doesn’t feel worthy of taking the spotlight from you. (Or, he could ask to join you on your lizard buddy as you head over there, but ha, even less chance he’s about to do that.)

One bit of optional dialogue Kieran has during this part is insisting that he could totally make quick work of those sparkling Pokémon if only they weren’t so far away. This is very true… but the fact that he never tries to do so despite actually having the ability to reach them himself tells us that his words are just desperate posturing that he doesn’t truly believe. He can’t even register the part where he genuinely has a really strong team of Pokémon that he worked hard to train, because he did all of that for the sole purpose of beating you, and since he couldn’t manage that, that means that none of it matters and he’s just useless.

Then there’s the moment near the end where Carmine tells Kieran it’s his turn to call out to you to let you know the path opened up, but Kieran miserably assumes you’d prefer to hear it from her instead. (As if who tells you that even makes any difference!) Carmine did this to try and begin bridging the gap between you, and she forces him to do it anyway despite his protest, but then when she asks if he’s got anything more to say to you, he just says no. He still doesn’t feel like he’s worthy of even interacting with you in any way at all, still convinced he must be nothing to you.

There’s a heartbreaking hypocrisy to this, too, since he knows you’re perfectly okay interacting with Carmine, and it’s not like she’s ever been able to beat you in battle either. But… but that’s different, right, because she’s already someone who’s strong and cool and worthy of your friendship. In Kieran’s head, he is the single person in the world who is so automatically, inherently worthless that he needs to prove his strength before he is allowed to Matter to you or to anybody.

Outburst at the crystal

As the group reaches the final chamber, Kieran rushes ahead into it and begins pulling at the crystal the moment he figures it even might be Terapagos, because he is so desperate not to lose this chance to anybody else (meaning you). In his urgency, completely oblivious to how messed-up this sentiment is, he blurts out that this’ll mean he can finally beat you, at which Carmine, who failed to realise this was still the reason he was doing all this until now, tries to call him out on it—

—And Kieran can’t stand that; he can’t let her try and take this away from him too on top of everything else, because this feels like the one remaining chance he’ll ever get to still have something and matter next to you. So in a kneejerk attempt to defend why he needs this, everything comes tumbling out. All of those feelings about how you have everything he’s ever wanted, and he has nothing, how he trained so so hard but even that ended up worthless because he still lost to you in the end, so this is all he has left.

(Well, it’s not quite everything that comes spilling out of Kieran here. He doesn’t say anything about why he feels he needs to beat you, and how that’ll totally magically solve everything for him – because there is no actual logic behind that part. There’s nothing he can say to make that make sense, and on some level he must be aware of that, must know it doesn’t, really. But if he admits that, admits that there really isn’t any way at all to escape from his crushing inferiority, then he’ll have nothing left whatsoever, which he cannot bear.)

Hearing Kieran’s outburst about how worthless he feels, Carmine tries to put in a good word for him about how he’s tried his best too – which is good! That’s exactly the kind of thing he needs to hear; she’s finally getting it! But unfortunately, because she herself is one of Kieran’s sore points, in regards to how you magically went and befriended her, he doesn’t properly register what she’s saying. Hearing her speak at all just triggers that thought and spurs him into venting about that, too.

His hang-ups with you befriending Carmine are interestingly reversed from how they appeared to be in Teal Mask. Back then, he seemed more low-key jealous that she might have been trying to take you, his first ever friend, away from him. But now (now that he’s convinced that you were never really his friend in the first place), it’s all twisted around into yet another sign of how perfect you are, because you managed to win over even someone as prickly and abrasive as his sister so remarkably fast. (Which, of course, has less to do with you than it has to do with the fact that Carmine’s actually a lot softer at heart than Kieran realises.)

He’s also maybe thinking about Drayton here, about the one time Drayton claimed in the cafeteria that you and he were “already tight”. That was a massive exaggeration, but no doubt Kieran filed that away as another person – someone else he finds infuriating and impossible to get along with – that you instantly won over with your magical friendship powers because of course you did. And on top of that, he’s bound to be thinking about his recent realisation that you came to Area Zero last time with your friends, plural, because of course you’d already got a bunch of friends, you’re perfect, you can do anything you want, you can be friends with anyone!

And yet – even as Kieran says this, it is objectively not true. Because you’re not friends with him right now! No amount of your amazing protagonist powers has been able to cut through his pile of issues and properly befriend him, even though you want to, because you are in fact not perfect in the slightest and have no idea what to say to get through to him and help him! But of course Kieran doesn’t realise this contradiction in what he’s saying – he's worthless, so the fact that you’re not friends with him is obviously just because you never wanted to be.

Speaking of you not being perfect, this moment here in which Kieran outright voices his jealousy and sense of inferiority compared to you is bound to be the first moment in which you, the player character, actually begin to realise that this has been his problem this whole time. (And, to be fair to your poor socially-oblivious avatar, it really wasn’t very apparent from their perspective until now! The only time Kieran ever gave any real explicit indication of his issues around you before was in Teal Mask, after the third battle when he lamented that “it’s because I’m weak” – but at the time, the player character wasn’t aware (like we the players were) that he knew they’d lied to him, so they couldn’t have known he was thinking about that. They probably just chalked his reaction down to him taking the lost battle particularly hard. The lie reveal was messy but seemed to work itself out; he was obviously upset when you caught Ogerpon but appeared to accept it well enough in the moment – then all of a sudden he showed up later being really determined to beat you for some reason??? Why.)

Another thing I love about this moment is the animation of Kieran desperately pulling at Terapagos’s crystal, the way he has to pause to catch his breath in between each huge tug, which really gets across that he is giving this every ounce of his strength. And that still isn’t enough, because it never is – he’s always too weak to be able to grasp even one thing for himself, but he is never ever going to stop trying no matter how impossible it seems.

(And I wonder if it’s going through his mind as he does this that surely this wouldn’t be nearly so hard for you. Like this is a sword-in-the-stone kind of thing, in which Terapagos would slide out smoothly like butter for someone who’s truly worthy of it, while a weakling like him is stuck hopelessly yanking on it with everything he has and just making himself look pathetic, because of course he doesn’t deserve this.)

Catching Terapagos

Except it turns out Kieran can manage to pull out the crystal after all, doing so with such force that he accidentally flings it halfway across the cavern to land between you and him. He rushes to pick it up before anyone else can, because this is his and he can’t let anyone take it from him, he can’t—

But then Terapagos wakes up, pops out of the crystal that serves as its shell… and it’s facing you. It doesn’t even see or acknowledge Kieran at all. It looks up at you adorably, like a baby imprinting on the first thing it sees, taking a few steps towards its new friend…?

(this has to be such an aching reminder of the way Ogerpon so quickly came to adore you and didn’t care about him, all compressed into one single agonising moment, ouch)

…This was not Terapagos choosing you over Kieran in any meaningful way. Kieran was behind it, such that it literally couldn’t see him and didn’t even know he existed. All it was doing was latching onto the first person it saw, which was you, because – completely by chance – it happened to wake up facing you and not him. If it’d woken up facing Kieran, it’d have seen and approached him in exactly the same way. Terapagos’s dormant crystal form is symmetrical; Kieran had no way to know which end was the head and which was the tail until it popped out.

This was, almost literally, a fucking coin flip. Only the coin was a magical crystal turtle and the winner was whoever “heads” landed facing towards.

(But then, luck has always chosen you over Kieran, too, hasn’t it?)

And so, seeing this happen to him yet again, seeing his one last chance of maybe finally having something and mattering about to be casually snatched away by you, like always, because the universe always gives you everything he wants… Kieran makes an awful, desperate split-second decision and throws the Master Ball. Because of course he does. It’s not right; it’s not fair on Terapagos – but it is so achingly understandable why Kieran would be driven to do this in this moment. The whole thing was so cruelly, rudely unfortunate. This poor kid just wants so badly to have something, to have anything at all where he’s not immediately overshadowed and upstaged by you.

(Also, shout-outs to the narrative cleverness of quietly establishing that BB Champions get given Master Balls, by the game giving you one when you beat Kieran, such that you think nothing of it at the time but can realise right away in this moment where Kieran got his from.)

Still, it’s notable how quickly Kieran was able to pull out the Master Ball, which suggests he’d had it ready near the top of his bag. It must have crossed his mind on the way here that surely, you’re going to somehow magically sway Terapagos to join you – or that it’ll just shun him, because earning a legendary’s respect involves proving one’s strength, and he’s still so weak – such that he felt he might need a way to guarantee it would become his, no matter what.

But even then, I do want to believe that Kieran wouldn’t necessarily have used the Master Ball if he hadn’t felt like he had no other option, and that he wanted to at least try to get Terapagos to join him willingly, like trainers are supposed to do. If he’d won the turtle-coin flip and it had woken up facing him, maybe he’d have been able to do so! But of course he didn’t get to have that.

(It’s kind of a shame that the characters never discuss the dodginess of catching a Pokémon from behind in a Master Ball, how that gave poor Terapagos no choice in the matter like Pokémon are supposed to have when they join a trainer. But then, pointing out that Master Balls are inherently ethically dubious gets awkward considering that the player can freely use them on anything they like, so the game was probably never going to go there. You are too silent-protagonist and Briar is too irresponsible-adult to comment on it, but maybe Carmine could at least have had a brief line questioning this? But, well, at least she does express apprehension about going in to battle with a legendary Pokémon they know almost nothing about, which is also a very valid concern, considering what ends up happening.)

Trying to beat you with Terapagos

So of course, the very next thing Kieran does is challenge you to battle him with Terapagos, so that he can finally beat you. Only… he doesn’t show anywhere near as much of that furious, fervent determination that he had for the Champion match. All that fire of his got snuffed out the moment he lost back then, and it never really came back. This isn’t the battle he’s been psyching himself up for and dedicating everything towards for months; it’s nothing but a desperate grasp at not falling apart completely. He’s kind of just… going through the motions, trying to beat you simply because it’s what he’s been clinging to all this time, and he still doesn’t know what else to do with himself if not this.

And more than anything, Kieran has to know deep down that he doesn’t truly deserve this, not after the way in which he caught Terapagos. After all, trainers are supposed to earn having strong Pokémon in their team, either by training them up from a low level themselves, or by proving their strength to a high-level Pokémon by weakening and catching it in battle. (This is why high-levelled traded Pokémon will disobey you if you don’t have enough badges – you haven’t given them a reason to respect you!) Catching a legendary from behind with a Master Ball is none of those things. Kieran has to be perfectly aware that he has not earned Terapagos’s strength in any way (just like he knew all along he’d never really be able to).

A very revealing line on this matter is that if you say you’re not ready to battle him yet, Kieran tells you, “You’d better not run away from this”. He never once implied you might run away from the Champion battle – that’d be like admitting you couldn’t win, and you’d never do that. But here, it's different, because Terapagos isn’t his strength, so even if he could beat you with it, it wouldn’t really prove anything about him. You’d be well within your rights to just refuse to indulge Kieran in this at all, and on some level, he knows that.

(…With all that said, Terapagos does obey his commands in the battle anyway. It’s sadly difficult to attribute any definitive emotions to it because it’s pretty unexpressive, but perhaps we can imagine that Terapagos is kind of just lost and confused, going along with the orders of the one who threw its ball because it’s not really sure what’s happening and battling is kind of instinctual for all Pokémon. Maybe it’s even more instinctual for Terapagos, thanks to its ability that automatically shifts it into a battle form when there’s an opponent in front of it. It doesn’t really help matters that you just sent something out to battle it without questioning things, either.)

If you manage to hit Terapagos super-effectively during the battle, Kieran scoffs that “it has a weakness? I thought this was the hidden treasure of Area Zero?!” What do you mean his super-special legendary that would let him finally definitely win this time isn’t invincible, that it’s still functionally just a regular Pokémon and it’s still possible – and not even that hard, really – for you to beat him even now.

And if you land a critical hit, oh boy: “How can you get critical hits, even at a time like this… What are you, the hero of this story?” Kieran is clearly raw with bitterness about the turtle-coin flip, about luck choosing you because you’re just so heroic, even when this was finally supposed to be his moment really seriously for real this time. It’s reminiscent of another time he compared you to a hero when you critted him, in his fourth Teal Mask battle – but back then, he said you were like the hero in “a story”, whereas here, you’re the hero of “this story”. Kieran’s realising on some level that if this were a story, you would be the hero of it, you’d deserve to win, and… wouldn’t he be the villain? Because heroes certainly do not go around throwing Master Balls at legendaries from behind.

(For the record, though? Kieran is not a villain. Stop calling him a villain, people. Not a single thing he does is outright villainous; catching Terapagos in this way is wrong, yes, but it’s an act of desperation for which his entire end goal is literally just to win a dang Pokémon battle against you. He’s barely even that much of an antagonist, if we get into that – this isn’t really a you-versus-him conflict so much as a him-versus-himself conflict that you happen to be inextricably wrapped up in.)

Kieran isn’t even that crushed when he loses this battle, just… lost and confused. He insists that “I thought if I had Terapagos, it would make me stronger,” as if catching it in a Master Ball would change anything about his strength – but really, he has to have known that wouldn’t truly be the case. And when Briar remarks that Terapagos isn’t as strong as it should be, Kieran just miserably assumes, “so it isn’t the hidden treasure?” Like, of course this was too good to be true, of course whatever Pokémon he actually managed to get his hands on was just some dud and not the real deal, because he’s never deserved to have anything worthwhile. His expression’s upset, and pleading, as he says this was meant to let him beat you, still like that’d somehow fix everything, but his desperation’s become something pitiful compared to how furious it was before. He just doesn’t know what else to do, doesn’t know how else to cope with his crushing sense of inferiority if he can’t hold onto this.

Terapagos goes berserk

The only reason Kieran even Terastallises Terapagos is pretty much because Briar tells him to, and he’s at a loss for what else to do. It’s very possible that if an actual responsible adult had been here to talk him down – or, heck, even just let Carmine talk to him, since she was trying to do so again – then he’d have finally been in a state to listen and none of the ensuing disaster would have needed to happen. But Briar’s gotta see her giant sparkle turtle, because it turns out that basically her entire character exists to facilitate Kieran’s character arc having the most dramatic climax possible, and I for one am 1000% okay with that.

Kieran looks apprehensive and afraid even as he’s just beginning to Terastallise it (no emotionless mask to cover the wince this time), perhaps because he can feel that the power from his Tera Orb is way more than it usually is and isn’t sure this is a good idea. But what else can he do? He has nothing else left – so he throws the orb anyway.

Again, Terapagos is frustratingly unexpressive, such that it’s difficult to get a sense of whether it attacking Kieran once it Terastallises is an instinctive, unconscious defence mechanism, or something more deliberate. But it’s certainly more fun to imagine it’s deliberate – that this is Terapagos lashing out from anger and fear now that it’s been given a terrifying amount of power it can’t fully handle and begins to realise, wait, no, it didn’t want this. That makes this problem distinctly more Kieran’s fault, which is a good thing for his arc. (If Terapagos’s rampage wasn’t based in its emotions in any way, then this kind of wouldn’t be Kieran’s fault at all, not really! It was significantly more on Briar that he Terastallised it, after all. Kieran’s real mistake was catching it without its consent – so it’s more narratively satisfying for this to be, in part, him facing the consequences for that.)

Either way, the important part is that Kieran is bound to feel like this is Terapagos lashing out at him because he shouldn’t have caught it. He always knew deep down that that was wrong, and now here’s the proof, because of course a strong and special legendary like that would never truly acknowledge him. And now it’s so mad at him for trying to act otherwise that it tries to kill him. (This poor kid is already clearly very sensitive to rejection in general, but, ouch, that has to have been like a stab in the gut.) This is all his fault for daring to think he deserved to have any kind of strength at all.

But then you save his life, by sending out your lizardbike friend to shield him! Which on the one hand just makes you even more of a perfect hero – but this time, your heroism is a good thing for Kieran. And, more than that… you wanted to save him. You saw him as someone worth protecting? You, actually, care about him??? (Kieran has been convinced that he’s nothing to you pretty much ever since you lied to him back in Teal Mask, but, oh, hey, maybe not…?)

Not that he has much time to process that in the heat of the moment; he’s too busy freaking out over everything such that Carmine has to be the one to tell him he should recall Terapagos. Maybe on some level he just feels like Terapagos would never listen to him if he tried, because it literally just attempted to kill him – and indeed, it fights back and breaks the Master Ball rather than go back to being his Pokémon (there’s another painful sting of rejection). Of course Kieran should never have caught it or called himself its trainer. He reflexively asks “why?” it wouldn’t come back, but he knows why. It’s because he’s worthless and deserves nothing, and he should never have tried to pretend otherwise.

Facing the gaping pit

At the start of the final battle, Kieran’s just frozen in terror at what he’s accidentally unleashed, not to mention the recent shock of nearly being killed and the knowledge that this is all his fault. (Even though, it isn’t all his fault! Briar deserves at least half the blame for this! But that doesn’t remotely occur to Kieran in the moment, because he is intrinsically the most worthless person ever, so of course all the blame should be on him.) But after a little while, the immediate terror fades, and Kieran’s left with nothing but the overwhelming feeling that he’s useless, that he can’t help anyone. It’s that vast aching pit of inferiority that’s always been there inside him, finally right at the surface.

There’s nothing he can do to run away from it any more. Ogerpon didn’t want him and chose you instead. All of his efforts to make himself stronger meant nothing in the end because he still lost to you. He never should have tried to catch Terapagos, because it never wanted him either and all he’s done is put himself and everyone else in danger. There’s just no way out.

Which means that, for the first time ever, Kieran has no choice but to finally, actually face up to and confront his terrifyingly huge inferiority complex, and begin to fight against it in a genuinely healthy way.

Maybe he wouldn’t have even tried at all if it hadn’t been for the fact that he needed to help with this battle! Shout-outs to the narrative for creating a situation in which Kieran has to help after Carmine’s one remaining Pokémon goes down, because he might otherwise never have done so.

(I love that one of the things the battle camera can do while you’re idling here is cut to Kieran and linger a moment with him, with the look of either frozen terror or miserable inferiority on his face. Even though he’s technically just a background character right now for the mechanical purposes of the battle, this moment is about him, and the devs knew it.)

And of course it takes Kieran a really long time, most of the battle, to actually find the courage to fight back! His inferiority complex is so massive, so all-encompassing, the root cause of all of the desperate, self-destructive, obsessive things he’s done to try and escape it, that of course it’s so, so terrifyingly difficult for him to actually face up to it and find the strength to try and believe that… maybe it’s just wrong.

Crucially, the single thing that does the most to trigger Kieran’s shift into courage is you – you, calling out to him, asking for his help. Hearing that you actually value his strength and need his help is exactly the kind of acknowledgement that Kieran has always desperately craved from you all along. It’s just what he needs to help him believe that, just maybe, he might actually be kinda strong and worth something after all.

But even then! Even with that, his inferiority complex does not magically vanish, because of course it doesn’t work that way! All your words do is give Kieran the courage to fight it, by holding onto the fact that you believe in him and he’s not alone. His animations here are so good; there’s tears in his eyes even as he manages to snap himself into determination, because he is still so scared and just finally being really, really brave about it!

One really lovely subtlety is that the highlight in his eyes, that little visual detail that makes a character really look alive, which was completely not there in Kieran for the entirety of Indigo Disk up until now, finally comes back in the exact moment when he finds the courage to fight. And it's neat how the game manages to re-use the same screaming animation Kieran had for the beginning of the Champion fight, with the only minor differences being the tears and that highlight in his eyes, but in this new context it communicates an entirely different kind of emotion. It’s like he’s fervently psyching himself up into believing that he is capable of doing this.

And hey, Kieran’s contribution to the battle really is pretty helpful! It’s a genuinely tough fight to the point that, no matter your level, there’s a good chance you were struggling on your own for a while, so you’re probably glad he’s here to help even just in a mechanical sense. His Hydrapple’s Supersweet Syrup ability can be useful to you as well as him, and then if it goes down, he switches to Dragonite and – because of the evasiveness drop – begins spamming near-accurate Thunders on a Terapagos who is Water-type for this final phase. Look at him go! (And another thing Hydrapple can do to support you is use Dragon Cheer, which delights me, because it’s Kieran deciding that actually he’s okay with you getting all the critical hits after all. Aww.)

Once Terapagos is defeated, if you try to not catch it, Kieran will tell you that you need to do it, that “it has to be you, not me!” It’s so lovely that there’s not a hint of bitterness to him here as he says this, just perfectly comfortably accepting it, because he never really wanted Terapagos anyway and he knows it’ll be happier with you, and that’s all that matters. Even if you don’t get that line, his encouragement of you as you go for a Pokéball is more than enough to communicate the fact that he’s okay with you doing this. And Kieran’s smiling again, cheering you on with that same animation of his from back in Teal Mask when he was super excited to watch you battle his sister! This is the excitable, battle-loving kid he always was and finally is once more! His smile is even more adorable now without his hair obscuring half of it, too.

Letting it go

In the end, Kieran’s finally able to let things go thanks to multiple factors brought about by what happened in Area Zero. There’s the part where he spent the adventure being just a little bit closer to his normal self, letting him realise that he misses being like that and that maybe there was nothing inherently bad or weak about those parts of him at all. There’s the way that Terapagos going berserk served as a very stark representation of how his obsession with strength only ends up hurting himself and everyone around him, which must have helped him see that his behaviour leading up to this was doing the same kind of thing and he can’t go back to that.

And, perhaps most importantly, you acknowledged his strength by calling out for him to help you against Terapagos, which is what Kieran really needed the most all along. By joining you in the battle, he’s finally begun to face his inferiority complex, to shoot down the conviction in his mind that he’s useless and weak and can’t do anything, and prove to himself that he’s capable of confronting scary things after all, even including his own mistakes.

I do have another small writing nitpick about his dialogue in the post-battle scene, in that I don’t quite agree with his progression from “I just don’t have it in me to be like you” straight to “finally I can let it go”. Kieran was always aware of the former, deep down, but knowing that never did anything but make him latch desperately onto trying to prove that wrong no matter how impossible it felt. Meanwhile, the latter implies that he’s always consciously wanted to let it go and just somehow couldn’t despite that, which isn’t quite it either.

Instead, I think it’d work if he first went from how he can’t ever be like you into “I guess I have to just let it go”, and then from there into “Yeah… finally I can let it go”. Feeling like he simply has no choice but to let go at first, and only from there would he reflect and realise that actually, he can now, and maybe a part of him had always kind of wanted to after all.

Delightfully, as Kieran begrudgingly accepts that he can’t ever be like you, you finally get a dialogue option that lets you tell him that he’s strong and cool and worth something as he is!!! It seems like it really did take you hearing his inferiority complex directly from him in order for you to realise that this was something he needed to hear. He reflexively tries to downplay your compliment, like he didn’t really do anything impressive at all just now, because he still instinctively feels that way about himself – again, his inferiority complex has not just magically vanished, because it doesn’t work like that! – but hearing otherwise from you of all people has to be an immense help for him in fighting against it.

And it’s this that sets Kieran off crying, from that overwhelmingly positive emotion that you think he’s really cool, aww. This seems to break something of an emotional dam for him, letting him just have a good long cry about all of it, which, yes, he has so many emotions he’s needed to let out for so long now and it is good and healthy that he’s finally able to do so! (I wish this part was better animated, alas – but believe me, I am imagining him having such a big long cathartic cry even if the game isn’t managing to adequately show it.)

Then there’s the final scene! It’s so brave of Kieran to have resolved to apologise and make amends for everything he did wrong. That is scary as hell and comes with a huge risk of massive painful criticism and rejection, but he’s doing it anyway because he wants to do the right thing. He is such a good kid at heart despite his massive issues having driven him into several big mistakes.

Now that Kieran’s returned to something resembling his old self, his anxious body language from before is back – he’s barely making eye contact with you as he speaks, his head low, instinctively trying to hide his face behind the one bit of hair he still has hanging down. But nonetheless, you can tell that he’s making an effort to fight that and push himself to be just a little bit more assertive than he was able to be before all this. As he asks if you two can be friends again, he’s grimacing, already braced for rejection, hesitating then blurting out all of it in one big go before he changes his mind – there’s still a very significant part of him convinced that you’d just never want that and he doesn’t even have the right to ask. But at least he’s now able to realise that said part is probably wrong and find the courage to ask anyway! Because he wants this, and he deserves to at least try and grasp good things for himself!

And of course you still want to be his friend, because you basically always were anyway from your perspective, and Kieran is so adorably happy to have this second chance, and I am so delighted that the two of you are able to be friends again like you always should have been all along, aaaa. I could not be more proud of my boy.

(Well, I could go into a lot more detail about just how proud of and happy I am for Kieran thanks to all of his scenes in the epilogue and postgame. But that’s enough of its own separate Thing that it ought to get its own post! So hold on for that; I’m not quite done having So Many Feelings about this boy just yet. Aaand here it is!)

[vixstarria]

there was a great piece of art posted here awhile ago (i SCOURED but couldn’t find it again so if you or anyone knows what i’m talking about pls let me know the artist) where astarion and tav were sleeping, astarion was having a nightmare and grabbing his arm super tight, but when tav tried to wake him up he attacked them on accident and was then overcome by remorse. if you’re still taking requests (if not pls disgard) i think it would be really interesting to hear your take on something like that in a fic, especially with your other pieces about their relationship along with his healing journey

Funny you should mention this, I happened to have a small piece along those lines that I had written for something else but scrapped. I've now expanded it, here it is:

Astarion was thrashing in another nightmare. Usually his night terrors paralysed him, but this one was different. You thought nothing of it when you reached out to try to wake him, when suddenly you found yourself pinned to the bed by your neck. He was leaning over you with an animalistic snarl, fangs exposed, and not a trace of humanity behind his eyes. Some rage or pain fuelled demon was wearing his body. Astarion wasn’t there.  

The hand on your neck squeezed, fingernails piercing your flesh. You couldn’t breathe. Your trachea was about the be crushed.  

Every moment seemed to stretch out into a lifetime as your mind frantically searched for anything you could do, suddenly grasping for survival.  

Knee him between his legs? You couldn’t, not the way you were lying. Smash something blunt against his head? There was nothing within reach. Cast a spell? There was nothing you could do fast enough, and your fickle patron seemed to have diverted their attention elsewhere while you slept.  

As the inevitability of your demise started to sink in, you saw a trickle of blood running down Astarion’s neck, from the same spots as where his nails were digging into your skin.  

The rings. 

You shut your eyes and bit down on the inside of your cheek, hard. As your mouth filled with your own blood, you heard a gasp. The grip on your neck loosened, and you instinctively rolled out of bed, coughing and spitting. Your mind was still racing, immediately switching to thinking of ways to prevent this from ever happening again. 

Sleeping draughts? Can he drink that? Or something that can keep nightmares away? Is there some kind of amulet of dreamless nights? Or do I just keep an empty bottle on the nightstand, something that will just shatter loudly if need be? Or- 

“What have I done..?” Astarion said in a horrified whisper. “I hurt you, didn’t I? I’m so sorry...” 

Oh stop fixing and just be there, you jackass! you thought to yourself, as you rose from the floor and flung your arms around him. 

“No, no, I’m okay, it’s not your fault.” You took his face into your hands. “Look at me, love. It’s not your fault, you know it isn’t.” 

“How tragically typical of me would it be, to kill the one person I care for? The one I want to protect.” Astarion’s voice was small, flat, quiet. “I shouldn't sleep next to you anymore. I can't be without you, I guess I can’t be with you either.” 

“Don’t say that, please. It will be fine.” 

“And what did you... how did... where is all this blood from?” he said finally.  

“The enchanted rings,” you said, getting up to grab a healing potion. “I bit myself to wake you.” You took a sip, swishing it around your mouth, and handed the vial to Astarion. He took it, too stunned to say anything. 

“At least if you tore my throat out, yours would have ripped itself out as well. Imagine how stupid we’d look when someone finally found us,” you continued.  

“Really? You’re joking about this?! This isn't funny,” he said, looking at your incredulously. 

Good, outrage was better than anguish, you thought. 

“No, it’s not funny, it’s romantic,” you persisted. “But we’re never taking these rings off, you hear?” you added softly, sinking back on the bed and sliding onto Astarion’s lap. It was only once your body started shaking in uncontrollable sobs that you realised you had forgotten to feel anything for your own sake. 

“Never,” he whispered, drawing you closer and pressing his lips against your forehead. 

[metamorphesque]

I saw you mentioned being a theatre lover as well. What are the best plays you've seen? (I'm also into theater I hope to do it at uni)

At first, I told myself I’d mention only one play… but that one play led to another… and then it became three. So, here are three of my favorite plays. All of them were performed at the Drama Theater named after H. Ghaplanyan.

“Great Silence” («Մեծ լռություն») – written by P. Zeytuntsyan (one of Armenia's most influential modern dramatists), directed by A. Khandikyan.

This play explores the lives and tragic fates of the Armenian poets Daniel Varujan and Ruben Sevak, both of whom were victims of the Armenian Genocide in 1915. It’s a deeply moving and heartbreaking piece, and the phenomenal performances of the actors elevate it into an emotionally and intellectually profound experience for the audience. I particularly want to highlight Artashes Mkhitaryan, who portrays Daniel Varujan. His subtle expressions—a flicker of hope, quiet despair in his eyes or the strength he conveys in silence—serve as windows into Varujan’s internal struggle. Varujan’s words in the play are not merely lines; they are the voice of an Armenian poet whose heart bled for his homeland. The entire play is performed in Western Armenian, as both Daniel and Ruben were Western Armenian writers. Artashes’ mastery of the language and his delivery of Varujan’s poetry are especially moving. His recitations make each word feel deliberate, delivered with the weight it deserves. His ability to bring poetry to life on stage shows his deep understanding of the significance behind each letter, word and pause.

It brings me great joy to think that I will see this play again at the end of September.

2. “The Parisian Verdict” («Փարիզյան դատավճիռ») – written by P. Zeytuntsyan, directed by A. Khandikyan.

A truly heartbreaking piece! The play revolves around the trial of four ASALA (Armenian Secret Army for the Liberation of Armenia) members who participated in the Van Operation in 1981. During this incident, ASALA members occupied the Turkish consulate in Paris to draw attention to the Armenian cause and Turkey’s continued denial of the Armenian Genocide. The four demanded recognition of the genocide and the release of Armenian political prisoners. This operation thrust the issue of the Armenian Genocide into the international spotlight. (I promise to tell you more about ASALA in the near future.)

What makes this play even more special is that two of the Van Operation members actually live in Armenia. After each performance, they go on stage and stand alongside the actors. I’ve had the opportunity (and mustered the courage) to approach them, express my admiration for their sacrifice and exchange a few words. I can’t even begin to describe what it feels like to shake hands and speak with someone who has been your hero since childhood.

3. “Eternal Return” («Անվերջ Վերադարձ») – a theatrical fantasy based on Paruyr Sevak’s poetry, directed by A. Khandikyan.

Every phrase, every word in this play feels so relevant and relatable that it’s as if it were written yesterday. The story centers on the poet’s struggle against falsehood, time and the world. It’s one of those pieces you need to watch multiple times to fully grasp its depth. Perfectly written and perfectly performed—absolutely marvelous!

PS. Good luck with your acting classes!

[arashi-no-saxlphone]

Screaming along to Requiem this morning and it made me think of the "people like Sol but not I-No" thing again and I just wanna say I know there's issues with how GG handles their women sometimes but like... the GG women are REALLY fucking cool and good. I-No is one of the most incredible narrative foils in fiction to me to both Axl and Sol in different ways. You have Sol Badguy, doomed savior, and I-No, who though we weren't totally aware of it at the start of her character story, has also been put into the same role. The two are at odds because of the future I-No has been cursed to know about and burdened with the idea that she can change said future, and she and Axl are two sides of the same coin in that I-No is stuck in a cycle of chasing a future she cannot change while Axl is stuck in a cycle of chasing a past he cannot return to. And she plays those roles EXTREMELY well. She's written to be a tragic character, doomed by the narrative, because she only has half of what she needs to get what she wants. And she's a Magical Foci - not human - and yet there's deeply human qualities about her that she can't fully embrace because of what she is and the circumstance she's trapped in. I-No willing throws away what little of her humanity is left because she's lost and tired and the crushing weight of all of humanity's hopes being placed into her is so much to bear that she becomes numb - that is a completely understandable reaction that I think anyone can relate to: the exhaustion of existence becoming so great that you just want to give in. She is a foil to Sol, who despite the loss of his humanity refuses to let it go, and chases it to the end, and because of that he's able to save the world (again) at the end of strive. I-No's existence and role in the story is just the other side of Sol Badguy's- it's crazy to me to like one and not the other; their value and narrative weight is identical in my eyes.

Millia and Jack-O both have incredible things to say about the value of one's identity and sense of self. Baiken is a killer example of the gruff revenge-seeking broken person archetype (a role stereotypically fulfilled by male characters) finding acceptance and managing to heal. Bridget tells an exceptional coming-out story (one of the best arcade modes in the game imo the conversation she has with Ky at the end about his fear of going public about his family still gets me). Ramlethal and Elphelt's journey to independence and understanding themselves as more than weapons or puppets. These are characters with incredible narrative weight and substance. It's the essence of Guilty Gear to me.

I don't know, I just thought about this for too long cause of Requiem and thinking about I-No today so sorry for the incoherent dump here.

[boobi-boy]

HOT TAKE. As a society, we are conditioned to hate final seasons. This is fair. We were all betrayed by Game of Thrones and Supernatural and whatnot. As someone who has never watched these (I have only heard generalised complaints about them), let me (drunkenly) yap about the Umbrella Academy s4.

I'm gonna try and keep this vaguely organised.

Luther

I was an adamant Luther hater back in season one and two, I will admit, meeting his actor at Comic Con in 2021 did colour my opinion a little bit, but I loved him in season three. I mean, his romance with Sloane always felt a little rushed to me, but it was certainly sweet, and their wedding was a nice tie in to the "we only see each other at weddings and funerals" thing.

Pros;

In season four, I loved him. He's optimistic about life and goes to great lengths to brighten the moods of people around him, which is the kind of person he lacked all his life. He's being the person he always needed and I love that for him.

The implication that he's pushing aside his festering feelings of dissatisfaction for his life to be there for other people is so moving, and also I love those moments where him and Allison get to just be normal siblings, showing that he's moved on from that toxic era of his life.

His fight scenes are epic and he's all round a good character this season. I understand people's disdain for being sidelined, along with his grief for Sloane, but there are a certain two factors that should be taken into consideration here. The first being that, by s4e1, its been six years since he lost her. He has probably processed that grief and moved on by now, despite how profound the loss. Obviously he still thinks about her, which is why he occasionally brings her up, but it's been a long time. Additionally, he's semi-sidelined because his character arc was pretty well rounded by the end of s3. He's moved on from Allison and was on a trajectory for a healthier life. Its tragic that he lost Sloane, but good that he continued trying to be happy.

Cons;

I do wish his relationship with Ben had been more developed this season. To me, I think the implication is that he's hanging on to Sparrow Ben as a brother (in-law) because he's the closest remaining connection to the Sparrow Academy, therefore Sloane.

Why is he living in the decrepit Sparrow Academy house? Why? Literally why??? This needed more explanation.

Diego

My mother hates him. I lowkey love him. In season two, his character plus his saviour complex was explored so fucking well. I loved him then. I think his character in season three is a decent testament to how boring 'settling down' can be.

Pros;

He reacts very well to everything that happens. That's the best way I could explain it. The realisation that sometimes life is just normal. Its a sweet plotline and I enjoyed it

I loved his relationship with Luther, his visit to the CIA and the fun approach to his power this season.

His final words to Lila, that he knew she didn't mean to hurt him, were so mature and a brilliant way of rounding off his character with a sense of satisfaction and finality. I loved it so much. In that moment, before everything, he was her husband, and that was beautiful.

Cons;

I have very few. I think his depiction as a mailman is silly. I just wish it had been a different job.

Also I wish he'd spoken more Punjabi because I'm pretty sure (correct me if I'm wrong) he learnt that to converse with Lila and her family in their native language, despite Lila's family speaking English.

Why was he immature enough to fight with Five over his wife when the literal world was ending? Not very consistent with his character development but I still liked that scene. Honestly, that was obviously written in as a segue to Five going back to the subway so I guess it did have to be there it just felt a bit weird.

Allison

Oh dear God. Allison Hargreeves, what happened to you? I loved her so much in seasons one and two. Season three Allison ruined everything ever forever. Not through bad writing. Through very good and despicably devastating writing. She has lost so much and she coped with it so badly that she altered all of time to avoid her grief. The evillest girlboss of all time.

Pros;

CLAIRE! Claire Bear. I love you. Thank you season four for giving us Claire and Claire/Allison bonding time.

Also the fact that she's coping with her being a terrible human being by babysitting Klaus for five years (which she is obviously very spiteful about) is very well written.

I like the return of Allison badassery when she shows up and literally busts a man's balls.

I like how she ends the show being physically vulnerable and now Klaus is taking care of her now. That was cute.

Also I love that she's being held accountable for her actions and it makes her a slightly better person! That was fun.

I like that we learn that without her power she was a B-list actor at best.

Cons;

What the fuck were her powers this season? I know they got janky marigold but why is she literally just telekinetic now????

Why didn't they tell us why Ray walked out? She literally altered time to get him back. Like, I know Allison has fucked up every relationship she's ever had but PLEASE tell us what happened.

Also fuck you for what you did to Klaus.

Klaus.

Oh, Klaus Hargreeves, the man that you were. Season one. TRAGIC. I loved it. Season two, the exact same commentary. Season three, I loved him so much, he keeps being my FAVOURITE and also the idea that the drugs and trauma thwarted the full potential of his powers, but the drugs was the only thing that could keep him sane because of his trauma and his powers was so cool. Well done for beginning to overcome your rampant daddy issues Klaus. Season four. He is still my favourite.

Pros;

Having him sell his body in the weirdest way possible was amazing. I love to see it.

The moment between him and Claire where she knew exactly what was happening and he just repeats 'it's too late' and swears at her. Beautifully devastating.

Him getting buried alive was so fucking fitting I can't properly explain it I just love it.

His final line, and the third-to-final line of dialogue in the whole shows being 'I just wanna say, I love you guys, but you're all assholes' sums up perfectly. And it just had to be him that said that. He can never escape his nihilism and I love him for it. Its who he is.

Learning that the 'real' Klaus is a total germophobe was fun.

Cons;

Give my man more screen time. I beg. I am on my knees begging. Please Mr Blackman. Please Mr Way. Give the love of my life more screen time.

I wish Dave had been mentioned once or twice. Dave is forever a part of Klaus. Why didn't he try to contact him when he got his powers back? Why has he forgotten him? If Luther gets a Sloane mention then Klaus should have gotten a Dave mention. I guess Netflix hates the queers unless they're from Heartstopper (/j)

Five

Five is my mother's favourite and she was vomming this season because of you-know-what. The poor woman. She still loves him though, So did I. Five defines The Umbrella Academy. He spent two seasons wearing the uniform, he got the first f-bomb, he was responsible for SO much exposition. All in all, he is quintessential to the aesthetic, plot, and entire existence of the series. Did season four give him justice?

Pros;

I love Five being a CIA agent. This is so him.

Jerome is a funny name for him.

He doesn't ever stop being himself and I love that.

I like how blunt he is about the fact they all have to end their existence. He understands existentialism and his place in the universe more than his siblings (and most people ever) can fathom. It had to be him to deliver that news and he does it so well.

Cons;

The elephant in the room. Him and Lila. I see it. I see the vision. Yes. If two people spend seven years with only each other for company, suspended in time, they will probably develop a romantic relationship. That doesn't make me like it. It is in character for him to lie to Lila (or withhold information from her)about knowing the way home. I just hated every second of it. I thought they were going to steer clear of Five romantic relationships because of how weird his ageing is. He's mentally more than twenty years older than Lila and physically more than ten years younger than her. It is gross. I hate it. It was a reasonable plot choice Honestly, their relationship remaining strictly platonic would have been less realistic than what happened but when has this show ever been realistic? I will say, it makes sense for Five to revert to old coping mechanisms (I am referring to Delores) in a time like this, it's just that this time he had a real person to enact them with. In times of utter distress, Five is a romanticist, so at least his character is consistent.

Why didn't they let him wear a suit that fits him? That was not nice.

Ben

Sparrow Ben is a sexy cunt. I love how much of a knob he is. All the time. This season was a slay for him. We heart assimilation allegories for love and obsession.

Pros;

I repeat - I love the assimilation metaphor. He didn't get to go with grace. I've seen people criticising that he got no meaningful death scene but that's the point. His meaningful death was stolen from him because of his unhealthy obsession with Jennifer and how deeply in love with her he was. It's a commentary of how toxic and co-dependant relationships will destroy a person. I love it.

I love the scene where him and Jennifer are sat either side of the wall watching the same movie. That was so fucking cute.

Cons;

The CGI for his powers was shit. He looked like the squid version of She-Hulk.

Why have the Umbrellas just adopted him into his family? That was weird.

Victor

I have always loved him. Best trans representation I've ever seen. Autism coded. The amount of times I said 'His powers are just autism sensory overload' or 'his powers are just anger issues' has probably burned the phrase into my mother's mind.

Pros;

I like that he was a manwhore in Canada.

I love him having control over his powers this season. We support self control my man.

I love how adamant he is to save Ben. All this man has ever wanted was to save someone. And he never could. So he sacrificed himself to save the world.

Cons;

I was not here for the fit this season. The boots. The jean jacket. Not a serve. I am sorry.

He was kinda cringe and irrelevant this season I'm not gonna lie.

Lila

Thank you Lila for being what I picture when I hear Golden Brown. It makes me happy.

Pros;

A devoted mother. We love her. I also love that her character involves her children but she's more than that. But she still sacrifices everything for them. "Make sure to read to Gracie every night! And don't let the twins fight!" absolutely destroyed me.

I don't know what it is but her fit ate this season.

Her final words being 'Fuck you!' was fun.

Cons;

Her 'LOOK AT ME LOOK AT ME' personality got annoying after about four episodes. Not even in s4, just in general.

I wish her backstory had been more addressed this season. It was just completely ignored. Sad.

The Plot.

Pros;

If this show is anything, it is self aware. It makes fun of itself for just doing the apocalypse four times. I love it.

The tragic ending. Too many shows have happy endings these days. I need my bittersweet tragedy and the Umbrella Academy delivered. It actually made me bawl because these characters meant so fucking much to me.

I always said that Klaus's story couldn't end without him dying. I also felt like Five dying would work. Now I think that if one of them goes, they all have to. They were born at the same time and they died that way too. It explains WHY they keep ending the world. Their very existence is apocalyptic. They are a collective incarnation of the apocalypse and that just rounds off the show in such a meaningful way.

I know people hate the 'one true timeline' thing and the 'they all die' thing and feel like its a copout, but its so beautiful to me. They were the problem the whole time. They can't just find some creative and resourceful way out of it this time. This is the end. That's WHY the SONG in the TRAILER WAS 'THE END' by My Chemical Romance!!!!!!!!!!!

Cons;

The plot holes like why does Luther getting his powers back give him his monkey body back when the life-saving surgery that he didn't need in this timeline didn't happen???

Along with many other plot holes that have already been pointed out within this post and by other people a million times so I won't go through the tedium of doing what has already been done.

Special mentions!

The Gene & Jean dance scene! The show knew they couldn't get away with making the Umbrellas dance again but they needed an obligatory Umbrella Academy dance scene and they ATE IT UP.

The song they danced to was also a banger, which segues nicely into my next mention which is the SOUNDTRACK. It SLAPS. Muse! Bloodhound Gang! Cher! ALL IN ONE SHOW. The Umbrella Academy's soundtrack has always been amazing and season four is not any different.

The closing line "On the eighth of august 2024" etc. DESTROYED ME.

THE USE OF 'I THINK WE'RE ALONE NOW' KILLED ME.

THE POST CREDITS WITH THE MARIGOLD FLOWERS AAAAGHHH.

ALL THE SIDE CHARACTERS UGH.

Also, the production photos from across the years in the credits. I loved them so fucking much.

They kept handling Victor's trans storyline well, not pretending he was never a girl and including him in flashbacks. Idk I liked it.

Diego naming his daughter after his mother is so sweet.

Random criticism though - the casting for the teen versions of the Umbrellas was ATROCIOUS. Klaus somehow looked five years old and in his mid forties at the same time.

[rodentontheloose]

Fuck it.

If you hate on Rashta and call her Trashta, you’re kind of totally missing the point. Is she a person who has done some really bad, really fucked up and selfish things? 100%. But I’m real tired of people reducing her to a greedy homewrecker because she is a FASCINATING character.

Like girly literally found the one way the escape slavery and took it. You can really see it in S1, the way her text bubble change to be cutesy and flowery when she talks to Sovieshu, her bubbly attitude, etc. Sovieshu does not get nearly enough hate for the way he infantilized and idealized Rashta into a younger, more naive version of Navier because he didn’t like how serious and mature Navier was (because she’s an ADULT), and how he blamed all of their fertility problems on Navier and threw her away so he could have an heir rather than work with both of them to find a solution.

She’s desperate and the pressure she has to be a good empress, a good mother, and to keep herself from being found out is actually driving her mad, and it’s really tragic to see how Sovieshu is willing to just… let her lose her mind. Because it serves him to get rid of his accident wife. And like she’s suffered so much that she’s lashing out to make others suffer as well, and she so desperately needs help to stay afloat. She’s by no means a good person; she’s ordered deaths, she lies, and she is fully willing to hurt others to get her way. But she’s also trapped in a snake pit where no one has ever been willing to help her out. If anything, it’s understandable WHY she so easily hurts others.

Sovieshu is the real villain to me. He threw away a perfectly happy marriage and married someone because she was pretty and childlike and reminded him of his actual wife without even talking to his actual wife. He then tossed Rashta into the deep end, unable to even really READ, and expected her to sit quietly while her heritage and legitimacy as a concubine and later empress was called into question. Sovieshu completely ignores Rashta and her needs at times in S3, treating her like she’s some horrible problem thrust upon him and not the mother of his (supposed) child who he consciously divorced his wife for. He schemed to have Glorym taken away from Rashta permanently because she was suffering from PPD and the trauma of having believed to have lost her first child. And yet Rashta is wrong for having these issues in the first place?

It bugs me how people are willing to extend every grace to Navier and Heinrey but not even a moments thought to Rashta. Nobody considers that Navier runs a nation that allows slavery, and we never hear her thoughts and opinions about it beyond that she knows it exists. Heinrey sabotaged an entire nation’s mages in order to set himself up to start a war to conquer it. They are by no means perfect people, and yet there is no additional thought about the implications and characters of these two because they’re “the good guys.”

In conclusion, Rashta is a really well written, truly interesting character, but she gets so much undeserved criticism because she’s the “rival” and yall are really doing her a disservice. She is definitely deserving of some criticism, as she is definitely not a good person, but she is not greedy or outright evil. Her spiral is real, and she’s a very full and interesting character—and a great foil to Navier. I hoped maybe Ep. 173 would help some of yall haters to see the Rashta Truther Light but here we are.