#this can easily work for ships too

[marinerainbow]

Imagine: Two- or more- of your F/O's fighting. Over you. To the point where they decide to gamble; which of them will you choose?

Both are so confident that you'll pick them for various reasons. Whether that be they already had/have you, there's something that ties you to them, or they simply know that you love them. But either way, whoever wins takes it all- you. Whoever loses will have to leave. Alone.

Devil take the hindmost.

So yeah, for the musical nerds (like me) out there, this is what this imagine is based off of XD

[canisalbus]

Have you considered selling merch? Some stickers pins or patches of the boys would go hard

.

[mysteriouslybluepirate]

Can't send asks from my sideblog, but this is @chewing-the-drywall

I feel like much of s2 fell into Frenchie's "we put it in the box and then lock it and don't open it again" in the sense that it set up A LOT that I was intrigued about how they would address it, but it either never was mentioned again or was handled poorly.

Examples range from light, like how I wish we saw more of the crew interacting with each other in ways that built on their characters from S1, where in S2 they didn't feel any more developed, or even regressed. (Example, Fang used the word Fingies 2-3 times through S2, and it felt like they were using it almost as a shorthand for his character, rather than making him feel more real and multidimensional as a character.)

100% @chewing-the-drywall. When I first heard that line I had I was so excited for the story to prove Frenchie wrong. Or show how important it can be to put aside problems to stay alive in the moment. But in the end, this one line summarized how the season handled everyone, besides Stede and Ed. Below, is an in depth discussion on where this season decided to spend it's limited amount of time. Instead of focusing on the characters and plotlines they'd already established.

This season had so MANY ideas it wanted to touch on.

Izzy trying to deal with his unrequited love and opening up to a new way of living. The traumatized 'Revenge' crew trying to adapt to a softer way of life again. The abandoned crew learning how to help their traumatized friends. Introducing new characters like Zheng, Auntie, and Archie into our main group. Setting up a conflict to resolve in season three. Along the way, referencing Pirates of history like Ned Low, Mary Reed, and Anne Bonny.

Notice, I've said all this and we're not even at our romantic leads.

Which is fine. Stories are fluid things. As long as the story knows how to flow from our leads to our side characters. Which leads us to how I feel this show took a lot of time away from establishing our central crew-

[Warning- this will be a controversial opinion- I want to know what y'all think about this] Zheng/Oluwande. This seasons habit of retreading old plotlines and referencing scenes from S1.

What S1 did so well was paralleling the side stories with what was going on with Ed/Stede. Usually, highlighting how well Stede/Ed worked by showing how much Ed/Izzy DIDN'T work. Or general hijinks that tied into the plot (Oluwande and Frenchie on the French ship).

Season 2 chose to parallel our main story with what was going on between Zheng/Oluwande as a budding romance and Izzy's slow recovery. The reason Zheng/Oluwande scenes felt like a waste for me in that the story was JUST a retelling the story we watched from S1.

A frustrated first mate(Auntie), and a legendary captain(Zheng) fighting over the captain falling in love with an idiot(Olu). In season 2, much like every callback for me, it felt like it slowed down the plot by pulling us out of the story. Like...yeah, you did the thing again, do you want me to applaud you for it?

I LIKE Zheng and Oluwande as a couple! I like that Oluwande was debating leaving Stede and taking Jim and Archie with him. But at the same time, I didn't care about Zheng until episode 7 when she beat up Stede, showing that yes. She's not just some all powerful woman taken down by a mix of love(the crew in ep3) and thinking that she was above it all (ep 7). She's fast on her feet, smart, and willing to stab someone who gets in her way. She's her own person. But.

Every other scene that established her was about her romance, felt like we could have put Rhys and Taika in there. It didn't feel...unique. It's as if the show only knows 1 way to write a romance between a badass and a bumbling idiot. Again. Oluwande in season 1 wasn't dumb in the same way everyone else was. He was protective of Jim, a bit nervous overall, but he was the person the crew chose to lead them. The season just dumbed everyone down a bit and called it a day.

This comes to the larger issue. When we only have eight episodes I don't want to rewatch the exact same plot beats with different characters. Time spent here ends up taking away from other stories we could have told about trauma and growing as a family and other forms of growing as a family. We didn't need another romance plot line. Imagine taking this time instead to show Lucius reaching out to Pete AND the crew for help. Or Frenchie finally feeling safe enough to play his lute. Or Roach helping Fang get over his thing with cakes-you get my point.

The fact we took all the found family stuff from season one, and pushed it onto only Izzy in S2 means when he dies, all the found family shit falls away. His death makes us realize we've been ignoring the central family we were supposed to care about. Because in so many words, their trauma was ignored.

[I even theorize if Izzy was alive and sailed away with them. Showing how he was taken in and loved by his crew, the ending wouldn't feel so hollow. This crew doesn't feel like a caring family. The person who protected them for months died, wasn't mourned, and then they threw a wedding the same day. Not even a full day to mourn. The 'New Revenge' feels like a heartless crew of characters we barely recognize because they aren't a family like they were at the end of S1. More like coworkers who sometimes fall in love with eachother.]

Trauma, Timelines, and Tonal issues when jumping from Episodes 1-3 to Episodes 4-5.

When the crews meet up, the story chooses to focus on the fun plot. Ed and Stede recovering their relationship, only dipping back into that serious tone when Izzy or Lucius come on screen to 'make things sad' again. I don't think the transition from 'serious' to 'comedy' was handled well.

I don't have an official timeline of the events of season two. But from what I remember, everything happens within 2 weeks.

In episode 4, Stede ignored the vote of his crew- to let the man who was torturing half his 'FAMILY' for at least 80 days- back aboard. This rubbed me the wrong way, as it showed Stede being a selfish prick in a way that could seriously harm his crew. That's when I started to see how not adding a *single* time-skip mid-season would hurt S2.

Imagine if we had a one-week off-screen time skip between episodes 4 and 5.

Maybe it's implied that they stay in that town for a bit. Izzy would a bit more time to learn to move on his new leg and start to open up to those he already trusts. Include a scene of Izzy WITH the crew, maybe laughing about something with the old traumatized crew, even if it's just a 30-second opener. Imply that the traumatized crew would have more time to settle in with the family they miss. Show that yeah, the traumatized crew needs more time to heal. Imply at the start of the 'Ed apology' that Ed and Stede have had more time to talk their issues out.

THEN have Ed apologize. You can even keep the bullshit corporate to show that Ed still has to work for this.

Healing takes time. Setting a series over the span of two weeks after half your cast was tortured by your lead love interest? After five of your main crew thought they would sail off into a storm and die after months of stress and life threatening battles? Why did that shit get shoved to the side so quickly?

Framing episode 5 as the START of Ed making amends with the crew, only to drop the plot by episode 7? Not a smart move. Because let's be honest, 'poison into positivity' in episode 6, referring to the fact that they sold all of Ed's loot to pay for the party, ignores the sacrifices the crew made to live that long. (The death of Ivan, and intense trauma they all need to work through). In a way, Ed throwing this party was him asking the crew to start putting everything away in that imaginary box.

It's Ed retroactively letting himself say 'hey, that time I spent torturing my captives was worth it because we got something good out of it' while still ignoring his own guilt. Ed needed to take accountability for his actions. No more 'I took 'a' mans leg' bullshit. The reason his arc feels so unsatisfying is that the plot easily forgives him. Fuck. I hate what they did for Ed's arc, but that's not the point.

Overall.

My issue with this season is not that it chose to do these topics, it's that it didn't think about the implications of what they were bringing up. It didn't dare to think 'maybe it's fucked if we quickly brush off a trauma like this'. Again. I know we have to blame MAX for cutting off two episodes. But I don't think 2 additional episodes would fix a tone problem seen going from episodes 3-4.

Fucking hell. Each member of the revenge had the potential for their own arc, so it's baffling to see them all reduced to 'well meaning idiot' when they all felt so fleshed out in S1.

When izzy gives his speech about belonging, there's a reason the only image in the show of the crew all together was from S1.

At the end of the day, Season 2 didn't let our surviving side characters grow. This is a mean spirited bit on how I feel the writers see the their own characters.

Stede and Ed are our leads. They won't die, not in this genera. Their shitty actions will be forgiven because it's a comedy, and as long as it's joked about, it holds no weight. They won't die. They won't get fatally hurt. Their trauma will be taken seriously, but it's a 50/50 on if they'll talk about it before breaking up again. They will eventually get a happy ending, their trauma looked at head on, because duh.

Jim, Olu, Lucius, Pete? Characters who used to have defined personalities in S1, but haven't been defined much beyond their relationships with their partners? Whose trauma might be mentioned, but will quickly be 'resolved' in one scene? Shame. Seems like they're only useful as set dressing, But we might make you useful as interchangeable side characters to riff against. Oh, and you're in love! Isn't that cool!

Izzy? I'll just quote Jenkins here. "To have him become a father figure to Blackbeard, and on some level to the rest of the crew, and to see him become the heart of why we’re giving pirates the chance to stand for being able to live how you choose. In reality, they’re thieves and criminals, but what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy." So...Is Izzy a pirate and accepted into the Revenge family? Or is he still an outsider? Jenkins gave us a romcom but still defines Izzy's character as that of one stuck in a drama/tragedy. Point and laugh, because tonally these two things clash HARD and will make an audience lose trust in it's writers unless well established. Leading us to the entire issue we've pointed out of not letting your characters actions hold in dramatic weight in your story.

Frenchie, Wee John, Roach, and Fang- Ah. No love interests again...shit. Well. Background actors it is... for now. We'll see. But we need 2 more scenes of the couple breaking up, so MAYBE you'll get some backstory hinted at in dialogue. You all have 1 thing your good at, so that's easy enough to put you where you belong.

Buttons and Swede? Well. They're still alive!! Don't be sad, fans :) The actors just couldn't show up anymore. We don't want our silly happy queer pirate rom com to not end on a happy ending! (Closes the lid of the trash can where they're keep Con O'Neill a bit tighter, thanking God Con was silenced by a strike this entire season from social media)

Do you agree, or disagree? Leave any lingering thoughts down below!

I'd love to chat down below.

[fereldanwench]

wip whenever

i've been fueled purely by dayquil and coffee this weekend (i think I'm just about over this cold, but still a little sniffly) and i realized that treasure-hunter-valerie-AU could actually work perfectly with yakuza-goro-AU so i spent pretty much all afternoon getting reacquainted with modding and making goro some new clothes

i made a lot, but these two are definitely my faves

also i was messing around in photoshop on friday and started painting valerie so here's a WIP of her face <3333

[inhidingxoxo3637]

Acosta's dedicated to sharks stays unrivalled

[always-a-slut-4-ghouls]

I think someone put the brain of a mouse or maybe a squirrel inside my head at some point because all winter I was like “I crave nuts and seeds” and now that it’s getting warmer and brighter out my brain keeps going “it’s fruit time”

Like, modern transportation has made it possible to move many fruits all over the world (in theory) all the time! But the primal early plesiadapiform part of my brain is like “you must eat what is available this season”

[elliscousland]

shipping call. i have been wanting to write romance so uhhh. like this if that might be something you're interested in! i will hop into your discord or im's to talk it out!

[inhumanfuckingdogman]

If i had to pick (and lbr you do) between either roman or tomgreg being canonically gay and explored in the series id pick roman 100%. Tomgreg going canon would set gay rights back by like 40 years

[ritzcuit]

i aam deep in dhurkedatz specifically thoughts today. Oh the them. oh the unspoken of it all. the unlabeled. we got a good thing going. of course this is my ... he's my. You know. well hes my right hand man of course. im the fangs o' the defiant dragon. but that doesnt explain it fully.. thats business. and their lives are almost entirely business but Not Quite. and beyond the revolution they escape description...thats his best friend. that's his datz..

dhurke loves amara like crazy his love for her never died at all ... datz isn't a replacement ... hes just his datz. you know? 20 years of partnership cant go away like that. theyre together. partners!! and rumors fly and theres jokes. call off your boyfriend! so whens the marriage? and theres shared looks and pitying looks and understanding looks and skeptical looks but no one Speaks on it.. its unspoken!! but its there. by god.

like i wouldnt dream of doing anything without you. or that dhurke knows when he gets reunited with his family once more, for real this time, datz is gonna be there. and amara isn't being replaced so shes not concerned at all lol shes like ... what ... and take away his datz? what kind of monster do you take me for :( Like she knows. and everyone KNOWS. thats just his datz. and thats his dhurke. and you cant seperate them its unethical its cruel and unusual punishment its not nice

All the small tiny things... the years of history in each others actions ... the energy and focus shifting between them without needing to ask. in a discussion fixing to break out into a fight datz defuses it. datz tense and uncomfortable outta his mind and dhurke spots the way he tugs at his scarf and makes an excuse for datz to leave early. he asks to be waken up in a few hours so they can trade ofd guard duty and datz says yeah but they both know he'll stay up the whole night just to let dhurke sleep longer (this i stole from such terrible tales bc that detail made me sick) Like Ugh Like i cant Like i just dont know

and its not that they dont want to label it but its just so...what would change really. dhurke knows datz loves him and datz knows dhurke loves him (though maybe some nights he really does need reassurance, and he gets in his head about it, and somehow- through ways datz doesn't have a clue how- dhurke can tell when datz is quiet from upset as opposed to another reason, and he'll take datz's hand and kiss his knuckles and Thank Him so deeply and earnestly that it burns out any negative thought datz has ever had in his life ... crazy.)

and hes the family friend and the sort of uncle and the right hand man and compatriot and everyone knows just by the way they lean against each other and speak in half finished sentences and answer questions that weren't fully asked ... reference jokes from years ago and diffuse each other and the way datz is obviously gloomy when dhurke is gone vs perks up when he comes back And the way dhurke is on edge and his leaderly dad warmth is slightly colder while datz is in prison like even when theyre not together you can tell the impact left on each others lives LIKE IM SICK FOR REAL

[bibleofficial]

ok so for leather goods (that ship to the us) ((BY QUALITY))

florence leather school

florence moon

massimo leather

[yaroudomos]

I need to write up a proper Genpact verse, but, I'm certain Motochii has a Pyro Vision (as fire's integral to the character in his original setting). That, and he's quite similar to Beidou — just livin' life out on the sea in his big ass ship, the Fugaku. He'd originally hail from Inazuma, but he's a rebel. His desire to travel and be adventurous ultimately leads him to the seas. He likes exchanging both stories and goodies, so it's likely he acts as a merchant of sorts, selling off treasures he doesn't wish to keep for himself ~ ( `ᴗ▼)ﻭ✧

[honeydots]

What do you think Siegbert’s relationship with Laslow and Soleil’s relationship with Xander are like particularly as they get older/teenagers.

anon you're enabling me i LOVE their parent/child relationships as they get older!!! read more cause this got looooong

for laslow and siegbert--well first off, i think laslow always can provide a particular brand of emotionally-based support that develops more as siegbert gets older. siegbert has his Anxiety Issues, and where laslow and xander both struggle w sociality as well, i think laslow can relate in a more... empathetic way? dealing with some of the emotional aftermath and letting feelings be feelings (this isn't to say siegbert doesn't go to xander or that xander doesn't help, i just think they're good at different things). on a more lighthearted note, i think laslow's really good at getting a giggle out of siegbert, and good at finding ways to alleviate pressure. he's been doing this for years with xander. and yes, xander and siegbert need different things, but laslow's good at pinpointing those things

something i rly like abt their relationship is that i think that where siegbert more openly shows his idolization of xander (like we see in-game), he still does something really similar with laslow. looking up to him, taking inspiration from him. it just comes out in different ways. for example, siegbert probably trusts laslow's opinions... a lot. considers his sometimes more than his own. and he's just fascinated by the stories he tells. even after laslow's married to xander, i like to think he still travels (and drags xander with him as often as he can--and also drags their kids along as often as he can hahaha), and those stories in particular really entrap siegbert. which is good for a budding prince, i think something laslow (and eventually siegbert and soleil) has that xander lacks is some open mindedness, and not being so narrowly nohr-centric in his perspective--esp in upbringing, if that makes sense. this is also why i like laslow taking xander traveling, cause ultimately i think it would do him good.

ONTO!!! soleil and xander!! ive mentioned before how much i like the grumpy-dad and peppy-daughter dynamic, but. to reiterate: i really really like it gjsjfjsnf soleil, similarly to laslow but probably even more, tends to go to xander and ramble about her girl successes and failures. just barging into his office like i hope you're not busy cause i have things to SAY!! and i don't think xander dismisses her, but he does make her wait sometimes, hahaha. i also think xander will often tell soleil what she needs to hear, rather than what she wants, and ultimately for her that's better than the alternative. he's not entirely harsh (though he can be and that's something to work on), but honest. he also dotes on her more than he should by a xander-standard LOL

i think soleil provides to xander a lot of brightness--it is NOT lost on me that they named her soleil, sun, in a place like nohr. i think surrounding xander with bright people is a fantastic idea. and just like laslow's doing with the traveling thing, soleil probably gets xander to socialize a little more, haha. he isn't a brick wall that can't talk to anybody, but--he does strike me as the kind of guy who has coworkers, but not friends, ya feel me. soleil's confident and full of energy, and tbh i think she's the type to really want attention from her parents, so asking xander to come along with her is a frequent request. and that eventually, naturally, leads to xander getting out more. she doesn't have the same setback as laslow that if he gets shy enough he'll retreat entirely while they're out, hahaha

and one final note to round this off: i like to think!! that xander and soleil are both cat people (xander = cabbit, and soleil has lines about owning kitten posters), where laslow and siegbert are dog people (i have many aus where laslow has a pet dog so this is more of a 'because i said so' kinda thing) (also you might be inclined to think cat for siegbert also but i need you to look inward. deeper. i think he'd like the enthusiasm...!!! i have more i could say but i'll leave it at that)

there you go!! :D

[waywardsalt]

Holy shit I will talk about Linebeck for FREE

I did skim the PH manga to see if I could steal anything, and uhhh it certainly made some Choices. I didn't end up taking much, just a few cues for how I wanna characterize Link and a couple ideas for how I wanted to handle Linebeck's backstory.

I thought the flashback scene with Linebeck abandoning his crew to escape the ghost ship was an interesting concept. It didn't quite fit what I wanted, but it was close? I like the survivor's guilt angle, like maybe he joined up with a crew of people he admired and he let them down somehow.

It's fun to talk about Linebeck hell yeah

The ph manga does certainly make some Choices, that's for sure. The backstory they come up for Linebeck is... it's interesting, but as I'll probably go over when I actually talk about the things I disliked in it, not a great choice in the greater scheme of things.

It's a good concept though, even if it's one I don't use. One of my favorite things about Linebeck is the sheer lack of concrete information we're given about him, so his backstory can be whatever the hell you reasonably want it to be.

The survivor's guilt angle that the manga touches on is really good, though. The idea of him joining people he admires and ends up letting them down in some form is a cool concept to explore with Linebeck specifically, I think, and you can tie it back to the story of phantom hourglass decently well.

I think that with the way Linebeck is in phantom hourglass, you can do a lot of things with his backstory. I think you can whip up a lot of different interesting events that lead to Linebeck acting the way he does at the beginning of phantom hourglass.

I've pretty much got his entire backstory planned out for myself, (I'm considering writing it out as a fic but it does contain topics that I would need to be careful handling) and I don't really do anything similar to what the manga does, instead opting for a more mundane but still tumultuous backstory centering more on the ideas of social isolation and struggling with identity and stuff.

I can't tell since I know exactly what parts of my fics relate to this backstory and what part of that backstory is referenced, but I'm curious about what people might piece together just based on clues and implications I leave in my phantom hourglass oneshots.

I have a handful of backstories for him because I like to come up with aus, so he has a different backstory in every story, but it's fun to identify what parts of the backstory remain static or share the same themes despite the backstories being in genres ranging from futuristic sci-fi to modern times or even just vastly different Zelda-type settings.

The phantom hourglass manga, I think, is a questionable choice for reference on these characters, although Link is enough of a fluid character that all of his manga portrayals are fine. Manga Linebeck is not nearly as good as game Linebeck though lol. I'm still angry about losing the second half of the game. We lost his letter, which I consider to be a fantastic snippet of characterization for him.

Anyways, Linebeck backstories are interesting since there's pretty much nothing that canon suggests about him. I'm interested in whatever you decide on doing with him!

[maxemilianverstappen]

I don't know who are designing the GP trophies but an alarming number of them are ugly as fuck.

[newtness532]

should i buy bash's queer was always here top?

[areyouwho-ithinkyouare]

there is… a job.. and it’s kinda perfect for me i think.. and it’s working somewhere i already know and love………. and the pay is good… and the hours are what i’m after………. and it’s easy enough to get to….