#this took a while but i'm finally posting it

[aceyalonso]

that's the thing about illicit affairs - OSCAR PIASTRI

pairing : ex!oscar piastri x fem!reader ↳ slight lando x fem!reader at the end

summary : a maid of honor and a groom that she knows all too well, only one of them gets their happy ending.

warnings : swearing, drinking, fighting, relationship issues, mentions of settling down, marriage, majority of story takes place in 2027

word count : 6.5k

song : illicit affairs - taylor swift

a/n : happy 400 followers with a not so happy post! and a special ty to @iamred-iamyellow for convincing me to write this <3

September 10th, 2024

Y/n lifted her head from Oscar's chest, shifting her position to look at him directly. She took a moment to gather her thoughts before speaking. "Have you ever thought about getting engaged or married someday?"

Oscar's expression turned slightly cautious as Y/n asked the question. He paused for a moment, thinking about it. Finally, he responded, "Well... I haven't really given it much though, to be honest. I've been focused on our relationship and enjoying our time together."

He shifted a bit on the couch, now sitting up straight. His gaze remained fixed on Y/n as he continued. "Why do you ask? Is it something you've been thinking about?"

Y/n nodded, a mild sense of disappointment showing on her face at the realization that Oscar hadn't seriously thought about it yet. "I was just wondering. It's something that's been on my mind for a while."

The conversation turned into a more serious tone as the topic escalated to an argument. The initial lighthearted mood was replaced with tension and disagreement between Y/n and Oscar.

Y/n's frustration began to show on her face, her voice getting slightly louder. "I don't understand why you haven't thought about it yet. We've been together for 3- Almost 4 years, Oscar."

Oscar's initial surprise at the escalation of the argument slowly turned to frustration as well. He responded, his voice rising slightly as well. "It's not that I don't want to marry you, it's just... I don't know if I'm ready for it yet. The thought of getting engaged or married is a huge commitment.

Y/n scoffed a bit, her agitation growing. "I know it's big commitment. But that's exactly why it's important to discuss it and be on the same page about our future. I need to know what we agree and don't agree on!"

Oscar sighed, running a hand through his hair in frustration. "I don't want you to feel like I'm avoiding the topic, but it feels like you're putting pressure on me to make this decision. I just need more time to think about it, alright?"

Y/n crossed her arms, clearly dissatisfied with Oscar's response. She lets out a huff before responding. "More time? We've been together for years, and still need more time to think about it? How much more time do you need?"

Oscar's irritation grew at Y/n's response. He raised his voice slightly, matching her heightened tone. "I understand that we've been together for a long time, but that doesn't mean I have to be ready to get engaged or married right now. And constantly pressuring me about it isn't going to make ready any faster.

Y/n shot back with a bit more heat in her words. "I'm not trying to pressure, I just want some clarity about our future. It's not unreasonable to expect some form of commitment after being together for this long. You make it sound like you're not even sure if you want to marry me at all!"

Oscar's expression hardened at Y/n's accusation. "That's not fair. You know I love you, and I don't doubt our relationship. But marriage is a big step, and I want to be absolutely certain that we're both ready and willing to commit to it for the rest of our lives."

Y/n let out an exasperated sigh, feeling increasingly frustrated. "I understand that, but I feel like you're keeping me in limbo. You can't ask for more time without giving me some assurances that you do see a future with me. I need some sort of confirmation that we're on the same page here."

Oscar let out a deep breath, trying to calm himself down. "Okay, look, I do see a future with you. I do want to be with you for the rest of my life, alright? I just need more time to mentally prepare for the idea of getting engaged or married. It's a lot to process all at once."

Y/n relaxed slightly at Oscar’s reassurance, but their concerns still lingered on their face. “That’s good to hear, but it’s still not enough for me. I need more than just words. I need some kind of proof that you’re serious about our future together.”

Oscar, now clearly irritated, threw his hands up in desperation. “What more assurance do you need? I just told you that I see a future with you and that I love you. What else could you possibly want from me? A written guarantee? A legal contract?”

Y/n, equally frustrated, shot back with an aggressive tone. “No, I don’t need a written contract. I just need some sort of action, some steps towards making our future together a reality. You keep telling me you’re sure about us, but then you hesitate when it comes to actually making a commitment.”

The argument continued to escalate, both Y/n and Oscar becoming more frustrated and emotional. Y/n’s voice continued to raise, their words now filled with frustration and hurt. “I can’t believe you’re still making excuses. I’m tired of feeling like I’m the only one who wants to take our relationship to the next level. You keep stalling, and it makes me question if you really want to marry me at all!”

Oscar, in his frustration and anger, snapped back with a hurtful remark. “You know what, if you keep acting like this, maybe I won’t marry you at all! At least I'll be free from you and your stupid neediness!”

As soon as the words left his mouth, he regretted them. The pain and shock on Y/N’s face were evident, and he knew he had crossed a line.

Y/n stood up from the sofa, tears beginning to well up in her eyes. Her voice trembled slightly as she spoke. "Fine, if that's really what you want, then it won't happen. If you don't see a future with me, if you don't want to marry me, then there's nothing more to discuss."

Y/n, moving with purpose, made her way to the bedroom. There, she hastily grabbed a suitcase from the closet and began stuffing it with clothes and essentials. A sense of anger and determination filled her actions, her emotions still heightened from the argument.

Meanwhile, Oscar followed behind, trying to stop Y/n form leaving. He entered the bedroom and pleaded with her, his voice filled with regret and desperation. "Where are you going? You can't just leave like this!"

Y/n snapped back at him, her voice still angry and strained. "I can and I will. You just made it clear that you don't see a future with me. What am I supposed to do? Stay and keep hoping that someday you'll change your damn mind?!"

Oscar, his emotions conflicting, tried to find the words to convince Y/n to stay. "I didn't mean it. I was just so frustrated and angry, I didn't what I was saying. Please, don't go. We need to talk this through."

Y/n, who was still packing her suitcase, paused for a moment to look at Oscar. "There's nothing more to talk about. You said what you said, and I heard it loud and clear. You don't see a future with me, so what's the fucking point?"

Pausing once more in the midst of packing, looked directly at Oscar. "When we first started dating, I made it clear that I wanted to settle down one day. I was upfront about my expectations, and you knew what I wanted. Yet, here we are, years later, and you're still not ready for that commitment.

Oscar, feeling a mix of guilt and frustration, responded defensively. "I know I haven't been ready yet, but I told you I need more time. That doesn't mean I never want to marry you. It just means I'm not ready right now."

Y/n, now fully packing their suitcase, shot back with a hint of sarcasm. "Right, because waiting endlessly for you to make up your mind is so fun. You've had years, Oscar. How much more time do you need? A decade? A lifetime?"

Oscar, starting to get frustrated again, tried to defend himself. "You're acting like I'm doing this on purpose! I'm not stalling or avoiding the issue. I just need more time to figure things out. I have to be sure about such a big commitment!"

Y/n zipped up her suitcase, expression hard and uncompromising. "Spare me the excuses, Oscar. You've had ample time to reflect and consider. And here I am, still waiting for you to make a move. Your inability to make a decision speaks volumes, and I refuse to continue wasting my time, hoping for something you're not even ready to give."

Y/n, now walking out of the bedroom with suitcase in tow, was stopped in her tracks by Oscar's gentle yet firm on her free wrist. As she turned to look at him, he called out to her with a pleading tone. "Baby, wait. Don't go. Let's talk about this. Please."

Y/n looked him in the eye with a mixture of hurt and anger. "Don't call me 'baby'. You don't get to use endearments on me now. You lost that privilege when you made it clear that you don't see me as someone worth committing to."

Oscar, realizing his mistake in using the endearment, looked at Y/n with a remorse and desperation. "I'm sorry. I shouldn't have called you that. I'm just trying to get you to stay and talk to me about this."

Y/n shook her head, her expression still firm and determined. "No, I'm done talking. I'm done waiting. You had your chance to discuss this, and you dismissed it. I don't want to hear any more excuses or apologies right now. I need space."

Oscar, growing increasingly worried, pleaded with Y/n once more. "Please, don't go. This is the same old argument we've had before, but we've always worked through it. Let's take a break, cool off, and come back to this later."

"Exactly!" Y/n's voice is laced with frustration and exhaustion. "We keep pushing this issue aside, hoping it'll resolve itself. But it never does!" she says, tears starting to fall in between sobs. "Instead, it just becomes a bigger problem each time we avoid it. We can't avoid this conversation forever, and it's tearing me apart."

Y/n, determined to leave despite Oscar’s efforts to hold her back, breaks free from his grip and walks towards the door.

Oscar, watching her walk away, calls out to her pleadingly. "Please, don’t go. We can work this out, can’t we? You can’t just leave without resolving this."

Y/n, standing at the door with suitcase in hand, responds with a mix of determination and pain. "You’re right. There won’t be anything to resolve if there’s nothing left between us. And right now, it feels like there’s nothing left to salvage."

Oscar, panicked and desperate, tries one last effort to make her stay. "No, don’t say that! We have years together, a life built together. You can’t throw it all away just like that."

Y/n, her voice tinged with hurt and bitterness, answers with a sharp response. "When you said you don’t feel free around me, it felt like a slap in the face. As if being with me is some kind of prison sentence to you. So maybe it’s better if you are free, without me in the picture."

Y/n opens the door, her steps resolute and determined. Without looking back, she walks out and slams the door shut behind her. Oscar, left alone in the apartment, stands frozen in place, the sound of the door slamming echoing in his ears.

February 12, 2027

Three years have passed since Y/n left, and she has found herself in a different place, both geographically and emotionally. She has moved from Monaco to France, and is now living in a cozy apartment with her roommate, Alexandra.

Y/n and Alexandra are folding laundry and chatting away in the living room, enjoying each other's company. Suddenly, Y/n's phone buzzes, signaling an incoming call. She glances at the screen to see that it's her cousin calling.

Y/n, spotting the caller ID "lily 💗", excuses herself from the conversation with Alexandra. She picks up the phone, her voice tinged with curiosity. "Hey, what's up?"

Lily, sounding excited on the other end of the line, wastes no time in telling her the news. "Hey, guess what? I'm getting married! And I'd really love it if you could come to the wedding. It wouldn't be the same without you here!"

A smile spreads across Y/n's face as she listens to her cousin's cheerful announcement. She feels a mix of joy and surprise. "Oh my goodness, that's wonderful news! I'm so happy for you. Of course, I'd love to be there for your wedding. It's going to be a beautiful occasion. Have you set a date yet?"

Her cousin, still beaming with happiness, replies warmly. "Yes, we have! We're getting married in two months, at a beautiful venue here in Monte Carlo. It's going to be a wonderful celebration. I can't wait for you to be there with me."

Y/n's cousin, continuing the conversation, extends a special invitation. "Oh, and by the way, I wanted to ask you something else. Would you do me the honor of being my maid of honor? It would mean the world to me if you were by my side on my special day."

She feels a wave of warmth and appreciation at her cousin's request. She quickly responds with enthusiasm. "Oh my goodness, of course I'll be your maid of honor! It would be my absolute honor to stand by your side on your wedding day. I'm so touched that you asked me."

Her cousin lets out a happy sigh, feeling relieved and delighted at Y/n's acceptance. "Thank you, thank you, thank you! I'm so glad you said yes. I can already imagine us having so much fun during the preparations and on the big day. You're going to be the best maid of honor ever!"

She rejoins Alexandra in the living room, her expression a mix of joy and excitement. "Sorry, that was my cousin. She's getting married apparently? She asked me to be her maid of honor too!"

Alexandra, hearing the exciting news, lights up with delight. "Oh, that's fantastic! Congratulations to the both of you!" she says, clapping lightly. "Being a maid of honor is such a special role. When's the big day?"

Y/n's voice brims with anticipation as she responds. "In two months, it'll be in Monte Carlo."

Alexandra, curious to know more about Y/n's cousin and her fiancé, poses a question with a tone of intrigue. "That sounds wonderful! So who's the lucky groom?"

Y/n opens her mouth before slowly closing it. "You know, I just realized, I don't actually know..." she replies sheepishly.

The two girls sit in awkward silence for a few moments before bursting out laughing. Y/n can finally say that she feels happy. At least, way happier than she was with Oscar.

April 26, 2027 | Chapel

The long awaited wedding day, and the setting couldn't more picturesque. The venue is adorned with elegant decorations, and Y/n stands by chapel doors, ready to walk down the aisle alongside the best man and to see the groom for the very first time.

Y/n, in her satin green dress, is arm in arm with Lando, the best man (who she met a week ago). They make their way up to the altar, and as her eyes scan the surroundings, something catches her eye. She turns her gaze towards the altar, and there she sees the groom awaiting his bride.

As the groom turns around to face the aisle, Y/n's heart skips a beat. There, standing at the altar, is Oscar, her ex-boyfriend. Y/n feels a mix of shock and disbelief. Lily is getting married to Oscar.

Oscar, caught off guard by the sight of Y/n, manages to keep his composure despite the surprise. His eyes go wide with realization, but he quickly masks his emotions and turns his attention back to the altar.

Lando, feeling Y/n's grip on his arm tighten ever so slightly, turns his attention to her with concern. He senses something is amiss and leans in slightly to inquire in a low whisper. "Hey, is everything alright? You look like you've just seen a ghost."

Y/n, struggling to find her words, manages to compose herself enough to respond to Lando's question. "I'm... I'm fine." she mutters, forcing a smile. "Don't worry about it. Let's just focus on the ceremony right now. I'll explain everything later if we have time."

Lando, sensing Y/n's unease, nods in understanding but keeps a watchful eye on her throughout the ceremony. He feels there's more to it than meets the eye, but he decides to respect her request to wait until later to explain.

The processional draws to a close as Lily walks down the aisle, looking stunning in her snowy white dress. Y/n, unable to help herself, steals a glance at Oscar, who stands at the altar, his eyes filled with awe as he gazes at the bride- his bride, in all her splendor. There's a mix of shock and a tinge of melancholy in Y/n's expression as she observes him.

Her thoughts race through her mind as she stands alongside the other bridesmaids. She watches Oscar at the altar, his eyes fixated on Lily, and a sudden pang of bittersweetness washes over her. In that moment, she can't help but wonder if this is what it would've been if she and Oscar had gotten married, if they would've worked it out. A mixture of nostalgia and melancholy fills her heart as she contemplates what could have been.

Her inner turmoil intensifies as she struggles to reconcile her current circumstances with the memory of the dreams and aspirations she once had with Oscar. The weight of the unspoken emotions between them hangs heavily in the air, and split second, Y/n finds herself caught in a whirlwind of "what if?" scenarios before she snaps back to reality, reminding herself of the reasons that led them down separate paths. The same reasons that led them to this day.

Lily reaches the altar, and Oscar assists her with her beautiful gown, his hands gently arranging the fabric. In the process, their eyes meet for a fraction of a second, and the intensity of that brief glance nearly brings tears to her eyes. The connection, though fleeting, stirs a mix of emotions within her, bringing back memories and longing she thought she had buried in the past.

Unable to bear the weight of Oscar's gaze any longer, Y/n averts her eyes, feigning the need to fuss with her own gown. She busies herself with adjusting her attire, using the action as a guise to avoid looking at Oscar, who stands just a few steps from her. She tries to mask the turmoil within her, hoping no one notices the storm of emotions brewing beneath the surface.

Oscar tears his gaze away from Y/n and redirects his focus to his bride. A genuine, radiant smile illuminates his face, and in that moment, Y/n realizes that she has never seen him smile quite like that before. The smile is wide, full of joy and contentment. Y/n can't help but feel a sharp pang in her heart.

The sight of Oscar's unabashed happiness with his bride strikes a chord deep within Y/n. It awakened a mix of sorrow, regret, and a hint of resignation. She understands that his smile, while beautiful, is no longer hers to witness. The reality of their broken relationship, and the different paths they've taken, is now undeniable, and the weight of that realization settles heavily on her heart.

The mixture of emotions in the air is palpable as Y/n stans beside the other bridesmaids, her eyes till fixated on Oscar and the bride. She can't help but feel a jumble of sadness, envy, and acceptance, witnessing the unfolding scene in front of her. The moment seems to stretch on, each second reminding her of what could have been.

The ceremony continues, and as the moment arrives for Oscar to kiss his bride, the air catches in Y/n's throat. Y/n, along with all the guests gathered, watches as the newly weds lock lips, sealing their union in a heartfelt kiss. Y/n's heart clenches as she longs to be the one standing with Oscar, to be the one he's kissing.

Their kiss seems to last an eternity, each second a poignant reminder of the love that Oscar now shares with someone else. Y/n's eyes are fixed on the couple, her heart wallowing in sorrow and acceptance. The realization that she is no longer a part of Oscar's future washes over her, and she finds herself in the same bittersweet feeling that she found all those years ago.

Y/n, although her heart is heavy, knows she has no choice but to join in the applause. She raises her hands and claps along with the guests. Her hands come together in a rhythmic applause, the sound blending with the collective joy and celebration around her. Inside, her heart is aching, but on the outside, she manages to maintain a semblance of composure, hiding the storm of emotions within her.

April 27, 2027 | Reception

Time swiftly moves forward to the reception. Lando, as the best man, steps up to the podium, ready to deliver his speech. The room falls silent, and all eyes turn to him, waiting to hear his words. Lando takes a deep breath before starting, his voice filled with a mix of humor, warmth, and genuine affection for the couple.

Lando begins his best man speech with a warm smile, his eyes flickering across the guests. "Good evening, everyone. I feel incredibly honored to be standing here as the best man for this beautiful couple. Today we gather to celebrate love, commitment, and the beginning of a new journey for our newlyweds, Lily and Oscar. I've known Oscar for a long time, and I can confidently say that I've never seen him as happy as he is today, all thanks to the incredible woman sitting beside him."

As Lando continues with his speech, Y/n sits in her chair, listening intently. The mention of Oscar being the happiest he's ever been makes her chest tighten, as though an invisible weight is pressing down on her heart. The reality that Oscar has found true happiness with someone else, the very thing Y/n had once hoped to provide for him, is a bitter pill to swallow.

Y/n, lost in her thoughts, zones out during the last part of Lando's speech. The words around her turn into a blur, and she becomes unaware of the speech's conclusion. Her mind is preoccupied with the barrage of emotions swirling inside her, and she finds herself in a state of partial detachment from the ongoing celebration.

Lando, sensing that Y/n was lost in thought, gently places his hand on her shoulder. This gesture snaps her back to reality, and she becomes aware of the room around her again. Seeing her jolt slightly, he gazes at her with a compassionate glance. "Hey, it's your turn to give a speech."

Her heart rate quickens as she realizes it's her turn to give the speech, and she takes a deep breath to steady herself. She glances around the room, the weight of the moment settling heavily on her shoulders.

Y/n slowly walks up to the podium, her steps deliberate and measured. As she stands in front of the microphone, she can feel the eyes of gathered guests fixed on her, waiting for her words.

She stands behind the podium, taking a moment to collect herself before speaking. With a mixture of joy, love, and disbelief, she begins her speech.

She starts, "Good evening, everyone. For those who may not know me, I’m Y/n, the bride’s cousin, but truly, we’ve always been like sisters. Standing here today, I feel a flood of emotions - joy, love, and perhaps just a hint of disbelief that this day has finally come."

Y/n continues, "You see, when we were children, Lily and I would often engage in 'wedding' games. We'd don makeshift wedding veils made from pillowcases and fiercely argue over who would get to be the bride. It was a serious matter for us back then, and more often than not, we’d ultimately settle on her being the bride. According to her, she just 'looked more like one.' Well, Lily, I have to admit, you were absolutely right—because here you are today, looking stunning, more beautiful and radiant than I could have ever imagined."

Her voice is a mixture of warmth and sentimentality as she continues her speech. "It’s fascinating how childhood dreams have a way of becoming reality, and yet, it’s even more astonishing to witness how you’ve grown into the remarkable woman standing before us now. Over the years, I’ve watched you navigate the ups and downs of life with such grace, and today, as you marry Oscar, my heart swells with happiness for you both."

In the midst of her speech, Y/n’s eyes inadvertently meet Oscar’s, and a wave of emotions courses through her. The weight of the moment, combined with her feelings for Oscar, causes tears to well up in her eyes, making it increasingly difficult to continue speaking.

She pauses, attempting to blink back the tears that threaten to spill. Clearing her throat lightly, she tries to push through the momentary emotional wave that has struck her. The pain in her heart is evident, but she forces a smile, determined to complete her speech with a semblance of composure.

Taking a deep breath, Y/n collects herself and presses on with her speech, "While I’m brimming with joy for you both, I must admit I feel a tinge of bittersweetness, for today marks the beginning of a new chapter in your life — a chapter where you start your own family. But if there’s one thing I know for sure, it’s that no matter how life changes, no matter where you go, we’ll always be as close as we’ve been."

Y/n steals another quick glance in Oscar's direction before continuing. Her emotions are still close to the surface, but she plows on, speaking with a mixture of bittersweet happiness and nostalgia.

"You’re not just my cousin; you’re my sister, and this connection we share is something that will forever remain unchanged. So here’s to the both of you. May your love be as strong and lasting as our bond has been all these years. And Lily, if this day proves anything, it’s that you were always destined to be the bride." she says, wiping away her tears with a small handkerchief Lando handed her.

As Y/n completes her speech, her eyes inadvertently find their way back to Oscar. The gaze she gives him mirrors the one she had when they parted ways three years ago. The pain, the longing, and the unresolved emotions are all still there, making her next words more strained.

With her gaze still fixed on Oscar, Y/n struggles to keep her emotions in check as she continues her speech, her voice trembling slightly. Despite the ache in her heart, she forces a smile, her words now directed towards Oscar.

"And to Oscar, I hope you enjoy growing old with her as much as I enjoyed growing up with her." Each word feels like a dagger to her heart, but she finishes her speech, the pain in her eyes reflecting the depth of her unspoken feelings.

Y/n, fighting to maintain her composure, finally comes to the end of her speech. Her voice wavers slightly as she utters her final words. "A toast! To Lily and Oscar!"

Her words hang in the air, a bittersweet sentiment that lingers in the room. The guests raise their glasses in agreement, blissfully unaware of the turmoil within Y/n.

Lily, moved by Y/n's heartfelt speech, stands up and embraces her cousin in a tight hug. But while Lily basks in the moment, blissfully unaware of the pain her happiness is causing Y/n, the latter can only focus on Oscar, her eyes filling with tears as she gazes at him. The raw emotions bubbling beneath the surface seem to intensify, and it takes all her strength to hold back the floodgates.

April 27, 2027 | After the Reception

The reception has come to an end, and the hotel lobby is relatively quiet at this late hour. Lando, getting ready to head out, spots Y/n standing in the corner, holding her crumpled gown in one hand and her phone in the other. He approaches her with a concerned expression.

"Hey," Lando says softly, standing beside Y/n. His voice is gentle, tinged with concern as he looks at her. "Are you alright? You seem a bit... off?"

Y/n glances up at Lando, her expression weary. The emotional toll of the evening is evident on her face. She forces a small smile, trying to appear okay. "Oh, yeah, I'm fine," she replies, her voice slightly strained. "Just a bit tired, you know."

Lando can sense that Y/n isn't being completely honest, but he doesn't press the issue. Instead, he offers her two options. "You sure you're okay? You can always crash at my place if you want," he suggests. "Or, if you're up for it, we could go for a drive. Whatever you prefer."

Y/n ponders for a moment, weighing her options. Finally, she decides to take Lando up on his offer for a drive.

"A drive sounds good," she says, her voice slightly weary but also filled with a hint of relief. "Lead the way."

With a nod, Lando leads the way towards his car, parked outside the hotel. He unlocks the door, takes her gown, and gestures for her to get in. Once they're both settled in the car, Lando starts the engine and begins driving.

The silent drive envelops them, its quietness only interrupted by the soft hum of the engine and the occasional sound of passing cars. Both Lando and Y/n seem weary, the evening's events taking their toll on them.

Lando glances over at Y/n periodically, noting the fatigue etched on her face.

He drives them to an empty beach, where only the signs of life are a few stray cats and dogs sleeping beneath a nearby bridge. The beach is mostly deserted, and the soft sound of waves crashing against the shore adds a soothing atmosphere to the surroundings.

He parks the car and shuts off the engine, the sudden silence feeling both peaceful and surreal at the same time.

Lando gets out of the car and opens the trunk. He rummages through it, pulling out two bottles of beer. He closes the trunk and walks over to where Y/n is standing, holding the bottles in one hand.

"Wanna share a cold one?" he asks, offering her one of the bottles.

As Lando hands Y/n a bottle, she glances at him with a puzzled expression on her face, her confusion evident. "You just happen to have cold beer in your trunk?" she asks, raising an eyebrow.

Lando laughs at her questions and explains, shrugging his shoulders. "Nah, I don't keep beers in my car!" he says, chuckling. "It was supposed to be for the wedding, in case we ran out. You know how weddings can be."

Y/n nods in agreement and requests a bottle opener. Lando pats his pockets, searching for one. After a moment, he pulls out a small, multi-purpose tool from his pocket that serves as a bottle opener.

"Can I?" he says, gesturing for her to hand him the beer.

Y/n thanks him and hands her bottle to him, waiting for to him to open his bottle. As he uses it to pop the lids off both bottles with a satisfying fizzing sound, she takes her bottle and watches the foam settle on the top of the liquid.

Lando closes the trunk and follows Y/n down to the sand. They walk down in silence, the soft sound of their footsteps blending with the gentle rhythmic crashing of the waves.

The cool night air wraps around them, offering a refreshing reprieve from the day’s festivities. The soft light of the stars and the moon casts a gentle glow over the beach, making the surrounding area appear almost magical.

As they reach a spot on the beach and sit down, Lando takes a sip of his beer and sets the bottle down in the sand. He glances over at Y/n, his expression curious. “Hey, can I ask you something?” he says.

Y/n looks up at Lando, her expression open. “Sure, what is it?” she responds, her curiosity piqued by his inquiry.

Lando takes another sip of his drink before continuing. “When we were standing there, right before you were supposed to give the speech, you started acting kinda strange. I’m just wondering… did something happen?”

He pauses for a moment, the memory of their walk down the aisle surfacing in his mind. His tone becomes concerned and inquisitive. “And when we were walking down the aisle, you seemed… I don’t know, kinda on edge too. Did something happen back there or…”

Y/n sighs heavily, knowing she can’t avoid the question any longer. She gazes out at the ocean, the weight of her emotions visible in her expression. “I guess you noticed that something was up after all,” she says, her voice tinged with a hint of regret. “It’s a long story, Lan.”

Lando looks at Y/n, giving her a reassuring smile. “You know what? We’ve got all the time in the world right now, it’s just you and me.” he says, his voice gentle and inviting. “And I’m all ears if you need to talk about whatever is bothering you.”

Y/n feels a mix of emotions, knowing that Lando is willing to listen to her and that she can finally open up about what’s been bothering her. She takes a deep breath, her voice slightly shaky as she begins to tell her story.

“Okay… So I guess I should start by telling you that Oscar is my ex-boyfriend.” She sighs, feeling the weight of her words settle over her.

As Y/n drops the revelation about Oscar being her ex, Lando’s response is somewhat unexpected— his beer goes up his nose, causing him to cough and splutter lightly. Y/n stifles a laugh, finding a brief moment of humor amidst the intensity of their conversation.

“Hey,” she giggles playfully, “you okay there?” Lando clears his throat, wiping away the remnants of his beer mishap.

“Yeah, sorry about that,” he laughs, his eyes still watering slightly. “I just… did not expect that detail?”

They both laugh softly, and the moment of levity helps to alleviate some of the tension hanging in the air.

Y/n takes a deep breath, regaining her composure, and going on with her story. “Long story short, things didn’t end well between us… I guess seeing him again as the groom, all dressed up and looking ready to start a new chapter in his life, well, it just hit me pretty hard,” she confesses, the sadness and lingering pain evident in her voice.

Y/n takes a moment to gather her thoughts, summoning the courage to share the painful truth. “The main reason we ended things was because he wasn’t ready to settle down. He didn’t want what I want— commitment, a future together, you know? It hurt, but I had to respect his decision.” Her voice trails off, memories of their breakup flooding her mind, stinging her again.

The mention of Oscar’s reluctance to commit triggers a painful memory for Y/n, causing her eyes to cloud with a mix of sadness and longing. “And now, seeing stand there, so ready to marry someone else, with the biggest smile on his face… It’s like my hope of us being together has been shattered all over again.”

Her laughter is tinged with bitterness, the irony of the situation not lost on her. “To make matters worse, it just had to be my cousin, right? Like some sort of fucking soap opera. I mean, what are the odds of that?” Y/n muses, shaking her head slightly.

Seeing the sadness etched on Y/n’s face, Lando can’t help but feel empathy for her situation. He reaches out, gently placing a comforting hand on her shoulder, his touch conveying a silent understanding.

As Lando reaches out and touches her shoulder with a comforting gesture, Y/n feels a wave of gratitude towards him. She looks at him and forces a small smile, appreciating his support.

“Thank you, Lan,” she mutters, her voice barely above a whisper. “It’s just… hard to see him so happy with someone else when I still have feelings for him- well, I thought I didn’t love him anymore, I thought I had moved on, but seeing him today… it just brought everything back.”

Hearing Y/n’s words, Lando clears his throat, a thoughtful expression on his face. “Y’know, Y/n, it’s completely understandable that you feel this way. Seeing an ex move on can be incredibly difficult, especially when you’re still clinging to those lingering feelings and hopes of what could have been.

He pauses, considering his words carefully. “Maybe it’s time for you to actually let go and move forward. Leave the past behind.”

In the midst of their conversation, a small tabby kitten suddenly appears and jumps into Y/n’s lap, surprising the both of them. The sudden appearance of the kitten seems to momentarily distract them from their heavy discussion.

“Whoa, where did you come from, little one?” Y/n exclaims with a surprised laugh, as she gently pets the kittens fur.

Lando chuckles and remarks, “Y’know, they say cats are surprisingly good at sensing emotions. It must have sensed your sadness, Y/n. They can absorb negative vibes like little fluffy energy absorbers.”

Y/n couldn’t help but smile at Lando’s explanation, the idea of the cat absorbing her sadness somehow comforting. “That makes sense, I guess. It’s kind of sweet, in a way,” she muses, continuing to pet the kitten which responds with a soft purr. “Maybe this kitty will absorb all of these painful emotions and turn them to into something positive.”

As if sensing the conversation, the kitten nuzzles against Y/n’s hand, it’s purring growing louder, sending gentle vibrations throughout her fingers. The warmth and innocence of the moment provide a brief respite from her emotional turmoil.

Y/n chuckles, but her laughter is tinged with bitterness. She looks down at the kitten in her lap. "I realized something earlier. I'm always be the bridesmaid, and never the bride. It’s like my destiny is to always be the supporting character in someone else’s love story, not the one who gets their own happy ending."

She sighs softly, a mixture of resignation and disappointment in her voice. “I never thought that I’d be that cliché— the forever bridesmaid, never finding true love. Yet here I am, witnessing it all unfold in front of me.”

Lando locks eyes with Y/n, his gaze sincere and filled with a hint of something more than just friendly concern. “Love has a mysterious way of hiding in the most unexpected places. Maybe… the person you’re looking for is right in front of you, and you just need to open your eyes to see it.”

His words hang in the air, leaving them both pondering the possibility of love closer than they think.

masterlist

taglist:

@nepobbylver @wobblymug @xoscar03 @irishmanwhore

[powdermelonkeg]

You know what? I'm gonna make a Minecraft movie

This is a plot I banged out over the course of like three hours at work so bear with me.

Movie starts. Main Guy just got fired from his job or something. He goes home to his house, greets his dog, agonizes over how he's going to pay for said dog with this development. Dog comes up wanting to play fetch, has a mcguffin in its mouth. Main Guy takes it and fiddles with it that night.

Mcguffin activates.

Guy winds up in Minecraft world. Spends a day freaking out about everything. Finds a dirt house someone else made and spends the night there to escape the monsters.

There's a map there. Takes that to a village

Meets Alex. She doesn't speak.

Alex is in the middle of saving a village from an Illager raid. Main Guy helps.

It takes a turn into a rescue mission for captured Villagers. The Illagers are hunting for a Trial Chamber with a legendary weapon (the mace).

After that arc is complete, Main Guy has an Allay as a pet and a new friend in a Villager he saved. Gang's all there, all adventures from here on out will be with MG, Alex, Villager, and Allay.

They go to Alex's home base. It's neat, but it's very clear she's not the only one that's lived there.

MG manages to convey to Alex that he needs a way home. And she's got the Ender Dragon egg, but doesn't have the rest of the equipment to get to the End and make the portal home.

Trip into the Deep Dark, ancient city, Warden fight while getting diamonds.

Villager takes the diamonds and makes a pickaxe for them.

They get obsidian and make a Nether Portal. Trip to the Nether to find a fortress and get blaze rods and ender pearls.

While they're in the Nether, they come across the Wither Briar. It's a new biome that's spreading, wither roses everywhere, with a Wither at the center.

They get the supplies they need, but the Wither catches them and attacks. They barely make it out alive; Villager gets zombified.

Rush to a witch to get Villager healed.

It gets revealed that Alex and her friends once took on the Wither, but it turned out too destructive and they lost the battle and several friends. They split up then. The Wither's been terrorizing the local Piglins and spreading the zombie infection ever since.

MG gets up, determined, gearing up and reentering the Nether. Epic battle against the Wither. The Wither Briar dies, the Piglins rejoice.

MG, Alex, and Villager start gearing up to find the Stronghold, with help from the village, Piglins, witch, etc. MG gets a unique armor trim that's not in the game.

Melancholy travel. Alex and Villager are gonna miss MG a LOT, and he's considering whether or not he wants to leave.

Stronghold leads to the End, End City fight for an Elytra.

Final fight with the Ender Dragon, hesitation, then final goodbyes. The group all jumps into the portal together.

MG winds up back home in his bed, in the real world, but he still has his gear and the sword he used to slay the Ender Dragon with.

He gets the mcguffin that sent him to Minecraft in the first place and is about to destroy it. He second-guesses it. Epic montage of him grabbing the things he needs to go.

He puts on a blue shirt and dark jeans. He packs his bag with apples, a slice of cake, and a map. He grabs his dog, a fluffy gray one with a red collar, then he activates the mcguffin again.

End poem plays, followed by the credits rolling.

Post-credits at the end with Minecraft music playing, Steve rolls up to Alex's house as she and Villager are building a beacon out of the Nether Star the Wither dropped. He helps them finish it, the beacon shoots into the sky, then they go into her house.

Alex looks at the map hopefully, waiting for her friends as the sun goes down, but all it shows is hers and Steve's icons on it…then someone else's shows up, just barely at the border. It's one of the other "default" players.

End of movie.

[kopfkino-o]

it's been a minute since i did some theory rambling and i've got a long train ride ahead of me so let's get at it! this is more of a general elain post but there is some pro elriel thinking sprinkled in. thanks for reading!!

was Elain blessed by the Mother so she might cure the corrupted Cauldron? are there two primordial forces warring within it? does Elain have the power of Life? bear with me while i ramble about all this.

warning: the following thoughts probably aren't cohesive lol.

okay but does anyone else think that there's a small part of the Mother, the original creator, left within the Cauldron and that's what recognized and loved Elain? Like a part of me thinks that some aspect of the Mother remains locked away or maybe weakened by what the Asteri did to the Cauldron that recognized the inherent goodness in Elain and that's why she was "blessed."

What if the last lingering ember of the Mother's will recognized Elain's gentle heart, her brave soul, and gifted her with the power to break the corruption and restore the order of things?

"Her gaze shifted to the carved wooden rose she’d placed upon the mantel, half-hidden in the shadows beside a figurine of a supple-bodied female, her upraised arms clasping a full moon between them. Some sort of primal goddess—perhaps even the Mother herself. Nesta hadn’t let herself dwell on why she’d felt the need to set the rose there." - ACOSF, as told from Nesta's point of view.

SARAH, GIRL I SEE YOU!!!

We know that Elain is associated with roses from the description of her drawer, her love of gardening, from Feyre telling us that Elain would trim the roses without gloves and get thorns in her hands, amongst other associations. Nesta placing a symbol associated with Elain next to this primordial goddess figurine, PERHAPS EVEN THE MOTHER HERSELF, feels just so...prophetic. It's like Nesta is almost passing the mantle of being the storyteller or the FMC on to Elain. And maybe even hinting at what's to come.

BLESSID. BELOVED. BENEVOLENT.

Okay. So back to the Cauldron, the Mother, all that. We know Nesta took something from the Cauldron (but this is a post for another day) and that Elain was given something. We know that Elain is a seer, blessed with the gift of foresight and clairvoyance, though we don't exactly know what the innerworkings of this sort of magic are.

But what if Sight wasn't the only gift Elain was given?

My theory is that Elain was given the gift of Life by the remaining aspect of the Mother to counter/compliment the power of Death Nesta stole from the corrupted aspect of the Cauldron--or the power of the Asteri, which I think might also be the power of Deanna from the Throne of Glass World (but again, that's a post for another day). And I can't help but think that, for the gentler grower of things, this theorized "Life magic" would manifest in the form of earth/soil/plant manipulation. We saw this in HOFAS with the official introduction of earth based magic and it has me thinking!!

And with that thinking, I'm wondering if the lingering essence of the Mother might have blessed Elain with these powers in the hopes that she would be able to master them, in the same way the Nesta mastered the power she claimed, and help finally banish the corruption from the force of the Cauldron. I've got a little headcanon that all three sisters will have some role in this but it needs to stew a bit more lol. And what if Elain's bond has some roll in all of this?

A THREAD TIDED TO A RIB

I don't want to speak for everyone, but to me there's something off about Lucien and Elain's bond. He is able to live far away from her with seemingly no issue. She shrinks into herself when he's around. Lucien just seems...sad whenever the bond is mentioned. Could this be the result of the same awkward/push-pull tension that we saw between Nessian and Feysand? Maybe.

But what if it's because SJM Is using them to show us what a "Cauldron-given bond" looks like? Rhys theorizes about the bonds in ACOWAR and brings up a very interesting comment:

"There is choice. And sometimes, yes—the bond picks poorly. Sometimes, the bond is nothing more than some … preordained guesswork at who will provide the strongest offspring. At its basest level, it’s perhaps only that. Some natural function, not an indication of true, paired souls.” A smile at me—at the rareness, perhaps, of what we had. “Even so,” Rhys went on, “there will always be a … tug. For the females, it is usually easier to ignore, but the males … It can drive them mad. It is their burden to fight through, but some believe they are entitled to the female. Even after the bond is rejected, they see her as belonging to them. Sometimes they return to challenge the male she chooses for herself. Sometimes it ends in death. It is savage, and it is ugly, and it mercifully does not happen often, but … Many mated pairs will try to make it work, believing the Cauldron selected them for a reason. Only years later will they realize that perhaps the pairing was not ideal in spirit.”

IM SORRY BUT IS THAT NOT SARAH SCREAMING AT US?

Sometimes the bond picks poorly! She gives us TWO examples of this with Rhys's and Tam's parents. Two bonds that I think were CAULDRON GIVEN bonds. Then, as a foil to this, she gives us Nessian and Feysand. Vivienne and Kallias. Three bonds gifted by the Mother--the primordial being, the gentle creator of things. Could this be Silba from the TOG world? Kythona from Crescent City? Is she Wyrd? And could the Mother have given both Elain and Lucien other bonds--blessed bonds--that are currently being surpressed by the corrupted bonds bestowed on them by the Cauldron?

Personally (and especially after HOFAS) I think the Cauldron's corruption needs to be addressed. And I think Elain is the one to do it. Her entire character is steeped in themes of choice, fate vs freewill, destiny vs self-actualization, and gods, the set up for an AMAZING story is right there.

TO CLOSE THIS MADNESS OUT

I can't say what SJM will do in the end. But I can theorize based on the last few books and the foreshadowing she's lain. And for me, I see the angsty, unprecedented chosen love story she's building between Elain and Azriel with a rejected mating bond incorporated into the heart of their love story. Could she change the direction of her books and abandon this? Absolutely. But I think the story would be so much worse for it. The crumbs for something amazing are there. The crumbs for something that has the potential to be genre-defying is there. And based on what Sarah commented to the Times, I can't help but she's knows this and can't help but write it.

ok bye thanks for reading!! i'd love to talk more about this to anyone else who is down to yap! dms are always open.

[pain-in-the-riri]

Same Old Fire

Sirius/Remus, Explicit, 8k, Illustrated!!!!

Sirius gently banged his forehead against the cold glass of Remus's bedroom window for the umpteenth time. He didn't have a watch, but he'd guess he had been out here for thirty minutes. Maybe an hour, god, it felt like ages. He briefly considered the possibility that he'd lost all sense of time and had been standing out here for years, his skin prickling with the cold and his boots squishily attempting not to smother Remus's mother's newly budding daffodils in the mud. He thought, perhaps it would have been wise to wear a watch because the decades he was spending in this garden were beginning to feel unbearable.

That's not even to mention the hours — nine of them — that it took to get from the center of London to Glasgow on a motorcycle that seemed determined to undermine him at every step, and left him having to pull a detour halfway through the journey in search of a replacement tyre in Who-Knows-Where, England, as well as some replacement patience, which was unfortunately harder to get a hold of.

He banged his forehead against the window again. It was a delicate balance. He needed to strike just the correct pitch and tone of knock to wake up Remus two days post-full moon while simultaneously not waking up his parents (or anyone else in the neighborhood, ideally). Frankly, there was also the minor issue of whether Remus was in his bedroom to begin with, something that, if at this point turned out not to be the case, would lead Sirius to committing unspeakable crimes. He was fairly certain he was in there. Where else would he be? It made the most sense.

This time he let his head roll back on his shoulders, groaned in frustration at the sky, and knocked at a medium volume with his knuckles.

"Moooooon—ouch, fuck!" He yanked his hand back as the window slid open and raked his knuckles against the lip. He put his sore knuckle into his mouth but grinned around it at the sight of the familiar lanky torso hovering in the darkness inside of the room. In the moonlight, he could just make out the Patti Smith logo on his T-shirt, and, more obviously, the exhausted demeanor of his posture. "Moony! Fucking finally, do you know how long I've been out here?! I was about to give up." Maybe in another half hour.

"Sirius?" Remus's voice sounded rough with sleep, surprised. "What are you…how did you know I was—?"

"Would you let me in, I'm freezing my arse off." Sirius said, and turned around to pick a helmet and two brightly wrapped presents from the grass behind him. He shoved them through the open window into Remus's arms.

Keep reading on AO3

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[dol--blathanna]

Thinking a lot about Orym choosing a rabbit when asked what animal he would pick if cursed with lycanthropy.

Because, it makes sense. Orym is small, quick, agile, jumps well, and is highly perceptive. That definitely evokes rabbit imagery. But a lot of Orym’s identity is also tied up with being a protector – giving people AC bumps, the shield being as much a part of his fighting style as his sword, even his title: Saviour Blade of the Tempest. He wants to be a “Shield that protects Exandria”; his priorities about saving the gods are less about the gods themselves, and more about protecting the people of Exandria from the unintended consequences and bloodshed of releasing Predathos. And it would’ve been very easy to pick a large, strong predator to try and evoke the sense of a protector – a wolf, for example, an animal associated with loyalty and protecting its pack. Yet Orym chose a rabbit.

And I think that’s interesting, because rabbits are often seen as ‘cute’ animals – but they’re also a prey animal. In fact, they’re a common food source for many animals across several ecosystems: foxes, wolves, wild cats, dogs, birds of prey like eagles or owls, coyotes, stoats, and humans (and that’s just off the top of my head). Rabbits are skittish, easily frightened; to be rabbit-hearted is to be timid or cowardly. They are not generally associated with fierceness or prowess in fighting. Mice and rats are prey animals too, but typically seen as vermin (rabbits are sometimes seen as vermin too, but a farmer could eat a rabbit – they wouldn’t eat a rat). Deer are prey, but they have hooves and antlers that bring a danger to hunting them, for any animal – the difficulties of hunting rabbits are more related to their evasiveness, speed and good hearing than any life-threatening danger they might pose. Rabbits are, first and foremost, prey animals. They are killed and eaten, so that another animal might live.

Which made me think a lot about one of Orym’s other key traits: self-sacrifice. Bait and switch doesn’t just bump up his ally’s ACs, it specifically switches their place to put him directly in harm’s way. Goading attack is meant to encourage enemies to attack him instead of his friends. He literally made a deal with a hag, essentially exchanging his own life for power to protect his friends. How many times has he gone down in a fight? He’s not the only tank – but unlike Ashton (and Chetney, who also uses ‘self-sacrifice’ in his fighting style with his blood curses) he has no abilities to reduce the damage from the hits he takes (barbarian rage and the werewolf form).

(Side note: I think it’s pretty interesting that Chetney, the wolf, has attacked Orym, the rabbit, more than anyone else when losing control. That Orym’s facial scar was given to him by a friend, not a foe).

Of course, Orym isn’t the only character with self-sacrificial tendencies (FCG wins by a landslide), but I just can’t stop thinking about how weirdly perfect it is that he chose a rabbit for his animal. Rabbits are prey animals. They are eaten, so that other animals may live. Orym takes the hits, he goads and switches with his team mates to put himself in danger, he makes a deal with a hag at the cost of his own life. He’s a soldier, throwing his life away for a cause over and over again because Ludinus must be stopped, because Keyleth has put her trust in him, because it’s the only way to protect his friends, to protect everyone, because it’s the right thing to do. Orym is a rabbit. He’s always been a rabbit. That day in Zephrah, it could have easily been Orym who died instead of Will and Derrig – “unfortunate but necessary sacrifices”, as Ludinus viewed the attack. It’s unfortunate they had to die, but it was for the greater good, according to Ludinus. It’s unfortunate that a rabbit has to die, but it will feed a family of foxes, or stoats, or even a hungry human, so it’s acceptable, right?

Orym is a rabbit. He is giving himself to a greater cause that could very easily kill him – he already willingly signed his life away to Nana Morri. Because that’s what rabbits do. They die to feed others.

And the theme of being disposable is present across the entire group, not just in Orym – Bell’s Hells has been called a “party of NPCs” before. Aside from FCG’s death, I’d say Laudna perhaps fits this theme the best: she was literally murdered and hung from a tree simply because she looked similar to Vex, acting as a warning to adventurers she had never met before. But FCG’s death was – rightfully – viewed as a terrible tragedy by the group. Laudna’s decision to remove Delilah, finally freeing herself from her abuser and emphasising she is more, and deserves to be more, than just some disposable puppet – this was rightfully viewed as a very good thing! But Orym seems to be embracing this identity of self-sacrifice instead, rather than this mindset being properly challenged or acknowledged as a bad thing. After all, there’s no time. There’s too much at stake. Keyleth, Bell’s Hells, all the memories of those who have died in this fight, all the people who might die if Predathos is released and kickstarts a second Calamity – they’re all relying on him, right? A rabbit feeding so many animals with his sacrifice. And it’s not malicious compared to the way that, say, Delilah killing Laudna was an incredibly evil, fucked up and unnecessary thing to do. If Orym died to save everyone else, well, at least everyone else would be saved, right? Saving lives is good, isn't it? How could he complain?

Because rabbits are prey animals, and Orym is a rabbit too. Destined to die so that another animal may feed.

Except, that’s not true. Rabbits are more than just prey. They’re highly social, and thrive best living with others. They’re playful, they enjoy running around and kicking their legs just to show their enjoyment. They’re inquisitive and mischievous, even being associated with tricksters in some folklore and stories. They’re also associated with innocence, playfulness, spring, youth – all manner of things, depending on the story or culture. And they’re not helpless, either, even if they might be thought of as such. They can bite and scratch and draw blood quite easily if they want to! In fact, freezing up isn’t their only response when being attacked by a predator, they are known to fight back if cornered. They can sprint quickly, they have excellent hearing and senses of smell, they know how to evade predators.

Rabbits are prey, and they are also survivors. They have their own social dynamics, their own habits and dislikes and preferences. They are more than just a wolf’s meal. And Orym is more than a soldier, too. He’s more than a “necessary sacrifice”, he’s more than just a shield and sword. He deserves more than to die for a cause. He deserves a happy ending, just like everyone else. I hope he remembers that.

Orym is a rabbit. And the message isn’t that he shouldn’t be a rabbit. It’s that rabbits are worthy of surviving, too.

[booskwan]

d-11 to wonwoo day! > favorite friendship (cr.)

[osaemu]

so uh funny story guys. i lost interest in anime men

[utilitycaster]

I genuinely believe the fact that so many popular Imogen/Laudna fics are no-powers AU is, if not the main cause, at least a factor in why so many people resist or even are hostile towards any interpretation of Imogen that isn't largely sweet and harmless. Like, write the fic you want, but Imogen in particular is someone so fundamentally shaped by her powers that to write a no powers AU is to write what is essentially a completely original character who happens to share her name.

I think it's made even more obviously a factor because many of those fics try to reconstruct aspects of Imogen's personality by giving her anxiety or agoraphobia (or both) but the problem is that those are purely mental illnesses, rather than something that both gives her powers and penalties (again, the X-Men problem). Some real-world mental illnesses cover the symptoms of Imogen's abilities, but none cover the abilities themselves. It's quite literally a removal of agency: they take away what she can (and frequently does) do with her powers, leaving only the negative effects on her behind while eliminating the negative effects she can have on others. No wonder there's this overwhelming push to woobify her from that corner; they've utterly defanged her and are now crying that other people who can still see her fangs (and even like them) are talking about them.

And the thing is, for all I can be negative about fanon, it is, ultimately, fine - so long one can either keep it separate in one's mind from canon or else remain in a particular fanon sandbox. But unfortunately people leave the sandbox, and when other people respond to the canon Imogen, who as of episode 81 (RIP CRStats) has voluntarily used Detect Thoughts/Open Mind 60 times and has openly stated her intent to use it specifically to know what her party members are doing in advance and theoretically prevent it, the fanfic crowd is utterly unable to react to this intelligently. The idea of Imogen they have is sweet girl with severe anxiety and a goth girlfriend. The problem is this construct exists only in their favorite fanfic writers' domestic fluff modern AU no powers setting. And frankly, I'm not interested in talking about that warped mirror version of her when I could have all the fascination, complexity, glory, and agency of the real thing.

[backslashdelta]

How To Gif: Glass Shatter Effect

By popular demand (ie, 7 people who voted in this poll), here is a tutorial on how to do the glass shatter effect I used to create the first gif in this set.

I use Photoshop CC 2015 (yes I know it's old) for my gifmaking, but you should be able to apply everything to newer versions of Photoshop. For this tutorial I'll be assuming you know the gifmaking basics, but if not, I would recommend this tutorial, which is the process I use to make gifs. Note that this particular process involves saving all of the frames, importing those frames into Photoshop, and then using an action to convert to a smart object.

Keep reading below the cut to learn how to do this effect!

Before I could start making this gif, I needed three things; the two scenes that I wanted to use, and a video of the glass shattering effect. I already knew the scenes I wanted, so then I took to YouTube to find a video which I can't for the life of me find again (edit: thanks to add1ctedt0you in the replies for linking this video!), but it looked like this:

Something like this is what you want. Ideally the green part would be entirely white, but as long as there are two clearly different colours you can usually work with it.

This looks a lot slower than the gif that I made, but that's not because of the frame rate - which is exactly the same above as in the final gif - it's just because there are extra frames in this slower one that I cut out. In the video I used, the glass shattering happened very slowly. I didn't want that, so I ended up skipping several frames when I loaded the frames into Photoshop before using my gifmaking action. I just did this by manually selecting one frame, skipping the next several before selecting another frame, and repeating this until I had selected 60 frames.

After using my gif action, I had a smart object of the glass shatter effect that looked like this:

That's a much better speed! It still wasn't quite where I needed it to be though. I needed this in black and white, so I slapped a hue/saturation adjustment on the smart object and set the saturation all the way down to -100.

Okay great, I could start putting the gif together now.

First, I made a copy of the glass shatter smart object, because I'll need that later. Then, I pulled in frames from the scene that I wanted to appear in the hole after the glass shatters, and I used those to create a new smart object with my gif action (we'll call it Scene-bg). I pulled Scene-bg into the same window as the glass shatter objects. Then I created a new smart object by combining one of the glass shatter objects with Scene-bg, which I did by selecting both layers right clicking, and selecting "Convert to Smart Object".

I renamed this smart object to Shatter-fg. I opened it by clicking on the little icon next to the layer name in the layers window here:

The most important thing here is that the shatter effect object should be the top layer, and I set the mode to "lighten". This will make sure that the lightest colour of either this layer and the layer behind it is displayed; that means that anywhere that's white in our shatter animation will still show up, but anywhere that's black we'll see what's in the layer(s) behind it.

Then I threw some adjustment layers between them to get the colouring I wanted. I used a curves layer, a hue/saturation layer, and I also added text with an outer glow layer effect. Here's what the layer order looked like and the settings I used for each layer:

After this process, Shatter-fg looked like this:

Okay nice, this is starting to look like something! I saved this and went back to the main file with the other glass shatter object.

I needed to invert that other glass shatter object. There's a weird quirk with the version of Photoshop that I use where it doesn't like it when I apply specifically an invert adjustment to a smart object (it appears correctly when editing, but not on export) so I did this by creating a new smart object which included a separate invert layer, but if you have a newer version of Photoshop you can probably just apply the invert adjustment directly. Just note that you'll need to do one of these options; it won't work if you add a separate adjustment layer in the main file, it needs to be applied specifically to the smart object (which we'll now be calling Shatter-bg). It looked like this after I inverted it:

Once that's done, I made sure Shatter-fg was the layer directly above Shatter-bg, and set the mode of Shatter-fg to "darken" and Shatter-bg to "lighten". Since Shatter-fg is set to darken, it will be visible only when it is darker than the layer behind it. By setting Shatter-bg to lighten, I've guaranteed that the layer behind it will always be lighter (ie, white) in the places we want Shatter-fg to be visible, and will be black otherwise. Once I update those settings, this is what the gif looked like:

This is all there is to the glass shatter effect itself. Next I pulled in frames from the second scene to fill in the black areas. This layer needed to go below both glass shatter layers, so that it only shows through where the black. Then I added adjustment layers and some text. I used curves, hue/saturation, and vibrance adjustment layers, and I also added the "archer" text below the glass shatter layers so that it would be hidden to reveal the "prey" text. The other text I added above all of the layers, since I wanted this to be visible all the time. Here is the layer order and all of the settings I used for each of the layers:

I also grouped Shatter-bg and Shatter-fg and shifted them on the timeline so there would be some time to see the background gif before the shatter effect starts.

And that's all! Then it''s just a matter of exporting the finished product:

This is the first gifmaking tutorial I've ever made, so I hope I was able to be reasonably coherent and helpful! I'd love to hear if you make anything by following these steps, or even if you just feel like you've learned something reading through this. And if you have any outstanding questions, feel free to reply or send me an ask and I'd be happy to answer!

[lynzishell]

So here we are

...again

[didderd]

Today is Palestinian Land Day.

I saw the post linked above and wanted to make sure I posted something for the day.

There are important links in that post, so please check those out too, but I will link a few more here, since I wanted these on my blog for people anyway.

Links below:

https://docs.google.com/spreadsheets/d/1vtMLLOzuc6GpkFySyVtKQOY2j-Vvg0UsChMCFst_WLA/htmlview#

[cor-lapis]

BIG NEWS!!

lobsterland is in business! The store will be open from 17.12.23 to 10.01.24, and I'll be donating 50% of profits to UNICEF's Children of Gaza crisis appeal. I'd be happy if you could check it out!

(p.s. In "note to seller" at checkout, give me a character (any media), and I'll throw in a surprise 6.6)

[just-slightly-chayotic]

Jeff Satur in shorts.

[asparagusgremlin]

I never post about it here but since the one year anniversary of its conception was on July 5th i figured I'd post some drawings that i haven't shared here of my persona 4 older nanako AU

The last two drawings are unfinished but i figured I'd post them anyway cuz i like them :3

The story is in a very vague state right now but if you have questions about any of this please ask......i would love to talk about this with people.

The fact that it's been a year since i started working on it is crazy to me and I've improved a lot in various ways. I wish i posted about it here more but because the story is in such an early stage (and also cuz my art isnt that great) i feel afraid to put it on my blog :,) hopefully I'll post about it more now though cuz i really wanna start on developing a much more comprehensive plot to this which posting about it might be the extra push i need.

[llondonfog]

twst (horror) tober — day 7 (shock)

➤ Day 7: Shock | “You look like a deer caught in the headlights.”

"What have you done?" Lilia-shi all but croaks, and Idia automatically cringes away from his side, hands smoothing uselessly down the front of the Styx uniform. The fabric ripples beneath his fingers, long and cool and dark— like a burial shroud, and he might have laughed at the irony if he did not fear for his life in the next instant.

The fae remains torn in a limbo of horror and a wretched, burning kind of yearning that Idia knows all too intimately, hovering in front of the glass separating the observation deck from the room just beyond with a wild expression upon his face as if he can't quite decide whether to tear through the dividing panel with his bare claws or turn them onto Idia himself.

A near hysteric part of his mind dares to be indignant at the whole situation— he'd rather not be sheared limb from limb after months of labor followed by the agonizing ordeal of discovering Lilia-shi's new whereabouts, an imposing task that had meant engaging with the imposing might of the Draconia family. Luckily, he had Ortho handle that particular bit— his brother seemed to carry such an odd affection for the brash straight-forwardness of the freshman guard.

So really, this reaction is not what he had entirely envisioned in his mind upon the grand reveal, and it takes several attempts to weakly clear his throat, nearly cowering in place as those broken crimson eyes pin him down with a madness verging on the edge of a precipice.

Had it only been a semester ago when those eyes were bright with laughter, sparkling with wicked mischief?

He understands, and he wishes Lilia-shi would pause and remember that before he does anything rash— he understands the cost of death and the price to remain among the living.

"He— he was your s-son," Idia stutters, and hadn't that been a shock, just one more blow to a reeling school as they had watched Lilia-shi clutch at that still body, so small and fragile looking as it lay crumpled in his arms, and scream.

He wishes Lilia-shi would remember that he can taste that scream on the back of his tongue too.

"You . . . you l-loved him." His fingers clench together, and instead of fabric, he can feel grooved metal slide between them. "And—"

And Lilia-shi had been, quite frankly, his only friend. Not that they had known it for most of their time gaming together, but he had come to care for the faceless "Muscle Red" in a way he hadn't since Ortho. It was senseless, foolish, illogical— and this was the result of caving to such emotions.

The fae lets out a low, inhuman sound that could have been easily mistaken for the monstrous creatures caged in the levels below, and Idia's knees tremble as he watches Lilia-shi's eyes slide away from him and stare with a devastated intensity through the glass where a boy lies as if asleep on a simple cot on the other side. A boy with silver hair made from the finest synthetic fibers that shimmer beneath the cold lighting, smooth silicone features free of imperfections and nearly pillowy to touch, sculpted limbs and digits accurate to the smallest degree of precision. A boy, one of the finest of Idia's technomantic creations, waiting for his father to wake him up and take him home.

"Lilia-shi, w-where are you going— Lilia-shi!"