I've said before that the synth thing would work better with a McCarthyism allegory, but for Danse specifically, its so similar to autism that it has to be intentional??
Like. The thing that really solidified that Danse in particular is just straight up about autism is Piper's line in Blind Betrayal. Paraphrased, it goes something like, "I mean...yeah, of course he's a synth. It was kind of obvious, wasn't it? I mean, have you heard him talk?"
The autism accent is a concept that seems to be popping up more recently, but its a real thing, and in my own experience, everyone in my life has been able to clock that there was something different about me from my speech. People thought it was weird that I used "adult" words as a kid, and was very technical and exact when speaking. I was often mistaken as being from places like Brooklyn because I had a weird affectation to my voice.
And there's just. This fucking line. "Have you heard him talk?". Piper is also the person who clicked McDonough as a synth. It's worth noting that McDonough and Danse both use words like "rabble".
But seriously.
Danse goes through his life being respected for his work ethic, intelligence, and strong sense of duty and morals, but he never really bonds with anyone, he doesn't make friends. He's respected, not liked. People want to work with him, but the best they have to say about him is about his work. He makes one single friend in his entire life, and never tries again after that guy dies. And no one tries to befriend him. He's their brother. He's not their friend. And he takes his job too seriously as a commanding officer to attempt emotional connection. He apologizes for overstepping on the few occasions he does.
He talks like a thesaurus, and no one is sure if its to sound smarter, or if that's just genuinely how he thinks. It's strongly implied to be the latter. He's incredibly knowledgeable and passionate about various topics. He sounds like a kid on Christmas when you risk life and limb cracking open a vault that's supposed to have riches, but instead, just has some historical items. He throws his Brotherhood prejudice away the moment he finds a farm run by ghouls that uses pre-war structures in a creative way, and scolds you if you do the Brotherhood thing and insult them. He also seemingly forgets that he's in the Brotherhood when meeting a child ghoul, that kid's parents, a shy, insecure ghoul who clings to children's media (despite Danse finding children's entertainment stupid and a waste of time), and Daisy.
And then there's the synth thing.
Danse has always been Danse, but one little word gets attached to him and his life turns upside down. His work ethic is no longer a work ethic, it's viewed as a perversion. His intelligence and manner of speech are no longer of his own merit and education he had to have given himself, they become inevitable, things he had no say in. His existence is both erased and explained by one word, and anything else is irrelevant or in question. People who once respected him want nothing to do with him, because this one word puts him in a context they find unnatural, corrupted, inhuman. There's even something there with the Institute. Autism is (incorrectly) associated with vaccines, the government, science gone wrong. It's a man-made horror.
And then you have the people he gets lumped in with, after being thrown out for this one word. They take schadenfreude in it. This is comeuppance, this is deserved. This one word, something they take pride in or have sympathy for and want to protect, suddenly becomes weaponized. It's a source of pride for others, but for this one person, we're going to use it as punishment. You weren't with us from the start, so now you really are on your own. It's not that there isn't a right way to be this one word, it's just that there's a wrong way, and even if you change accordingly, you will never belong with the rest of us.
Its. Autism is about exclusion, from everyone and everything. Always being an outsider, often too polite or nervous or jaded to even bother looking in. And at every point in Danse's life he didn't belong. He was a rogue synth, so he didn't belong in the Institute. He naturally thrives as a soldier, so he didn't belong as a junk seller in Rivet City. He was a synth and considerably more kind and compassionate than the rest of the BOS, so he didn't belong there. And because he was a BOS soldier and is still working out some bad traits after his exile, he isn't welcomed by the people who he was thrown to. Everywhere he goes, there's a big neon sign over his head that changes to whatever word will ward off everyone around him and he's so used to it, the thing that makes him angriest about being a synth is that he doesn't even have parents. He doesn't even have that connection to the world, of being born into it. There is nothing he can connect himself to beyond the Institute (which he hates) and the Brotherhood (which, if he continues to connect himself to, will drive him to suicide out of sense of duty, and he already agreed to not do that)
Its just. His entire story is one of absolute isolation and the final dickpunch of "You've always hated yourself, right? Good news, here's a reason to kill yourself that's professional and won't illicit pity from your peers, so no one will judge you for doing it or grieve you."
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tim and bernard who break up and it's nothing big, no one cheated or anything. it's just their lifestyles didn't work out well together. tim cannot give up vigilantism currently and bear cannot handle the level of danger tim puts himself in. and on the other hand, tim cannot handle the fact that bear chooses to run into danger as an emt bc he already worries about everything but now he has to worry if he'll find his boyfriend convulsing from fear gas in a random alley but also bear who felt the life drain out of darla cannot stand the thought of not helping people and runs headfirst into dangerous situation after dangerous situation hoping that every person he saves can somehow make up for the fact that he could not save darla.
(he very pointedly does not think about the fact that there was nothing he could do because if he thinks about that, he'll spiral until they have to lock him in arkham too)
and so they break up but they were tim & bernard in high school and when they started dating they balanced out the worst of each other and they became tim&bernard. and everyone who knows them, knows that they're better together but they cant be together, they refuse actually because they cannot lose another person to the violence of gotham and by the time they figure out that they cant work together as long as the other is an emt or vigilante, it's too late for both them. they've already left too many pieces of themselves in each other.
tim still knows what bear means when he says "tim" in that exasperated voice. tim still goes boneless when he hears bear say "baby" in that firm tone. bear can still read tim like a book. he still knows the right way to massage tim's neck so that tim can go to sleep. everyone at the first responders gala knows not to bother ceo drake-wayne and senior emt dowd when they're talking.
(and if they're standing a little too close to each other than what is normal, who are they to judge? everyone knows that dowd and drake-wayne have history)
and if everyone on the night shift has caught red robin with his head tucked into the crook of emt dowd's neck as emt dowd runs a soothing hand up and down the vigilante's back, well then, they just quietly back away.
(after all, dowd's one of like, five, emts that can get the bats to receive medical treatment so if turning a blind eye to whatever the fuck they have going on is what allows them to give back to their heroes, then the night shift will do it every time)
and of course, tim and bear are practical people. they loved (love) each other sure, but when your lives are fundamentally incompatible, well, you cant get too stuck on the what-ifs, that's for sure. and so they do find love with other people and yeah, maybe it's not what they expected love to be when they first fell in love with each other. it's not the bubbly, stomach-swoopy, cant stop grinning, feeling that permeated tim&bernard's early days or the i Know you/you Know me that was their middle or the quiet despair that was their end but it is contentment. and in a life with as many losses as theirs, contentment is something they hold dearly
and they're happy! truly! but sometimes, at galas when they're making each other snort champagne out their noses or in darkened alleyways when their clothes are both stained with blood or at rallies for stricter gun regulations in gotham where they both sit too close to each other, fingers enclosed around each other in a death grip, when the presenters inevitably bring up grieves
(worst school shooting in gotham in decades, there's blood on their hands and blood in their mouths and darla is dead in between both of them and there is a chasm so wide that they are screaming to get their voices across and she will always be dead and maybe this had always been the problem that she is dead and there is no coming back from that and that there is blood on their hands and blood in their mouth and blood on their han-)
but sometimes, most especially on opposite sides of the street, as life pulls them in different directions, just sometimes, they see each other and just for a second, nothing too long, the flap of a hummingbird's wings, the time it takes to blink, an electron's orbital, they look at each other and for the briefest moment, blue on brown, a barely noticeable stutter in their steps, the space between heartbeats, because this is all they will give themselves because they do not dwell on what-ifs or what-could-have-beens, or what-should-have-beens, or delusions of a softer world, their eyes meet and they think to themselves, god, in another life, i would have really liked just doing laundry and taxes with him.
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in the middle before I knew that I had begun; [not a happy codywan ficlet]
In the Jedi teaching, attachment is forbidden. Love is – a separate issue, obviously, as love can take many forms. When Cody and I were – what I mean is, I was –
You realized that you were in love with him and panicked.
: :
Obi-Wan is finishing the dregs of his second Daruvvian champagne cocktail when Breha inhales, sharp.
“Hmm?” he turns to her. His head is pleasantly fuzzy, but he’s far from nonfunctional. “My dear, what’s wrong?”
“Nothing,” she’s quick to reassure him. There’s something strained around her eyes. He turns to see what she had been looking at, and she puts an insistent hand on his arm. “No, Obi-Wan –”
He doesn’t immediately see whatever caused Breha such stress; instead, Obi-Wan’s eyes go to Cody, sharply dressed in his greys across the ballroom. He’s talking to the Ghayyn’i ambassador, a handsome man with wide green eyes. The ambassador is tall enough that Cody has to look up to meet his gaze. Obi-Wan opens his mouth to comment, rather snarkily, on that fact, when the ambassador brushes gentle, sensual fingers across Cody’s chest.
Obi-Wan waits for Cody to move away. He doesn’t. Instead, he smiles, a little knowing quirk of the lips.
“Oh,” he says, feeling rather as though the wind has been knocked out of him. “Oh.” He quickly looks away. Cody is a very private person, and it feels wrong to have seen something so clearly intimate.
“Obi-Wan,” Breha says, and her face is sad. Obi-Wan doesn’t know why it’s sad. Nothing bad has happened. He clears his throat, thinking one of the sweet-pickle cherries in his drink must have caught there. Unbidden, his gaze is drawn back to Cody and the – the ambassador, who is now laughing at something Cody said.
It’s fine. It’s beyond fine – it’s wonderful, that people recognize Cody for the brilliant man that he is, Obi-Wan explains, three cocktails later, eyes closed with his head in Bail’s lap. Bail makes a noncommittal noise.
“People other than his command,” he clarifies. “And his fellow commanders. And, ah. Me.” His voice is very rough on the last word. These sugary drinks are really hell on the throat, he thinks.
“Of course, love,” Breha says soothingly. Her hand cards through his hair. It feels pleasant. Cody does the same, when they’re lying in Obi-Wan’s bunk together after a long day.
Obi-Wan opens his eyes, letting them stare unfocused somewhere near the floor. Breha is really wearing the most ridiculous shoes, and he’s thinking he should tell her that when a pair of GAR-issued boots come to a crisp halt just in his line of sight.
“General,” Cody says. Obi-Wan nearly falls out of Bail’s lap in his effort to sit up quickly.
“Commander!” he says, helpless to how warm he sounds. Cody had looked good when they left the ship, all buttoned up in his uniform, but he looks better now. He’s holding his cap in his hand, letting Obi-Wan see his short curls, and the top clasp of his jacket is undone.
Obi-Wan squints. Is that a lovebite on his neck?
Before he can dwell on that, Cody says, “We should get you back to the Temple, sir.”
Obi-Wan considers that. He’s fine where he is, except that when he attempts to lay back down in Bail’s lap, both Bail and Breha push him back up.
“That’s a good idea,” Bail says, firm but kind. How he adores the man. “I can arrange for an air taxi – Commander, are you alright to see him back?” There’s something uncertain in Bail’s voice. Obi-Wan doesn’t know why; it’s Cody. Of course they’ll see each other back.
Cody just looks at him. In this light, his eyes are dark honey.
“I’ll get you home, boss,” he says after a beat. Obi-Wan blinks at him, lips parted. He suddenly feels the alcohol very much, everything loose and golden and a little bit sweaty. Cody’s lips twitch. “C’mon, then.”
Cody manhandles Obi-Wan to his feet. Obi-Wan tucks his face into Cody’s shoulder as best he can while also moving his limbs in the direction of the taxi Bail is calling them. Cody, wonderful steady dependable Cody, keeps him going, a hand at his waist and another under his armpit.
“The ambassador,” Obi-Wan manages after a few steps. Cody hums.
“He had to leave,” Cody says. “There was an afterparty. He asked –” he cuts himself off, then continues: “I’d rather stay here, honestly.”
Obi-Wan nuzzles the starched fabric of his shirt. Wonderful man, he thinks.
The taxi ride lurches unpleasantly. Obi-Wan is distracted by the task of not spewing the contents of his stomach all over his commander. They get to the Temple without incident, and make it to Obi-Wan’s rooms with no one other than Yoda – who cackles – seeing them.
Cody puts Obi-Wan down in his bed. Obi-Wan tugs him in after.
He catches himself above Obi-Wan, arms bracketing Obi-Wan’s head. Cody huffs a bit of laughter and dips down to brush a kiss over his forehead. Obi-Wan cranes up, chasing his lips.
“Not now, sir,” Cody says, chiding. He kneels at the side of the bed to take off Obi-Wan’s boots. When he’s done, he leans back up, brushing the hair out of Obi-Wan’s face.
Obi-Wan beams at him, feeling unbearably fond. His Cody. His darling. Always looking after him.
Cody’s face is very still, just a few inches above his. Obi-Wan reaches out, touches his scar.
“What are you thinking?” he wonders. Cody shakes his head.
“It’s nothing.” He kisses Obi-Wan’s forehead again. “Get some rest, General.”
Obi-Wan exhales, eyes fluttering closed. He tracks Cody’s movement, straightening his jacket, turning the lights off, slipping out the door. His familiar Force presence is warm sunlight and hot caf, thrilling and comfortable in equal measure.
As the door clicks closed, Obi-Wan murmurs sleepily to himself, “Love you, my darling.”
: :
When he wakes up, head pounding and mouth dry, Obi-Wan remembers what he said. He’s the only one that heard it; it would have been easier to forget.
This complicates things.
Somehow, they go a fortnight, ending their leave and starting a mission, without Obi-Wan saying anything. He’s just – waiting for the right moment, a moment when they aren’t dogged by war and flimsiwork, when he can talk to Cody calmly and reasonably.
Or does he even need to talk to Cody? He was drunk. Everyone says things they don’t mean when they’re drunk. Teenage drunken Anakin once told Obi-Wan he wished he had been born a jellysquash, as they have no feelings and don’t know enough to care.
Cody is leading a squad on Im-Onh-Augulu’s surface when comms cut out. It’s a tense three-quarter hour before they reestablish communications.
“Arrow squad to Vigilance,” Corporal Hart is saying. “Vigilance, do you copy?”
“Copy,” Gregor says, shooting Obi-Wan a look. Cody should be the one contacting them and they both very well know it. “Arrow, sitrep, over.”
“Is General Kenobi there, Captain?” the corporal says. “Over.”
Obi-Wan’s heart is in his throat. “I’m listening, Hart, over,” he says. Under the sleeves of his robes, he’s clenching his wrists hard enough to bruise.
“They captured the commander, sir,” Hart says, desperately blunt. “When they recognized him, they took him and left the rest of us. Said they’re going to use him for negotiations. Over.”
Gregor looks at him. Appalment-sympathy-secondhand-embarrassment-stress is radiating off not just him, but also every clone trooper and officer on the bridge.
Use him for negotiations. Because Cody was a Marshal Commander of the Grand Army of the Republic. Because he was Obi-Wan’s right hand man. Because Obi-Wan loved him, dearly, and would do near about anything to get him back, a fact which was apparently obvious to everyone except for him.
“Understood,” Obi-Wan says, feeling like his mouth is very far away from his body. “Regroup at the drop point; we’ll be sending a secondary team to that location for extraction.” He’s quiet for a second, nails biting into skin. “May the Force be with you. Over.”
: :
Obi-Wan is the one leading the extraction team, and Obi-Wan is the one to find Cody. He’s in bad shape.
“Didn’t –” Cody slurs out. His eyes can’t seem to focus. “Didn’t tell – ah – them kriff, sir.”
Obi-Wan stares at him, heart pounding in his chest. At his commander – at Cody, telling him that he didn’t fucking talk, when he was being fucking tortured because of Obi-Wan –
“I know,” he says, finally, blinking. He touches the pads of his fingers to Cody’s left eye. “I know you didn’t.” Obi-Wan leaves off the my dear at the end of that sentence, because it doesn’t feel right. It doesn’t feel like he deserves it. He slings an arm around Cody and hauls him to his feet, instead. “Right this way, Commander.”
Not just his commander. The man he loves.
That thought beats around Obi-Wan’s head for almost a day before he can reconcile it with the heavy feeling in his gut. The man he loves. And he doesn’t – he can’t – it doesn’t mean –
His chest hurts.
Cody doesn’t –
It can’t be so kriffing serious that he can’t think the words. It’s not. It’s not –
Cody doesn’t love him. How could he? How could his beautiful, brave, resilient, kind Commander Cody, who isn’t really his at all – how could he love Obi-Wan? And if he did – if he had some incredible lapse in judgement that allowed him to – to – Cody would have said something, his brutally levelheaded Cody who wasn’t afraid of anything, let alone Obi-Wan and his feelings –
So, no. Cody didn’t love him. That shouldn’t make Obi-Wan feel like his ribcage was being split in two.
And if Cody doesn’t love him, then that means it isn’t wrong for Obi-Wan to – kiss him, soft and warm, and press his cold nose to the back of Cody’s neck, and hold him, and –
It can’t be wrong, can it? It can’t be wrong. It hurts no one. He knows possession is against the Jedi code, but this isn’t possession, because Cody isn’t his, and Cody doesn’t love him, and –
Obi-Wan feels ill.
Cody remains in bacta for three days. Obi-Wan finishes his flimsiwork, then finishes Cody’s flimsiwork, then works on some of Gregor’s flimsiwork. He arranges the battle plans for their next two attacks. He oversees the writing of some new training protocols, something about not letting shinies have access to oxygen tanks. He scrubs his quarters, stem to stern, twice.
Eventually, Cody wakes up. And like a flutterbug drawn to flame, Obi-Wan goes to him.
: :
“We need to stop,” Obi-Wan says. He’s not looking at Cody. It’s the day after the commander’s been released by the medics, and he came to Obi-Wan’s quarters to get the datapads Obi-Wan had borrowed when he was doing all the flimsiwork he could get his hands on.
“… Stop?” Cody asks. His brow is furrowed. Obi-Wan aches to smooth it out.
“This,” Obi-Wan starts, and stumbles. “Our – us. What we have. We need to stop.”
He expects Cody to argue. He expects Cody to demand an explanation. He doesn’t expect Cody to take a slow, deep breath and say, “Of course, sir. If you think it’s best.”
Obi-Wan feels like his chest has caved in. He can’t speak.
“Anything else, sir?” Cody asks. Obi-Wan shakes his head, blinking hard.
Cody stands there at parade rest for a long moment before Obi-Wan realizes he’s waiting for a dismissal. He clears his throat. “Ah, no, Commander. That’s all.”
Cody salutes crisply – salutes – and about-faces to the door. When it clicks shut behind him, Obi-Wan lets out a single hideous, strangled sob. He buries his face in his hands.
Well. At least it looks like they won’t have to dance around each other awkwardly for much longer, he thinks to himself. The war looks to be over soon. Obi-Wan sniffs, straightens himself up, and pulls up the plans for the invasion of Utapau.
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