raseees-blog

[lycanaether]

Squib

[sixoclocker]

the nuances of being alive when you aren’t meant to be

[yuttikkele]

I just feel like Katara and Zuko would have the PETTIEST beef regarding Aang. They are friends, and they don’t harbor any actual problems with each other, but the rivalry and butting heads persists. They both think the other is trying to take Aang away from them. Like:

Katara: Zuko what are you doing here?

Zuko: I just came by to see my BEST FRIEND Aang. We’re having boys night tonight.

Katara: Oh, my BOYFRIEND and I are actually going out on a date tonight!

Zuko: That’s strange. I don’t remember him MENTIONING you!

Katara: Hahaha! That’s probably because—

Aang: Hey, I’m glad you guys could make it! Are you both ready to go?

Katara and Zuko: What.

[kald-dal-art]

Season 4 of Umbrella academy was disappointing so doodling stuff to cope IG and the stuff I actually would have liked to see in S4

[keferon]

*clasps your shoulders gently and looks you straight in the eye*

Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.

You are the seventh person that recommended this fic to me so ahahahaha yeah

I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender

…..I made the moodboard….

[lionessprince]

Cole is so associated with death it makes my head hurt that no one’s really done anything with it (especially the showrunners I think they forgot)

he was a fucking ghost for three whole seasons a fucking ghost I don’t even have any other way to elaborate on that because that should I feal like enough to back up my point and also his mom the previous master of earth is also a ghost bc she’s dead

his element is earth which you think would be associated with plants and life and shit but no. His main colour is black there are no ties with him and nature just what’s below the ground (mostly rocks) but yk what’s also below the ground, specially six feat bellow ground? Dead peaple and yk what peaple wear when they put those dead peaple in the ground black

[ohitslen]

OMG the sillies!! ✨✨

Also I’m sorry (not really) Wolfwood, but since you became one of my favorites it was only a matter of time until I did a drawing of you all beaten up 🦅🔥🔥

[otaku553]

Haha

[theminecraftbee]

task: answer the following question. do you believe in curses? respond as completely with relevant information as possible.

Grian: Well, that's a lie. This isn't a task. I know it's not a task, I set the things up! Not sure why we're getting a question as pointless as this one, but sure, mysterious scroll, I'll answer. There's no such thing as curses, unless you're Timmy, in which case it's funny, yeah? Besides, I didn't actually kill Etho. Even if that did count, self-fulfilling prophecies aren't the same thing as curses, and I know which one I fall under.

Joel: Do I believe in bloody curses what kind of question is that? Do I really get hearts just for answering this? This feels like a prank or something... well, whatever. There are no such thing as curses, except the Boogeyman curse, which I sort of had today, but it wasn't actually the same at all. A lot of the bloodlust, sure, but a lot more... Etho had to be the one to do it, huh? And it's not the same. Not comforting. That's a stupid thing to say actually. Take it out of wherever you're putting this. Cut it out of the recording. Comforting. Please. As if it were ever... Yeah, I'm done actually. Don't have a good answer. Go away.

Scott: What, other than Jimmy? Bless that man, he may not have died first, but he sure tried his best. Sure, I'll believe Jimmy is cursed. I mean, mostly he's just kind of stupid. Lovingly so. I mean, despite him being stupid, I put up with him, right? That seems like a complete answer to this question. Jimmy's an omen but we put up with him anyway. That's all.

Mumbo: NO RESPONSE GIVEN.

Pearl: Oh, I mean, I'm probably cursed. That's what everyone liked to say at one point. I think... I mean, I think this time I have good friends, which is nice. They don't think I'm cursed. And it's not like I--I mean, it's surprisingly fun, acting cursed! And I am just acting. Acting scary, blowing up dance floors, all of that. And I don't really have to this time, so... Maybe I'm not cursed? And since it's acting, it's not real? This is a weird question.

Etho: Oh, man, that's a question. Um, do I have to answer? Because I feel like if I say no, that's really just asking for it, but if I say yes, I have to explain myself. Uh, I think I'm abstaining, unless the zombie thing from earlier counts. That was scary and I hated it. Curses are scary and I hate them in general, but apparently I'm good at them, if you ask everyone else. Um, it's not the only thing I find scary that apparently I'm good at.

Scar: Why, of course I believe in curses! Look at poor, poor... Timbert? Timmy? Jim? Gosh, sorry, I'm very tired right now. That's more proof of curses, by the way! That I'm tired. I've been tired straight since the desert, let me tell you what. And that, my friends, is a curse like no other. What a terrible beast, loneliness is. Wish me luck breaking it, because it's not happening this season!

Cleo: Oh, you mean the thing people like to blame instead of their own actions? Nah. My soulbond was kind of a curse, I guess, but even that's at least half just... bad people. Bad relationships. Good ones, too. We're all just doing what you can, you know? No script, no curses, no characters, just... Oh, I hope everything turns out tomorrow. Sorry, that's unrelated. It's just nicer to hope than to preemptively blame things on curses that don't exist.

Impulse: Well, I mean, I didn't until you just asked me that, but now I feel like I should. Wouldn't that be nice? Being cursed instead of just sort of unlovable? Sorry, no, that's mean to Gem. I shouldn't say that about Gem, she's been good this season. Super, super cursed, mind you, in the like, game mechanic sense? But she's been good, no backstabbing or inability to get love involved. Um, and I guess that's not fair to Bdubs, kind of, except it also totally is and I haven't forgiven him. So I guess if they ask I said I believed in curses, and that's why my life keeps circling clocks? Don't put any of that other stuff down, I'm trying to work on that.

Lizzie: NO RESPONSE GIVEN.

Gem: I was just cursed for a task, but that probably isn't what you're asking about, right? I'm new, so I don't know! A task is a concrete thing to believe in, like bloodshed or victory or fun and games. You don't have to believe in those to know they're real, either! They just are, whether you like it or not. I understand that much!

Tango: Gah, don't talk to me about... Deep breaths. Look, I don't care if it's a curse, or if it's just me being really bad, or what, I'm not going out pointlessly this time. Jimmy managed not to die first, I can manage to not go out to a stray arrow or my own bomb or a misstep this time, right? Is that so much to ask?

Skizz: Huh? Curses? I mean, I don't think so, and to be totally honest I think it's kind of mean the way people sometimes rag on people about them. Everyone's got so many good things about them! Why do people like to focus on the unfortunate luck, huh?

Bdubs: Hah! Curses! Let me tell you about curses. When I see curses, I eat them for breakfast. I don't got curses, I've got better things to do! I've got my buddies with the Mounders, and I've got-well, I'd say keeping Etho safe, but he's being weird at me again this season. Not that it matters. It never matters. Etho and I, we're... The point is, that doesn't matter anyway, because I have the Mounders, and they're the ones who matter here. And because I'm a strong, independent Bdubs, who doesn't need anyone but my bow and my perfect, flawless fighting prowess! Sorry, what was the question? I've been thinking so much lately that it's just sort of made everything else pop out of my head, so it's hard to keep track. I'm sure I answered it flawlessly, though.

Martyn: Of course there are curses. That's half the fun for you lot, isn't it? Putting your little curses on us and watching us rail against them. Bet you think it's real cute to ask us what we think of the things, too. "Oh, what do you think of curses," like we have any control over them. Please. If I had any control over curses, Jimmy--or, well, no, I guess that one was technically broken, wasn't it? Sure doesn't feel like it. Point is, curses are bad, and they're definitely real, and I hate you for them, got it?

BigB: Look, man, if you're trying to get me to write my character out for you, just say so! I won't tell anyone. We can come up with a hole thing about holes and red tasks and the Backrooms together! It'll be fun! After all, you probably don't know what kind of curse to say I have, right? Haha, just kidding. I have no idea what I'm talking about. Luckily, neither does anyone else, so I think that evens out between the lot of us.

Jimmy: NO RESPONSE GIVEN.

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[mellomadness]

everyone’s already talked about how welly boots by the amazing devil was definitely written while joey was reading the witcher books and working on the show, and how geralt and ciri’s relationship are definitely influential in the song’s creation but like. has anyone talked about the song as is?

it’s from the perspective of a too-soon dead father, telling a story to—presumably—his living daughter whose ears can no longer hear his words and yet he continues to tell the tale. and as she grow up he continues to speak to her, always in her corner, even and especially when she breaks down and screams her hatred toward him in her grief—“I’ve been so scared, you left me here behind, do you not care? how the fuck am I supposed to carry on… without you here?”—he is still there, willing with everything he has left that she will still feel his love, feel the comfort in the ghostly hand on her back, feel his strength and take solace in him, even though they are worlds apart now.

and as she stands in the grass outside her childhood home she feels the wind whip at her, enveloping her as the storm rolls in. she turns to go back inside and freezes.

a brand new pair of scarlet welly boots sits on the front porch. just like the last pair her father bought her before he died. and she finally knows.

he never left

[milquetoad]

i think my problem with ashton is that the potential they have to grow as a character is contingent on being confronted on their biases and shortcomings, and that is simply not happening due to rp and campaign arc decisions, so they have just entrenched themselves in their little bubble of nihilism and self-centeredness in a way that feels like it’s holding the entire story back

[rexecutioner]

Mystreet au but it’s just the comfort no hurt mcd spin off where everyone isn’t a descendent or reincarnation of their mcd selves and are just happy and content with their lives, and Minecraft Diaries is a dnd campaign that Garroth runs for his friends (main party consisting of Aphmau, Vylad, Laurance and Nicole, and eventually Dante, Travis, kinda Zane, and Katelyn join them)

“Ok Vylad, roll to shoot Zenix.”

“…nat 1.”

“Vylad shoots Brendan in the chest. Roll damage.”

”Aphmau, roll to hit with disadvantage.”

“WHY DISADVANTAGE!?”

“You are trying to kill a demon warlock. THE Demon Warlock. The guy keeping you trapped on this island. Alone. By yourself.”

“Okay, I guess that makes sense. *rolls* NAT 20!!”

“…..you got him. Roll damage :( ”

[canine-economy]

On Swansea’s (often understated) role in Mouthwashing

I say this as a big swansea fan but I don’t rlly understand why ppl are acting like he’s not also complicit in what happened to Anya? AUs where “Anya tells Swansea” and he jumps to violently defend her don’t make sense to me because canonically she does tell him, as he admits to Jimmy. But swansea represents another way of interacting with the capitalist heteropatriarchy that ALSO harms victims: holistic jadedness and resignation.

Swansea is across the board unkind to the Tulpar crew. We can’t forget that he calls anya a “so-called nurse”

and says this to Jimmy, which (if unintentionally) reiterates Jimmy’s own warped perception of Anya’s usefulness and competence. This allows Jimmy to feel justified in his imagination of the nurse’s inferiority. Swansea’s clear lack of respect for Jimmy does less to hurt Jimmy than his lack of respect for Anya harms Anya, because at the end of the day, Swansea’s attitude is contextualized by the violent culture it exists in and he does nothing to reconcile with that when Jimmy becomes the captain. His resignation can thus be weaponized even by Jimmy, a man who Swansea disrespects but whose power he doesn’t try to meaningfully jeopardize, because his across-the-board disdain punches people already marginalized by the environment twice as hard as it does those with power.

Swansea doesn’t position himself as an ally, he positions himself as willfully uninvolved in everything, an observer to the shitshow ride to hell. Just because he dislikes Jimmy doesn’t mean he aligns with Anya. He makes it clear that he’s not on her side, either. After a life of doing what he felt was expected of him, Swansea on the Tulpar looks out for Swansea and Swansea’s comfort. In trying to situate himself outside of the politics of it all as an older white man, he simply allows them to play out. The toxic culture keeps existing, playing out in the microcosm that is this freighter, and Swansea in all his experience recognizes that shit has hit the fan and elects to coast through it, even explicitly numbing himself to it by breaking his sobriety. It is, of course, hard to force yourself to be sober—to see clearly. But had Swansea forced himself to get involved sooner, he might have set a precedent for Daisuke to recognize Jimmy’s abuse, which could have saved Daisuke’s life as well as created a safe space for Anya. But Swansea’s inaction forces both victims to confront an abuser on their own, unable to reap benefits from his privilege and experience.

Jimmy is clearly intimidated by swansea in a way he is not by Anya, Daisuke, or a post-crash Curly (Swansea, for example, physically manifests as an aggressor in Jimmy’s “responsibility sequences”, and Jimmy ties Swansea up to avoid what he sees as the real possibility of pushback that he doesn’t conceive of Anya being able to do). Swansea has a power he does not act on or with until it is far, far too late. In fact, he acknowledges in his final monologue that he was dissatisfied with the discomfort with opening his eyes and living an exemplary “good man”s life. The best days of his life are ones in which he’s belligerently drunk—days in which he didn’t have to hold himself accountable. He regrets the life he spent performing for higher-ups and we watch him reject it by scorning Captain Jimmy, but he also doesn’t want to be held responsible for helping other people when it’s their turn to endure the expectations and violence from similar (if not the same) higher powers. Tragically, he possesses the hindsight to recognize that how he acted on the Tulpar consequently wasn’t what Daisuke needed out of a role model, leading to Daisuke becoming a victim. His hands-off approach to emotional engagement with his young male intern (another symptom of patriarchal gender norms) may have been to avoid Daisuke turning out miserable and jaded like himself, but it doesn’t actually indicate to an already-confused Daisuke what the dangers of that attitude are. Swansea never admits his own shortcomings in a tangible way which, had they come from a man with experience and prestige like himself, may have shifted that culture that failed Anya. She comes to him with the story not because he has situated himself as any earnest friend, but likely out of desperation on a ship Jimmy now controls.

When we allow “the machine” (Swansea’s own words) to beat us down to the point that we don’t find it productive to challenge unjust power dynamics, we become complicit. I think too many people get hung up on his disdain for Jimmy and Jimmy’s fear of Swansea as a marker of allyship with Anya, but the truth is that Swansea. Is a bad ally. He’s hardly one at all. His long stint in the demanding capitalist environment molded a perfectly complicit result out of him, as it aspires to do, even if Swansea bitterly recognizes that. Jimmy’s overt violence from a position of power is a different and much more brutal approach to abuse enabled by people who have been left too tired and bitter to care that he does it. A man who could’ve intimidated and even threatened Jimmy is too resigned to try until there is literally nobody but himself left to fight for, which is an attitude carefully cultivated among the lower rungs of hierarchies to keep the top safe. Swansea in particular seems very unhappy with the capitalistic, patriarchal expectations laid out for him as a father, husband, and laborer. His decision to just stop trying and spare himself the grief instead of questioning why those expectations exist and how they would hurt the others onboard only delays him being directly targeted by Jimmy and doesn’t interrupt the latter’s violence.

Not a single man in mouthwashing is innocent in Anya’s victimhood. This is a statement tentatively uninclusive of Daisuke, because I think the game very deliberately positions him outside of manhood through his youth and thus struggling with the concept of “fitting in” to the patriarchy. Curly, Jimmy, and Swansea all represent different failures that ultimately perpetuate Anya’s suffering and force her to defend herself and finally take her life into her own hands. A holistic analysis of rape culture in MW necessarily engages with all three of them. Only not being a friend and ally to rapists and other male abusers isn’t enough, and Swansea proves it.

[torawro]

y’all . . . . . .

[hylianane]

And when OPLA calls back to Zeff telling the crew to read stories to Zoro so he can hear their voices and recover faster, by having Sanji sit by his bedside on Thriller Bark and read him a book about the All Blue. What will you do then?