#this and the scene where he goes to some other dimension where they all age way faster. so nolan's probably added 50 years in 4 hours and

[spotlightlowlife]

Charlie and Lucifer have a disney counterpart

Ozzie and Bee too a little

There is a beloved and happily sidelined disney ruler who dispite having the occasional moments of power, may well be a keen candidate for 'all the fun and none of the responsibility' personified.

Who is none other than......

The Sultan of Aladdin.

Think about it and if you're not all to familiar, know that the sultan is a friendly, goofy, cute, supportive loving little dad

who doesn't want to 'work'. By work, I mean the dirty work that goes into being a leader. Those tough decisions that will undoubtedly be unpopular among some.

This guy leads a nation, yet right from the start, the moment Jafar, the villain, his adviser, shows up with work, the jolly sultan shows the exasperation of a child being asked about their homework.

Though when it comes to going along with his teenage daughter wishes, sweet and idealistic as they are but realistically would have repercussions, he's down for it, because his daughter is his princess and her happiness is his happiness, end of story, everyone is happy.

He was clearly born into power.

Who was born or spawned into power?

Lucifer.

Someone who fell into his own dimension where his mysterious, probably problematic estrained wife who married into power, thrives or thrived. He is pride, the leader of 7 sins, who runs the pride ring but dies he really? He is shown to have no pride but it's OK because he's depressed.

Lucifer is a cute, silly little dad whose daughter is the apple of his eye and ultimately, Charlie gets what she wants, because if it makes her happy, it makes him happy.

Though like sultan he's right there as his precious daughter stands by a con artist who feels entitled to her (and the lifestyle she can provide him with clearly).

The other 6 individuals rule their sins and namesake regions, who like Lucifer are 'nice', can too be selective over what areas of their sin they choose to acknowledge.

Valentino is pretty much Ozzie's evil, very productive twin, some sinner a micro fraction of his age.

Bee could be a spokesperson for addiction awareness, but will she do more than speak, at the loved ones to pull an intervention?

All whilst being the one encouraging the overindulgence.

Let us not forget two small time demons who link both Ozzie of lust and Bee of gluttony together. Substance addicted Barbiewire and Verosika. We may not have seen a lot of them but like Valentino, they achieved plenty.

Barbie can travel freely to earth using one if Ozzie's crystals in order to smuggle hard d rugs. Job made easier by seducing a teenager.

Non-con welcoming Verosika travelled to earth to influence a load of youths with her team of fellow sexdemons.

She also bough beeljuice along with her which caused a massive scene.

Who will regulate such frowned upon actions?

Now back to new leader and leading character of her series, Charlie.

Like sultan, Charlie has help

in the form of someone she atleast knew to be sinister when she took him on. Someone who hardly hides his much they want what their boss has. That someone ofcourse being Alastor

who like Jafar would be of a lower social class, work hard, gain power and influence and be willing to scheme and sleaze his way into that powerful family.

Like sultan, Charlie is happy, nice, silly, dismissive to what it doesn't suit her to address, irresponsible, is being carried along in leadership

and is quick to see everyone as wonderful and equal without stopping to think that those who sit at the top may do something about such pushes.

Aladdin gets away with it being a family film where we follow the Alastor/Aladdin character in getting what they want, but Hazbin and Helluva, hopefully time will tackle some holes.

[ganondoodle]

you know, as if it wasnt already boring enough that both link and zelda got back to their 'perfect' physical selves without any consquences from all that happened, the fact that zelda doesnt even remember anything either is just adding insult to injury

although it was also a lil disappointing at the end of botw that zelda didnt age even a little bit or had any other physical change at least she was conscious during the time she sealed calamity ganon in the castle and it overall feels less illogical

when you get the mastersword back in totk you get a cutscene of zelda with it after she had already transformed which kinda .... is weird? she seemed pretty awake there, and it being right after transforming is strange since the mastersword was already restored in that cutscene, i would expect it to be a slow progress- that said .. it also seemed like her soul was doing pretty fine, unlike how mineru said that you lose your soul when you do the dragon thingy; i guess it could be that that was jsut a thing that was believed without knowing if its true but ... why even mention it then, just to dangle some consequence in front of us only to reveal there wasnt any danger actually?

also someone (i think) commented once that zelda being turned back in that weird way was meant to be that she got time reversed .. which ... okay??? the teleport to that weird nakey floating dimension is still a weird choice to me (yes i know its probably the spirit realm or soemthing and thats why the ghosts that went poff already were there but it still feels off to me) .. aynway, i guess it was meant that ghost sonia + rauru did the give power to link thing that sonia and zelda did to rauru when he magic laser blasted all those poor moldoras (and never does it again ... why not magic laser blast away gan instead he was pretty openly standing on that rock problem solved hfldshnflsnjlfs) and that time reversed the dragon thing .... but aside from the symbol for the time thingy lighting up theres no indication for it if i remember right? its just some awkward looking magic beam blast save zelda edition (tm) why not at least include the clear tök sound that goes off when you use time reversal in game? would it have been both more clear AND cool if link was still standing on her head, the world gets that spirit realm filter like it did in skyward sword to indicate that theres a shift, then have the ghosties appear and let you as the player select time thingy and then her, ghosties give you their energy and the sound of time reversal goes off, the schemes of the world below goes black and white and start to shift; you dont need to literally show the path zelda had been flying over those thousands of years, but make the world a blurry mess and let the music speed up so you feel like you are actually doing something and then she turns back maybe near the temple of time (zonau edition) so its near the place where she was last human, the filters and ghosts disappear and whoop you got your epic falling scene ... but i would like to have zelda still remember it, otherwise it just feels .. weirdly manipulative? like lets reverse your brain and memory zelda no dont worry i meant good lmao trust me

that is if it was meant to be read as a time reversal on her .... but then i question why it wasnt used beforehand? couldnt you have done that to ganondorf even? if sonia and rauru can give you enough energy as ghosts then why couldnt sonia reappear after getting one-punche-mand-to-death or when you fight gan in the present time? is the excuse that he was so miasmafied or deep below the earth that the spirit world thing isnt in reach? couldnt you have done it after he did the dragon thing then? or is it a one time thing so they saved it for zelda? but then why didnt sonia get her ghost ass back there immediately after she died and time revrsed gan getting the enigma stone? ALSO if it was a time reversal on zelda where did the stone go??? shouldnt it be time reversaled out of her in some way to undo the dragon thing? where it go?? also to time reversal a body gotta be different to getting her soul back?? or was it just never gone so what mineru said about the risk was literally jsut so it seemed more tragic when it really wasnt??? like the apparent possibilty that the time reversal CAN be used on living things and not just objects makes me question it all even more?

(also was it meant to imply that rauru somehow through his arm got them both into the ghosty dimension?? bc how did they get there, and why cant they do it again? if spirits are fine over there even if they already went poof then why act so sad about mineru fking off like that? just go back there and say hi? njfkdnjkdj)

like im sorry i cant help but overthink all of this, with every supposedly explanation i just question it more?? i dont want to sound like one of those guys that go -OoHoh there was no clear text explanation for it so i dont knooooOOOOoOw i dont know how to use ma braiiin it makes no seeeensee- or maybe i am? i dont need an explanation for everything, in fact i LIKE when there are unexplained things, but it still has to feel .. whole? there are unexplained things that make a world and story feel more mystical without taking you out of it, but theres also a way to leave things both over AND underexplained with it seemingly contradicting itself or it just trusting that you take it all at face value and never think about it that it just feels off, the the first big moment where i felt SO taken out of the game i felt actually stunned was when i was at the shrine of life and it wasnt there anymore, at all, the cave shaped like a vague imitation of it, i felt like the game was laughing at me for being so distraught about it, like what you remember and care about the game this new one was supposed to be a sequel to? lmao, anyway theres a puddle of healing water :)))

idk i just ... if its not obvious already zelda is my special thingy so of course i overthink and criticize it in ways that may seem insane to the average person, but thats just how i work i guess :/

(i am still too thinking so much about how it all feels like such an afterthought, like especially with the weird time bubbles that literally NEVER COME UP AGAIN???? WHAT WAS THE POINT??? AND WHERE DID THEY COME FROM??? and why youd choose to suddendly give zelda time powers out of nowhere and then basically not do anything with it?? zelda astral projecting to the temple of time somehow even tho her soul was lost but is also fine just to give you the time reversal gimmick is so ?? oh wow look at that zelda gave you her sage oath before you even knew about them look how coool ok but how? and why? it wasnt the actual engima stone you touch to go into ghosty world either just like a .. a weird ghost of it, it just feels off man, ok you got zelda out the way and have your neat gimmicks and uuuh dang we need to find a way to give them to you idk lol listen, i KNOW you are not supposed to question it, i KNOW they always go gameplay over story but goddamn the story ruined the gameplay for me bc everytime i think about playing it again i just get reminded of the things that dont make sense or are just so .. lackluster in ways that even botws worst parts didnt)

[hazelnut-u-out]

Rick losing his original family makes me even sadder when I think about the fact that Morty and Summer are basically his kids. He lives with them and takes a much more active role in their lives than most grandparents. He's also pretty much raising Morty (he's doing a terrible job lmao, but he is.) He lost all his children. He lost Jerry, too.

yeahhhhh, 100%.

he’s morty’s primary caregiver at this point, and it kind of feels like the first time in his life morty has ever actually had a primary care giver.

i mentioned this in one of my other posts, but for the longest time after the s5 finale/s6 premier i assumed that rick would pop into the s1 prime dimension on occasion to see if prime had come back, and ran into little morty then. that entire assumption relies on the the inference that morty was pretty heavily neglected and left to his own devices, even at such a young age.

i mean, who in their right mind would leave their baby completely alone in the front hallway while they’re learning to walk?

we ofc don’t know if that’s how rick really knew a morty baby, but it really says something that that’s what someone would immediately deduce.

morty himself even confronts beth about the neglect in “a rickconvenient mort,” and we have plenty of scenes (like in “raising gazorpazorp”) that are open about the neglectful/horrible parents beth and jerry are. even though jerry is shown to be more affectionate towards the kids, he’s always been too busy orbiting beth to be a decent father. (you could also get into the state of morty’s room compared to the rest of the house, or even summer’s room. it’s full of childlike toys and posters because he’s really just a little boy, but there’s mold and mildewy spots- even though he keeps his room relatively tidy.)

one scene that really stuck out to me is when rick takes morty to school in “juricksic mort.” it seems like rick has been one of the people making sure that morty gets there for a while now, considering how the whole scene goes down. (which, what a great contrast from his character in s1. he’s gone from making excuses to justify ruining morty’s education to making sure he gets there on time.)

“rick! mom’s working and dad’s still asleep! i’m gonna be late.” “… just get the keys.”

no pushback from rick at all, just casually taking morty to school. i also like the detail that rick is up that early in the morning, like he’s part of the smith family weekly morning rush routine. he’s just relaxed after summer’s off to school and beth’s at work, drinking some beer and watching the news.

that really seems like rick’s been taking morty to school everyday, or at least often. it’s also a great example of a moment where rick steps up as the “dad” or “patriarch” of the house to fill in for jerry again.

rick doing household chores and shaking his head at the kids in disappointment in “final desmithation” is something that makes me feel like rick is more of a parental figure to the kids than the actual smith parents, too.

(rick sanchez in his matriarch era lol)

(i also just love this little scene of him drinking wine with beth while she plays “operation” and the kids sit around. it’s such a sweet little detail that makes me think about what a subtle act of affection it is to drink wine with her because that’s her drink of choice. it’s also reminiscent of rick “making up for lost time” with his little girl, because it’s horse operation. some things never change- like your daughter playing with horse toys while you watch and have a little drink- even if you’re an old man and she has kids of her own now.)

another episode that i think really embodies rick being the only one who goes out of his way to care about/look after the kids is “rickmancing the stone.” sure, he has that whole blurb about how summer is completely replaceable, but he never actually tries to replace them with versions of themselves from other realities. he just kind of tries to buy time and hopes that they’ll eventually want to come back.

i love the scene where he says, “we need to get you guys home so you can properly deal with your parents’ divorce!”

it seems so genuine to me. he’s a dick, but he’s a dick that’s worried about his grandkids.

being a nurturing father figure, especially with children, is something that seems to come naturally to rick. it’s like part of his nature that’s just been waiting to peek out, even though he’s a jaded old asshole now. “a different kind of rick,” exactly.

[desolationcleo]

Things That Happened In Evo That More Life Series Fans Should Know About

I've finally committed to watching evo in full and kept this in my drafts for AGES just compiling a list

-it starts with everyone gathered around a central circle in the ground, just like how last life did

-jimmy died by creeper not even ten minutes in. fairly certain he died first.

-just... something about how pumpkins are naturally carved in these versions. naturally carved with that same face that gives me last life war flashbacks

-there is a base made of snow. pompeii by bastille intensifies

-bigb puts a large cookie on his base. y'know, a thing he did a second time in 3rd life

-and said cookie is stolen by an inseparable duo (jimmy and martyn in this case)... time is a flat circle

-they did a few games for halloween and one was a hunger games

-just... whatever is going on with the horrors that taurtis experiences. i couldn't not watch his pov and like. You know his experiences of missing a portal jump and getting stranded in some other dimension he likened to the upside down from stranger things? and later having dreams that take place there? yeah it's fucking SCARY. everything was purple and the lighting was all weird and there was weird noises. there was spooky whispering after he jumped through the portal. that's not even getting into the glitchy white-haired purple-eyes-and-mouth version of taurtis that speaks in tongues and appears to be... haunting him? it's so fucking spooky

-anyways the reason i'm bringing this up is. aside from needing to ramble about minecraftian horrors beyond my comprehension. if it is indeed another dimension as he claims, then it naturally follows that this dimension also exists in the life series.

-the cactus maze (and yes grian goes in it)

-the watchers don't even try to hide that they have favourites and least favourites. yeah this is about the jimmy sapling coal incident.

-in that same episode, the watcher dungeon (and i mean dungeon, that basement had what looked like cells but with broken/incomplete bars. tally mark looking I's on the walls and everything) has a spooky face on the wall of one room that grian says looks like a pumpkin

-just. everything about how defiant and rebellious grian is towards the watchers. huh i wonder if he's gonna keep being like this

-usage of galactic is not entirely fanon. the obelisk of the eyes has galactic letters on it

-we oughta do smth with "one day we will deem it your moment to shine" (said by the watchers to martyn at one point) and martyn's victory

-ik we've all seen this clip but. the scene where jimmy and martyn joke that the watchers are gonna put them in the hunger games. (jimmy pov episode 83 timestamp 1:15 if you wanna see for yourself)

-one of the last things grian did was get tnt pranked by jimmy, and he said to the latter "when will you learn that your actions have consequences". eventually in last life, after killing jimmy, he states once again that jimmy needs to learn that his actions have consequences.

-someone needs to caption their third life fanart with "who won that in the end?" "there are no winners in war, friend"

-jimmy after doing his mission for the listeners and finding out what the other players were up to during this time: the watchers are EVIL bro

-mumbo is brought up a couple times. between this and the "do you think mumbo would be proud" scene in 3L, coupled with mumbo being added to the life games through association via grian, i've decided to interpret this as grian and mumbo having been besties before evo and grian is just going around telling everyone about this redstoner friend of his

-the listeners use white bedrock. you guys should be putting this in your fics

-the parallel with this

and the listener dialogue at the end of limited life

[watching-pictures-move]

Movie Review | Jurassic Park (Spielberg, 1993)

Scattered observations on the 3D re-release:

I don’t remember at what age I first watched the movie, but when I was ten years old, my parents got me the Special Edition VHS (which included a second cassette with extensive making-of features), at which point I proceeded to watch the movie every single day for…at least a few months, quite possibly a year. I don’t rewatch movies with anywhere near the same frequency these days, so it’s safe to say that I’ve seen this more times than any other movie. The point is, I know this movie like the back of my hand, and in particular, certain musical cues elicit a Pavlovian response from me at this point. And by certain, I mean pretty much all the significant ones, and seeing this for the first time in a theatre, with the John Williams score booming through the sound system, I had chills going down my spine for practically the entire runtime. Okay, maybe the air conditioner played a part too.

This is being re-released into select theatres for its thirtieth anniversary in a 3D version that I believe was actually made a decade ago for its twentieth anniversary. The 3D has obvious benefits for the many scenes of spectacle (all of which are iconic), in particular because Spielberg’s blocking and shot compositions here stress the sense of depth and perspective. (For an obvious example, go to the first T-Rex attack and note how often we look over a character’s shoulder or through a window or have anything in the foreground for scale.) But the visual strategy is so consistent throughout the movie that it bears unexpected benefits in the dialogue scenes. Take the scene where Hammond is talking to the scientists and Ian Malcolm is dropping some cold, hard truths about the folly of man in bending nature to his will. It seems a little more profound with the extra dimension. (On a side note, I guess I took it for granted just how quotable this movie is. “When you gotta go, you gotta go.” “Hold on to your butts.” Etc, etc. The only bad bit of dialogue was Ellie Sattler’s speech about taking power for granted, which shouldn’t have passed the first draft.) Also take the scene where the characters interrupt their tour to go see the triceratops. The big pile of shit is even bigger in 3D. Thankfully the movie wasn’t released in smell-o-vision.

Like a lot of people, I went through a Michael Crichton phase in my teens, and I remember the source novel being one of his better books. But while Crichton is skilled at crafting technobabble-infused page-turners, Spielberg solutions pretty effectively for his shortcomings at character development. Most notably, Ian Malcolm in the book is a know-it-all who has the right opinion 100% of the time and also happens to agree with Crichton on every key issue. This probably holds true with the movie as well, but by casting Jeff Goldblum, the character is allowed to be twitchy, off-putting and alive in ways he isn’t in the novel. (As Hammond remarks, "I really hate that man." He's also allowed to be sexy, as anyone who remembers the scene in the emergency bunker where he has his shirt open can attest.) The same goes for the rest of the characters, who are played by a murderer’s row of character actors. I could just rattle off the entire cast list, but a few choices Spielberg makes I found particularly astute include making Alan Grant initially annoyed by children so that he gets something of an arc, combining the treacherous Ed Regis and the lawyer Donald Gennaro into just the latter and allowing Martin Ferrero to put his comedic talents to use. I also understand that Wayne Knight was cast after Spielberg saw him in Basic Instinct, where he used some of the same tics of nervous muttering, profuse sweating and looking down through his classes in a particular way that he repurposes here with more sinister intent. He also has some of that disgruntled quality from his role in Seinfeld. This is probably the best casting choice in the movie. (On a side note, the further I get in my career, the more relatable Dennis Nedry becomes, and the more common skimping on IT spend seems to be a problem. “Don't get cheap on me, Dodgson. That was Hammond's mistake.”)

The most drastic change in characterization is probably turning Hammond from a POS to a kindly old man. Crichton plays him too obviously as a villain, and certain Richard Attenborough could have pulled that off, but I think Spielberg turning him into a more sympathetic figure complicates the material interestingly. I think as something of a mogul himself, Spielberg identifies readily with Hammond’s motivations, and is willing to seek the beauty in these possibilities and present us with images that might take our breath away. (Exhibit A: The first shot of the brontosauruses, built up with reaction shots, then making great use of the height of the frame and the silhouettes of the actors in the foreground before giving us a complete view.) He wants the park to succeed, even if in the back of his head he knows it will fail. To paraphrase a quote about Samuel Fuller, when it comes to dinosaur parks, only the point of view of someone who has been tempted is of any interest. (Compare this to Jurassic World, where the dinosaurs are readily dismissed with ironic distance, and you’ll see what the difference in worldview offers in basic spectacle.) Spielberg is also technophilic when it comes to capturing computer displays, indicator lights and the like, all captured lovingly while being milked for tension.

Obviously, seeing this in a theatre helped me to really soak in the set pieces, but as I’ve seen this movie like a hundred times (and quite possible more), this time around I really took note of the timing. There’s the scene where Nedry steals the embryos, which feels like something out of Mission: Impossible. (I know these guys all watch each other’s movies, and I wonder if De Palma pulled a little bit from this scene.) And a particularly strong sequence juggles Muldoon hunting the raptors with Sattler trying to turn the power back on with Hammond and Malcolm’s guidance and Grant and the kids trying to get over the giant fence. It would be one thing if it was played all relentlessly, but I love the way the movie lets you grasp the relationships between the different lines of action entirely visually (the camera panning down the switches a little faster than Sattler flips them) and occasionally lulls you into a false sense of security (Grant having a goof with the kids before they begin their climb). Just a masterclass in editing. This Spielberg guy is a pretty good director, huh?

I’ve seen this movie countless times but this was my first time seeing it in a theatre, and guess what? It’s still great.

[rockislandadultreads]

Nonfiction Thursday: New Social Science Recommendations

The Teachers by Alexandra Robbins

Alexandra Robbins goes behind the scenes to tell the true, sometimes shocking, always inspirational stories of three teachers as they navigate a year in the classroom. She follows Penny, a southern middle school math teacher who grappled with a toxic staff clique at the big school in a small town; Miguel, a special ed teacher in the western United States who fought for his students both as an educator and as an activist; and Rebecca, an East Coast elementary school teacher who struggled to schedule and define a life outside of school.

Interspersed among the teachers' stories--a seeming scandal, a fourth-grade whodunit, and teacher confessions--are hard-hitting essays featuring cutting-edge reporting on the biggest issues facing teachers today, such as school violence; outrageous parent behavior; inadequate support, staffing, and resources coupled with unrealistic mounting demands; the "myth" of teacher burnout; the COVID-19 pandemic; and ways all of us can help the professionals who are central both to the lives of our children and the heart of our communities.

Ghosts of the Orphanage by Christine Kenneally

For much of the twentieth century, a series of terrible events—abuse, both physical and psychological, and even deaths—took places inside orphanages. The survivors have been trying to tell their astonishing stories for a long time, but disbelief, secrecy, and trauma have kept them from breaking through. For ten years, Christine Kenneally has been on a quest to uncover the harrowing truth.

Centering her story on St. Joseph’s, a Catholic orphanage in Vermont, Kenneally has written a stunning account of a series of crimes and abuses. But her work is not confined to one place. Following clues that take her into the darkened corners of several institutions across the globe, she finds a trail of terrifying stories and a courageous group of survivors who are seeking justice. Ghosts of the Orphanage is an incredible true crime story and a reckoning with a past that has stayed buried for too long, with tragic consequences.

Poverty, By America by Matthew Desmond

The United States, the richest country on earth, has more poverty than any other advanced democracy. Why? Why does this land of plenty allow one in every eight of its children to go without basic necessities, permit scores of its citizens to live and die on the streets, and authorize its corporations to pay poverty wages?

In this landmark book, acclaimed sociologist Matthew Desmond draws on history, research, and original reporting to show how affluent Americans knowingly and unknowingly keep poor people poor. Those of us who are financially secure exploit the poor, driving down their wages while forcing them to overpay for housing and access to cash and credit. We prioritize the subsidization of our wealth over the alleviation of poverty, designing a welfare state that gives the most to those who need the least. And we stockpile opportunity in exclusive communities, creating zones of concentrated riches alongside those of concentrated despair. Some lives are made small so that others may grow.

Elegantly written and fiercely argued, this compassionate book gives us new ways of thinking about a morally urgent problem. It also helps us imagine solutions. Desmond builds a startlingly original and ambitious case for ending poverty. He calls on us all to become poverty abolitionists, engaged in a politics of collective belonging to usher in a new age of shared prosperity and, at last, true freedom.

The Undertow by Jeff Sharlet

An unmatched guide to the religious dimensions of American politics, Jeff Sharlet journeys into corners of our national psyche where others fear to tread. The Undertow is both inquiry and meditation, an attempt to understand how, over the last decade, reaction has morphed into delusion, social division into distrust, distrust into paranoia, and hatred into fantasies―sometimes realities―of violence.

Across the country, men “of God” glorify materialism, a gluttony of the soul, while citing Scripture and preparing for civil war―a firestorm they long for as an absolution and exaltation. Lies, greed, and glorification of war boom through microphones at hipster megachurches that once upon a time might have preached peace and understanding. Political rallies are as aflame with need and giddy expectation as religious revivals. At a conference for incels, lonely single men come together to rage against women. On the Far Right, everything is heightened―love into adulation, fear into vengeance, anger into white-hot rage. Here, in the undertow, our forty-fifth president, a vessel of conspiratorial fears and fantasies, continues to rise to sainthood, and the insurrectionist Ashli Babbitt, killed on January 6 at the Capitol, is beatified as a martyr of white womanhood.

Framing this dangerous vision, Sharlet remembers and celebrates the courage of those who sing a different song of community, and of an America long dreamt of and yet to be fully born, dedicated to justice and freedom for all.

[xaracosmia]

ꕥ — WELCOME TO EXO COSMIA, JESSE FADEN. 🌑

ꕥ  — OOC INFORMATION;

name / alias: jan age: 26 pronouns: he/him ooc contact: bloomood @ tumblr other characters in xc: none for now

ꕥ  — IC INFORMATION;

name: jesse faden age: 28 pronouns: she/her series: control canon point: Post AWE & Foundation DLC app triggers: paranoia, gaslighting, stalking, uncanny valley (akin to media revolving around The Backrooms or unexplainable phenomena)

personality: 

This is off the record, right? Director Faden’s an amazing boss and all but I don’t want to be quoted or anything… Okay, good. 

Jesse Faden had a rough childhood. She was on her own for awhile, just a voice in her head to keep her company. Growing up, I know she felt lost and the world didn’t treat her too kindly either. Her words were often waved off, her cries for help and her desire to belong or just to find someone to listen was almost never heard. She harbored some resentment towards the world for that, but it’s not something she let consume her. 

Jesse is still very empathetic. She’s helped agents she’d only just met all around the FBC in dire straits, saved countless lives. Because she knows she has power, strength, and if she’s got it she might as well use it. She’s adaptable and takes things in stride, no matter how absolutely insane those things might be. Sometimes she can get really intense, like really intense. She’s not afraid to let people know how she feels and sometimes that comes with a sting. 

And.. between you and me, sometimes I think she’s still got those more buried habits from when she was a kid. She’s scared of being alone again, no matter how strong she might get. Scared of losing that voice in her head.

But, hey, you didn’t hear any of that from me.

something your muse struggles with: obsessing over her goals, abandonment. 

your muse’s greatest strength: adaptability. 

history / background: 

You want Director Jesse Faden’s file? Right, and I want to have dinner with Beyonce. 

What the hell is that? Full Clearance? Are you serious?

Okay… Fine. Far as I can tell that card is legitimate. Where to even begin…

Well, seeing that you’ve got a visitor’s badge AND have full clearance, I guess it’d be good to just go over some basic terms to make this whole thing a lot easier. 

OoP. That’s an Object of Power. These are items that are connected to another plane of existence called the Astral Plane. How that happens? That’s above my pay-grade, but the important part is that OoP’s can be bound to FBC (Federal Bureau of Control) agents, giving them some badass powers. Director Jesse Faden’s got a ton of them. 

AI. Altered Item. Altered items are acted on by paranatural forces during AwE’s that give them some strange and oftentimes dangerous properties. Think of a refrigerator that needs constant eye-contact from somebody, or else it starts destroying its surroundings. These things can’t be bound to agents and are just contained in the FBC containment sector.

Lastly, AwE. Altered World Event. These are breaches of reality by paranatural forces that are sometimes the cause of, or can create altered items. Think of a sinkhole so rapid and drastic that it starts pulling everything around it in straight to the Earth’s core, magma and everything. The FBC goes in, covers it all up, and returns to contain any possible altered items from the scene.

Got all that? Now, Jesse Faden. 

When Jesse was eleven, she and her brother Dylan had come into possession of an OOP. It was a Slide Projector, capable of opening pathways into other dimensions through the use of the slides that they found. They played in those dimensions, and eventually came into contact with two entities. One of these entities, which Jesse named Polaris later, communicated with them both telepathically and would become a constant in their lives, in their minds. It wasn’t all fun times though. The Faden’s had another childhood friend who was beaten up by a gang of bullies, and then interrogated to find out more about this “toy”. Those bullies stole the projector and that’s when it all started going to hell.

The gang of bullies found another slide and began getting corrupted by another entity. It turned them absolutely nuts, apparently, they even killed a teacher in their school. That’s when the police took the kids away, and Jesse and Dylan were questioned about the projector. Apparently, Jesse and Dylan’s parents were especially hard on the two kids with their questioning, and Director Faden recalled wishing they were gone. The next day, every adult in Ordinary was missing. We’re unsure if there’s a link between her and that event, but that’s what got the attention of the FBC. 

That gang of bullies? They were fully corrupted by that entity, the “Not-Mother” was the recorded name. Jesse and Dylan managed to get to the projector, but she couldn’t turn it off herself, only with help from Polaris did she manage, and she burned all the slides except for the one that Polaris was from. 

The FBC came in, covered it all up. Said it was an “Industrial Incident”. They took Dylan with them, Jesse managed to get away. 

From then on, Dylan Faden served as the “Control” Subject for the FBC’s prime candidate program. The program which would install future Director’s of the entire Bureau. Jesse on the other hand lived with a constant set of eyes on her. She was paranoid, gaslit at every turn by therapists and the news and everyone just denying everything that she grew up with. No one would believe her, it was all so outlandish, how could they even? Jesse worked odd jobs, mostly custodial, keeping to herself and living in and out of motels as she grew up and continued her search for something that the world claimed didn’t exist, in the search for her brother. At least Polaris was there for her. 

At twenty-eight, Polaris finally led Jesse to the FBC. Now the building we’re in, The Oldest House, it’s an OOP itself. It hides itself in plain sight, only revealing itself when it wants or needs to. The building’s constantly shifting, which makes it a constant work hazard mind you. But Jesse finally managed to find the place, and she quickly came to finally realize she wasn’t crazy, and all this dimensional, paranatural shit, was real. 

Jesse found the former Director of the FBC, Director Zacariah Trench, dead in his office. His OOP, the Service Weapon, a pistol to keep it simple, was there. Jesse picked it up and went through the bonding process unknowingly. Now if you pick up that thing, and the Service Weapon doesn’t deem you as a worthy candidate for the next director, you just die. It’s Russian Roulette, and that gun will kill you. Jesse survived the first trial, and on day one was granted the position of Director. The candidate process, the Director, it was all overseen by an entity called The Board. Astral Plane again, but the Board is the one that’s tied right to the Director.

And boy was it trial by fire. The Oldest House was invaded by a hostile resonance, some sort of corrupting power she called The Hiss which turned agents into mindless slaves to the extra-dimensional entity. The whole building was on lockdown until the Hiss was dealt with. Some agents survived thanks to a technology called an HRA, that was passed out by the head of Research for the FBC, Casper Darling, a bit before the breakout. 

Jesse worked with the survivors of the outbreak to try and bring order to the FBC, all in the hopes that she could find her brother Dylan. Through cleaning up the mess inside the lockdown, Jesse came to learn about all the surveillance she was under her whole life, all the cover-ups, and she learned that after that event in Ordinary with the Slide-projector AWE, she and Dylan were put into the Prime Candidate program. Dylan was PC6, Jesse was PC7. In captivity and under the Bureau’s tests, Dylan eventually went crazy. He was corrupted by the Hiss too, broke out of containment, but he wasn’t mindless like all the other agents. He told Jesse that the Hiss entered the Bureau through the Slide Projector that the Bureau kept. 

Jesse then began the search for the projector, along with Polaris’s guidance, maybe they could help her brother somehow. She learned that the former Director Trench, and Dr. Darling, used the projector to make more excursions into the other dimensions. Darling found that entity linked to Polaris, which he named Hedron, and brought it back with him. It’s Hedron’s resonance that Darling used to create the HRA’s, which protects the agents from the Hiss influence. Director Trench on the other hand, Jesse later came to learn was actually corrupted by the Hiss. Subtly, slowly, making him paranoid. He was actually the one who let the Hiss in initially, convinced that everyone else in the Bureau was against him thanks to the Hiss’s influence. 

At the same time of this realization, Dylan broke out of his containment again and stole the Slide Projector. He tried using it to enter the Astral Plane and corrupt The Board. Jesse almost gave into the Hiss entirely, but she pulled back control of her own mind along with Polaris and freed herself of that corruption. She stopped Dylan, cleansed the Slide Projector, and Dylan fell into a coma. 

Jesse shut off the Slide Projector and cut off the Hiss from entering the Dimension. Though some threats still linger within. 

And that’s our fearless Director Faden. She’s working still, getting rid of the Hiss and trying to bring her brother back. 

Hey, you’re the one who wanted the whole file.

powers / abilities: 

Director Faden’s the strongest Parautilitarian we’ve seen. Which is just a fancy word for people who can do things not “normal” in our reality. 

Launch: Through binding herself with OOPs, Jesse Faden’s been able to harness insane telekinetic powers. She can grab and launch multiple things. We’re talking boulders and stone straight from the ground or walls. Even people. The speed she can throw them is lethal with every bit of the word. That telekinetic power lets her also surround herself in whatever loose debris is around to form a shield. Defense is just as important, right?

Evade: Now this one’s cool. She can use it with her other abilities, but even just on its own it’s crazy. Jesse can propel herself in pretty much any direction in a short burst of speed, flinging herself to evade whatever might be coming her way. Like a slingshot almost. 

Kinetic Blast: Nothing flashy, but packs a hell of a punch. Jesse can release a close-range, kinetic explosion that pushes things away. If they survive the blast. 

Seize: This one’s a bit freaky. I’ve seen Director Faden hold a hand out, and channel her power right into her enemy’s minds. She can control them for a time, make them fight against their own kin and on her side. [[ OOC: Would only do this with consent or in circumstances where there’s no sort of meta-gaming going on!]]

Levitate: I know what you’re thinking. And yeah, it’s that. Director Faden can fly. Not Super-man levels, but she can go up pretty high, over a story or two, and hover there for a good while. If she jumps off a high point, I’ve seen her slow her fall as well. Come right down from the top of the Black Rock Quarry as light as a feather. 

inherent abilities: 

Polaris: This one’s a bit tricky to explain. Back when Jesse and her brother were messing with the slide projector as kids, they opened a pathway into another dimension. In that dimension were two linked entities, Hedron (Named by Casper Darling later on), and Polaris. Polaris is an extra-dimensional visitor! Just one that lives in Jesse’s brain. Jesse named this entity Polaris since she saw her as a guiding star. Since she was eleven, Polaris has been a comfort in Jesse’s mind ever since, oftentimes serving as her only friend and a companion she has constant conversations with. As far as we know, Polaris is the source of Jesse and Dylan’s parautilitarian powers.

Gun training: Whether it came from earlier in her life, or she just was a natural, Director Faden is a truly exceptional shot. And I’m not saying that just because she’s the big boss either. The Service Weapon comes with many variations, ranging from semi-automatic, handgun style shots to explosive propelled missiles. Jesse has proven she can hit her target while flying, dashing, or in any number of difficult positions while always keeping on the move in a fire fight. She’s like a wrecking ball that can fly, twist, and dive through the air. A wrecking ball with a gun.

items / weapons: 

Service Weapon: The Director’s Gun. Owning this thing makes you the Director of the FBC, as ordained by The Board which is tied to this thing. It’s an absolute beast of a weapon, taking the shape of a handgun most of the time, composed of other-wordly material. Cubes that let it shift into different configurations and manifest different projectiles, reloads over time or if Jesse is especially trigger-happy, it goes on a cooldown before it can fire again. 

Fun bit of a trivia, a lot of agents hypothesize that this thing took the shape of legendary weapons of old back in the day. Talking Excalibur, Mjolnr, whatever the worthy wielder deemed it to be. Imagine that, huh? 

The Service Weapon can be swapped out for its firing configurations on the fly. It’s got:

Grip: Similar to a revolver, semi-automatic.  Shatter: Wide-spread, buckshot style shotgun configuration.  Spin: The barrel revolves, almost like a minigun. Harder to control accuracy wise but it’s fully automatic. Pierce: A slow-firing, charge-up style that fires a single shot that is capable of piercing through architecture and enemies. All about user accuracy here.  Charge: Closest thing that can describe this is up to three, rocket-propelled grenades.  Surge: This one’s trickier. Fires grenades that stick to surfaces or enemies, and can be detonated at Jesse’s discretion.

Ahti's Walkman: An old school portable cassette player with matching wired yellow headphones. The cassette has some Finnish songs on it and one track by the Old Gods of Asgard, called Take Control

starting ability: Launch.

starting item: Service Weapon. 

extra: 

Might just be the most comfortable a character ever could be once she gets dropped into Xara Cosmia. Walked down a door in the Oldest House, blacked out, woke up here. 

She’s like a jedi with a gun. Seriously, her powers are so cool. 

A true glass-cannon of a set of abilities and skills. 

Also I love her, hope you guys do too.

I tried something new with this application style with the voice and how it’s written, just imagine you had some guy in a suit with a clipboard in a very generic looking office telling you all this information. We’ll call him Agent Bill.

And I swear one day I’ll submit an application that isn’t this long, I should be arrested for my crimes.

discord id: primecandidate7

[visions-indestructible-head]

okay ive decided that ive seen all the good posts (and some really bad takes lmao), so here's my 2 cents.

no spoilers:

the first 30ish minutes of this movie are disappointing. the only good thing that happens is meeting America

everything after that gets better and scarier and more violent

please don't take your kids to see this movie and if you do, be prepared for the nightmares

im serious, they pull very little punches this time and shit gets dark fast

this is also one of the best marvel movies imo and probably my second favourite thing they've ever produced after WandaVision (im biased bc i love Wanda but still)

this movie has some really innovative and fun scenes on top of a lot very well executed horror elements. the cinematography is gorgeous in the later acts. sadly the dialogue is often meh at best and some lines are downright cringe worthy, but the script makes up for it with a handful of pretty funny jokes at the right moments

spoilers under the cut

had a similar issue with nwh where they straight up stole the train scene from into the spiderverse, this time they just copied the demon they fight first from the Suicide Squad Film? huge one-eyed, multi-armed monster? poke its eye out with a spear? literally, it's the fucking same

America more than made up for it though, idk bout you guys but i thought she was a delight and was in love from the first second we saw her. i would die for her + her lil pride pin!! also her jacket said love is love

not much to say for the next 30 minutes tbh, they were mediocre at best and just terrible at worst. like, Wanda goes up against the full force of the sorcerers and all they do is block her and try shoot her with a cannon? marvel disease at its finest, how can make this fight that's wholly reliant on magic work like shooting guns and missiles???

i really liked this movie i swear im getting to the praise in a minute

the scene where Strange traps Wanda in that lil mirror dimension prison and the glass shatters and gets all spikey and you hear her breathing get ragged until she forced herself to calm down and reaches out to touch that one surface? yeah man that was the moment.

wanda crawling out of that gong really set the tone for the rest of this movie in hindsight

Wong was having the shittiest time out of everyone and i think he deserves a vacation and a massage

ill be honest i though the way Strange and America bonded while tripping dimensions was cute and all but not the strongest scenes? it was fine though

who was that lady who destroyed the darkhold? i was deadass more invested in her and Wong than Strange and Christine.

when Wong was telling Wanda about the original spells carved into walls i was hyping myself up to be let down but then he actually said "Mt. Wundagore" and i nearly screamed bc!! it made it into the mcu!!

now for the thing that blew this shit out the water and into my top 2 out of all the marvel stuff: meeting the 813 Illuminati

the Christine reveal ?? chef's kiss

WANDA. FUCKING. MAXIMOFF

i loved how she took control of her 838 self

never in my wildest dreams would i have imagined they actually pull through on this. Wanda not just being an actual villain but being terrifying and ruthless and deadly. "what mouth?" was the most chilling line in the entire movie and unlike many others it hit. hard.

that whole sequence is living rent free in my head. give me a "Wanda kills the Marvel Universe" movie, I'd watch the fuck out of that

they really said "men ain't shit" in that scene too, huh

Peggy's death was kinda hard to watch but also so, so awesome

Wanda limping into the room bloody and barefoot added 15 years to my life, i have never been so attracted to her ever and i have loved her since age of ultron

many thoughts on Charles Xavier that would get me anon hate but let's suffice it to say i loved that scene where she snaps his neck

the entire scene of the trio running from Wanda was peak horror film and i loved every second

okay this getting really long so here just my favourite parts from the rest of the movie:

that shot where Stephen walks up the stairs to meet the other Stephen. cinematography on point, legit the most beautiful shot i can remember from marvel ever

the Strange on Strange fight. most creative and innovative thing Marvel's done in a while, maybe ever. really liked seeing that

America going "I can't beat you. So I'll give you what you want." and Stephen then telling her "not yet" when she wants to pull Wanda out of that reality again. i can't really explain why but i really liked that ending

the third eye popping up scene was v alien-esque, nicely done

yeah so far so good. let me know what you thought, what you liked about this movie preferably, if my criticisms are invalid or just whatever you feel like as long as it's nice. have a good night

[airlock]

okay, so, I was going to save this rant for the middle of my full Scarlet Blaze opinions post (... as one does, I guess), but I’m starting to worry that it’ll either get so long-winded it’ll take up more than its due real estate there, or that I’ll have lost too much of the immediate fervor by the time I finish the entire route. so here’s a quick rant concerning Monica and Fire Emblem fan reactions

not to bury the lede though. some people find Monica pretty annoying -- I don’t agree, but that much is perfectly fine. lately though I have been seeing a lot of comparisons to fucking Tharja and Faye, and that’s starting to make me frustratred possibly beyond the point of rationality. more under the cut!

so I haven’t seen everything that Scarlet Blaze has to offer, and for all I know something nasty is going to crop up ahead of the line and I’ll eat crow. crossing that bridge when I get to it. where I’m at right now, though, how shall I describe Monica? she has it bad for Edelgard, of course. it’s her Repetitive Character Thing, so it’ll always come up in those scenes where Linhardt is being lazy and Bernadetta is panicking and Petra is misuderstanding an idiom and Caspar is screaming -- or, as it were, ehum, revealing that he doesn’t know what sex is. it grates just as much as the other ones typically do, naturally. she’s also not a character with a wealth of dimensions or screentime outside of this, though, so there’s not terribly much else to anchor the screentime she does get. I can very, very easily see how not everyone would have the stamina for it.

Monica is not a fucking stalker, though.

is she obssessed with Edelgard? yes, for sure. but I’ve also yet to see a single scene where Monica actually violates Edelgard’s boundaries. she’s often a little much and kind of embarassing, but on occasions when she’s affirmatively told to reel it in, she does it without a complaint. and it almost never actually comes to that, anyway; she’s perfectly respectful most of the time without anyone telling her how to do it. conversely, I don’t think I’ve seen a single scene where Edelgard actually sounds at all uncomfortable with Monica’s attentions; at most, their B support almost goes there, but Edelgard is only really upset because she doesn’t want Monica unwittingly projecting affection into a decision that she made perfectly callously.

none of the above is stalking, by half. most everything Monica does in this game is just a kind of a comically exaggerated version of having a completely regular crush.

and naturally, that’s where her and Tharja differ dramatically. like, I am going to abstain from making too many definitive statments about what Tharja did or didn’t do -- it’s, thank god, been ages since last I touched Awakening -- but if nothing else, the known and obvious writer intent doesn’t lie. Tharja was conceived as a sympathetic stalker, whose repugnant behavior we’re expected to find sexually appealling. (and if her perennially solid CYL results are any indication, yeah, a bunch of us do find it sexually appealling, some freaking how).

I speak at least for me when I say that is the reason why Tharja is a garbage character -- and if she’s also one-note annoying and has one of the dumbest character designs this series has seen prior to Fates, those are secondary annoyances strictly, which would have easily blended into the sea of other Awakening characters with these exact same flaws if not for how #1 stands out as the real problem.

so like, if I’m willing to take things in good faith, I can at least sometimes let folks slide if they’re making that comparison, if I just assume that what they’re saying is “those are two characters that annoy me because they’re intensely obssessed with one other character; no statement on whether their similarities run any deeper than that”. even in that regard though, I can’t help noting that characters who are kind of obssessed with specific other characters have been a thing in this franchise since the freaking Akaneia Saga, so I can’t be too charitable to the thought that such a misleading comparison was the best one they could come up with.

(and in any case, for that matter, noting as much is a balm against the ones who are catastrophizing about how every Fire Emblem is going to be “like this” or something. like, I get, it’s hard to get over how dizzyingly stupid the whole thing was with adding a stalker to a remake -- but if this really is just about being annoyed by obssessive characters, then I regret to inform you, that’s just where we’ve been this entire goddamn time. you don’t have to like it regardless, but don’t treat it like a novel trope when it isn’t.)

now, those of you who know me well enough know that I really do not like making this kind of accusation just to win at fandom discourse (possible to achieve, normal to want, etc), but every now and then there are situations that actually call for it, so I'm just gonna let it out here in the heat of the moment and hope I won’t be embarassed whenever I’ve fully well calmed down about this. here goes -- if you can’t spot the line in the sand between an annoying lesbian and a goddamn stalker... you might need to work on your general opinion of lesbians, dontcha think?

[supercorpkid]

It’s crossover season – Part 4.

Supercorp, Kara Danvers x Daughter!Reader, Lena Luthor x Daughter!Reader, Iron Man x TeamMate!Reader, Captain America x TeamMate!Reader, Doctor Strange x TeamMate!Reader, Thor x TeamMate!Reader, Black Widow x TeamMate!Reader, Hulk x TeamMate!Reader.

Word count: 2715.

Please check out Part 3 if you haven’t, I think tumblr hid it for some people :( I promise it’s worth it.

You open one eye and look at Wanda sitting next to your bed.

“You should go help.” You say softly, but you cough violently right after.

“The battle is over. After you closed the portal, it got easier. All things considered.” Wanda stands up going to you. “Now go back to sleep, you need to rest. You almost died.”

“Please.” You dismiss her with your hand. “I almost die a lot.”

She chuckles at your response, but you agree with your head, because you are feeling tired anyway, and slowly you let yourself fall back to sleep.

When you wake up again, it doesn’t feel like much time has passed, but Wanda is nowhere to be found. You sit up on the bed, looking around. You get a glimpse of yourself in the window and your eyes widen. Wow, you look a lot worse than how you feel. You look like you’ve been in the middle of an explosion. Oh, wait. Did you really go to outer space? On the list of your life’s bad decisions, this is definitely number one, easy.

“Hey!” You hear, and turn to the door to see Wanda there. “You up. How are you feeling?”

“A lot better than how I’m looking.” You say, making her smile softly at you.

“Stark sent this for you.” She shows you a box of donuts and your mouth drops, almost comically. “He said if you didn’t like donuts, you were probably insane.”

“Well, donuts happen to be my favorite food, so-” You raise your arms, and she gives you the box. “Come on, let’s share.”

You open the box and find a little sticky note there, with a scribbled handwriting

Donuts are for geniuses who save the world - Mr. Playboy

You smile, ripping it off the box and shoving in your pocket. Wanda sits next to you, and you smile at her, before diving in for the food.

“So, is everyone ok?”

“Yeah, pretty beaten down and tired, but we won.” She shrugs, and you agree with your head. It feels good to hear this. We won. You’re a part of it, and she wants to make sure you know that. “Well, we couldn’t possibly have done it without you.”

“Oh please. Mister Thor could have gone to space, or I don’t know, anyone else?” You shuffle in bed uncomfortable. “It’s not like I can actually breathe in outer space.”

“Wait, what?” Wanda’s brows are pinched together at the sound of that. “And you went anyways?”

“Well, we needed to close the portal.”

“Thor could have gone. Do you realize you could have died?” She looks shocked by the revelation and you smile.

“Yeah, but it was either me or millions of people back on Earth.” You shrug, then push her with your shoulder. “Besides, I didn’t, right?”

“You’re a superhero alright.” Wanda says making your smile open wider. That sounds good. Really good. “You know the fight is over, right?” She asks and you agree with your head, mouth full of donuts. “Strange can send you home.”

“Oh.” You look at her, cleaning the corner of your mouth with the back of your hand. “Yeah. That’s great.”

“Wait.” Wanda leaves your room, but comes back a minute later with a polaroid camera. “So I don’t think I’ve imagined you.”

“Oh, you totally did.” You smile, looking at her, sitting in bed next to you. “I’m pretty sure we’re all in a very elaborated dream caused by an imp from the fifth dimension.”

“I have no idea what you’re talking about.” She says, and you shrug, throwing your arm around her shoulder and making a funny face.

“Take two.” You ask and she agrees, taking another one, where the both of you are smiling.

“I don’t mean to interrupt the fun.” Vision appears in your bedroom, coming from a wall, and you jump in bed from the scare.

“Vis! We talked about this. The door is right there!” Wanda points at it, and you laugh.

“Oh come on, if you could phase into a room, I’m pretty sure you wouldn’t use a door.” You tell her and Vision agrees with his head.

“It’s not exactly phasing, I’m just manipulating my density so I can become intangible.” He corrects, and you and Wanda look at each other holding a laugh. “Well, I came to offer you my services.”

“How come?”

“You are looking, if you allow me to say-” He asks and you nod so he goes on. “Rather beat up. I was thinking I could use the solar energy on you, to help your recovery.”

“That would be really helpful, in fact.” You say with a smile, and he agrees, getting ready to shoot you with it.

It all happens too fast. One second Vision is shooting you with solar energy, next second a portal is opening up in the bedroom, and the very next Supergirl is throwing herself on him, yelling:

“GET AWAY FROM MY KID!”

It’s so fast, it takes you a few more seconds to acknowledge the whole scene going on before you.

“Vision, don’t engage.” You ask, standing up. And you look at Wanda. “Wanda, stop her!”

“Stop me?” Kara yells in shock and Wanda quickly separates your momma from Vision with her powers. She involves your momma with it, making it impossible for Kara to move.

“What are you doing?” You ask Kara, who just looks at you so in shock like she doesn’t know what to say.

“He-He was shooting you with a… With that thing on his head!” Kara justifies herself and looks at Wanda on the other side of the room. “And she’s doing whatever this is.”

“He was helping me!” You look at Wanda again, giving her a little nod. “She’s going to put you down if you promise not to engage again.”

“I-I’m-Ugh! Fine!” Kara reluctantly agrees and Wanda puts her down.

“Guys, these are my moms!” You point to Lena and Kara on the other side of the room, and run to them so you can hug them. Kara holds you tight, while staring at the heroes on the other side of the room. “Ok, momma.” You try to get out of her embrace. “Momma, can I hug mom now?”

“Oh. Ok.” Kara finally let’s go, and you move to Lena’s arms. But you see Kara is still in a defensive position, ready to get into a fight at any moment.

“Hey.” You hold her arm. “You can relax now. They’re my friends.”

“No, they’re not. They kidnapped you.” She says without taking her eyes from them.

“We didn’t, actually. She decided to stay for the battle.” Vision corrects her, and you see that Kara is not buying into it.

“What battle?” Lena asks, with furrowed brows.

“Long story! Anyways, you guys are here now.” You look at the device on Lena’s hand. “And that means we can leave.”

“Aren’t you going to say goodbye?” Wanda asks. “To everyone else?”

“Yeah. Let’s go outside.” You guide your moms out of the compound, and look inside with a smile on your face. You know this was your house for less than two days, but still felt pretty good to be here. You press the comm on your ear. “Smart mouth to Mister Playboy.”

“You better have left me some donuts, kid.” You listen coming from your comm, and you smile harder. Well, if donuts are for geniuses who saved the world, he certainly deserves some.

“Come outside.” You ask, and it doesn’t take long for him to show up at the front door. He walks towards you, well-aware of what these two women behind you mean.

“So, you’re leaving.” He says matter-of-factly, and you nod. “Finally.” You smile and roll your eyes. He comes closer and raises his hand at you. You shake it. “We had a good run.”

“We did.” You agree, because he is right. All the bantering, the jokes, him having your back, picking you up while you fell from the sky. It was a pretty good run.

“Ok. I don’t do sentimental.” He says, but still looks at Lena and Kara, nodding like he’s saying hello. “Just make sure she knows that she helped. What she did was very brave, and also somehow very stupid-” He raises his eyebrow at you. “But mostly very brave for someone her age. I’ll be sure to keep in touch whenever I need a little hand here.”

“Maybe with a grown up this time?” Kara says and he waves her off with his hand.

“Nah. I like the kid.” You can see a tiny smile in the corner of his mouth, but he fakes it. So, you hold back your smile too. “Did you guys bring your own portal, or should I call Strange to send you back home?”

Lena shows him their portal, and he agrees with his head.

“Guess you weren’t lying about L Corp.” He says, looking at the logo on the device, and you agree with you head. “Then, expect a bill coming soon.”

“Bye, Mister Playboy.” You wave goodbye and he shuffles pretending to be unbothered by you leaving.

“Bye, smart mouth.”

Lena turns on the device and you’re almost walking through the portal, when you see the rest of the team showing up.

“You forgot to say goodbye to some people.” Stark says and your smile grows wider, looking at everyone in front of you.

Kara looks shocked by the amount of people in the garden, looking sad about you leaving. Her hand goes to your shoulder, protectively and almost scared they’ll take you from her again.

“Hey, kindergarten.” Bucky is the first one to talk. “Thanks for the help out there.”

“Nice work there, kid.” Cap comes forward with his hand raised so you can shake it. You do so. “Thanks for the back-up.” He smiles softly, baby blue eyes turn to your moms, assuring. “Great kid! You should be proud.”

“Forgive me about the kidnapping part.” Strange comes forward and you smile down, while Kara throws a possessive arm around your shoulder, and Lena holds your arm, which makes you smile harder. “She was of great assistance. She fits right in.”

“Superkid, daughter of Kara and Lena, good fight out there. If you're ever in Asgard, come join me for a beer.” Is Thor who talks next.

“Thor, she is a kid.” Banner says, making you, and some other Avengers, laugh.

“Nonsense.” It’s Thor’s answer. “This girl can lift Mjölnir when none of you were worthy enough to do it. For a mighty warrior like her there shouldn’t exist Midgardian rules like such. She can have a beer if she wants to.”

You look up to Lena who discreetly shakes her head in denial to you. You shrug.

“It was nice meeting you, science pal.” Banner says and you smile at that. “Thank you for the lesson about the multiverse.”

“Thank you for the lesson about nuclear physics.”

“Sorry about the gunshot, kid. Nice fight.” Natasha says and you agree with your head. “Your Earth is lucky to have you.”

“Thanks for making fun of Bucky.” Sam fist bumps you and smiles, listening to Bucky mumble something like ‘I made fun of her’. “Oh yeah, and for the fight thing.”

“Here.” Wanda sneaks in something in your pocket and smiles at you. “It’s what you’re thinking.”

“I’ll see you around. Around the grey area, maybe.” You say, hugging her and she hugs you tight for a minute, before letting you go.

“And we’ll survive together.” She agrees with her head, and smiles at you.

“Is that everyone?” Kara asks, looking at you and you agree with your head when you don’t see Vision.

“Excuse me, Superkid. I would like to personally thank you for your help and care towards Wanda.” He appears before you, coming from out of nowhere.

“Vis.” Wanda says, blushing a little.

“I hope we fight together again. It’s always refreshing seeing someone genuinely good in the world.” He says and it’s your time to blush. “I won’t keep talking longer. Your moms must be eager to take you home, as we are to keep you here.”

“She’s going home.” Kara’s firm grip tights around your shoulder.

“Unless she wants to stay.” You hear Stark’s voice and you smile, knowing he is absolutely messing with your moms. “There’s always space in the compound, if she agrees not to break it. And as Strange said, she fits right in.”

“We thank you for your offer.” Lena answers, slowly pulling you and Kara back to the portal. “But we have to go now.”

“Of course. Of course.” Thor says, winking at you. “You obviously can’t stay here, but Asgard waits for you. You call, and I’ll send Bifrost for you.”

“Ok! Well, I don’t know what Bifrost is, but she is not traveling to another planet. Say goodbye now, baby.” Kara asks, squeezing your shoulder and slowly walking backwards.

“Bye ‘the Avengers’! Whenever you guys need a hand, Cape-guy knows where to find me and Thor can send Bifrost! I hope we meet again soon.” You smile, and Kara pulls you into the portal before anyone else says anything.

“Oooof, that was close!” Kara says, after Lena closes the portal behind you, and she looks around to make sure you three are alone. “I actually thought they would keep you right there.” She breathes in relief, when she realizes there’s no reason to worry anymore because you are home. She hugs you tight and Lena joins in the hug too. You three stay there for a few good minutes, until you make motion to move.

“No, no.” Kara says still pulling you in. “We’re still hugging. You’re not going anywhere.”

“Momma.” You look up to her face. “I’m not going anywhere.” You assure her and she lets you go slowly.

“I’m sorry little one, but you made a lot of friends.” She reaches for your cheek, stroking it gently. “And they seem to like you very much. And all of them were so impressed by you that they wanted you to stay.”

“I know!” You beam excitedly. “Even Mister Stark.”

“Yeah!” Kara agrees looking at Lena from the corner of her eyes, and she whispers to your mom. “Who’s Mister Stark?”

“Isn’t he the one that said you did something very brave, but also very stupid?” Lena asks and you open a forced smile at them. They raise their eyebrows at you.

“I may have gone to outer space and kicked off a bomb that would close the connection between the worlds, and I almost died while doing so.” You say with the same forced smile, while they realize what you just said.

“You may have or you did?” Lena raises an eyebrow at you.

“I may have did.” You shrug. “But I didn’t die!”

“You don’t say.” Lena pulls you in for a hug again, kissing your forehead. “Is there a way for you and your momma to save the world without putting yourselves in dying conditions?”

“No.” You and Kara say at the same time, earning a sigh from Lena.

“I’m sorry for making you guys worried. They needed help in this battle and I, well, I helped. And also, Mister Strange said he left a card?” You ask and they agree with their heads.

“It could’ve been more direct, though.” Lena says and she and Kara exchange a look. “But he did leave the directions, at least.”

“So, tell us everything. About everyone. I can’t wait to hear about your adventures.” Kara asks excitedly and you smile feeling the same way.

“Sure. But can it be over pizza?” You raise an eyebrow at them, and they agree with their heads.

You look down to what’s in your pocket, and you pick it up to look at the picture of you and Wanda making funny faces. Next to it a sticky note signed by Mister Playboy himself. You can’t help a wide smile that comes to your lips. Good. It wasn't a very elaborated induced dream from an imp of the fifth dimension. It was real. All of that. The fight, the jokes, the friends. Everything was real.

“Ready, kid?” Kara asks and you put both items back in your pocket.

“I am now.”

Notes:

Thanks @oncemoonie for the prompt, I loved mixing my two passions and I hope you guys liked it too!

[judyhopps934-mt-zd]

Thoughts on Lies

Warning: Spoilers! And possibly having your heart torn into pieces. Other than that, have fun!

We open up with Marinette figuring out the recipes for the power ups as the new guardian.

I am disappointed that she still has not stopped oogooling over Adrien when he appeared on the news. Especially since she was allegedly with Luka by then. (I'll explain what I mean in just a minute)

Adrien was tired after the day he had as Adrien, which is a contrast of what Marinette believes his life is like. But being Chat Noir is the highlight of his day...

...only to not see Ladybug show up for patrols. And we see that it was all due to her figuring out the powerups.

Also, the patrols are a thing in cannon and I am still not over it after "Truth".

Chat Noir hoping for an akumatization so he can escape his civilian life radiated the same energy as Alya asking for akumatizations to interview the temporary heroes on her IG post. I get it, but still! We do not have people in danger for our needs.

Plagg being the one who announces any voice messages for Chat and asking for cheese through the feature on the Chat Phone brings me a whole other level of life.

Also, the whole milk thing at Le Grand Paris bar counter. It was hilarious, but also very sad. He really missed his m'lady

He ends the patrol after he saw Kagami training with her mom. And the smiles on his face! *Cries in Marichat and Ladynoir*

Plagg is the one that encourages Adrien to move on from Adrien, just like he applauded him from doing so in Loveater.

Kagami apparently said that fencing lessons are scheduled an hour in advance and Adrien (with that goofy grin on his face) knew what was up!

Both Ms. Tsurugi and Gabriel are very pissed at one another for the schedule change. That's hilarious, although everything comes at a price.

The parallels! Kagami is apparently learning Russian at her mother's request. Truly is a reflection of Adrien, civilian life wise.

Kagami? Lying???? The hell???? Who are you and what have you done to Kagami????? (Why am I surprised, y'all did this in Desperada)

She lies to their parents and the teacher to be in the art room with Adrien. I get it, teenage rebellion after being under an uninvolved parent, but still!

I like how the writers gave Kagami another dimension by saying she loves art, but her mom does not like her passion for drawing.

To Kagami's mom: WHAT DO YOU MEAN YOUR DAUGHTER IS NOT GOOD ENOUGH???!!! HER DRAWINGS BELONG IN A MUSEUM!

Also, art reflecting the truth? Hmmm.....

Since people like mentioning that Marinette has a thing for people with absent parents after "Truth", I will now say that Adrien has a thing for people who are great at drawing. I do not take criticism.

Kagami is hinting that Adrien's civilian life is not his true self (thank you for understanding him!)...

...but also says that being a "clown" (it was the Chat pose) is also not who he really is. The fandom would disagree with you. Although that brings up the question of whether both personalities merge to form who he really is and cannot be seen completely by anyone in any part of his life. But he is more like Chat Noir regardless.

Also, I want to see Adrien and Kagami spend more time together prior to this episode to see why she was not pleased with him being a clown if that's who he truly is, because her repositioning him against the wall made me feel like she is trying to place Adrien into a mold that reflects the image she might have created in her mind. (I don't know, this was just the first thought that came in my mind.)

They almost kiss, with Adrien being taken into shock (not terrified as we thought) until the alarm saying they have fencing lessons starting interrupts them and Adrien runs out, not before BLUSHING LIKE HELLO?!?!?

This is what I referred to in my second point and confirms what everyone was saying about this episode: this is "Truth", but through Adrien's perspective. Finally, an Adrien-centered episode!!!

To continue, every time Adrien and Kagami are together or were about to kiss, a sentimonster appears, with Ladybug trying to do something about it. Just like Lukanette, just like Adrigami: being a superhero affects your love life as a civilian.

Chat being thrown off the roof by accident and being rescued will never get old or less funny lol.

Montages continues up until the boat scene, where Adrien missed the intro to the performance, but I will never get over the fact as to how Adrien made it there before Marinette. It is beyond me.

Kagami not letting Adrien stay for 5 more minutes. Hmm...

Their cute moment together was what will lead to the demise of Adrigami as Kagami noticed he dropped the infamous lucky charm bracelet. *le gasp!

Why *le gasp*? Because 1) I fear it symbolizes that something will happen to Adrienette or that Adrien has forgotten about her, and 2) Wait until later.

Kagami revealed she lied so she can spend more time with Adrien alone, lying about leaving rehearsal earlier, lying about the fencing lessons rescheduling, and who else knows what else so she can be with him.

She tells him she loves him. But Adrien notices Ladybug and an Akuma. Oh boy, he wasn't able to give her any attention.

Because he left towards the direction of the boat (and said he left something there), Kagami used that to conclude it had something to do with Marinette. Oh boy.

Either I missed an entire scene about Ladybug knowing ShadowMoth's name, or we were not supposed to know how they know until this episode. It feels out of place to me, but oh well.

"I..am...AN INCREDIBLE SWIMMER!" still cracks me up even when I know how important it was in protecting her secret identity.

Happy Birthday Prince Ali!

Apparently, Kagami lied that her mom was in charge of watching over Adrien (or maybe not? I can't tell at this point.)

Yep, Kagami believes that Adrien is going after Marinette and probably resents them both if her facial expression says anything

We get to see that Ladynoir moment from "Truth"!! I love these two and their banter.

Adrienette stans, not much has changed. Adrien was concerned that he lost the Lucky Charm bracelet, for real. But said again because he though he would be clear of the lie since he thought he had it on him.

Kagami confronts him with it. AND THIS IS HIS SHOCKED FACE SCENE FROM THE TRAILER!!!

Thinking that she lies to get out of being with her, she leaves. With the bracelet. The leaving part is understandable, especially because she does not know about him being Chat Noir or what entails him to do. But why take the bracelet???

Adrien is also saddened by what happened. He also liked her.

We've never seen that part of city hall. Well designed in my opinion.

She was the akuma in City Hall with the glowing sphere! We were right!!!

Adrien feels guilty, though it is not really his fault. He has a duty to Paris!

Why is the music sounding different in French.

Jagged Stone. How do I feel about you after learning you purposefully abandoned Luka and apparently Juleka? Also, what's with the song??? (Rhetorical question. Do not answer)

We were wrong about Kagami's power: it paralyzes people who lie, not kill everything in its path.

Jagged, you abandoned your children. And you apparently lied about your age?!?!?! Both episodes show something about Jagged Stone that make him seem like an awful person on the inside.

Ladybug, how do you know about Lies's powers?!?!? There is a hole in the plot here! Unless there were other paralyzed civilians that gave her power a dead giveaway.

Chat Noir, if you lie as a civilian for whatever reason, of course Ladybug will too, since as a civilian, you need to lie to keep your secret identity a secret. Same rules apply to Ladybug, especially as the guardian.

The Lucky Charm is a drone, not a camera like I thought. How the hell did I get into an ivy if I can't tell the difference?!?!

Chat Noir pretending to lie is funny. It might also be his peppy attitude to lying. Also, his funnier version of ShadowMoth's name.

Ladybug finds the akumatized object and gasps. I wonder if its only a eureka moment or also the fact that she recognizes the bracelet, especially if its custom made.

Brutally honest people does not exist (we have all lied at some point, even Kagami who is usually brutally honest with people), but animals can't lie.

Fang being involved in destroying the akuma is cool.

This is the moment that we dreaded so much, yet knew was coming: CHAT NOIR DIES!

JK! He actually is paralyzed by truth because he jumped into the glowing orb. We were right that this is an anguishing scene to watch, but we're wrong about the part that he's killed. Yet, he still unnecessarily sacrificed himself and caused Ladybug to be angst about it.

WHAT IS UP WITH CHAT NOIR BEING HAPPY ABOUT SACRIFICING HIMSELF?!?!? AND DO NOT SAY ITS BECAUSE HE TRUSTS LADYBUG!

Yes Ladybug. Chat is crazy. And also crazy for you. And you are right about the crazy unconscious part. My Ladynoir heart!

ShadowMoth almost won until Fang bit off the charm bracelet. Thanks Fang!

Chat backing away from Fang licking him is a mood.

My favorite Ladynoir moment of the evening: Ladybug telling Chat to stop sacrificing himself and Chat saying she likes her adorable angry face. Her smirk afterwards.. And then their pound it.

But no seriously Chat. You need to stop doing that to Ladybug. She cannot take it anymore

Plagg said that even if Adrien loves someone else, he is likely to go back to Ladybug. Just like he goes back to Camembert. Seriously, despite his cheese analogies, he gives great wisdom.

Not Kagami almost beating up Adrien during his fencing lessons. And Mr. D'Angercourt notices this too as he stopped Kagami's final blow.

Also, isn't it illegal in fencing to push people? Oh boy.

And there's the Adrigami breakup scene: Adrien telling Kagami that he enjoys their time together and Kagami knowing their is sincerity in him. It is sort of unclear who actually ended things when Adrien asks if they could still be friends, but Kagami ends it all by saying that she will let him know once she can face him again. Ouch.

Adrien is hurt and stares at the lucky charm bracelet with what looks like sadness. Once again ouch.

Like Lukanette, I want to see Adrien and Kagami be happy together at least until halfway through this season. The issue is that it will hurt them more in the end.

Also, I noticed the difference between Luka and Kagami when ending their respective relationships. It hurt them both, but Kagami was more forward about it and Luka was somewhat passive. It could be based on what they know about their now exes (Luka knew that Marinette had feelings for Adrien and was not secretive about it even when they were together if the truths her friends said and the opening scene to this episode reflect this, whereas Kagami only has a suspicion and Adrien does not say anything regarding to it.

Also, I really did not like how the breakup on this end resulted in. While more realistic for a lot of people, it did not help that it involved Kagami as there are people who will go after Kagami after watching this episode, and I believe that the writers know this. Kagami is a good person who has a different response to the trust issues and lack of communication, as well as lies in their relationship. Not saying its a perfect one, but an understandable one. In conclusion, don't trash Kagami, especially if you saw this coming.

I take back what I said before; this is my favorite Ladynoir scene. I want to hug them both because they have to lie and keep secrets from everyone, even have some secrets between themselves! But at least they can trust each other! Excuse me while I cry over how much we are being fed. Also, the fact that they broke up with their respective partners makes this both heartwarming and heart breaking.

Overall, this episode is just as good as Lies! It is the first fully Adrien-centered episode, which makes this a first and already exciting. While I did not like how their breakup was handled, it was realistic and showed that honesty and communication are important. Also, can my children be happy together for longer than an episode??? I swear, their pain hurts me.

But at least Ladybug and Chat Noir have each other's company to get them through. May us Ladynoir stans continue to be fed!

[thosebitingdoxies]

FIC I WILL PROBABLY NEVER WRITE BUT HAVE THOUGHT ABOUT WAY TOO MUCH

ok so i’ve had this supernatural/doctor who crossover fic in my mind for AGES in which when amy gets touched by the weeping angle she ends up in this small town in the 70s and ends up running into someone she quickly figures is a time traveler aka dean (it’s the episode where he meets his parents in the past) and while they distrust each other they make a deal and gets cas to transport her back to the future as well only for her the figure out SHIT this is not my universe. she desperately tries to contact the doctor but fails, falls off the grid for a bit but then joins Team Free Will. we then find out she’s actually been dragged into the universe by gabriel since the blood of a time & dimension traveller (kinda like the particles that rose had on her that caused her to be dragged into the other dimension) is needed to open the cage because in my head the cage is like in its own dimension frozen in time for extra security. and weeping angles are like a failed version of angles so he was able to work through them. they manage to lock lucifer away and all that jazz.

so this is where i need some more planning. i kinda have this vague idea that some stuff does change because i hate it when you do a “we add a character to this but nothing changes” fic. not sure what tho aside from saving kevin. my boy deserved more. but anyways, i imagine amy and dean to start a loose physical relationship just because they are both bitter but sex positive people and cannot have more because amy is still attached to rory and dean doesn’t realise he has a thing for cas. (but amy will make him help realise. we cannot not end this with destiel) they form a deep friendship tho, because i think when dean tries the suburban life and fails, it’s amy who he talks too because she can relate, trying and failing to let go of her life with the doctor. she in turn talks to him about dealing with loosing faith with an idol aka the doctor because she struggles with letting go of the faith that he will come and save her and instead having to learn how to save herself and also how she had a kid (river) who she felt she let down (and dean relates because of his relationship with his dad and sam) amy kind of becomes an occasional hunter who spends most of her time searching for ways to hop dimensions.

buuuut she kinda becomes desperate. after petitioning loads of angles and getting no help even though she “did her part in their little game now please put her back” so she turns to demons. and finds out crowley actually visited her world and met the doctor. but he refuses to help her and she becomes angry and goes down a darker path (amy was always to comfortable with guns and making darker choices. and i just see crowley being like “what would your precious doctor think of you now?” and her going like “he isn’t here”) cue in abaddon. she and amy make a deal that amy will help her defeat crowley if she helps her get back to her own dimension. however, abaddon realises that she needs to eliminate the winchesters too and the best to get close to them is amy. cut to that hotel room scene but instead of abaddon in her usual body in walks abaddon possessing amy. the thing is dean has really hyped himself up to kill abaddon and even though he tries to exorcise her out of amy before the fight gets to the kill or be killed point and having to use the mark to win this he ends up killing her and slashing the body like in the show.

of course because i don’t want to end it to depressing, dean falls into a deep guilt fuelled depression but realises he needs to get rid of the mark asap and with the help of sam and cas who he is slowly starting to actually acknowledge his feelings for ending in them getting together they get rid of the mark. (idk if i want the darkness to happen, if so it’s an open ending. but deffo no weird sexual tension with dean he is happy with his new bf cas). SUDDENLY who pops up? the instigator of this whole thing: Gabriel. He was the one to drag amy over and while he didn’t properly die he was extremely weakened. but when amy died he was able to catch her soul and return her to the heaven in her universe so she can at least be with rory in death. he tells dean that amy forgives him and knew he had to kill her and not to be eaten alive by his guilt over her death and instead get his shit together with cas and sam who like her love him but are actually still around. BUT gabe granted her one last favour, one last goodbye. CUT TO THE LAST SCENE:

“raggedy man, good night”

[empty-dream]

THE FINAL CHAPTERS AAAAAAAAAAAAAAAAAAA

First and foremost, THANK YOU OOKUBO-SENSEI FOR THE FANTASTIC JOURNEY!! I really went to this thinking it's a popcorn action with actual firefighters series, but it turns out to be a religious horror dimension-bending one. Madness indeed. Tbh, I watched the anime first because I saw a clip of David Production's work where Shinra fire-skiing to save Iris. And for me, ep8 with Shinra and Tamaki is the best shit ever. And I started making edits from its S2 too. So ngl, the anime plays a significant part of my Fire Force love. But I went on to read the manga before S2 was made. And I love it. Wild, stupid, running on Rule of Cool, but also creepy, horrifying, uncanny, mysterious, mindboggling, and then warm, gentle, exhilarating, satisfying. It's all those in one package. The ideas that Ookubo-sensei apply to the story are pretty creative and sometimes never even seen before (*cough* 255 *cough*)

So let’s do this one more time

Somewhere a god belongs? And the answer to that is Nevada, USA? Ok sure man whatever 🤣

Ma’am the pink haired one set her own friend on fire

How about 2 girlfriends and 2 boyfriends huh? He totally deserves it.

M Y  F R I E N D

Pry this scene out of my cold dead hands

THE HUGE HEIGHT DIFFERENCE. Also FUCKING FINALLY Juggernaut gets his date with Tamaki. Dude's been at this since forever. It's also a nice closure since at the beginning, Juggernaut asked Shinra to get Tamaki's number and now it ends with he himself asking Tamaki out. And their relationship progress is built slowly but consistent, from Tamaki not seeing him being head over heels for her, to them trying their best to save each other, to him basically finally confessing and she saying yes. And it's telling something that Tamaki's lucky lecher curse never activates on Juggernaut, despite him being around her age and often being around her.

Look, some days before the finale dropped, Ookubo-sensei uploaded many drawings of his characters wearing the signature Shinsengumi haori. And I thought well he was just having fun with his profitable OCs. AND LO AND BEHOLD THE COAT DESIGN :'D

OBI AKITARU, GENERAL COMMANDER OF WORLD HEROES FORCE!! Is this related to My Hero Academia's World Heroes Mission?

Of course Beni and Konro would be the top of Combat Commander. And it's so nice to see him working under/with Obi. The Shinmon Benimaru really holds Obi that high.

The boys (sans Rekka) also in the Force! I'm still holding a grudge towards Rekka for everything he did to Tamaki and Nataku and the other experiments. But if it means Karim finally get peace, ok.

Kurono you really have to say it so soon lolol. Also Nataku with hairband is so cute!!! (Whatever the fuck is the Rekka in him tho why are the stars positioned like that lmao)

Hibana is really the harcode stan type huh. 

Aah it's really Shinra and Iris endgame. I admit the direction has always been obvious. First girl he met and saved. They highly respect each other. And there is this level of understanding between them that goes so far that she wholeheartedly confides in him even when his doppleganger acts so horribly. I love the Holy Woman Suffering mini arc when they spend a day together in the Holy Sol Church, it is the start of their deeper relationship as people and not simply as comrades. And “chasing after her“ sounds somewhat tinged with jealousy but also understanding way to phrase it... Idk i just have that feel.

Oh and I'm actually a Shinra x Tamaki main (cuz the double tsundere vibes, looking like hair-dyed Soul and Maka, and whole long speech and tags of why) but as I said, Shinra x Iris and Juggernaut x Tamaki are teased and developed consistently since the beginning. So it makes sense for the two pairings to end up canon. Meanwhile after the aftermath of Obi rescue arc, Shinra x Tamaki moments practically vanish. So I perfectly understand that (And c’mon, those pairings are cute!)

Shinra's hair is longer!! Cute!!! 

Dragon is a dragon..

Can you two stop looking at each other like that hnghggnh

THE TRIO BACK AT ACTION TOGETHER!! :’’’’’’D

The progenitor of the I-Have-Met-Excalibur face

AAAAAAAAHH I love it when Ogun hugs Shinra like that. He has been always physically affectionate like that... :')

By Dumb, Dumber and Dumbest do you think she means Ogun, Shinra and Arthur lmao

Ooh la la. I stan one (1) loyal man.

She really doesn't waste time lol.

I once said that I hated Inca on personal level. It's because I do get the part where danger makes her feel alive, but I hate that she intentionally and gleefully makes problems for others in the form of having to chase her around while she kills and creates havoc for her own pleasure. Narcissistic. And it still stays true even now. But while ever since her introduction arc I get the idea that she is somewhat twisted-ly into Shinra, I am just surprised it comes to this state. Something about her is kinda more humane now. Like the classic "I, your enemy, am worried" for example. And despite how twisted her baby wish and phrasing are, the fact remains that deep down, she is fond of Shinra as a hero. And this exchange is just so casual yet so warm, like two normal people. It's still the same troublemaker, selfish Inca, but even such person can feel gratitude and awe towards someone who saves her. Bravo, Ookubo, for creating a character like her that make me feel such things.

Everyone having fun and living peacefully... Charon and Haumea too.. Sho becomes friends with Nataku!! Being normal students!! And excuse me who employs Kurono as a teacher????

Daammn Shinra becomes a DILF.

OBI AKITARU FOR PRESIDENT HELL YEAH!!! I'm confused is this Arthur('s son?) or Karim('s son?)? He sounds too calm and clever to be Arthur but too straightforward to be Karim lol. But I also do think he looks too young to be one of them though hence the son...

Isn't that Mikey from Tokyo Revengers? I'll be honest, I don’t know it that is Arthur or his son or Shinra’s son. I don’t even know whose kid is the front one.

If they are both from the children generation, I know one of them must be Iris and Shinra’s. The other, I suspect Arthur with... whoever in the world he bangs.. (I’m laughing if it’s Inca) I was thinking the long-haired one is Arthur’s cuz he has sword, but the other one has different hair color from Iris and Shinra.. I’m not gonna think anymore lol.

*Inferno by Mrs Green Apple playing in the background*

I love that he has such a laid-back ‘just live to the fullest’ view about living, and it’s not because he’s lazy but because he understands the meaning of life after facing a literal embodiment of despair and the end of everything. This is the guy that defeated god and created another one. he becomes a hero for that, but he treats the deeds so casually as another job he is supposed to do anyway. In 302 he reports back like he just extinguished a building fire and not the entire goddamn planet. A hero through and through.

Maka’s mother’s finally make an appearance!!! How long has it been again..

FIRE FORCE CRAWLS SO SOUL EATER CAN RUN 

What if Soul is actually a Kusakabe descendant? And Black Star is Rekka's? I want to think Maka is Kotatsu's lol. Anyway, NEXT IS SOUL WORLD!!

[orojuice]

Paradox Bandit: Alternate Take

A comic by me and Sha-Y. Part of our NMH3: Alternate Struggles series.

Paradox Bandit was probably the alien “superhero” I was least interested in when FU’s crew was revealed way back in “The Return”.

Some noted his resemblance to He-Man, which I only recognized after it was pointed out. This comparison was strengthened during the Rankings comicbook intro that called him the “Master of Explosion”, a possible riff on “Masters of the Universe”.

Even with 2021 being an odd year for the Champion of Eternia, I wasn’t very inspired to do an “alternate take” comic with him like I did with Vanishing Point, Sniping Lee, or Black Night Direction.

Then Travis unveiled his skeletal “Full Green” armor mode and everything just sort of clicked, and a backstory for Paradox Bandit as fallen superhuman barbarian hero of a far-off planet/dimension whose Yuga-esque cyclic exploits are broadcasted on Earth ala Robert A. Heinlein’s “World as Myth” concept i.e. all “fiction” is “real” somewhere out there in the multiverse.

A quick two-punch, two-page comic script reminiscent of Travis’ confrontation with Electro Triple Star in TSA came to mind. One that satirizes the quick AND painful way writers try to shake up long-running fictional franchises, as well as the feuds that follow. We’ve seen it with He-Man, with Marvel’s Thor (whose washed-up Endgame iteration Paradox Bandit also resembles) with Star Wars, with The Greatest American Hero, the list goes on. In the stories these shifts typically occur in, the current is powerless to challenge the coming, the past is to be killed with no sincere purpose, but in the chaotic framework of No More Heroes, that needn’t be so as anything can happen.

Thus, the dismissed, diminished, and discarded demigod is given the chance to “fight back” in a raw and direct fashion that some of the archetype’s bereaved fans secretly wish they would, resulting in a metaphorical sequence rife with genuine pain, visceral delight, and undeniable horror. 

Choking Hazard: 3 years of age and under.

Rather than a straw supporter of the new guard or an upright acolyte taking a former idol to task, Travis would be an interesting opponent as he’s clearly not the ideal result of the pop culture strata Paradox Bandit is supposed to represent. Despite being a fan of heroic fiction as seen in the likes of Ultraman, Kamen Rider, and presumably 80s action cartoons (Travis was born during 1981 or 1982), he’s grown up into a thoroughly unpleasant and dysfunctional individual, calling into question just how effective the old way of doing things was in providing actable and legitimate inspirations for audiences. He is, in short, exactly what Paradox Bandit accuses him of being, the awkward contrarian who would like the Skeletor and Orko stand-ins over him.

That in mind, perhaps a change is needed. Although pre and post-fight, Travis tacitly argues for a method that ties in for his love of tokusatsu (see the names for the various Death Glove Chips), sequel stories that explore new themes, ideas, and characters but truly respect the virtues and spirit of the mythology’s bedrock rather than treading upon them to form a distinct platform: succession rather than supplanting (you can see that in how MotU progressed from simple toy comic tie-ins to all its much loved animated iterations, graphic novels, etc). Which is more diplomatic and preferable than Paradox Bandit’s wish to take the reins of his next cycle and lock it in a status quo where he will remain secure at the cost of stagnancy.

For his battle, Travis fights Paradox Bandit in his Full Green mode much like he does against Midori, more out of symbolism and to have at least one other Full Green boss fight on the roster. In contrast to Midori’s area control/denial battle style, Paradox Bandit fights in a much more aggressive and direct manner: causing tremors, stomping up boulders to kick towards Travis, calling down lightning, throwing his axe and calling it back, doing melee combos reminiscent of the Captain Treatments, summoning his version of Battle Cat that Travis needs to use missiles or his Tiger Attack to knock him off of, and of course, doling out EXPLOSIONS.

The fight ends with Paradox Bandit managing to badly damage the Full Green armor (to the point that it can only be used in short bursts, explaining why Travis didn’t pull it out during a crucial moment during the final boss sequence), but this gives Travis a chance to wrest his axe away from him. Screaming “By the Potence of ZweiNull! I have the Potence!” (which does nothing), he swings it down and critically wounds Paradox Bandit. As he lies dying, he expresses fear at what’s going to happen to him come his next incarnation, if one happens at all, and laments over his failures as both a hero and villain.

Travis assures him that despite how screwed up he himself is, he still lives by some of the lessons Paradox Bandit doled out as De-Max in his original show: He recycles, he looks both ways before he crosses the street, etc, which he’s passed on to his own kids. Paradox Bandit asks him if he’ll share MASTERS OF EXPLOSION with Hunter and Jeane, but Travis shrugs and says they’re not really into the kind of entertainment he likes, but if the new CG MoE show on Notflix is good, he’ll probably buy a couple of the toys if they’re of acceptable quality.

This gives Paradox Bandit some measure of peace, who says that he’s once again feeling very, very sleepy, as his body suddenly disintegrates. His axe then flies out of Travis hands and up into space, presumably to reboot MASTERS OF EXPLOSION.

I’ve actually watched the CG He-Man show. It’s actually pretty good. Radically different in lots of ways, but the essence and ideals of the Masters of the Universe remain. It also comes packaged with shockingly good humor, character dynamics, and action scenes. So check that out if you like.

Travis’ shirt is part of the logo of Forgotton Anne, a beautiful and fully-voiced indie puzzle platforming game that’s also about lost things…and lost people.

[corpsentry]

WHEN THE WAR IS OVER AND I AM LYING AMONGST ANGELS, WAITING FOR YOU TO FIND ME: a spoiler-filled addendum

because i buttfucked the timeline harder than nintendo and That’s Mildly Concerning ao3 link

q: what the fuck is this a: this fic is the answer to the question, ‘how can i reconcile the events of breath of the wild and age of calamity into a coherent narrative?’.

q: what the fuck happened a: age of calamity was a dream zelda had while partying in ganon’s apartment for a hundred years.

q: [you point a nerf gun at my head and smash my knees in with a hammer concurrently] what the Fuck happened a: link has a line near the end of chapter one which goes something like ‘my mother used to say dreams are the memories of people from another world’. this is the core concept of the story. while age of calamity is a dream to botw zelda, who saw it unfold over the course of a hundred year nap, it’s also real. in my incredibly fucked up version of things, it happened- just not in the same universe as botw. when botw zelda settled in to drink cheap beer with ganon for a hundred years, her consciousness drifted across time and space to the age of calamity timeline, where she proceeded to live out someone else’s life for a few months. are the other characters in aoc aware of this? link is. at the end of chapter two, when he pleads with zelda to ‘rebuild the old world with [him]’, he falls out of character. he betrays the real purpose of this timeline and his place in it, which is to salvage what botw could not.

q: what the fuck is up with the space-time continuum thing a: inspired by the multiverse theory (note that i know nothing about multiverse theory apart from the fact that there are multiple verses), i decided it would be fun if i added a third dimension to the botw/aoc pair. the inhabitants of this third universe are aware of the existence of multiple worlds. they are also aware of the prophecy of calamity ganon’s return, but for the purpose of this essay it does not matter if calamity ganon will rise in their world. the primary concern of zelda in this third dimension is whether she can engineer a universe where link does not die. as she says in chapter two, there are a thousand possible outcomes, but only two fulfill her requirement: the outcomes that constitute botw and aoc. we can assume she went to enormous lengths to uncover these universes, as described by impa, who says with some disbelief ‘you destroyed the space-time continuum for a boy?’. zelda destroys the space-time continuum. she moves through timeline after timeline, tweaking dialogue and moving the hour-hand ever backwards, and at the end of it all, for all her suffering, what does she actually achieve?

q: okay so what the fuck is up with the scene where link kisses zelda and is like i had a dream where i died and then nothing happens a: first of all, you’ll find this scene near the end of chapter two if you’d like to take a second look at it. as for who exactly this zelda and this link are, it’s unclear. maybe after botw zelda woke up, the original aoc zelda and aoc link lived happily after the war. maybe the zelda in the third dimension missed a positive outcome in her thousand-bullet-pointed list. maybe this, too, is a dream someone had, while lying in a field of flowers somewhere. your call.

q: rabbit???????? a: the story about the rabbit is a framing device. first introduced at the end of chapter one when link tells zelda a story on the bridge at night, it eventually comes to parallel botw zelda’s experiences, but in reverse. the rabbit is happy in her reality. she has a dream where everyone she loves is gone, becomes immersed in it, and is eventually saved by the voice of some-god-or-another. zelda is not particularly happy in her reality (botw). she has a dream where everyone she loves survives, becomes immersed in it, and is pulled out of the dream by some-god-or-another. the important thing to note here is the second rule the rabbit lays out in the story, which is that you, as the dreamer, can’t tell anyone that you’re dreaming. self-awareness is a sin in these lands, but the greater and far worse sin is to attempt to share that self-awareness with someone else. this is why link is so adamant that zelda not finish speaking at the end of chapter two, when ganon is defeated and they are standing on the balcony. he wants her to stay. he’s in love with her. he doesn’t want her dream to end because in a way her dream is his dream too; they want the same things (peace, living champions and family, each other). unfortunately for him, zelda has to leave the aoc world behind, because even a hundred year nap has to end, and so she says what she has to say, she says it feels like she’s dreaming, and she wakes up.

q: please explain, in plain english, whatever the hell goes down in chapter 2. a: chapter one is a relatively straightforward retelling of the first four story chapters in hwaoc. chapter three returns the reader directly to the botw timeline, where link shoots a glowing arrow at ganon’s ass, killing him instantly. chapter two is the glorious fuck that lies in between. in short, it splices the events of aoc and botw together with overlays and meta commentary from the third universe mentioned above, where zelda is trying to engineer a happy ending, and the ambiguous fourth one where link is the one who sees the dream. i made use of several batshit devices here, but the most prominent one is, i hope, the encore. the [ENCORE] is initially used to signal that a scene will be set in the botw timeline. it makes its first appearance before botw zelda and botw link’s journey down from mount lanayru, which, as we know, does not take place in aoc. this is played straight up until the halfway mark or so, at which point i swap out ENCORE for encore and finally ****** (still says encore though). this distinction is lost altogether once impa begins dragging link’s body up to the great plateau. up until now, ENCORE and [these brackets] have been used to distinguish the botw timeline from the aoc one, which is not an encore and is not in [these brackets]. the next segment, concerning the battle on the great plateau, flips them. now impa and co’s funeral procession is ‘real’ and the charge zelda leads to the temple of time is ‘fake’. i wonder why.

q: ‘the lights are BLUE or YELLOW or PINK’. explain. a: what’s a play? a pretense. what does it take to pretend? actors. what is zelda doing? dreaming.

q: fourth wall breaks. explain. a: the interview segments are an homage to the seven thousand articles about age of calamity i read before playing age of calamity because this game was effectively my reason to live for the months of october and november. sooga talks about google maps because he’s dead (possibly dlc?) and dead people have the right to say fuck-all. every device in this story was implemented for a vaguely coherent reason. and then i fucked it up for fun.

q: what is the state of zelda and link’s relationship? a: in the botw timeline i imagine they’re involved with each other even before calamity strikes. in the aoc timeline i imagine they’re working their way towards something, but several important trigger events in botw don’t take place in the aoc timeline and the stakes overall feel significantly lower, so i’d hesitate to say their relationship develops to the same degree it does in the botw timeline. this is all personal conjecture, so you’re free to disagree.

q: why does the last line sound like a hannibal lecter line? a: [dab] god’s plan

q: why does zelda say there are a thousand possible outcomes, and only one where link lived in chapter 3? a: the first rule of time travel: don’t.

this is everything i can think of off the top of my head that might have confused people, but i did unfortunately write this thing so if there’s something else that made you go ‘the fuck?’ please don’t hesitate to drop me an ask or a line in the replies, i’d be happy to help. also, if it isn’t clear as day, i have a lot of fucking feelings about both of these games, so if you want to talk lore, theories, or just miscellaneous zelink fuckery, hit me up. i’ll go sleep now. take care everyone.

[opheliadying]

How to Make the Supernatural Series Finale Better:

Before we get started. I wrote this very quickly so there are probably spelling and grammar error, but I’s totally appreciate it if someone read it. It is a bit long though. Also, please note that I’m not a big shipper of any of the Ships on the show. Everything I highlight here makes the most sense to me as someone who loves all the characters and appreciates all the Ships. I give options for Destiel shippers and people who don’t ship it.

First, Let’s Start With What I Liked About It:

Dean got a dog (aka Miracle). In the past, we’ve seen Sam get attached to dogs, but Dean getting attached to one shows his emotional growth as a character. In the past, the idea of loving anyone other than family baffled Dean. Now Dean sees that he’s full of love (thanks to Cas) and can give it out more freely.

Jared and Jensen’s acting. While I don’t like that Dean died the way he did, the scene itself was beautifully acted and made me bawl my eyes out. I was also emotionally affected by Jared’s growing old montage (you could feel the grief in every scene). No matter what we think of the writing, we must tip our hats off to that acting. I personally believe that Jared’s only said this was one of his favorite episodes because of the emotional scenes between Sam and Dean and to try to make the fans feel better about the show edning.

The throwaway line about Castiel. While I would’ve like to have seen a lot more. It was a comfort to know he was with Jack and not in the Empty.

Heaven. I’m glad that we saw the original Bobby, and that we saw Sam and Dean Reunite in Heaven.

Now, What I Didn’t Like About the Finale:

Dean’s acceptance. Dean acting like he and Sam couldn’t fight for Castiel and not contacting Jack. (Just makes no sense.)

Dean’s death. Dean died way too young and without being able to enjoy his freedom.

Sam’s grief. Sam lived the rest of his knife with heavy grief. He never got over Dean’s death because Dean never got to truly live.

Eileen’s absence. They didn’t even show Sam using ASL for us to know if that was Eileen. What? (I’m just choosing to believe).

Where’s Miracle? The dog should have joined Dean in Heave.

Where’s Cas and Jack? Castiel and Jack should have had screen time.

A lacking reunion. There should have been a bigger heavenly reunion.

Bad aging. They struggled to age Sam, like what’s that about?

How the Episode Could Have Been 1000x Better:

Redirect focus. Instead of a weak monster of the week story, focus the final episode of Sam and Dean growing old and living their lives.

Sam and Dean’s story together before death. They hunt for several more years but then decide to settle down. They become the new Bobby’s and help other hunters out by answering calls and pitching in when needed. They schedule an annual hunting trip every year to relive the “good old days”. They live as neighbors (either beside each other or in the same neighborhood). They are a frequent part of each other’s lives. They make the Bunker a community place for hunters and take turns monitoring it.

Castiel’s story before death (with two options). Option one (the heterosexual option), Sam and Dean pray to Jack about Casitel. Jack comes and tells them Cas is helping him fix the mess Chuck left behind but that he’ll be along when he can. A few years later, Castiel and Jack visit the Winchesters (everyone hugs). Dean tells Castiel he loves him too, but doesn’t know how to love him romantically. Castiel says that’s okay, that it’s enough to just be loved by him at all. Castiel doesn’t fall in love with anyone else, he is only able to truly love Dean, he stays an Angel and is content with his life. Option two (the homosexual option), Sam and Dean pray to Jack about Casitel. Jack comes and tells them Cas is helping him fix the mess Chuck left behind but that he’ll be along when he can. A few months later, Castiel and Jack visit the Winchesters (everyone hugs). Dean tells Castiel that he loves him too, that he fills whole when Castiel’s in his life. He expresses worry about not knowing how to be sexual with a man. It makes him nervous to feel so virginal about it. They connect foreheads, Cas tells him that’s okay, they’ll figure it out and they do (a kiss isn’t necessary but I’m down with it). Castiel becomes human, Sam removes his grace and keep it safe in the Bunker. Dean and Castiel adopt a girl and give her the same name Mary Samantha Winchester.

Dean’s story before death (with two options). Option one (the heterosexual option), Dean opens up a bar where hunters come often (like the Roadhouse). He hangs up photos of all the people they’ve lost along the way. He has a kid with a woman he had a one-night stand with, they don’t love each other but they’re good friends. His child is a daughter, he names her Mary Samantha Winchester. Option two (the bisexual option), like above Dean, tells Castiel he loves him and that he’s nervous, but they figure it out. Dean tells Sam he’s bi and that he loves Cas, he’s nervous about what Sam will say, but Sam smiles and hugs him. He tells him he’s happy for the two of them and that he always felt they had a strong connection. Dean and Castiel have a small wedding, only their beautiful made family is invited. No one judged them, everyone is happy for them. Jack is there, so happy for two for his Dads (Sam’s story below). Castiel becomes human, Sam removes his grace and keep it safe in the Bunker. Dean and Castiel adopt a girl and give her the same name Mary Samantha Winchester.

Sam’s story before death. Sam and Eileen get together, get married, and have the same son (because I’m choosing to believe that was her). Jack is also at their wedding and so happy for them. They name him Robert Dean Winchester and call him Bobby. Sam goes back to school, becomes a professor of mythology and tells his students “made up” stories about two brothers who fought all kinds of monsters. Some of his students secretly think he's a big Supernatural (the books) fan, but all his students like him. They think he’s warm and quirky.

Jack’s story. Jack sees Sam, Dean, and Cas weekly to monthly for several years. There comes a point where the system he creator works well on it’s on and needs little interference, He lives his life helping as many people as he can and spending time with his family. Dean tells him he is a part of their family and apologizes for ever saying otherwise. Sam, Cas, And Dean all at some point call him Son and Jack feels like he belongs. (Maybe he falls in love at some point, with an angel or a witch?) He remains a good God became of the love he learned from the Winchesters and Cas (who is also a Winchester damn it). He restores all the other worlds/dimensions, the people from Apoloaypse world go back they ask that he heal the world but not change their fates, they like who they are now and the families they’ve formed. We see Charlie/Stevie and Bobby happy in this world. Kevin is sent to Heaven. We see how Jack made a deal with the Empty, he put her to sleep and made the Empty quite again before he got Cas (which she agreed to). Jack restores Donatello’s soul.

Chuck’s story. Chuck lives as a human for the rest of his life, many of those years are miserable until he meets someone that makes him feel true love for the first time. He writes a letter to Sam and Dean apologizing for everything and thanking them for turning him human. The author becomes a character in his favorite story, and he’s so happy he has no say over the end.

Amara’s story. Amara wishes to be human, so Jack makes her a human vessel but keeps her powers (which she agrees to). She lives out a beautiful life filled with love and luxury. Chuck write to Amara too. She does eventually forgive Chuck, not because he deserves it, but because that just who she is.

Dean’s death (with two options). Option one (the heterosexual option), Dean does die on a hunting trip in his late 50s to 60s, he gives Sam the same beautiful speech and they share the same emotional intensity (and head touch). He goes to heaven, Bobby and Miracle are there to greet him. They have the same conversation and he goes on a drive. On the drive he runs into Castiel, they have a heart to heart before he goes on to find Sammy. Option two (the bisexual option), the same as before BUT, Sam calls Castiel first. Castiel gets there in time to say goodbye. Jack does come down, but with Dean’s declining health, he tells Jack he’s ready to go. They all respect his decision and say goodbye. He goes to heaven, Bobby and Miracle are there to greet him. They have the same conversation and he goes on a drive. On the drive he runs into Castiel, and say’s “it’s about time” but it didn’t feel that long to Dean. They embrace tearfully.

Castiel’s death (with two options). Option one (the heterosexual option), he doesn’t die. He stays an Angel. Option two (the homosexual option), after Dean dies on a hunting trip he moves in with Sam and Eileen. We see him struggle with grief, he cries beside Baby and sniffs Dean's clothes. He lives another five years and dies of cancer. When he arrives in Heaven, he’s on a highway, and Dean drives up to him in Baby and say’s “it’s about time” but it didn’t feel that long to Dean. They embrace tearfully.

Eileen’s death.  Eileen dies a few months before Sam of old age (aka heart failure). She goes to heaven, Dean and Castiel find her on their drive. They welcome her into the car with smiles.

Sam’s death. We do see a montage of scenes with Sam struggling with grief. He does break down in the Impala, he cries into Cas’ trench coat, and he hugs Eileen's pillow as he cries. His son is there and his niece to support him through it. Sam dies a few months after Eileen. His son Bobby, and niece Mary, come in and Bobby says goodbye like in the show, but before Sam fades away he see’s Jack in the back of the room (his first son) and he knows everything is going to be okay. He goes to heaven, Dean, Castiel, and Eileen meet him on the road. They all have an individual tearful moment together. Sam and Dean have an intense hug, Sam and Cas hug, Eileen and Sam kiss, and he pets Miracle. They get into the car and drive.

Heaven. Heaven is changed as Bobby said, Jack and Casitel did good. (yes, John is there, he’s an ass, but the boys would want him there for some reason). The four of them drive up to the Roadhouse to find Bobby and Jack waiting outside. Jack tells them every one is waiting, Bobby says “family don’t end with blood”, they open the doors for them, and we see everyone they lost along the way in the Roadhouse: John, Mary, Ellen, Jo, Ash, Charlie, Kevin, etc (literally everyone except maybe Crowley and Rowena because IDK how that would work?). Castiel, Eileen, Jack, and Bobby walk inside. Dean takes Sam by the shoulder. Dean says, “we did good” and Sam says “yeah, want to go have some chick flick moments?”. Dean laughs and says, “I love chick flicks.”, and Sam laughs and says “I know you do” and they join their family. We get a scene of them all reunited with “Carry on My Wayward Son” playing in the background. Fade to black.

Anyway, that’d how I think they could have made the finale better while still using the basic structure the created. So yeah, I’m heartbroken. Thanks for reading.