#this was my character for my english monologue

[raes-art]

"Ilsa"

started and finished 18/8/22 - 2h 10min

[catsconflictscopicsandchamomile]

I want to thank Misha Collins for inspiring me to do things that, for legal reasons, I cannot disclose online

and no, this is not a joke. Misha, through GISH especially, showed me not just the power of art-as-activism, but what creative modes function best in that setting, and how to organize and lead such efforts.

what I've done with that knowledge, again, would be legally dangerous to admit online

but I'm so happy I know how to do it. I've become a leader in my community, and a supporter of large and powerful movements.

specifically, those spaces know me as an artist. an artist with endless and diverse creative ideas, who knows no fear, takes no shit and is especially good at resistance and point-making via "funny" and lighthearted art.

would Misha approve of what I'm doing?

most likely, FUCK no he wouldn't

he's made himself damn clear where he stands on this stuff, even via silence alone

but I have him to thank anyway.

[vogelmeister]

one of the worst things i have ever done in the name of art is decide that the final monologue would be in poorly written dutch and then have to translate that into English and then decide how you’re going to display this bc its way too much dutch for the little footnotes you have been including when a character does use a dutch word but also you also like,, need to translate this into english so now you have an appendix and that's way too fancy but it's still in Dutch and you still need to put it in English and it's not even hard Dutch like its basic yet your head hurts still looking at it even though you know what you did and what you wrote and words are hard and you simultaniously know and don't know and this long ramble is exactly how your brain was operating at the time so yay. me.

[sidewalkcake]

Hulajnogi

--

Okay so my main goal in life is to eventually make a bunch of comics

But I haven't been very good at making progress to that goal. SO, in order to hold myself accountable, I'm going to be making a lot of 4 panel/ 4koma comics.

In terms for inspiration for the comic, I got randomly inspired by seeing people around my larger city doing this. I only found about this bounty from a Michael Reeves video. It was a really funny video about turning electric scooters into a car.

I also made this comic as an excuse to show off the word Hulajnoga or Hulajnogi since Romek has 20 of them in his van, and how silly Polish is.

I always feel awkward throwing in random Polish into comics if it feels out of place, but it's also my comic so whatever. I definitely did not misspell this word on the Twitter version of this, what are you talking about????

I'll try to think of a name for this series eventually. Here's hoping I come up with more funny ideas!

[doorhine]

Ok so I wanna talk about the guy we all know and hate, Abijah Fowler, because there are three scenes that do a fantastic job at characterizing him and speaking to the story’s themes.

*SPOILERS BELOW

The Chapel Scene: Fowler’s whole “prayer not prayer” is so interesting because he presents it as a business deal (which says a lot about how individualistic and apathetic he is). And honestly, that speaks really well to the use of christianity in imperialism, colonization and capitalism. If anyone here is familiar with Antoine Fuqua’s version of The Magnificent Seven (which is based on Seven Samurai), Bogue’s speech in the beginning of the film does a similar thing. In the case of Blue Eye Samurai, Fowler basically says, “we’re not friends but these people are ‘godless’ and if things go my way you’ll have a nation of souls to convert.” And I really liked that wording “a nation of souls” because it shows how imperialism and colonization, in the process of stealing other country’s natural resources, are, by design, meant to pose a threat to the entire culture and livelihood of the people that live there in order to do that. And a major way it’s done is through the spread enforcement of the colonizer’s religion over the ones of the people they invade. Which leads me to…

The Finale Monologue to the Shogun: because Fowler literally spells it out how the process of these systems, how white supremacy, is meant to twist and erase the culture and beliefs of those they invade to the point where they conform and assimilate to the invader’s culture and view them as superior. It also creates the idea of a white race in the first place that has its own ethnic and religious hierarchy that determines what the “best” kind of white is. I really liked the detail where he mentions spreading their shame because so much of white culture and its interpretation of christianity, whether or not it was the dominant form in its country of origin before being enforced on others, thrives on shame and enforcing that on other people (just look at the US). Lastly there’s…

The Famine Monologue: Something I really like about Fowler’s character is how he was written to be Irish rather than some posh English guy. It’s a nuance that adds a whole level of depth to his character and role in the story. Ireland was colonized by the English, which Fowler discusses when he mentions the Tudors. One of the ways that colonization was enforced was by replacing catholicism with protestantism. In this scene though, Fowler talks about the intentional famines that killed his parents and sister. It’s a graphic memory that shows how a victim of colonization will sometimes use the same tools used against them, to gain a sense of autonomy and control at the cost of other people’s livelihoods. This is compounded by the fact that Fowler is able to assimilate into the concept of a white race that was created to justify these systems and the oppression/exploitation of people of color that maintained them. Fowler is fictional but there were plenty of Irish people who took part in Britain’s colonization of other people one way or another. You’ll hear elements of Irish vernacular in places like Barbados for a reason to bring up a small example of the consequences of that. On a side note, this is also an interesting video on how the habitual “be” is used in both AAVE and Celtic languages. 

Long story short, Abijah Fowler is a very nuanced and well written villain.

[lina-studen]

"something floral": literature student blabbering about the usage of flower symbolism in "nevermore", how it ties to the theme of insanity and a little bit (a lot) about shakespeare.

from lenore's perspective, flowers are closely associated with isolation caused by her trauma and supposed "hysteria". floral pattern wallpaper accompanied her loneliness for days, months, even years. image of the flowers signaled that lenore's position would remain unchanged, that she was stuck, that she would continue to slowly loosing the clarity of her mind.

having torn the wallpaper off the walls, lenore believes that she will never see this image again, but flowers continue to accompanying her. lenore sees them again during her first meeting with annabel lee. and during the last one, too. she may have managed to get out of her lonely room, gain more strength in her legs, find a new friend, but lenore is still trapped. she's the daughter disowned by her parents, a stain on the family reputation that must be hidden forever. the image of flowers doesn't let her forget about it.

similar symbolism is also not alien to annabel lee. episode 66 is interesting in particular, because it directly quotes ophelia's monologue. I'm a big fan of shakespeare, it was he who instilled in me an interest in floral symbolism. a year ago, for a conference on foreign literature, I wrote an article about flower language of "hamlet". it's not available in english, but I'll list down some points that I considered relevant regarding "nevermore".

• rosemary can serve as a keepsake between lovers and also between the dead and the living. it could be seen at both weddings and funerals. in the old days it was also believed to be helpful in mental illnesses treatment.

• pansies, just like violets, symbolize innocence and devotion. ophelia doesn't consider the people around her worthy of violets, since she blames them for the death of her father.

• rue is a symbol of eternal suffering; grieving over her murdered father and the loss of her beloved hamlet, ophelia leaves some of the flowers for herself.

• the image of daisies has a close connection with the concepts of innocence, fidelity and eternal love. in shakespeare's tragedy, this symbol is overshadowed by the fact that in the world around ophelia there's no place for these beautiful things. for "nevermore" the symbol is also not so positive, since the readers are already familiar with daisies. they were on that wallpaper in lenore's room.

it's impossible not to note that annabel lee recites the monologue while in the bath, in the water. ophelia decides not to resist the river flow. her life turned into a tragedy: she was left without a father, her lover has seemingly lost his mind. her own sanity is also called into question. ophelia sings cryptic songs, goes into the field to weave a wreath, gives flowers to other characters. in the eyes of those around them, hamlet and ophelia seem crazy, while being the only sane and honest people among them. there's no place for tender, innocent ophelia in a cruel, deceitful world, so she drowns.

annabel lee also reflects on how both she and lenore are considered madwomen. her meeting with "leo" is accompanied by floral pattern on the annabel's dress. their madness is contextual, they both are perfectly sane, but don't fit into the system that could be leading to real madness with time. "all madwomen die twice. at least twice".

now about the arboretum. it obviously has a lot of flowers, but in my opinion this place is interesting in a different context. lenore and annabel visited the arboretum twice to discuss upcoming plans and such, and there are many parallels, both visual and narrative. not much time has passed since last time, but their situation has changed. they seem to look on their past selves from the upper level, having their conflict more acute now. I'll make a more detailed post about it later.

and now I'll just focus on how the characters in this arboretum full of roses behave as lost and confused as in the phobia-inducing flower labyrinth from earlier episodes. “the closer you get to beautiful flowers, the closer you get to their thorns,” says duke in episode 38. the flower imagery haunting the main characters doesn't let them forget that their sanity is always on a verge of slipping. and once a flower falls from its stem, it cannot be fixed.

p.s. guess which writer’s works I chose for a new article this year?

[ineedtherapydesperately]

@valengory1234 you just sent me down an endless path imagining chloe speaking like shakespeare and being a shakespeare purist and shit like imagine the way she confessed to red or like flirts with red, or when she makes dirty jokes that nobody quite understands

like imagine chloe quietly confessing romeo and juliet style like but soft, what light through yonder window breaks? it is the east, and red is the sun. arise, fair sun, and kill the envious moon, who is already sick and pale with grief, that thou, her maid, art far more fair than she all because red dragged them onto a random rooftop on auradon prep to stargaze?? and red is just laying there, staring at the moon in complete shock, slowly attempting to translate everything because what the fuck, was that shakespeare?? and holy shit chloe is such a nerd?? because red NEVER bothered to learn shakespeare but it's so familiar and she feels like that little monologue was important?? and chloe is sat there, looking down at red lovingly, straight cheesing as she watches the love of her life attempt to understand her words

i already headcanon bridget calling red 'rose', but imagine chloe calling red that because of shakespeare?? because the man LOVED using rose imagery to talk about love, and just imagine chloe saying like a rose by any other name would smell as sweet which leads me to another idea about glassheart/charminghearts that i may post later if anyone is interested

like imagine chloe just sees red one day and starts reciting sonnet 18 at her, just because?? shall i compare thee to a summer’s day? thou art more lovely and more temperate- and red is just here, steadily growing redder, face absolutely matching her name because chloe, isn’t that like a love poem??? and chloe is here like well yes, i am trying to confess to you here if you don’t mind

ugggh imagine chloe fondly watching red scale the walls of auradon prep, running along the rooftops which is absolutely against the code of conduct, but chloe can't find it in herself to care because it's red, because red, you draw me, you hard hearted adamant, but yet you draw not iron for my heart is true as steel. let's ignore how this is contextually where helena is crying to demetrius and pretend that it's just chloe lamenting quietly to herself about her (not so) unrequited crush <3

imagine chloe rereading much ado about nothing (because she would absolutely reread shakespearian plays) and when red asks her how the play is, chloe says i mean, i'd much rather there be some to do about your nothing and red is confused because that didn't make sense?? only it makes sense if you take elizabethan era slang into account, which chloe, face completely straight, suggests red searches up, only to burst into borderline maniacal giggles when red's face once more flushes horrendously because chloe what the actual fuck?! because this is so out of chloe's character??? whether this happens before or after they're dating is anyone's guess

@blood-carnation here you go :D i have so many more scenarios in my mind hehe (my english nerd is showing 😔)

[nordickies]

Nordictalia Fanfiction Masterpost

Hello, hello! I recently asked people to send me their Nordic 5-centric fanfiction recommendations, and I ended up getting so many good suggestions that I figured I'd compile them all into a single master post! Thank you so much to everyone who participated; this is exactly what I was looking for <3

All linked fanfictions are recommended by people in my inbox, I haven't read them all (yet). I'm willing to update this list if more recommendations come my way!

I decided to share this list because I have seen other people on the desperate lookout for new fics to read. Hopefully, this list will serve you well, too!

─•~❉᯽❉~•─

Oneshots (<10K)

Sticky notes by MilyV wc: 732 || rating: G || pairings: SuFin || completed Soulmates AU summary: AU. If you had the chance, would you communicate with your soulmate through sticky notes? Tino wasn't really sure about it but he decided to try it anyway. Fishermen & drowning sailors prompt by @saltcove wc: ~800 || rating: Not Rated || pairings: DenNor || completed Fantasy AU summary: pairing: denmark/norway / theme: fishermen & drowning sailors SuNor oneshot by @norgetalia wc: ~900 || rating: Not Rated || pairings: SuNor || completed Nationverse summary: Inspired by this post by nordickies! I love writing SuNor… mmmm stoic old men exes who are secretly in love >:) Linger by islande wc: 1,207 || rating: T || pairings: NorEst || completed Paranormal AU summary: Estonia sees ghosts from his past. They linger in the corner of his eyes, always watching. People who cared for him, people he cared for in return. Even strangers—men, women, and children whom he had never seen while they lived—appear before him. But Norway cares for him now, and Estonia is glad to care for him for as long as he will accept it. Beowulf by @balladofthewhitehorse wc: ~1,400 || rating: Not Rated || pairings: Eng & Swe || completed Nationverse summary: One of the earliest mentions of Sweden in old English literature comes in the form of the epic poem of Beowulf ─•~❉᯽❉~•─

Coffee and Piano Keys by @scarlettlillies wc: 1,545 || rating: G || pairings: DenEst || completed Human AU summary: Christian is a busy construction worker who's a social butterfly, Eduard is a pianist who's tickets aren't selling. Everything started with just a cup of coffee. Knight's Ghost by RosieTheRo wc: 1,550 || rating: G || pairings: SuFin || completed Paranormal AU summary: Musician Tino Väinämöinen is interviewed for a television show, and has a strange story to tell. Inspired by the show "Celebrity Ghost Stories." Slight SuFin. First-person monologue. // cw: Major Character Death The Librarian Aide's Tale by Fintastica wc: 2,142 || rating: G || pairings: Ame & Liet, Den & Nor || completed Harry Potter AU summary: Lukas Bondevik, or, the struggles of dealing with people Kärringkånk - Or Not by Kono10 wc: 2,521 || rating: G || pairings: SuFin, DenNor || completed Nationverse summary: Finland and Estonia compete in the "Wife-Carrying" competition every year which makes Sweden very jealous. So, after a few drinks, he marches all the way across the Baltic to get his lover back, but he ends up going the wrong way to Denmark's front door instead. Will his friends comfort him in his time of emotional need? Highly unlikely.. Fireflies by @darcymariaphoster wc: 2,534 || rating: T || pairings: SuNor || completed Human AU summary: It started and ended on a summer night, before Berwald goes off to college. But apparently neither forgot, and a more or less chance meeting at a cafe some 20 years later reignites a spark they almost let disappear. [Late Night Vibes/High School prompts for SuNorWeek2022 on tumblr] the shore by phyripo wc: 3,000 || rating: G || pairings: Nyo!DenEst || completed Fantasy AU, Mermaid AU summary: Helle has always loved the sea, loves living this close to it, despite the dangers that come with the situation. The air is always sharper here than inland, carrying with it cold from the east, the smell of salt or faraway forests. The sea brings stories that no one would ever hear otherwise. And sometimes, the sea brings wandering mermaids. My Caoineag by @darcymariaphoster wc: 4,148 || rating: T || pairings: ScotNor || completed Fantasy AU summary: The waves should have taken him, but fate had other ideas. Sigurd instead found himself entangled with a creature who could not know kindness, and yet only showed kindness to him. [loosely ScotNor] ─•~❉᯽❉~•─

Alternative Universes (AUs)

With Flowers by orphan_account wc: 2,170 || rating: G || pairings: DenNor, SuFin || completed Flower Shop AU summary: What was not normal was the blonde man shoving the door open, panting and red faced. Lukas stood up abruptly, before the man looked up, eyes locking on him. "How do you say 'screw you' with flowers?" Reverie Of The North by @eveistdiepommes wc: ~4,000 || rating: Not Rated || pairings: SuFin || work in progress Fantasy AU summary: ROTN: We Were Tasked With Slaying the Demon Prince takes place in a medieval/fairytale/fantasy setting. Magic is ever present, beasts and creatures roam the forests, and while peace is happily maintained in the northern kingdoms, a new threat looms over the horizon. Word has spread of ferocious, terrifying armies of dark beings attacking kingdoms and leaving civilians fleeing their homes. The only kingdoms with enough time and resources to assemble a plan are the ones high up, the ones who haven’t been affected… yet. The Kingdoms of Frost, Shadows, Mystery, Isolation, and Life must band together and find the root of the issue. Good thing the princes from each kingdom are childhood best friends! Your Guardian Ghosts by @darcymariaphoster wc: 7,253 || rating: T || pairings: NorFin || completed Paranormal AU summary: Emil has always seen things -- ghosts and the like. The problem is, they're never nice things, and so he's refused to admit that he sees anything at all. But as his life changes, he may have to admit defeat. [A story of spooks and hauntings and healing for tumblr's 2022 Hetaween event.] // cw: major character death ─•~❉᯽❉~•─

Espresso Kiss by @darcymariaphoster wc: 10,094 || rating: T || pairings: NorFin || completed Human AU summary: Lukas has run this cat cafe for the past three years and he's never had any problems. Until now -- two weeks before Christmas, his friends all show up for a big get-together and he's supposed to get an inspection right before the holiday hits. Maybe he'd be able to handle it, if his ex wasn't also going to be there, and if he hadn't just brought in a new batch of kittens, one of which seems absolutely hellbent on escaping. Or, maybe not so much escaping as pushing people together… Diamond Glints on Snow by Ludwiggle73 wc: 11,574 || rating: T || pairings: DenNor, SuFin || completed Fantasy AU summary: Mikkel sets off on a quest to save an old friend and ends up finding a new perspective as well. // cw: Major Character Death Not With Haste by @snark-sniper wc: 12,109 || rating: G || pairings: DenNor || completed Nobility AU summary: In a world where literacy is restricted to the upperclass, Mathias finds his soulmate's first words to him written on his forearm. Lukas doesn't. ─•~❉᯽❉~•─

folly of men by @brokskar wc: 15,689 || rating: T || pairings: DenNor || completed Human AU summary: Losing his job is not something that Mathias is particularly happy about. But it leads him back to Lukas, an old friend he lost touch with years ago. A lot has changed throughout the years, and as Mathias learns more about Lukas, he realizes there's more to learn about himself, too. The Best Bakery In The City by Peanutsfan1 wc: 33,439 || rating: T || pairings: DenNor, SUFin, HongIce || completed Human AU, Crime AU summary: Mathias Køhler was feeling quite confident. The week started with his Captain approaching him with the best case, an undercover mission to investigate the crime organisation run by the Bondevik family. Turns out this case isn't as simple as Mathias thought. As he keeps running into obstacles, he has to deal with the ever-present fear that he will be found out. Can he take down this criminal organisation without being discovered? And is Lukas Bondevik as terrifying as he let's on? Read My Lips by Terra Saltt wc: 36,782 || rating: T || pairings: SuFin || completed Superpower AU summary: Tino enjoys the comfort of a quiet library and dreaming minds when he picks up on the charming thoughts of a perfect stranger. Has Berwald found someone that can fully understand him, even when he is silent? MindReader!Tino x Deaf!Berwald AU ─•~❉᯽❉~•─

Nationverse

Words and Broken Tables by Liradawn wc: 475 || rating: T || pairings: SuFin || completed Nationverse summary: "I thought I would love you forever. But forever is a long time to be wrong." SuFin angst, written for the kink meme. Reviews will always be much loved! The Birch tree by @caffinatedstory wc: ~800 II rating: Not Rated II pairings: none II completed Nationverse summary: It’s not a pretty sight that greets his eyes. His uniform is ripped and worn. Pale and washed out from far too much exposure to the outdoors. Scars are visible all over his chest. Deep grooves and soft lines of pink mar his pale skin. But scars are nothing new. Scars do not cause him pain. // cw: gore Two Oceans by @caffinatedstory wc: 934 || rating: G || pairings: Nor & Ice || completed Nationverse summary: "What's love?" Iceland enquires with a curious gaze up at his brother. The question seems to take Norway by surprise. The previous 30-50 questions Iceland had asked today had been more about why grass was green and the sky blue. Norway wasn't prepared for this sort of stuff. He'd gotten away with blaming the gods for a lot of stuff too, but he didn't think that would work now. Selfoss by @scarlettlillies wc: 1,346 || rating: G || pairings: Swe & Ice || completed Nationverse summary: During a trip to see the northern lights near the Icelandic town of Selfoss, Sweden couldn’t shake off the feeling that he was being watched. Yesterday by @scarlettlillies wc: 1,450 || rating: G || pairings: Nyo!DenEst || completed Nationverse summary: It was the final day of their brief holiday in Hiiumaa. Even though Estonia assures her that they will be back again soon, it's not enough. Denmark was tired of going home alone. Change by @ifindus wc: 2,515 || rating: G || pairings: SuNor || completed Nationverse summary: Norway is not happy with being traded around like a piece of property and he is certainly not happy with his new "boss" ; Sweden. Over the years, his opinion does not change, but their personal relationship just might. Brushstrokes by yuuago wc: ~3,100 || rating: G || pairings: SuFin || completed Nationverse summary: When Sweden had commissioned the portraits, he had meant it only as a token of affection; he hadn't thought there would be a time when he'd see Finland's portrait more often than Finland himself. ─•~❉᯽❉~•─

Ástin mín by @i-am-a--lionheart wc: 3,941 II rating: M II pairing: SuNor II completed Nationverse summary: At the End of Kalmar, nothing keeps Sweden around but Norway. As he asks him to leave the union, the words between them stay soft and gentle, but hearts are torn apart anyways. // cw: Graphic Depictions Of Violence. Major Character Death Siblings and Quibblings by @95jezzica wc: 4,587 || rating: G (K) || pairings: none || completed Nationverse summary: Multiple fics dedicated to sibling idiocy. xD - [Ch1, Punchline: Norway goes to the market and leaves Sweden with the task of keeping Denmark out of trouble. In hindsight that was a stupid idea.] - [Ch5, Parenting is Warranting: There was no rush, and so Sweden could afford to let Sealand n Ladonia finish thinking what was on their minds. In hindsight, this had been a mistake.] xD Those Easy Days by kosame wc: 5,409 || rating: M || pairings: DenNor || completed Nationverse summary: He may not have his memories, but he has a good, simple life, until two strangers come to town and destroy his quiet equilibrium. The Butterfly I Keep in the Pocket of my Shirt by @randomw07 wc: 5,501 || rating: G || pairings: none || completed Nationverse summary: In Norway, he doesn't so much question his sexuality as realise it has a name. Snippets of Love by @95jezzica wc: 8,499 || rating: G (K+) || pairings: SuFin || completed Nationverse summary: Multiple snippets of various genres and SuFin's love for each other. [Ch1: Not Leaving. -Sweden has to be insane if he thinks Finland is about to leave him wounded and alone in the middle of a blizzard.] - [Ch10: Just Trust - Free Falling. - "Trust is a must in relationships, but sometimes Finland takes trust falls a little TOO literally for Sweden's and Estonia's liking."] xD ─•~❉᯽❉~•─

Waiting for Sunshine in Tallinn by A_Virtuous_Pyromaniac wc: 10,207 || rating: T || pairings: SuFin || completed Nationverse summary: The year is 1974. From fraternal obligation, Finland takes a ferry across the Iron Curtain to pay Estonia a Christmas visit. Soviet Estonia might seem closed-off and static, but change is rippling beneath the surface. A mostly-serious historical fic about Estonian/Finnish relations during the Soviet occupation Five Loves for Berwald Oxenstierna by coeurgie wc: 17k+ || rating: M || pairings: DenSu, SuNor, SuFin || completed Nationverse summary: From Björn of the ætt Steirnung to Lord Berwald Oxenstierna to Papa, one thing has stayed the same: Sweden loves. / Sweden/OFC, Sweden/Denmark, Sweden/Finland, Sweden/Norway, Papa!Sweden Sealand. Historically accurate. Author's note inside with more. Why Iceland Can Speak Arabic by Klokkenspel wc: 23,429 || rating: T || pairings: none || completed Nationverse summary: He didn't think this visit would be different from the others, as his people were doing quite well, after all. He probably should have paid more attention to those ships on the horizon, but there was little room for regret when your hands are tied and you're taken aboard on a voyage to who-knows-where. Iceland is kidnapped by Barbary pirates. Norway comes to the rescue. Based off the Turkish Abductions of 1627. // cw: kidnapping Once a Family by Simana wc: 28,638 || rating: G || pairings: none || completed Nationverse summary: Once a family, always a family. Nordic story, Denmark-centric. Five times Denmark was there for his family, and one time his family was there for him. No slash. Originally posted on FF.net. Lif & Lifthrasir by @snark-sniper wc: 39,387 || rating: T || pairings: HongIce || completed Nationverse summary: On May 10, 1940, Iceland is occupied by England; per tradition, the personification of Iceland is brought to London to live in England's household. An Asian colony greets him at the door. (A story of coming of age in quarantine.) // cw: WW2 Healing by messe_jesse wc: 40,680 || rating: Not Rated || pairings: Dennor, SuFin || completed Nationverse summary: It's the end of World War II. The Nordics, after not being together for six years, are living together again under the same roof. It's tough, and all they want to do is go back to normal. But how do you go back to normal after seeing nothing but death, destruction and fear for six years? The chapters after the prologue are the same events but in different point of views so there's some repetition, but it's to show how everybody is processing events differently. The prologue is a bit heavy with the history and there's no dialogue, but the rest of the story has a lot more going on! Also, I apologize if any of my history is incorrect!! I did my best with research. // cw: WW2, PTSD ─•~❉᯽❉~•─

Multichapters (+50K)

Apartment 43 by @lumassen wc: 56,867 || rating: T || pairings: DenNor || completed Human AU summary: Sigurd is a single parent to Emil, and they've just moved in to a new apartment complex for a fresh start. Mads, their neighbour below them in Apartment 33 becomes friends with them over time, and he realises that he can help Sigurd in more ways than one. While he figures out what he wants to do with his life, Mads not only forms a friendship with Sigurd, but with little Emil too. Under the North Star by Embrose wc: 66,327 || rating: T || pairings: SuFin, DenNor || completed Human AU summary: Tino Väinämöinen lives in the farthest reaches of Lapland, scraping together a living and keeping himself sane through painting. He ran away from his past, but cast himself into loneliness and darkness. But his quiet living is interrupted, when a Swedish giant Berwald Oxenstierna comes into his life and gradually pulls Tino back into the light. But eventually Tino's past catches up to him… Sendlingur og Sandlóa by @pyrrhocorax wc: 74,037 || rating: T || pairings: SuNor, EstFin, (queerplatonic) DenNor and SuFin (romantic) || completed Nationverse summary: During an average summer in modern day, the Nordics meet up in the countryside for a long vacation to relax together. However, with hundreds of years of history between them, old memories get dredged up, both bad and good. Sendlingur og Sandlóa is a story about perspective, of loss and longing, the temperamental nature of both life and human relationships, and family. (Aromantic asexual Iceland, queerplatonic SuNor and EstFin, romantic DenNor and SuFin. Centered around DenNorIce as a family unit but includes other relationships as well. And honestly, even though this is my intent, you can freely interpret the relationships however you see fit and I actively encourage you to do so if you'd like.) Top Secret by VyraFinn wc: 76,001 || rating: T || pairings: DenNor, SuFin || completed Nationverse summary: Iceland thought that his life would return to normal once he finished the studies in Copenhagen. Unfortunately, he wasn’t right about that, and a bet made with Norway gives him whole new set of problems. Can he survive the Norwegian military training and find the spy before it is too late? There is also something strange going on with Denmark and Norway, but Iceland is not even sure if he wants to know more about that. Sequel to Higher Education. Mise en Scène by @brokskar wc: 77,013 || rating: M || pairings: DenNor || completed Human AU summary: As a screenwriter, Lukas wants to tell the truth about the world; that it's messy, unkind, and complicated. He's also desperate for a way out of the home situation he's stuck in. As a director, Mathias is trying to take back control of the life he lost sight of two years ago. He's looking for an escape from the messy, unkind, and complicated world that Lukas is so adamant on recreating. As members of the same film group, they both have their own ideas and ambitions when it comes to making their new movie, and neither one of them are particularly interested in letting the other get in their way. Stories Through the Years by Ikikuka wc: 79,541 || rating: M || pairings: SuFin || work in progress Nationverse summary: Short, and sometimes a little bit longer, stories from the North. Finland's and Sweden's journey from the past to this day from their respective perspectives. Gutters by glassamilk wc: 98,149 || rating: M || pairings: Den & Sea || completed Apocalypse AU summary: 'The Calamity' has left the world stripped and dying. Alone in a civilian bunker in Munich, Sealand will be reunited with the last known living member of his surrogate family and together, they will set out across Europe to find those they have lost. // cw: Major Character Death ─•~❉᯽❉~•─

Higher Education by VyraFinn wc: 99,845 || rating: T || pairings: DenNor, SuFin || completed Nationverse summary: After a brief argument with his boss Iceland finds himself to be enrolled in to a master program in University of Copenhagen. Not only he is a nation but now he should somehow survive the student life and keep it all secret from his family. Good thing Denmark never notices anything, right? A Kingdom to Fall by @darcymariaphoster wc: 150,275 || rating: M || pairings: Nordic polycule || work in progress Fantasy AU summary: The Väinämöinen family is dead. That's the news that sparks the building of a new and vast kingdom, one that promises to rival even the most powerful kingdoms in Europe. It's not the way Sigurd had imagined meeting any of his soul partners, under political terms and conditions. But here he is -- with three other men, conspiracy, and more personal challenges than he'd ever thought one could handle. All he'd wanted was to be King. // cw: Graphic Depictions Of Violence. Major Character Death Take a Chance on Me by Hetart wc: 183,443 || rating: Not Rated || pairings: DenNor || completed Human AU, High School AU summary: When Lukas moved in with his grandparents next door, Mathias immediately knew they would be the best of friends. For the most part, this prediction was correct. But as the years pass and the two grow older, Mathias learns that life is rarely as simple as it seems when you are six years old and with a heart full of stars. Or. A story of two boys who, against all odds, will find each other every time. Once in 19th century by VyraFinn wc: 203,195 II rating: M II pairings: DenNor, SuFin II work in progress Nationverse summary: Denmark has fallen, Norway has been taken away, and Iceland… Iceland is all alone. Thrown into a life of great changes and discoveries, he has to figure out what it really means to grow up. Independent, stand-alone part of the Icelandic Studies, and prequel of sort to Higher Education and Top Secret. ─•~❉᯽❉~•─

Explicit [18+]

Head Over Feet by Sara Generis (kanadka) wc: 2,128 || rating: E || pairings: NedDen || completed Nationverse summary: It all starts out perfectly innocent: well-travelled routes brought a Viking Dane through to Dorestad where he met a young Lowland enterpreneur selling wares. And when they grew up it was natural enough to consider each other for a spot of casual fun. Just innocent fun, filthy sex, but nothing so messy as romance. //cw: smut Stuffed by uncagingwardens wc: 3,275 || rating: E || pairings: DenNor || completed Nationverse summary: Aleksander makes a promise, and Mathias holds him to it. // cw: smut, OC Decades by wickedlupin wc: 3,477 || rating: E || pairings: DenNor || work in progress Nationverse summary: separation. n. 1. the action or state of being moved apart. 2. the division of something into constituent or distinct elements. independence. n. 1. free from outside control. 2. not depending on another for livelihood or subsistence. “Sve will be pissed if he finds out I have you like this.” “That’s all the more reason for you to do it, then, isn’t it?” // cw: smut Under Your Breath by Ludwiggle73 wc: 5,007 || rating: E || pairings: SuFin || completed Human AU summary: Berwald is a chiropractor. Tino gets his back blown out. // cw: smut, omega verse Rags To Dance In by bunnyfication wc: 9,690 || rating: E || pairings: NedDen || completed Nationverse summary: In which blood is thicker than water, but even that might not be enough, and Netherlands is a (mostly) neutral spectator helping bros with trouble with other bros. // cw: smut, medical trauma Dragon's Heart by Domina_Ecca wc: 10,359 || rating: E || pairing: DenSu || completed Fantasy AU summary: Hetalia Fantasy AU: A beast of legend has attacked a defenseless village at the base of a dark mountain. Only one warrior is brave enough to seek it out. But no creature is more determined at getting what it wants than a dragon… Rated for cursing, adult content, and some violence. [warrior!Sweden x dragonshifter!Denmark] // cw: smut ─•~❉᯽❉~•─

[kingyoisland]

My most crack of crack person head cannon is that Shang Qinghua. The great Airplane shooting towards the side. Is a Cuban Chinese man. 🇨🇺🇨🇳

His mom was Cuban and his Dad was Chinese. In his first like. In his second his mom was Chinese and his dad was Cuban. He doesn’t know English but knows Spanish. The biggest reason he’s not outed as a fucking transmigrator early on because of his mumbling is that a lot of it is in Spanish. The entirety of the Who’s your daddy? Airplane monologue is in Spanish but he says the last line in Chinese.

In my head Shang Qinghua, Su Xiyan, and Binghe are the only characters with curly hair. AAAAAAND because the system fills with Plot holes I believe that Biological. Shang Qinghua is Su Xiyan brother through their father. Not being raised together. Kinda like Shang Qinghua’s Father Secret family. (This circles back stay with me). She gives birth to Luo Binghe who is picked up by the old washer woman.

WHO IS Shang Qinghua’s Mother. And because of her Ex Husband with curly hair teaching her new cultural foods she later teaches both her sons this food. Shang Qinghua and later Luo Binghe. and so know NO ONE CAN MAKE A CUBANO OR PERNI LIKE SHANG QINGUA AND LUO BINGHE!! They can make fucking CUBAN FOOD!! It’s also why these two canonically too the average svsss civilian got the head disciple position because of their ability to cook.

Shang Qinghua is a great cook on the level of Luo Binghe because they have the same teacher and I REFUSE. To believe otherwise.

- Tell me you don’t see this vision. Luo Binghe coming to pick up his Shizun after he has a meeting with Mobei Jun’s rat. Your Shizun walks out with a little Box of fucking Pan con Lechón that’s the name your Mother use to call it at least. You haven’t seen anybody now or since that can cook that food. First you get sad and are about to cry because another man cooked for Shizun. Then your mind goes too how is the fastest way I kill the rat without upsetting Shizun. And only then do you pause. IS THAT FUCKING PAN CON LECHÓN!!

- Also Mobei Jun knowing a surprising amount of Spanish just not when it’s spoken very quickly. Well he knows Shang Qinghua’s broken Spanderin. So he knows quite a bit. But like also not a miracle worker if Shang Qinghua talks any faster then normal he cannot understand a thing.

If you want more I have more please god I need to talk to someone about this please!!

[nyaagolor]

One of the DGS details I really like is how they use forms of address to imply different languages (honorifics for Japanese, miss / mister for English) and the tiny little character moments that come from it. It was neat to realize in case 2 how Ryu and Susato would speak in Japanese while alone investigating, then switch to English whenever Herlock or a crew member entered the room, or how Susato and Ryu use English to discuss clues in British courts despite no English-only speakers being part of the conversation, or how the prison conversation with Natsume is a mix of both languages or how Ryu’s internal monologue is consistently Japanese. Little details via dialogue my beloved

[fipindustries]

bojack horse bad again

you know, i was thinking back to this show again, i watched three seasons of it and that was all that i could tomach and you know what? no.

i dont accept it

i dont care, it was a bad show, it was an objectively bad show and i dont accept that everyone else decided that it was good, i dont care, it was a bad show and im going to tell you why.

emotional terrorism

maybe im a simpleton but i am someone who cares quite a lot about catharsis in my stories. this show refused to grant that, adamantly and violently. im not saying i need a happy ending, i am more than capable of enjoying bittersweet or even tragic stories, but i need a sense of completeness, some satisfaction, some release, some sense that things matter or meant something. this show insisted on refusing to give that. all this show was interested in was get an emotional reaction out of you. it was the emotional equivalent of a jump scare. it was convinced that if it made you feel bad enough people would confuse that with beeing powerful and deep. you could get the same reaction by walking up to someone on the street and kicking them in the nuts. and it would take about as much subtlety or artistry.

2. writer led rather than animator led

you could tell this was one of those shows that were made on the writer's room, not by storyboarders or artists, by "comedians". by people with english degrees. so many scenes of characters just standing around and talking. so many "jokes" that were clearly meant to be funny as something you read on a piece of paper or on a tweet and chuckle as you read it but as animation it just gave limp, stagnant scenes. so much dialog that were references and quips and puns and fast witticisms of the type you come up in the shower when thinking of clever comebacks.

there were so many fucking scenes where everything would stop and a character would launch on some stupid profound monologue about life and philosophy and psychology and relationships. it was like the writers were trying on for size paragraphs of their future memoirs or self help books. so much dialog that was begging for an award for writing. so many "mic drop" moments that were designed to be quoted. i find that the best writing is not the one that you can just quote out of context as a cool pithy phrase. a lot of the best writing ive seen in my life is meaningless when devoid of context, is inextricable of the scene and indeed of the entire story surrounding it but in here i can almost see the seams where the writers look at the camera waiting to see if you are impressed

3. inconsistent tone

this show wanted to eat its cake and then still have it. there are stories that manage to deftly weave in and out of comedic moments into serious moments. everything everywhere all at once does an amazing job jumping from the stupidest, most childish jokes into the most profound commentary about human nature, sometimes doing both at the same time and it worked, one didint cheapen the other.

in here though, it wanted to both have a completly absurd world with the stupidest characters ever and then somehow make us care for it all as if the show hadnt shot itself in the foot. it wanted us to see caroline being in love with what is clearly three children in a trenchcoat and then take her seriously as an adult, to treat any forther relationship drama she has as if it werent completly farcical.

4. ugly animation

it continued the blight that is take over adult animation by doing that disgusting repugnant paper puppet rigged interpolated quasi flash animation that only gives you stiff poses and movements and incredibly boring shots of characters standing in 3/4 perspective in front of the camera. it dull and flat and clunky and ugly, and the character designs were ugly. the noses were ugly and the mouths were ugly and the hairs were ugly and the eyes were ugly. it was all ugly. the backgrounds were fucking ugly and the colors were ugly and it was an ugly show to look at. unbearably so. and even the obligatory "weird" stylized scenes put in to shake things off and try to pretend that it was visually interesting (for like one scene per season) were also fucking ugly.

5. it had not interesting point to make

all it could do was insist and belavor and extemporize about how this one guy sucks and also most people kind of suck but specifically this one guy really sucks and he is not going to get better, or maybe he will? eh maybe, but not really, because he sucks. and we are going to make you like him because we are the writers and we are going to make him relatable and charismatic and sympathetic but actually no he sucks, you fell for it! and what does it say about you that you almost kind of liked him eh????. season after season of him, and in case you almost found anything redeemable about him, we are going to make him even worse, painfully unsubtly so, we are going to make him look at the camera and say that he sucks, because that is the level of nuance we think you can handle, dear viewer. this is called "self aware writing" and its postmodern and meta, which means its clever.

i fucking hate this show and the more i think about it the angrier it makes me, and what makes me more angriest of all is that people like it. its popular. it won awards i think. its largely recognized as a good show and its not! it sucks and its bad and if you like it you are stupid.

[demi-god77]

Saw byler doubt on my tl and I won't have it, so I'm here to try and ease your doubts @lucystark12

(English isn't my first language and I'm currently running on zero hours of sleep. This might be a bit incoherent)

BYLER AND CHARACTER ARCS

First of all, you have to think of this in context to El's character arc as well!

Her arc has always been centered around found family and her own sense of self (the things she lacked for most of her life while she was in the lab, especially since her entire identity was reduced to a number.)

Romantic love (ending the show in a relationship with Mike) would not be beneficial for her arc, as it is not something she lacked prior, she didn't even know what a boyfriend IS when she escaped from the lab. It also sets her back on her path of self discovery (+ she is shown to learn the most about herself when she and Mike are apart).

In an arc about found family, self discovery and independence, forcing her into a relationship that actively separates her from said found family and creates conflict (with Hopper and with the rest of their group), that also doesn't let her figure out who she is, what her interests are and overall stuns her self discovery and independence, would make zero sense. It would not be a progression for her character at all. Especially for someone that has been controlled by others (and men specifically) her entire life.

~~~

About Will now, if his arc was actually about moving on, there was absolutely no reason to make him in love with Mike. All of their conflicts COULD be purely platonic, if their purpose was to signify that he needs to move on/grow up. But they weren't. There would be no reason to make him in love with Mike, he arguably wouldn't even have to be gay for this arc. And yet, his sexuality is mentioned even prior to s1, in the pilot script -clearly important for his character. Him moving on from those feelings would not be beneficial for his arc either, especially since he has already tried to. He has tried to hide from the world, he has tried to repress his feelings and it didn't work out. They even straight up told us he's not able to move on ("[I] need you and [I] always will")

Furthermore, he already believes that his feelings will not be reciprocated, that he needs to let go and that he will never experience a romantic relationship, will never find love. To have him be right does not make for a good story. It sets his storyline back to square one. Him coming into his own and confronting his trauma is definitely a part of his arc, no doubt about that. Moving on from his feelings however, giving up on a love he never let himself believe he could have in the first place, is not.

~~~~

Lastly, Mike himself. I honestly don't really think he has that much of a communication issue. His communication skills are of course not great, they are pretty bad yes, and he obviously struggles with verbally explaining his feelings, but he shows his love through actions and not words. That's something that has been shown since s1 and that's always been how he communicates his emotions. Through actions.

But even so, he has been shown to productively communicate using his OWN words and his OWN feelings before, the shed scene in s2 being a prime example of that (arguably the bedroom scene in S4 as well). His parents' main issue with their relationship is not that they don't communicate imo, it's that they never really loved eachother (and that also ties in to Nancy and her relationship with Steve).

Another thing:

Mike needs to be needed, that's when he feels useful, that's when he feels loved. El is coming into her own, becoming independent, realizing she doesn't need to depend on others, on him. But Will in his monologue confessed that he always will need him, something that will never change.

Moreover, if his arc was truly about learning to communicate effectively, I don't think they would put such emphasis on his insecurities, thinking of himself as inferior and trying to conform. (Also, forcing a confession, especially one based on someone else's feelings would be a horrible writing choice in an arc about self expression.)

Mike actively tries to push aside his nerdy interests and the things he enjoys (who he is) while in the relationship, in order to appear cooler, mature, normal. Pretend he's not himself. THAT is something he gets from his parents. And THAT is not something attributed to bad communication skills, but forced conformity.

And after all, forced conformity is killing the kids.

[tylermileslockett]

Cassandra's Lament"

Her monologue here in this play is incredibly powerful, and is an early example of the "mad speech," whereby a character performs a monologue of madness. (it made me immediately think of Ophelia's madness speech from Hamlet, and I wonder if the English bard was inspired by Aeschylus's speech for Cassandra here.

CASSANDRA was a "Pythia" (priestess of Apollo). She was also a daughter of King Priam of Troy. Apollo fell in love with her, and offered her the power of prophecy as an enticement. But after receiving the power, Cassandra rebuked Apollo, so the god added a curse to the gift, that her power of prophecy would never be believed by any mortal. There's a story of Cassandra being held at the palace of Troy in a pyramidal building away from the others, as she was always spouting inane prophecies, and thus, deemed mad. Is this one of the first literary examples of a character with mental illness? What's more, she tried to warn the trojans of many coming horrors, such as Paris absconding with Helen and the coming trojan war, but alas, she was dismissed as touched, and ignored. Unfortunately, things get worse for the poor girl. After the sack of Troy, "Ajax the lesser" rapes Cassandra in Athena's temple (which Enrages Athena, and will cause many Greeks problems on their return journeys). Cassandra is then taken as Agamemnon's concubine and taken back to Mycenae, where we pick up with her presently in the play, at the front of the palace door. Agamemnon has already entered the house, and Cassandra, prophesying the coming violence within the house, gives a chilling speech, lamenting her cursed fate, and attempting to warn the chorus of Clytemnestra's deadly plans for Agamemnon and Cassandra; but, as usual, to no avail; the chorus dismiss her fears as crazy babbling. Cassandra finally accepts her fate, and enters the house, walking to her death.

Thanks for reading!

Want to own my Illustrated Greek myth book jam packed with over 130 illustrations like this? Support my kickstarter for my book "lockett Illustrated: Greek Gods and Heroes

[jotun-philosopher]

Discworld/Good Omens parallels ramble

Exactly what it says on the tin! These are some fun little Discworld/Good Omens parallels that my brain picked up on at various times (usually 3 a.m. or thereabouts... Thanks, mum, for the persistent insomnia...)

Mild-to-moderate spoilers for Wyrd Sisters, Lords And Ladies, Men At Arms and Carpe Jugulum below the cut.

In A Life With Footnotes, the official biography of Terry Pratchett, Rob Wilkins mentions that when he was in school, a young Pterry wrote for English class a story (sadly lost to the mists of time) about orcs attacking a vicarage in full Jane-Austen-spoof fashion. Now, given how the Whickber Street Shopkeepers' Ball turned out, it seems reasonable to assume one of two things: a) this story was not a factor under consideration when writing S2 and the parallel is an ineffably delightful coincidence (a bit unlikely) b) this story *was* an inspiring factor in the writing of S2, and the nod to Pterry happened to work really well with the plot (seems a bit more likely). Either way, the parallel is there and giving me all of the warm fuzzies <3

There's an idea in Discworld, forming a significant part of the moral backbone of the series, that's very succinctly summed up by Granny Weatherwax in Carpe Jugulum: "[S]in [...] is when you treat people like things. Including yourself." This is absolutely at the core of what's wrong with Heaven and Hell and God and Satan in Good Omens; the leadership and culture of both organisations/cults treat everyone -- angels, demons and humans alike -- as disposable things to be used and toyed with and discarded or destroyed if they start having the temerity to be imperfect or form opinions or thoughts of their own.

There're two characters in Discworld who parallel Aziraphale surprisingly strongly: Magrat Garlick (of the Lancre witches) and Captain Carrot Ironfoundersson of the Ankh-Morpork City Watch. -*Magrat is viewed as a bit of a soft, soppy 'wet hen' by the other witches, but she is still a witch, with all that that implies. She also has at least one scene in every book in which she appears where she does something extremely badass and witchy; for example, turning an ancient wooden door back into a tree, or (very pertinently to GO) delivering a literally iron-clad punch to the face of a villain who's mentally torturing her with her own insecurities. Likewise, Aziraphale seems to mostly be viewed as a bit dull and wimpy by the other angels we see (though Magrat still has the genuine respect of her witchy peers) but he is still an angel -- a Principality -- with all the powers, steadfast guardianship and bloody-minded stubbornness of that rank. The Metatrash might not be vulnerable to iron in the same way as Discworld elves, but you can bet that his attempt to break Aziraphale and bring him into line is going to backfire just as spectacularly! *For the parallel between Aziraphale and Captain (well, Corporal, at this point in the Discworld timeline) Carrot, the novel I have in mind is Men At Arms. At one point, Vimes is being held at crossbow-point by a villain, and has a bout of internal monologuing about how, if someone has you at their mercy, you'd better hope they're evil, because that way they'll take time to gloat and mock you so you'll have an opportunity to think of a way out; a good man will kill you with barely a word. Carrot does exactly that at the climax of the plot, putting his sword through the villain and the stone pillar behind said villain without saying a thing. Now, Aziraphale might not quite have Carrot's 'incorruptible pure pureness' tendencies, but he is -- for all his flaws -- a good person. If he knows that something needs to be done to prevent an evil outcome, he will DO it without hesitation. He knows how to use a sword, too, and if That Frickin' Elevator Smile Of Tranquil Fury is any indication, the Metatrash is in far deeper doodoo than he realises! Related to the above, The Smile also reminds me of the old adage, "beware the fury of a patient man." (Well, man-shaped being in this case...) Very appropriate for our careful, thoughtful angel -- it would not surprise me (much) if Metatron were to depart the plot of S3 with a flaming sword pinning him to one of Heaven's columns (probably won't happen, but I can dream, eh?)

Hope you enjoyed reading all that :D

[dice-sociation]

AP Review: Reckless Attack - Main Campaign

Listen Here: https://www.recklessattack.com/episodes/

Quick info:

Audio Quality: High Quality and Edited, Effects, Music. Vibes: Lord of the Rings, Ghibli, Never Ending Story, Avatar the Last Airbender, Frogs Extras: Discord and Patreon rewards. System: 5e DnD Average Episode time: 1 hour Uploads 1 Episode per week. Campaign/ Show Length: Long Term Campaign Platforms: Podcast, Audio Only. Accessibility: Content Warnings Language available: English Diversity: AAPI/BIPOC Number of Episodes Review is based on: 100 (This is my first review so I decided to start with a Podcast I’m already caught up on) ** If you want the TLDR, scroll to the bottom of the post **

Why Reckless Attack?

I honestly believe that part of the draw of listening to people play a TTRPG is not just the story telling but an assurance that adults can somehow actually and consistently come together, in person, to pull off a full long term game. Reckless Attack is one such podcast. They are a small indie podcast with excellent audio quality and editing. 

But, why should you listen to another high fantasy podcast? Well, have you ever wanted to see what a post-apocalyptic High Fantasy world would look like? The deeper you delve into Reckless Attack, the deeper the lore gets, and we have barely scratched the surface a hundred episodes in. You’ll join the players as they explore a world recovering from an apocalyptic event, ripe with magic and unstable artifacts, an undead army, and frogs.

Starting The Pod

Right out the gate, the listeners are greeted by a Lord of the Rings style opening monologue, giving relevant history and context to the kind of place the characters live in. I personally get the feeling a lot of the world was established in a previous game or between the DM and players prior to the start of this campaign. If, as a listener, it feels like you're missing something, don't worry; you'll get a lot more context down the road, especially once the players make it to the city of Agmar (Episode 15). The first 15 episodes are a nice slow build up. 

Conveniently, the first recap episode covers Episode 1-14! (Though I really enjoyed the first 14 episodes, I know not everyone has the amount of listening time I have). If you are so inclined to start from the first episode, you'll get nicely eased into the characters and their relationships with one another before a lot of the bigger world building really starts to soar.

(My one caveat is that I listen to this podcast at 1.3-1.4 speed since the players and Nathan speak with a good amount of pauses, and that can be a little too slow for me.)

About the Team

Nathan, the DM for the main campaign, paints some amazing pictures of his homebrew world. He has a real talent for creating larger than life NPCs and Big Baddies for his players to interact with. They all have clear motivations, flaws, and personalities that truly rounds out the overall story. When it comes to plot, Nathan kept me on my toes with plot twists that would literally snap me out of whatever multitasking I was doing. And I must recognize how often Nathan opens the floor for the players to build parts of the story and describe longer stretches of downtime. Those moments are like the equivalent of cinematic montages to represent the passing of time.

The players, Sophie, Steve, David, and Jonathan, deliver wonderful descriptions and leave plenty of space for each other to speak, balanced with just the right amount of crosstalk. Each character has a very unique voice which is helpful for listeners (especially because David and Jonathan are twins and have similar voices).

Sophie plays Valeska Carter, the Human * Cleric. "Valeska is a young woman in search of answers. Like, compulsively."* I quickly fell in love with Val, an exhausted nerd who can never have enough notes and organization. If you're the kind of person who is always rescuing animals, you will love her too. 

Steve plays Selv Asterlin, the Dragonborn Monk. "Selv’s years at his town’s icy mountain monastery has trained not just his body, but also his mind and emotions. The large dragonborn seeks to be a peacemaker in conflicts, exuding strength, calm and serenity while straying away from violence and lethal force when possible."* But don't be fooled, Selv is often one for the occasional good prank, and I always appreciate Steve's references even when the rest of the group don't understand them. (I got you Steve) 

David plays Kascorin "Kass" Brightmane, the Dwarven Warlock. "Tomorrow (Kass leaves) this city for the Golden Tree adventuring guild, and in leaving this city, (He leaves his) friends, (his) family, and (his) comfortable life behind."* Kass is very grounded, serious, and focused, until he runs into tasty dried meats. Kass has all the charm of a warlock and the grit of a soldier. 

Jonathan plays Checkers, the Gung Druid, with his trusty pals Mango and Junior. "Joining the Golden Tree adventuring guild on a dare, Checkers and his frog pal Mango are here to prove that it’s better to find your own path than to follow someone else’s. After all, where’s the fun in looking before you leap?"* Checkers is a lot like the characters I personally play. Someone who doesn't stand around for too much planning and prefers to "leap" into action. In my very humble opinion, every group needs an instigator. 

I have also come to really admire the level of trust and respect the group has for one another. They handle both wonderful whimsical beats as well as solemn moments with great care (Episode 108 was magnificent.)

*Quoted from the official Reckless Attack website. You can find this and more at their website www.recklessattack.com. (Be aware, reading the available character sheets may contain spoilers)

About the World

Ryxia is built on a world where long ago, the Gods walked among mortals, but one day they left. As if in consequence, magic in this world seems to ebb and flow, and monsters roam the wilds. Until, the "second of Ryxia’s twin suns disappeared from the sky, the Ultragiants appeared, and the Pentarchy’s great capital city of Narhasur was turned into a smoldering crater." *

You can think of the Ultra Giants as the Titans of this world, being elemental and colossal. These Ultra Giants terrorized mortals until one day, the mortals managed to kill one " wielding their city’s Object of Focus… The object was destroyed, as was much of the army. But strangely, within days, the Ultragiants no longer stalked Ryxia."*

As the mortals re-emerged, they started to rebuild despite the incredible amount of monsters who now roam the lands. 

*Quoted from the official Reckless Attack website. You can find this and more at their website www.recklessattack.com. (Be aware, reading the available character sheets may contain spoilers)

Extras

Aside from the main campaign Nathan has his own series called Reckless A-Talk. This series Nathan or others on the team interview incredible people from all over the TTRPG space. Nathan's style of interviewing is mostly allowing his guest to speak more than he does, followed by the wonderful lightning round questions. I highly recommend listening to these (as a little treat) if you are interested in learning other perspectives and other aspects of the industry. 

Bonus one shots are another part of Reckless Attack, allowing the players to take the reigns.  They serve as fun filler for when you just can't wait for the next episode to drop. 

And if that's still not enough content for you, you can always subscribe to their Patreon for even more content, including the very relaxed Reckless A-Snack.

TLDR

High Fantasy world rebuilding the world after mortals were nearly wiped out.

Listeners will get a good feel of the world within the first 14 episodes. (IMO, the pacing starts to pick up after Episode 14)

Here are "Tale Til Now," recap episodes for those who want to catch up faster. (Episodes 1-14, 14-42, 42-66, 67-84)

Non Player Characters are larger than life, with clear motives and personalities.

The Dungeon Master and Players share a lot of world building and you can feel the love and trust they have for each other.

Recommended listening at 1.3x-1.5x speed if you are one of those people (you know who you are).

Find more details about the world and characters at www.recklessattack.com.

Lots of extra content for those who just need more, including; interviews, one-shots run by the players, and patreon bonus content. https://www.patreon.com/recklessattack/home

Do you have ideas or suggestions? Please feel free to comment!

Special thanks to Artax of Who's Taking Watch for helping with editing!

No Context Spoilers:

[justxtalking]

the shooting star

I'm sure this observation was pointed out before, but I can't find it anywhere to quote it. Original post, you take all the credit. I just needed to express my thoughts because I can't stop thinking about it.

I feel like it's been a hot minute since the last time I've made one of these, but here I go.

the scenes

In chapter 64, Gon and Killua promise to stay together under the stars and they have a heart-to-heart. When the scene ends, we see a shooting star in the sky.

English Translation: VIZ Media

In chapter 286, Killua talks about commiting "shinjū" with Gon (translated as "I'll go down with flames with him") to Meleoron, tries to make it seem like a joke and Meleoron's inner monologue makes us understand there's more to the story than what Killua is saying out loud. When the scene ends, we again see a shooting star in the sky (and move to Gon and Pitou's scene.)

English Translation: VIZ Media

side-note

Do I really think that this detail has a bigger meaning than it has? No, Togashi most probably just likes shooting stars and thought this was a good transition between scenes. However, I think it would make a nice analysis if I connect the concept of the shooting star with certain aspects that are present in both scenes and the story in general. I just couldn't help myself, I find it so interesting and beautiful.

my brief and informal analysis

To begin with, what does it mean to see a shooting star? There's three popular and mostly global beliefs I would like to point out.

1) Wishes: Shooting stars have always been associated with dreams, wishes and promises. Many believe that if you make a wish on the shooting star, it will come true.

2) Positive Change: They are typically considered to be signs or messages from the Universe. They tend to symbolize new beginnings, transformations, and spiritual development.

In relation to these two, I believe it would be also connected to the meaning of encouragement. It can serve as encouragement to take risks or make important life decisions.

3) A Sign of Love: Seeing a shooting star can represent the love and connection between two people.

Then, which of these meanings are actually related to these scenes? The three of them, but let me explain a bit more.

In the first scene, Gon and Killua promise to stay together and continue their journey. As shooting stars are often associated with wishes or promises, in this context, it could symbolize the sincerity and earnestness of their promise to each other. By including the shooting star at the end of the scene, it seals their promise and it also marks a new beginning for them. At that moment, they are making an important decision in their lives, it's a new and positive change for them.

For the next meaning, I would like to point out first what scenes with two people under the stars at night usually mean. As we probably know, those type of scenes are ideal for characters to share their feelings and even secrets. The darkness and the soft lighting of the stars allow this space of intimacy to just talk to someone, which is what Gon and Killua do. They are already friends, but it's at that moment that they talk about what they are going to do and speak about topics such as Mito. The shooting star marks a significant bond between Gon and Killua. It represents their connection and love (platonic or not) for each other, as shooting stars can also symbolize a new love. This is related to the hope we have when seeing a shooting star, which is connected to that hope (and excitement) we feel when we start a new relationship. Using the shooting star could work as a narrative device to highlight the importance of this moment and the bond between Gon and Killua.

In the second scene, Killua discusses the possibility of a double suicide if something were to happen. Again, the shooting star appears at the end before transitioning to the next scene.

As I said before, shooting stars commonly symbolize wishes and promises. In this context, it could symbolize Killua's inner turmoil and/or even his determination to protect Gon (and be with him), possibly hinting at a resolution or decision he has made internally. Because of his words, we can guess he made the decision to die with Gon if that's what is needed. What he says can even foreshadow significant events or intense emotions, such as the ones that follow in the story. For example, Killua running to reach Gon and save him. It could even be related to other characters, such as Meruem and Komugi committing double suicide.

Killua's statement about a double suicide is a serious and intense moment, and the shooting star might emphasize the gravity of the situation. In this case, I wouldn't say this is a "positive change," though we could argue that for Killua maybe it would have been because Gon would have included him.

However, it is a moment in which Killua makes a big decision, one that would take to risk practically his life just to stay with Gon or protect him.

In addition to this, it could also bring us back to the first scene, in which they promise to stay together, symbolizing their strong bond. This is emphasized by the fact that the next scene is about Gon and Pitou. However, in this case, both Gon and Killua seem to be in different head-spaces. On one hand, Killua is worried he could lose Gon to the darkness, as he feels their bond is wavering and he can't reach him no matter how much he tries. On the other hand, Gon is too focused on his goal to save Kite. He is in too much pain and despair while trying to control the situation on his own terms.

In both instances, the shooting stars seem to add a layer of emotional depth and narrative emphasis to the scenes. They highlight the sincerity of promises, the intensity of emotions, and the transient nature of crucial moments in Gon and Killua's lives.

side-note

Something that adds to my delusional mind to all of these and I think it's really interesting is the following:

The fourth ending Nagareboshi Kirari seems to mean "sparkling shooting star". The song is an exploration of longing and hope, entrusting wishes to the stars, unanswered thoughts and unspoken feelings. It delves into the theme of connection, particularly the emotional bond between the narrator and a distant loved one. There's a lot to say about this song and its lyrics, but that should be a whole new post.

I think the song speaks perfectly about Gon and Killua's situation in general (not only about what I mention here, of course) and I think it's a good way to finish this post.

Thank you so much for reading! Have a good day or night, whichever the time is when you're seeing this.