#this metaphor was very compelling to me

[gowns]

Imagine that all the world’s knowledge is stored, and organized, in a single vertical Steelcase filing cabinet. Maybe it’s lima-bean green. It’s got four drawers. Each drawer has one of those little paper-card labels, snug in a metal frame, just above the drawer pull. The drawers are labelled, from top to bottom, “Mysteries,” “Facts,” “Numbers,” and “Data.” Mysteries are things only God knows, like what happens when you’re dead. That’s why they’re in the top drawer, closest to Heaven. A long time ago, this drawer used to be crammed full of folders with names like “Why Stars Exist” and “When Life Begins,” but a few centuries ago, during the scientific revolution, a lot of those folders were moved into the next drawer down, “Facts,” which contains files about things humans can prove by way of observation, detection, and experiment. “Numbers,” second from the bottom, holds censuses, polls, tallies, national averages—the measurement of anything that can be counted, ever since the rise of statistics, around the end of the eighteenth century. Near the floor, the drawer marked “Data” holds knowledge that humans can’t know directly but must be extracted by a computer, or even by an artificial intelligence. It used to be empty, but it started filling up about a century ago, and now it’s so jammed full it’s hard to open.

From the outside, these four drawers look alike, but, inside, they follow different logics. The point of collecting mysteries is salvation; you learn about them by way of revelation; they’re associated with mystification and theocracy; and the discipline people use to study them is theology. The point of collecting facts is to find the truth; you learn about them by way of discernment; they’re associated with secularization and liberalism; and the disciplines you use to study them are law, the humanities, and the natural sciences. The point of collecting numbers in the form of statistics—etymologically, numbers gathered by the state—is the power of public governance; you learn about them by measurement; historically, they’re associated with the rise of the administrative state; and the disciplines you use to study them are the social sciences. The point of feeding data into computers is prediction, which is accomplished by way of pattern detection. The age of data is associated with late capitalism, authoritarianism, techno-utopianism, and a discipline known as data science, which has lately been the top of the top hat, the spit shine on the buckled shoe, the whir of the whizziest Tesla.

[...]

It’s easy to think of the ills produced by the hubristic enthusiasm for numbers a century ago, from the I.Q. to the G.D.P. It’s easy, too, to think of the ills produced by the hubristic enthusiasm for data today, and for artificial intelligence (including in a part of the Bay Area now known as Cerebral Valley). The worst of those ills most often have to do with making predictions about human behavior and apportioning resources accordingly: using algorithms to set bail or sentences for people accused or convicted of crimes, for instance. Connelly proposes that the computational examination of declassified documents could serve as “the functional equivalent of CT scans and magnetic resonance imaging to examine the body politic.” He argues that “history as a data science has to prove itself in the most rigorous way possible: by making predictions about what newly available sources will reveal.” But history is not a predictive science, and if it were it wouldn’t be history. Legal scholars are making this same move. In “The Equality Machine: Harnessing Digital Technology for a Brighter, More Inclusive Future” (PublicAffairs), Orly Lobel, a University of San Diego law professor, argues that the solution to biases in algorithms is to write better algorithms. Fair enough, except that the result is still rule by algorithms. What if we stopped clinging to the raft of data, returned to the ocean of mystery, and went fishing for facts?

-- "the data delusion," jill lepore, new yorker 3/27/23

[wavesoutbeingtossed]

You cinephile in black and white, all those plot twists and dynamite / Said “forever,” then he blew it up

[spookythesillyfella]

★ WARNING FOR : BLOOD . GORE [kinda] . BODY HORROR [not really but i wanna cover all bases]

something something "i want to pull your skin open and crawl inside you" something something

[karouvas]

remembering on my circa 2017 booklr I used to tell people to read Gemma Doyle by describing it as trc but with an all girls boarding school / all girl group in a historical setting… I was trying to do the lord’s work she deserved tumblr fame

[widowshill]

reminder to myself to find and upload the article about the gendered enlightenment/scientific reason vs superstitious persecution in Carmilla and it’s resulting ambiguously supernatural narrative because. it’s so formative to the way I think and write about ds lmao it needs to be on some kind of blog syllabus.

[laikuh]

selkie!dean is the one thing guaranteed to make me crazy still about dean and john.

[crossdressingdeath]

A thing I wish DAO went into more: the way Alistair is in some ways incredibly selfish. Like, the way he refuses to take charge of the group is treated as kind of endearing in the text, but the game doesn't really get into what a massive burden he just... drops on the junior Warden present with no warning or discussion. Think about it: the Warden is heavily implied to be very young (possibly younger than Alistair, definitely around the same age), most of them have no real experience in leadership, several of them have no experience in the world outside their small corner, all of them have only been Wardens for a few days. And Alistair dumps leadership of the group on them and refuses to take any of that weight. Does your Warden like leadership? Are they any good at it? Is it exhausting and difficult for them? Alistair doesn't care! He doesn't want to lead, and that means you have to lead, and whether or not you want to lead has no bearing on that. It's not a discussion, there's no suggestion of sharing the responsibility of leadership as the Wardens of the group; Alistair metaphorically throws the responsibility at you and runs.

But if you go for low approval with Alistair it's basically all about calling him childish and immature, even though I think a much more compelling low approval dynamic is the Warden despising Alistair for putting so much on them with no hesitation, but being stuck with him (because they know as well as he does that they need all hands on deck Warden-wise) and stuck with that burden of leadership (because a Warden kind of has to be in charge of the group and even if one didn't no one else in the group would be very good as a leader in this situation, and Alistair has made it very clear that he won't take it). Even at high approval it would be very compelling to have this sense of resentment at how Alistair just assumed they'd take on the burden of leadership and refuses to take any of it for himself. But that aspect gets completely ignored in the story, you don't really get the chance to raise the matter aside from asking why you're in charge despite him being the senior Warden present a couple of times.

It also adds something really spicy to the fallout of sparing Loghain, though, because... Alistair forced the Warden to take on leadership. He made them be the one to make these hard choices. It's never been a discussion, it's never been the Warden's choice whether or not they take on responsibility for these tough decisions, Alistair always just expects them to do it. And now they've made a call he doesn't like, and he abandons the group on the eve of battle because of his wounded feelings? I'd argue that's as much a betrayal as sparing Loghain if not more so, and certainly more of a betrayal of Duncan's memory; Duncan understood that a good Warden must be driven by necessity, not emotion or even morality, and I feel like in the Warden's place he likely would've made the same call. They need Wardens around to kill the Archdemon, as many as they can get, and even one more could make the difference between victory and defeat. The Warden and Alistair may not know the details, but with the most senior Warden present saying they should make Loghain a Warden instead of killing him a logical assumption would be he has a very good reason for saying so and maybe they should listen to him! I would've loved it if during the argument with Alistair after sparing Loghain you could really get into that "You forced the responsibility of making these decisions on me when I never wanted or asked for it, you don't get to throw a tantrum now that I've made one you don't like" aspect of it, but you... don't. And that's a shame, because it takes a lot of depth away from his dynamic with the Warden.

[literaryvein-reblogs]

Writing Notes: Character Development

Rick Riordan's Writing Tips

Rick Riordan:

Character development is paramount for me. I firmly believe that plot and character development must occur simultaneously. Plot cannot be left to chance. Neither can characters be automatons who carry out actions envisioned in the author's master plan. Below are some things I try to keep in mind when developing my characters:

RICK RIORDAN'S TOP 5 TIPS ON CHARACTER

Define a character first through action, second through dialog and description, never through explanation.

A character should be primarily defined by the choices he makes, and the actions he takes.

How does he respond to violence?

How does he respond to love?

Secondly, a character must be vividly but deftly describe through his speech, and through the initial view you give the reader.

Never stop to explain who a character is when we can watch him in action and decide for ourselves.

Be impressionist rather than realistic.

Describe characters as Dickens did – with a single deft stroke.

A laundry list of physical traits is realistic, but it is neither memorable nor compelling.

A jarring metaphor for the character, or a focus on one mannerism or physical trait, can be very compelling.

Example: She was a human tornado.

Do not be afraid to use real people as models, but do not be constricted by your models.

It is very natural to use parts of ourselves or the people we know when creating characters.

Do not be afraid to do this because someone might get mad at you.

At the same time, let your character develop.

Do not force them to do what the real-life model would do.

Characters seldom end up exactly like the real people they are based on.

The reader does not have to be told everything you know about the character.

It may be critically important to you that your character has blue eyes, or went to Texas A&M.

But if these details have no part in the story, the reader will not care.

Leave them in your subconscious.

If you are having trouble figuring out a character, fill out a character profile, or do some journaling in that character's voice.

Your character must act, not simply be acted upon.

We care about characters because we are interested in the choices they make.

We want to boo the villain, cheer the hero, and cry with frustration when the tragic figure makes the wrong move.

A character who does not act, but simply receives information and is acted upon by outside forces, is not a character who will compel the reader.

Remember, plot is what the characters do next.

If the characters do not create the plot, the plot is hollow.

Here's a character profile worksheet I sometimes fill out if I'm having trouble understanding a particular character I've created:

Character Profile

Name:

Height:

Age in story:

Birthplace:

Hair color, length, style:

Race/nationality:

Regional influences:

Accent: (include voice, style of speech, slang, signature phrases or words)

Religion:

Marital status:

Scars or other notable physical attributes:

Handicaps: (emotional, physical, mental)

Athletic? Inactive? Overall health?

Style of dress:

Favorite colors:

How does the character feel about his/her appearance?

Brothers/sisters:

Relationship with parents:

Memories about childhood:

Educational background: (street smart? Formal? Does he/she read?)

Work experience:

Occupation:

Where does the character live now? Describe home (emotional atmosphere as well as physical)

Neat or messy?

Sexual preferences/morals/activities:

Women friends/men friends:

Pets?

Enemies? Why?

Basic nature:

Personality traits (shy, outgoing, domineering, doormat, honest, kind, sense of humor):

Strongest trait:

Weakest trait:

What does the character fear?

What is the character proud of?

What is the character ashamed of?

Outlook on life (optimistic, pessimistic, cynic, idealist)

Ambitions:

Politics:

How does the character see himself/herself?

How is the character seen by others?

Do you like this person? Why or why not?

Will readers like or dislike?

Most important thing to know about this character:

Present problem:

How it will get worse:

What is the character's goal in the story?

What traits will help/hurt the character in achieving this goal?

What makes the character different from similar characters?

Why will readers remember this character vividly?

Source

[3nyasu3]

Okay, let me use this as an excuse to ramble. I've wanted to make a post about this for ages

The answer is: sort of. Because in SM114, he had a crush on Pheromosa.

The thing is, Pheromosa is "gender-unknown". While it was probably not the intent of the showmakers to make Meowth canonically queer with this, I still believe that this is quite compelling evidence. I guess you could say they made him "accidentally canonically queer".

But while this is the most head-on evidence, its not even my favorite.

In episode BW044, Meowth has an intense crush on a male Purrloin, only to quickly retract his feelings when Purrloin tells him he is male in the end of the episode. While this episode is clearly just homophobic in nature, I still call bullshit. You really want to convince me that pokémon determine another pokémon's gender by looks alone? And not like, by smell or instinct? I firmly believe that the thing that actually made Meowth retract his feelings was the peer-pressure of the twerps starting to laugh and point at him during the gender-reveal.

Next, we have his insinuated crush on the boss. I am not going to say much on this, you know the images. James' words here confirm that it is always Meowth's imagination that we are seeing. Also, they had to cut a boss fantasy scene in DP030 in the english dub because it was too suggestive.

And I just have to add this because I ship them, sorry, but his interactions with Pikachu sometimes seem a little on the queer side as well.

So much for actual somewhat queer material. But don't get me even started on the queercoding.

The whole story of him being trapped in between the worlds of pokémon and humans feels like a very trans metaphor to me. Also the discrimination he sometimes faces, people calling him disgusting or a freak just for the way that he is. His trans voice actress Maddie Blaustein read his story as him being a human trapped inside a pokémon body, and it was the reason she decided to come out to her co-workers! If that is not transcoding, I don't know what is.

The way he sometimes has crushes on humans also feels like queercoding / bicoding to me. He literally is queer on every side of the spectrum. Can't get any queerer than that.

And last but not least, considering his amazing trans and lesbian/ bi voice actress, it feels just unfair to label him as cishet. Come on, we can do better than that. It's what she would have wanted.

[elliesbelle]

nobody compares to you

chapter 6

pairing: ellie x reader

synopsis: you're in your junior year of college and at a party, you run into the girl who broke your heart: ellie williams. despite the time it took to reset your life, will you risk a broken heart again for her?

content warnings: modern college au, cursing, angst, messy lesbian relationships/situationships, loser!ellie makes an appearance for 0.5 seconds, brief and indirection mention of marijuana, mentions of death, brief mention of reader's genitals (implies that reader has a vagina, but if you headcanon reader as a trans girl w/a penis, just pretend it's a metaphorical vagina, i fully encourage it), sexual speech and content (not fully smut but there are drops of it), depictions of nudity, minors do not interact

word count: 4.6k

chapters: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen

series masterlist

my masterlist

i have a ko-fi if you like my work so much that you feel compelled to tip me ♡︎

the "nobody compares to you" spotify playlist

Abigail Anderson. Pre-med student. Rugby star. A brief hook-up from freshman year. 

And now approaching your frozen figure at a rather fast pace. 

As your shocked face emerges from behind the football you're still holding in your hands, Abby begins to register who it was that she’d almost killed via pigskin. 

“Oh, shit!” She murmurs your name as her jog comes to a stop at your feet. “I’m so sorry, my friend Jordan was being a dick. I meant to catch that.” 

You let out a nervous chuckle as your trembling fingers lift the football up to her. 

“Oh, it’s okay. My life definitely flashed before my eyes, but I’m alright otherwise.” You give her a smile. 

She returns it with a crooked one of her own, her fingers softly brushing against yours as she takes the football from you. 

“Well, you still look alive and pretty,” Abby says, tucking the ball underneath an arm. “And those were some impressive reflexes, I gotta say.” 

“Just practicing in case of a zombie apocalypse.” You joke, cheeks burning ever so slightly at her calling you pretty. “We can’t all be built like Themysciran Amazons the way you are.” 

“Themy-what?” Abby asks, eyebrows furrowing in confusion and chuckling. 

Your face erupts in flames in embarrassment from your geeky comic book reference. 

“Y-you know,” You stammer. “Like Wonder Woman. She’s from that island where it’s only women and they’re all these gorgeous, buff warriors who’ve renounced men.” 

Abby laugh. 

“Really? Well, thank you. You’re very cute for thinking I’m some hot warrior chick who’ll survive a zombie apocalypse.” 

Before you can respond, she continues. 

“How’ve you been? I haven’t seen you around much.” 

“Hey, I’ve been around.” You lie. You really haven’t been. “Probably haven’t noticed being an aspiring doctor and all.” 

“Still remember that, huh?” She smiles. 

“Of course.” You say, returning her smile. 

Freshman Year, Fall

You met Abby Anderson at the beginning of your freshman year when she was a sophomore. 

Being in a new and independent environment, you did what many single freshmen do upon first arriving: scoured the dating apps. 

Fresh out of a messy high school relationship, you came to college a little raw and emotionally vulnerable. You jumped into a casual relationship with a girl named Adriana within the first month of arriving on campus. After a drunken night of you and your roommate Tara recklessly swiping through your profile on a dating app, you somehow and hesitantly found yourself with a girlfriend after just two dates. 

The best word you would use to describe Adriana was nice. She was a pleasant person: brought you out on cute dates, paid for your food, always held your hand. You spent the two weeks of dating her trying to convince yourself that you were as into her as she was into you. But the further you tried to force attraction for her, the less interested you became. Then she introduced you to her friend, Abby Anderson. 

Abby was the kind of person that closeted gay girls would develop their first gay crush on at their initial glance. She was bold and exuded a sense of confidence & charisma that most 20-somethings haven’t achieved yet. People knew who she was when she walked around campus, whether personally or through reputation. Abby made friends quickly and kept them easily, so it was no shock that you got along very well with her when Adriana first introduced you. 

You pretended at the time not to notice the way Abby looked you up and down when first laying eyes on you. It was a quick glance and she pulled it off well enough that nobody else but you had caught it. You were amused by the way that Abby had held out her hand to you upon meeting. None of Adriana’s other friends had offered a handshake, and you chuckled quietly as you introduced yourself to her. 

Is she for real? A little prim and proper, you’d thought. You’d later find out it was merely her excuse to initiate physical contact. 

You’d originally come over to Adriana’s dorm to meet her friends, but you’d spent most of the time talking with Abby. She was very charming, keeping you engaged in conversation as if she’d known you for months already. She would ask you questions about yourself, seeming to be genuinely interested in your responses. It was effortless to keep up a banter with her, and she had you laughing in a way Adriana hadn’t been able to elicit from you herself. You weren’t fawning over Abby the way newly-discovered gays constantly were, but you were intrigued. By the end of the hang-out, you’d already exchanged numbers and socials. 

When Adriana amicably broke up with you a week later, saying that she felt as if “your heart didn’t seem quite into this” and “she’d like to see you comfortable” and “we honestly seem like we would vibe better as friends” over a phone call, you’d felt a wave of relief followed by a pang of guilt. You could tell that Adriana really didn’t feel any ill will towards you, but it did feel indecent that all you got out of the relationship was a mended heart as a result of the rebound. That, and a very interested Abby Anderson. 

It didn’t take a week since your split from Adriana that Abby was flirtatiously commenting under your Instagram posts or sending you at least ten snaps on Snapchat daily or messaging you borderline thirst traps accompanied by texts that were asking for your “opinion on her gym progress.” It was a mere five days since the break-up that you were dolling yourself up a bit to go hang out with Abby in her dorm room, just the two of you. 

Most of your friends playfully teased you about the position you’d placed yourself in. Hooking up with a recent ex’s friend seemed messy, but they encouraged you to put yourself out there all the same. Never having actually gone all the way with Adriana, they all hyped you up to hook up with Abby. All but one. 

“You’re judging me!” You said, lightly smacking Ellie’s arm. 

She chuckled, rolling her eyes at you. 

“I literally didn’t say anything, dude.” 

“Uh-huh, sure.” You returned her eye roll with your own before jumping off your bed to walk towards your closet. 

“Just sounds like a guilty conscience to me.” She shrugged, leaning back onto your headboard. 

You sighed and said, “Should I feel guilty, though?” 

Ellie shrugged again nonchalantly before saying, “Not gonna tell you how to feel.” 

“I just want to know your opinion!” 

“It’s your love life, dude. It’s up to you, not me.” 

“I know that! But what do you think I should do?” 

“Make your own decisions.” She chuckled once more. 

You groaned, turning away from her to continue rifling through your closet. 

“You’re so fucking useless.” You complained, fingers weaving between hangers as you tried to select an outfit to see Abby later that day. 

“What can I say? It’s a gift.” Ellie replied, resting the palms of her hands on the back of her head as she watched you. 

Despite yourself, you giggled quietly. As you continued to browse through your wardrobe, you felt Ellie’s ocean green eyes trailing your every movement. You kept your back turned to her, hiding the flames tickling your cheeks.  

You hadn’t bothered the rest of your friends about this the way you did Ellie. They’d all given their blessing for you to sleep with Abby, but Ellie? Ellie was persistent in remaining mysteriously neutral. She refused to voice any kind of personal bias. She didn’t seem disinterested, but she also withheld offering up her genuine opinion on your Abby situation. And for some reason, this bothered you. Something about her unhelpfulness compelled you to pester her about it. You knew you didn’t need Ellie’s approval. So why did it feel like you did?  

Ellie watched as you picked out a short dark blue dress, spreading it out on your bed next to her. She listened to you question yourself out loud on whether you should wear fishnet stockings underneath it or just go bare. She felt the way your fingers lingered when brushing softly against hers after she handed you your silver hoop earrings laying next to her on your bedside table. She inhaled your signature lavender scent as you slowly caressed your arms and legs up and down while applying your favourite lotion.

It felt so strange, prettying yourself up for another girl while Ellie sat on your bed and watched. She and you were just friends. You’ve never been anything more than that. Why did it feel strange, then? 

Are we though? Just friends? 

The way you’d stare at the way her big, calloused hands moved when she’d be rolling a joint or etching in her journal. The way she observed the exact manner your lips moved every time you spoke or laughed. The way you always noticed when she’d trace that intricate arm tattoo of hers when she’d get lost in thought. The way she watched exactly how your smile would often meet your soft eyes. 

Is this just friendship?

Ellie observed as you sat at your desk and carefully began applying your makeup, scooting towards the foot of your bed to better marvel at your technique. She’d begun to learn the routine you had by heart, mesmerized by how carefully and naturally your hands moved in a creative dance. She blurted out a compliment about how you were an artist for the way you did your makeup. You attempted to brush it off, but she insisted. You’re the artist here, she’d said. 

After finishing applying a shade of dark red lipstick, you gave yourself one last satisfied look in your mirror. You got up and began to shake your hair out of the bun it was in, walking to the foot of your bed where both your dress and Ellie waited. You looked at your chosen attire for the night and were suddenly hit with a predicament. 

“Umm, Ellie?” 

“What’s up, man?” 

“D-do you think you could help me with something?” 

“Uh… sure?” 

Your fingers fiddled with the bottom of your t-shirt. Your face flushed for what felt like the millionth time today. 

“C-can you help me put my dress on?” 

Ellie looked like someone dumped a bucket of ice-cold water right over her head. 

“What?” 

You scratched the back of your neck, a habit you’d picked up from her. 

“I forgot how t-tight this dress is, and I might fuck up my makeup if I just pull it on myself. Can you help me g-get it on?” 

Ellie’s face remained unreadable as she looked you up and down. 

“Yeah, okay.” She said finally. 

“T-thanks.” You said, nervously biting the inside of your cheek. 

Normal friends do not get nervous when they ask their friends to help them get dressed. 

“Just…just one second.” You said, meekly holding a finger up before turning your back to her. 

As you profusely thanked past you for already putting on your desired underwear for tonight, you carefully peeled off your t-shirt and threw it to the side. Though you had your back to her, you could feel Ellie’s gaze land on the black lace bra you’d decided on earlier. When you shed your pajama shorts, her eyes then drifted onto the matching black lace panties that left very little to the imagination. 

She quickly averted her stare as you turned to face her, not fully meeting each other’s eyes. 

“Do you think you could—?” You gestured to your dress next to her on the bed. 

“Yeah.” She said, picking it up before approaching you. 

You watched her face as she lifted the dress above your head. Her tense fingers gripped the collar tightly as you raised your arms. You felt goosebumps form where her hands inadvertently brushed against your skin, lowering the dress onto your figure. As you fit your head and arms through, she pulled the dress all the way down to your thighs. You tugged your hair out from the collar and let it fall behind you when your eyes met hers. 

“Uhh,” She said awkwardly. “Your lipstick…” 

Your right hand flew up to your mouth. 

“Oh shit, did it smudge—?” 

“Yeah, a little, but it’s okay, I got it.” 

“Wh—“ 

Before you could react any further, Ellie licked her thumb and brought it to the edge of your bottom lip. It was as though your entire body was set on fire the exact second that you felt the wetness from her finger meet the corner of your mouth. Her eyebrows furrowed as she rubbed off the small streaks of smeared lipstick. You could have sworn she could hear how loud your heart was beating in the moment, feel the way it echoed through your entire body. You felt your mouth water as your eyes fell on her tongue sticking out slightly in concentration. Someone could easily sneak into your room right now and rob you blind, the way you both remained completely encaptured in this moment. 

“There,” Ellie whispered. “Got it.” 

Her thumb slowly drifted from your lip to your cheek, her hand suddenly caressing your face. You were frozen in place, trying not to combust as every cell in your body danced fervently. Her ocean green irises kept darting back and forth between your eyes and your crimson lips. Both your mouths were parted, the unsaid at the tip of both your tongues, waiting for whoever was bravest to let the truth drip out. 

But instead, after what felt like twenty-five years, Ellie let her hand drop from your face back to her side. She swallowed and cleared her throat, breaking eye contact with you to stare at the floor. You blinked and gulped, quickly plummeting back to reality. 

“Th-thanks, El.” 

“No problem, bro.” 

“Bro.” Ugh. Okay, Ellie. 

You were far less clothed a minute ago, and yet somehow you now were feeling much more naked than ever before. 

“I-I think I left the shoes I want across the hall in Sidney’s room. Give me a sec?” 

“Yeah, man. Go ahead.” 

You nodded and retreated quickly out the door. As you shut it behind you, you leaned against it and clutched at your chest with both hands. 

Oh god, fuck. Fuck, fuck, fuck. What the fuck. What just happened? What the fuck. Fuck. 

Inside your room and unbeknownst to you, Ellie was leaning against her side of the door, quietly cursing to herself. 

“Did I really just fucking do that? What the fuck, oh my fucking god. God damn it. Fuck, fuck, fuck.” 

“Hey, are you okay?” 

You blinked. 

“Yes! Sorry, just spaced out for a second.” 

You adjusted yourself under the covers to turn more towards Abby. Your previously glassy eyes met her concerned ones. 

“Was it that bad?” She joked. 

“No, oh my god, Abby,” You giggled, covering your face with your hands. “I think you getting me to cum twice in less than a minute speaks for itself.” 

Abby smirked. 

“Only twice? Wanna add a couple more to that?” She said, propping herself up on her elbow to look at you better. 

“I think my pussy needs a sec before you make her see heaven again.” You replied. 

“Mmm,” was all Abby said in reply, drinking in your naked figure in her bed. 

The rest of the evening seemed surreal. Ellie had watched you finish getting ready, remaining mostly quiet for the rest of the time. She didn’t touch you again, almost as if she was afraid to. She’d walked you partway to Abby’s building before giving the excuse that she had some client she needed to meet. Her signature Converse stormed off without a second glance back at you. As you waved her off, you thought about how she didn’t have anything on her to sell, and you both knew it. 

Throughout the entire night with Abby, though you allowed yourself to unwind and have some fun for once, your thoughts still continued to dance back incessantly to your auburn-haired friend. 

“What’s on your mind, pretty girl?” Abby asked. 

“Just taking a minute and being impressed by you.” 

Abby laughed. 

“So not that bad, huh?” She joked. “But really. What’s up?” 

You pursed your lips. You liked Abby, but she did not need to know all about this “friendship” of yours with Ellie. 

“Not gonna lie,” You said, quickly coming up with a lie. “I was feeling really guilty before coming here tonight. Just cause Adriana’s your friend and we just broke up.” 

It wasn’t completely far from the truth. You were feeling guilty about seeing Abby after Adriana. But she wasn’t the lesbian who you couldn’t get out of your head all night. 

“Mm, that does make sense.” Abby replied, understanding. “It’s true, though. What I said earlier. Adriana did say it was okay.” 

Sometime after you’d arrived at Abby’s dorm and before you’d both dropped the pretense of you coming over just to “hang out,” Abby disclosed that she’d asked for Adriana’s permission to fool around with you already. You were a bit surprised, but pleasantly so. You did come here tonight with specific intentions, but it did relieve you to know that Adriana meant it when she’d expressed no ill will towards you. And it kindled a warmth in you that Abby’d gone into this prepared and still with the respect of her friend. 

“No, I know,” You said, the crease between your eyebrows crinkling as you thought up a quick lie. “I just… I still like Adriana as a person and I didn’t want my wandering vagina to get in the way of your friendship with her.” 

Abby suddenly guffawed, her laugh so infectious and genuine that it made you giggle in response. 

“D-did you just say ‘wandering vagina,’ oh my g—” She chortled. “Never heard that before.” 

You shrugged, smiling at how easily amused Abby has been turning out to be. 

“You say the strangest shit, you know?” Abby said, still chuckling. 

“What can I say? It’s a gift.” You replied, to which Abby smiled. 

“But really though,” Abby continued. “You don’t have to worry about me and Adriana. We’re still cool; nothing’s changed in our friendship. You both told me you weren’t serious, and she’s also just someone who’s never been possessive or jealous as a person. We’re all adults here, so no need to feel guilty. I promise.” 

“Yeah, that…that does help.” You said, hoping that answer would suffice for Abby. 

Abby seemed like she wanted to press more but decided against it. Instead, she grabbed your hips all of a sudden and lifted you up to place you on top of her, making you straddle her waist. 

“Wh—Abby!” You said, startled. Your arms instinctively flew up to cover your bare breasts, the bed covers no longer shrouding your nakedness. 

Abby chuckled, reaching up to your wrists and pulling them away from your chest. 

“Anyone ever tell you how cute you are when you have such a serious thinking face on?” She said. 

A bashful look crossed your face as you stuttered a quiet “no” in response. 

Abby smirked, dropping your wrists and placing her hands on your waist, tracing up and down your inner thighs with her thumbs. Your breath hitched and you gulped, feeling yourself instinctively grind against her. 

“Well, you are.” She said. “And you’re cute, acting all shy about being naked in front of me like I wasn’t just knuckles deep inside you ten minutes ago.” 

You bit your lip, partly from embarrassment and partly because Abby’s tracing of your thighs turned into squeezing. 

“Y-you w-weren’t… knuckles-deep…” You stammered. 

Abby chuckled, raising an eyebrow. 

“Why the hell are you correcting me on how far inside of you I was anatomically?” She asked, extremely amused. 

“I don’t know!” You said, flustered and rolling your eyes. 

Abby chuckled, wrapping a muscular arm around your waist to keep you steady as she sat up to be at eye-level with you. With her free hand, she firmly gripped your chin between her large fingers and forced your eyes to meet hers. 

“You’re very easy to fluster, you know.” She whispered. 

“I-I—” was all that you could get out before Abby’s lips found yours. The sentence you’d meant to continue instead turned into a quiet shriek of surprise then into a lustful sigh that melted into the kiss. 

Not ten seconds later, Abby pulled away slightly, a cocky look on her face. 

“Any more anatomical complaints, then?” She murmured. 

“Not at all, Dr. Anderson.” You chuckled breathlessly. 

You jolted as Abby laughed again all of a sudden, grabbing both your shoulders for support. 

“Was it… that funny?” You chuckled, a little confused. 

“No, no, I’m sorry,” Abby said. “It’s just that—my dad was Dr. Anderson.” 

“Your dad?” 

“Yeah, he was a doctor.” She explained. “Before he passed, he used to be a surgeon back when my family and I lived in Utah.” 

Shit, her dad. Of course. 

Abby had mentioned her father to you several times already. You didn’t know much about him other than the fact that Abby completely adored the man and that he had died when she was only 16. 

“Right, makes sense.” You said, wrapping your arms around her neck. 

Abby’s father didn’t seem like an off-limits topic with her. In fact, you were in awe of how at peace she was with it. She seemed happy to talk about her dad, somehow able to acknowledge his passing and yet speak of him as if he was always present in a way. She didn’t make it uncomfortable to ask about him, and you often had the impression that she actually preferred it when others didn’t fuss over it. So you made sure not to. 

“So no to calling you Dr. Anderson, then?” You asked. 

“Well, actually,” Abby embraced your waist and pulled you closer to her body. “Kind of studying to be a doctor. Like him.” 

“Wait, really?” You replied, a bit of shock in your voice. “How did I not know that?” 

“Don’t really know, pretty girl,” She replied, smirking. “Got too distracted by my washboard abs to notice?” 

“Oh my god, shut the fuck up.” You scoffed, smiling and rolling your eyes. 

Abby chuckled before leaning into your neck to leave trails of kisses. 

“Has anyone ever told you that you’re also very cute when you have a little bit of an attitude?” She asked, lifting her head up slightly in between kisses. 

“Mm, I don’t know,” You sighed, pulling her further into you and trying not to grind too eagerly against her once again. “Maybe once or twice. But why don’t you remind me, Dr. Anderson?” 

You heard Abby suddenly moan in your ear, almost growling, before you were suddenly thrown on your back onto the bed. Any words that meant to roll off your tongue were replaced instead with cries of pleasure as your knees were pried apart with Abby’s strong hands, her mouth finding ways to answer your question without words. 

Present Day 

“So still planning on becoming a surgeon, then?” You ask. 

“Starting med school immediately after I graduate this year.” Abby replies. 

“Wow,” You say, impressed. “That’s really soon. Are you nervous about it?” 

“Hmm, not nervous, exactly,” Abby replies, thinking. “I grew up around doctor shit, so I have a tiny idea of what I’m facing. I’m choosing to stay positive about it all for now.” 

“Commendable,” You smile. “How the hell have you been surviving all your pre-med shit with sports and all?” 

“Hey,” She says, shrugging. “You said it yourself. I’m basically a superhero.” 

You chuckle. You’ve forgotten just how confident Abby is and how attractive it was to see it in action. 

“Right, of course. How could I forget?” 

“You know, maybe if I really was Wonder Woman, I could attend my next class and get a coffee with you right now. If you’re not busy, that is.” 

“That is not how Wonder Woman works, Abby.” You say, giggling. 

“Oh, whatever.” Abby laughs, rolling her eyes. “Forgot just how much of a nerd you were, pretty girl.” 

“Hey—” You start. 

“YO ABS, are you gonna throw that shit back or keep flirting with hot chicks?!” A voice behind Abby calls. 

Abby grunts in annoyance, turning around to face her friend Jordan who was several feet away from where you both were. 

“Stop throwing like a little bitch and we wouldn’t be having this problem, dumbass!” She calls back at him, to which he replies with a playful, “Oh, fuck off!”

You watch as Abby draws back, arms flexing as she throws the football in a quick, perfect spiral towards Jordan. He catches it, but not before it makes a loud thud against his chest. 

“OW, FUCK—" He shouts in pain. 

“Dumbass!” She hollers in response. 

You're both chuckling when she turns back to face you. 

“Need to go?” You ask. 

“Didn’t you hear? I’m busy flirting with hot chicks. Well, just one hot chick.” 

Your purse your lips, sheepish. 

“So,” She said. “Coffee?” 

“Abby, you just said you had a class to get to in a bit. Also,” You gesture to your mostly-empty coffee cup still next to you in the grass. “Beat you to the punch.” 

“Ah, fuck.” 

“Sorry,” You chuckle. “I’ve also got class in,” You checked your phone for the time. “Around five minutes or so.” 

“Wow, you really wanna avoid getting a coffee with me that bad, huh?” 

“Oh, absolutely. I premeditatedly mapped out my entire class schedule this semester just so I didn’t have to hang out with you right at this moment.” You joke. 

“I knew it.” 

You laugh. 

“Can I at least walk you to class, though?” Abby asks. 

“Sure,” You replies. “But what about your class?” 

“Got a bit of time; don’t worry about it.” 

You smile before you gather your things together quickly. You reach for your coffee cup but it disappears suddenly before your hand is even inches from it.  

“Abby!” You exclaim, jumping up onto your feet as you quickly pull your backpack on. 

“What?” She questions, walking backwards while still facing you to throw your coffee cup away in a nearby trash can. 

“I can’t throw away my own trash?” 

“Just being helpful.” She says, shrugging. 

“You can’t be both a superhero and some chivalrous lesbian knight.” 

“I can do whatever I want, pretty girl.” 

You feel your face getting hot once more. 

“So,” She starts. “Which way is your next class?” She begins walking in the wrong direction. 

“About twenty feet east of where you’re heading, silly.” 

“Oh, uhh…” Abby stops in her tracks, eyebrows furrowed in concentration while processing your directions. 

You laugh and roll your eyes, grabbing her arm and leading her towards the building your next class was in. 

“Straley Hall, right in front of you, dummy. Remind me never to travel across the country with you.” You say. 

“What kind of nerd actually says ‘east’ when giving directions!” She complains. 

“That’s a perfectly normal thing to say!” 

“Why are the cutest girls always the weirdest ones?” Abby says, shaking her head. 

You looked away from her, trying to hide your embarrassed smile. 

“How are you supposed to save people’s lives when you don’t even understand simple directions, Dr. Anderson?” 

She smirks at your comment and her lips form to reply with a retort of their own. 

Just a few feet down the brick college road, Ellie stands frozen on the spot. Her hands are balled up in fists and her jaw is clenched. Her ocean green eyes trail after your unknowing figure, fixating on the wide smile on your lips as you let out peals of genuine laughter and your fingers still gently caressing the bicep of golden girl and star athlete, Abigail Anderson.

author's notes:

HAHAHAHA "in case of a zombie apocalypse" get it, cause the game is set in a zomb—yeah y'all get it (sorry not really)

let's all take a brief sexy second together and imagine abby as amazon from themyscira... now let's all let out the collective horny sigh together.

thank you all for being so patient waiting for this one. life has been... yeah (if you've been keeping up with the personal stuff I've said on my blog the last week, that should add more context to what a shit my life has been recently). i've been having to push myself with writing lately cause i feel like i'm getting too into my head about it. but thank y'all so much for being supportive and all, thank you for not giving up on me!

not gonna lie, loves. i may have gotten extremely horny writing certain scenes in this and had to take multiple breaks because my mind was concocting too many distracting scenarios as a result (the ellie scene took me days to get through to write, i'm so dead serious, and the smut-adjacent abby scene almost turned into a full-fledged smut scene cause i'm such a fucking lesbian, oops, i genuinely had to restrain myself so i could write the story the way i actually have it planned out).

abby having no sense of direction at the end of the chapter is just a personal reference to me when i played tlou2 for the first time and when i was playing as abby at the very start when she's mad at owen for getting mel pregnant and trying to go after joel on her own, i got lost for like 10 minutes just going in circles in the fucking woods and snow like a moron. just wanted to be a little bit silly by creating no sense of direction!abby hehe

taglist: @lonelyfooryouonly, @elliesinterlude, @sawaagyapong, @peppesgirl, @iconsoft, @maybeidohaveadhd, @ellieswifee, @valiantllamapersonpony-blog, @nil-eena, @echostinn, @uraesthete, @softbunlvr, @cherriessxinthespring, @amitycat, @chrissyfishywissy, @yevheniiaaa, @machetegirl109, @bertandfearnie, @ximtiredx, @efam, @elliesnoviecita, @oatmilkchaii, @tayyyystan, @emothurman, @livvy-2000, @abigaillovestoread, @gold-dustwomxn, @liabadoobee, @yuckyfucky, @ximtiredx, @qtefolleunpez, @libr4sonsa

[bonefall]

do you have any tips for writing a low empathy character who isn't evil? Or how to make an interesting apathetic character who's a thoughtless sort of evil? These are two different chatacters btw-

I tried looking up examples and stuff but uh. It's been a bit fruitless.

Honestly it's not too hard! Having low empathy just means we're bad at automatically "connecting" to the feelings of other people. You can come to understand it's not even a character flaw once you uncouple the idea that Empathy = Kindness. And apathy, well, that one's a bit more complicated imo.

Low Empathy

In English, it's just unfortunately super common to conflate Empathy and Compassion. To have compassion is to be aware of the suffering of another person, and ergo, want to help stop it. To be empathetic is to identify with and understand the feelings of another person. These are different things.

For an example in action; imagine a medic with a patient whose shoulder is dislocated, and xey'll need to pop that arm back in place in order for the patient to feel better.

A medic feeling EMPATHY for that patient is having an emotional response to what xey're seeing. Xey might have a tingly "ghost pain" thinking about the injury, and xey might feel guilty xey're going to put them in more agony, but also joy because this patient is going to feel much better in just a moment.

A medic feeling COMPASSION for that patient is thinking about how the shoulder must be causing a lot of pain, and knows xey have the skill to fix it. Xey know from xeir own experience that pain sucks and so it is a bad thing that needs to go away. It will hurt a little more for a moment, but then there will be immediate relief.

This is imo, why a lot of low empathy people are "bad at" comforting people without going to Autism College where they give you the scripts of Shit Neurotypicals Say. We're not trying to be selfish when we end up making "comfort sessions" about ourselves-- that's what we think empathy is, because we don't have a lot of it to really know what you want.

Like, doesn't it make sense to you? "I don't know what you're feeling. Here's a similar situation I've been though. I must know what you're feeling-- does that make you feel better? That you aren't alone? I think that's what empathy is, am I right?"

A LOT of low empathy people go into medical fields, the funeral industry, and disaster relief. We often really do want to help people so seek these fields out, or when we get there, just end up not getting burnt out like our high-empathy peers!

Apathy

As for the apathetic character, honestly, I'd suggest thinking about your story's themes. Villains are very special to me and I always try to handle them with care. What are you trying to say is bad to not care about in your work? How does their apathy play into the story you're trying to tell?

A Captain Planet villain is completely selfish, and exists only to benefit itself by exploiting nature in some way. Then the Planeteers show up and punch it in the face. Boiled down to its barest, most simple essentials; "We have conflicting goals and so I will stop you."

Personally I find total apathy to be something not especially compelling in villains, for that reason. Like, if you really don't care about anything, why bother with the trouble of going against the protag? Motivation is meant to be MOTIVATING.

(also ngl I'm on the Shadow As A Hero sort of bandwagon where I find it much funnier for the simple apathetic cool edgy guy to be the funniest person on your tennis team)

Dungeon Meshi has TWO characters who struggle with apathy, and are both antagonists at some points in the story, but never villains. Shuro and Mithrun. The theme of Dungeon Meshi is the beauty and complexity of life, the value of living, and how our connections to others changes the people we are. Food is a metaphor for bonding, self-care, and understanding.

For Shuro, he begins the story as someone who's both been encouraged to bottle up his emotions for the sake of other people, as well as to not actually consider the emotions of those lower-born than him. He's from a very different place than the other members of his party, and this causes friction as class, culture, and sophisticated, refined, weapons-grade autism clashes.

When the woman he loves is eaten by a dragon, he doesn't stop to tell her brother and """childhood friend""" what he's planning, as if they both wouldn't run in and get hurt. He owns demi-humans. He doesn't consider his own needs or the needs of his rescue team of loyal vassals. As a result, he's too weak to continue, losing a fistfight with one of the main characters, Laios.

After this, he connects with him for the very first time, and reaches out to him by giving him an important magic item. There's even a MASSIVE moment where he outright tells Laios that his ability to be so open (read: not have to mask his autism) is something he envies, breaking through that veil of apathy he wears.

The story Dungeon Meshi is telling here is that it is important to value the needs of yourself and of others. Shuro's apathy towards his own needs in a bid to prove his love weakened him. In acting like he was above his old teammates, he never spoke to them like people to smooth out his issues. He's never even noticed how much his vassals love and care for him.

(and the incredible irony is not lost on me, that Shuro's name is because Laios mispronounced it and was never corrected... while Shuro never noticed that Izutsumi had the unwanted name "Asebi" forced onto her when she was "taken in" and made his slave.)

See how that comes back to the theme? Shuro doesn't exist to just "be some asshole" or act like a villain. He has a full character arc that contributes to the narrative.

For Mithrun? I won't even spoil it. Go read Dungeon Meshi. Watch elf depression. We love a king with strabismus.

Anyway,

If you ever need good personal resources on any stigmatized mental condition, I've found it's usually productive to go into the #Actually (Thing) tag here on Tumblr. You can find people posting about basically anything. I found a lot of really good resources on NPD that way.

[coraniaid]

The scene where Willow confronts Faith is Choices is kind of fascinating to me, because ... well.

I like Choices quite a lot, and I think Willow's dislike of Faith is perfectly understandable and in character (and her speech has some fun but probably not intentional foreshadowing for later seasons), but it's hard not to notice that the narrative expects you to be rather more unambiguously on Willow's side than I think is really warranted.

I mean, Willow might not have been the most popular girl in high school, but she has multiple close friends, a nice boyfriend, a stable [and fairly comfortably middle-class] home life, she "represents the pinnacle of achievement in Sunnydale High" in the words of her school's principal, she's trusted enough to teach at the school, in a year she'll be able to go to any college she wants (and, unlike some people, she can afford to go anywhere she wants), she used to hack into government computer databases (before she ever met Buffy!) and now she's teaching herself dark magic "for fun" and she hasn't [yet] ever suffered any real repercussions for either of those things.

On the other hand, from what little we hear about Faith's past we know she grew up poor and that her mother used to get drunk and beat her, that she didn't have any friends and dropped out of high school young, she is very strongly implied on multiple occasions to have been the victim of some pretty horrific abuse before being called as a Slayer, and after being called as a Slayer she got to watch the one adult who ever told her she mattered get killed horribly in front of her before fleeing across the country to a town where she doesn't know anybody, still has no friends, doesn't have a job or go to school and lives alone in a motel in the bad part of town. And when she accidentally killed a man, while trying to do the whole slaying vampires thing she's supposed to be doing, the Watcher's Council -- who never actually bothered to send her a new Watcher of her own -- decided to have her abducted and dragged away to England [a fate which surely nobody deserves].

Yet a part of Willow clearly thinks (and almost outright says) "oh, well, yeah, but she hangs out with Buffy sometimes when I don't get to and she slept with the guy -- not my nice boyfriend! -- who I used to have a crush on (and who I was briefly cheating on said boyfriend with), so it's clearly impossible to say which of us really had things worse and I don't need to feel sorry for her". And -- again, while this is great characterisation for Willow -- it's kind of hard not to notice that the writers think she has a compelling point.

Yes, sure, Faith has defected to working for the Mayor and has a knife drawn on Willow this scene (she's not anything like a blameless victim at this point of the story) and it takes a certain level of physical bravery for Willow to stand up for herself despite that. But ... I mean, come on. "You had friends like Buffy" is only true if you accept it to mean "you had exactly one friend, who was Buffy". "It's way too late" for Faith to seek forgiveness ... how many people has Faith killed at this point? One, by mistake? Giles has killed more people than that. "Some people think you had a lot of bad breaks?" Yeah, actually in Faith's shoes I'd want to hit Willow after she said that too.

I realize that part of the show's central thesis -- something that explicitly came up as recently as Earshot -- is the idea that everybody, regardless of how comfortable their life might seem from the outside, has their own sorrow and pain and (only occasionally metaphorical) demons to fight. But while that's not entirely wrong, it's also ... not entirely complete? Everyone has it bad sometimes, but some people really do have it worse than others. Pretending otherwise is ... not a serious position to take.

Willow's life could be better, but she's not gone through anything like Faith has. I'd argue she literally can't imagine how bad Faith's life has been. She really doesn't have as much moral authority as the show's writers think she has at this point.

[Compare this part of Season 3 with the first half of Season 6, when the show is overflowing with sympathy for Willow's abrupt descent into magic addiction but has no sympathy at all for Amy Madison, whose own magic addiction is just implied to be because she's inherently a Bad Person who Willow needs to avoid and whose own horrific past and abusive mother and complete lack of support system is just entirely forgotten about. Or, indeed, to the weird take of Dead Man's Party, which has Buffy apologize to Willow for ... what? Having problems of her own that don't revolve around Willow? Being too busy mourning the loss of everything she ever cared about to tell Willow how uniquely special and amazing she was for learning rudimentary magic? Not being grateful enough for Willow restoring Angel's soul without bothering to ask Buffy if that was something she still wanted her to try?]

So, the overall effect is ... yeah, it's a good scene. But it's almost a good scene despite the writer's intentions, not because of them. It's much less of an ambiguously triumphant moment for WIllow than I believe we're meant to read it as.

[thewritetofreespeech]

Astarion x Reader

words: 1.5K

rating: T

pairing: Ascended!Astarion x Tav

summary: banking off the Jealous!Tav x Astarion ask, I made one for Ascended verse as well.

-------------------------------------------------------------

Astarion let out a deep sigh as he walked through the long corridors of his palace towards his chambers. Who knew being a Vampire Lord would be so taxing?

He thought it would be all blood, japes, and all-consuming-power when he ascended, but noooo. Apparently, all that power did not come with an instantaneous dark underground to control and city at his feet. He had to put in effort. Time. A lot of both, which somedays Astarion thought was just not worth it. But his ambitions would not let him rest on his laurels. Even if he did need a rest for the evening.

The doors let out a heavy echo as they close behind him, and Astarion sighed once more as he undid his overcoat. His attention then turned towards the bed as he saw the bedding move. “Darling?” He questioned curiously but knew it couldn’t be.

Tav was out with Shadowheart. Catching up with their dear friend while she was in the city, for reasons that were probably told to Astarion but he couldn’t be bother to remember since he wasn’t going. For once he let them go unaccompanied but was now hopeful that they came back early over missing him terribly.

“Master?” Astarion’s face paled (metaphorically, as it could not get any paler than it already was) as the sheets pulled back an a young, blonde, naked woman appeared from the covers. “I thought you’d never come back tonight.”

“What are you doing here Azura?” He hissed at his latest spawn. A silly girl who begged him for the gift, and Astarion gave it to her for no other reason than he felt his beloved needed a new chambermaid. “You dare enter my chambers, uninvited, and help yourself to my bed. Have you lost your absolute mind?!”

Astarion wasn’t exactly kind to his spawn, but he wasn’t nearly as cruel as Cazador. Which he knew was a very low bar. He gave them a fine amount of freedom to move about the castle. Updated the dorms so they weren’t as spartan as what he had been forced to endure. Almost never tortured them unless they absolutely needed to be punished. And this is how he was repaid?!

“Yes. I have lost my mind. Lost it for you, my master.” He resisted the urge to roll his eyes. Oh Gods, the idiot was in love. He recognized that soft stare and devoted posture. If her, quite literally, naked display wasn’t enough of a clue he could nearly smell the pheromones off her. “I wanted to surprise you. I wanted to please you.”

“You can please me by getting out.” He pointed to the door although he didn’t compel her. He wasn’t sure why. Perhaps he wanted to again be kind and give her the choice. Or just a sick morbid curiosity on how this would play out.

“Leave? You really don’t want me here?” She seemed surprised. Given her beauty this may have been the first time she was rejected, Astarion assumed. It always surprised him when his quarry didn’t take the bait. Perhaps this was a similar feeling for her. “You really don’t want me to stay?”

Azura pulled back the sheets to reveal that she wasn’t truly naked. Just in a thin nightgown that was so transparent it was nearly invisible. Her skin smooth. Her legs long. Her cunt neatly shaved and breast taunt & perky. She’ll lead men to this castle in droves, he thought. Unfortunately, her charms were immune to him.

“Yes. Get out. I won’t repeat myself again.”

The girl jumped off the bed and came closer. Astarion hoped it was for the door, but no such luck. His spawn leaned into him, delicate and wanting. Staring up into his eyes like a lover while he stared back at her with a stern look. “Shouldn’t a master be able to taste what’s his when he likes. Don’t you miss my blood from the first time? Tasting it on your lips?”

He wants to tell her no. That he hasn’t thought about it since that first time. Honestly, he hadn’t thought of her since that first time. But mentions of blood, and the reminder of the power he felt when he took her life and made it his own, does get his own blood to hum.

“You can have it again, if you’d like. Take all of me. A lord, a king, can take anything he wishes. I can be your obedient consort as well. Be one of your most beloved spawn.” As she spoke her body and lips moved closer to him.

“What’s going on here?”

The girl jumped back, quickly. Like she had been licked by fire. Astarion stood still. He hadn’t done anything wrong, technically, so he had no reason to be afraid. Although that cool look in Tav’s eyes was making him seriously question that decision. “I said: what’s going on here?”

“I was….I-I was just….I…”

“You were trying to take my place, eh?” Astarion chuckled at his beloved’s blunt response. Direct and to the point as always.

“Darling, as if she could.” He moved over to Tav. Separating himself completely from his spawn to sooth his consort. “This is just some misplaced adoration of a spawn and their master. Granted we’ve gone a little far…”

“It’s not misplaced! I love you!” There was a growl in Tav’s throat and Astarion huffed at the girl’s childish pleas. He really had been trying to help her here. “I would never leave you alone like they would! I would be loyal to you always! I can be twice the consort they are if you just give me a ch—"

She doesn’t get to finish asking for her chance that would never come. As her head was hanging limp to the side, nearly off her shoulders. Blood gushing from the gaping hole in her throat. Spraying across the room and down her thin negligee. Once translucent material now opaque as it was drenched in crimson. “Well…that was something.”

“It’s not funny Astarion!” Tav yelled at him. Their eyes were wild and angry as they whipped around to glare at him. A powerful shiver running up his spine in the face of that heat.

“Of course it’s funny. All this for something so trivial. As if this scrap of nothing could have replace you. My beloved, perfect consort.” Astarion came close and lifted their bloody hand to kiss it gently. “No one could, would, or ever will replace you, my love. My wicked heart is yours, for all eternity.”

“Why didn’t you tell her that then?”

He shrugged. “I didn’t think it needed to be said.” His poor dead spawn had to know she was taking a long shot when she came here. And if she didn’t then she was too dumb for Astarion to have around anyway. Still, he supposed Tav was right. He could have made more of an effort to stop her. “Still, it is rather cute that you can still get jealous over my affection. It makes me so hot. Watching you fight over me.”

He heard Tav sigh when he kissed by their ear and then jaw. Hearing them mutter, “not much of a fight” which made his cock harden in his breeches.

“Perhaps I should flirt with women and men more often.”

Astarion felt a hard jerk of his own pristine, sharp jaw away from Tav. Their nails digging into the soft skin of his cheek as they stared at them with a blazing hatred he hadn’t seen since the Elder Brain or that disgusting necromancer in the crypt. “Don’t.” A single word. Sharp. Direct.

He doesn’t like to be told ‘no’ often these days. He’s killed men for less presses against his authority. But that sharp look, one that promised his beloved would leave a trail of bodies like rose petals at his feet if he even pretended to be interested in them, made his blood boil with desire. It’s a beat in his heart that echoes his own. The agonies he would face on men who even stared at his beloved too long. Their glances were only for him. Their body was only his. Their conversations, their passions, their life, their loyalty, all of it was his. He supposed the least he could do was not pretend to be fickle with it.

“Very well, my love. I won’t. My sweet words will, as always, be for you alone. Plus, we can’t have your jealousy wreaking havoc all over the castle & city. Just think of the stains.”

He kissed Tav, to reassure them that his love was for them and them alone, picking them up and carrying them to the bed to remind them properly. As he carried them to their bed, he stepped over poor dead, double dead, Azura’s body. Already forgotten. Already not even a memory. Just a stain in the carpet that would need to be sorted out in the morning.

[caliburn-the-sword]

the main talking point of a lot of people that love eah but bash on descendants is that "eah was deep!! descendants was just a disney knockoff that meant nothing and was just a cashgrab" SHUT UP SHUT UP SHUT UP (to be clear i am an eah lover). analytical thoughts to follow:

consider also, that auradon is portrayed as very technologically advanced in direct opposition to the isle being associated with magic (even with its ban) and a lot of of clearly second hand, worn and torn fridges and tvs and whatever

also, the fact that she felt PRESSURED to not only culturally assimilate into auradon culture, but alter her physical appearance to assimilate further. consider mal's costuming in the first movie. on the isle, we see her with (what i assume is her natural) purple hair, leather, etc. she is even, to a degree, gender nonconforming. pretty much the ONLY time we see her in skirts is when she's trying to impress ben for her plan to work

compare this with the hair costuming in descendants 2:

(i actually can't remember which scenes the third one was in but whatever) they have taken away her sparkle!! she's assimilated firstly into auradon fashion by dressing in pastels like them, and in SKIRTS which she textually only wore in the first movie when she wanted to impress ben. now with the added context of her wanting to impress auradon. and it really speaks a lot that she feels she has to conform to gender norms more in order to be accepted by auradon

and what about hair. she's felt the need to not only change the way she dresses, but change her hair to the eurocentric standard, so blonde that it's almost WHITE to conform to auradon's society (because let's be real, her mum's a fairy/dragon and her dad is a greek god. i'd be MORE surprised if she was DYING her hair purple than it being natural). changing your natural hair in order to to conform to and be accepted by the majority... where have i heard that one before??

shoutout to @soniccat

(to be clear. it is not a one for one analogy. "hey using a spell to force someone to forget what you did is an invasion" to me is like going "well actually people were right to fear mutants in x-men because some of them were walking weapons" IT'S A METAPHOR THAT IS ALSO A PLOT DEVICE)

('backwater' being used ironically, do not let my meaning be misconstrued here. a better way to word it is that immigrants are guilttripped into having to be 'grateful' for their oppression in a first world country because microaggressions or assimilation is considered better than the alternative, being back in your home country where living conditions may be considered poorer)

in the sense that for instance, jay put a VK spin on supporting feminism. like yes, he could've done it the rulefollowing, create a petition and gather signatures route, but INSTEAD he finds and exploits an existing loophole to let lonnie join the team. or evie shouting out dizzy's creations, uplifting her voice despite the fact she could've still taken the credit since she was the one that paired the outfit with the accessories. etc

are the descendants movies objectively bad movies?? yes. but this was to me, one of the most compelling analogies for immigrant struggles. take particular notice how almost ALL the main VKs are either racebent from the original disney movies (evie, carlos, uma) or were already based on an ethnic character (mal, jay)

but wait, mal is the whitest white girl to walk the planet. how is she already based on an ethnic character?

glad you asked. it is quite unclear in the descendants movie (basing its portrayal of maleficent on the disney sleeping beauty) is a fairy or a dragon. while the maleficent movie isn't canon to the descendants universe, i'm still going to use the fact that she's a fairy with the magical ability to turn herself into a dragon

a lot fairy folklore comes from ireland. the name maleficent itself, and i quote

shares similarities to the name millicent. millicent has irish (or scottish) roots (even a coat of arms) as in

thus one could argue that maleficent herself could potentially be irish coded

whether or not you agree with the idea that maleficent is irish coded, it is undeniable that mal is the daughter of hades, a greek god. it's a shame that that was a retcon in the third movie and not planned from the start, because the role could've gone to an actually greek actress (please google the ottoman empire and greek independence day if you still think it's not fitting for me to group mal with the others)

where was i going with this?? right. it's extremely telling that most of the main/side VKs, save for gil, are ethnic, in the story of a group of misfits finding themselves in an unfamiliar country with new social norms for them to learn as they try to fit in with and become accepted by their peers

[lakesbian]

i have had like 10 friends rec worm to me but nobody’s given me a good like, gist of its vibe and what its abt because ‘its best blind’, could u please give a like brief summary and vibe check of it 😭 it’s so long i dont wanna try and invest that much time without knowing much abt it

so, worm is a 1.7 million word long webserial written in 2010. 1.7 million words seems like a lot, but it was also written over a relatively short period of time, which means the writing style is very easy to parse--the ideas aren't without complexity, but the language itself isn't intimidatingly dense. you can get through it at a very decent pace. i agree with your friends that there are vast portions of worm that hit best when you're unspoiled, but the thing is that worm is long enough that giving you the basic plot pitch is in no way spoilers for any of the things that i wouldn't want to see spoiled for someone. i'm actually kind of baffled they're not telling you Any Thing, because it is in my estimation one of the best books i've ever read, but it also Needs a briefing before you get into it for like five different reasons. which i will now provide. i swear to god this is brief by my standards it's just that i am very thorough

worm is a story about superheroes and supervillains, set in a world where superpowers are traumagenic--rather than appearing randomly or innately, some people gain powers after a traumatizing event happens to them. the protagonist is taylor hebert, a 15yo girl who has the power to control insects and desperately wants to be a superhero. and then accidentally finds herself scouted by a team of teenage villains instead. who's to say how she's going to react to all that!

one of the most compelling things about worm is that the superpowers in it serve as visceral, hyper-literal metaphors for the trauma and traumatized coping mechanisms of the characters with those powers. each power is incredibly specific and thematically relevant to the person who has it, and it's incredibly interesting and evocative. it feels so natural and well-done that it comes off like how superpowers are just meant to be written.

the fact that superpowers stem from trauma also means that worm is fundamentally a narrative about trauma. specifically, about traumatized teenagers and the relationships they form as they cling together while struggling through growing up traumatized & mutually coping with an increasingly intriguing, intense, and far-reaching escalating plot. worm's depictions of trauma + mental illness--including unpalatable trauma responses, including traumatized characters who are allowed to be complicated and nuanced and messy while still receiving narrative respect--are deeply real-feeling and impactful, and they're placed in the context of a well-spun + engaging story.

i really do have to stress how excellent the character writing is. worm is fully deserving of being as long as it is. over the course of 1.7 million words of character development, the average reader's reaction to the main characters goes from "sorta interesting" to "okay, i want to see where this goes" to "augh...really likable" to "i am now on hands and knees crying and these characters are going to stick around in my brain forever." wildbow has incredible talent for efficiently conveying complicated, real-feeling, and viscerally evocative characterization. many of the interlude chapters (chapters written from the perspective of different characters other than taylor) are so interesting, fleshed-out, and emotionally affecting that they make you wish you could read an entire novel about just the side character being featured. with that level of characterization for just the side cast, it's not surprising that taylor (& co) are genuinely just downright iconic. and i do not say that lightly--taylor is truly one of the best-written protagonists i've seen in anything. ever.

the other main pitch-point for worm is that it's a fascinating deconstruction/reconstruction/examination of the conceits of the superhero genre. it answers the question of--what would the world have to be like, for people with superpowers to act the way they do in classic cape media? and it does this well enough that it's interesting even if you have only a passing familiarity with cape media. i am not a big superhero media fan, but worm addresses virtually every aspect of cape media that was under the sun around 2010 in a way that's so interesting i still find it incredibly engaging. the approach it takes makes the narrative very accessible even to people who aren't usually cape media fans.

and speaking of the narrative: the end of the story is coherent and satisfying and deeply thematically resonant*. the way worm follows through on all of its main mysteries & plot threads is excellent. you don't have to worry about getting thru 1.7 million words and being dissatisfied by the author shitting the bed at the end, or anything like that. he does an amazing job of weaving together plot events in a way that makes each successive one feel rationally, thematically, and emotionally connected to what came before. there's really only one part where i feel the story stumbles a bit, but i think it was the best option he had for the narrative, and it's by no means a dealbreaker. it's in fact really impressive how cohesive and satisfying worm is for such a long webserial released over such a brief period of time.

*this is subjective ive seen some people who didnt love it but ive never seen anyone who downright Hated it who didnt also demonstrate egregious misunderstanding of literally everything worm is about. so thats a good sign

as for the downsides of worm/things that might put you off:

there is a very long list of trigger warnings for it. if you have any trigger warnings you want you should ask your friends to let you know about the relevant parts, because the fact that it's About Trauma (& about typical cape media circumstances presented very seriously) means that traumatic and violent things & their realistic aftermath are constantly happening and/or being discussed. i would not classify worm as needlessly dark or spiteful to the audience by any means, but it is intense and covers a lot of heavy topics. i do assume if your friends are all recommending it to you, they think none of the material would be too much for you, though!

worm was written in 2010 by a white cishet guy from canada. it's typical levels of 2010-era bigoted, it has a deeply lesbophobic stereotype character, it has some atrociously racist stereotype characters, the author really hates addicts, It's Got Blind Spots. i think worm is generally fully worth reading despite these, but very fair warning that it can get bad. i think what exacerbates this is that worm is generally extremely nuanced & sympathetic regarding ideas such as "crime is a result of systematic circumstance vs people just being inherently evil" and "mentally ill people who are traumatized in unpalatable ways are still deserving of fundamental respect as human beings" and so on and so forth, so it's extra noticeable and insufferable when you get to a topic the author has unexamined biases on and all that nuance drops out. the worst part is that a lot of this is most concentrated in the early arcs, so you have to get through them without being super attached to any of the characters yet. it is worth it though.

worm like. Does have a central straight relationship in it. and it's a very well written straight relationship for the most part and i like it quite a lot. but worm also passes the bechdel test with such flying colors that it enters 'unintentionally homoerotic' territory. which means a lot of people were shipping the main character ms taylor hebert with her female friends while the story was being released. which caused the author to get so mad he 1. posted a word of god to a forum loudly insisting that all of the girls are straight and 2. inserted a few deeply awkward and obvious and out of character scenes where he finds an excuse for the girls to more or less turn to the camera and go "i'm not gay, btw. this is platonic." This is fucking insufferable, and will piss you off immensely, but then you will get to any of the number of deeply emotionally affecting scenes between them, and at that point you will be too busy sniffling piteously and perhaps crytyping an analysis post on tumblr to be mad about all that other shit. also they're only a couple tiny portions out of an entire overall fantastic novel

overall: if those points don't sound like dealbreakers (i hope they aren't they're really massively outstripped by the amount of devastatingly good moments in worm, worm still has a thriving fandom over a decade later for a reason), you should absolutely give it a shot and see what you think. my final note is that you have to read up until the end of arc 8 to really see where what makes worm Worm kicks in, so aim for at least there to see how you feel about it if you're just thinking about dipping your toes in vs fully committing. i hope that was helpful and not too long :)

oh and don't go in the comments section on wordpress if you don't want spoilers. or anywhere else in the fandom at all. you will be spoiled. quite possibly for things you could not even have imagined were topics to be spoiled on.

[wiishopwednesday]

sorry to be autistic but ive gotta tlak about csh for a minute because it really blows me away by how meta twin fantasy is ,like will created ftf as a reflection on the relationship he was in and the emotions he was feeling during the creation of mtm..also like the names of the respective versions ,"mirror to mirror" signifying how both of the people in the relationship only really loved the reflection of themselves they saw in the other [he also references this in strangers, where he says "i sleep lying next to a mirror" which is also a metaphor for being a homosexual] and face to face being the new version, signifying that he has finally come to terms,has finally had proverbial "conversation" face to face about the past feelings he felt while writing twin fantasy and has fully acknowledged what he felt and has moved on. this is also apparent in his past-tense use of words instead of present-tense like the usage of words in mtm [ftf those boys says "they were connected/at the back of the head/they *had* a conduit/their minds *were* the same" meanwhile mtm those boys says "they were connected/at the back of the head/they *got* a conduit/their minds *are* the same". he realizes the relationship has ended and its over now. a piece of fiction, if you will.]

also in mtm will states that "he has only lyrics now," that he is in despair over the loss of the relationship and the fact that the relationship is now a work of fiction that only exists in his mind-a fantasy. however in ftf he recognizes this and comes to terms with it- it is just a song. it is just lyrics. he even changes "he has only lyrics now" to "these are only lyrics now". he has changed, he has reflected and moved on. this is just a piece of fiction to him now, anything can happen from here. i also really like the change in famous prophets to where he no longer name drops himself and cate wurtz. like he says, "the contract is up, the names have been changed". this is no longer a breakup album made about wurtz but instead a piece of fiction documenting the feelings he experienced during a part of his life

i also really like these lyrics, taken from a bible verse about the 3 wise men i believe ? but the end was edited to say "now these Two remain" to reference the two people in the relationship

its just so interesting. you break up with someone, one of you writes a breakup album in a fit of feeling, 7 years pass and youre both left to deal with the fallout. anything can happen from here. now these two remain and they must see face to face to put their past behind them.

the allusion to "the lady" by hojin stella jung at the end of ftf high to death is also incredibly powerful. the way he uses the words hojin uses to talk about their feelings while painting the portfolio of the lady to refer to his own feelings of making the original twin fantasy is so good and so compelling. the way they say "it was intense, it was an intense process, and it was how i was trying to, very hard, personify that intensity/but its hard to talk about her now, because i think she wasnt me/at least thats how i feel and im trying to figure out what to do now......but i did believe in her, 'the lady', and maybe/there is a different form now that the intensity takes" is an incredible parallel to will's feelings about writing the original twin fantasy and its a really powerful end to a song i think