#this is not a city designed for humans!!!!!

[deliasmilkshake]

☀️FNAF DCA x Y/N Fic Recs🌑

All of them are DCA x Reader Fanfics. NSFW fics will have a 🔞sign (I tend to like those that have plot and/or have fluff <3)

Inspired by: Pillowspaces' DCA Fic Recs.

Each I've read and made me fall for Sun&Moon all over again.

If you see your fic, you can ask for it to be removed if not comfortable with it being here.

PLEASE check each fics tags before reading them.

Last updated: 22/Sept/2024

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☀️Solar Lunacy by BamSara (AO3 account required)

Same body!Sun/Moon/Eclipse x Staff!Reader

~~ [Designs by: @bamsara]

You weren't a technician, you weren't a security guard, you weren't a daycare assistant. You're just an employee. Staff. The ‘jack-of-all-trades’ employee with mediocre at best skills and specialty in none, tasked with doing miscellaneous jobs that robots couldn't do and human staff couldn't care to. The job is unpredictable, but it pays good and it's relatively easy.

Except for the part where all the animatronics are more sentient than you thought, and you're roped into a mystery surrounding the Daycare Attendants, who are bit too curious about you for your liking.

You don't think this was in your employee contact.

| Words: 225,814 | Chapters: 16/?

🌑Love, Death and Rollerskates by Spadillelicious

Rollerskater!Sun, Janitor!Moon, Metalstar!Eclipse x Staff!Reader

~~ [Designs by: @spadillelicious]

After moving to Crescent City in the 80s, you pick up a job at the local roller rink Party Planet. Ironic, considering roller skating is definitely not one of your talents.

On the bright side, you get to work with the friendly Sun. On the other hand, you also have to interact with the gruff janitor and security guard Moon on a daily basis.

But when staying after hours one day, despite being strictly instructed not to, you find out a terrible secret that changes everything you knew about Sun, Moon and Crescent City forever.

| Words: 98,091 | Chapters: 18/?

☀️Celestial Sundown by clutterspace

God!Sun, God!Moon, God!Eclipse x Human!Reader

~~ [Designs by: @pillowspace]

There was something slumped beneath a tree, and you had no idea what it was. The sunlight shone brighter where it laid, despite the leaves above not differing from any of the other foliage. It was such a small thing to notice in comparison to everything else, but it brought a small hysterical giggle out past the lump in your throat as it finally clicked in place what you were seeing.

It was a god.

You are a peasant living in the middle of the woods, Sun is the god of day you brought back home with you, and Moon is the god of night tucked away in the Celestial Realm.

| Words: 83,805 | Chapters: 7/?

🌑Celestial Omens by BamSara

Siren!Sun, Siren!Moon x Human!Reader

~~ [Designs by: @bamsara]

When you are ten years old, you find two creatures, bloodied and injured, trapped a net on the beach near your home. You save them, make friends with them, and return them to the sea, leaving you to wonder later if your friends with the Sun colored scales and fins that shone like the full Moon were real or imagined up by a childhood of loneliess.

Time passes. You hear stories of monsters, Sirens in the water, one that is a good omen if spotted, promising your safe voyage as long as you respect the rules of the ocean, and one that sinks ships and eats people for fun. Just folktales meant to scare children.

A decade later, they return the favor, though they don't plan on leaving you so easily this time.

| Words: 36,318 | Chapters: 3/?

🔞The Pizzaplex Nighttime Mechanic by crickyluv

Same body!Sun/Moon, Glitch!Eclipse x Mechanic!Reader

~~ [Sun Design by: @crickyluv, Yn,Moon&Eclipse: Me]

You finally got the job as the nighttime mechanic at Freddy Fazbear's Mega Pizzaplex! Unfortunately, you get a double shift. At least you get to spend time fixing the animatronic you knew best: Sun!

This is a slow burn that eventually turns into NSFW. There is a TON to get to before the spice comes.

| Words: 213,892 | Chapters: 47/?

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☀️In Deep Dreams Between the Waves by NaffEclipse (AO3 account required)

Mermaid!Eclipse x Human!Reader

You see a fish, but the fish isn’t really a fish, because he looks up at you with big yellow eyes, wide with fright. Large black pupils dart around frantically. He’s small, less than half your size, which surprises you. You know mers are supposed to be big sea monsters that sink boats or cause storms, but you don’t see a monster. You think of a baby while staring at his chubby round face, creased with fear, and his small tail.

| Words: 55,644 | Chapters: 5/5

· · ─────── · ─────── · · ─────── · ·

🌑Song Fish Amid the Stars by NaffEclipse (AO3 account required)

Mermaid!Sun, Mermaid!Moon x Human!Reader

This is a type of sequel to In Deep Dreams Between the Waves.

A pang hits your heart, going out to the little fish struggling to escape the cruel and entrapping lagoon.

But they look like mers. Sea monsters.

| Words: 69,362 | Chapters: 6/6

☀️Sleuth Jesters by NaffEclipse (AO3 account required)

Detective!Sun, Detective!Moon, MafiaBoss!Eclipse x Vigilante!Reader

~~ [Yn,Sun&Moon Designs by: @sunnys-aesthetic, Eclipse: Me]

“If I may, Detectives, I believe that the score is set at a tie on how many times you’ve both let me slip away under your watch.” You grin at the sun and moon like faces of your opponents in this game of cat and mouse. The narrow slice of Detective Moon’s gaze becomes threatening, where Detective Sun curls and uncurls his fingers in anticipation of whatever scheme you’re concocting.

| Words: 174,134 | Chapters: 15/15

🌑Pisces Caelestis by S_V

Mermaid!Sun, Mermaid!Moon x Human!Reader

~~ [Designs by: @sortvaniliekrans]

Underneath the glowing eyes, a great maw opened to hiss at you, baring several rows of needle-like fangs, wicked looking and sharp and also glowing in the blacklight. As the thing hissed, the cries started up again, more frantic this time, and accompanied by- it almost sounded like scratching?

And it was coming from behind you.

The bleeding creature had never been the one wailing.

| Words: 76,588 | Chapters: 13/?

🔞Demon support by Megafacts

Demon!Sun x Demon!Moon x Human!Reader

~~ [Designs by: @megafactuals & Me]

You decide to try and summon a demon to destroy the world as a big bang to end all of humanity. Then earn the lavish life you wanted when you went to hell.

Instead you get two small demons who say they can satisfy your very desire, except the desire you called them for.

Bull. Shit.

| Words: 10,801 Chapters: 2/?

☀️Cryptid Sightings by NaffEclipse (AO3 account required)

Cryptid&Animatronic!Sun/Moon x CryptidHunter!Y/N

~~ [Designs by: Me]

Perhaps this would scare a person, being all alone in the woods in the dark, but not you. You’re too intertwined with the paranormal and inexplicable. It’s in your blood. That doesn’t mean your heart won’t pound with terror when you face something with fangs and hungry eyes for flesh, but you don’t run away, and that’s what matters most.

You will face the monsters.

| Words: 253,823 | Chapters: 21/21

🌑Apex Polarity by NaffEclipse (AO3 account required)

SirenOrca!Eclipse x Photographer!Y/N

~~ [Designs by: Me]

n the Arctic, all is beautiful and cold and lethal. You tread over ice and underneath, a dark, powerful siren stalks you. Though you try to resist, you succumb to the lure of the mer and his decision to have you.

How do you survive an apex predator?

| Words: 125,998 | Chapters: 12/12

🔞Love for the endangered by Megafacts

Seahorse!Sun x Seahorse!Moon x Researcher!Y/N

~~ [Designs by: @megafactuals & Me]

You worked as a researchers for endangered species at a sanctuary.

One day, two of the newly discovered seahorse merfolk species come into the sanctuary after being caught in a net left in the ocean. Instead of releasing them back to the wild, the upper ranks at the sanctuary decide to use them for a breeding program.

Over the next few months you must decide to help your new friends escape or force them to spend their first mating cycle trapped inside of the sanctuary.

| Words: 28,299 | Chapters: 2/2

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If you have any fic you wish to recommend me, please do!

Though that will not guarantee it entering this list.

[littleacebee]

Let’s talk about comedy podcasts!

Some of the descriptions/part of them were taken from shows themselves or their descriptions. Please, ignore all the spelling mistakes.

IDs in alt texts and under the cut (I guess they might be especially needed here)

[ID: Front cover of a zine. There is big text: „Comedy podcasts appreciation-recommendation zine” and red heart below.

Page 1: Text: „Comedy podcasts don’t get enough love and attention. There are so many of them out there that are so so amazing. As a big comedy enjoyer I would like to show some appreciation them and at the same time share few recommendations with you!”

Page 2: At the top of the page there is text: „Period piece comedy” on a scroll. Below there four podcasts’ cover arts and descriptions. First podcast is Fawx & stallion and the text says: „Team from Baker Street. The other one.”. Second podcast is Victoriocity and the text says: „Inspector Fleet and Clara Entwhistle try to solve a murder in unending city.”. Third podcast is The Kingmaker Histories and the text says: “Colette Geise experience the worst migraine of her life.”. Fourth podcast is Cry Havoc! Ask Questions Later and the text says: “Nobody said that running Roman Republic would be easy”.

Page 3. There is title at the top of the page: “Workplace comedy”. There are three podcasts’ cover arts and descriptions. First belongs to Mission Rejected and the text says: “The story of world’s most secret agents - the backups.”. Second belongs to Super Suits and the text says: “How is it to be a lawyer in a world filled with of superpowers?”. Third one belongs to G.O.B.L.I.N.S and the text says: “Elizabeth’s only chance to survive is work with messy team of Goblins and elvish prince.”

Page 4: There is title at the top of the page: “There is a workplace and there is comedy”. Below there are three podcasts’ cover arts and descriptions. First belong to The Amelia Project and the text says: “Welcome to the best death-faking agency!”. Second belongs to Wooden Overcoats and the text says: “Rudyard Fun runs a funeral home. It used to be the only one. It isn’t anymore.” Third belong to Forgive me! and the text says: “Father Ben takes confessions of St. Patrick’s parishioners and deals with their interesting sins.”

Page 5: There is a title at the top of the page: “Sci-fi comedy”. Below there are three podcasts’ cover arts and descriptions. First one belongs to Stellar Firma and the text says: “listen how most luxurious planets are designed! If only designers knew what they were doing…”. Second belongs to Starship Q Star and the text says: “”First all woman and non-binary crew” becomes the last six humans in the universe.”. Third belongs to Oz9 and the text says: “Join the useless crew of Oz9as they limp around in space looking for a new home.”

Page 6: There is title at the top of the page: “Fantasy comedy”. There are three podcasts’ cover arts and descriptions. First belongs to Dark Ages and the text says: “Rivercliffe Museum staff has to survive Dark Lord, low attendance and each other.”. Second belongs to Wizard seeking wizard and the text says: “Matchmaking show for wizards! Find a wizard you need!”. Third belongs to Absolutely No Adventures and the text says: “Chosen one of every prophecy opens a bakery with one rule: absolutely no adventures”.

Page 7: Text: “All these short descriptions do not do justice to how amazing and funny all these podcasts are. Please go give them a chance, they are definitely worthy!”. At the bottom of the page there is text: “#fiction podcast zine event”.

[reiding-writing]

Heyy i was wondering if i could have a workshop session? Also congrats on reaching 2k i literally lovee your posts.

So i had this idea about early season spencer and a movie director reader, so basically sorta like the episode with lila archer except reader is really famous and makes mostly sci-fi movies or something spencer would watch, and someone on her set is a witness for a crime or connected to one and now that they dissapeared the BAU sent spencer and maybe derek to ask reader about what they know. But spencer is lowkey kind of silently fan girling lmao like when he first met rossi. I hope this idea isn't too cringe but its just something i thought of, and also its like 3am so my brain isn't functioning properly. Anyways thank yeww

STARstruck — SPENCER REID!

Spencer is a nerd who appreciates accurate scientific knowledge in the media he consumes, and you, are his literal idol in that aspect.

s1!spencer x fem!director!reader | 1.2k | fluff | 2k book fayre !!

a/n — this idea is so cute bro i love it

main masterlist. | event masterlist.

The late afternoon sun filtered through the towering glass windows of the Hollywood studio, casting a golden glow over the sleek set design.

Cameras, lighting rigs, and intricate models of spaceships and futuristic cities filled the massive room, the scent of freshly brewed coffee and slightly burnt popcorn lingered in the air.

Spencer took a deep breath as he stepped onto the set, eyes wide with a mix of awe and nervous excitement.

“You okay, pretty boy?” Morgan smirked as he nudged Spencer in the arm. “You look like you’re about to pass out.”

Spencer quickly adjusted the messenger bag on his shoulder, fiddling with the leather strap. “I’m fine,” He mumbled, although his gaze kept drifting toward the bustling crew members setting up for the next scene.

It wasn’t just the high-tech equipment that caught his attention; it was the fact that you was somewhere on this set. A literal legend in the movie world who had created some of Spencer's favourite films, the mind behind the intricate worlds he had spent years analysing and rewatching.

Not just a famous director, but one of the most influential minds in science fiction cinema, with a literal PhD in theoretical astrophysics, your movies weren’t just blockbusters—they were intellectually stimulating.

Films layered with complex theories of time travel, quantum physics, and human evolution. Spencer had spent hours after screenings debating the logic behind your plot twists, tracing your influences back to classic literature and obscure scientific studies.

He might have even written a paper about your work for one of his side projects.

Maybe.

“Alright, fanboy, whatever you say,” Morgan chuckled, clearly noticing the star-struck look on Spencer’s face. “We’re here for business, remember? We need to talk to her about the missing witness.”

Right. The reason they were actually here. One of the set designers from your latest film had disappeared. They had been linked to a crime scene across town, and now the BAU was trying to piece together their whereabouts.

As the two made their way past towering green screens and actors in elaborate futuristic costumes, Spencer’s heart rate quickened. There you were, standing near the director's chair, deep in conversation with a producer.

Morgan was the one to actually call your attention, flashing his FBI badge. “Excuse me, Doctor, I’m Agent Derek Morgan, and this is Dr. Spencer Reid, we’re with the FBI.”

Your eyes widen momentarily, before settling in understanding. “Pleasure to meet you both,” You motion for the two to follow you away from the busy set for the impending conversation.

Spencer tried to find his voice, but it was like his brain had short-circuited the moment you looked at him. The woman who had crafted entire galaxies and explored the intricacies of human consciousness in film now actually knew he existed.

“I—uh—” He stammered, glancing at the wall behind you before meeting your eyes. “I just wanted to say I’ve been a huge fan of your work for years. Your understanding of nonlinear time theory in Chrono Rift was... incredible—”

Morgan’s grin widened, and Spencer could feel his cheeks burning. He was not making a good first impression.

You, however, smiled warmly, your expression softening. “Thank you, Dr. Reid. It’s always nice to meet someone who appreciates the science behind the ‘science-fiction’.”

The way his eyes seem to soften in the wake of your thanks is endearing, matched with a pink flush to behind his glasses he attempts to brush a stubborn lick of hair from his eye.

It’s a natural attractiveness, one that’s sweet and a little awkward.

“But I assume you didn’t come here just to talk about quantum mechanics?”

Spencer cleared his throat, refocusing on the case. “Right, yes uh— We’re trying to locate one of your set designers, Adrian Moss. We believe they may have been involved with a recent crime, and they disappeared shortly after. Did Adrian mention anything unusual to you? Anyone they seemed nervous around?”

Your brows furrowed slightly in concern. “Adrian? No, they seemed fine. A little… distracted maybe, but I thought it was just the stress of the shoot. I had no idea they were involved in anything criminal.”

Morgan took over to save himself the second-hand embarrassment of Spencer’s stammering, smoothly steering the conversation. “Is there anyone on set Adrian might’ve had conflicts with? Or someone who seemed to be paying them too much attention?”

You paused, considering the question. “Not that I can think of, but I can ask around. The crew is like a family you know? People talk— if Adrian was in trouble, someone will have noticed.”

As the conversation continued, Spencer slowly found his footing again, chiming in with more questions about Adrian’s behavior and their role on set. But every now and then, his mind drifted to the fact that he was standing in the presence of one of his idols. And not only were you brilliant, but you were also kind.

After wrapping up their questions, you pulled out a small business card, handing it towards Morgan. “If you need anything else, please don’t hesitate to give me a call. I’ll make sure the crew knows to cooperate fully with your investigation,”

Morgan pocketed the card with a small nod. “Thanks for your help. We’ll be in touch.”

As they turned to leave, you called out, “Oh, Dr. Reid?”

Spencer froze, turning back to face you. He genuinely felt like he might explode.

“If you ever want to debate time travel paradoxes or poke holes in my logic, I’d be happy to grab a coffee sometime.”

Spencer’s brain went blank for a second, and all he managed was a stunned, “Uh, yeah! I mean—yes, that sounds great.”

With a smile, you waved them off, returning to your work.

As soon as they were out of earshot, Derek clapped Spencer on the back, laughing. “I’ve never seen you like this, man. Fanboying over a director? That’s a new one.”

Spencer gave him a sheepish grin, although not one that tries to dispel his accusation. “She’s not just a director, Morgan. She’s a genius.”

“Well, genius, genius or not, you might actually have a shot there. But let’s focus on finding this missing designer before you start planning your first date.”

Spencer chuckled, still a little dazed but ready to get back to work. He couldn’t help but feel that, no matter how this case turned out, his emotional outcome was going to be a net positive.

[wilcze-kudly]

Thoughts on…

https://www.tumblr.com/miss-sweetea-pie/731463633376313344/zutara-lens-vs-kataang-lens?source=share

Is it fair to even mention Zuko seeing as Katara never had feelings for him?

Honestly, I find it kinda funny that OP is sorta telling on themselves by seemingly primarily viewing Jet's storyline through a shipping lens, a stepping stone for Kataang or Zutara.

But sure, let's go with this narrative.

OP claims that Jetara could be seen a foreshadowing to Zutara, as they say that Zuko ans Jet have some similarities. And I suppose that can be true on a surface level. As OP says: Rugged teenage boys with traumatic back stories. But franky, other than being mildly edgy and also having been through some sort of trauma, there's not much there.

In fact, if you compare Aang and Jet, I think you'll find many deeper similarities than just "bad boy with questionable morals".

Aang and Jet have both experienced great loss at the hands of the Fire Nation. Aang losing his entire people and Jet losing his parents and village, presumably leaving them both alone in the world and with a lovely case of survivor's guilt to boot.

Jet and Aang are both kids who were forced by the war to take up positions of responsibility over their fellow victims. Aang, of course, being the Avatar and being fated to end the war. While Jet takes up a leadership positions, persumably gathering kids orphaned and hurt by the Fire Nation, leading them and keeping them safe, while also fighting back. Let's not forget that the reason Jet decided to flood that city was because the firebenders occupying it were planning to burn the forest Jet and the Freedom Fighters resided in, forcing them out and putting them in danger.

We also see a very sweet parallel of Jet encouraging Katara's confidence in her waterbending skills, which is something Aang does on numerous occasions, showing us exactly what affection Katara values in a potential partner and that both Jet and Aang not only believe in her skills, but also intuit her needs.

This is why Katara fell for Jet and why she fell for Aang. They're both protectors and heroes of the people, they're both victims of the Fire Nation who chose to stand up against it. They're revolutionaries, rebels, downright rabble-rousers. They both value communities, and do their best to uplift and defend their fellow victims, something Katara does as well. And they both connect with Katara over not only encouraging her in her own abilities, but also in their shared trauma, which leads me to my next point.

Aang works so well paralleling Jet, because both Jet and Aang were written and posited to parallel Katara. This aspect of Jetara is one OP completely neglected to mention, I suppose due to the fact that it doesn't hoist up Zutara as a ship.

Katara and Jet connect over their trauma very early in the episode, and I think this is where Katara's interest in Jet due to his role as a Freedom Fighter turns to a genuine connection over shared trauma.

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever. Katara: Sokka and I lost our mother to the Fire Nation. Jet: I'm so sorry, Katara..

Katara, Jet and Aang share many similarities, which is why I suppose these two boys were Katara's only explicitly confirmed love interests. Just like Aang and Jet, Katara is community oriented, a voice for victims and the marginalised, a fighter for the good of the people.

Seeing these parallels almost makes me wonder if the design team took this into account when making Jet's design colours mainly blue and orange, colours assvociated with Katara and Aang. Though Jet's colour palette is more muted and darker, perhaps signifying the erosion of his morals due to his trauma.

Jet goes astray when he begins to value the fight over the people he is fighting for, something Aang and Katara actively go against, prioritising human life and their moral integrity.

Atla explores the concept of victimhood and how it affects our morality in various ways, especially when it comes to victims of war. The particular focus of this theme is Katara, as we see the writers often connect her to victims who lost that morality, in order to showcase her character. Hama and Jet both serve as excellent foils to show what Katara could've been if she wasn't as kind and compassionate as they were. The crowning jewel of this storyline for her being, of course, the Southern Raiders, which bears callbacks to both Jet and Hama.

But as much as I want this post to be about Katara, OP has other plans, so let's go back to their arguments for Jetara foreshadowing Zutara.

OP makes an argument about how both Zuko and Jet break Katara's trust, testing her charcter, which is a good point, albeit they conveniently omit Hama from the circle of people who connected with Katara over shared trauma and then betrayed her trust.

Can't imagine why. Is it because Hama isn't hot, isnt it? Op doesn't fancy a nice morally compromised gilf, I suppose. 😒 we used to be a proper country.

OP also claims that the show portrays Katara as too trusting, and even claims that the shows message in Jet's case is, in their words: So from a k.ataang lens it leads more towards the lesson that katara need to stop letting these “bad boys” break her heart, “dumb girl your too trusting just give the sweet guy a chance”.

Which is quite the claim, since I actually really enjoy that Katara is never portrayed as being in the wrong, or 'dumb' for trusting Jet, Zuko and Hama. In fact, the three of them are made to look like assholes for taking advantage of her.

The thing about Katara's trust of Jet, Zuko and Hama isn't that it comes from a place of foolishness or naiveté. It comes from empathy and connection. She connects over shared pain ans trauma with these three and she wants to make a connection to alleviate their pain. It just so happens that Zuko is going through his disaster boyfailure era, while Jet and Hama are morally compromised by the horrific events that brutally formed their mentalities.

Anyways, to wrap this point up, can Hama be an honourary bad boy too I think she deserves that

Another argument of OP is that Jet's death could foreshadow Zuko almost dying in the finale and that is could teach, in their words: how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love.

Now, this is interesting, because Jet's death very clearly connected to Aang's actual death and then ressuraction via Deus ex Katara. However, unlike the theme of pure romance OP proposes in their post, the canon storyline uses these events to feed more into Katara's personal development and stoyline, that of her fear of loss and helplessness, on which I elaborate here:

That is not to say that this storyline doesn't affect Katara and Aangs romance, but I like that the main focus is Katara's meantality and trauma. Because the thing with Katara and Aang's storylines and development is that they intertwine and feed into each other but aren't overshadowed by their romance.

OP continues to speculate that the jetara storyline through a kataang lense is that "bad boys" will break Katara's heart and that she should just "give the nice guy a chance".

I find this a gross twisting of the nature of multiple characters, relationships and storylines.

First of all, reducing Jet to a "bad boy" is fucking demeaning and kinda disgusting. He's not an edgy boy who smokes in the school's bathroom and rides a loudass motorcycle. He's a traumatised child soldier, caring for other children and desperately trying to stop the advance of an army that already has like 3 genocides under its belt. His morals getting messed up in the process doesn't make him a bad boy, they make him a realisitic victim. A kid who tried his best but became misguided.

In the same, paragraph, OP also claims that, despite the message of the show being that everyone is capable of good and evil and that everyone deserves a chance, because people are complex, Jet is not afforded that dignity and understanding.

AND LET ME TELL YOU LET ME FUCKING TELL YOU

That was upsetting.

Because Jet's redemption was shown so wonderfully and symbolically, to the point where sometimes it makes me more emotional than Zuko's.

In B2 we see that Jet has left the forest (persumably bcs the firebenders did burn down the forest) and his entourage has shrunk to just Longshot our trans queen Smellerbee 🏳️‍⚧️. We are told that he is looking for a new life in Ba Sing Se. So far so good.

It seems that the Gaang intervening with his plans has definetly made him rethink his actions. And he's looking to start a new, kinder life. Even going so far as to remove himself from the fight against the Fire Nation, something he had previously been so passionate about, perhaps because he recognised that it brought out his uglier side. Hell yeah we love a king who can recognise his flaws and strives to better himself.

Jet: I've done some things in my past that I'm not proud of, but that's why I'm going to Ba Sing Se: for a new beginning. A second chance.

Despite not being on the frontlines anymore, he's still a hero for the people, straling food for the ferry passengers from the greedy captain. Noice. He immediately takes an interest in Zuko, assuming as many, that Zuko was a victim of the Fire Nation like him, due to Zuko's scar.

Jet: You know, as soon as I saw your scar, I knew exactly who you were. You're an outcast, like me. And us outcasts have to stick together. We have to watch each other's backs. Because no one else will.

I find this SO endearing because atla places such emphasis on the connections and solidarity between victims. And Jet is no exception to this, having taken so many children orphaned by the Fire Nation (or just orphaned as seemed to be the case with the Duke) and also connecting over being hurt by the Fire Nation with Katara, the same way he thinks he is connecting with Zuko. (Jetara and Jetko should parallel each other actually instead of Jetara and Zutara)

Now things turn south when Jet realises that Zuko and Iroh are firebenders, which while showcasing that Jet's need for redemption hasn't healed his trauma (not surprising) around the Fire Nation, I can't really blame him. Like, he's seen the worst of what firebenders can do, why on earth would he stand by and let them infiltrate the city that refugees flock to in order to escape the war. And yeah he sounds like a raving lunatic, but he is right. Zuko and Iroh are firebenders.

From then on, Jet is used as a pawn by Long Feng and the Dai Li, but he still does his best to help the Gaang, seemingly holding no grudge against them for ruining his plans of mass murder.

We see a nice lil trauma flashback of Jet's childhood trauma, giving us a tangible illustration of his motivations and pushing us to sympathise with him. We see him and Katara share a sweet moment as she literally alleviates the pain of the memories. This scene can not only be read as romantic but as another example of solidarity and support between victims in atla.

But it's in the bowels of Lake Laogai, as Aang and Jet face off against Long Feng, that we see the symbolic redemption for Jet really come to its crescendo.

Long Feng, compels Jet into fighting Aang, directly paralleling Aang and Jet's previous battle in the Jet episode. Aang is trying to solve the situation peacefully, even while Jet is trying to hurt him.

Aang: Jet, it's me, Aang! You don't have to do this! Long Feng: I'm afraid he no longer has a choice.

[...] Aang: Jet, I'm your friend! Look inside your heart! Long Feng: Do your duty, Jet! Aang: He can't make you do this! You're a Freedom Fighter!

And I can't not think how the brainwashing pushed Jet into an almost identical situation as his grief and anger did all those years ago. It's a decent comparison, I suppose. Both stem from a painful, stressful situation, influence his actions, pusging him to do things against his usual morals, turning him away from the caring, idealist Freedom fighter he is.

But this time, Jet breaks through the thing clouding his mind. He remembers himself. His trauma, his friendship and care for the freedom fighters and his connection to Katara. He sadly pays the ultimate price for this.

And while I dislike this plot point, because as a rule of thumb I dislike when a character gets a redemption arc and immediately dies or redeems themself by dying, but I can appreciate this scene for how it defined puts a lot of care into showing us the change in Jet, his perception by the gaang and his role in the story.

Katara tries to heal Jet, but is pessimistic(in the commentary of this episode, it's mentioned that there could be a few explanations as to why she didn't use the spirit water.) Here, Jet urges Katara and the Gaang to go find Appa, leaving him to essentially die.

And it's as the Gaang leave, we can compare the ends of the two Jet storylines. In Jet, the last time we look upon Jet's face, it is twisted by anger and rage. In Lake Laogai, he wears a sad, but reassuring smile, and somehow looks at peace.

When Katara first had to leave him in Jet, her expression is one of betrayal and disappointment. In Lake Laogai, she looks to be preparing to grieve, almost as if she were trying to hold back tears. She's conflicted and sad in both scenes, but for different reasons, showing how Jet has redeemed himself in her eyes.

Where in Jet, we leave Jet disgraced and in turmoil, in Lake Laogai we leave him dying, yes, but also a hero, kind and brave, and free. And I like to believe that the second is the real Jet.

Ok this just turned into me gushing over jet, but I think this was important to highlight the significance and uniqueness of Jet and Katara's relationship. Presenting it as "the proto-Zutara" is a disservice to this complex, heartwrenching storyline. And that was kinda gross of OP. Shame on them.

I also think OP is mistaken by labelling Aang as just the "nice guy" whom Katara should "give a chance to". Aang is indeed a nice, kind person and this is something that attracts Katara, because she's also a good person and she values such traits. But this is not the only reason Katara falls for Aang. Like with Jet, she connects with him over shared trauma. He enables her growth, respects her as a teacher, offers her comfort when needed, is her friend and supporter.

Katara is not "giving him a chance" their relation simply progresses very slowly and in a slightly unorthodox manner. We see that Katara has a growing crush on Aang, blushing over him and getting incredibly jealous when other girls try to get with him.

I also like that Aang and Jet are never pitted against each other and Aang is never jealous of Jet. In fact Aang seems almost just as infatuated with Jet as Katara lol (jetaang rights babey).

OP also claims that a lot of people misinterpret TSR as Katara being manipulated by Zuko and "needing Nice Guy Aang to save her". Which is something I've talked about a few times. I don't believe Zuko was consciously manipulating Katara. He was simply trying to build a relationship with her because she was very adamant on hating him. And because he didn't know her that well, he tried to help by projecting his own needs and anger over his mother's loss onto her. Which is very 16 year old boy of him.

And I don't believe Aang was even trying to "save" her. I think he was simply trying to help Katara think through her actions throughly before she did something rash that may haunt her forever.

Aang bringing up Jet also seemed more like a : "hey remember when we saw a guy betray his morals due to his grief pain and trauma despite being a kind and good person with an good goal?" Which I think is a kinda understandable thing since it happened like twice to them already. And remember that Aang has also experienced how destructive his anger can be and he knows Katara's morality and idealism well enough to know that what she is planning is way out of character.

OP tags this post with "I swear zutara gives the show so much more depth" and while I don't want to deride the ship as a whole, the themes and storylines OP gave don't really bring that much depth into the show. It simply repurposes the arcs and storylines that served to either explore Katara, or the concept of victimhood and morality into serving a romance.

Which is... fine, if that's what you consider deep I suppose. I just think it's obvious that OP had clear biases when coming up with their post. And like, biases are fine, we're writing meta about a kid's show not a fucking reseaech paper, I'd be a hypocrite if I called OP out on having preferences.

But it's obvious that OP did their darndest to present Kataang in the least favourable light and didn't even try to consider giving it a shred of anything but a cursory, critical glance.

If I were to talk about their "Jetara foreshadowing Zutara" idea with its "bittersweet lesson how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love" like they talk about Kataang, I could say (altering OP's text here):

"So from a Zutara lens it leads more towards the lesson that katara need to stop holding a grudge towards these boys who hurt and used her, “dumb girl you need to forgive them quickly cause what if they suddenly die and you realise you love them and regret it“ .

...which sounds like some manner of abuse apologism. I don't think OP had this in mind, but it just shows how easy it is to paint a benign message into something shitty if you're just salty enough.

I think that wraps this up. I can vaguely understand what OP meant, and it's a cute concept for Zutara shippers, I just don't know why Kataang slander had to get dragged in here. Since while OP seems fairly invested in Zuko, they visibly have a little issue giving thought to Katara, Aang and Jet's storylines.

Which is sad, especially in Jet's case, since he doesn't get nearly enough love from the fandom. So here's the little note from the atla cookbook that made me really emotional over Jet lol

HE COOKED FOR THE FREEDOM FIGHTERS AGH OUGH AGH

[robinfollies]

Been really pondering Fantoccio and the cursed citizens lately… like, if you’re stuck in a city for 15 years with some of your only company being these cursed globby versions of the people that used to surround you normally, you’d start to Notice Things that remind you of who they used to be, right?

[lunarfeat21]

Here, have something random

[tygerland]

Paul Rogers Poster artwork from April, 2019.

[theartingace]

Idea: orchard harvester saddle. More of a standing platform with a scooter handlebar for the rider where the centaur can hand things up and down. (playing Farming Simulator is making me crave more peaceful/agricultural world building; there's already so much Warlike WB around, it needs some balance)

(also, eat like a horse vs eat like a bird, horse metab is high efficiency but a lot of it just due to net size, imagine that efficiency applied to refined grains and breads. Centaur diets would be less-per-weight than humans, although not necessarily by much due to the metabolic needs of sapient brain and foretorso)

Ohhhh I absolutely love this and absolutely think it should be a thing. I've been thinking more about the inherent benefits of centaurs in an agrarian society and more and more the borders of the Merchant city has been expanding outward towards the edge of Rider territory with enormous matriarchal farm towns that feed most of the surrounding societies so this would fit right in to that kind of lifestyle! And sounds so useful! One doing the moving and loadbearing, one doing the climbing and picking.

And I agree, war shapes societies undeniably but so many worldbuilders forget that trade, craft and industry shape cultures and societies just as much! It's definitely a topic i could GO OFF about haha, I have major exports and interrelated trade agreements drawn up between ALL my current societies 😁

(also absolutely, the use of refined grains and bread was a huge part of my initial thoughts about how centaurs could survive feeding that big horse body with comparatively small/limited human teeth. The efficiency of processed grain and grass fibers would be SO necessary to their digestion and overall survival!)

[lorebird]

I sunk 24 hours of rendering into this piece so MAY AS WELL POST IT

I had to design and illustrate an underground city for my concept art class, and decided to go with subterranean aliens building a vertical metropolis! I’m very inexperienced and no real good with xenobiology, so they ended up like walmart brand bug ferrets….. but I’m definitely happy with the style of architecture!!

[atlurbanist]

Bland buildings are less offensive when they're part of an overall great urbanism

Something occurred to me while walking around Paris last week during a vacation visit...

If you zoom in on average Paris buildings, many resemble the apartments that often get pegged as being "cookie cutter, soulless density" in Atlanta. They may not be exactly as bland as the worst offenders in Atlanta, but they can be pretty dull in themselves, relative to the grandest architecture in the city.

But when you zoom out to their full context, to see how they're grouped closely together against pedestrian-focused streets, with shops on bottom, they look glorious.

This is the physical aspect of good urbanism that matters so much.

It's about creating public streets scaled primarily toward the movement of humans, and less toward the movement and parking of cars.

It's about streets where many things are in walkable distance, and where the doors and windows of buildings are politely close to pedestrians instead of being set back behind unused landscaping or parking spaces (though if I was rebuilding Paris, I'd definitely leave some room for more street trees).

Of course, individual buildings that are set back from the street in less pedestrian-oriented formats can be beautiful and beloved in themselves.

But in terms of scaling large populations upward in a way that sustains walking (versus car dependency), prioritizing compact density is important. And in the process, bland architecture is more forgivable because the aesthetic of the larger place is what's most important.

It's a challenging argument to make because I realize that Atlanta's dullest architecture is much more offensive than the bottom rung of what you find in Paris.

But in a classic European city where there's a lot of really grand, elegant, detailed architecture (much more so than what we have in Atlanta), the ones I posted here count as what I'll call "bland background buildings" by comparison.

It's only when you crop it specifically into pieces that you can see "oh, this building doesn't particularly stand out in terms of architectural details, but the entirety of the street is gorgeous anyway," and that's because of the overall structural urbanism happening.

I think there's a lesson for Atlanta in that. Yes, there's value in improving some details of our dull architecture. But the most important improvement in our design needs to happen at the level of streets and neighborhoods.

[adzy-drawz]

i forgot how much i fucking love pink city

LOOK AT THESE GOONS. CRAZY INSANE.

[sillyvampir3]

my fav key siblings eva...

ref ^_^

[rubynymphyy]

Pokeddexy Day 29: Scariest

Aloe, they/she, impish. plague rat.

one of the Gambler's proxies, but in a somewhat unique position seeing as they can operate both in distortion and the mortal world - you could even say they're... friends? The Worst Influence.

stole a time machine pocket watch from the future, where she originally comes from. there is something deeply wrong with them, both physically and *waves hand* everything else. the bow is... has anyone ever read The Green Ribbon?

[pastelliek]

what are you get out of my house

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[starmagnets]

rejoice. pokémon au flamberge be upon ye.