okay so you know how it goes: fourteen comes to life in thirteen's clothes. and they're both too short and too loose and entirely too bright for his frame of mind. they worked with a doctor who hid everything behind a too wide smile; not so much with a doctor whose pain and tiredness is written across his face
he needs to change. obviously
and then the star beast starts, and fourteen leaves the tardis, and he's still in thirteen's clothes
he just. he doesn't know. how does he choose new clothes? he feels wrong. how will wearing something else change that?
(donna tells him that it's christmas, mate; it's bloody freezing. maybe wear longer trousers, yeah? also he's both too young and too old to wear braces. just a friendly note)
he doesn't have to explain who he is to the unit scientist, not with those clothes. instead he talks about how he doesn't understand why he looks like this. why he is this. why this face? why isn't he someone new?
actually. maybe he is someone new. was he ever this open before? hm
why do you look like that, sylvia hisses, trying to hide him from the daughter he destroyed ruined left
it's a lottery, he replies, purposely ignorant
he still has his thirteenth self's screwdriver. it's too small in his hands
(the whole time they were her, her hands were too small. she didn't like touching anyway, but whenever someone took her hand, it felt wrong. they were too small. sometimes it felt like if she worked fast enough, tinkered about without stopping, she wouldn't have to look at them)
everything goes wrong. his fault, like always
(blimey. of all the things to carry over from the first time he had this face, it had to be the guilt, didn't it?)
you shouldn't look like that, the doctordonna says, and he runs a hand down his face with a tired laugh
no, the doctordonna says, not the face. a hand reaches out to grasp at the collar of his shirt, at the dangling earring chain. this isn't you. who are you, doctor?
like he knows. like they've ever-
she dies.
she lives. he doesn't deserve it. it isn't about him. he still doesn't deserve it
we're letting it go, donna says, and he looks down at himself, at another him's clothes, another him's screwdriver
well, she never was subtle, his donna
the tardis is gorgeous, though when isn't she. he tries to show off his new console to donna, and she rolls her eyes, and drags him off to the wardrobe
unlike normally, where all the clothes are scattered about, the new tardis wardrobe now also has a line of wardrobes stood against the wall. fifteen of them, to be exact
the last wardrobe is open. and empty
he goes to the second to last, and opens it to reveal a wide array of rainbow patterned shirts. she probably would've hated for her things to be organised like this. always creating mess so she wouldn't have to think about anything important. he laughs. and he takes off the sky coloured coat and the worn boots and the earrings and gently places them inside. tag, he thinks, as he closes the doors
and then he moves down to the eleventh wardrobe, full of brown coats and blue suits and neatly pressed shirts and pairs of converse. and he stands in front of it. and he wonders
after a moment, donna's like wait do you want me to leave?? you never cared about nudity before, did you? and he's like oh actually i do feel more self conscious. huh. weird.
he doesn't have to say, i think i'm a different person. not to donna. she just gives him a smile, and a shoulder nudge, and tells him she'll see him in the console room
the last wardrobe is empty
he takes a breath, and then goes to rummage about in the rest of the clothes
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hi hi hi hi I found out about Hal Jordan TODAY and am going so autistic over him it’s insane can you please give me a rundown on what his deal is I think you’re the Tumblr Green Lantern guy
omg hi, insane compliment btw, tysm! i'm glad to give you a rundown!! also definitely check out @katmaatui for more hal info, red is SUPER knowledgable abt him. @rillette, @catboyollie, @halcarols, @starsapphire and @yellowcorps (along with so many others that i cant think to tag off the top of my head) have some great hal takes too! (edited the post just to tag more ppl)
apologies if this is a bit rushed/messy, i'm doing this while i smelt stone in minecraft LMAO
that being said... i think this will be a long one, so more below the cut :3
(cw for light mentions of pedophilia, abuse, canon typical violence)
okay, so hal jordan is the first human green lantern of the GREEN LANTERN CORPS. it's important to note that there was technically a human green lantern before him (alan scott, originally from earth two/the justice society, but integrated into main DC canon after crisis), but his power comes from a different source- which is a whole different ballpark that would take ages to explain, lol, so i'll move on from that.
hal was originally introduced in a showcase issue in 1959, but ended up getting a solo run in the mid 60s because of his showcase issues doing well. he's been a test pilot, middle brother, compassionate, rule follower (although being surprisingly liberal for the time) with an interesting relationship with star sapphire carol ferris since those first appearances. for the first 20 odd years of his appearances we had no information on his parents, but we got a lot from other family members, such as uncle titus, cousin hal jr (aka airwave), younger brother jim jordan and older brother jack jordan. through the 60s and 70s those members of his family were developed along with him; with the audience learning that jim's wife sue thought jim was green lantern, rather than hal, and hal himself training his cousin, hal jr.
the most known version of how hal got the ring in the first place is probably based off of geoff john's rewrite in the mid 00s, reiterating the original story of abin sur crashing onto earth and dying, leaving hal with his ring to be trained by sinestro and the rest of the glc, while also changing miniscule details that had been developed in emerald dawn 1 & 2 (which was released in the 90s, more on that later). the main premise of abin sur's crash has stayed the same, but the story around hal's current life, job, family and stability keep changing. for instance, the original comic with abin sur in showcase only showed hal getting the ring, the guardians choosing him. the first rewrite i can think of was emerald dawn volume 1, published in 1989 and continued in emerald dawn v2 (1991). here we get the classic hal watches his father die in a plane crash with carol ferris beside him as a pre adolescent, and some of the biggest implications of the mistreatment from his father. we also get introduced to hal, despite his stick to the rules, straight edge attitude, making some serious mistakes and putting people in danger and even death- with the implication of alcohol abuse. the audience HAS known hal used to be in the air force since sometime in the late 60s or early 70s (sorry, i don't remember the exact issue!), but emerald dawn shows us that hal's moved on from the air force and into test piloting, and that his mother keeps having to bail him out for making mistakes. emerald dawn vol 1 shows the abin sur moment, followed by fights that cost hal's friends life, and is followed up by sinestro training hal in emerald dawn vol 2, where we get to see the iconic scenes of hal finding out about sinestro and his... dictatorship.
along with that; how the guardians and rings are treated and hal and the glc's perception of them is vastly changed over time. in the early days of gl in the 60s, the guardians were really never to be seen. hal was repeatedly summoned to them and then had his memory almost fully wiped- only leaving a vague notion of his orders. the guardian's called hal to them at seemingly the worst times, ending up with him almost getting injured, getting in trouble at work, and even ending up jobless and homeless. the chaos of being a green lantern has been around the WHOLE time, but originally, the green lanterns didnt really... fight it. the guardian's were their masters (and even father figures, to hal) and not to be questioned. the rings in the 60s were also much more powerful, despite the yellow weakness (the yellow weakness is the notion that from about the 60s to the mid 90s the green lantern rings were completely unable to be used against anything yellow). time travel, phasing, teleporting, etc were all very viable and common things- as well as forceful shapeshifting, invisibility, mind control, mind reading, etc etc. these days, writers have dampened these powers down to mostly shooting light and constructs.
okay, it's parallax time. the emerald twilight arc from the mid 90s wasn't an arc that was as thoroughly planned out over a long period of time as it probably should have been. a lot of fans at the time (and even now) hated what happened there, and claimed it ruined hal's character entirely. i can understand why! but, at it's core, the parallax arc is a story about a broken man pushed to the limit, fully grieving his home and family (originally, he lost his brother jim in the destruction of coast city, along with a lot of other family members) and being goddamn fed up with how his "masters" treated him and the rest of the corps. the so called "perfect lantern" (no, he wasn't that much of a rebel, despite what johns wants you to think) snapped and essentially tried to gain as much power as he could to bring back coast city. when the guardians stripped him of his powers so he couldn't, hal became enraged and took down every lantern in his path, just to get to the guardians and that power. long story short, he kills the guardians and absorbs all the energy from the central power battery on oa, becoming parallax- essentially a god. this marks the start of zero hour, an event made by dc to restructure and reset; giving the comics a new generation of heroes. hal destroys the world and remakes it, but is ultimately taken down by kyle rayner, the new green lantern, with the help of the jla, jsa and associates. there are a few more run ins with parallax after this, before kyle convinces parallax/hal that he can make up for all of this by reigniting the sun after it went out- aka killing himself. hal does it, is stuck in limbo for awhile and then becomes the spectre to continue to make up for the horrible things he did as parallax. the spectre is the spirit of god's wrath and vengeance, a weapon used to drag sinners to their very own, self made hells, and scare the shit out of people. the spectre, from it's very first appearance, is a ghost like spirit that takes on a host, and is primarily described using christian terms and is used in a very... christian ideology. HOWEVER, the spectre 2001 confirms that hal is jewish (jewish mom, catholic dad) and that belief system, plus his personality as a whole, literally makes him change the spirit of vengeance into the spirit of redemption, for at least as long as they are bonded. the whole parallax to spectre arc is about grief, pain, cycles of abuse and terror, redemption and guilt. it is NOT about a fear bug that possess hal. (im so serious though, the spectre 2001 is one of the best comics ive ever read. amazing. changed my world view) but... geoff johns changed all of it, decanonized the spectre, and ruined the legacy of parallax and hal's growth as a person by releasing green lantern: rebirth in 2004/2005. this retcons hal's breakdown and journey through grief into him BEING POSSESSED BY AN ENTITY CONTROLLED BY SINESTRO THAT FULLY CHANGES PREVIOUS GREEN LANTERN CANON AND IMPLICATIONS. also, fucks up the importance of kyle becoming ion, but whatever. geoff johns writes hal (and even more so, carol) so very wrong, and change their stories so vastly in ways that go against the stories very meanings.
SIGH.
now... time to get started on some rougher stuff. hal jordan misconceptions. i'm saving that arc for last.
- hal jordan wasn't much of a rule breaker or rebel until the 70s/80s, where he BEGAN (very slowly, mind you) to be radicalized by oliver queen during denny o'neil's green lantern/green arrow. hal was painted as more of a conservative during this period (which, admittedly, kind of goes against previous canon... he's always been relatively central to liberal, not to any extremes like ollie though, lol) but gets more and more understanding of how power structures work and how lower classes are mistreated during this time- which ends up opening his eyes a bit to how shitty the guardians are. (this is helped by the guardians literally just. leaving. the green lanterns and kind of disbanding them so they can go fuck the zamarons, lmao). geoff johns tried to change this narrative into making hal a very... maverick-from-top-gun type of character, who punched his way out of the military (when, in reality, the original story during emerald knights in the late 90s was that hal had been framed for stealing a jet and was dishonorably discharged, which he took the punishment for because he knew someone had to) and hits on women constantly and gets ladies and allat (which, funnily enough hal was awful at getting carol to like him for a long time, since carol fell for green lantern rather than hal. not to mention the awkwardness of carol's proposals or hal's many, many failed relationships). hal has always been insecure and lowkey boyfailure, he is NOT a top gun maverick tom cruise sorta guy! fuck you jeremy adams!
- hes not that much of an idiot asshole. hal can be a real dick, he's had that going for him since the beginning, but he isn't what you read in batfam fics. he's not stupid and shouldn't be the laughingstock of the justice league. i assume this idea started from the obsession with batfam and the fact that the jla has quite the history of ignoring hal and his issues (as well as. all of their issues. theyre not so great at work life balance), but it's gone too far. hal isn't making fun of the robins and pissing bruce off bc of that. hal isnt fooling around on the job 24/7 (he takes being a gl and pilot VERY seriously, although he does enjoy some danger and high stakes) or slacking off to get girls. again. not top gun maverick.
- hal has not been a creep since the beginnings. hal was not weird with carol in the 60s. things were weird between them, yeah, but that's based off circumstance and the craziness of star sapphire and green lantern. he was NOT being horribly sleazy! i hate that i even need to say this, but i see this take too much not to
- going off of what was said above, lets discuss the arisia arc. if you want to be a real hal fan, this is unfortunately something you need to know about. in action comics, after crisis and the guardians left to go fuck the zamarons, most of the green lanterns fell apart and seperated. a small group went to earth- led by hal and consisting of hal, john stewart, katma tui, kilowog, salaakk, ch'p and arisia rrab. (also sometimes guy gardner, but that's complicated) previously to this arc, hal treated 14 year old arisia like a beloved little sister, welcoming her and leading her into the corps just like everyone else. things started to change once the timeline gets closer and closer to crisis, where arisia starts showing that she has a crush on hal (who is roughly 30s at this point). any advances made by arisia are shut down by hal at the beginning, because she's a child. now, it's unfortunately a common thing to just call hal a "pedophile" because of what happens in this arc- but it really isn't that simple. still weird and icky, but definitely not to the degree of which some fans like to act like it is- esp to attack hal fans for, which is... an odd choice regarding how many fucked up things every character (esp male characters) did back in the day. arisia ends up using her power ring to artifically age herself up, making her body AND MIND into that of a young adult (the comic makes this very clear). once this happens... hal stops rejecting her. they get together, they kiss. the only person in the group of green latnerns who actually has an issue with it is john (salaakk is meh about it, but he just doesn't like human-esque romance no matter what), and katma even directly encourages their relationship. kilowog ends up crushing on arisia as well, and guy gardner hits on her repeatedly throughout the whole period. eventually, hal and arisia break up, but this legacy (thank so much englehart, for wrtiting this. /sarc) is a big controversy among the comics crowd. "is hal jordan a predator?" personally, and i know a lot of friends/mutuals/other gl fans choose to erase the arisia arc entirely (versus how canon ended up retconning it to be 14 earth years is equal to that of an adult and she didn't really get super ages up, or whatever) and go with the familial relationship between hal and her. that's my preferred version! i know red (@katmaatui) has explored that version as well as an alternate version where the arisia arc did happen, and how it affects arisia in particular, which is really depressing but super interesting. anyway, it's complicated and weird and nuanced, but that whole occurence doesn't mean hal's a bad character or person (cause yk. retcons) and it's certainly not bad to like his character. (definitely ignore any guy gardner fans who try to bitch about this arc. cough cough. guy was ALSO into her and hit on her repeatedly. smfh) most people who bring this up to demonize fans didn't even read the arc, and don't know the nuance or the other weird shit that happens in it. (hal is not a horse, sigh)
OVERALL NOTES!
hal jordan is a super complicated character with an extensive history spanning from the 60s to his worse written appearances in modern age. it's okay to like any version of the character, but it is important to note the changes that have been made, the storylines butchered and lost, and more. he has quite the legacy, and he's particularly interesting as from a moral standpoint. hal's a real sweetie though, when it gets down to it! he's neurodivergent coded (imo at least.. his dad very much gets onto him for being disrtracted, hes kinda shit at social interaction (and then amazing at it the other half of the time) etc etc. "spacecase") and his dad is an abusive asshole, who he desperately doesnt want to be like but thinks he NEEDS to be like!
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The Passenger and OCD, or, Randy Bradley and his Weird, Violent Therapist
Hi! As the title implies, I think the 2023 movie 'The Passenger' can be interpreted from the perspective of OCD recovery! And I think Randy Bradley might have OCD! I also think that over the course of the movie, his experiences with Benson help him recover from OCD!
I've got a lot of thoughts about this, and I've put them all under a Read More because of how damn many I have! I hope you enjoy them!
First off; an overview of OCD, then an overview of the most obvious ways in which I believe Randy exhibits OCD symptoms, then a look at Benson and how he carries out a very twisted version of "Exposure and Response Prevention (ERP)", the recommended treatment for OCD.
I hope you enjoy! I might sleep again after this! That'd be neat!
Please note that OCD is very complex and affects each person that has it differently. In this analysis, I refer largely to my own experiences with OCD. They may not reflect your own. Please do not see this as an attempt to explain everything about OCD, or use this to tell other people they don't have OCD because it's not exactly what I'm describing.
(also a lot of this has screenshots of Benson looking at Randy with "wtf" face so hope you enjoy that)
You're Probably Wrong About OCD (Here's What It Is)
Before we start, we need to understand what OCD is. "Oh, that's when you get really stressed out if things aren't clean, right?". No. It's not your fault if you think that, it's how most people think it is, but it's not. Or at least, that's a very simplified version of it. Here's what it actually is.
OCD can manifest as an obsession (or a "theme") followed by a compulsion to try and ease the distress caused by an obsession. These compulsions are usually illogical, an extreme example being "I need take an equal amount of steps on both feet when I'm walking home from work every day or my grandma might die". Themes, as well, are varied. They are sometimes very taboo - for example, one might experience intrusive thoughts along the lines of "what if you caused serious bodily harm to your partner?" or "what if you are secretly a sexual predator?". A compulsion that usually follows these thoughts is rumination, imagining scenarios where these thoughts are correct and you have to defend yourself in court, for example. If you know somebody who experiences themes like these, please understand it is not a reflection of who they are as a person. They are experiencing intrusive, unwanted thoughts, and they need your support, not your judgement.
Now, let's get to Randy's theme - false memory/real event. False Memory OCD is when your brain literally imagines a scenario for you and tells you it's real, usually a very upsetting one, and dares you to prove it wrong. Real Event OCD is when you are feeling immense guilt or shame over a real event that happened in the past which you are now obsessing over, usually in regard to your own morality ("this happened, I'm a bad person, I can never improve, I am defined by this"). The compulsion to "ease" these themes is usually the same; combing through memories to double check every possible detail of this memory to check if it's real/to check if it's as bad as you remember.
Randy is experiencing a combination of these: a real event that has since become twisted in his mind. He DID cause Miss Beard to lose an eye, but she did not crawl towards him on her knees bleeding and screaming after the fact, as shown in the opening scene. There are other logical fallacies to how Randy remembers the event too; for example, he's the only kid in the classroom when he remembers it. This wasn't the case in reality, and he even says this later when he's gained some confidence throughout the movie. But, as previously touched upon before, OCD can rob you of your rationality.
So now you know what OCD is, and why I think Randy has it. How do I know so much about false memory/real event OCD? Well, because I had/have it. More on that later, but first, let's have a look at Randy's journey in The Passenger and some specific moments that signal OCD to me.
"Your name is Bradley Bradley?": Randy and Over-acceptance
OCD can rob you of your ability to trust yourself and your own decisions. In an extreme case, it could even stop you from standing up for yourself in the most basic of circumstances, for example, correcting someone for getting your name wrong. Randy spent a year at Burgers Burgers Burgers wearing the wrong name badge because he didn't want to correct his manager.
When Randy accidentally injured Miss Beard, the lesson he took from it was that nothing good would come from him speaking up for himself or from making his own choices. "The last time I let myself react the way I wanted to, I ruined a person's life". He has since taken this to an extreme degree, and I argue he is following OCD's orders on that one: "you can't correct someone if they get your name wrong or you'll end up ruining their life too".
When Randy's manager finds out he's been using the wrong name for him, he shrugs it off. When Benson finds out:
Benson was a little too busy preparing to berate a service worker to respond to this (justice for Marsha), but you can imagine the thought process here is, "you let us all call you the wrong name for a year?".
That does not seem rational, does it? But here's the thing: OCD doesn't let you be rational sometimes.
"What are you saying to me? What are you trying to say?": Randy and Irrationality
This is also related to over-acceptance; OCD robs Randy of the ability to think rationally. This is especially noticeable when Lisa is first brought up. Benson asks why Randy and Lisa broke up, and Randy says "her cat died".
Benson has a similar response to what ours likely is: what the hell????
Of course we know that someone's cat dying is not a reason to break up with their significant other (unless it's an Angela and Dwight situation, RIP Sprinkles), but Randy is so deep in OCD and over-acceptance that this IS logical to him. He does not trust himself to think of that situation as irrational. He probably thinks something like "oh, getting dumped because her pet died is probably normal". He doesn't even ask anyone else if it's normal, he's just accepted it as something that has happened to him and makes no effort to challenge or change it, because by OCD's rules, if he does what he wants to do and asks further questions, he's going to ruin someone's life. That's what happened last time, and we don't want to repeat what happened last time, do we?
Ergo, through over-acceptance and irrationality adopted through the presence of OCD, "we broke up because her cat died" becomes a completely logical life event in Randy's world. Can't question it, a bad thing will happen if you question it.
But Benson questions it! A lot! This will be important when discussing Benson's approach to ERP, but first, let's talk about OCD and responsibility.
The Shooting: Randy and Responsibility
Here's one of my least favourite parts about OCD: the way it assigns responsibility to you for everything bad that happens. I can't even read the news without my OCD blaming me for whatever the criminal of today's headlines did. Don't even get me started on YouTuber and influencer drama; my OCD loves accusing me of those guys' crimes!
My heart breaks so much for Randy during the shooting, especially on a rewatch: there is no way he's not blaming himself for what happened.
He's the one that spoke up and asked Chris to stop making him uncomfortable, and following a chain of events, Benson shot Chris and everyone in the restaurant except for Randy. This is never confirmed, but seeing Randy after it happens, all I can think is "oh God. He's blaming himself."
Randy says later that the only time he let himself react the way he wants to, he ruined a person's life. Randy has just let himself react the way he wanted to. Now three people are dead.
We are, of course, not in control of how others respond to our actions. Randy asked Chris to stop making him uncomfortable, he did not take a gun and shoot three people dead. That was Benson. But I really do think Randy sees himself as a little responsible here, and that breaks my heart. To him, his worst fear just came true, his OCD has been proven right: he can't speak up for himself or he ruins lives.
But here's the thing; exposing yourself to your worst fears is exactly how you overcome OCD. This is where Benson the weird, violent therapist comes in.
"Do you see what happens when you do nothing?": Benson and Exposure and Response Prevention
Benson might have the most "don't try this at home" method of this therapy I've ever encountered, but there's no denying he got the job done!
In order to recover from OCD, you have to do "exposures". You have to expose yourself to what you are afraid of in order to train OCD to stop using it to scare you. For example, if OCD has convinced you that you can't touch a certain object for fear of getting a disease from it that you then spread to your entire family and kill them all, the solution is to get your hands ALL OVER that object, and then not wash your hands. That's the "response prevention" part. Another "response" could be reassurance seeking; for example, if you touch the object and then immediately ask everyone if you look like you're getting sick. Reassurance seeking is very discouraged in OCD recovery, as is reassurance giving.
What Randy has to do to overcome his OCD theme is accept what happened, and not engage with rumination. Accept that it happened, but that the world kept going, and that nothing good is going to come from robbing himself of his own life because of something that happened in the past.
Extreme violence and several crimes aside, this is exactly what Benson does for Randy.
Randy, in his mind, began the chain of events that caused the shooting. Of course, this isn't the case; Benson was on the absolute brink and this is just what caused him to snap. But here's the thing: unintentionally, and in a very fucked up way, Benson exposed Randy to what he was afraid of. And prevented a response.
Randy spoke up for himself, and three people got shot. Lives are ruined, just like OCD always told him would happen. Benson doesn't immediately tell him why he's just shot three people - he doesn't offer reassurance. He lets Randy sit with the thought. Randy has no choice but to accept what has happened, whether it was his fault or not.
Here's an example of Benson straight up denying Randy the chance to seek reassurance. Consider the diner scene again:
Randy: What does this have to do with me? [subtext: "Would the shooting have happened if not for me?]
Benson: You mean why are you here right now? [subtext: "We're not doing reassurance right now. Here's what I actually think you need to hear."]
OCD was right, as far as Randy knows. Benson isn't disputing this. And yet, the world kept turning. Exposure number one.
You can already see Randy get a little bit of confidence after this event. In the car on the way to Benson's, Randy tells Benson that his mother had him repeat the 2nd grade, and when Benson gives him a speech about needing to stand up for himself, Randy says "I was only seven".
Randy has probably never spoken that way to anyone in his life, let alone someone he just saw commit a homicide. He has CERTAINLY never defended himself for past actions based on his young age at the time, either; he's spent most of his life torturing himself over something he did when he was seven. But suddenly, the irrational brutality of OCD is cracking a little, and he can see: he was only seven. In a fucked up way, being exposed to his worst fear via the shooting has allowed Randy to see through the haze of OCD, if only for a little while, and realise what everyone else can see: he was only a child. This confidence continues to grow throughout the movie, leading to a moment where Randy feels brave enough to approach Benson, who is waving a gun around in a state of despair and anguish, and manages to convince him not to fire it. This is very different from the Randy we saw at the beginning of the movie, and I argue it's through Benson's exposures that he got there.
Benson continues to put Randy in very high-stress situations, confronting Lisa and then going to visit Miss Beard, the source of his current and most debilitating OCD theme, and in reality this would not be an ideal way to deal with it. It's too much too soon (graded exposure is the way to go in reality), and if this was real life, Randy would probably end his day with Benson feeling much, much worse than he did before due to sheer overstimulation. But this is a movie, and we're with these characters for a day. In the course of that day, I argue we see a really good fictionalised version of OCD recovery.
The way Benson reacts to Randy throughout the movie is really interesting to me. He not only challenges Randy's OCD-influenced thoughts in a way Randy has never allowed himself to ("what, she said 'I can't date you because my cat died?'"), but often finds a middle ground between reassurance and agreeing with OCD. For example, Benson often reacts with laughter when given details on Randy's "2nd grade incident". This may not be the most sensitive or ideal middle ground (and other Tumblr users have argued given Benson's own experiences when he was around Randy's age, he's laughing more in relief than dismissal), but it is certainly a middle ground. Plus, when Randy's OCD sees Benson responding to Randy's worst ever deed with laughter, resembling joy, OCD may be inspired to leave Randy alone a little regarding haunting flashbacks to a twisted version of what actually happened. OCD doesn't expect that response, and that has the potential to reroute Randy's obsessive thought patterns.
And then, there's the actions Benson carries out to make Randy actually do exposures and prevent avoidance behaviours (Benson is, of course, mostly preventing Randy from avoiding exposures through the act of having a gun, but you know). Randy has been avoiding asking Lisa why she broke up with him, because OCD has convinced him he doesn't need a reason and that things are just allowed to happen to him. Benson makes Randy ask her. Randy is afraid to see Miss Beard again, for fear that she hates him and that he will find her with a ruined life. Benson facilitates their reunion, and Randy finds out that his OCD was lying to him. While Benson has gone about it in a hostage-situation kinda way, over the course of a day, Randy has done everything he's spent years being too afraid to do. Benson gave Randy fucked up ERP. Benson is his weird, violent therapist.
But, this isn't all. Benson gave Randy his weird version of help because he did not think Randy would ever be brave enough to stand up for himself against Benson. But he was.
Interlude: This Seems Not Very Straight
If you're somehow on Tumblr reading about The Passenger and don't know this, this movie is often interpreted as queer. And just to clear up my stance on that: yes. Of course it is.
"Oh but Randy says he's not gay!". Yeah, so did the guys from Brokeback Mountain. Means nothing to me. I'm Roland Barthes-ing this movie enough already, why WOULDN'T I be for making it gay?
source. if no one else got me, Kyle Gallner got me.
So, back to my mental illness!
"I was never in charge, Randy": Benson is a Passenger, Too
Here's a difficult truth: if you are constantly telling your friend that they have to stand up for themselves, and they need to be more assertive, once they learn those skills, they will 100% use them on you if you have mistreated them or others, and you have to be prepared for that. Benson was not.
Benson is probably the closest thing Randy has ever had to a meaningful relationship that wasn't a relative, and vice versa. Both characters become deeply important to each other throughout the film, but there's still a lot of toxicity there. Benson may be helping Randy do exposures, but he is also constantly punching him and ordering him around at gunpoint. Randy recognises this behaviour as not being right from the start, hence how terrified he looks in the beginning, but isn't about to visibly get mad at the guy holding the gun. (Though I will say, the moments where Randy allows himself a moment to fix Benson with a cold, hard "why are you doing this to me" glare are magical. He looks so mad. Little angry cat look.).
But Benson "creates a monster". Over the course of the movie, Randy's confidence grows little by little the more time he spends with Benson, the more time he spends confronting his past, and eventually that works against Benson. Randy calls the cops on him, and I urge you to pay attention to Randy's reaction after he does it.
Randy can't believe he's done it. Benson can't believe he did it; later, when he's looking for who called the cops, he doesn't even consider Randy, who was the only one that could have. It's just so unbelievable to him that Randy would do this; it does not line up with the person Randy was in the beginning of this movie.
Randy did it; he's finally brave enough to stand up for himself and make his own decisions. He doesn't want it to come at Benson's expense, and you can see that in this scene as well, and later when he calls out to Benson when the latter is headed out to face the cops. It's switching between joy and fear; the adrenaline that comes from doing what you're afraid to do as a person with OCD cannot be understated. The high is incredible, but the fear that comes with it is overwhelming. All of that is portrayed here.
And then Randy goes out and says, "Benson, I need to talk to you". Not "we need to talk". Randy prioritises himself and his needs. He's brave enough to do that now. And he says all sorts of things that Benson doesn't want to hear; "there's no point to what you're doing", and that for all Benson's talk about taking risks and standing up, he has barely left the town he grew up in all day, even though he has a very good reason to (Benson is currently on the lam). Randy has realised that perhaps Benson needs to practice what he preaches and do a little more of what he's afraid to do.
And Benson doesn't appreciate it at first. "Who the fuck are you to talk to me like this, after everything I've done for you?!" This is the first and most obvious response, "I helped you, you're not supposed to use that help against me! I'm in charge!"
And then, once it becomes clear that Randy used what he learned from Benson to drum up the courage to call the cops, the real response comes:
"I was never in charge, Randy."
The audience has very recently learned that Benson too suffered a terrible trauma as a child. It is not one that is as easily fixable as Randy's. It's damaged Benson too much, and Benson has known this whole time that he can't really fix it or himself. He damned himself with the shooting at the fast food restaurant. He snapped and can't go back. All he's known for sure is that he could help Randy. One last good deed.
Benson is a passenger, too. Benson was under the command of his own trauma this whole time, just like Randy. The difference was that Randy internalised his and punished himself, while Benson externalised his and he exploded like a grenade. Randy was maybe ten years and a few bad nights of sleep from doing something similar; Benson saw that and tried to stop it.
And that's the kicker: everyone is someone's passenger, even Benson was a passenger in the end. But in his own fucked up way, Benson broke the cycle: he fixed Randy. No matter what happens now, he went out having helped someone.
Benson is a weird, violent therapist. But he got results!
"Thanks, for... thank you": Life 'After' OCD
The reality is that with OCD, once it's done with one theme, it'll usually just move onto another. That's what happened to me; once I'd confronted my original false memory/real event, OCD just moved onto something else. But you know what? I was ready for it. And so was Randy.
No matter what way you swing it, you cannot deny that the life Randy has at the end of this movie likely would not have happened without Benson.
If you asked Randy at the beginning of this movie to play the eraser game with you, he probably would have thrown up on the spot just from the stress of you possibly knowing about what he'd done. And here he is, playing it with Miss Beard's daughter, someone he couldn't even imagine existed because having a daughter would have meant Miss Beard had a life after the incident, something he could never comprehend under OCD's spell. Randy tells his mother as he's leaving Miss Beard's house that he's going to get dinner with his friends. He has friends! They probably know his real name! Because he's brave enough to tell them!
And the thing is, you can see Randy appreciate this, and appreciate Benson. He hasn't forgotten Benson; the stuffed animals they made sit proudly among Miss Beard's daughter's playthings. Randy says 'thank you' to Miss Beard, for forgiving him and for allowing him the chance to move on, and I like to think the 'thank you' was also for Benson, too; Benson's methods may have been... unique, to say the least, but you can't deny the results!
Conclusion
I could not believe what I was seeing when I first saw The Passenger. There I was, in the dark depths of OCD, terrified to tell people about my false memory/real event themes for fear of being shunned and rejected or (because OCD likes to get irrational) imprisoned. But then I saw this movie, I saw this character, in the depths just like I was. And I'd never seen anything like it before. I couldn't stop crying. Someone made an OCD recovery movie. With queer undertones, no less! I was being well fed indeed!
And then, Benson reached over and wiped a tear from Randy's cheek and gently told him that he shouldn't be punishing himself for what happened. And then I thought, should I still be punishing myself? I got therapy. And I confessed my own false memory/real event to my therapist. And she didn't call the cops. She didn't yell obscenities at me. She comforted me. She taught me how to heal, and how to live. Without punching me in the stomach outside an elementary school! Didn't know OCD therapists could do that!
I interpret this movie as fucked up ERP. Like, really fucked up ERP. Violence and murder and abusive boyfriends ERP. But, this is the movie that helped me get the help I need. I wouldn't change a thing about it. Someone made it in a lab for me, and I'm so, so grateful. My weird little mentally ill gay movie. I cannot thank it enough.
And I cannot thank you enough for reading this!
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