#this is what my brain has come up with!!

[improvapocalyps]

You have 90 minutes to complete. (original poem: r.a.)

In participation of the MCYT Recursive Exchange 2024 hosted by @mcytrecursive!

Inspired by know that all my love will be your breath (i will save you when your lights go out)

[text under cut]

1. Have you ever been in love? (Please circle your answer.) a. It's me and him b. Our hearts beat in sync c. Our lives intertwined

2. Do you understand what you’ve done? (Please circle your answer.) a. I couldn't do anything b. I lost my balance c. I doomed us both

3. It's been god knows how long since you felt phantom hands on your neck and there is no one in sight. If you were soul-bound to him and both of you died at the same time then why are you still waiting in the void? Please answer clearly, in full sentences. (Not a correct answer：I just wanted to see him one more time).

4. Define two (2)： Fate | The feeling of his forehead against yours Curse | The moment you realise he isn't linked to you anymore

5. True or False： i. It was your fault. ii. You wish you had met him under different circumstances. iii. You can’t regret a single moment that you had him. iv. You would do it all over again if you could. v. It ended long before either of you said anything.

thumbnails:

sketch cover thing for imgur link:

[beybuniki]

best friend with social anxiety

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[anewp0tat0]

i lied i had like atleast one more weston thought to expell from my brain, before i miss this boat entirely. we're heading to green lands woooo

[acmelab]

questionable priorities 😑

[authenticyuri]

okay but has anyone thought about this.... has anyone else considered.... has anyone noticed..... or..................

[icantbeseenlikethisonmymain]

Me to my brain: oH my FUCKING god I KNOW she's hot please for the love of all that is holy LET ME LIVE

my brain: LOOK AT HER SMIRK. LOOK AT IT. LOOK AT IT FUCKING LOOK YOURE NOT LOOKIN YOU BITCH--

[lelelego]

had a dream and drew it :o)

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

[kaiserouo]

idk someone about bones or whatever

[poe-tat]

Why do I imagine this

Person: what's so scary about Chuuya? He's just a short chihuahua.. A shirmp

Akutagawa: *Actual fear but more aggressive* Hope and pray he didn't hear you *Walking out of the area*

Atsushi: Really hope You live so I can say I tried to warn you *also leaving*

Dazai: I hope he heard you so I can bully him lmao *Not moving an inch*

Chuuya: *Behind the person* What did you just say?

[sanjiaftersex]

if i joined in the ace retrieval mission, they'd have to surgically remove me from his dick

[jadewritesficshere]

Steddie x female!reader thought 18+ only

Eddie blinks his eyes a couple of times to make sure he is actually seeing what he is seeing. He must be living in a nightmare.

You're laying back on one of the pool loungers. One leg dangling over the edge keeping your foot on the warm cement ground, the other spread over Steve's lap as he absently rubs his hand up and down it while he bitches to you about something from work. Your hand rubs up and down Steve's back in comfort. But that isn't the nightmare.

Your bright red bikini bottoms covering enough, but with your legs spread a bit more skin is shown then intended. Spread in such a way that makes Eddie want to just dive in. Get on his knees and worship you, rub his face over your mound as he licks and nips and sucks. Moan as the curly thatch of hair brushes against his face.

Except the curls of hair he is expecting to see peeking around your bikini are gone. Just smooth bare skin. And that isn't the only nightmare. Steve's chest is smooth like when he was in school on the swim team. Not a speck of that beautiful chest hair Eddie would curl into after getting hot and heavy. Not a single curl of the "love rug" he jokingly called it.

Eddie wants to weep. To throw himself down like a little kid and thrash his arms and legs around. Yeah, it's your body and you can do what you want, but he still is sad its gone. Eddie doesn't like change, and suddenly walking in to see both of his partners change something without any warning? Uncomfortable. It makes Eddie feel itchy.

Eddie can barely speak as he walks over and sits next to Steve. He doesn't respond to Steve's warm greeting. Doesn't respond to you asking how the day is. Just stares with big wet eyes at the sight in front of him. A pout on his lips.

A warm hand lands on his shoulder, gently squeezing. Steve's brow furrowed in concern, your wide eyes blinking at him.

"Shaved?" Eddie asks in a quiet voice, eyes darting to Steve's chest and then your clothed pussy. Steve lets out a huff of laughter, "Fuck, thought something was wrong man." Eddie glares," It is."

[kindahoping4forever]

Nostalgia For A Time That Never Existed in Washington DC - 26 May 2024

[inkskinned]

hey it's nanowrimo. i have tips bc i've done it about 34 times.

Don't edit. Ever. Stop it. If you just decide to start a new project half thru this one with all new characters, no problem. pick up and keep writing as if you'd already written the first half of that.

"but i spelled it wrong" whatever. "but the grammar" whatever. make it exist first. no time for sense. think like you're working on a typewriter. no backspace. only forward go.

Don't re-read further than a paragraph or two backwards. "did i mention the gun before?" listen - it doesn't matter. if you need there to be a gun there, the gun is there. put it back in once you finish the book.

"i forgot the specifics of X thing i already wrote" whatever. change it, make a note/comment to figure it out later, and just write what makes sense for the moment. "no raquel it's legit the characters name and origin" idc that character is now reborn as Claudius from Elsewhere. it's fine.

only you see your mistakes. nobody else knows. one of the ways writing and dance overlap - only you know the choreography. nobody else will know if you miss a step, so just keep dancing and pretend you meant to do it like that.

it's an illusion that you need to write linearly - from point A to point B to point C. Nah; that's just timeline propaganda. I've written a LOT of books out of order and just reordered them once i've finished. if you have a scene you'd LOVE to write but can't get there yet because of plot, just fuckin write the scene. I've always found its easier to establish "point F" "point J" and "Point A" and then wiggle my way between those scenes.

write what you WANT to write. 230 pages of smut? of well-researched discussion on bread? whatever. the point is to strengthen muscles however you can.

if you miss a day, a week, whatever. not the end of the world. we all have dry days. also time is a myth so u can do this challenge whenever u want.

as soon as you try to write for a specific audience, you kill your voice. you are writing for yourself. stop thinking about how people will take ur book. it don't matter. what matter is u, enjoying writing. i luv u.

play to your strengths. i have characters talk so much because i don't know how to write a plot if it kills me but i'm really good at dialogue so.

i love a flight of fancy. write a poem in there. shift tactics and write in code. keep it fun for yourself.

see what happens if you shift something major about ur main characters - gender, wealth, superpowers. or if you change point-of-view. or if you kill everyone in a big explosion. do NOT edit anything before this or after it. often these little weird one-off exercises teach me what interests me about what i'm working on. it is never what i thought. plus it is a fun way to add like 1k words.

stretch.

it's for fun and for practice. stop doing that project if it's giving you anxiety. once my nano was literally 50k words of half-started stories. just things i tried and tried and tried and wasn't able to flesh out. oops. but i am now 50k words of a better writer.

add dragons?

read books/listen to books on tape/etc. people often make the mistake of "buckling down" to just write. you need inspiration. you need to like. fill up on words. you need to remember how it feels to lose yourself in a story.

i don't have the time or space to really talk about this in this post but a lot of creative people turn to drugs/alcohol because it can help you be more creative. this is harmful, and walking a blade that only cuts deep. if you notice you and your loved ones are turning more to substances, please know i love you and i hope you are able to get help soon. i feel like this almost never gets mentioned because it's kind of a hazy underbelly to art. you are always more important than the work.

on that note. drink your fukin. water.

don't talk about a story until you've finished it. once you tell the story, it exists already, and isn't about discovery. i usually have a very canned "haha we'll see" response.

grapes :) tasty snack.

i love you be free.

[cairavende]

Worm Arc 21 thoughts:

Well that was sure a turn around from last arc's "I'm going to rally the students so I don't get captured."

I know my daughter has made some . . . mistakes, but I'm not a fan of her turning herself into the openly corrupted and also bad at their job parahuman cops.

(Parahuman cops as in "cops who police parahumans" not "cops who are parahumans")

Like look, I get it. A precog told her to cut ties. I can't say it's wrong to follow that advice. But she could do that in a lot of ways that don't involve the PRT.

The second not from Dinah just being "I'm sorry" is brutal.

But before she can turn herself in she has to absolutely fucking crush the PRT/Protectorate for outing her civilian identity.

I love how fucking simple taking out the entire PRT headquarters was for Skitter and her girlfriends!

Who needs anyone else? Bitch brings muscle, Tattletale brings information, Skitter brings battlefield control. Lesbian polycule power activate!

Was it an overboard response? Maybe. Was it badass how she just took out so many heroes and PRT troops with ease? Yes.

Poor Dovetail has one of the most embarrassing introductions ever. First time we see her and Skitter is wiping the floor with her and thinking about her "crummy power".

God I hate Tagg so much that he makes me miss Piggot. Like she was absolutely terrible, but he's worse! And making me miss Piggot makes me hate Tagg even more!

Kindly old cemetery groundskeeper who doesn't pay much attention to the news! Never a bad trope.

They gave Butcher 15 to Cherish???!? Like sure they give all the reasoning for it but like ... it just seems like a really high risk situation. If she ever gets out it's going to suck. A lot.

THE SCENE AT RACHEL'S PLACE OH MY GOD!

SHE IS BUILDING A COMMUNITY! I LOVE HER SO MUCH!

Rachel just over here finding everyone like her and giving them a place. Legit crying. Look at that fucking growth!

(Also shout-out to my wife for having basically done the same thing. It's how I met her. It's how I met one of my girlfriends. And so many other important people. So ya. I fucking love this.)

Also you ever like a girl so much you try to give her an entire planet? Cause Taylor sure has.

"Rachel I don't want you to be sad when I'm gone so you can basically have this whole other planet we found."

GGGGGGGGGGAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY!!!!!!!!!

Imp let Regent take control of her . . . welp. Like, I'm not really surprised by this. And in a different situation I wouldn't even really find it that weird. I'd do it with the right person. But combination of age and the situation they are in and Regent being Regent annnnnd ya. Welp.

I did love how much of the interactions between Skitter and Regent/Imp really was just her struggling with parenting two teenage supervillains.

IT'S NOT SO EASY, IS IT CHILD?!? MAYBE YOU'LL CUT ME SOME SLACK AND LISTEN TO MY ADVICE IN THE FUTURE!

(She won't)

I fucking LOVE that she made the bible themed hero kneel. Absolutely fucking amazing.

Oh shiiit, Skitter just flat dropped that guy multiple stories. Is she going to far?

. . . wellll, these guys do literally worship the Endbringers so I guess a little aggression is ok.

Damn, Valefor sure has some fucked up powers, I wonder what they're gonna do abou-

. . .

. . .

. . . . . .

. . . wellll, these guys do literally worship the Endbringers so I guess a little aggression is ok.

. . .

Yep.

. . .

. . . I think I preferred when she just used a knife.

So anyway

Not a fan of Taylor having more alone time with Brian (not because I have any issue with the idea, but because I think she needs to be focusing on her girlfriends), but I am a fan of her using bugs to clean her dress and fix her hair afterwords while Brian just kinda sits there and has to contemplate what he has gotten himself into. Queen shit.

Flechette was SO mad that Parian wasn't "cute" anymore, I couldn't stop laughing. Sure, she said "You had to take the playfulness away? The joy?" but we all know what she meant. Of course, it's won't take very long for the new costume to get Flechette's attention. (I have to mention that this is basically exactly what I said when reading the scene, and the interlude a few chapters later just proved me right.)

Flechette is just so hopelessly gay

Miss Militia is actually getting very mild respect from me right now. Like, she's still working for the cops but she is actually agreeing to silently push against some things. Now, she says she doesn't have more power then that but she is a very well known hero and if she would publicly speak out about certain things there is a decent chance she could do more. That would of course be putting her position at risk though. Which is why she only gets very mild respect right now.

OH MY GOD I DIDN'T JUST GET TO SEE TATTLETALE'S MURDER WALL, I GOT TO SEE HER ENTIRE MURDER ROOM!

Fucking multiple bulletin boards with threads connecting them. Everything color coded. Reference numbers to files with more details. Multiple TV screens, computer with constant information dump. God. It's like a literal representation of the inside of my mind while I read Worm. SO MANY THINGS TO FIGURE OUT!

I love a lot of characters, but Tattletale always stays near the top. She gets me.

And from the fucking joy of getting to see that setup I come crashing the fuck down.

Like, I have completely figured out at this point that Skitter is turning herself in. I know what is coming. She's had her moment with everyone else and Tattletale is the last one.

And then. Then just . .

No goodbyes.

😭😭😭😭😭

HOW DARE THIS BOOK MAKE ME FEEL MY OWN FEELINGS!! I'M TOO GAY FOR THIS!

I do find it hysterical that the PRT officers working the front lobby don't all recognize Skitter on sight. Fucking gas station employees will manage to keep track of people with pictures on the "bad check" board, you'd think the PRT could manage to have their officers keep track of the face of one of the most well know villains in the country, if not the world, who also controls their city. PRT is forever bad at their job.

That one guy did notice her eventually though, so I guess he gets to be employee of the month.

The Number Man interlude thoughts:

The inside of this mans mind is one of the sexiest things I have ever seen and the constant reminder of the horrible things he is helping Cauldron do to all their prisoners was very helpful because it was the only thing keeping me from deciding that The Number Man is a perfect soul that can do no wrong.

I have no illusions here. I am weak. This man is a monster and I should not have any trouble remembering that.

But fuck shit fuck oh god fuck I don't even need him to touch me. I just need him to TALK to me. I just need him to get high with me and let me pick apart how his mind works!

He understood numbers, and through them, he understood everything.

That line. Absolute killer. Fucking take me.

. . . anyway yes it's a very interesting interlude!

Loved seeing more of the inner workings of Cauldron

I very much want to see the final level of their basement that only the Doctor goes into because I said that I thought Cauldron had a dead (for values of dead that are non-definable) higher dimensional being in their basement back during arc 15 and now I know for sure that there is something down there. I wanna know if I was right!

Oh my god he was friends with Jack

"Friends"

Look I make everything gay ok? It's not my choice! Sure it means I get to enjoy every tiny bit of Wolfspider and Chatterbug cause I see all of it. But it also means I see the ships I don't want to think about!

I men what was I supposed to think when Jack said “We can live this. Together. Every waking second…”?

Gay

Parian interlude thoughts:

And speaking of gay!

Fucking Flechette just full blown "Fuck all of this I want you to tell me what to do for the rest of my life!"

Full U-Haul lesbian.

GAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYY!

This is Parian's new costume having an effect.

Just so gay. I love it.

Also Bitch just so fucking ready to break Skitter out. So fucking gay.

And the incredible loyalty, which is gonna hurt if she ends up feeling betrayed by Skitter.

Still gay though.

Tattletale, basically without powers, just completely giving Accord the "fuck off, we're in charge" was amazing. All she had to do was promise to consider his binders and he was all in. This poor man just wants somebody to read his ideas! He's like a aspiring screenwriter just begging people to read his script.