#this has no relevance to the story at all

[baconvonmoose]

More stuff about Wendigoag if anyone cares or sees this

Just me rambling alright, a few questions I commonly see and some other things I find important to know

"X is a native american and they said NOT to say it," or "If no single indigenous person is the authority then how can you speak over people who say it isn't okay"

I'll be honest, I don't think anyone has a right to tell someone to not ever use the name of a mythological creature for superstitious reasons. I think it 1: erases discussion, 2: erases the spreading of important lore, 3: is controlling someone due to your own beliefs, 4: it once again makes non-natives think we're all so shaken by myths and legends that we are genuinely *afraid* when people say it, 5: is no different than a Christian going around lecturing anyone who says or types 'Jesus Christ' in any manner that isn't purely reverent. You shouldn't be doing this, indigenous or not. But especially non-natives doing this, like speak for your own beliefs, not someone else's.

That being said, there are definitely reasons to NOT throw the word Wendigo around left and right, but they are not superstitious. Pretty much if you are wrongfully referring to a creature that ISN'T a Wendigo (i.e. the deer-headed monster or whatever, which is completely unrelated to Wendigoag).

That all being said, I promise you native people to whom the story is relevant use the word Wendigo all the time. It is on our official websites, in our books and texts, and when we tell the story of the Wendigo to each other, we just say the word. I had literally never heard of anyone saying it was 'taboo' because it 'summons the creature' until the past few years on the internet. Not at any pow-wow or gathering, not from my family on the rez, not from any books I read, nothing.

There's certainly something to be said for cultural appropriation, it is our legend not yours, but the reason you stop yourself from saying it shouldn't be because you view us as poor helpless little guys who are scared of a storybook monster.

So yes, you shouldn't be using Native mythology to slap it like a coat of paint over your forest monster or whatever. If you want to retell our story then either make sure you're telling it correctly or don't tell it at all. If you want to go lecture someone using or saying the word Wendigo, do so because it has antlers, lol.

[myfairkatiecat]

okay so shannon giving us a keefe pov seems actually lowkey important and what i would do in the story rn but I'm not convinced she's going to use it to do the things I feel like we need her to do.

let me explain.

Shannon set Sophie up as a character who behaves certain ways. A lot of those ways are very good, and she's certainly a hero, but she also has character flaws that get worked through. For example, she can be a little reckless (personally I would have made all the same choices) (I know we think of Keefe as the reckless one but he's a different type of reckless) she can prioritize the wrong things, she can be disorganized, etc (all things that are super valid and understandable and make her relatable btw. I am a sophie foster defender)

and BECAUSE sophie is the protagonist, we see all of this develop. She has certain qualities that are a little stagnant sometimes, at least if you look from the outside, but there's actually a ton of development going on. She hears others' opinions on her actions, good and bad, and the reader sees how this impacts her and how she grows and changes, even if that change is nonlinear or in many ways she stays the same and just grows more mature.

Here's the thing about Keefe. he wandered out of side character territory and into second main character territory starting at the end of everblaze and peaking in legacy. And Shannon has been INTENTIONALLY writing him with consistent character flaws since the beginning, explainable by his past circumstances in fascinating ways. But we aren't there to see a lot of the falling out for that stuff.

A lot of people complain that keefe never faced consequences for stealing the caches or never had the black swan or adults yelling at him or mistrusting him or his friends avoiding him. And like... we do not know that. It could simply be that that was just not Sophie's problem at the time. Sophie also may have simply not been one of the people giving him a difficult time about it. In fact, we know she wasn't, but boy oh boy Fitz certainly didn't bounce back in less than five seconds. And we don't know what the Council and/or black swan did with him that sophie just wasn't involved in--and bc it didn't become relevant to the plot from sophie's perspective, sophie being the actual MC, it just seems unimportant.

Another thing is that Keefe has a lot of the same character flaws throughout the series, but they do shift somewhat with his experiences, and that's without us even seeing in his head, you know? So here's the thing.

Shannon went and started developing Keefe like a second protagonist (who is interestingly also an anti hero in some ways) and even if you aren't a person who thinks he's the most developed character on the paper (disagree but see where you're coming from) he's DEFINITELY most developed in shannon's brain, and that bleeds through. But then we ONLY see Sophie's perspective BECAUSE THIS IS SOPHIE'S STORY, and everything revolves around what is relevant to the plot from her perspective, and then keefe is just in the background being extremely important and relevant and having all these extra issues that we ONLY ever see from sophie's perspective.

Unlocked was... well, it was half a book, and only half of it was keefe. I actually do think his perspective was enlightening in some ways, but a full keefe book at this point kind of seems necessary to me. Because... he's taken on the role of another main character in this story, but we don't see any of that development happening, and for a lot of people i can see that getting taxing. Now I get that those same people also wish keefe would just. step back from the plot. and i get that! but I think with the way he's involved in the plot NOW, seeing his perspective is important, because sophie's POV (especially with her unreliable narration) doesn't give us enough of a window into the complexity that is keefe's worldview right now, especially with all the ways he keeps impacting things. it's just a really important perspective to have at this point.

Shannon, if unraveled is just keefe trying different human foods and giggling like a kotlc react on wattpad, I will probably enjoy it bc i love your work always, but i will also be shaking you by the shoulders because we need this book and you better spend it doing the things we need

[thenamesblurrito]

so. Transformers ONE was a good movie

i HIGHLY recommend going in blind, i do think it's incredibly effective with as few spoilers as possible beforehand! seeing it on the big screen is really really nice too, i encourage you to watch it in theaters without reading up on it first if you can!

long full-spoiler review and dissection of elements below (i reached the text block limit a couple times oops):

general stuff:

gorgeous. just genuinely visually gorgeous. so many details, colors, textures, everything was so beautiful. the stylization itself may not be my favorite but it was executed so well that i ended up loving it. their optics! their colors! their movement! the way the visuals serve the lore and the story is extremely well done too, i felt like everything i was seeing was deliberate, relevant, and a treat for the audience instead of just "ooo visual noise look at how powerful our cgi rendering is" (which is how i felt about the "live action" Lion King prequel(????) ad they showed before). all the little cameos and repaints and everything in the background? mwah. GORGEOUS MUSIC TOO AAAA THE WAY THAT TFP'S MOTIF IS IN THERE AAAA

the visual effects and action, the way they USED their roboticness/transformation sequences/vehicle modes in fighting and moving and emoting, it was VERY GOOD. Orion grabs a Death Tracker and RIPS THEM INTO PIECES BY TRANSFORMING AROUND THEM AND FORCING THEIR FRAME TO SHATTER. insanity

this is ABSOLUTELY the origin story movie the fandom has wanted. even if it wasn't your preferred origin story, this movie SHONE with love and respect for the franchise and drew on so many influences to craft a powerful version of the beginning we all wanted to see

in some ways i wish we had more, i think it would've been extremely effective to see things expanded upon, especially D-16's emotional descent and maybe some more Quints. actually looking at the content and pacing of the movie though, and the audience it's aimed at, i don't think there's anything they should've cut in favor of other stuff. i understand why it wasn't dwelt on more, but hooooo i would've liked to see Dee breaking apart a little more thru the middle of the film. apparently the novelization has more scenes of this and i would love to read it

i had so much fun watching this movie. it was a rollercoaster. it was a TREAT. i was sitting there enjoying every second both times i saw it because it was a good film that rewarded me greatly for being a Transformers fan, giving me so many easter eggs and injokes, while also being perfectly understandable and fun for a complete newbie. excellently balanced appeal to old and new fans alike

there was no wink to the audience about how stupid and childish a movie about robots is, there was no lampshading of how silly sci fi is, there was no betrayal of the emotional tone of the film. so many stories now kneecap themselves by mocking their very concept, and the audience watching them, in a very cinema sins-style irony poisoned way. this movie never does that. its humor is fitting, its drama is real, its emotion is all SINCERE and i love how i was never mocked by any part of the movie for engaging with it sincerely

this movie loved being a Transformers movie

anyways. specific stuff:

love how Wheeljack managed to explode everything despite not even being a scientist. he's just THAT good

THE INJOKES AND REFERENCES. "you don't have the touch OR the power." calling them Gobots. the corny More Than Meets The Eye bits. "don't be a glitch" is a headcanon swear i've been using for years now and they canonized it!! "High Guard, eject". "paging doctor Ratchet." the new take on "all are one". the really interesting way that the term Transformers is an actual significant in-universe name, and how Orion and Dee ARE NOT Transformers at first!

the sheer number of cameos is ASTOUNDING. what an excellent mix of masc/fem designs too, they really made it normal on this Cybertron which i appreciate! apparently Blurr exists here, his name was on the leaderboard!!!!!! good job Chromia i am so proud of you for winning. and the shots of the bots getting cogs at the end was aaAAA!!! <<33 my HEART! Jazz's little smile looking at his new doorwings!!

I GOT ALL MY SILLY OLD DEMIGOD FAVES I GOT THE THIRTEEN EVERY SINGLE ONE OF THEM AAAAAA ALPHA TRION MY GRANDPA god i'm so sorry you're dead but i can't believe you showed up on the big screen <<333 you and your rockin rhino unicorn lion alt mode. and your superpowers. god you're so cool. "old timer" NUH UH HE'S STILL BETTER THAN YOU!!!!! using Zeta for the thirteenth was an interesting choice! i did think he was Overlord for a hot second. it's the lips. Solus wasn't fridged by virtue of everyone else died too yippee!! ALSO MEGATRONUS THE COOLEST ONE WOOOO HES NOT JUST A FIERY EVIL GUY!!!!

the way Dee himself was, in a way, the Fallen of this continuity.... 😭

the way Sentinel was handcrafting his downfall with each touch of the blowtorch. carving the sigil of the Decepticons into the one who will kill him. dooming Cybertron in a moment of petty mockery. AND HE DOESN'T EVEN DRAW IT WELL IT'S LIKE A MESSY CRAYON DRAWING CMON

planetformer Primus in a blockbuster movie? CANONICAL EXPLICITLY STATED PLANETARY ROBO MPREG BIRTH IN THE FIRST FIVE MINUTES???? THEY USE THE WORD BIRTH. BORN. we are never escaping the reproductive insanity in this franchise

Shockwave you whiny tantrum throwing wuss. let Elita beat him up more. it's good for him. also love how that could be construed as a ref to her G1 resistance force

CASUAL MIND READER SOUNDWAVE???????

Elita was perfect, no notes. i would not like her if i met her but i respect her so much. she really is better in every way and down to business. Best First indeed

so much cool implications and fascinating timeline confusion. 50 cycles since the Primes were slaughtered? the way Sentinel leveraged their reputation to make himself beloved, casting himself as their peer? the way he didn't choose to villainize them, the way he apparently openly admitted to the loss of the Matrix and how it impacted the planet? when did cog theft start, and how old is Orion since in the novelization it states his entire generation is cogless? who remembers the og Primes? who is in the know about it all?? hoooghhghhh fascinating.

the implication that the High Guard worked with the og Primes?? the possibility STARSCREAM was a loyal guard for Cybertron's DEMIGODS????

okay i was not expecting a backstory for STARSCREAM'S VOICE in this movie but holy. god. the shippers will be going insane over this one. hoogh holy fit. what is wrong with you. the utter contradiction of being both an instigator and a coward when he gets in over his head and immediately backpedals

also obviously this is the I Love Divorce movie and megop shippers will be having a field day but i DEEPLY appreciate just how solid a friendship Dee and Orion have and how badly they fall apart, even thru a strictly platonic lens. i also appreciate how there was no forced comphet attraction/romance!! i was dreading the possibility of it, i mean Oplita was RIGHT THERE but they didn't force it at all thank youuuuuu. i would rather have this dynamic with its zero intended romance than awkward, OOC attraction shoehorned in to detract from the plot

Bee was actually good! like yeah he's def the kid appeal character and i prefer it when he's in a younger gen and not OP's peer, but he was wayyyyy less annoying than i was expecting! i think he fit the movie and did his job in it well, and i absolutely laughed at him multiple times. "i get to work for the GOVERNMENT! :DDDD" bee. please. the fact that he's been going insane and desperate after isolation for so long really helps make his character work instead of being just irritating

Airachnid you are so cool. you are TOO COOL. PLEASE TONE DOWN YOUR COOLNESS. i adore how she is not good at facial expressions thank you evil autism moments. love how her signature move is stabbystabbystabbystabbystabbystabby

Sentinel. god. Sentinel. SENTINEL!!!!!!!!!!!!!

i need to draw him getting ripped in half. it's like they distilled the worst parts of every single iteration and combined them into a SuperBad version. horrifically realistic kind of guy. i love to hate him. real Metro Man from Megamind energy. and megachurch pastor energy. the IRONY that Orion and Dee were probably actually helping him, that he was probably being genuine in the medbay when he said he loved what they did by racing, that he may have been honest when he said he was gonna have them fixed up in his own facilities and had them tour the mines! because them racing increased energon production by 150% and Sentinel needed that!!! he needed that for the Quintessons!!! i think he was being genuine when he first met Dee and Orion and then Darkwing ruined everything!!!

Darkwing is the curly straw of this continuity

the Quintessons were hoooooooooooooooo. whoooooooooogh. hoohhhhhhhhhhhh. the biomechanical. the shapes. the textures. eugh. icky. creepy. excellent. the way their ships looked like the Nemesis. the way they're STILL a looming threat. i wanted to see more of them but i get why the movie wasn't about them. i hope we see more in the future

the way Orion is the kind of guy who, in an attempt to be selfless, keeps making selfish or thoughtless decisions was SO INTERESTING. it set up the dynamic of his and Dee's friendship very well, with Orion always wanting the best for his buddy but ultimately overwriting or ignoring what Dee says!! the way Dee clings to the social contract of protocol for safety because that's all he knows and his ANGER when it's broken, even when it's Orion breaking it, because that's not SAFE it's an UNKNOWN it has CONSEQUENCES WHEN YOU DEVIATE. and then it's revealed that the social norms have been a lie the whole time and Sentinel has "broken protocol" more than ever and Dee has no safety left because it was always broken. Orion wanted to be more, he could feel there was more. Dee just wanted security

Dee spent so much of the movie complaining and arguing and it was very funny and good characterization but it was also a hint at how much bitterness was under there the whole time. so much of his complaints were threats of violence. he always had Orion's back and then when he learns the truth he abruptly. stops. do you notice he doesn't really have Orion's back after this? he's no longer by his side? he's there, but he's not... there. he was the first to shoot an enemy and took joy in it. all of his emotions were so justified and then what he does with them is what makes it a tragedy. he didn't have to do this. augh

i really, really like the fact that they managed to pull off the ending without it fully turning into a "boohoo if we do anything violent we're as bad as the bad guys waaaa". the specific phrasing of "rebuilding cannot start with an execution" went HARD. and it's demonstrated in their actions too like, Dee was out for REVENGE and it was PERSONAL, Orion was fighting for JUSTICE and it was UNIVERSAL. Sentinel was beaten, everyone knew the truth. it was over. but Dee in his (very justified!) anger and broken trust was too overcome to back down. they were given the power to change their worlds, but Dee was thinking only of his world. Orion was thinking of everyone

ironic that as soon as Orion starts thinking of other people and considering what they need instead of forging ahead, Dee decides to center his own feelings and actions to the point of murder. even after Sentinel was dead, he just kept shooting, he did NOT AT ALL care that some of those shots were clearly hurting innocent civilians/going wide and shooting out into the city/damaging actual important infrastructure and not just Sentinel statues. i believe it's Bee who said "he's gonna kill everyone" and he proves it by attacking Elita and saying "I won't stop until every last one of his followers is dead". THE FACT THAT HE FELL SO FAR AS TO SEE ELITA, HIS PEER AND FELLOW FREEDOM FIGHTER WHO WAS THERE WORKING AGAINST SENTINEL WITH HIM FROM THE START OF THIS QUEST, AS ONE OF SENTINEL'S FOLLOWERS.... by the end of it, Dee really was nothing but blind anger

and the way kneeling was a common thread!!!!! aaaaaaa. Sentinel betrayed the world by kneeling to the enemy. Dee won respect by refusing to kneel. Orion gained followers by willingly kneeling to his peers. hooghh

Orion jumping and stumbling and falling this whole movie because he just THROWS himself into things because he BELIEVES in things, he's the one to take leaps of faith, to take that step out into the unknown! and Dee refusing to save him as one final nail in the coffin, so clearly feeling like Orion jumping in front of the blast was yet ANOTHER way Orion is forcing his hand, corralling him into doing something he thinks is best but did not consult him on, finally FINALLY saying NO and leaning in to the tragedy!! and in the exact same way Sentinel handcrafted his enemy in Dee, Dee has now handcrafted his enemy in Orion!! AAAAAAAAAAAAAAA and now that Orion took that last leap of faith and fell, now is when he RISES. ONE SHALL FALL AND ONE SHALL RISE. god. it reminds me of Spiderverse, the way they use falling and rising

the way the tragedy is worse for how well everyone was working together.... for one shining moment, the miners and the High Guard, the rescue mission, it was going so well. they were doing it. they were winning. it didn't have to turn to slaughter. if there was to be an execution it should've been by trial, by the voice of the people, not Dee deciding for Cybertron as Sentinel decided what truth was. augh.

in an abruptly different note, the way they have characters move and fly is so cool. i love the jetpacks. i love how flight is not "flyer" exclusive. it's fascinating and i think really fitting for the general city of Iacon itself. all those towers going up and down

THE TRAINS!! THE MOVING ROADS!! HOW COOL IS THAT!! LOOK AT THAT WORLDBUILDING IM OBSESSED WITH THIS CYBERTRON HOOGH. this movie was VERY good at building a rich, functional world of detail and making it very alien in a way i want to chew on forever. the moving mountains and greebled energon mines. the living planet. the deer!!! ooghghh. PRIMUS LOOKS LIKE A STAR

i do like this Primus actually, yeah it was a deus ex machina but that's the POINT. Optimus himself is an act of god and his presence heralds miracles. Dee couldn't bring justice to Cybertron because justice is restoration. justice is healing what was hurt and doing right by the wronged. yes that often means consequences upon the perpetrator but that's NOT what Dee was doing, he wasn't even THINKING of anyone else!! would killing Sentinel get ppl out of the mines? would it restore their cogs? would it bring equality to a clearly oppressive society? like he LIVED this (cogless bots with limited options, the talk of tiers as if they are social castes you can be demoted from, lower city levels where ppl can be banished, etc) but it was Orion who ultimately addressed this. i'm sorry if it feels like insult to injury to rub his Primacy in your face, Megatron, but stealing a cog just like Sentinel and declaring the age of Primes over, when it was the age of Primes ending that made you cogless and oppressed in the first place, is only an extension of your trauma, anger, and violence, and is not solving the problem!

a cog stolen from him at birth! and then he steals it from Sentinel in symbolic revenge, stolen again, but even that wasn't Sentinel's, it was stolen too! the way he discards the cog from Onyx, willingly gifted to him, to continue the trend of desecrating the dead! man. MAN. the name he took, the cog he took, the symbol he took, all from his hero, the one he looked up to, the coolest Prime, and THEN DECLARED THE AGE OF PRIMES OVER

the gilded pompous showmanship of it all was so gross, the way Sentinel's face was everywhere, the way he had instant access to everyone in Iacon via announcements that took over the media. but this was clearly derived from the previous Primes!! we see their statues, we see their stately tower, and unless Sentinel had all that built in "mourning" (which is totally plausible imho) he was really just setting himself up as an inheritor of that hyperwealthy standard! we don't know anything about the rule of the og Primes beyond that they're favorably remembered and loved (possibly because of propaganda but i think it was also genuine) and that they may have been losing the Quint war (considering that info was from jerkwad supreme i find it suspect) but just by comparison to Sentinel i think they HAD to be better rulers. there weren't cogless bots forced to mine for 20 shifts in a row back then!!! Sentinel is stealing their aesthetic as if that gets him the same power and acclaim. he's trying to steal their legitimacy. he paints himself across the face of Iacon to hide the fact the planet itself went into a coma because of him. he has ALWAYS been rejected. i call him a megachurch pastor but really symbolically i could say he's a fallen angel, and his visual design really fits too

i'm coming back to the deus ex machina thing bc i know it may be considered weak in a plot construction sense but i want to engage with it as literal. like, there is a literal in-universe god in the machine. they know it. they worship it, at least a little bit. i would consider this story to be analogous to Prince of Egypt, in that the deific is a real and tangible character with impact on the plot, and not a meta excuse to save the day. Orion made his choice, and as a result Primus made HIS choice. it's not necessarily a happy ending but if even Megatron acknowledges that GOD mandated this guy to be a Prime and the planet itself responds by COMING BACK TO LIFE.... i keep thinking of it like a cityspeaker, how they're the ones who commune with Titans to know their needs and tell them what needs to be done. is a Prime just the cityspeaker of Cybertron, able to help it remain healthy and functional?

the divine right to rule is REAL on Cybertron. you can like it or not but you have to contend with that when discussing fair leadership, political accountability, and representation of the masses re: Cybertronian government and Primacy

god i'm still so obsessed with the Thirteen i need to see them better i need to look at them. i love them. insane. i really need to invest in a chewtoy

also i know it may be a throwaway line but i'm very curious why Primus had to transform and sacrifice himself to save the universe. Unicron, maybe???

also how did Alpha Trion narrate the archival stuff telling the fake story of how the Primes died and the Matrix was lost. did Sentinel get a deepfake of his voice?? is that part of how he made the transition to power?? AUGH THE DISRESPECT KEEPS COMPOUNDING

Alpha Trion. my blorbo. my old man. holding you so tight. like an ancient rescue dog. im gonna groom you and give you treats and buy the biggest plushest dog bed from costco for you

anyways

good movie, guys

[raven-at-the-writing-desk]

Now, with the 'Nightmare before Christmas' event fast approaching, how does it feel to know that there's a high chance of your old Oc coming to life? What was his name again? Ah yes, Jinx Skelton I think. Old follower here 👋

Even though I have to be honest I doubt we'll get any new characters this Halloween. I mean wouldn't it be strange for them to release new characters every Halloween? First it was Rollo then Fellow and now again? I doubt it honestly. Besides the thought of seeing a bishounen Jack Skeleton scares me. I love seeing new characters but at times point I'd rather have more information about the mysterious 4-year students.

[Referencing this post!]

THE WAY I FELT LIKE I GOT SHOT BY SEBEK'S UM WHEN I READ MY OLD OC'S NAME 🤡 A ZILLION WATTS OF LIGHTNING ARE COURSING THROUGH MY VEINS... . ..... .... ......... . .. . ........ . . . .... .. . . .

I think I first came up with Jinx like 4 years ago??? And the last time I drew him was like... 2 years ago?? BUT WOW, IT'S BEEN SO LONG SINCE I'VE THOUGHT ABOUT MY FAVORITE SPOOKY CHILD 😭 I'm so flattered that you remembered him, Anon!! (For those of you without any context, here's a fan art of him as well as my own design!)

adhbadoyqerqwvypnad I'm excited to see what TWST's interpretation of Jack Skellington might be! (I'm sure Yana and team's design would blow mine out of the water, lol) If they end up introducing a twisted!Oogie though, I might just bring Jinx back just to interact with him 👀

I'm not sure if I'm following what you're saying about the possibility of new characters though...? We may have had only Rollo and Fellow so far, but it seems to me that TWST has found a winning formula and an excuse to pump out a new limited SSR card every Halloween meaning more money for them. I don't get why they would backtrack now and do a whole event themed around a Disney property but NOT introduce a new character they can make bank on come next year. The first two Halloween events weren't themed, so it makes sense that no new character was introduced. Because this upcoming one is so blatantly going to be Nightmare Before Christmas-themed, I think it's all but guaranteed that we'll see a new face. adugkvqwodivqdi I JUST WONDER... WILL THE THIRST FOR THE NEW CHARACTER EXCEED THE THIRST OF FELLOWIVES??? Especially considering that the regular Jack Skellington is already a Tumblr sexyman????? Only time will tell...

I understand the anticipation for fourth year student lore, but I don't know that a Halloween event of all things would be good timing to make them relevant? So far, we only know that they temporarily return to campus for cultural fairs, in which NRC demonstrates the fruits of its labor to the general public. The fourth years would probably be better reserved for another kind of event or even later in the main story.

[creatingblackcharacters]

So surprised no one's submitted Static yet, so I'll go ahead and bring him up because Virgil Hawkins will always be famous to me forever <3

Static shock has always been very dear to me, I used to to tune in nearly everyday the network in my house to see this guy, and all it took was hearing the sick ass theme song to get so hyped for it. All the episodes were always so fun no matter what they were about, it was always advancing the story forward. I loved seeing how Virgil grew into not only being a superhero, but also being a teenager, so the conflicts always felt so relevant to what I, Also A Teenager, was experiencing around the time when the series was airing on brazillian tv. When I got a bit older I started reading up on the comics, and was very pleasantly surprised at his designs there too because DAMN the man just cannot miss. Literally look at himmmmm

Static is not only kind and always trying to help the people in his life, but also smart as hell. During his battles with villains where he has to be resourceful with how he spends his energy so he doesn't hurt himself too in the process (which technically still does happen because he does get carried away often), but also at the same time he learnt the extent of his superpowers in order to get better at controlling them, which you really rarely get to see superheroes do. He's funny in and out of the job, he loves his friends and family, and most of all he's really dedicated to what he does, even as he makes mistakes along the way and learns the weight of responsability for being a hero. Truly love this dude <3

Hot Chocolate posted Static as one of his favorites! So he'll be happy to hear someone seconds him! Static made it to Brazilian TV 🥹🥹🥹 oh that makes me so happy to hear. The first theme was absolutely a banger. It's wild to hear you were a teenager when this show was dropping, bc I was just a kid 😭 so that means it had to have been more formative for you. Static was supposed to be to us what Miles is for the new generation. If I could trust DC, they'd have gold in Static as a character.... alas. DC. I recognize the Nick Draper Ivey version that you posted! Yeah Static deserves far more hype than he's received. I'll let HC know someone loves Static as much as he does!

[ihopesocomic]

It's such a shame how many good brother-brother duos or sister-brother duos there are compared to sister-sister duos

I know it stems from writers always feeling the need to add a man in every woman's life

A lot of writers can only make a character who's a sister if she's a sister to a brother and it's a real shame

Honestly I think Nothing from MP is a pretty good example of that

Look at her relationship with her female siblings/cousin vs her male siblings/cousin

Fire ended up being horrible and Feather is a toxic positive "lemme make you feel bad for wanting to change your ableist name even though it literally doesnt effect me" dirtbag

But Nothing had a better relationship with vs her younger sisters/cousins

Farleap and Silentstalk bullied her and Feather's sisters thought she was weirdo though they like literally never interacted

It's just always suspicious when a writer seems to prioritize a female character's relationship with guys over her relationship with girls

Like their gender shouldn't matter but they'll always pick their male characters first

The sexism in writing still to this day is wild. Especially where so-called independent creators are concerned. Because I thought the whole point of being indie was creating stuff you wanted to see in mainstream media but didn't get, but a lot of it is just more of the same crap you get from bigger productions. So either people want more sexism, or its just baked into their brain and they don't even realize it.

A lot of better stories out there are about brothers (well, I could argue that a lot of it is lazy and that there is no point to the characters being brothers, especially when strong emotional friendships between men are practically nonexistent in media.) and anything having to do with sisters is as I said, either petty nonsense or there's no point to being sisters at all.

And then there's as you said, an inherent need by creators for women to have men be relevant in their lives when that same standard is not applied to men. You can throw a rock and hit a movie or show with a female pov where her only motivation has to do with a man. Father, son, brother, husband, boyfriend, abuser. Whatever.

That's not to say any of these are bad stories. But when its the majority of supposed woman-focused media, it loses its edge as woman-focused when the women in question are focused on men. The writers either consciously or subsconsciously don't get that women have motivations beyond men. This even happens with lesbian characters, where men should have even less relevancy? LOL And it doesn't even matter who the writers are, whether they're men/women, cis/trans, straight/gay, everyone does this. You'd expect better from queer creators but even then there's a clear preference. And they're wont to bring up that "gender shouldn't matter" but only when it pertains to asking why they're so opposed to women being the focus. Its quite interesting.

MP is in an interesting position of hating both men and women at the same time while not commenting on how the patriarchy has negative effects on both men and women. Not an easy feat but Tribble sure made it look easy. She made Feather Nothing's prime motivator for leaving the pride, and while I have my own criticisms of Nothing's "subtle" motherlyness towards Feather, that wasn't extended to the female cubs. Fire is Nothing's other motivation for leaving the pride, and then he turned out to be a wannabe dictator. Quickmane was shown to be a sympathetic and caring mate who definitely wasn't homophobic, but had no qualms about killing children. And then there's alllllll the women who are meant to be oppressed to the same extent as Nothing, but they all somehow manage to be even worse because the narrative wants us to side with them.

And even Nothing's abusive relationship with Quickmane as we've stated in our review is arguably less fucked up than the relationship she has with her own mother. Because we know what they think about each other, and Powerstrike still insists that Nothing's existence is a burden on her soul or whatever. Like what the fuck is up with that?? I'm sure they could've made Powerstrike less-bad than Quickmane, was this some sort of weird equalizer of the sexes? And you can count Nothing's relationship with Sharptongue if you're so inclined to, but even if you ignore everything else she did, Sharptongue would still be the only positive female influence in Nothing's life. But not a key motivator in Nothing's story. Like not even a little bit.

[short-wooloo]

The thing that really jumped out to me about Transformers One was how relevant Megatron and his "burn it down" view is in the current day

I see it so often, young (often leftist and/or communist) people who declare that the only solution is the destruction, at best not thinking about the innocents who will disproportionately suffer from it, and at worst deliberately ignoring the suffering, or worse declaring the death and suffering to be "acceptable losses"

(Spoilers under the cut)

And we see this in the film, Megatron has won, Sentinel Prime is beaten, injured, has been exposed as a fraud, and lost any support he had, but it's not enough for the newly christened Megatron, the only thing satisfactory to him is total, unnecessary destruction, he brutally kills Sentinel (there's something there to be said about revolutionaries declaring themselves judge, jury, and executioner), Murders Orion in the proccess, and has the proto-Decepticons start indiscriminately firing in order to "burn it all down", endangering the lives of other bots-including his fellow miners!-in the process

But this is fine to Megatron, because to him the goal makes it ok, "the ends justify the means"

But "the ends justify the means" always leads to a dark place, and that is what "burn it all down" is at the core, the willingness to sacrifice so many innocent people for a hypothetical

But there's another way Megatron feels very similar to the "burn it all down, damn the collateral" crowd

The way both deem those who prefer reform over destruction to be a traitors or just, if not worse, than what came before, real life "burn it down" types tend to hate reformists and realists (ie normie libs) more than the fascists and racists

And lastly, there is the Tyranny

We all know Megatron's story, what he will becone, a Warmonger, genocidal towards non Cybertronian-especially organic life (who wants to bet in the sequel Megatron's solution for dealing with the Quintessons is to Slaughter them to the last?), a mass murderer, destroyer of worlds, and above all, a Tyrant

That is where his revolution leads (oh hello russian/french revolution and civil war/napoleonic wars, I didn't see you there), because Megatron sees violence as the only answer, violence will be his only answer, violence is what keeps his followers in line (Starscream), and if he successfully comes out on top of the coming war with the Autobots, violence will be the only means he'll remain on top, because that's the only reason he's there in the first place

The "revolution, burn it down" types of the real world already have a nasty pro authoritarianism streak, between their dictator worship and belief that they know best and everyone who disagrees needs to shut up/is a traitor and must die (but leftistly), why would that change if they get their wish of violently burning it all down?

[lej222]

Supernatural Involvement and Ominous Signs in ASLFUA

For a while, many readers have theorized that there is some kind of a higher power/higher being in ASLFUA, and looking at the latest episodes it seems to have been confirmed. With this post, I've tried to gather every instance of the higher power's implied presence and all the ominous scenes in the story. I also included foreshadowing scenes that could have made Miae aware of certain things if she had paid attention because coincidences are important in the story, and certain moments that were defining in the plot.

Episode 2 :

Miae is reading a book in the library about how the last day of 1999 will be the end of the world: "'1999, a terrifying overlord is coming...the end of the human race.." -> this might be a reference to the famous prophecy of Nostradamus in which in the 7th month of 1999 a great king of terror would descend from the skies (which makes me think...is it July in the story right now?)

The Hwang family's phone stops working

Miae's dresser breaks and therefore she has to take out the trash, where she sees Cheol crying

"This boy is about to be this girl's most special person, someone whom she will never be able to forget."

Episode 3

Miae and her mother visit the Buddha statue and Miae's wish is not to be in the same class with Cheol - it doesn't come true.

Miae, Cheol and Jisu all become classmates in their last year. Miae and Cheol become deskmates by coincidence.

Episode 4

Cheol's furniture becomes Miae's, along with the contents of his dresser, something only he knows about

Episode 5

Yunhui calls Miae on their new cordless phone, the line is interrupted by another conversation, "Did you get the present I sent you?" - it sounds like a message to Miae from the higher power about Cheol

Episode 8

Miae ruins her bangs, her mother says she should do something about her hair - the first time we are told Miae should go to a hairdresser to fix it

Hwanggeum Academy uses corporal punishment - might be relevant later on?

Miae has to go to karaoke so she gives up on going to the hair salon (this foreshadowing is super crazy btw)

Episode 9

Cheol is compared to the protagonist of the comic Miae reads, 'My First Love Next Door Is Number 1' - gets into trouble and transfers, fights the school bully and wins, nicknamed Lucifer, has a facial scar, lives next door

As Miae is thinking about Cheol, her thoughts are interrupted by a cockroach in the classroom

Episode 11

Miae notes how strange it is that she keeps seeing Cheol while they didn't bump into each other the previous year (just like how Jisu later keeps commenting how strange he keeps meeting Miae) - Miae acknowledges the higher power

Yunhui's pager says "between friends goodbye"

Episode 12

Miae has a weird feeling when she's talking to Cheol's shoe as if it understands what she's saying

Episode 15

In her dream, Miae remembers Cheol crying and her making a wish with a stone tower about how she wants to be his friend. The phone suddenly rings, the TV becomes static and there's a storm outside despite the weather forecast not saying anything about it. The other end of the phone is silent and the lights go out.

Episode 17

Cheol's shoe gets smudged with ink so Miae cannot give it back to him. She cannot concentrate on her practice test, foreshadowing her involvement with Cheol's academy.

Episode 21

Miae again remembers some memories about Cheol saying he doesn't want to be her friend while she's sleeping

Side note: while Soonkki is a great writer, there's some inconsistency about Jisu's seating arrangement. I think she always meant him to sit in Block 1, that's why we got limited panels of that area of the classroom, but his position kept changing until his official introduction. Here, he should have been sitting in front of Seonghan, but there's another boy in that seat. In episode 23, we get a panel of Block1 again, and there's a boy who looks like Jisu from behind in that.

She again remembers her time with Cheol while sleeping on the bus

Episode 24

Daebak Academy notebook says "The teacher is spoon-feeding you, so why can't you pass" -> the higher power is giving hints to Miae, why can't she understand them?

Episode 29

Miae thinks about how she doesn't bump into Cheol as much as before, we get a close-up of the shoe and the Daebak Academy notebook

Episode 37

Miae falls on Cheol while playing soccer

Episode 39

Miae and Cheol are arguing but still bump into each other because of their parents

While Miae thinks about how Cheol should smile at people, she almost gets hit by a ball but Cheol saves her.

Episode 40

Cheol goes to Miae's house to do their homework. Miae's mother says she wonders if it will rain before she leaves. Cheol tries to change the lightbulb in Miae's room, but the lights go out because of the storm. Miae thinks "again?" and they fall on each other. She tells Cheol they should be friends.

Episode 41

Cheol agrees to be Miae's friend and we see a flashback of young Miae wishing they would be friends. While they are doing their homework the rain stops. Miae says planes even fly in the rain and Cheol replies that airplanes fly above the clouds.

Episode 42

Miae answers their phone and the line is interrupted again. Someone thanks their boss for the present and says they will do well on their own from now. -> is it a sign Miae should do well on her own after the hints?

Interesting to note that every time Miae might be involved with the higher power, certain objects in her room are highlighted - Cheol's shoe, the lamp, the notebooks. They all give signs to Miae that she keeps ignoring.

Episode 43

Cheol and Yonghui point out that Miae should get a haircut. Miae ends up cutting it herself instead of going to a salon.

Episode 45

Miae wishes upon a star instead of a plane so that the presentation in class will go okay. This actually comes true, as also noted by the narrator in ep 46.

Episode 46

Daebak Academy booklet says "nothing comes easy"

Episode 47

Something I've noticed is that throughout the story Miae keeps thinking she forgot something, and there's usually a situation that seems like the answer to it. Here, it turns out she forgot about Jinseop's homework. And Taekwang's song is about how someone cannot do both things at the same time. It was the same when she forgot about her homework while playing soccer. Forgetting about things is a recurring plot point for Miae, which culminates in the Jisu subplot where we learn Miae completely forgot about his existence even though she didn't have many friends who were boys.

Episode 50

Cheol's father wants to take a picture of Cheol and Miae, but Cheol refuses

Episode 51

Miae again cuts her own hair and wonders if she cut it too straight

Episode 55

Cheol kicks Miae's pencil into Jisu's chair (side note: you can see here again how Jisu's seating arrangement was inconsistent, he should have been closer to the window)

Episode 56

Miae gets sent out to the corridor with Jisu

Miae's friends talk about handsome boys and someone mentions the number1 student (Jisu)

Episode 60

Jisu becomes Miae's folk dance partner - the first time Cheol and Miae are not doing something together

Episode 61

Hwanggeum Academy booklet says "there's nothing you can't do if you put the work in, do not expect a miracle" when Miae is struggling with the dance

Episode 65

Cheol's father takes a picture of Cheol and Miae after the sports festival

Episode 66

In Miae's dream, Cheol's sister says for a while means 5-6 yrs, Miae counts she will be in middle school by then. There's also a memory of Miae running after Cheol, saying "wait for me".

Miae's mother tells her to get a haircut but Miae replies she needs a bigger allowance for it.

The narrator says Miae should watch where she's walking after she bumps into Cheol.

Episode 67

Miae loses her name tag and Jisu finds it

Episode 70

Miae wonders how her wishes never come true, but remembers she also made one with the stone tower as a kid, but cannot recall what it was about.

Episode 71

Miae's mom notes their phone keeps ringing since yesterday. The day before Miae wanted to tease Cheol with how she heard him saying he "loved her" in the shop and she saw him shirtless the same night.

Miae doesn't realize it was Jisu who called her a pervert

Episode 72

Miae notices someone wearing her name tag (Jisu), but doesn't find the culprit

Episode 75

Cheol wants to ask Miae something, but the homeroom teacher interrupts. Miae and Jisu get called to the teachers' room and have to do cleaning duty together for a week.

Episode 76

We see Miae's mom at a hair salon - could the lady in orange be Jisu's mother? who knows

Episode 77

Cheol stands up for Miae, but when Honggyu asks if they are dating, they both vehemently deny it. It suddenly starts raining.

Episode 78

Miae and cheol promise to be friends for real, forever. The narration comments, "But will they end up regretting their promise?". The rain stops. "1999, the final year of the century is half over" -> Miae's story is half over at this point. I have pointed out this before, but the series seems to be about the transition period between childhood and young adulthood, symbolized by the last year before the new millennium. Hence the title, 'green apple academy'

In her dream, Miae remembers asking Cheol if they are friends. She is awoken by their phone. the Daebak Academy notebook says "you are in danger if you are relaxed" and we see a girl talking to Cheol.

Episode 81

Cheol and Miae fall on each other and almost kiss, but the phone rings. Later, they do end up in the same position with an accidental kiss.

Episode 82

Miae wants to confront Cheol about the kiss and gets embarrassed, but her actions are interrupted when the trash bag she gave Jisu splits open, spilling its contents. Miae runs to him to collect it.

Episode 83

While Miae talks to her friends, she thinks back on her memories with Cheol and the narration says "I always liked.." and Miae looks surprised by it.

Episode 86

Interesting detail that Cheol doesn't know why Miae keeps looking at airplanes. If we assume she has a reason for doing it from the past, it's likely not related to Cheol.

Episode 87

Miae uses the trashbag as an excuse to run away from Cheol, repeating how she has to throw it out. All of a sudden, Jisu appears and takes it out of her hand, giving her a chance to run. It's just my personal theory that the trashbag here symbolizes Miae's vulnerability and reluctance to face her feelings, and Jisu takes it from her hand. It makes sense when we remember how his words made her think about her actions when she wanted to interrupt the confession. It's a great early foreshadowing that Jisu might play an important role in Miae's growth story as her voice of reason.

Episode 89

Cheol and Miae take photos together in a photo booth, first with Jinseop and Song-I, then the two of them alone. We don't know if Miae still has her pictures, but we can assume she somehow lost them during running around from the bullies because we never see them again. Cheol gives her a new name tag in the next episode.

Episode 95

Cheol gifts Miae an airplane model for her birthday. I personally believe this episode marks the end of the first part of the story and it's a turning point, but more about this under ep96.

Episode 96

The series has had 2 symbolic illustrations at the end of 2 episodes. The first one was at the end of ep2, when Cheol and Miae's story started in the present:

Miae is offering a green apple to Cheol - a biblical allusion, here, the green apple probably signifies how Miae helps Cheol in the first part of the story to mature and grow as a person with her own knowledge.

This illustration comes at the end of ep96. Like I mentioned, I believe this marks the start of the second half of the story which focuses on Miae's growth as a person. Space is an important concept in the series, Miae also has planet stickers on the wall of her room,has a charm on her bag, etc.

"16 years old. An age much like the universe." "16 years old. An age where it's like you're thrown into space." - highlights the narration.

But why is it compared to space? We have the illustration right after Jisu splashes water on Miae's face and Cheol wakes up from his dream. In my opinion, it's because this is where these kids' limited worlds start to expand. In part 1, Cheol and Miae were mainly together, but as you grow up you start to feel like you're just one insignificant part of a greater whole. You might feel like you're the center of the universe when you're a teenager, and that the world is ending when you experience negative emotions, but as the illustration shows us, it's not just Miae and Cheol standing alone in the universe. There are other people, facing different directions, but they are all interconnected by an invisible force. Miae is looking at Cheol, but Jisu is standing in her shadow- because even though she was not aware of him, Jisu had his own life happening parallel to what we saw in part1, and this is where he starts to have an intersection with Miae. If there is a higher power in the story, it is aware of all these connections and talks about youth in a nostalgic way. The sense that these moments are fleeting is always present in the story, however, connections formed between individuals will always have a lasting impact, just like how the universe will continue to exist. Being thrown into space might feel like losing your footing, but here it's the personal relationships that ground these teenagers and make them stay close to Earth.

Episode 98

The teacher tells Miae to cut her hair after Jisu takes the blame for ruining the plant.

Cheol is acting strange because of his dream, and while Jisu looks at Miae the narration box says: "16 years old. An age riddled with the unknown, just like the universe."

Episode 99

Miae's hair gets stuck in the zipper of Cheol's bag and he pulls it out, ruining her bangs in the process. They go to the infirmary after Miae gets scratched by the zipper.

Episode 100

At the countryside, while Miae picked a flower she thought how nice it would be if Cheol came to her school - and it became true. She thinks how it was so strange -> Miae again unknowingly acknowledges the higher power when it comes to Cheol

Episode 101

It's raining and the TV is not working in Cheol's home. He remembers taking a picture with Miae in the countryside. He asks his father about the picture on the sports day -> the data was lost. Miae gets grounded by her mother and she wants her to quit the academy.

Episode 102

I've mentioned symbolic objects in the story, but this one was noted by other readers as well: in ep 101, Miae accidentally drops the chalkboard eraser out of the window and Jisu fails to catch it - but Cheol does. However, in this episode Miae tosses it back to Jisu before saying she hopes they'll never see each other again (it's the first, but not the last time she declares it).

Cheol fails to convince Miae's mom about the academy -> Miae's mom points out Miae's grades have been dropping since last year. She makes her stance clear - she wants Miae to study.

Episode 103

It's raining and Miae cannot open Cheol's drawer in her room.

She tries to cut her hair, but the phone rings. On the other line, Miae hears someone saying "I only did what I did because you wanted it so bad, but you screwed up that chance! You don't deserve that project, I'm going to hand it to someone else." -> the first time the higher power tries to directly say Miae is late

Miae's mom cuts her hair instead of sending her to a salon...

Miae loses the name tag Cheol gave her

Episode 104

Jisu says "see you again" to Miae (and will keep saying for a while lol). Miae points out she never wanted to see him again.

Episode 106

After the teacher discovers their conversations in class, Miae and Cheol get separated and Miae becomes Jisu's deskmate. Miae and Cheol are not allowed to interact until the final exams are over.

Hwanggeum Academy's notebook remarks "Do you regret it now?"

Episode 107

Miae dreams about the flower from the countryside and a voice says she should hurry up and do what she wants about her wish if she remembers. She doesn't remember and the voice gets angry, Cheol appears and crushes the flower, telling her if she doesn't remember she should just forget it. The voice remarks Cheol is angry because Miae is late.

Episode 111

Jisu, who has also become aware of the coincidences, tells Cheol he's not the only one having something special with Miae.

When Miae calls Jisu her friend from the same class and tells him he should learn for himself, Jisu tries to say something, but he is interrupted by Cheol.

Episode 112

Miae thinks about their bet and how she should ask something serious, something more than friends do from Cheol, and we get a bunch of error messages. Cheol's dream is all fuzzy.

Jisu wins the bet, but we never get to know his wish because Miae gets angry at him.

Episode 115

The narration points out Cheol has changed and matured a lot, is it Miae's turn?

Episode 116

We see some posters about a summer festival, the forest in Midsummer Night's Dream and how everything is the product of coincidence. The forest in Shakespeare's play is dominated by the supernatural - what we have in common with this story is the forest Miae and Cheol played together as kids, and obviously the involvement of a higher power. The coincidences poster is possibly a reference to Carl Jung's Synchronicity, a concept that states that seemingly meaningful coincidences have a deeper meaning, they don't have a rational explanation - almost like destiny, a deeper order in the universe. It's a connection between one's psyche and the material world. Jung used this to argue for the existence of the paranormal. For example, if you cannot decide something, you might come across a book on the topic. What a coincidence, right? In this interpretation, everything is interconnected in the universe, and we are a part of this web of connections. So those coincidences...were actually not coincidences. -> Hmmmmm.....I wonder.....meaningful coincidences, the universe, connections...why do they sound familiar??? BECAUSE OUR STORY IS EXACTLY ABOUT THIS NOTION! Who notices these coincidences? Miae about Cheol, Jisu about Miae....Soonkki, you deserve my applause! Because it was exactly what I said about the art at the end of ep 96 and the placement of the characters. Mind? Blown!

Miae thinks that she feels something is wrong

Yunhui's pager says friends goodbye

Jisu gets involved in the Yonghui-Yunhui storyline by coincidence

Episode 117

We see all the coincidences from Jisu's perspective and how he became aware of them. And what does he say about them? That they are fascinating and kind of funny! My boy Jisu got the synchronicity message.

This is the 3rd time Miae and Jisu didn't hold hands. The first time Miae pretended to help him up, only for him to fall back. Then Jisu held out his hand after the exam, but she didn't take it. Here, he again reaches out and Miae doesn't take his hand. Remember this later!

Episode 118

Someone steps on Cheol's bag, and he's worried it might be Taeuk

Jisu wants to join in another bet in exchange for his help

Episode 119

Jisu gets involved in the Shim storyline, and as we know from later he picks up the cigarettes to get revenge on him

Episode 122

Miae learns that Cheol rejected Seonyeong and the lights flicker in her room

She cannot remember her dream. The narration says that she should have realized that something changed.

Episode 123

Miae notes that she experienced the kiss in the comic book with Cheol

Jisu almost catches her, but Cheol pushes him away

Episode 126

The parents are having dinner together at a pig feet restaurant and toast for the future of their children. The TV is not working, and a boy who looks like Jisu tries to fix it.

Miae kisses Cheol

Episode 127

Miae has a dream again in the white dress. As she realizes she might like Cheol, the voice says she's too late and there's no use regretting it.

Episode 129

Miae remembers that they took a picture in the countryside together and wants to take one now. She makes a wish to an airplane about how she just wants one photo, and remarks that the planes never granted her wish before. Spoiler, they won't this time, either.

Miae chooses to take the picture with Cheol. The narration box says "she's always done whatever she sets her mind to. That has always been one of her better attributes. But Mi-ae, it seems as though you keep forgetting something. I told you, you're too late."

The pager's message means idiot, cancelled and it suddenly starts raining. Maie and Cheol cannot take their photo and Cheol cannot give her back the hairpin she dropped a few eps ago.

Episode 132

Graduation photos were postponed until the second semester

In Miae's dream, the voice says she's all over the place and cannot decide what she wants from Cheol. In her memory, Miae wishes at the stone tower that Cheol would like her back. The voice angrily remarks how it must not mean much to her.

Episode 133

While Cheol and Miae are looking at each other, Miae is smacked in the face by a flyer. Later while they are riding the bike, Cheol almost says she looks pretty but he is hit in the face with a flyer that belonged to Jisu.

Episode 134

Miae takes the cigarettes from Jisu and puts them in her backpack

While Jisu and Miae look at each other, the narration box says "Well. this is what we would call fate. What do you think?" Miae can sense the voice and dismisses it.

Jisu again says "see you later" and Miae answers let's not, but Jisu replies they never know and it would be fun.

On the radio in Miae's room there's a voice speaking, asking if it was a success and how there is something you can't stop thinking about. "A friend? The fact that you weren't wrong? Whatever it is, I don't think it's such a bad thing to obsess over it a little bit. I hope you have no regrets about it."

Episode 135

Miae's eyebrow and bangs are so ruined she has to finally go to a hair salon. Yunhui gives her money and says there's a cheap place where she can go. It turns out Jisu's mother is a hairdresser and after realizing she is Jisu's friend, she doesn't ask for money. So if anyone ever wondered why Miae kept ruining her hair in the story, here's the answer....

a little bit of strange wording here:

The narration says "Now that I think about it, this was about the time..wait,no, it was a little bit earlier that things started to go wrong, little by little. You two were completely oblivious, though. Just you two."

Miae's mother goes to the academy. One theory I can give on this is that Miae's family might be moving. She wished for it at the start of the story, mentions it in a later episode as well. Who knows ~

Episode 138

Miae doesn't tell Cheol her feelings because of her pride as she feels like she would lose first

Miae has a feeling as if something is trying to make her look bad in front of Cheol and her gun suddenly starts working

Everybody forgot to buy the picture they took together in ep 139

Episode 140

After conveying their feelings indirectly to each other, Miae tells Cheol they cannot date right now because her mom wouldn't allow it. She plans to go to the same high school, university, everything and thinks there's no one to stop them so nothing can go wrong.

Episode 141

Cheol imagines high school together with Miae and their friends

Miae says they should not be obvious before the entrance exam and they start to think of it as a competition

Someone watches them from the street

Episode 144-145

We get everything from Cheol's POV

Cheol got his scar because he wanted to give Miae the romance book she liked before they left and he fell on the stone tower

The picture his dad took of them is about a young Cheol accidentally kneeling with flowers in his hands, the same flowers from Miae's dream, in front of Miae. This picture was in the book Cheol and his family kept.

Cheol realized the book was in his dresser that is now in Miae's room, the one she couldn't open before

Episode 146

Miae sees two flyers in the newspaper, one is about how a student still didn't give it up, the other is about changing one's car

On the street, the same car ads keep flying after her in the wind

Miae goes with Yonghui to wait in a line and the same flyers are all over the place

Episode 147

Miae wants to call Cheol, but Jisu stops her. Miae notices how often they have met during vacation, and Jisu says these coincidences are fun. Miae is standing on the car ad, they look down on it with Jisu, then she kicks it away. Jisu tells her he has a feeling they will meet again, but Miae hopes they won't.

The academy is also full of the car ads and Miae falls on them

Miae ends up with a bubble gum in her hair and goes to Jisu's house to fix it. Jisu tells her she should stay because he is bored, and there is a car ad on a stool.

Episode 148

We see some of Jisu's childhood memories and he was called a magpie by Miae which was a symbolic choice (I also made a post about it). Jisu in this story is the grateful magpie.

Miae and Jisu "touch hands" for the first time when they high-five (I wrote about how their hand hold never happened before)

After spotting some men smoking, Jisu tells Miae to go inside (one of them might be his father?)

Episode 149

Miae finally remembers Jisu

the narration boxs keeps saying how Jisu is cool and showing heart-thumping sounds and Miae is confused about these strange things

Miae not remembering Jisu was an important plot point considering she recalled everyone else from her past. As I theorized, memories and fate seem to be intertwined, the synchronicity theory also supports this. Synchronicity happens when seemingly unrelated events coincide and they become significant to you. It's easy to see why Jisu was aware of this notion, but Miae was not - because Miae had no idea about those coincidences other than meeting Jisu randomly. Him being her classmate, being the one who found her pencil, who helped her in the crowd, found her name tag, etc. - only Jisu knew about these. But right now, Miae was made aware that they knew each other in the past - a pretty big coincidence.

So now that Miae might have kickstarted her own fate, the question is whether she will be able to fight it or if there are certain things bound to happen no matter what. Is the narrator omnipotent and omniscient? So many questions that will hopefully get answered.

[hermitw]

I've been thinking about this reblog of yours for months and I finally figured out how to respond to it.

I went and read No Longer Human by Junji Ito and it was a very upsetting thing to go through. I don't think I can read it again. However, I came out of it thinking that Gege was probably inspired by it.

When Yozo is first introduced, I noticed that Takaba's backstory was very similar. Feeling isolated from others, he decided to become a clown to gain acceptance from others. (Citations in Image Captions)

And later when Yozo was caught "cheating" (it's in quotes because those women are child rapists), I noticed that her face was really similar to the one Higuruma's client made when he felt betrayed by the trial outcome.

There's probably a lot more to say about how themes surrounding CSA and suicide in this work are echoed in JJK, but I'm not able to make the post myself. No Longer Human is too far out of my comfort zone in terms of graphic depiction to delve into it deeper.

But you seem strong enough to handle it, so... Idk maybe run with this some more.

Ohhh this is so interesting! I could definitely read No Longer Human again - tbh I read Junji Ito's version years ago. This year I listened to the audio book and bought a copy - but it's like, a draft in the author's handwriting (bc I thought it would help me study Japanese and if I had an English translation that I'd read it on repeat lmao). But you're real for that - I forget how disturbed people tend to be trying to read through it, I'm sorry that was rough.

I did go back to read the reblog and idk how relevant all that was - I've reread the manga since and felt like, oh I might have been misremembering some things like Uraume - idk if they actually had a freeze response in ch. 219, since they did tell Yorozu to back off though it took a minute - but it's also interesting how their CT deals with ice. Like to have a fight response, they freeze others? It's so interesting but I can't be sure whether it's there at all. (ik that yap II inspired some more coherent posts, like how it influenced Choso's self-image, etc., I linked but didn't tag you back then bc I felt Annoying especially w heavy topics but I can definitely go back and find them if you'd like.)

On a twin peaks note (without spoiling it), I feel like it inspired jjk to some extent - I've been feeling like the last chapter will end the way s2 did. Or at least - with the weird dreamy themes, "we are the dreamer who dreams and who lives inside the dream", etc...

But you're right - Yozo and the others' reactions resemble more jjk characters than I would think to connect. Takaba's jokes are truly a shield... And now I have an excuse to read Junji Ito's version again? Thank u so much (also isn't it funny how September 28 Uzumaki airs and September 30 jjk ends?).

I think gege gets inspired by the most tragic stories, I wonder how much of that is accurate but I can't always be convinced otherwise.... Especially when anime / manga series that he's confirmed as influences often deal with autonomy in ways that I couldn't handle (Evangelion, the night beyond the tricornered window).

By the way - ik we've mentioned elfen lied before, but in the first episode, you know that coffee mug? How it looks like jjk foreshadowing? Even has snail head Mahito - cut off-, the baseball, Panda, the worm (also cut off).... and later the newborn babies that look just like Yuuji...

I swear that elfen lied, Kagewani, and banana fish influenced jjk. It seems so obvious w those, maybe Vampire Princess Miyu as well.

Sorry for getting off topic - I've been looking into why Momotaro keeps coming up in jujutsu kaisen, and in the end it came back full circle to that damn coffee cup. Invest in a baseball team? A zoo? I'm going insane.

All this to say - rereading Junji Ito's version and seeing if I notice similarities between manga panels is so exciting. Gege even made a note that he asked for permission before drawing - I think it was the Uzumaki CT - So we know he's a big fan of Junji Ito. And it seems like there is a rly good chance No Longer Human inspired him as well (though I feel like characters with similar traumas having similar reactions is inevitable to some extent, if they're written in a believable way, it should be clearer when I'm reading both stories in the same format) based on the stories he has officially referenced.

[judasalicent]

my predictions for aegon ii's death in hotd. spoilers for f&b obviously.

i believe that aegon is going to kill himself, and i think alicent's role in his death will be indirect (i.e., she is not the one who comes up with the idea of poisoning him).

why does aegon want to die? as of right now, i believe aegon's s3 plot will revolve around his time hidden on dragonstone and getting acquainted with the smallfolk, learning to live freely outside the chains of duty. aegon's fun comes to an end when sunfyre arrives on the island, and aegon is called back to duty. additionally, aegon will at some point learn of his mother's betrayal, exacerbating his sense of worthlessness. aegon became king because alicent said so, he fought in this war because alicent said so, he's been broken and burned because alicent said so. and then he wins his crown back only to discover that alicent is in love with rhaenyra and never wanted him to be king, and aegon will think all he's lost was for nothing. ultimately, he will see an escape from duty in death.

what will be the role of larys in aegon's death? to begin, let's talk about aegon's death in f&b. i believe that larys's role in the fall of dragonstone/riots of king's landing/the moon of the three kings will be greatly simplified. with such a low episode count, i imagine s4 will skip most of aegon's reign. to streamline this plot, i believe larys will support aegon throughout the entirety of the story. in f&b, larys and orwyle are implicated in aegon’s death, orwyle providing the poison and larys orchestrating. simultaneously, s2 establishes that orwyle and larys care for aegon. accordingly, i think these two will accede to aegon's plea to die out of a sense of mercy.

how will alicent be involved in aegon's death? when aegon finally decides it's time to die, he will ask to go to the sept with alicent, carrying the poisoned wine with him. in f&b, it is said that aegon is often ashamed of himself and his desires during his reign, which would possibly give him the idea to go to the sept to be "forgiven," in the eyes of the gods, but really, in this eyes of his mother. f&b further supports this theory of seeking forgiveness with this quotation from eustace "perhaps he sensed his end was near I…] and wished to pray for forgiveness for his sins." basically, aegon wants to be with his mother in the sept, referencing alicent's "i find this is a way to be with my mother," in 1x02 and aegon's "i want my mother," in 1x09. also, aegon as king is "born" in the sept in 1×09 (imagery is very explicit), and it would make sense for him want to seek out alicent there while he dies.

so, in the litter on the way to the sept, aegon will have alicent help him take a sip of the poisoned wine, meaning that alicent indirectly kills aegon. the poison will act quicker than what aegon expected, and he will die before reaching the sept to be "forgiven."

simultaneously, aegon's death will obviously be relevant to alicent. alicent will witness the death of her last living child, totally free from duty, the final link in the chain broken. i do not believe that alicent will want to kill aegon. it is one thing to sacrifice him before the war has really begun, but it another thing to murder your ailing son after the bloodiest parts of the conflict have passed. yes, alicent will resent aegon for killing rhaenyra, but the worst thing she can do to him to get that idea across is not to kill him, but to keep him alive and constantly remind him that she loved rhaenyra more than him.

[paeliae-occasionally]

hi pae pae!!!

what is your process of designing your maps? and how do you approach lore? how does that brilliant mind of your work to create such fascinating history and complex worldbuilding?

je would like to know the trade secrets pretty pls

p.s. how far along are you on xaeren? if it’s not far enough, im afraid i’m going to have to start protesting soon… 😔

p.p.s. before you say school is taking up your time—understandable. have a great day. keep being brilliant. i just really want more xaeren content.

p.p.p.s. in my head, i imagine xaeren as so mighty fine that there’s an occult in some middle school of a suburban neighborhood with an old classroom turned into a shrine for his feral fangirls to host club meetings simping over him

that’s it’s. that’s all the pspspsppsss i have. miss you! have a great day! cheerios!

Hello Naveena! Lots of questions! We will go through them one at a time.

What is your process of designing your maps?

So with maps I will start by just noting down the history and current function of the city which gives me an idea of style and layout e.g. all of the cities that were part of the Laith’Edrels have lots of circular designs whereas a modern altic city may have more typical alleyways and rectangular buildings Next I plot in the districts of the city, like where the upper class live, where the high streets are etc. I also add any key buildings at this time, like a plot relevant church or a mages tower. Lastly I go back in and draw boxes and house shapes for 2 hours.

How do you approach lore?

A lot of my lore is just a set of stories where I look at a place on the map, or a group of people and go ‘what could have happened here?’ The bigger worldbuilding points like the dissolution came from me wanting to have magical decay from fewer more powerful beings to more less powerful beings, so I needed gods. However it always frustrates me when there are canonically gods in a world who just sit back and ignore the world crashing and burning as one frustrated hero has to fix the problem, so I made a reason for them to be gone

History and worldbuilding

Honestly a lot of my history writing was based off of the large amounts of real life history I read in my free time. Studying how cities and empires develop then putting my own spin on them because magic would change some things. Worldbuilding comes from my maps really. I will label different cultures on the map then come up with myths and legends for that culture, magic specific to them or their ancestors, wars and internal conflict. Then that spirals into pages of notes on the socioeconomic background for Onkairel. It is lots of fun.

“would like to know the trade secrets” she says after writing a whole book with detailed political lore and plenty of depth to the world.

You know the secrets. You also know the secrets to actually writing the book too.

So about Xaeren…

I will be writing the scene where he meets Kell soon so I will tag you in it when I do, but you are right about the school work :( so it may take a little while.

“an occult in some middle school of a suburban neighborhood with an old classroom turned into a shrine for his feral fangirls to host club meetings simping over him”

So you say that jokingly… No, to be fair he isn’t known for his an appearance but he is quite well known in Zairel as an assassin and member of house Hiresias. He is terrifying and intriguing to many because of his unique magic that Lysandri can’t explain so I would not be surprised if there was discussion of him in the lower ranks of Lysandri and Hiresias.

I will write some Xaeren soon. Have a lovely day <3

[stupidstupidratcreatures]

caught up with what happens next. thoughts mostly about the comment section under the cut sorry

1. it's always been really interesting to me just how abstract a depiction of a person can be and still have people that find that depiction hot. i check the comments because i'm a dipshit and there are pretty consistently 2-3 people under any vikki or gage panel there for that. also shoutout to that one "when vicki's done resting her head on her mom's lap can i have a turn" comment

2. there's a lot of speculation-presented-as-fact about 202X griffin in the comments and it all feels like stuff we kinda can't know? we've only ever seen him post-murder in that photo with gage and we haven't seen current griffin "in person" at all. this isn't normally something i would care about or disagree with but it doesn't seem like what current griffin is actually like as a person is relevant at all to the role he's playing in the story right now

3. hm it's like very possible that in-fiction named himself after the mcelroy brother huh. what year would it have been like 2014? scary stuff

4. there are like a pretty large number of people ripping on milo in the comment section also. that feels weird. i get disliking That Type Of Guy but he was made to cut up his dead friend with a saw and then also institutionalized for five years. can we be nice

5. i feel like there's stuff here that shows this comic's age even in the three years since it started. gage is less of an extant guyotype than he used to be (as in the cultural signifiers and the true crime/serial killing obsession. "poor and isolated trans guy who talks to people online" is not someone going away so long as poverty, transmasculinity, and the internet exist). vikki says "because of woke" in a panel that's meant to be part of the same scene as the very first page and that definitely isn't something they were saying in 2021. the look of the tumblr ui, that thing max graves draws a lot, has changed drastically since the comic started. i don't mean this in a cinemasins way i just mean this like. idk. the way time moves so much faster than any webcomic updating schedule does is just something that i think about and this comic gives me a lot of occasion to think about it. it's very good

[worrywrite]

Sometimes I think I might be taking the wrong things away from the locked tomb books. Mostly what I take away are questions. And I have three categories of questions: 1) thematic questions 2) fandom questions and 3) weird questions.

Thematic question are straightforward to me, because I tend to process them pretty basically. Questions like, "does a system of governance with an 'immortal ruler' at the helm benefit the people under it?" Or "how do faith and devotion hurt the people we love?" kind of answer themselves while I think about the books.

Fandom questions are fun and not really impactful. Like "is Mercymorn actually alive?" and "do you think Ortus has started a sword bro and poetry group in the river?" These are fine questions and fun to think about. And while these questions have implications for the story at large, they aren't particularly impactful implications or they don't tend to interact with the actual themes of the books.

But then there's the weird questions. The ones that come to mind and I go "Wait am I allowed to ask that?" because on the surface it doesn't exactly matter but also I'm curious. And the one of these that is bugging me right now is "what does Paul have goin on in their pants?" Now, of course, if they were a real person I would never ask--it would be none of my business. But Paul is a fictional character, and the answer has implications that do touch on theme and might actually impact story. Because the degree to which becoming Paul altered Camilla's body can be considered a harm consequential of her relationship with Palamedes (which is thematic). Moreover, can Paul have kids at all in any way? Because they are a powerful necromancer now, and it might be relevant to the story as it continues if they can have kids or not and if that power is passed down (heritage of power is also thematic and consequential to the mechanisms of the story). There's the fandom curiosity of "can necromancy trans your gender" too but that's less consequential. But it's also connected to the topic of "do lyctors need to eat/excrete?" Because they can eat, but it doesn't exactly seem like they need to. But their bodies can change over time. They won't age, exactly, but they can build muscle or lose weight.

And look. I know the meme answer to "what does Paul have in their pants?" is science. I'm content with that answer. But also. One? The other? Both? None? Either on a sliding scale? Changes from day to day? I can't not wonder (I accept that this makes me weird) because the question is just out there unanswered and no one else seems to be asking it. But they're a fictional character that has undergone a soul merging process wherein their body was engulfed in magical fire. How can that not make you curious about what actually happened?

[candycatstuffs]

Cowboy classic!

Coupla things:

has the same hat as when hes older, but its too big now so it totally covers his ears

wears the scarf he gives Tails when they first meet

ring motif instead of sunflowers :]

[fictionadventurer]

Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.

[gumjamin]

Look don't I don't really care about whether or not you think Dawntrail as a whole is good or bad.

That's not interesting.

Instead talk abt what makes you go ABSOLUTELY FERAL from it (or ffxiv in general).

What is it that hits your brain in just the right way to make you fall into a never ending rabbit hole of madness and obsession. A rabbit hole from which you emerge from with endless and absolute knowledge about super niche subjects that may come up in conversations once or twice.

a character? Plot beat? Theme? Job rotations??? A dungeon with absolutely unhinged lore? A random ass sidequest that is somehow relevant still today and lives rent free in your brain???

Go wild w those plz, I need more of those.