#they've always been that way the second I created them.

[wordsinhaled]

thinking about how much crowley and aziraphale have been getting slammed for their poor communication and on the one hand... absolutely, i agree 100%. they have so much work to do in that department, they are always missing each other when it comes to seeing what they each want from the other and expressing it clearly. but on the other hand... like... encompassing six thousand years into a conversation? six thousand years of knowing each other. six thousand years of gravitating toward one another

like... the bit that really gets me, in crowley's confession, is - "...and we've spent our existence pretending that we aren't. i mean, the last few years, not really" - this implication that like... at least on crowley's part... since they saved the world together he's allowed himself to be more open in how he feels about aziraphale. that in his mind he's already long since chosen Their Side, they've chosen their side in their behavior towards each other, and they've talked about... our car, our shop, but even before that...

we see in the minisodes, the way they already act. they're a pair that shows rather than tells all the time and it's so abundantly clear that everyone around them can see it, is constantly asking about it, assuming it, reading it on them like they're an open book - with everyone but each other.

but like how do you put into clumsy human words how much love you feel for someone who stood next to you while you created the stars? who helped you create them? how do you say openly how you feel to the one person who understands you and your nature better than anyone else, who indulges your every whim because they want to see you happy while everyone else says you were built wrong, you're too indulgent, you're too soft but you're perfect for him, specifically, because you stood at the beginning of the universe together?

like how are they supposed to talk about that? especially when it's so forbidden to talk about that?

there are so few words that truly feel like they properly encompass what love truly and genuinely means? what loving someone TRULY means? how it's giving up your onliness and entrusting yourself into the hands of another, now you're not just you, now you're you but the world is brighter and sharper and more beautiful because of another? how we're all stuck on a spinning rock in the middle of space in the middle of the universe in the middle of the galaxy in the middle of eternity just little grains of sand and then there's another little grain of sand in the scheme of things, but it's the most important one ever created because of how happy it makes you?

but multiply that by six thousand years

so like of course you fucking cry and you stare at each other with tears in your eyes like you're absolutely ESSENTIAL to one another. but like how do you make it work in words when you don't know if there are even words for the prospect of existing without one another? and you have this absolutely incandescent and fragile thing between you that everyone understands to exist, you understand it to exist too, and sometimes it is scary as fuck to admit that you need someone. it is terrifying and uncomfortable and vulnerable and we're just people who live maybe 100 years on this earth? a blink of an eye compared to six thousand years of shared existence?

like...? truthfully i don't think i could talk about it easily either because oh my god that's fucking terrifying. that six thousand years of your comfortable and beloved shared existence could go up in smoke with one misplaced word. like no fucking WONDER he can't get the words out. and no fucking wonder, it's easier to couch things in terms like group and team and everything when you're on the verge of falling apart into a million pieces because the other half of your soul wants to leave you behind. it's easier to say come with me, work with me, be my second in command, than to admit he's first in your heart and mind every second of every day since you saw him bringing light at the beginning of the universe???

just... you know? they need a fucking break. they need a vacation. they need a cottage in the south fucking downs

[thef1diary]

Baby Jr | One

— Friendly Banter

Series summary: The teasing, fleeting touches became much more on the night Carlos won, the sexual tension between you two reached a breaking point. Perhaps it was that night, or the many nights that followed, but you were pregnant with his child, putting you in a difficult situation.

Series Masterlist

© thef1diary 2024. all rights reserved. Do not copy, steal, translate, or repost any of my work.

pairing: carlos sainz x reader

Warnings: allusions to smut but no actual smut yet

wc: 2.9k

Note: here it is, the first chapter of many more to come. lemme know what you think, feedback is always appreciated.

You had caught the eye of a certain Ferrari driver from the moment you joined the team. He always looked at you in fascination, having the urge to find a way to figure you out but that's all it was for the longest time. Until it wasn't.

Carlos Sainz vividly remembers the first time he set his eyes on you. He was on his way to leave the headquarters in Maranello while you were on your way inside. Carlos' gaze was watchful, almost heavy with judgment as you hurried in through the doors with more items in your arms than you should've been able to carry.

He almost stopped you to ask who you were, but he noticed the badge clipped onto your jeans, media personnel. You had already passed him before he could read your name, and shook his head knowing that your name was the more important detail compared to your role.

You hadn't noticed him that day, but he noticed you.

He didn't see you again until the new season came around, having almost forgotten about your brief encounter at the end of the previous year. He had to do a double take once he saw you setting up the cameras for some content he was supposed to record along with his teammate.

It was a simple video that required the drivers to answer a few questions sent in by their fans, something that should've been easy since they've done it before. But he couldn't focus on anything but you. Given that you were the ones asking the questions, reading them off the short stack of cards you had in your hand, he wasn't outed for being distracted.

Knowing the drivers still had a busy day ahead of them, you began packing up the items once the video was filmed. Keeping your eyes locked on the task, you expected the drivers to be led away by their PR managers, so you were surely startled once you heard a voice acknowledging you.

Carlos stayed back, and roaming your gaze for a split second behind him, Charles had left. You knew who he was of course, after all you followed the sport for many years before you were given the opportunity to work for one of the teams.

"I don't think we properly met, I'm Carlos." He extended his hand out and you gladly accepted, shaking it while introducing yourself. You found it sweet that despite being one of the two faces of the team, he still introduced himself like you didn't know who he was.

As a junior media employee who was still relatively new to the team, you were informed in advance that you would rarely be interacting with the drivers.

So it wasn't surprising that while working in the same team, you rarely saw Carlos in person. Working under Silvia—the head of communications—you would usually be the one tasked to edit the challenge videos, creating enough content from various footage to keep the fans engaged. The few times you did see him in person was to conduct media challenges that the team planned every once in a while to give the fans a chance to know the drivers underneath their helmets.

As the season went on, you found that you were indeed given the wrong information; you did in fact meet the drivers again and again. You were given many opportunities to travel with the team, and it would've been absurd if you denied those opportunities—not that you had a choice since you were needed at almost every race.

You were glad to experience the thrill of Formula 1 from the front row seats, able to watch all the sessions in the weekend itself but also be a part of the journey with the drivers that not many people get to see.

It was inevitable to befriend many people along the way, especially with their welcoming nature despite some news outlets suggesting otherwise. Formula 1 could be considered as one giant family that obviously had issues every once in a while but no one outside of the sport could relate to them like each other. Especially since it was described like a traveling circus by a few drivers.

While you had befriended many other employees whether it was within your team or others, you also spoke to the other eighteen drivers often.

But no other driver invaded your thoughts like Carlos did.

You didn't know if you were overthinking it all, but you believed that Carlos was a tad bit too friendly compared to Charles or even any other driver for that matter.

Whether it was a compliment that left you a blushing mess, a lingering look that followed you until you left the room, or even a small graze of his fingers against your back while crossing your path, you couldn't think of anyone but him lately.

You heard a Monégasque accent calling your name and you slowed your pace, allowing him to catch up to you as you greeted without needing to look to see who it was, "Charles"

"Here, it's still hot," he was holding two disposable cups of coffee in his hands, extending one towards you.

You gestured to your own hands, carrying one too many things again.

He sighed, "I still don't know how you do that." He stopped walking as he neared a surface to put down the cups. "Here, give it to me," he spoke but didn't let you make a decision as he grabbed the various folders, a clipboard, and a tablet from your hands. You were still holding on to a tripod and a camera but he freed up one of your hands so you could hold the cup.

"I will have to let you know, that tablet you're holding, is very valuable to the team," you stated, mainly in a joking manner because you knew he wouldn't do anything to it.

"Oh is it now? What's on it?" Charles asked once you resumed walking, this time sipping on your coffee before answering his question. "First, perfect," you hummed, gesturing towards the cup. "Second, it has all the schedules for meetings, interviews, and everything that you or Carlos could possibly need a reminder for during the weekend."

He gasped, almost offended, "I do not need reminders for anything during the weekend, not like Carlos does."

Despite how it may seem, your role didn't entail being a driver's assistant. In fact your job was to manage a few social media accounts and create content that included the drivers as much as possible but every now and then you also helped the company keep the public images of the drivers reputable.

Lately, Carlos had been finding reasons to talk to you, and most of that time would be spent reviewing his schedule multiple times throughout the day.

"He can be a little forgetful sometimes," you commented but Charles shook his head.

"A little? He needed you to remind him what time the race was."

You grimaced, knowing Charles was correct. "Well, you're his teammate so you know him better than I do."

"Yeah, I guess I'll ask him, thanks for the coffee," Charles stated as you two entered a meeting room. There were still fifteen minutes before it started, but you preferred to use that time so you could prepare yourself for all the notetaking it usually required. Since you were still a fairly new employee, you wanted to absorb all the information like a sponge.

Confused, you responded back, "you're the one who got the coffee."

He placed the items he was holding on the table, then noticing the time on his watch, a brief gasp overtaking his expression. "Thanks for the company then, I'll see you later," he playfully winked like he always did before leaving the room.

Moments later, a knock distracts you from reviewing the previous notes and stats from the last meeting. Thinking it was Charles, you ask, "did you forget somet- oh, Carlos."

"Are you busy?" He asks as he leans his forearms on the back of a chair. Shaking your head you respond, "not really, what's up?"

"I forget how crazy the crowds can get outside, so can I stay here for a few minutes?" You smile, "of course you can, come sit." He rolled a chair out and sighed in relief after finally getting off his feet.

Carlos closed his eyes for a moment relishing in the moments of silence in his hectic life. It didn't last long as you hummed a random tune which you usually did while working. It was so faint but since it was completely silent otherwise, Carlos' ears perked up as he heard it.

Instead of looking for the moments of silence he thought he needed earlier to even do a simple task as breathing, Carlos leaned forward with his usual watchful gaze focused on you. "Are you planning on more ways for us to make a fool out of ourselves?" He asked.

You chuckled, "I would never do that." Carlos gave you a look that indicated he didn't believe you.

"The last challenge was planned by you, no?" He countered and when you sheepishly smiled, he knew he was correct.

"You know, Charles is right," you spoke after a few moments of silence.

"How so?" He leaned back, stretching his arms above his head for a moment that almost caused you to lose track of your thoughts. You've gotten better at keeping yourself calm and collected around Carlos lately, but you still took a little moment to appreciate how his muscles flexed in the full sleeved shirt he wore.

"There's a team debrief happening in about five minutes where you're needed, and it's a bit of a walk so I'm wondering if you're gonna reach in time." To confirm your words, he glanced at his watch, raising his eyebrows when he realized you were spot on.

"You know my schedule so well now," he couldn't help but comment, chuckling as he did so.

"Only because you forget it," you retaliated.

"Maybe I do that on purpose," he stood up, once again stretching to the point where the hem of his shirt raised a bit, revealing a sliver of skin that your gaze immediately shifted to. While you might've gotten better, you still needed a bit more practice every now and then. Carlos chuckled when you didn't have a response right away, knowing you were distracted but he didn't feel the need to expose you just yet.

As he pulled his shirt down, your eyes snapped to his, finally coming up with a response "and almost get me fired for making you late?"

He shrugged, "maybe." You knew he would never do such a thing that would jeopardize your job, so you shrugged off his comment.

"Go now, Sainz" you urged, waving your hand to emphasize your point.

"I'm going, I'm going, relax, cariño." You could hear his laugh as he left the room, and you didn't focus on the papers in front of you until his footsteps had faded away.

It was just friendly banter, you reminded yourself even after hearing the nickname he gave you. Sometimes your conversations were borderline flirtatious, but it was still fine. Until it wasn't.

As the year progressed further, you were no longer just an employee with a career in motorsport; you were a member of the team that celebrated each high while consoling and sticking together during the lows.

While your job wasn't directly connected to the race, nor could you help in changing the outcome like the mechanics and engineers could, you helped uplift the mood in the room on multiple occasions.

Which is why when Carlos stood on the top step of the podium, claiming his first place trophy that would eventually become a part of a larger collection, you felt like you won.

The spray of champagne reached the crowd of his team waiting below the podium. A laugh bubbled up your throat as Carlos tried to aim the spill of the drink in the team principal's mouth standing on the floor a few feet away from you.

A proud smile grew on your face as you watched the drivers and a representative from your team that collected the constructors trophy gathered together on the top step to take a photo.

The celebrations continued in the team garage, since both drivers made it on the podium. The energy buzzing through each member was noticeable, knowing that this win would be celebrated until the next. After the team photo was taken, the champagne popped once again.

A few people were able to get away from becoming soaked, others were being targeted. Charles managed to slip away, but Carlos couldn't. He happily accepted the spray, soaking his race suit further after the podium.

His eyes however, darted across the crowd and landed on you. Standing just out of reach of the champagne shenanigans but still close enough to celebrate, Carlos decided to pull you even closer.

Grabbing the bottle from the nearest person, he covered the top and shook it. Releasing his thumb, he let the fizzy drink spray out, directing it at you this time. "Carlos!" You shrieked, but laughing nonetheless.

Once satisfied, he took a sip from the bottle, his gaze fixed on you as yours moved down to his neck, watching his Adam's apple bob while he swallowed. Passing the bottle to you, you moistened your lips before tipping it up and sipping the cool champagne.

His attention was diverted as Charles had found another bottle of champagne, deciding to drench his teammate even further after the celebrations began to die down. You smiled as Carlos tried to run away, dodging the alcohol, but it quickly dropped once he used you as a shield.

"Oh, no, no, no," you held your hand out at Charles who smiled mischievously, stopping in his tracks right in front of you.

"You are a part of the team," he commented, and you almost ignored his words as you felt Carlos' hands rest on your waist from behind, feeling his breath on your neck.

The heat of your thoughts was ruined when Charles decided to rain champagne down on you, cooling you off instantly. "Charles," you groaned, knowing that it would be an excruciatingly long process to wash all the champagne out of your hair, especially if it began to dry soon.

The team began to disperse, rightfully so as everyone wanted to change out of their champagne soaked clothes, you included. Trying to wring out as much liquid as you could, you muttered a curse under your breath. This was the first time you ever experienced a win like today.

Speaking of, the winner of the race was standing off to the side, shirtless. Carlos had removed his fireproof top but still had his race suit zipped down to his waist and placed a cap on his head backwards to keep his hair out of his face.

You parted your lips and watched his back muscles flex as he moved around, then hastily looked away as he turned. You kept wringing your shirt as he moved past you, and despite the fact that there was enough space for him to pass you without touching you, his fingertips brushed over your back, down to your waist. He lingered on your hip for too long, but he didn't say anything, only smiled when you inhaled deeply.

You had returned to your hotel room and immediately rushed towards the shower. The champagne from earlier had dried, creating an unpleasant sensation as a layer of tackiness remained behind. Washing away all the sweat and champagne, you sighed in relief, standing underneath the shower for a few extra minutes to release all the soreness in your muscles.

You still felt the buzzing excitement of the day running through your veins as you dried and dressed yourself, but you were also exhausted, ready to climb into bed and drift away into the safety of your dreams.

That plan was interrupted as you heard a knock on the door. Pulling your shirt over your body, you peeked through the peephole, smiling when you saw him standing on the other side.

"Oh hello, don't tell me you forgot your room number," you greeted Carlos as you opened the door.

Wetting his lips with his tongue, he was transfixed by the sight of your hair, still wet from your shower, dripping down to your shirt beginning to cling to your body.

"I think I did, tell me you don't remember it either," his voice dropped an octave, and his stare was no longer calculating, but rather enticingly seductive.

"And why would I do that?" You almost whispered, knowing the answer but wanting to hear it from him.

He stepped forward, leaning one arm on the doorframe while his gaze glanced over you to briefly look inside the room. "I'm sure yours is big enough for two people."

The corner of your lip turned up at his words, knowing it was just a ploy to let him in. The realization that he desired you just as much as you had grown to want him dawned on you as you stared at him standing in front of you.

Trapping your lip between your teeth for a moment, instantly attracting Carlos' gaze towards them, you nodded.

"Let's check," you stepped back, pulling him inside by the collar of his shirt.

——

Taglist is open!! Lmk if you wanna be added or removed <3

@xoscar03 @pierregazly @rowena-ravenclaws-diadem @lilymurphy03 @gay-hoes-blog @ilovethefruits @lewlew44 @luvvtrent @hc-dutch @fwhore1 @khaylin27 @lillyssh-tposts @thatgirlmj @ladyoflynx @tcfanmania @customsbyjcg-blog @sltwins @nonstopbookworm @glitterquadricorn @charizznorizz @mrs-bunny @moonliightbabes @likedbygaslyy @booksandflowrs @teamnovalak @formula1mount @gaviymarcsbride @gotthemilk-69 @bwormie @llando4norris @ellesssssxzxz @arian-directioner @lou-bean28 @depressedgiftedburnout @halleest @amberpanda99 @borapsycho @cosmoscoffeee @mycenterfold @67-angelofthelordme-67 @sugarvibez @mehrmonga @aadu2173 @bokutos-babyowl @teenwolf01 @presidentdangdang @mrswolffs-blog @khaylin27 @amyfelix14 @seasonswinter @amalialeclerc @amandadesantasworld @ystrolllll @xisab @doofenshmirtzevil-inc @pedrohoe04 @yagirlhayes @teamnovalak @jadaaasworld @mmack23 @shimmermotorsport

[lackadaisycats]

Hey Tracy! Have you heard about the new Ai called Sora? Apparently it can now create 2D and 3D animations as well as hyper realistic videos. I’ve been getting into animation and trying to improve my art for years since I was 7, but now seeing that anyone can create animation/works in just a mare seconds by typing in a couple words, it’s such a huge slap in the face to people who actually put the time and effort into their works and it’s so discouraging! And it has me worried about what’s going to happen next for artists and many others, as-well. There’s already generated voices, generated works stolen from actual artists, generated music, and now this! It’s just so scary that it’s coming this far. 

Yeah, I've seen it. And yeah, it feels like the universe has taken on a 'fuck you in particular' attitude toward artists the past few years. A lot of damage has already been done, and there are plenty of reasons for concern, but bear in mind that we don't know how this will play out yet. Be astute, be justifiably angry, but don't let despair take over. --------

One would expect that the promo clips that have been dropping lately represent some of the best of the best-looking stuff they've been able to produce. And it's only good-looking on an extremely superficial level. It's still riddled with problems if you spend even a moment observing. And I rather suspect, prior to a whole lot of frustrated iteration, most prompts are still going to get you camera-sickness inducing, wibbly-wobbly nonsense with a side of body horror.

Will the tech ultimately get 'smarter' than that and address the array of typical AI giveaways? Maybe. Probably, even. Does that mean it'll be viable in quite the way it's being marketed, more or less as a human-replacer? Well…

A lot of this is hype, and hype is meant to drive up the perceived value of the tech. Executives will rush to be early adopters without a lot of due diligence or forethought because grabbing it first like a dazzled chimp and holding up like a prize ape-rock makes them look like bleeding-edge tech geniuses in their particular ecosystem. They do this because, in turn, that perceived value may make their company profile and valuations go up too, which makes shareholders short-term happy (the only kind of happy they know). The problem is how much actual functional value will it have? And how long does it last? Much of it is the same routine we were seeing with blockchain a few years ago: number go up. Number go up always! Unrealistic, unsustainable forever-growth must be guaranteed in this economic clime. If you can lay off all of your people and replace them with AI, number goes up big and never stops, right?

I have some doubts. ----------------------

The chips also haven't landed yet with regards to the legality of all of this. Will these adopters ultimately be able to copyright any of this output trained on datasets comprised of stolen work? Can computer-made art even be copyrighted at all? How much of a human touch will be required to make something copyright-able? I don't know yet. Neither do the hype team or the early adopters.

Does that mean the tech will be used but will have to be retrained on the adopter's proprietary data? Yeah, maybe. That'd be a somewhat better outcome, at least. It still means human artists make specific things for the machine to learn from. (Watch out for businesses that use 'ethical' as a buzzword to gloss over how many people they've let go from their jobs, though.)

Will it become industry standard practice to do things this way? Maybe. Will it still require an artist's sensbilities and oversignt to plan and curate and fix the results so that it doesn't come across like pure AI trash? Yeah, I think that's pretty likely.

If it becomes standard practice, will it become samey, and self-referential and ultimately an emblem of doing things the cookie-cutter way instead of enlisting real, human artists? Quite possibly.

If it becomes standard industry practice, will there still be an audience or a demand or a desire for art made by human artists? Yes, almost certainly. With every leap of technology, that has remained the case. ------------------ TL;DR Version:

I'm not saying with any certainty that this AI blitz is a passing fad. I think we're likely to experience a torrential amount of generative art, video, voice, music, programming, and text in the coming years, in fact, and it will probably irrevocably change the layout of the career terrain. But I wouldn't be surprised if it was being overhyped as a business strategy right now. And I don't think the immensity of its volume will ever overcome its inherent emptiness.

What I am certain of is that it will not eliminate the innate human impulse to create. Nor the desire to experience art made by a fellow soul. Keep doing your thing, Anon. It's precious. It's authentic. It will be all the more special because it will have come from you, a human.

[k-martins]

Updating mine

MY TOP TEN FAVORITE JJK SHIPPS!!!!

10. SHOKOHIME

They stole Jogo and Hanami's place because I got it into my head that Jogo is like the grumpy grandfather and Hanai is the vegan aunt of the curse family! I like them. I think it's a ship with a lot of potential. I need to consume more content, but I love the fanarts!!!

9. HIGUNANA

This crack grew in me and now I'm suffering for them after the last chapter. In a kind universe, Higuruma and Nanami adopted Yuji and they live happily and happily!!! I think the two go together a lot and the fanfics are adorable! These Old Yaoi will be the death of me!!!!

8. CHOSOYUKI

They've come down a little, but man I still love them!!! Even more so now because my thirst for Choso awakened and I started reading fanfics of him being a good big brother and I fell to my knees! I still want to write more and explore his relationship with Yuji. And God, YUKI IS AMAZING!!!! THEY DESERVED TO STAY TOGETHER, AKUTAMI YOU DAMN IT!!!!

7. HIGUKUSA

A friend on twt is feeding me higukusa art and, god, this crack (not so crack, because that "I'll protect you even if I have to die for it" from kusakabe hit me hard) has taken root in my heart! I'm also obsessed with Higuruma, so I combined the useful with the pleasant!

6. INUOKKO

THEY ARE CUTE OKAY!!!! I AM OBSESSED WITH CREATING HCS FOR THEM!!! I don't consume much of their stuff, but all the fanart I've seen is cute and their participation in the itafushi fics I read is always welcome!!! It's kind of strange to read something where they're not together…

5. NOBAMAKI

MY OPINION HAS NOT CHANGED, OKAY??? NOBAMAKI IS WONDERFUL AND I WOULD KILL TO HAVE MORE OF THEM!!! But since I saw Nobara's flashback I've been wondering if Fumi wouldn't be a good ship too? Does anyone have a fanfic/fanart of him, by the way??? ANYWAY, NOBAMAKI IS STILL MY FAVORITE!!!

4. KIRAKARI

I'M IN LOVE WITH KIRARA!!!! SHE AND HAKARI ARE THE ONLY HEALTHY THINGS IN THIS MISERABLE MANGA!!!! I love imagining what their relationship is like, writing hcs slice to life minis and drawing Kirara! But I'm getting worried because I saw someone saying that Kirara could appear in the Hakari x Urame fight to help her boyfriend and I know what's going to happen and I don't want it to happen! GEGE GET THESE DIRTY CLAWS AWAY FROM MY BABIES!!!!

3. SATOSUGU

YOU RUINED BLACK AND WHITE FOR ME, YOU DEPRESSED BITCHES!!! My friend is obsessed with them and boy can I understand! These two are tragic, with a beautiful dynamic and a happy ending(?). Plus they fucked up my Christmas Eve. I hope these two bitches are causing terror in heaven!

2. ITAFUSHI!!!!

If you've known me for more than a second, you'll know that I have an average of five outbreaks a day because of these two. This whole thing about always trying to save others even if it condemns them destroys me, okay??? Fanfics and fanarts also feed me! And I'm going to convince all my friends to ship this too so I can yell at 2am at them about little details of their dynamic! AND THEY MATCH SO MUCH!!! Of course, no more than our first place!!!!

.

.

.

EVERYONE X THERAPY!!!

Please let the deaths stop and this become canon

Honorable mention for _ Tojikuna (more because a twt artist is obsessed with them and that rubbed off on me) _ Hainana _ Toji x Mamagumi _ Okkofushi (Yuta was Megumi's first crush and you can't get that out of my head) _ Uraume x Sukuna (one-sided) _ Yuta x Maki

[writers-potion]

How do I accurately include diversity, and not make it look like I’m just putting it in there for the sake of it?

Writing Diverse Characters - Things to Remember

Honestly, there's no definitive answer to this.

Your characters are people with clear goals, desires and a role to play in the plot. As long as they aren't just sitting there with little else but their race/gender/disability, etc. as their ONLY personality trait, at least you're on the right path.

As for representing a diverse character realistically, here are some things you can consider to get started.

Do's

RESEARCH. There are plenty of blogs/YT vids/websites that exist to help you! Meet people!

Get beta readers.

It doesn't have to be explicit. Racial identities become quite clear early on through the setting, name, and initial description(hair, eye/skin color, body shape, etc) without having to drum it into the readers each time. Gender diversity can be conveyed through the use of certain pronouns without awkward declarations.

Character first, diversity second. Please don't intentionally create a diverse character and then think about how you can push them into the cast. Have a working character, who happens to belong to a particular group.

Read works that have represented a group well. There are plenty of non-fiction works, movies and documentaries that capture the lives of people around the world with a good eye.

Use the correct terms/language

Include different types of diversity

Don'ts

Race/gender/diability is NOT a personality trait. Please. Telling me that you have a Korean girl tells me next to nothing about the character herself.

Using sterotypes. Now, it's all right if your character has a few sterotypical traits, but definitely not if sterotypes are the only thing they have.

Diversity is not a "shock factor". Suddenly revealing that a character is actually gay and has been in the closet all this time as a refresher so that it draws readers' attention? Not a good idea.

One diverse character does all. This can often be seen in female characters of slightly dated works where one woman will play the role of supportive mother, sister, femme fetale and sexy Barbie at the same time. Don't write a diverse character who basically does everything a diverse character can possibly be. All that it proves is that the writer is lazy.

Things I personally hate seeing:

Weird pronunciation of languages. As a Korean person, I always get turned off by works (mostly badly written fanfics, yes, I read those...) that try to transfer Korean dialogue directly onto the page without even checking for the correct way to spell them out. A similar example would be pinyin for Mandarin. Please, this makes the character sound stupid throughout...

Character sticking out almost painfully. If your character isn't from the region but have lived in it for a long time, what reason do they have not to blend in?

Relying on variety shows/dramas as reference. Media representation of diverse characters that are meant for entertainment is not the best source for authentic research. I die every time someone lists a number of Korean rom-coms they've watched for "research". IT DOES NOT COUNT.

As a last note, remember that there's no limit to the kind of characters a writer can writer. Accept that our job as writers is to step into other people's heads, not seeing things from one (our) perspective - and it is not going to be easy.

Hope this helps :)

[still-a-morosexual-help]

Okay so,

Satan says he (as a part of Lucifer) gained his own consciousness before Asmo was even created, but after Levi

Lucifer only starts to question the Celestial Realm and doubt his Father after meeting Diavolo for the first time. When this happens (minus Satan obviously) all his siblings are present and the War has gone on for so long that they've actually reached the point of a temporary cease fire or even a truce

This means that even before he started questioning the Celestial Realm, Lucifer had found a reason to become so consistently angry (and keep that anger hidden away without releasing it) that it kept getting collected until it became its own person

Assuming that Lucifer met his siblings in the order of their birth,

Beel said (in S3) that before he met Lucifer, he knew Lucifer as someone who kept to himself and never/rarely left the Celestial Palace. If Lucifer was like this when Beel met him, I can only imagine he was much more distant and isolated (even with the presence of Simeon & Michael) before he met Mammon, Levi & Asmo

None of his family ever really fit in well within the Celestial Realm, either. From what we've been told, Asmo & Belphie seem like the ones who were happiest there and even they were constantly breaking the rules and acting "un-angelic".

Lucifer is very overprotective of his brothers

We've seen, multiple times, that Lucifer is more than willing to lie to Diavolo, go against Diavolo's orders and even punish Diavolo for his family - so his family's always his top priority

So imagine Lucifer, the perfect angel, completely loyal to the Celestial Realm and his Father, sure of his place in the world, fully dedicated to his job with no time for distractions or others and only interacting with his fellow seraphim

until, he meets that first little angel that doesn't quite fit in with everyone else, then the second, then the third and within that first meeting itself he discovers he has the most intense mother bear instincts ever

The slow dawning, horrifying realisation that he'd be willing to do anything for these angels that he has dubbed his brothers and sister in a way no other angel has ever been his brother or sister

The anger that starts boiling anytime anyone makes them feel lesser or like they don't fit in just because they don't fit into the standards of the "perfect angel"

The somewhat irrational but burning blinding anger that comes each time his brothers do something terrible and get yelled at or punished by someone else as a consequence, because only he gets to do that and "who the hell do you think you are"

[lily-orchard]

I remember you once saying 'your kinks don't exist in a vaccum.' What do you mean by that?

A more accurate statement would be "nothing about you exists in a vaccum."

The internet has bred this idea in people that your tastes, your opinions, your kinks, everything about you occurs completely randomly with a roll of the dice. As a result, a lot of people will just accept these things without questioning them.

Most of the time this is fine. I mean it's not like every single taste you have has some kind of deep psychological reason behind it.

It could be as simple as "my favourite colour is purple because my wife wears purple" or it could be as deep-seated as "my favourite romance trope is childhood friends to lovers because I wasn't cared for by anyone as a child and the idea of being cherished for as long as you've known someone appeals to me as escapism." But there is always a reason behind it.

The way the internet tries to minimize everything down to "flavours of ice cream" is, in my humble opinion, completely fucked up. What's worse is this goes hand in hand with the way the internet minimizes art down to just lists of tropes.

It denies the reality that art comes from a deeply personal place and resonates with people for the same reason.

This is real reason we all hate weebs/proshippers. Because they reduce art to disposable product for no other reason than because someone told them their weird fetish was cringe. They got pushback on Twitter for yelling about how much they love watching women get beaten, or watching ten year olds dance, or watching siblings make out, and because they've been malding about it forever they've tried to sincerely argue that art has no impact on the world and never has.

That's not just stupid, that's just insulting to the very concept of art. As someone who's read books that were so emotionally moving they've made me second-guess some deeply held beliefs for a few moments, the idea that art can't influence or shape you as a person is frankly insulting.

You do every artist a disservice by trying to claim that everything about you as a person was locked in at birth and completely immutable. You're also a filthy fucking liar.

I've said this before, your experiences stay with you. They influence you as a person. They influence your thoughts and beliefs, and they influence the art you create. Proshippers, on the other hand, want to equate their obsessive fixation on their own personal pleasure with the very concept of art itself, and that's why nobody likes them.

[variousqueerthings]

something very aromantic coded in s2 of good omens is that crowley and aziraphale canonically take their cues of what a certain kind of relationship ought to look like from books and films. firstly, very relatable, I did much the same thing throughout my teens (and in some ways still do although I'm not trying to make myself "fit" by taking cues that I've been studying to be the correct way to do a relationship, I just enjoy performing them in the same way all life is performance when you're not-doing-body-and-relationship-to-other-bodies correctly inherently)

secondly, how it plays out in them messing unintentionally with nina and maggie. they don't understand the structure of nina's and maggie's whole thing as it applies to the reality of relationship structures in the world they're in; that nina is initially in a romantic relationship and wouldn't just jump from it -- no matter how bad -- straight into another one that was presented as "more" correct. because of course standing under an awning or dancing at a ball makes people "fall in love" (whatever that is) because... well, that's how it happens in the stories all the time, that's what these sorts of relationships are all about, "one fabulous kiss and we're good" -- it's a shock to crowley that he misread all the cues "you were crying and she was..." isn't that what this romance thing is that humans are always talking about????

thirdly it of course eventually circles around to be about what in the world their relationship is, but when they're trying to figure out what's going on between the two of them, there aren't any words that can neatly sum it up beyond "us" -- whatever it is, it's "us" against "them" (although aziraphale isn't quite ready for that) -- the them being heaven and hell of course, but to be honest, from an aro perspective, the "them" takes on certain human connotations to me as well, because it's all about how these two don't fit into structures and are punished for this not-fitting-in, and while they're not punished by the humans around them, they also aren't... human. they still operate somewhat from the outside of everyone else, even though aziraphale manages throughout history to create a fair few connections from the sounds of things

similarly to how they do it to nina and maggie, they try on these tropes with one another: aziraphale invites crowley to dance, crowley kisses aziraphale, and it doesn't fit quite right (the first because crowley is concerned with all the demons outside and so isn't paying as much attention to the dancing part of the whole thing, and the second because [insert another bunch of analysis here that's its own post]), but they've already been us the whole time. their attempts at explaining using alloromantic shorthand fall short, because they're hampered by needing to define themselves and their relationship with terminology that's suitably correct for whatever dominant structures they're in

fourthly, the fact that their cues for what their relationship needs to be shouldn't even really be coming from movies/books and humanity in the first place, it should be coming from gabriel and beelzebub. gabriel and beelzebub don't even try all of that "this is what romance is," they don't call one another romantic or kiss or even say words like partner, they're not interested in doing human-based customs or "fitting in." their language for one another is based around that song, and that's as much defining as it needs. whatever aziraphale and crowley are to one another is equally all their own thing, but aziraphale and crowley struggle with definitions constantly. they don't fit into heaven, they don't fit into hell, and humanity -- while more the place they've adopted for all its wild wonders -- isn't quite right either, because they're still being put in a box

it was fun to look out for as I was rewatching, because the way they interacted with alloromanticism really did read like two people who have exactly zero idea of how this applies irl, but that's okay, the fiction's got it handled, all they have to do is copy-paste = result, but then the stuff that actually is the romance in those texts becomes a series of contextless tropes, kind of like how amatonormativity often has those exact same tropes recycled in story after story that can't figure out why it worked the first time but not the next hundred times, except in this story it's on purpose. one fabulous kiss did not in fact solve things at all (nor was it fabulous)

[thesherrinfordfacility]

okay let's get them hard truths out in the open following episode 6, bearing in mind that i am in the UK and am therefore chronically sleep-deprived, and have watched the Feral Domestic™ maybe only like oh 7 times:

crowley is as much at fault as aziraphale. they are both as bad as each other. their own individual idiosyncrasies are literally the other's emotional downfall and if im honest im not entirely sure there's any way they can adequately move past it.

waxed on and on and on about it, but aziraphale's issue is not that he has any allegiance to heaven. he doesn't at all, and that is obvious in his initial reaction to the metatron, in that he essentially says that he knows his place and it is not Up Above. it is right there in the bookshop, and with crowley (even if he didn't consciously think it that explicitly at the time). he doesn't want any part of the heaven that it currently is, he has had enough and is tired of trying to be the angel that hides who he is and what he wants from his existence. that much is very much clear.

but the mantra throughout most of life is to be the change you want to see in the world. look at the major societal issues that are happening in the world today; people are rising up and fighting for what is right, and what they believe in, and wanting to make changes. now look at this opportunity that aziraphale has been given. regardless of the questionable motive of the metatron offering it to him; if you were in his position, could you say you'd find it easy to refuse that?

the issue here with aziraphale is that he (again, ill harp on about it until the cows come home) thinks that crowley - this demon that isn't a good demon because he is good and kind and gentle - would want to have his place in making that change happen; be by aziraphale's side whilst they create the world and heaven that is different from the largely shit one they've always known, hated, and feared. this is where the Pedestal comes in; like i said before, aziraphale has now been confronted with the fact that this demon, his best friend and love of his life, is acting in the way he's always acted but that aziraphale refuses to acknowledge... because to acknowledge crowley's shortcomings (which ill discuss in a sec) would be to question aziraphale's faith in him, and mean falling from the pedestal that has been aziraphale's status quo for the last few thousand years at minimum.

edit: this also needed adding because it touches on aziraphale's tendency to hold himself superior to crowley, which he also does in the Domestic scene.

crowley's issue is twofold. one, he cannot move on from the fall. second, that he is sometimes a manipulative and childish shit. the first is obvious, and his recent experiences with heaven have only compounded this (ie his conversation with gabriel/goob, where he lays into him about gabriel's part in the cruelty shown towards aziraphale to the point he almost makes goob kill/injure himself). crowley can also however be incredibly cruel borne out of his own pain. there were major hints in s2 that not only did crowley fall (no matter what the metatron says, im still not convinced he fell for only asking questions) but he fell from a great sodding height that in his mind should have made him untouchable. my thoughts on morality in heaven have already been discussed, but that must have had a huge impact on crowley; it is no wonder that it's a sore point and he feels bitter, resentful, and angry.

in the above context, id want nothing to do with heaven either. but crowley doesn't communicate and im guessing that his feelings about the fall are a No Go area in terms of what he's shared with aziraphale... so for crowley to assume that aziraphale turned down the metatron is grossly unfair - how was aziraphale necessarily meant to know how deep his trauma (if we're applying human mental health constructs) runs? he isn't to know that at all - so it does track that aziraphale would think that crowley would want to help him make a difference so they don't have to keep getting involved in the toxicity that is the heaven/hell politico-moral dichotomy.

what also upset me about the Domestic was the kiss. i loved it for what it was in isolation and it was a long time coming, and a huge movement in the dance they constantly have with each other, but it was in essence manipulative. i realise crowley was on his last emotional straw and yes, perhaps the love and devotion got too much for him to contain... but he literally just stood there and heard aziraphale tell him that he wanted crowley and he wanted them to be together. there were no qualms at all that aziraphale loves him as much as he loves aziraphale. so, what was the kiss meant to prove?

to my mind, it was manipulation; specific, a temptation. whilst very romantic and 'sweep him off his feet with the violins playing', it was also non-consensual and unwarranted on crowley's part - to the point of being derogatory and redundant (lets be clear: not a criticism on Neil for adding the kiss, im purely talking about crowley as a character and his Choices here). there was nothing to prove, nothing that that kiss could have possibly convinced aziraphale to do. so the only thing that leaves, imo, is that it was a temptation. crowley does not typically use temptation in this way, or at least that's the impression ive had throughout s1 and s2, so he chooses now is the time? to tempt aziraphale into staying with him? of course he does!

he's desperate, but also childish and immature and completely ignorant of what aziraphale is actually saying to him. aziraphale never denied him; aziraphale wanted him in this opportunity exactly by his side as he always has been. but that didn't fit with what crowley wanted, so he tried to make aziraphale bend to his will. aziraphale says the fatal words "i forgive you", but if he has (as i suspect he has) realised that crowley was trying to manipulate him... well, id probably say something as damning to crowley as 'i forgive you' too.

when aziraphale said 'nothing last forever', i realise crowley took that to mean him and the life that they built together, but it obviously wasn't that at all. aziraphale is saying that they have eternity ahead of them, that he wants to spend it with crowley, whatever has to end around them (ahem the world? apocalypse from s1, anyone?). aziraphale demonstrated consistently throughout s2 that he is trying to give crowley his own agency where heaven/hell are concerned (paraphrased but: "I want you to help me but if you don't want to, you are free to leave"). crowley however seemed that he was constantly one foot out the door in case things got Too Much (which, you know - valid) but aziraphale really did his best to make crowley not only not feel suffocated but also that crowley was wanted. and for anyone that is a tough balancing act.

the two of them have had 6000+ years of Not Really Communicating. this is the detritus that remains when they don't, and it was absolutely needed in this season. for them to break apart and break in and of themselves. s3 needs to be where they learn more about themselves than each other, and stop believing that the other is infallible, because such thinking - worship, blind faith - only ends badly.

[nicki0kaye]

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Junior Guard Captain Garazeb and Underworld crime prince Sasha fall into each other's orbit and hard. This is the 'verse where they have complimentary force powers; Guard (Zeb, empath) and Watcher (Kallus, heightened senses). you can check out the sketch phases of this here. Zeb characterization and general Lasan HCs courtesy of @sidhebeingbrand

Not ten minutes after meeting, Sasha tries to use Zeb as his ticket off Coruscant, which creates something of a diplomatic incident.

The Kallus' aren't a very powerful underworld gang, but they don't want to lose Sasha and are more than willing to become a pain in the surface's ass to get him back. Zeb's superiors don't want any of that, but there's a hiccup; Zeb and Sasha are already 'bonded'. Their auras compliment one another, and have more or less interlocked in what little time they've known each other. Untangling them now would be a process. That, and Sasha has told them some concerning things about how his family treats him and his gift.

So the plan becomes; parlay with the Kallus Family down in the Underworld.

It goes better than expected, all things considered. Sasha's family wants him to stay and are willing to accept assistance from the Lasat, because they're under no illusions that their family's way of doing things is working. Sasha's magic has always been more than either his brother or grandmother could handle. If the Lasat are willing to spare a teacher, the Kallus' will put them up and treat them like family.

Which means Zeb is going to stay.

Sasha is furious. He wants to stay with Zeb, yeah, but he wanted to go with him to Lasan. Not ruin the guy's whole career by getting him stuck in the frozen ass-end of Coruscant's basement sectors.

There's one place Sasha goes when he's feeling trapped and overstimulated. At the bottom of level 1996--a level comprised entirely of the piping needed to keep the above levels running--is a giant empty space where the next level should be. Over a hundred stories of nothing between the pipes of '96 and the sewage pit of 1994. This is where Sasha goes to worship his god. The Lasat know him as the Bendu--the one who walks in the middle--but in the north-eastern sectors of the Underworld, they simply call it 'The Void'. It isn't the kind of god to lend its favor, but it is there all the same, and it will listen. Sasha comes to it often to vent his frustrations, to scream into the dark, and this time, Zeb follows.

The whole thing freaks Zeb out. He's a good, devout child of the Ashla, and this big yawning pit his bonded feels compelled to dangle over scares him shitless. He respects the Bendu, respects Sasha as a child of the Between, so he doesn't interfere. Zeb does, however, reel Sasha into the safety of his own arms the second his crazy little human is done.

That's when this conversation happens. Across their bond, in the privacy of their auras, Zeb promises the next time he sees the stars, Sasha will be there beside him. "I know why it calls to you now, the emptiness."

A shiver works its way through Sasha. "Why are you like this?" he asks, pressing into Zeb's space, forehead to forehead. "You just promise like it's nothing."

"To be your Guard is everything. I do not want another bondmate. Terrifying small human."

Sasha's laugh is a little wheezy and broken. He forces a grin as he asks "what if?" aloud, pretending it's a game, a new way to tease the overly serious Guard, and that there's no growing fear he may misstep and give Zeb reason to abandon him.

Zeb says he doesn't know, but then counters; "what if I steal you?"

The question is left unanswered--they aren't alone in the 1996 and need to get going--but it isn't forgotten. Nor Zeb's promise that one day, the two of them will hunt the stars.

[bibliophilea]

So... this isn't the first time I've seen people being incredibly mean to a whole section of the phandom. It's the first time in a while I've seen a post this bad in the main "danny phantom" tag, though. I have Thoughts™ that have been stewing for a while. Thoughts™ that shouldn't be put in the tags of someone else's post.

I'm not going to link anything. These are just my thoughts, raised to the forefront by recent posts in the main tag.

TLDR: I have two main Thoughts™:

No matter what you ship, I welcome you to this phandom. The folks who openly despise real people for shipping fictional things do not represent all of phandom. Y'all deserve better than being called shitty names. Your ships do not make you a bad person, and I personally welcome you.

To y'all who keep trying to draw a line in the sand to define who is "degenerate" or whose work is "degenerate": the moment you draw that line, you create a way for others to shove people behind that line. And the folks who usually get shoved behind that line and called "degenerate" are lgbtqia+ folks, and (c)sa survivors. It's happened before on LiveJournal and FFN, and it's happening now, irl, with book bannings across the USA (and especially in Florida). The only way to protect lgbtqia+ folks and (c)sa survivors from this abuse is to not draw a line in the sand at all. Don't call folks "degenerate" for any reason, unless you're ready to have that finger pointed back at you by a larger and more negative movement.

If you desire fuller context, it's below the cut.

First: no matter what you ship, I welcome you to this phandom.

The views of hatred and disgust that pop up in this phandom don't represent all of phandom. No fandom is perfect, and we'll always see some form of the "logic of disgust" from some folks in any fandom. But no matter what you ship, and whether or not I personally ship it, I welcome you. You will find no disgust from me as I am now.

If you dig backwards into my blog, you might find some anti sentiment. My introduction to fandom was first FFN, and then tumblr, back when I was more of a black-and-white thinker. I'm pretty sure I experienced some form of shock when I really started digging in to the Wild West that is fandom. I don't know if I ever expressed this shock online. But none of you deserve to be called "degenerates" over liking whatever fictional content you like. Y'all are a part of phandom, too, and any attempts to erase you or deride you are wrong.

We shouldn't be drawing lines in the sand and throwing people behind those lines. That's dangerous.

Second: to y'all who keep drawing lines in the sand, please consider the broader context around you.

The moment you draw a line in the sand to delineate between you and your group of people, and "them" and their group of "degenerates", people find ways to shove other folks, including you and your folks, behind that line. Historically, both in fandom and outside of fandom, the folks who get shoved ALWAYS include lgbtqia+ folks, and (c)sa survivors. We saw this with the purging of LiveJournal. We saw this with the multiple purges of FanFiction.Net. We haven't seen this with ao3, as far as I know; but their stance seems to be very anti-censorship for fandom-historical reasons.

Outside of fandom, we are seeing this now. I'm doing my senior capstone project on book bans. According to PEN America's data, over the past school year alone, 154 counties in 34 states have banned 1557 books 3362 times overall. Over 40% of those bans come from Florida counties. And much of the "reasoning" behind these bans is the same logic of disgust that fandom applies to "problematic ships": They call it pornographic and pedophilia. They call it harmful and age-inappropriate. They largely target books about lgbtqia+ people and people of color. And this year, they've also targeted "books on physical abuse, health and well-being, and themes of grief and death" - expanding their censorship to "protect the children".

Censorship doesn't protect anyone. Instead, it prevents people from holding genuine conversations with real people about the censored material.

And if you're not ready to have that conversation, that's fine! You do you! But don't create an environment where other people can't have that conversation. That only breeds the sort of black-and-white thinking that leads to 1406 book bannings in the state of Florida.

This is just speculation on my part: but I reckon every single person who supports those bans would love to ban the same content you want censored. And they'd call for you and the content you love to be lumped in with them.

We all deserve better than that. So please stop drawing lines in the sand.

[legless-fish-on-rollerskates]

So with the disney series on the way and one of my friends currently in a production of the lightning theif musical I've been getting back into pjo, and I've been listening to the newest olympian podcast (guy named mike who's never read pjo reads pjo and talks about it chapter by chapter with longtime fans), and in episode 8 he talks about how the cosmic threat (gods) is really different from the malicious threat in other books (eg voldemort) and it makes the stakes have a really different energy because it's not someone evil intentionally hurting people for personal reasons, it's larger powers at play who don't really care if they hurt people because to them it's just collateral damage.

Now of course mike is still early enough in book one that the cosmic threat is the only threat and we all know that changes as the series goes on, but it made me think about the difference between the godly antagonists and the human antagonists in pjo and how they're portrayed, and I sort of realized for the first time that, in the case of the fate of humanity, pjo doesn't have "bad guys".

There are two types of antagonist in pjo. The first are the gods/titans/other mythological beings who don't care about humans beyond what they can do for them and are mostly just fighting amongst themselves. Yeah, big bad villain Kronos isn't really a fan of humanity, but destroying humans isn't his main objective in the war. His objective is destroying the gods and taking back control. Destroying humans is a happy bonus for him, but even if he knew he wouldn't be capable of that he would still be fighting the gods.

The second type are the half blood traitors, and this is what I really care about, because Luke is an antagonist but he is NOT a villain. He's a victim. And that distinction is the entire point.

Throughout the entire series Percy shows he understands this concept. Our first minor human antagonist is Clarisse. Percy doesn't like Clarisse, but he understands she's a product of her situation and he treats her with genuine compassion even when he's not being very nice to her. He knows how important her quest is to her, that her anger stems from insecurity, and he makes sure she gets to take the fleece back even though he won't get any credit.

As the books go on we see more significant demigod antagonists who don't just bully Percy but actually betray him. It would be easy for Percy to hate them, to write them off. But he doesn't.

Nico turns on Percy several times throughout the series, always for the same reason (seeking information on his family/bianca). Someone else might see that repeated betrayal and be furious, and yes Percy is a little pissed, but his first conscious reaction is guilt that he wasn't there for Nico and his first instinct is to try and help him. He continues to trust Nico despite everything. And Nico fights alongside Percy in the very end when it counts.

Silena doesn't just betray Percy, but all of camp and by proxy all of humanity. And instead of seeing a traitor Percy sees that, just like Clarisse, just like Nico, Silena is a victim of this life they've all been forced into by their godly parents. Percy understands that the human threat has been created by the cosmic threat, and Percy turns around and says "no." He has Clarisse's back. He forgives Nico. He makes sure Silena is honored as a hero. He gives the knife to Luke.

And this is what sets pjo apart. This is why the story is so important. Luke is the ultimate traitor. He was Percy's first friend at camp after Grover, and at the end of book one he tries to kill Percy and nearly succeeds. He turns his back on the gods, offers himself to Kronos, and forsakes all of humanity. And instead of building up that animosity throughout the series and culminating with Percy killing Luke, Percy spends years trying to help him. He learns Luke's backstory. He meets his parents, the godly and the mortal. He sees Luke's experiences as what they are: trauma. He finds him and asks him to come back. He offers him his trust. Luke declines, multiple times. But Percy doesn't stop trying. And at the very end, when killing Luke is the only way to stop Kronos and Percy has the opportunity to do so, he doesn't. He is not the hero, and he knows it. Instead, he forgives Luke. He gives him the knife. He offers his trust. And Luke finally accepts.

So Luke dies, Kronos is defeated, and Percy is not victorious. He sees it as a failure that they all let it get far enough that saving Luke wasn't an option. The gods offer to grant Percy one wish as a reward for his heroism, with immortality as the implied correct choice. And Percy shocks them all and says "no. This isn't about me. It was never about me. I don't want to be a god. I want you to make sure that what happened to Luke never happens to anyone ever again."

[merrycrisis-if]

So I just want to say that I'm definitely not a suspicious person sending you a suspicious link - suspicious people wouldn't say that outright, right? I just tried to send an ask, hit the character limit, then tried to send a message, and uh, hit the character limit again. Haha. Anyway, here's what Qiu has done to me: https://docs.google.com/document/d/1hcQ_-WQ635cSrgWtEWX1gz7Xv9GbzopT_A5MpvRZA64/edit?usp=sharing

THIS MESSAGE IS THE BOMB!!! I love that you created a google doc just to gush about / psychoanalyse Qiu because of Tumblr asks's character limit, that's so hilarious and amazing!!

OK, now to reply to the message :D

[Re: Qiu] ...They're NOT EVEN AN ADULT YET. It's easy to say "just give up on the only structure you've known all your life because it's toxic" but reality is not always kind; even ignoring any kind of emotional support (which we unfortunately don't really get to see one way or another. Maybe Qiu would have been better off just running off and taking a leap of faith and relying on MC but it's not wrong to feel that the unknown is far more terrifying than the known and there was no way for them to know that choosing MC would have been better. The love of her parents - in whatever form, whether or not it's actually love, is what Qiu has known for most of their life - is a constant as long as they meet expectations.

Exactly, this!! Like, we first meet Qiu when they're still very much finding themselves / figuring out what they want in life. It's definitely a 'coming-of-age' story for them — as much as it is for MC. So their relationship with MC takes place at a point where, like you mentioned, they are still a teen(!) and their parents' expectations and (conditional) love is all that they know. It's never easy to distinguish between what one's own desires, dreams etc. are, and what's simply fed to us by society, by the people we trust/care about (in Qiu's case, it's their parents).

So I think one of the greatest joys of writing Qiu (and their relationship with MC) is acknowledging the imperfection, the growth, and their initial failure to 'do right' by each other back in high school (and the potential to re-visit that and make different choices the second time around).

There are probably bits of “it would be entirely way too selfish of me to ask MC to give up on their opportunity and stay”, among other things, but I’d like to think that feelings of “I don’t deserve to ask this of MC” are also there... Asking or hoping for Qiu to ask them to stay - I get it, I really do, but there’s also a part of me that feels like god DAMN if that isn’t fair, putting the choice on Qiu... Just as Qiu could have stood up for MC, could have shouted their love for MC from the rooftops, could have asked MC to stay; MC could have CHOSEN to stay, could have CHOSEN to prioritize their relationship with Qiu. Could have written emails, snail mail, video calls, flew back for visits, could have given long distance a shot. Maybe it was just the wrong time, wrong place. Maybe back then, neither of them could have made those choices, said those things.

And you bring this up beautifully here, where I think I was really interested in portraying MC's hurt (from MC's perspective) regarding the way Qiu never fought for them, even when they were so ready to throw it all away for Qiu — but then also slowly unpeel the layers of Qiu's perspective as well, i.e. that MC expected grand gestures from Qiu, but truth is, reality was tugging them in opposite directions, and perhaps Qiu did fail to jump off a cliff the way MC wanted them to, but they both failed to try to figure out a more mundane, less grandiose way of keeping in touch, staying in each other's lives etc.

MC back then had been seeing things in a very 'black and white', 'you do or you die' kind of way (as most 'first love' stories go), but I think now that they've had years to mature / grow, there's space for both MC and Qiu to appreciate the nuances of what had happened between them, how things fell apart etc. and acknowledge that in some ways, they were each incapable of doing the things they needed from each other, but nobody was truly at fault.

Again, thanks for the lovely message <3

[comicaurora]

If you still have Sailor Moon on the brain, did watching it at all give you any options you wish to share about other magical girl esk media you wish existed or your own take on how you would create a story in that media space?

If not, then maybe, if you're inclined to, recount some interesting findings about the connections that exist between shojo and shonen media?

(If neither then please disregard, sorry for imposing)

It was interesting! I was surprised at how much it had in common with shonen action anime. Half the boss battles get resolved with a beam clash and the only difference between Super Saiyan and Neo Queen Serenity is whether the hair or the outfit changes.

The one part I found myself sliding off of - due to personal writing preference - is how Usagi is the defacto center of the universe and everyone else is very explicitly playing support. That's part of why I liked the Outer Senshi so much - because they've all got their own ludicrously OP stuff going on, they feel more like equals to Usagi than glorified bodyguards. The inner planet senshi get their own character arcs, which is excellent, but after a while it's pretty clear that none of them can ever finish a fight without Sailor Moon. And that's fine, that's the pretense of the story - their jobs are very explicitly to protect the turbopowerful demigoddess moon princess while she gets her act together enough to remember she can win - but I prefer writing an ensemble cast where everyone feels like the hero of their own story, not the support in someone else's, and that's pretty much antithetical to the core premise of the show.

It also has a lot of the hallmarks of a soft magic system that I personally struggle with - the old "you win by believing in yourself" thing basically means "you win when the plot demands it would be most interesting for you to win" - but again, they can get away with a lot by letting the actual core premise of the universe's power system be stuff like "a pure heart gives you strength" and "the power of love will legitimately make you more powerful." And I respect that the show doesn't just give people powerups whenever - one of the parts I found most emotionally impactful was in the finale of season 3, when Sailor Saturn is going to fight the big bad all by herself and will 100% definitely die in the process, and because Sailor Moon has sacrificed the season's macguffin, she can no longer transform into her powered-up form to help - which doesn't stop her from screaming the transformation phrase over and over, because she is desperate to save Sailor Saturn even if she's been told it can't possibly work. When she gets her The Most Purest Heart Ever powerup at the last possible second, that feels excellent because it's a profoundly impactful character moment that's being supported by the plot with a tangible powerup. It's pretty telling that we don't even see the final bossfight; it's not about the spectacle or the beam clash, it's about the character arcs that surround them. I think that's a really interesting way to handle it and to add depth to an otherwise basic "whose number is bigger" style struggle.

I'm also deeply fond of paragons, and as the seasons go on I really like how Usagi's ultimately kind personality drives her to constantly help, no matter the personal cost or how aggressively people try to dissuade her - and I like that she gets angry and frustrated and even says or does harsh things sometimes, but will ultimately always do what she thinks is right. It makes her feel like a real human being, and the "weaknesses" and flaws in her character - aka the parts that make her something more complicated than a perfectly stoic problem-solving machine - are a lot of fun to watch.

Personal preference, I'd like to see more magical girl stuff where the central pillar of the plot is not a constant will-they-won't-they het romance - but I also like how Sailor Moon as a series is legitimately aware that this is not actually the de facto most important relationship for everyone. Surprising multitude of gay characters aside, I recently caught a season 2 episode where Makoto donates blood to save a close friend, and explains to Usagi that she isn't in love with him, but they have an incredibly profound friendship that's more important to her than any boyfriend, a concept with startles and confuses Usagi. It seems to be a case where the heroine has a Foundational Romantic Subplot that defines the course of her life and the plot, but the rest of the characters get to have more complicated dynamics where their life goals aren't "omg boys", and I liked that a lot!

When comparing and contrasting it to shonen action anime, I think the magical girl genre manages to integrate the lower-stakes slice of life elements significantly more smoothly, and to great effect - the 90% of the show that's silly and ridiculous makes the 10% of it that's extremely serious and gutwrenching much more impactful. That's something that a lot of shonen series struggle with, where the tone goes from "moderately serious with the occasional goof" to "extremely serious with major character deaths." The magical girl genre going from "the dumbest episode premise you've ever heard" to "extremely serious with major character deaths" is a much more precipitous plunge into icy water, as it were.

When I think about how I would write a magical girl story, I basically just smack into the premise of Exalted. Its worldbuilding has exactly what I want - an interesting system of powerset-reincarnation into worthy hosts that allows for complex interpersonal dynamics through varying levels of memory preservation, several different flavors of magical transforming person including Evil Versions, and the one thing I prioritize in my own writing - a world that feels like it can have a lot of main characters and heroes of their own story. Everyone in Exalted has their own shit going on and their own past-life drama, including former friend groups/adventuring parties, soulmates (both regular and evil versions), and anyone who might've previously killed them. Most importantly for my preferences, there's no default main character of the universe. If I were to make an urban fantasy magical girl setting, I'd probably use an extremely similar premise because I find the ramifications of it unbelievably interesting in a way the system itself is not designed to explore.

[castorfell]

Familiar Stranger 💜🪩

Glitter's hard to get rid of, especially once it sticks to something.

-

Fanfic about Guy Diamond and this random no name background troll he interacted with for a nett total of like 8 seconds. His name is Tyler now.

Guy might be a bit OOC I don't even know anymore man my view of him has probably been warped beyond recognition

~

It was another party night in Troll Village. Nothing paticularly special was being celebrated, but trolls never needed a reason to party.

Their small part of the forest was alive with lights, music and glitter. Sweet acoustics reverberated throughout the village square. A troupe of glitter trolls hung by their hair above them all, the light from colourful strobebugs reflecting off of their sparkly skin and creating a glamorous light show for the partygoers below them.

Guy Diamond was not apart of said troupe this time. Instead, he danced amongst the crowd of trolls on the ground. He moved his body to the beat as if it was the only thing he knew how to do; energetic, passionate, dynamic, beautiful.

The silver glitter troll didn't have a specific partner to dance with, he never did, but everyone who knew him knew that he was open to dancing with anyone. Different trolls would get close to him as they grooved at different times and Guy, always a sucker for attention, matched their rhythm and moved along with them until they eventually drifted off.

Everyone got to dance with Guy Diamond, and Guy Diamond got to dance with everyone.

The glitter troll was moving his body to the beat when he felt another troll brush up against him. This troll, however, felt different from all the other trolls Guy had danced with that night. A thrill ran up his spine. He could never put it into words, but Guy knew. He would always know that strange, special feeling.

Turning to face his latest dance partner, Guy's eyes lit up at the sight of a yellow troll with purple hair wearing a pair of dark lavender pants. The wishstone in his belly shone under the party lights.

Tyler met his gaze and suddenly it was as if they were the only trolls dancing. The air about them felt charged as they danced close to each other, closer than any other troll both of them had danced with that night. Or any other night for that matter. They were so close to each other that the very ends of their hair would occassionaly brush together. It was intense. It was thrilling. It was electrifying.

They danced together for a while, so long in fact that the two trolls felt the slightest bit tired and just a little parched. Tyler felt a hip bump against him. He paused in his groove for a moment as he felt a hand in his own, it's glittery texture warm and familiar. Guy Diamond pulled him from the crowd of dancing trolls to a nearby juice bar. They sat on the mushroom seats as a juice maker troll served them their drinks.

They sat in comfortable silence as the party raved on around them. Tyler turned to look at Guy, admiring the way the other troll looked. Every once in a while a beam of light from up above washed over them, briefly illuminating the glitter troll as it caught on him and made his skin sparkle enchantingly.

"So," Tyler started casually. "Where ya from?"

Guy put his head in one hand as the other held his cup of cloudberry juice, eyes half lidded as he leaned towards the yellow troll slightly. "Haven't we met before?"

What a funny question. A loaded one, too. They've met plenty of times before. Tyler knew this. Guy Diamond knew this.

It was all apart of their strange little game. A game only they knew how to play.

"I think I would've remembered a face like yours," Tyler smirked, turning away to bring his cup of dewberry juice to his lips. He took a long, slow sip before setting the drink down and licking his lips.

Guy's eyes glinted as he watched, eyebrows hiking up the slightest bit as he tilted his head into his hand slightly.

"Never even heard of me?" Guy questioned innocently.

"Not a peep."

Everyone's heard of Guy Diamond. There wasn't a troll in the village who didn't at least know his name. Guy made sure of it, vain as he was.

"You're adorable," Guy laughed before leaning over, placing a hand on the yellow troll's knee to support himself as he planted a kiss on Tyler's cheek. "We should sing together sometime."

And with that, the glitter troll got up and made his way to throw himself back onto the dance floor. Tyler watched him go with wide eyes and a red face, staring as Guy dissappeared into the crowd of partygoers until he could barely see the tips of his sparkly white hair. He felt a smile growing, could feel how goofy he must have looked right then.

Tyler didn't realize how long he had been sitting at the juice bar until the juice maker troll from earlier snapped her fingers in his face. Startled out of his trance, Tyler turned to face her.

"Hey, you've got a little..." she trailed off, gesturing at her own cheek before pointing at him somewhat vaguely.

The yellow troll stared at her for a moment, not understanding what she was getting at. "Huh?"

The juice maker made a face as the moment grew awkward. Her eyes glanced around briefly before settling on the empty cup of cloudberry juice Guy Diamond had left behind. She grabbed it and held it up to Tyler's face.

As his slightly warped reflection stared dumbly back at him from the surface of the glass cup, Tyler realized what she had been referring to. On the cheek where Guy had kissed was a smear of glitter. It clung onto his fuzzy skin, having not yet dissolved into the air as most organic glitter cells did. It was rather faint, a small smudge of silver fractals against his yellow flocked fur, but it sparkled just as bright as the one who left it there when the light hit it just right.

"Oh!" the yellow troll laughed, bringing a hand up to his cheek to touch at the smear. It came back slightly sparkly. He turned back towards the crowd of trolls dancing, only needing to glance around for a moment before his eyes, almost naturally, found an all too familiar sparkle of glitter.

Guy Diamond danced, the lights of the party reflecting off of his glitter in mesmerizing patterns as he moved about. He danced as if it was the only thing he knew how to do; energetic, passionate, dynamic, beautiful.

The silver troll found his gaze and they briefly locked eyes from across the village square. Guy smiled and winked at him.

Tyler slammed down the last drops of his juice before excitedly running back into the crowd. He couldn't wait to get to know this mysterious, familiar troll.

[tu-es-gegg]

I find it funny poetic that Team BOLAS have just chosen to no longer play the game

In RP-wise its poetic cause the main purpose of Purgatory is to sow discordance, hence why all the couples and pairings are split apart, it's supposed to create drama and make them butt heads

Team BOLAS active members are filled with people who in their own way feel alone. Jaiden always feeling outcast because of how she is very forgiving of cucurucho, slime is obvious, foolish always keeping up that act of nothing bothering him when the loss of his family really weighs on him, Cellbit also obvious, Baghera also feeling out of place without pomme and also the whole experiemnt thing, philza losing his kids and just trying to mend the empty spot, and I think this is carres second time logging on

And now they're together just flat out saying secrets because they're at the end of their rope

Outside of RP, yeah they got along and still had fun despite the imbalance because they spent time together irl and thus formed stronger bonds, but those bonds started in RP first, slime and Baghera bonding during elections, the cucurucho buddies, Phil and Cellbit the archivists, etc. They already have such strong ties in RP despite always feeling like their own respective loners

Now they're in a game that forces them to stick it out for their own selves, play the game and grind and sweat, and what do they do at their breaking point? They don't care. They don't car ewho comes for them, they flat out showed themselves and revealed their coords cause it doesn't matter

Yes some of their kids are on the line but at this point, they're certain blue and green will duke it between themselves and see if they take pity thinking red is the cursed team

I remember sometimes winning a game doesn't mean playing it to win, it's playing it how you want to play, and team BOLAS?!?!?!, once they stopped playing for points and victory, started to just take it easy, they won in their own right

When they've been playing the rules of federation island for so long, whether by choice or by force, it's nice for them to simple fall back ont heir trusts in each other and just be.