#this movie changed my life i think

[annakarenina]

Now remember this: when the horizon’s at the bottom, it’s interesting. When the horizon’s at the top, it’s interesting. When the horizon’s in the middle, it’s boring as shit.

THE FABELMANS 2022 • dir. Steven Spielberg

[celine-song]

Marcel the Shell with Shoes On (2022) dir. Dean Fleischer-Camp

[fromjannah]

nimona was fantastic <3

[regina-del-cielo]

Maybe it's a 'study finds water is wet' type of thought, but

considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill

Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"

But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.

They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.

It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.

I don't know I just think it's particularly neat

[magnus-rhymes-with-swagness]

OKAY who wants to hear about why i think nimona challenges amatonormativity? you do! 🫵

one of the main ways this is accomplished is through ballister and ambrosius’s relationship. it’s arguable that it doesn’t necessarily fit the traditional model of romance - not only are they a queer interracial couple, and not only is their relationship ambiguous in the book, but there are certain instances, especially in the movie, that subvert traditional ideas of romance and friendship.

one instance that really stands out to me is when the director asks ambrosius what’s on his mind and he goes on his imagined rant about how arm-chopping isn’t a love language - you know the one. when he mentions ballister, he refers to him as “the man i love, my best friend.” and not just one or the other, but both! the man i love, and my best friend. he places equal emphasis on both the romantic and platonic aspects of the relationship, valuing ballister in both a romantic context and a platonic context without treating either one as more important than the other.

and even moments such as the first “i love you” and the kiss manage to subvert tradition. both of these things are generally seen as a pretty big deal, especially in fiction - if the characters are kissing or saying “i love you,” it’s usually a moment in which everything changes. a line is drawn, dividing the story into after and now. sometimes it’s dramatic and climactic, with fireworks and a swell of music, but even when it isn’t it’s still seen as a turning point of sorts. now it’s official, now it’s real. but this isn’t the case in nimona. both moments are certainly significant - they do a good job of showcasing the character development and where ballister and ambrosius are on their respective journeys, and are certainly important in terms of representation - but neither one follows the path that most fictional romance does.

another way in which nimona challenges amatonormativity would be the emphasis on friendship! in the tavern scene (in the movie) when ambrosius suggests killing nimona, ballister disagrees and says “she’s my friend.” ambrosius replies with “aren’t i more than that?”, implying he’s more important than a friend - thus upholding amatonormative ideas. ballister becomes angry at that and leaves - challenging this idea and prioritizing his platonic relationship with nimona over his romantic one with ambrosius, as nimona is the one he wants to defend.

additionally, a big part of this scene is the way ballister deliberately rejects institute values while ambrosius unintentionally upholds them. and because the story challenges homophobia and transphobia (and other forms of bigotry) through the lens of the institute, it would make sense for it to challenge amatonormativity too! it’s something that’s become incredibly normalized, to the point that lots of people don’t even know it exists, and this is reminiscent of the institute brainwashing, especially when it comes to ambrosius - he’s been manipulated his whole life and probably genuinely doesn’t understand the level to which he’s internalized institute beliefs.

ballister prioritizes nimona many times, actually. when he tells ambrosius she’s “smart, kind, and quite sophisticated,” when he’s overjoyed to see her again at the end, when he refuses to kill her and saves her instead. over and over, he proves how much he cares about her, even when this involves directly going against what ambrosius wants - which, of course, is really what the institute wants. a core tenant of amatonormativity is the false notion that romantic relationships are more important or valuable than other types of relationships, but ballister actively goes against this!

to conclude, as a story that at its core is about identity and challenging societal beliefs, nimona defies expectations and traditional ideas of what it should or shouldn’t be. it’s possible that amatonormativity wasn’t what the creators had in mind, but the story still manages to challenge it with grace and elegance. just like its main character, nimona refuses to conform to what others want it to be.

[mazojo]

How do y’all like your metaphorical love confessions?

[i-really-like-phrogs]

Movie Lydia Re-Draw from Last Year

Here’s an Old Vs. New comparison!

[literarymerritt]

Happy one year to Them !!! 🦇🐈 Based off of this photo 🖤

Art Tumblr || Twitter

[omorisdrip]

Watched Starlight Revue. Changed my life

(Ignore the user I was gonna post this on Twitter later)

[icewindandboringhorror]

boy in silly sitting positions compilation

[sharkneto]

Current Impossible Task: trying to look up Furiosa's original origin story because I'm pretty sure they changed it for the movie but also not being 100% confident if I'm remembering canon or fanon

[polysyndetonaddictsupportgroup]

based on your asks responses & characterization of yuuta this is what i’ve gathered — yuuta is like that one high school senior who looked at the new coming freshman’s & just adopted them on the spot. there’s no out. now his friends sees the kid & adopted them too. it’s a family now. a very young, close in age family. (i was yuuta in this situation 😔 i was use to be megumi in this situation but i carried the tradition out. as i should. high school & middle school was wild.)

YUUJI THOUGH. we will probably never see him in your sea glass garden au but your asks is killing me. like his one sided beef with yuuta? he’s just like me fr. i too would fight over megumi if it comes down to it.

i just know yuuji thought that yuuta & megumi was a thing at first cause of the whole “his boy thing”. i know he screamed into a pillow about it. i know he went to gojo to ask for permission to court megumi & gojo was flabbergasted at such a medieval act so he had yuuji do the dumbest shit to get his blessing (ha).

i just know nanami is sighing at the idea of his son yuuji being a jealous little brat because of his other son yuuta. i just know yuuta was so confused until he witnessed yuuji & megumi awkward ass flirting. i know he acts like a little shit to get on yuuji (& sukuna) nerves.

you know what. this is my jujutsu kaisen. this is my sorcery fight. gege who? i only know you. PLS TAKE THE PEN FROM GEGE.

Yuuta is absolutely that senior who adopted that new student and made a little family. That is His Kohai now okay megumi is their collectively raised flour sack baby and they will kill for him.

Yuuji came back to life finally met the second years had just leveled up with his cursed energy and gained a new dad got his old friends back he was so so ready to go live his best life and then his new self appointed brother opened his mouth and started rhapsodizing about some impossibly beautiful and perfect man named okkotsu yuuta and yuuji is absolutely whacked in the face a la rubber squeaky hammer that there’s some gorgeous son of a bitch out there already living his best life.

His death sentence was overturned. He’s so powerful that he can save everyone if he wants. He is the legally adopted child of Nanami Kento. The curse attached to him 1) actually liked him and 2) moved the fuck on which some people (Sukuna) could take a few notes on.

Fushiguro Megumi is his boy.

This could not have devastated him more thoroughly. Even his newly acquired self appointed brother thinks okkotsu yuuta is the perfect man, which he manages to express at length in between warnings from the second years that Yuuta’s going to fly back from Africa purely for the sake of kicking his fucking ass for touching His Boy, which yuuji simply cannot handle.

Yuuji lowkey had a new lease on life and thought “hey! Fushiguro tried to kill someone with an elephant for me! Maybe I have a shot and he’ll let me hold his hand!” and then there’s god’s perfect man off in Africa who’s enticing megumi away from movie marathons with his fucking FaceTime calls right when yuujis almost hyped himself up enough to try the yawning arm stretch thing.

He spends at least three weeks trying to figure out if Megumi’s His Boy because they’re in a long distance relationship and it only ends because maki starts finding it more annoying than funny and establishes that it is not in fact a romantic arrangement. She thinks. (Okay it’s still kind of funny.)

Yuuji resorted to a terrible wikihow on how to get someone to date you and it insisted “get their parents approval” was his in and gojo could NOT have been more of an asshole about it. Nanami had to intervene to get it to stop. He is very tired and very confused. Why are you so upset about okkotsu he’s a lovely young man why is this making you more upset

Of course if yuuji ever found out that megumi became Yuuta’s boy after Yuuta personally restarted his heart he’d instantly understand why everyone acts like Yuuta’s the best thing since sliced bread. He is that amazing.

Yuuta and Megumi are completely oblivious to all of this.

Gege pls call me I just want to help gege pls

[swinging-stars-from-satellites]

across the world (in sixteen hours or less)

you know how you know nothing's gonna be okay again?

you lose your page again and again

you can't find your shoes

you pick up the phone even though you know you should stop

the happiest thing you can find is in a sad movie

and nothing changes

it's not English homework poetry where everything has to rhyme

you've got room now and it doesn't change a thing

your whole world is still your bedroom and some rock CDs

just like it was when you were five and ten and sixteen

there's no relief in the weather

because your weather's all the way across the world

(your brother's all the way across the world)

the rain is all the way across the world

the mountains you grew up with are outside your reach

the fog is still on that beach full of rocks

you still feel trapped

and you're never gonna see them again

xoxo.

[alexjcrowley]

Saying Swiss Army Man is about gay necrophilia is like saying Oedipus Rex is about a guy who fucks his mom. You're only technically correct.

[gu6chan]

So What Was Yaha's Deal? Drakengard Things You Might Not Know

GOD okay so im finally rambling about him okay so

I've been thinking about Yaha lately and it's really dawning on me how a lot of people just do NOT know about Yaha's past and it makes sense!! Literally NONE of this is available in English and it's so :( but also it makes me sad both because it's SO good and also because when people shrug him off as just "Reason Drakengard 2 sucks: it has a gay stereotype" like oh you do NOT even know omg

anyways, just so we're on the same page: this is NOT a theory discussing what happened to Yaha, just the best collage of what's ACTUALLY considered "canon" that I've picked up from different side materials and interviews (Most notably, Memory of Blood and World Inside). If I ever find anything else I'll be sure to update it :3

I WILL dive into a bit of personal interpretation/rambling over his battle lines (i have them save lmao) a bit later, maybe even in a separate post, but BOY

So TW: Mentions of noncon, dubcon and CSA up ahead

So i think the first thing that's to be established about Yaha's character is that the Empire DID wipe out most the elf population in DOD1, and while he did survive this, he was more or less still a victim in the respect that his parents WERE killed in likely less-than-painless ways as the Empire sought to use the elves both to use their blood for magic-repellent armour (While it looks like it was only introduced the the third game, it's actually been plot point for a while!) and the children to open the seal.

Given he's 25 by the events of Drakengard 2, he'd have to be around 7 at oldest before he arrived at the orphanage where met Urick. (He's not even 10 and he's already been through it...... baby...........)

Fortunately or unfortunately enough, Yaha DID manage to find a way to "survive" in this world from a very young age, and that was due to the fact that even as a child, he wasn't just commonly mistaken for a girl, but an absolutely "captivating" one. As it reads in his glossary section in Memory of Blood:

"He grew up an orphan, and even though he was a male, he boasted such beauty that he was frequently mistaken for a woman from an early age [...] For this, he uses his beauty as a systemic tool for survival. He captivates everyone, both male and female, and gains both status and protection in exchange for his body, which he used to escape life in the orphanage." (Glossary section from Memory of Blood)

It should be noted before I go on that the director, Akira Yasui, DID hint in his world inside interview that he thinks there was "something" between Yaha and Urick during their days in the orphanage, but whether that means feelings or an actual relationship isn't really clear (Though judging by his tone, it seems to lean more towards the short-lived, childlike-fling interpretation than anything imo i could just be biased though lmao):

"...As for his relationship with Urick, Yaha had liked him since they were in the orphanage together. I think there was definitely “Something” between them before Yaha left the orphanage. The powers of his pact didn’t reach Urick because he already knew how to deal with it; Urick was also once mesmerised by Yaha’s charm." (Yasui interview from World Inside)

(That last line is included for those tragedy points from when we get to the ~Split~ and BOY)

As for the orphanage, Yaha was...... "Adopted" by a well-to-do man when he was 14 years old. As for why and how he got adopted, it's unfortunately stated right at the end of his glossary entry which isn't even the worst part when you take into consideration that he's already been doing this for a while.

At any rate, Yaha DOES decide "You know what? Fuck it, we splurge" and uses all adoptee's fuckass money to buy useless shit until he turned 16 and joined the Knights in search of a better standard of living (How can he get that if he's already pretty much rich? given what he's going through at that point, you do the math)

and you know what? he deserves nice things <3

(And to note, Urick was also taken in by Oror from the orphanage as an apprentice when he was 16 as well.)

Anyways, Yaha was back to survival mode after joining the Knights, and just as he did when he was in the orphanage, used his body to climb the ranks of the KotS in search of a better standing in life. It's just repeating what his glossary says, but Yaha WAS slandered for this and got a lot of shit and rumours spoken about him behind his back for it. And the list...... wondering why gismor isn't on that list.... is there something he's not telling us???

"He joined the Knights of the Seal in search of a better standard of life; his successful climbing of its ranks being more due to his "body" than his skill in battle. The only people of notable standing who had not had a relationship with him are Oror and the Hierarch Seere (It is rumoured that he may have also had a relationship with Verdelet). Behind his back, Yaha was labelled a nymphomaniac." (Glossary section from Memory of Blood)

While working on an excavation site during the creation of the different countries of Midgard into districts (It's own can of worms), Yaha comes across a beautiful jewel unlike anything he had seen before. SO beautiful as a matter of fact, that Yaha, who by merit made beauty his everything on the basis that it was all he had (aside from Urick), took personal offense to this and pointed his sword at it. However, from the jewel came a gnome who would go on to offer Yaha a pact, offering him irresistible charm so that he could get whoever he wanted. Yaha, seeing the opportunity to move up even further in the ranks of the Knights of the Seal (both due to his charm and his status as a Pact-Partner, as Gismor was looking for Pact-Partners specifically SO they could guard the Seal Keys and manage the districts) and also claim Urick's heart by doing it, accepted the pact in an instant. But as you all know, that came at a VERY high price. Of course, Yaha lost his ability to feel pleasure, resulting in whatever "barrier" from his mental scars he had whenever he tried to do the deed being removed. The act of sex, for Yaha, was filled with not just mental pain made lighter by the aspect of pleasure, but now was just sheer psychical pain as well. What a lot of people may not know, however, is how literally Urick meant it when he said "Don't look into his eyes, he'll trick you with his lies" and followed up with "It's the power given to him by his pact-beast. Or maybe it's the price he had to pay." Urick was not joking.

For those familiar with Junji Ito's Tomie, it was essentially just that: Yaha wasn't just in possession of extreme charm, but enough to bring people to lose all rational thought and reason when they were around him. And the way the glossary talks about this...

"[...]As a result, his beauty became even more ebullient, to the point it lead to people easily losing all sense of reason. However, his body was no longer able to feel the sensation of pleasure. This was the price of his pact. Although Yaha had come to immensely regret it, it was already too late. He now lives every day being swarmed by those who have lost all reason and is forced to engage in sexual acts filled with nothing but fear and pain."

Yaha............ :( SO this is what leads to the real final kicker: Yaha has gotten his position, has more beauty than anyone could ever imagine, but what he really wants is Urick, right? Of all the pain of sex both psychically and mentally, if he could at least be with Urick, the one person he saw differently, the one person that at least wouldn't be mentally scarring to sleep with, maybe it could all make sense. So Yaha confesses to Urick. But Urick turns him down - not because of any sound argument, but because all he sees is a self-absorbed narcissist in his friend's place, manipulating others and sleeping around carelessly just to up his own ranks in society. For two seconds, it would make sense - That's technically what it is. A honest flaw in Yaha's character is that he's genuinely greedy and materialistic. He uses goddamned slave labour, for Christ's sake. On the other hand, is he really looking for a higher place in society? Or is he looking for stability? A place to get away from his past and be the one in control for once? Of course, being perfectly aligned with Urick's own version of "self-absorption" (All the Lieutenants have it!), he completely failed to realise where all that stemmed from. He saw Yaha as just being greedy and narcissistic from the lens of him being inherently bad, didn't for a second take into account Yaha's origins which led to that behaviour. His own best friend. So, long story short: Urick thinks Yaha is a bastardisation of his best friend and, following in his cowardly character, takes that as personally as you can (as you see in all his scenes and lines relating to Yaha together, im going to slap that little cunt) - despite the fact Yaha SHOULD have had the upper hand via his Tomie-like powers, as I mentioned towards the start of the post, Urick was already charmed by Yaha - he had just grown used to it because of how close they already were.

Brief Personal Analysis:

Personally reading into it, Yaha doesn't really care so much about his position as, beyond just being about as high as you can get, and it wasn't what he really wanted. The underlying source that got him that position to START with was his beauty, which Yaha cherishes like a narcissist would. He's used to people changing their tune whenever they lay eyes upon them, which Urick specifically instructs not to do towards the beginning of the battle, and is the source of such lines as "If I die, my beautiful body and the holy crystal shall perish. You would let that happen?" At the same time, a player death results in a VERY different tune from Yaha, where he dejectedly says the line "My beauty... It is my sin." Possibly hinting towards his own conflicted feelings and sorrow towards it as again, he goes from "My body is perfect, is it not?" to "My beauty is my sin" as soon as Nowe or his crew is too dead to question it. The difference is VERY jarring between the two, and I also bring into question the tone he uses to speak about his gnomes on whether he intentionally sounds exhausted of them (It would make sense, given the hinted resentment he has towards his pact-beasts for doing him dirty like that) or if he... Just sounds like that. Granted, a LOT of Yaha's lines sound similar in their sultry, somewhat sorrowful and tired tone all around. Of course, there are also his lines directed towards Urick, which should be self-explanatory given the context, but a few other notes and trivia and whatnot before i wrap up:

Just to note and say the obvious a final time since I know how this fanbase can be: Yaha IS genuinely a narcissist, that being his leading character flaw, though of course it should go without saying that while his actions as a result of that (re: slave labour) are definitely not to be swept under the rug, it's just as important to note the context that led to that and the tragedy of his character because of it. As Urick says, "He was very different then."

Yaha is confirmed bisexual! It surprised me too, but...

"Similarly, when I designed Yaha, I designed him to be a typical narcissist — a character who would probably go and describe their own self as "Beautiful". But even though his character is supposed to be one who is attracted to both men and women in the story, people who are attracted to both genders in real life are usually not of this type. Like Gismor, he also largely captures the image of "Bewitching"." (Character Artist Fujisaka commenting on Yaha's design in Memory of Blood)

Just a fun little detail: During Yaha's battle against the Rock Gnome, when it lifts the jewel above it's head in order to throw it at you, you can throw out a magic attack at just the right time and it will drop the jewel on its head for massive damage! And of course, similarly you mainly attack the Rock Gnome by using jump attacks to bring your weapon down on its head. And if you look at Yaha's portrait during his death scene...

Similarly, Urick is strong against monsters, which encourages you to use him to bring the final death blow to Yaha. And given their lore together I'd be damned if this cruel little snippet wasn't done intentionally.

The drawing of Yaha's death with the gnomes is titled "End of Agony", and hopefully after reading this post, you now know why.

A bit more interpretation than theory, but I have an ongoing hunch that each of the layouts and/or "gimmicks" of the Lieutenant's fortresses are based off the personality and story of the Lieutenant itself. Hanch is based around walls, closed doors and of course, water, Urick's is a twisting maze based off of sacrifice with the themes of life and death, Gismor's is based in fighting your way up a tall tower to reflect his ego and overlying reach as an antagonist, and Yaha's, primarily, is based off of illusions. The more you get past them and through the fortress, the less "ebullient" and fancy it looks until you reach its end - a single, shabby room filled with sand and dirt with nothing but a few musty crates and a bunch of jail cells meant for holding sacrificed prisoners to the Seal Keys. If that doesn't reflect Yaha's whole character, I don't know what does.

Either way, that's about all I think I have for him! Hopefully you learned something new, and if you have any questions, do let me know~

[roughroadhaley]

the issue with the RoyKeeley storyline in season 3 for me. if they’re not meant to be that’s fine, they’re very different people at different phases of their life, but tell us that. Give us some sort of emotional pay off for watching them share half of their screen time together for two years. There’s no scene in season three that felt cathartic to me.