#this actually exists and I want to hug it

[strwbrrychnnie]

< about time >

pairing:: bang chan x older male reader genre:: smut // fluff - - minors dni!! word count:: 2.9k summary:: you’re an overworked college student and your best friend, bang chan, is a famous kpop idol. he’s constantly busy and you haven’t seen him in months. he surprises you with a visit late one night, and scenes in the movie you watch sparks a flame you didn’t know existed between you two. warnings:: smut !!! unprotected sex, oral (m receiving), slight d / s dynamic, dirty talk, praise, slight pet play if you squint, swearing, petnames, age dynamic & honorifics, crying notes:: my first work on here :fingers-crossed: not entirely proofread either srry ;; i’ve actually never seen ‘about time,’ but i know vaguely what happens in it- bare with me if i get anything wrong ,,</3 i don’t know how to end stories i’m so sorry

it’s been a long day. you’ve been working on your homework all day- reading textbooks and taking notes, replying to insufferable classmates on discussion posts, studying for an upcoming test. all you want is someone to hold you, and nobody comes to mind.

that is, except for your best friend, chan.

he’s always there when you need him, but he's beyond busy. he’ll pick up every call within a ring or two, but never has time to talk more than five minutes. but he never forgets to text you good night, sleep well, to dream happy thoughts.

you groan, leaning back in your chair. would he come over if you asked? does he even have the time? is he even still in korea? you spiral and spiral until you eventually pick up your phone, deciding to find out for yourself.

he picks up before the first ring, a coarse voice filling your ear. “y/n? you okay? it’s 2am, sweetheart.” your heart aches at the petname.

“i- sorry. i’ve been up working on homework, i didn't mean to wake you up.” you whisper into the phone. chan laughs gently.

“i’ve been up. don't worry about me, it's just good to hear your voice.” a silence falls over you, registering his compliment. “you there?”

“yeah- yeah, sorry. just…” you bite your tongue. “i miss you, chan.” he sighs on the other end of the phone.

“i miss you too. look, how about… i wrap things up here, and come over?” your eyes widen.

“wait, really? can you even do that?” chan laughs again.

“of course i can, y/n. i don't have a schedule tomorrow, so i can do whatever i want tonight. would you like that?” chan teases.

“yes, please. i need you.” you bite your lip at your neediness. chan chuckles, and you hear a rustling on his end of the phone.

“you need me, baby boy? did i hear that right?” you groan, squeezing your eyes shut.

“that’s hyung to you, sir.” you correct.

“you're barely older than me! don't make me call you that.” chan whines.

“yeah, yeah. hurry up over there and come over, okay?” chan huffs playfully.

“okay. give me like thirty minutes, i'll head out right as i finish.” you smile, pursing your lips together at the thought of seeing him again.

“see you soon, channie.”

“see you soon, y/n-ie.”

---

it's almost exactly thirty minutes before you hear a knock at your door. you jump up, running to unlock it, greeted with your best friend dressed in all black.

“hi, channie.” you say softly, playing with the hem of your shirt. chan smiles, stepping forward and wrapping his arms around your waist.

“hi, hyung. i missed you.” chan whispers as you sigh, wrapping your arms around him, nuzzling your face into the crook of his neck. chan chuckles, squeezing you tighter. “you okay?” you shake your head.

“just… long day. needed to be around someone.” chan nods, caressing your back, holding you tight.

“i know, sweetheart. i’m here now, okay?” you bury your face deeper into his neck.

“okay.”

it feels like eternity, standing there in the atrium, hugging chan. but you wouldn't have it any other way. chan breaks the silence, clearing his throat.

“hyung, let's go to your room. you need to get some rest.” you groan, holding chan tighter.

“i'm not tired. i still have work i need to do, i’m so behind and-”

“hey, hey.” chan pulls away, holding your shoulders at an arm’s distance. “don't worry about all that. just get some rest, with me, yeah?” chan cups your face in his hand, caressing your cheek. you lean into his touch, your eyes fluttering shut.

“okay.. fine.” you give up, melting into chan’s touch. chan giggles, moving a hand from your shoulder down to your hand.

“that’s my hyungie.” chan praises, leading you up to your bedroom. 

once you get there, you sit against the headboard of the bed, pulling a blanket over your lower half. “let me help you.” chan offers, sitting beside you and gently pulling the blanket over both of you. “we can watch a movie or something if you want?” chan suggests, snuggling closer to you, wrapping an arm around your waist and laying his head on your shoulder.

“we can watch something, i'm okay with that.” you lay your head against chan's head, closing your eyes and sighing softly. chan moves a hand to your thigh, caressing it softly.

“alright, anything in particular you want to watch?” chan asks, rubbing small circles on your thigh, feeling your breathing slow down. “or should we pick something together?” chan hums, enjoying the warmth of your body against his.

“what was that movie you watched with stay the other day?” you ask. “i was busy when you watched it, so i never got to see it.”

“oh- about time?” chan blushes. “that’s like my favorite movie. i’d so be okay with watching that again.” you smile, reaching for the remote and turning on the tv. you pull up the movie and press play, chan’s thigh against yours, his hand caressing your skin.

the two of you enjoy the movie, cuddling and leaning against each other. about halfway through, a sex scene pops up on the screen, shocking you. you purse your lips, trying to focus on the screen, instead of the hand on your bare thigh. chan continues caressing your skin, seemingly unbothered by the scene on the tv.

“hyung.” chan whispers, moving his hand closer to your inner thigh. “i’ll stop if you tell me to.” you shake your head, eyes falling down to the blankets, covering chan’s hand.

“it’s.. it’s okay.” chan hums, continuing to stroke your thigh, matching the rhythm of the movie's steamy scene. he keeps his gaze on the screen, as you bite your lip and refuse to look up. chan slowly snakes his hand up your inner thigh, dangerously close to your crotch. chan nuzzles his face against your shoulder, as you bite back a whimper.

“hyung...” chan murmurs, turning to you, stopping his hand right above your growing bulge. “do you want me to stop?” his voice trembles, his breath warm against your neck.

you shake your head. “no, i… please keep going.” the movie forgotten, you purse your lips together, turning away from chan from embarrassment.

“good boy.” chan praises, his heart pounding out of his chest. he slides his hand up to your clothed erection, palming it gently through your shorts. chan presses a soft kiss to the side of your neck, slipping a hand under your shorts and cupping your length over your underwear. you whimper, squeezing your eyes closed.

“channie…”

“shh, it’s okay, hyung. i’ve got you.” chan reassures, stroking your erection through your underwear. he presses soft kisses down your neck, nibbling gentle marks into your skin. “so fucking hot for me, yeah?” chan teases, increasing the pressure slightly.

“shit…” you bite back a moan, looking down at where chan is touching you.

“i know, baby.” chan coos, feeling you twitch beneath his touch. “i want to make you feel good, okay?” chan whispers, sliding his hand inside your underwear and gripping you gently. “is this okay?” he asks, his own erection straining against his pants.

“yes, yes, please, channie.” you beg, your dick twitching in chan’s hold. you shift the blanket, moving it off your crotch so you can watch him touch you. the cold air is a welcome feeling, as chan’s hand is so warm against you.

“fuck, hyung.” chan gasps, his eyes widening at the sight of your hardened length. he takes a deep breath, leaning down and taking you into his mouth.

“chris! oh, fuck.” you buck up into his mouth at the sudden feeling, his mouth warm and tight around your cock. chan chuckles around you at the use of his real name, as he moves a hand down to play with your balls gently.

chan hums around you, sucking harder, his tongue dancing along your shaft. chan caresses your balls gently, eliciting another whimper from you. “you taste so good.” he lifts off your cock to breathe, then dives back in, swallowing your length fully and bobbing his head rhythmically.

“channie, oh my god.” you bury a hand in his hair, just petting it, not trying to force him to stay down on your cock. you throw your head back, whimpering as chan swallows around you.

“i’m not stopping, hyung.” chan promises, leaning back down, his cheeks hollowing as he sucks you deep. chan releases your balls, gripping your thighs tightly, hard enough to leave marks. “cum in my mouth, hyung.” he begs. chan increases his pace, sucking harder and bobbing quicker, his saliva dripping down your shaft. he takes you fully in his mouth, his nose brushing against your pubic bone. you hold back a loud moan and bite your bottom lip. 

“close, channie. so close.” chan nods, swallowing around you, humming gently. a hot flash runs through your body, your hips bucking involuntarily into chan’s mouth. you come with a loud groan, filling chan’s mouth with your warm seed. you shake through your orgasm, your body going weak and your head falling back against the headboard. you pant, petting chan’s hair as he gently sucks you clean.

“there you go, baby.” chan praises, swallowing your cum and wiping his mouth with the back of his hand. he presses a kiss to the side of your cock, humming happily. “are you alright?” chan asks, looking up, concern in his voice. you nod, visibly exhausted, opening your eyes slowly to see a red-faced chan with a crooked smile, his mouth slightly open.

“i- thank you, chan. that was…” chan giggles, leaning in to kiss your cheek.

“anytime, hyungie.” chan smiles, his heart racing. he sits closer to you, pulling you into a hug. “how do you feel?” he asks, his erection hard against your hip. you blush, leaning into his hug, shifting so your hip brushes against his bulge. chan whimpers, burying his face into your neck.

“i’m okay… what about you, channie? can i help you?” you whisper, caressing his inner thigh. chan whines, breathing heavily against your neck.

“hyung...” chan stammers, his erection pulsating against your hip. “i want to fuck you.” he confesses, his voice barely audible. “but only if you're okay with that.” he adds, his heart pounding wildly in his chest.

“oh, god.” you throw your head back in shock. “i want nothing more than that. please?” you plead and chan lets go of you, throwing the blankets off you both, sitting in front of you. he carefully guides you to lay on your back, your head against the pillow. chan giggles, slipping your shorts and underwear off your legs, leaving you alone in your shirt. chan slips off his shirt, revealing his perfectly toned body. you purse your lips together, admiring his body. “you’re so beautiful, chris.” chan blushes, looking away, covering his face with his hands.

“stoppp… i’m not.. i’m not beautiful.” you pull chan down, his legs kneeling on either side of your torso. you cup chan’s face with one of your hands, the other placed on his chest.

“you’re perfect, in every way. you’re so, so, pretty, christopher.” chan whines, burying his face in the crook of your neck, his face flushed red. “i mean it, baby. you’re so beautiful.” chan groans, pulling himself up.

“okay, okay, i get it, you’re in love with me.” chan teases, kneeling on his shins, slipping out of his shorts and underwear. you tilt your head to the side, admiring chan’s body.

“you’re not wrong. i’ve kinda always been in love with you, chris.” chan stops in his tracks, making eye contact with you.

“i… i love you too, hyung.” chan mumbles, his heart overflowing with emotion. he looks down, pumping his cock twice, his tip wet with precum.

you melt, reaching your hand out to hold chan’s. “so pretty, channie.” chan shakes his head, shy, taking your hand into his.

“hyung…” chan whimpers, his eyes locked on yours. he positions himself between your legs, his tip pressing against your entrance. “are you sure?” he asks, his voice shaking. you nod.

“i’m sure, channie. i’m good, go ahead.” you squeeze chan’s hand. chan takes a deep breath, pushing in slowly, hissing as he feels the tightness of your entrance. he stops, waiting for you to adjust. 

“you okay?” he asks, his face flushed. you squeeze your eyes shut, gripping chan’s hand tightly.

“so- so big, channie.”

“sorry, hyungie.” chan apologizes, pulling out slightly and slowly pushes in again, a little further this time. “i’ll be gentle, i promise.” he whispers, his eyes locked on your face. you purse your lips together, gripping chan’s hand as tight as you can.

“it’s okay- ah,” you whimper. “you can go deeper. i can take it.” chan nods, thrusting slightly deeper, eyes blown wide at the sensation.

“fuck, you’re so tight, hyung.” he groans, starting a gentle pace, rocking back and forth out of you. you throw your head back at the burn, squeezing chan’s hand at every thrust. he squeezes back gently.

“puppy, feels so good.”

you can feel chan twitch inside of you, and he collapses onto your chest. he breathes heavily, holding your hand tight, stalling the movement of his hips.

“call me that again.” you chuckle, slipping your free hand into his hair.

“what..? puppy?” chan whines, burying his face into your shirt. he ruts up into you involuntarily, groaning as he pushes deeper into you.

“you’re driving me crazy, hyung.” his thrusts pick up again, going deeper every time. you softly pull his hair, groaning at the wonderful mix of pleasure and pain.

“just like that, puppy, you’re doing so well.” chan gasps into your shirt, his pace growing frantic. he fucks you harder, his free hand gripping your hip tightly. you moan loudly, eyes blown wide, watching chan fall apart on top of you.

“i’m- fuck, i’ll cum if you keep calling me that.” he bites the fabric of your shirt, his dick twitching inside of you as he ruts deeper into you. you squeeze his hand, pulling his hair so he lifts his head. chan looks up at you with teary eyes, a pout on his lips. you pull him closer, kissing him gently, your tongue running over his bottom lip. chan whimpers into the kiss, his dick throbbing inside of you. he slips his tongue inside your mouth, matching the frantic movement of his hips. he bites gently at your bottom lip, licking into you hungrily.

“good boy,” you whisper between kisses. “just like that, puppy.” you suck on chan’s tongue, squeezing his hand. chan moans into your mouth, his thrusts becoming sloppy. he fucks you harder, feeling his orgasm building up.

“hyung!” chan cries out, holding your waist tightly. he gasps between kisses.

“come on, puppy, you’ve got it.” you praise, kissing his nose. “come for me, pretty boy.”

chan chokes out a sob, arching his back, releasing into you. he kisses you hungrily, riding out his high. “i love you, hyung.” he whimpers, spilling his seed into you, pumping it deeper. you pet his hair gently, letting go of his hand. you cup his face, caressing his cheek, wiping a stray tear off his face.

“you did so well for me, puppy. i love you so much.” chan nuzzles his face into your hand, quietly letting the tears fall. “hey, hey, are you okay..?” you panic, frantically wiping his tears with both hands. chan nods in your hands, taking a deep breath.

“yeah, i’m sorry, just…” chan wipes his own tears away, embarrassed. he buries his face into your chest, murmuring. “just overwhelmed.” his voice cracks. your heart aches.

“i know, baby. i’ve got you.” you hold him closer, petting his hair and kissing his scalp. chan whimpers, holding onto you tightly. he lays on top of you, panting heavily, trying to catch his breath.

“you made me feel so good, hyung. thank you.” he mumbles into your shirt. you chuckle, tilting his head up by his chin to meet your eyes.

“anytime, channie. that was perfect.” you kiss chan’s nose. he giggles, kissing your lips tenderly. he smiles into the kiss, burying his face into your neck.

“thank you, hyung.” he whispers, nuzzling his face against your skin. you squeeze chan in your arms, sighing contentedly.

“i’ll hold you as long as you need, but we need to clean up soon, baby.” you caress his back, skating your fingertips along his muscles. chan shivers, snuggling into your embrace. he nods slightly, then slowly sits up, slipping out of you with a groan.

“we- we should clean up now, i think.” you nod, sitting up, wincing as globs of chan’s cum spill out of you onto the bedsheets. you chuckle, looking down at the blankets. 

“we’re gonna have to do laundry, too.” chan giggles, helping you up to your feet, kissing your shoulder.

“let’s do that tomorrow, yeah? for now…” chan pulls you in for a passionate kiss. “let’s take a shower, okay?” he whispers against your lips. you nod, rubbing your nose against his.

“good idea, pup.” chan blushes, covering his face with his hand.

“stoppp it, hyung.” he whines, turning away and heading towards the bathroom as you follow closely behind, knowing that tonight is nowhere near over.

[one-of-tankhuns-neurons]

I cannot let this show go without writing my goodbyes... Deep Night Final EP

Deep night was everything and more. It was a show that was made with insane love, thought and care and it fucking shows. That loves shines through the screen and it is GUARANTEED to warm your cold dead heart. Cheewin has always made his shows a bit more grounded, a bit more queer, a bit more real. Since YYY you can just tell there's someone in the crew that understands queer experience and this was it again. The good parts, the sad parts, the struggle without exploting it for pity. It showcased confusion and acceptance and love and love and love. So many different kinds of love.

Wela and Khemtid

These two developed so beautifully, from people who misunderstood eachother, to people who felt attracted to each other but still didn't get it, to people who listened, apologized, leaned on, supported, loved, cared for eachother. Khemtid's enchantment with wela blossomed after they fought about Wela's job, he realized that acceptance was the better route to take and he just worked hard to get it right, to make up for it, to help. Wela at the same time tried so hard as well to understand Khem's feelings, making it easier for them to reach the middle ground. He worked so hard with Khem to keep the club afloat, he was never mean to his coworkers, he carried the whole world on his back and still stood proud. They went from strangers to these two adorable dorks who hold hands and smile while kissing. I'm sorry but Khemtid smiling like he just won the world while giving his injured bboyfriend a handjob at the back of the club made my heart burn. That's complicity and partnership and mischief and intimacy. They stand on equal ground and that's so meaningful to me.

Then we have these three dorks

The true rivals to lovers. I talked about this in my previous Deep Night post but it was brilliant. Their storyline developed so subtly and naturally I cried last week. The way Japan and Ken's love bloomed out of love for Seiji... like it's not that they're just dating Seiji, they're dating eachother and that comes from a trust that developed from and understanding, that grew from care into desire. Last week's episode showing Japan as the center of his fantasy showed that, Japan is also attracted to Ken, and Ken's heart has melted for Japan as well, unknowingly. The talk they had was so necessary, so respectful and rooted on concern and an actual attempt to build something that left no one out. Seriously the way they're sitting in the end, with Ken brushing Japans hand, the way Japan held Ken's hand and brought him into the hug to welcome him, to shelter him. I love that it wasn't fetishized. (Because we've tackeled threesomes before in other shows but not romantic love) I love them, they love each other, this is healing.

Freya and Meiji

They are EVERYTHING. Honestly the role of women, specifically queer women in queer spaces has been overlooked for way too long. They take on the role of caring, protecting and supporting the whole club, the boys themselves and themselves. The fact that Freya's character was divorced and was constantly under attack from her ex-husbands family now existing with a same-sex partner was so complex yet beautifuly handled. Meiji was not just some random chic they threw in to gay it up, she was important to Freya, she helped at the club, she wasn't much around but when she was on screen she was Freya's rock. The talk on age... bro that shook me to the bone. Media is so focused on youth their questioning was so valid and so painful to watch... but it healed. Fuck I'm crying watching this. Everyone deserves to be loved by THEMSELVES.

Khem and Freya

gET TF OUT I WANT TO BE ALONE this mother-son relationship was amazing. Both characters grew so much out of love for each other I want to swallow a shotgun. The was it was alway Freya trying to gain Khemtids approval was so heartbreaking, and watching Khemtid LEARN to accept and love his mom, accept and love the club, accept and love the role they play... fuck. FUCK FUCK FUCK

Also we cannot forget Dai

I don't even have words to explain how great this character was. Outfits on point, personality strong and unmoving, loud and authentic and accepted and part of everything and capable and necessary and just EVERYTHING. And the fact that Dai was perceived as a potential love interest for Freya without it being a joke or mockery was gold. Apart from that, all of these characters and storylines are interwoven in a net of complexity, social norms, real struggles but also real coping mechanisms. I also want to LOUDLY RECOGNIZE the work put into it, as they all worked hard to actually get on stage and perform acrobatics like their characters. There was just so much attention to detail and to making things right I want to cry just thinking about it. Please please please if you havent... Watch it. It may not be revolutionary but it's perfect to me. Deep night is a very queer show that decided to open a lot of wounds just to let them heal properly. THANK YOU DEEP NIGHT. I expected nothing from you and you're now part of me.

[some-pers0n]

Back on my Peril ramblings again guys

Peril is a character with a lot of polarizing opinions. You've got some people who love her to death, while others who, well, don't. The people who dislike her will go about how she's obsessive. Too clingy and relies far too much on Clay. That or go on about how she's just rude, mean, dangerous, and overall kind of a bad person. I...couldn't disagree more if I'll be blunt.

For starters, Peril is in a difficult situation. She was molded and shaped by her childhood. What she is now is a product of being raised as a living weapon. She was seen as being dangerous and a blight on dragon society. A hazard that, at any moment, could kill somebody. She is danger. She is peril.

Scarlet took hold of that. Scarlet manipulated this tiny dragonet that she stole away from her mother and raised her, feeding her lies in order to keep her docile and dependent. She was never alone. Never to act on her own accord. Anything she did was first of all approved by Scarlet, somebody she trusted and loved in a way. All Peril ever knew was hate and fear, so a dragon showing her any other emotions felt like love.

Peril is...unstable to say the very least. Like I just said, she's got a warped sense of relationships due to her upbringing. She has literally nobody outside the walls of the SkyWing palace. She clings to those she deems as friends and loved ones as she knows nothing else. She craves that feeling of love and especially touch. She has never known the love of a mother's hug. She has never felt the wings of a friend comforting her in a time of crisis. She only wants to be held and loved, but she cannot. She was born wrong. She is unlovable in her eyes. That's what everyone tells her at least.

It's when Clay comes along that things change. For once, she's seeing a dragon who, while still kinda scared of her...is respectful. He holds conversations with her. He's nice, friendly, and when she hears that he tried killing his troop, she immediately relates. It's one of those things that I feel Sick about, where in Clay and Peril both are deemed to be monsters since the moment they hatched when in reality they weren't at fault for anything. Clay and Peril are so good when you actually treat them like characters.

The point is that Peril sees herself in Clay. For the first time ever, she finds a dragon like her. A dragon that at the very least tolerates her. After years of abuse and being shunned and seen as nothing more than a monster, it's basically like Clay is giving her a boquete of roses and confessing his undying love.

She becomes obsessed, even more so when she's eventually free from Scarlet, but that comes later. She holds him to such high regards and views him as a dragon she wants to be around. She's easily jealous when other dragons talk to him. She's protective and constantly wants to be near him. She adores him.

Yada yada, the whole fight scene happens between her and Clay. Scarlet notices that Peril is rather fond of Clay and is using her emotions to manipulate her further. Again, Scarlet is extremely manipulative of Peril. She's the one who molded her into this. She's the one who was responsible for this. She's the one who made Peril feel as though all she could ever be in life was a murder machine, and that Scarlet was doing her a favour by letting that be her existence as opposed to killing her. Scarlet made Peril dependent on her.

So when she's gone...Peril feels lost. She feels like she's the blame for one of the very, very few dragons in her life that at least cared about her being gone. Now she's alone and seen once again as a creep. A weirdo. She doesn't belong here, not in the Sky Kingdom. Osprey is dead (another example of Scarlet toying with Peril's emotions cause the one time she acts out she has to suffer for it) and she's just tossed into the world without warning.

She in turn seeks out Scarlet, eventually finding her. Despite all of the abuse and suffering that Scarlet has put her through, she has nobody else. Scarlet's twisted and distorted love is the only thing she knows. She feels guilty for everything that happened to her.

I think it's easy for people to not really understand Peril if they don't really get her situation. What I lay it out, it sounds pretty easy to understand. Peril is a deeply traumatized and abused character who is shaped by her trauma and struggles to exist in this world as she only knows to kill. She's trying to unlearn all of this. She wants to be better. She's trying to be better.

That's what Escaping Peril is all about: Peril's recovery.

Escaping Peril is the conclusion to Peril's arc, with her coming to grips and terms with her trauma and by the end realizing that she is her own person. Over the course of the book, she struggles a lot. She goes back and forth on her feelings with Scarlet, conflicted on whether she loves her or wants to kill her. Perhaps both at the same time. It's messy and she feels lost and hopeless.

The only real thing that seems to be a beacon of light in her life is Clay, whom is basically not even in this book. Clay is her moral compass here. Anything she does has to be something she believes Clay would approve of. She's doing the exact same thing that she's done for years with Scarlet because, yet again, it's literally the only thing she knows. She is a deeply hurt character who struggles with the whole morality thing because ever since she was a dragonet she's been a child solider. She's trying to unlearn it all.

Which is helped significantly with her friends, namely Turtle. She isn't alone. She has a group of dragons who care for her and like her the way she is. Again, the themes of friendship and togetherness is a very strong one in this arc. The Jade Winglet learn how to be themselves and how they don't need to pretend to be somebody they aren't with a group of dragons who love them for who they are.

Peril...learns. She learns. She grows. I cannot emphasize this enough since some of you guys still don't get that part. Her character shifts and changes and develops over the course of this book. She learns that she doesn't need to depend on somebody for her own actions. Hell, by the end of the book, she burns the scroll of her own volition, knowing fully well that Clay would've hated that. She's acting of her own accord. She learns that she's not a monster and doesn't need to have her flamescales be repressed to be liked.

She's a deeply traumatized character who is trying to get better. She has been getting better, and she will only get better with time. She's happy now. She's happy with her friends and loved ones. Everything will be okay.

[batfambrainrotbeloved]

How to Writing multiple characters in a scene!!

Writing tips w/ Sunny (part 1, because I ramble and im positive ill end up doing this again if people want or for my own satisfaction)

This is just my methodology put in a way I think makes sense, if this doesnt apply to you thats okay everyone has different stradegies that work for them <33

SO lets begin.

"Rules" of writing multi character scenes + arcs, (First half is how to add them into a scene, second half is maintaining and not letting them vanish)

AHEM- Well there are four ways to place a character in a scene

Narration POV Aka the protagonist, this is the perspective ever present unless you CLARIFY the story is now through the lens of another character (Take for example my fic, while I play with multiple perspectives- a bulk is from Tims POV)

Secondary POV This is the character that DIRECTLY interacts with the narrator aka their "first point of contact" so to speak, they ground the narrator in the scene as not alone and is actually interacting with other people. (This DOES NOT have to be a speaking role, it can be purely observational if need be- but its the character that gets the most attention via the narrators perspective SIDE NOTE- THIS CAN SWITCH AS WELL)

Interactive POV Now we get to the "filling"- since Secondary doesn't need a direct tie to the narrator, you can have another character interact with the secondary character. But since they are not the focus of the scene its good to have a REASON they "Enter" or else if you spend so long giving the narrators perspective on #2 then you risk having someone "Materialize" in thin air. (This isnt really a concern unless you wait too long into the scene to go "Oh this guy exists-" you have time as you paint the reader a picture of the new enviornment/scene)

Enviorment POV Last but most certainly not least (and the one i've seen people struggle with the most) is the character that is PRESENT A N D NAMED- But serves no plot importance/relevance (to the narrator) during the opening part of the scene.

To put in better perspective- think of being in a room, The Narrator is you observing your surroundings (depending on POV style how "into the mind" of the narrator we go)

Secondary is the person you focus on, you hear their conversation, see their body language, expression, clothing, etc. They are the personal "focus" (there can be multiple as well)

Interactive is people SURROUNDING the focus, those who still play a semi active and visible role. They can either be within your line of sight interacting with the enviorment or speaking to a secondary/narrator character.

Enviorment is the person in the back of class that you know, but don't really register unless they do/say something- but you are still AWARE of their presence. CAREFUL NOT TO INTRODUCE THEM TOO LATE, OR ELSE YOU HAVE THE "MATERIALIZE" PROBLEM AGAIN

Now into a scene(aka recycling an old one)

Tim starred ahead silently from his side of the couch, watching Jason fidget with the soda tab on his shitty off brand Doctor Pepper he always insisted on getting. Around and around over and over, it was giving him second hand anxiety.

Thankfully they weren't forced to stay in the moment as Dick leaned over and pressed his shoulder into Jasons with a beaming smile "Oh come on it'll be fun"!

"Says you golden boy" Steph teased, half hanging off her chair and a foot almost knocking over Cass chip bag, only stopped by the fact Duke snatched it and moved it further along the table.

Well at least Damian seemed to be reacting rationally, seeming intent on slouching in on himself the more Dick tried to pull him and Jason together into a "group hug". It was a wonder his arms could even reach that far- even more so that they were still intact.

But Jason, like the rest of them, was weak to Dicks puppy dog eyes. Tim saw the moment he gave up a losing battle and his shoulders slumped in defeat, though his scowl ever present. "If I say yes will you fuck off"

"Ah ah language, we have children here"! Dick gasped, placing his ears on Damians ears which only earned him a snarl in return.

"I don't think Damian counts as a kid- and I just turned 16 which is basically an adult" Duke tried to defend, but his 'fierce glare' had less effect with his hand stuck in a bag of gummy worms.

Tim huffed- if Dick kept it up, they would end up with "family night", and he doubted all of them would come back alive.

(END SCENE)

Now to break down- Tim was of course the "Narrator" perspective that was viewing the scene, we get his insight even while not directly interacting with the characters just by his description tone.

Jason was of course the main "Secondary"character (though Dick was a mix as well) where the scene introduced by Tims perpective and tone by someone else in the enviornment.

Then you have Dick who is a perfect mix of Interactive character (how he entered the scene via movement, placing himself in perspective to the established other two) while shifting to have the most "scene impact" whilst still not being Tims focus.

Finally you have everyone else serving as Enviornment characters, with either a simple Line-action (ex-Steph) or a name drop in general placement (Cass) or establishment through movement, and only relevent later in the scene (Duke).

Damian kind of floats between, he is introduced via a reaction + Narrator observation, but then is mostly just an eviornment character. He is THERE but not really awknowleged beyond that.

NEXT- If that doesn't help much you can rely on "Environment rule"

Aka everyone is always doing something in any space they occupy- apply that to your characters. It can be as simple as when you have one character speak loudly to the narrating POV, another character shifts away or laughs.

They didn't need to speak nor did you need to detract from the tension/pacing of a scene by describing in detail their expression, positon, etc.

BUT in that moment your reader just clues in to "Oh okay x is here-" that is established, and whether or not x plays a role in a future scene within that enviornment doesnt matter much.

This is also the PERFECT oppertunity to give characterization. If a tense moment is going on you can have the narrator notice another character stiffen/flinch (aka affected by the conflict, even if not an active participant)

FINAL PART- MAINTAINING

This is where shit can hit the fan f a s t- getting a bunch of characters in a scene is one thing but keeping them there?? Hell at times.

But once again this all relies on "Narrator perspective" and unless you are switching narrators, you need a "cone of vision" to determine what is or isn't important unless you might break the tension of a scene.

Methods include-

Reactions

Two+ background characters interact (verbal or not)

Interact with enviornment

Enter/Leave a space (of note)

A sound registered but not explored (a chair creaking back, a glass dropping, snack bag rustling, or even my favorite which is the sudden absense of sound implying an audience)

"Incidents" (Someone drops something, attention goes to them for a sec- apology/oneliners, then switch back)

Check ins from NON NARRATOR, (or narrator, but usually works better to keep track of who is focused on who)

Characters don't need to be "ever present" just remind your reader they exist somewhere generally in the scene (and keep them in your back pocket)

But The best possible tool at your disposal?? BANTER.

Let characters interact, feel out their dyanmics- If you dont know how they interact in non tense situations, how does that change when tension amps up. Have a background character throw in a one liner- or the narrator observe a conversation they aren't a part of.

LET PEOPLE BE PEOPLE- And they basically write themselves

Last but not least- if you feel stuck or lost?? Treat EVERYONE like a narrator.

Who are they paying attention to? What are they seeing? How do they REACT to that? Do they speak up, do they tense, do they try and slip away or stay strong?

You don't need to know this for EVERY scene- but sometimes it helps out of a rut moment

ANYWAYYSS- This is my rant and personal methodology of how I place/maintain multiple characters. I hope this helps for anyone interested, if not find what works for you!!

My Asks are open if anyone wants me to give any other advice, tips, or just general ramblings about writing.

Otherwise,

Happy writing!!

[hazelfoureyes]

Why do I keep disappearing into fantasies and stories about fictional characters? When will I become happy and stop reading them to feel at least a drop of warm emotions?

Perhaps the life you’re in now isn’t fulfilling and stimulating enough? Maybe it’s better in your head.

When I was my most depressed I always stayed in my head. If I wasn’t asleep I was far away in my mind doing anything other than addressing the reality I was physically in.

There are signs here on the river banks warning people to stay away when it rains. Because even though you feel safe on the grass, it’ll become slippery and you can slide into the raging waters of the river and drown.

Fantasy can be like that for us who are lacking things in life. We’re on the grass, a safe distance from the depressive and consuming currents. But we’re just a shifting weight from falling down the hill.

From my personal experience, I had to fake those warm emotions in myself before I could even try to find it elsewhere or even actually make it myself. Before I could escape the allure of fantasy.

If I’m going to spend all day in my room then I made it feel like somewhere worth being in. If I’m going to be alone I want to enjoy my company, so I took time to try and dress like someone I’d be happy to pretend to be. Whether it meant trying harder to accessorize or just meant washing my hair that day and brushing my teeth. I made up things to be happy with, I romanticized the otherwise unappreciated things. I’d take myself to the beach or on long walks in safe places. Id get a hot chocolate and hold it with both hands and feel that warmth until it faded. Id microwave it so many times to get it back to temperature, even in the Florida summers.

I needed distractions so I’d ride a cheap thrift bicycle I got for 10$ for hours. I painted. I did these things and still daydreamed and fantasized about other places I could exist in, but slowly found myself proud of the strength in my legs and the skills I was making while I was still in my head.

But that’s what it’s about, right? Distractions and making up what you don’t already have but really want. Excitement, love, sex, power, allure.

Maybe you need a distraction of a different form? Maybe it would help to distract your body while your mind is away and maybe you’ll like this reality more and find your brain making better chemicals. Maybe it’ll lead to meeting people with similar distractions who fulfill you more than your fictional darlings. Maybe you’ll just enjoy being here more, in this world. Sometimes that doesn’t help. Sometimes we need different help. I have OCD and take medicine to manage it, because my brain needs the extra help.

Maybe your life needs more outlets for that creativity in your head.

I could be totally off base and entirely misunderstanding what you mean, so forgive me if I just went off in a useless tangent. Maybe I don’t understand all, in which case, I am sorry.

I hope you have the resources, will, and energy to find ways to get what’s missing and get those warm emotions in this reality.

I hope you’re on the river bank still, and not already sliding down the wet grass.

(Sending long distance hugs, warm and sweaty)

[amusingmusie]

Is Evie canon to the Yours Truly universe? I absolutely love her already, and I can only imagine the kind of hell she put poor Nel through growing up. Al would be so proud. Good on Nel for starting a law firm, too! That’s our queen!!!

But also the general heartbreak that Nel must have felt as every day Evie looked a little bit more like the man Nel thought she knew. Just looking at her daughter one day only to see someone completely different but so familiar staring back. :(

I’m also so curious how the realization that Nel was pregnant went down. Not well probably. Was it before or after Al died? How would Al have reacted if he was alive (He very clearly didn’t want kids). How on earth would he have behaved around a pregnant Nel?? Also not well probably.

And of course I can’t forget about the extended family. Where’s Grace, my beloved, in all of this??? The absolute agent of chaos that she is, she and Evie would cause so much havoc — I just know it. And I can’t tell if Marie would be ecstatic up in heaven or rolling around in her grave at the news lol. I’m assuming by this point in time she’d have passed away, but to know she just missed the big news — damn. Poor Grandma Marie. Nobody thought Al had it in him 😔

Sorry for the giant block of text lol. I adore Evie and she’s got my brain in overdrive rn. Your writing is amazing, and Yours Truly is genuinely such a wonderful read! Also don’t feel pressured to answer any of the questions if you don’t want to or if it’s spoiler territory — I just had to get all that off my chest :)

Stay safe out there and take care of yourself!!

No PLEASE send me asks about Evie I fucking love her and barely ever get to talk about her because I've kept her so private for so long!

Evie is "canon" to Yours Truly but not in the way you might think. She is never going to be born, she doesn't exist, but she will eventually have a small cameo in a later chapter. The rest is a mysteryyyyyyy for now. However, I love thinking about the au where she's alive since I LOVE family drama and angst.

The girl is a menace. She's a strange mix of Darla Dimple, Jessica Lovejoy, and Heather Chandler but also can be oddly endearing? There’s a strange innocence to her. Yes, she did stab that man but she hugs her momma extra tight when that haunted look comes over her face. There are a lot of layers to the silly gay girl that VERY few people will ever see let alone notice and process.

If Al was around for Nel actually being knocked up and aware of it, he'd be annoyingly overbearing. 100% he'd treat her like she's made of glass even though she's trying to bite his throat out for being so condescending. It would be a giant clusterfuck of Nel randomly crying cuz her hormones are raging and she’s too big to bend over and buckle her shoes, and then Alastor is staring at her like she’s insane because it’s Nel, crying. They’d make it work though. Well, in another universe at least, because in the drabble-I-posted-verse uuuhh….he wasn’t really around to know that he has a child kicking around on earth.

But heeeeey she and Grace are BFFS! They definitely gang up on Nel together while she smokes 28 packs of cigs with a thirst for blood in her eyes. Little shits of a feather flock together.

If Marie was around, she would SPOIL that child. Her only grandchild, and a little girl??? Whatever Evie desired Marie would deliver and you wouldn’t be able to tell that child no without her granny defending her. It’s probably for the best that they never met since Evie would be worse than she already is.

Thanks for asking more about her cuz I like to yap :D I can't really say too too much since I don't wanna accidentally spoil YT, but man do I adore this strange child of whimsy.

[yourcrazyboyokris]

Fun Animal Facts

Japanese Spider Crabs exist and they are after your left index finger

[floaties-for-arsene]

Oh no! He’s a little fucked up actually

Continuing with my Ryomina swap AU hehe.. instead of Ryoji being the Nyx Avatar here, Minato is the one to be taken over by Nyx 🥲

Fun fact! The blue eye is the only part of his form Minato can control and he’s constantly looking at Ryoji! 🥲🥲🥲🥲

[tiny-chubby-bird]

jesus christ dick just give your little brother a hug

[alchemania]

Finally got enough energy to talk about Furina's SQ and while I loved her and the troupe, MC and Paimon were .... Not Great. I talked about this with friends but in Paimon's case especially, the way they interact with Furina feels like people who just don't understand trauma and depression and then engage with someone suffering from both in all the wrong ways.

Talking about how much of a downgrade her house is from the opera house, making fun of how she can't cook, pushing her to act when she's set a very clear boundary and then guilt tripping her after she's stuck to her guns, shaming her for not being able to fight well (Paimon literally talks about how second hand embarrassment is overwhelming and I'm just like ?????), telling her she's "not acting like herself" when she attempts to open up and be vulnerable....it's just really rough. That and the MC asking "is something wrong" when Furina gets sad over Poission ..like bro people died and she couldn't save them and she's tearing herself apart over it. Those people are never coming back and you know it and you have the gall to ask her is something wrong??? Of COURSE there is!!

It just feels especially odd because we literally get to see all of Furina's suffering and Paimon in particular is. SO mean? Like she was more understanding with Wanderer and Ei and THEY'VE tried to kill us multiple times!! I don't get it, and honestly I'm very proud of Furina for refusing to waver. Let her rest!! She's tired and depressed and she needs time to heal; and honestly fuck Paimon for trying to make her feel bad. Furina's worked harder than she EVER will.

[dcbnam-aep]

the feminine urge to befriend maeve and ruby and give them both all the love and support that they deserve urgh

[themintman]

whoever decided to make me so emotional about fictional characters deserves to be shot.

Like, I'm ok with real people. Worst case scenario I'll cry cause Im terrified that me calling your outfit cute has somehow offended you. Fictional characters? NOPE NO CHILL

If I think about characters I like too hard I feel actual physical pain because my stupid brain decided to gaslight the rest of me into thinking of them more like real people than ACTUAL real people. So to my STUPID BRAIN they are just friends I can't hug.

LIKE WHY ARE YOU LIKE THIS BRAIN??? NO I DONT WANT TO CRY CAUSE I ACCIDENTALLY MADE THE SILLY OLD MAN DISAPPOINTED??? BUT NO, I GUESS IM GOING TO SOB INTO MY PILLOW CAUSE I THINK I UPSET HIM (he's not even real?????)

[yolowritter]

My Contribution to April Fool's 2024

Honestly, this came into my head like five minutes ago but I felt I had to share. A crack fic where Lila walks inside the classroom on April 1rst, and sadly announces that her mother was transfered back to Italy and she's leaving France forever. She does it with big, teary eyes, a sad smile, the whole shabang. Naturally, the class throws a last minute farewell party for her. Adrien collapses against the wall from relief, Nino thinks he's sad to see her go, and Marinette decides to draw Lila a whole sketch of the class waving goodbye to her, smiling brightly all the while. How nice of their class president!

Unfortunately...at the tail end of the last period, the door is slammed open, and in strides Lila, with her characteristic "Hi everyone!". Adrien reflexively hisses at her, and Marinette slams her head on the desk hard enough to dent the wood. I- I have no idea how this occured to me, but this scene refused to leave me alone till I wrote abt it. So here you go! It's much funnier if you visualize it, I promise!

[storm-of-feathers]

a

[mozart-the-meerkitten]

Rant

I love my job because I love working with kids. I love seeing them grow and watching the ways their little minds work and helping them when they need it.

I also hate my job because I'll get used and abused all day, having to do things that AREN'T MY RESPONSIBILITY because literally no one else is paying attention to the kids, I am the only one watching even though I'm NOT the teacher, I'm NOT the classroom aide, I am a one-on-one.

But I CARE. I care so FREAKING MUCH about these kids that I can't just not do anything. I have TRIED to not do anything. It never works. And it's maddening and I hate it I hate it I hate that I can be USED in this way.

But by God these kids do not deserve to suffer just because I'm the only adult in the room willing to DO MY GOSHDANGED JOB so I do more than I should because these are LITTLE PEOPLE who don't UNDERSTAND. I want to wear a shirt every day that says, "I'm doing this FOR THE KIDS."

I just wish somebody else would do it for them too.

[munch-mumbles]

can someone give me a pill that makes me brave enough to cut contact with my family