#those fans reblogging me again

[survivalove]

hii what type of tropes do u think katara fits ?? and what type of tropes do u think her character subverts ??

Hi anon! I’m not gonna lie this is a heavy topic which has been weighing on my mind ever since my Katara rant a few days ago. Tbh, I wasn’t going to make a post about this, just cuz I feel like maybe I talk too much 😂 but you just gave me the perfect excuse so here we go:

1. Girls are Healers, not Fighters

I want to start this off with the issue of misogyny in the Northern Water Tribe and how the fandom discusses Katara’s portrayal in LoK. First of all, the NWT not allowing girls to fight is misogyny and Pakku telling Katara to “go in the healing hut with the other women” very much sounds like “go in the kitchen where you belong”. This is something everyone understands.

However, I think we start losing the plot when people only focus on this aspect and ironically parrot the same misogyny when they talk about female healers in the franchise and in media. Let’s look at Yagoda. Yagoda is a recognized master. She doesn’t teach in her house, her kitchen or her bedroom. She teaches in a school alongside other master healers and students. When the Yue was stillborn, who did her family turn to at first? Pakku? No, the healers. During the civil war, did Katara just sit at home twiddling her fingers like so many in the fandom would have you believe? No, she was single-handedly healing dozens of rebels in her White Lotus outpost. The importance of female healers in the franchise and media in general should not be diminished when speaking out against this misogynistic trope. I just had to get that out of the way.

So, how does ATLA subvert this trope with Katara? They show her developing her healing abilities alongside her fighting skills. One does not hinder the other. When Katara discovers her healing ability, she gains respect for possessing a talent so rare and revered, by a man originally from the nation that wiped out the male and female waterbenders of her tribe. When Katara saves Aang’s life, the most important moment in the entire show IMO, in the same episode, she is also shown facing off a major enemy in battle and winning. These two sides of her are constantly shown in balance to the fullest extent of her power, without one skill being diminished to highlight the other.

2. The Hero’s Girl

I think this is another trope that’s prevalent in media, particularly shonen animes which ATLA gets compared to so often. A lot of times these female love interests are never in the main story without the main male character. They seemingly have a one-sided crush, fall apart at his feet, interacts with him only when he needs her (and only him), and can sometimes be a pick-me when it comes to any competing female characters. I think a lot of people see Katara this way solely because she gets with Aang in the end, when this does not even come close to how she is portrayed.

Katara is an extremely developed character. Her arc is largely independent of Aang even though there are so many parallels between the two. Katara initially sees Aang as just a friend and even when she starts seeing him as a potential love interest, she’s not begging him to notice her or accept her affections. She gets jealous but isn’t competing with anyone for his attention for long and she has relationships with other characters that further the story whether Aang is there or not. She doesn’t exist solely to be with him, in fact she even teaches him. Katara and Aang being endgame is not integral to either one of their stories. They don’t agree with each other all the time and when he pushes their romance too far, she isn’t framed in a negative light for rebuffing his affections. No one in the narrative forces her to be with Aang because he’s the Avatar for status, or anything else. Love is not her biggest priority and she chooses to put off her romantic feelings until the war ends.

Now does she get jealous of other girls who seem to like Aang as well? Yes. Does she cry and get emotional when something happens to him? Yes. Does she spend an episode pestering the fortuneteller about her future husband and get excited at the idea of falling in love? Lol yeah. Does she blush and hug and kiss Aang often? Literally every other episode. But that’s not all there is to her or their dynamic. I think some people often overemphasize the fact that Aang and Katara do get together in the end and act like it automatically voids the rest of her development in canon when it really doesn’t. Like I said in another post, I know a lot of Katara stans that don’t ship her with anyone or can discuss her character at great length without mentioning romance. People who choose to focus on her ending up with the hero to ‘defend’ her are more doing her a disservice if you ask me.

3. One-Dimensional Female Characters

This sort of ties into everything I just said and is also something the franchise achieves with all the female characters, but even more-so with Katara. Katara has several behaviors that directly contradict her general personality traits:

In the Chase, Katara lectures Toph about the importance of doing chores and being a team player and in the same episode, insults her, picks fights with her to the point she leaves the group entirely.

Katara loves her brother and always cheers him up when he’s feeling him down, but she still will tease and pick on him, and on a darker note, lashes out at him in the Southern Raiders when he doesn’t tell her what she wants to hear.

Katara turns up her nose at the wrestling tournament they find Toph in and winces as she attacks The Earth King’s soldiers, but still partakes in fighting the war because it’s for the greater good.

Katara from a young age had to take up the societal expectations that her mother would have had in her family and in her tribe, but is still a child and often takes delight in activities children enjoy, as she should.

The point is, Katara isn’t one-dimensional. There are a lot of contradictions within her that are usually juxtaposed one after the other. Yet, most viewers can only focus on one side at a time, usually choosing to focus on the negative aspects of her character. They will complain about her being motherly as if she never has fun. They will focus on the one time she was out of line with Sokka just to attack her character. They will cry she was too hard on Zuko, after 2.5 seasons of him chasing them down.

Most annoying of all, they will compare her to other female characters who are less hypocritical in nature and, in my opinion, simply not as complex as Katara. Don’t even get me started on how community is such an integral part of Katara, Sokka and Aang’s characters and how their character development often get overlooked in favor of characters with more individualistic and straightforward narratives. But this is about Katara.

Katara is an unapologetically feminine character that is sweet and kind without serving some villainous agenda that gives her a reason to be on par with the male characters when it comes to fighting skill. Her strength gets questioned in ways that Azula, Toph, Mai and Ty Lee’s do not. She subverts a lot of misogynistic tropes that a lot of 2000s female love interests in media suffered from and still do. She’s a very difficult character for most people to wrap their heads around, simply because she doesn’t stick to the script that most fmcs who look and act like her, do.

If we pretend she’s not fictional for two seconds, Katara is a hypocrite and hello? Who isn’t. It’s human nature for people to change their minds or do things that don’t really match up with that they’re say about. People who get mad at Katara for this, are essentially saying they’re mad because she’s not a flat character and they don’t even realize it. Her contradictions aren’t just one-off moments and her grief over her mother’s death isn’t something she only brings up once or twice. These occur over and over again because she is the other main character and with that comes a lot more screentime for her to be hypocritical, grow and show development to a level that the other female characters can’t.

[reformedmercymain]

[officialgleamstar]

Ok I’m done sitcom shipping posting now. Or am I

[lenievi]

I think the problem with TOS and me is that I need everything to follow a certain formula which includes McCoy being the one dealing with Kirk’s moods. If Kirk feels down or has a problem, I need it to be McCoy he talks to. I need it to be McCoy who gives him an advice. Spock can give him an advice too, but McCoy’s advice either needs to follow or precede (but usually follow) – because that’s the formula the show follows.

I know other people probably want more variety, but I’m very simple and want the same thing again and again, even if it only reduces McCoy to a character who’s written around Kirk. Because he is. He’s written around Kirk and Spock because he is a tool to express their emotions when neither of them can express them.

And I feel like when the show’s traditional trio roles are broken, it never works for me. Neither Kirk nor Spock can work without McCoy. I’m not saying it because I like McCoy, it’s just that you literally can’t take him out because then you even lose the kind of relationship Spock and Kirk have in the show imho

And that’s why I think a lot of novels just won’t ever work for me perfectly because a lot of authors 1. don’t know how to write McCoy 2. don’t know what role to give him because they refuse to give him his role in the show - i.e. be Kirk’s confidant. Some authors know what to do with him, but it’s rare.

[chatxkilluaxnoir]

I have been thinking about some things about ROTTMNT and Some ROTTMNT Fandom Stuff lately...

It is both positive, and not as positive (I won't say negative, just things that kind of itch at my mind sometimes), and it is a few things too.

Though, I am going to stricture my post(s), to have things make sense.

Idk, when I will post these things, if I do. And I do what to post and/or reblog some more positive (again, these posts are going to have positive stuff too) first, esp. since ROTTMNT's 5th anniversary was recently (happy 5th anniversary to Rise btw!), but just in general, because I do really love ROTTMNT. So much of content I enjoy is TMNT, which heavily includes ROTTMNT by this point.

But there are just some things, that are bugging me, that I might end up talking about.

Again, if I do these posts, I don't know when. And they will probably take awhile, because knowing me, they will probably be pretty long and stuff.

But we will see.

[lowkeyren]

reverse dating tropes w hsr men!

in which — what the title suggests / those classic fanfic tropes but with a twist

featuring — boothill, jing yuan, blade (separately) x gn!reader

✧.* — wc: total 1.5k, used up half my brain for this (the other half is for pt2 w aven sunday geppie!!), lovesick boothill + clingy jy + jealous blade fr, anyway pls enjoy! reblogs r appreciated <3

gepard aven sunday vers here!

boothill ꩜ .ᐟ

love at many sights with boothill whose memory card was tinkered with, and every time you meet, he thinks he's seeing you for the first time, so he falls for you over and over again. 

when boothill returned from a dangerous mission, it was evident that he had endured significant damage. his once sleek and polished exterior was now marred by dents and scratches, and his mechanical limbs were either partially missing or severely damaged. the exposed wiring, usually neatly tucked away beneath scraps of metals, now hung in tangled strands, sparking occasionally with residual energy.

he looked barely salvageable. it's safe to say that the mechanics had a hell of a time fixing him.

though they were skilled enough to piece him back together, his memory card wasn’t as lucky. a tinkering in his system left him incapable of recalling or retaining information in his synthetic brain, temporarily —leaving the mechanics scrambling to find a solution.

weeks later, you find yourself walking down the familiar corridors of the laboratory where your favourite cyborg is being held for reparation.

boothill’s eyes immediately land on yours when you enter the lab. “well ain’t this a surprise! haven’t seen ya in a good long while.” boothill drawls, tipping his hat your way, his voice carrying a metallic twang. 

"i heard you took a bit of a tumble, figured someone should come make sure you didn’t lose all your screws." you shrug nonchalantly, a smirk playing on your lips.

boothill's eyes flicker for a moment, taking in the curve forming on your lips. he thinks you’re adorable with that infectious smile of yours. 

“heh, nothin’ bad, just had a r-r-run in with some cuties" he says, failing to hide the glitch that caused his voice to stutter. (and that damn synesthesia beacon! he swears he’ll get it fixed this time around…)

“guess you took more than a tumble huh...” you lean casually against the workbench, the sterile scent of machinery and the hum of various devices filled the air; your gaze sweeps over the freshly repaired parts of boothill's metallic frame, “anyway, glad to see that you’re mostly fine now." 

“aww! do ya care ‘bout me?” he teases, his grin widening, revealing his pointy teeth peeking out mischievously. you don’t reply, your eyes glinting with the faintest hint of amusement dancing in them.

"boothill, we go through this every time, your memory card's still damaged. you forget things sometimes, so for the 5th time this week, yes i do care about you.”

boothill's expression shifts, a mixture of realization and sheepishness crossing his features. "right, right," he murmurs, scratching the back of his head with his metallic hand. "sorry 'bout that, sugar. guess i just keep forgettin'."

you chuckle and shake your head, finding the situation amusing. he feels like he might overheat from the sheer warmth radiating from your smile.

“you’re beautiful, date me.” (he didn’t mean to blurt that outloud)

you raise your eyebrows at the sudden compliment, “why thank you,” a surprised laugh escapes your lips.

“—and we’re already dating, silly.”

a shower of sparks erupts from his circuits, you can particularly hear the fans inside him sputter and whir. you rush to his side, concern etched on your face.

“wh- are you okay?! you’re short circuiting again!”

and this happens every time his memory lapses. you offer an apology to the mechanic on the next shift for the extra work required to fix yet another damaged wire after your visits. perhaps they should ban you from getting too close to boothill, lest he completely breaks down again like that one time where you told him, yes you actually kissed before.

jing yuan ୭ ˚.

"secret relationship" with jing yuan but he is completely unaware of how his public displays of affection towards you keep revealing the supposed secrecy of your relationship.

on the rare case that the general is found in his office, you are there too, beside him.

“pleeeease? just one kiss, really really miss you, darling”

“no jing yuan, not now…”

he wraps his arms around you as he leans in, caging you from the back. he rests his chin on your shoulder, “then how about a kiss on the cheeks?” he murmurs in your ear. you try to push him away, but he just chuckles softly against your neck, his arms still secure around you.

“no, and get off me before someone sees!” you protest, feeling your face flush from the close proximity, and the tightening of his arms suggests that he has no intention of releasing you just yet.

this stubborn man… you swear you’re gonna burst a blood vessel someday.

as if to echo your exasperation; he nuzzles his head into the crook of your neck, peppering it with nibbles and gentle kisses. jing yuan certainly knows how to test your limits, yet his affectionate gestures never fail to chip away at your resolve.

suddenly, a series of loud knocks come from the door, you freeze, and immediately attempt to wiggle your way out of his grasp. but he remains unfazed, his hold on you firm, and seemingly unbothered by the interruption.

the door bursts open, “general! there’s a situation at starskiff ha—ven...”  yanqing trails off as his eyes widen at your position. the room falls into a momentary silence as yanqing's gaze shifts between you and his general, his expression reflecting a blend of shock and embarrassment.

clearing his throat awkwardly, yanqing stammers, "i-im sorry for interrupting... i’ll t-take my leave now!” with a hurried nod, he practically sprints out of the room.

oh bless that kid’s poor eyes… 

you shoot a glare at jing yuan from the corner of your eyes, you just know that he has a shit eating grin on his face right now. nowadays, it’s probably common knowledge that the general’s most treasured person is you, evidently shown by how he latches himself onto you every time you’re within his vicinity. you wouldn’t be surprised if the entirety of xianzhou knows about your supposed “secret” relationship.

“so… can i have my kiss now?” 

aeons, he’s insufferable. (you love him tho!!!!!)

blade ؛ ଓ

"fake dating" with blade but you are actually dating —somehow everyone is convinced you aren't.

“blink twice if you need help.” march whispers-shout; dan heng leans against the doorway, blocking the way into your room, nods in agreement.

“this is absurd… i’m alright guys, really!” you try to reassure your friends, frustration edging into your voice. though no matter how many times you insist that no blade isn't holding you hostage and that you are indeed in a relationship with him, they seem convinced otherwise, somehow deducing that you're not able to speak freely.

you sigh in resignation, knowing that they aren’t going to relent anytime soon, and with blade idling in your room, you can't afford to keep him waiting any longer. “dan heng please, let me through, he’s been waiting for me for the past 10 minutes now…”

“good, let him wait.” dan heng responds curtly. (what a guy)

march takes hold of your hands, “do you owe the stellaron hunters something, and him out of everyone?! he looks scary…and totally not your type!” 

“not their type?” a low voice rings out from behind dan heng, the three of you turn immediately and see blade looming at your doorway, his arms crossed over his chest. 

“stellaron hunter. stay back.” dan heng furrows his eyebrows, his stance defensive as he pulls out his weapon, positioning himself to block you and march. sensing the growing tension, you step forward, reaching out to gently grasp at dan heng’s shoulder. 

(blade’s expression darkens at your hand resting on him)

“it’s okay dan heng, he means no harm.” dan heng hesitates, his grip on his weapon remains tight, but he doesn't move to strike. so you slowly move between him and blade, “see? i’m fine… he’s not gonna hurt me.” you smile reassuringly at your friends. 

just then, as if to further aggravate dan heng, blade settles his hand on your waist. dan heng’s hand is visibly twitching now. “what? can’t i touch what’s mine?”

dan heng’s eyes narrow, “...we still don’t believe you, leave now. before it’s too late.”

before you can interject, blade grabs your chin, silencing any words of protest with a sudden kiss. caught off guard, your eyes widen as the unexpected gesture leaves you momentarily stunned. but you soon reciprocate his kiss, his intensity drawing you in.

(march quickly covers her eyes with her hands)

“there. now leave us alone.” and with that, he pulls you into your room, slamming the door shut behind, pinning you against it. 

it’s just the both of you now, finally.

“did you really have to touch him.” his voice tinged with possessiveness. “blade, he would’ve hurt you, i didn’t mean—” he shuts you up with another kiss, more desperate this time, welp guess you’re stuck with him for the night.

though your friends might not believe that a person like you would “be in cahoots” with someone as dangerous as him; convincing them otherwise is a task for another time. tonight, he wants your attention focused solely on him, and him only.

✧.*

masterlist gepard aven sunday vers here!

[bipolarandannoyed]

I am EXTREMELY hesitant to partake in fandoms of any sort as I have partaken in fandoms in the past and.....

[crimson-rain-smoked-flower]

I’m not trying to attack you, but do you know that proshipper means someone who supports and romanticizes pedophilia, incest, and abuse? Your reblog on that post seems to read that you think antis just hate on people for having ships they don’t like. But it’s completely different than that. Just looking on the proshipper side of Tumblr and the internet and you can see people happily shipping children and adults and making nsfw content of such things.

i appreciate that you're not being outright hostile, but i have to say, that on its own put you above basically every anti i've interacted with.

i understand where antis are coming from, i really do. there are a lot of things on the internet that make me deeply uncomfortable, including the minor/adult ships that you mention. i don't want to anything to do with those kinds of ships and i would be happiest if i never saw them again. which is why i'm proship.

nine times out of ten, if i see that kind of ship brought up on my dash, it's because i was following an anti without realizing it, and they brought it up unprompted and untagged, to talk about how bad it is that they exist. they are the ones putting that kind of content in front of my face and making it harder to avoid.

the thing about people who ship those ships is that they're generally very aware that not everyone wants to see that kind of content, and so they tag it. they make sideblogs to talk about it. they don't go out of their way to shove it in people's faces. that means i, and everyone else who doesn't like it, can avoid it.

what antis want is for it to not exist at all. they want the tags to be purged and blocked, and for anyone who uses those tags to have their accounts deleted. and sure, that might get rid of some of it, but do you know what would happen to the rest? it would stop being tagged. people who don't want to see it wouldn't have the tools to avoid it. this isn't just a hypothetical, that's what's happened any time a fan space has tried to do that.

that's not even getting into the rabbit hole of what should be banned and what shouldn't. obviously any content that depicts real children or real life abuse shouldn't exist and shouldn't be allowed to be posted, but basically any platform that people use already enforces those policies, and there's not much of a slippery slope to go down there. if it involves real living breathing people being abused, it's bad. end of discussion.

but the same can't be said for fiction. ask ten antis for a specific list of all the content that should be banned, and you'll get ten different answers. what about kink? what about roleplay? what about horror and murder and anything that involves fictional characters being graphically tortured? what about people using art to process terrible things that have happened to them? what about art that uses dark themes as a horror element? if you just want to ban anything questionable to anyone, that's the line of thinking that gets any mention of lgbt existence banned. and again, this isn't just a hypothetical, this has happened before, and that's generally where it leads.

i know, from personal experience, that antis do, in fact, send harassment to people just for shipping things they don't like. i've gotten accused of absolutely vile shit for shipping two fictional characters who were both consenting adults. i've seen ship wars turn into moral battlegrounds, over ships that an average person wouldn't bat an eye at.

the thing about "romanticization" is a whole other can of worms. the anti logic goes like this: if someone sees something (even if it's very obviously fictional) in a positive light enough times, they will start thinking it's okay in real life, and go on to hurt real people. the problem with that is that it's just. blatantly untrue.

if it were true every horror movie fan would be a serial killer, every person that studies dark media would be an unhinged psychopath, and everyone who is into ddlg would be a pedophile. but they're not. they just aren't. people have directed movies just as fucked up as the darkest shit on ao3, and are still capable of being normal human beings who know right from wrong in real life.

even if someone is that impressionable, scrubbing away the existence of every piece of questionable content isn't going to solve their problem, because they're still going to be vulnerable to con men, scams, and cultists. the only thing that would actually materially help someone like that is developing their own morals and critical thinking.

children are also more impressionable, and there's a lot of content that's not suitable for them, but that doesn't mean that content shouldn't exist. it just means that they should stick to spaces designed for them (which most social media sites, tumblr included, are not) or, if they're old enough to be responsible for their experience online, they, or a trusted adult in their lives, should block and filter out things that they aren't comfortable with.

which is what everyone on the internet should be doing. it's what i do, and it's made the internet a much more pleasant place to be. and it's why i sometimes worry for antis mental health, especially teenagers, because they're being told it's right and moral to seek out content that makes them uncomfortable and to engage with the people making it. and that's just. really bad. it's not good for the creators that they're harassing obviously, but it's also really bad for them! it's not healthy to seek out things that make you feel bad, and it's a terrible internet safety lesson to teach minors that it's okay for them to seek out and engage with people making adult content.

individual harassment and crusading is never going to succeed at removing dark content from the internet. it just isn't. at best you might get a small percentage of people who create that content to stop sharing it, at worst you're just going to make people stop tagging it, and either way, you're exposing yourself to things that make you feel bad, when you don't have to.

if you want to materially change the type of content you see, you can. the block button is your friend, use it liberally. same with content filtering and tag blocking.

[kii2me2ii2]

I reblog a lot of things because I think they make me look cool

[rassicas]

Hello Rassicas.

I am working on a video about Nintendo’s lgbtq characters. Of course when it comes to splatoon, there’s a certain duo that comes to mind, off the hook.

The problem I’ve been having is that it seems a lot of the information, wether that be the English/japanese bits of dialogue, interviews and other bits of lore, seems to be completely scattered around.

Considering you describe yourself as the “CEO of splatoon lore” I was wondering if you could help me compile any bits and pieces of those two gay cephalopods.

(My apologies if this is moreso something I should be asking in dms instead)

i think the ask box is a good place for this, i'm not as hardcore of a shipper as other people are (more of a worldbuilding enjoyer), but i know there is so much and I don't wanna dig for all of it. I'll share a few off the top of my head. pearlina fans reading this, please feel free to share anything else in the replies/reblogs. 1. Pearl interview from Octotune: its on my mind since i just brought it up in a previous ask I think the artwork in this interview has the strongest implication that pearl and marina live together. Also the question: Q17: What is the best gift you have ever received? Pearl: The chance to meet Marina. 2. Marina's manga, "Dear Pearl". a manga that, in-universe, is drawn by marina.

genuinely i think this is one of the gayest things there is in canon like theres hearts in that LOVE letter thats directed towards pearl COME ON (i consider it canon as its drawn by seita inoue, who handles splatoon's art direction and a lot of lore/worldbuilding). you can read it here

3. Marina's tagline on Splatoon Base calls her a 恋する乙女 "young lady in love". the word for 'to love' (恋する) is specifically romantic.

4. Off the Hook didn't fight against each other in the s2 final splatfest like the Squid Sisters did because they're on such good terms with each other.

I’ve heard people saying that since the final fest for the last game was a showdown between the Squid Sisters, this time it was bound to be between Off the Hook.

Nogami: I think that’s probably the obvious conclusion, but the development team don’t actually want those two to attack one another. Since the Squid Sisters have their own talents and abilities, even though they are a duo they are also kind of rivals, so we thought we would pit them against each other. Off the Hook, though, are much more of a unit and on good terms with one another, so we didn’t want to force them to fight.

5. Marina has a photo of pearl as her desktop wallpaper. the framing of the photo very much looks romantic and intimate. there is no heterosexual explanation for this

i'll stop here, there's definitely more and I don't wanna be here for hours. I haven't even touched on any in game dialogue. again guys feel free to make additions to this with sources. is there a pearlina masterdoc or something LOL i feel like thats something that deserves to exist (someone please make it because i wont)

[sweetmage]

When I say I hate being black in this fandom, this is exactly why. The constant dismissal, exclusion, and judgement of the only black character is frustrating. The way some people treat those who are bothered by this is frankly disgusting.

Had someone reply to a post I reblogged about fandom racism the other day calling the OP delusional for being upset (op if you see this I'm so sorry someone did that from my blog).

Saw someone on twitter saying that them excluding Wyll from an artwork they labeled "full party" was fine because they drew a red girl and a green girl (because that is totally the same as black people /s) and then basically said they'll never draw Wyll again.

Seeing constant criticisms and judgements of Wyll for things other characters do and arent criticized for.

The white washing mods, the racist comments on his appearance, the fact that Larian reworked him to appeal to crybaby white gamers, etc. etc.

And now what just happened to Theo in the interview makes me livid. He deserves so much better than being shoved aside by both the fandom and the interviewer.

Y'all really need to examine your biases and behavior and do better. No one has to like Wyll or any other character, but some of y'all need to put some thought into how you behave about him and how you talk about and represent black characters and how you address BIPOC fans who are hurt.

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

[miupow]

「 ♫ 」 ── 𝐒𝐓𝐑𝐀𝐍𝐆𝐄𝐑𝐒 .

you hated minho with everything you had, but you just couldn't stop yourself from coming back for more again and again... he was just so sexy when he was jealous, and no one else made you feel the way he did.

PAIRING ── lee know x fem!reader

RATING ── NSFW, MDNI !

WARNINGS ── college au, fwb!minho, frat boy!skz, toxic and possessive behavior, jealousy, he’s very mean in this im ngl, oral (m. rec), face-fucking, dirty talk, mean dom!lino, degredation kink and name-calling, humiliation kink, slut-shaming, facials, non-consentual photo-taking, i really mean it guys lino is not a good guy

WORDS ── 1.8k

A/N ── an old deleted work i've rewritten for toxic sneaky link minho hehe >< hope you enjoy!! comments and reblogs are always appreciated, thank you ♡

taglist: @mapofthemazeinthemirror , @linocz , @skzooluvr

Minho's white-knuckle grip on your wrist was bruising, his blunt nails threatening to leave little stinging crescents dug into your skin-- you bit your lip to mask your giddy, triumphant smile as he tugged you into the spare bathroom, dragged you through the pulsating crowd as you tripped over your strappy heels. He only let go of you to slam the door shut and lock it swiftly behind him, his wild, firey eyes and grit-tooth scowl melting away to the bored and emotionless glare you were all to familiar with. It pierced through your vodka-soaked confidence in an instant, sent you reeling and scrambling for words to say as a dull throbbing took ahold at the base of your wrist, just over your pulse point. The flourescent lights of the bathroom made your eyes sting, too adjusted to the dark of the party outside-- it just made you struggle even more to look Minho in the eye. He always made you feel so small, towering over you and looking down at you as if you were nothing at all... and you hated it more than anything.

"What the hell is wrong with you?" you spat, rubbing your wrist, fighting to keep your strength as you leveled with his gaze. It wasn't like you to hold your ground like this-- you can tell it throws Minho off, pisses him off even further as he bullies his way into your personal space. The music that had been nearly deafening just moments before had been muffled into obscurity, stripped away to a booming bassline that nearly shook the floor; it reverberated through your body still, a thrumming under your skin that left you restless, nervous. Minho could read it all over your face.

“Excuse me?! What the fuck do you think you’re doing?” he hissed back venomously, taller frame advancing on you quickly. His arms come to brace themselves on either side of you, effectively trapping you against the sink-- he crowds your vision, his warm breath fanning across your face, and you try desperately to look anywhere except into his deep dark eyes.

“I don’t know what you’re talking about—" you began, as sturdy as you could, but Minho's rough, humorless laugh cuts you off. His hands grip either side of the sink with force, and you can see the veins in his forearms ripple under the fabric of his rolled-up jacket sleeves.

“Don’t fucking lie to me.” there was something all too familiar about this, Minho’s voice poisoning and dripping with something that makes your thighs shake and rub together— those long fingers you came to hate and adore grabbed ahold of your chin, squeezing your plush cheeks together as he forced your eyes to meet his. a broken, barely-there whimper sneaks it’s way past your pursed lips. “Are you trying to piss me off? Is that it? Whoring around with other guys right in fucking front of me?!”

“We were just talking—“

Minho sneers. “Sure you were, rubbing up all over him and talking all sweet while dressed like a fuckin’ slut.”

He spits the words out like it was a nasty secret, jolting through you with a sickening shock— your cheeks flush hot between Minho’s cold fingers, your panties growing damp embarrassingly quickly, molded to your wet pussy folds… you loved it when Minho was jealous, loved how to see just how nasty you would make him when you hit him where it hurt.

And maybe you loved it because it proved to you, in some sick, backwards way, that Minho even cared about you at all.

“I’m not dressed like a whore,” you retort weakly, sounding far more petulant and pathetic than you meant to.

“Are you kidding me? Fucking look at you, shit. So damn beautiful. I can’t stand it.”

Minho let go of your face and backed away to take in your skin-tight dress, picked with care for the stupid frat party he had pulled you away from, the one that you didn't even want to go to— your hands twitched with the urge to cross your arms, hide and protect yourself in some way from Minho's piercing stare. Your little red dress barely covers the tops of your thighs, thin gold necklace sitting pretty just above the cleavage of your plush tits, spilling out over a push-up bra. Your outfit is complete with deep crimson lipstick painted on your quivering lips— Minho stared at them, wild and hungry, and it takes everything you have not to moan aloud.

"Slutty girl," Minho hummed, hand sliding up to caress at your exposed thigh. “So desperate for my attention… Gotta go whore yourself out so you can get put back in your fucking place? Remind you who you belong to?"

"I don't belong to you." You snapped. "We're not together, Minho-- you don't get to act like this when I see you with a different girl every week."

Minho just laughed, mean and ugly and right in your face, grabbing a rough handful of your thigh and squeezing. "Oh yeah?" he goads, the smirk on his lips doing little to hide the rage in his eyes. "You’re the one who keeps coming back for more, baby— just can’t live without this cock, huh? Constantly telling me it's over then crawling back into my bed. you’re not my girl but that pussy’s mine.”

"Fuck you," you spat, tears in your eyes.

Minho grinned venomously, opening up a pit in your stomach; his thumb ghosted across your skin, inched it's way underneath your dress, leaving a line of fire in it's wake. "Yeah, I know you want to."

You whimpered, torn halfway between pushing him off of you and begging for his touch-- the latter wins, despite all of your anger, your conflicted feelings. It always does. "please, Min--" you plead, desperate and wobbly, unsure of what you're even begging for.

"Get on your knees."

And like the slut you are, your knees hit the cold tile floor without any protest.

You were met immediately with the sight of Minho’s hard on, the outline of his thick cock straining the fly of his jeans. "'Atta girl,” Minho hummed, his voice low, one hand coming to cup your head and the other reaching to fumble with his belt. He looks his prettiest like this, you think, towering above you. Commanding attention and respect, no matter how lowly he treated you. He tugged his belt open, leaves it dangling from his belt loops, quick and rough in unzipping his fly; your mouth watered, eyes wide and hazy as you watch him pull his stiff cock out of his boxers, his shaft slapping obscenely against his belly. “Gonna fuck your face, gonna ruin that pretty throat— open wide, baby.”

His cock was flushed pretty pink and leaking precum, flared tip shiny and throbbing, begging for your tongue— you wasted no time to trail chaste kitten licks over the dripping slit, relish in the way Minho’s breath hitches from the feeling, his fingers tangling in your hair. You closed your eyes in rapture, lose yourself in the salty, bitter taste of his shaft… and Minho grunted low in his throat, tightened around a fistful of your hair and pulled you back off his dick harshly, shaking you out of your reverie and knocking you nearly on your ass in surprise.

“Said I was gonna fuck your throat, stupid bitch. Open your fucking mouth and stop teasing.”

Rougher than usual, he pushed you back to take his cock into your mouth, shoved you all the way down to his twitching balls. You gagged violently, tears collecting in your lash lines. “There we go,” Minho hissed, the hand in your hair rubbing soothingly over your burning scalp. “Take it like a good girl.”

He began to thrust into your throat in true earnest, uncaring for your comfort, heavy balls slapping against your chin in a dizzying rhythm— your whines and whimpers were muffled by his cock, nasty wet noises filling the bathroom as your boyfriend uses you like a toy; the perfect backing vocals for the slow song playing outside. “Shit!” Minho whined, his hips stuttering, your nose bumping up against his pelvis— your lips left smeared red marks along his shaft and the base of his dick, and some sick satisfaction bubbles up inside of you, makes you smile around the cock fucking your throat open; while Minho ruins your makeup, leaves you gasping, drooling and choking, you’re marking him up too. “Good girl, such a good fucking girl--!"

Your pussy throbbed, empty and aching, and it registered somewhere in the back of your mind that you were crying, hot tears and ruined mascara streaming down your flushed cheeks as Minho fucked your face. "I'm-- shit, I'm gonna cum! Gonna take it, yeah? Gonna make everyone know you're mine, all mine-- fuck, 'm cumming--!"

Your eyes rolled back in delight, pretty painted mouth opening impossibly wider in preparation to take his load, but it never came— to your shock and awe, Minho pulled you off of his cock with a sickening pop, just seconds before rope after rope of hot, thick semen shoots all over your face. On your nose, cheeks, chin, some droplets falling on the flat of your tongue— you moaned at the taste despite the abject horror settling in your chest. And you watch, wide eyed and too dazed and dizzy to fight back, as Minho pulled out his phone and snapped a picture of you. He smirked down at his phone screen before turning it around for you to see.

You were a mess. Your hair was disheveled, tangled everywhere from Minho’s hands. Your makeup was ruined, all over your face in tear-stained streaks... your face was pink and blotchy, shiny with splatterings of Minho’s cum, and your lipstick was smeared across your cheek, nearly to your ear. You gasped, frozen in place, unable to react any other way... Minho's smirk broke into a laugh, hollow and evil and eating you alive.

“Aren’t you just the prettiest little thing?” Minho snickered, sliding his phone back in his back pocket. "Might just have to show you off-- such a pretty picture deserves to be shared, don't you think?"

He’s quick to tuck his soft— still lipstick stained— cock back into his jeans and buckle back up his belt, fix his hair in the mirror. He looks a little sweaty but otherwise well-kept, and you wish now that you had kissed him more, marked up his face and neck with lipstick too and not just his dick, when you had the chance. "Clean yourself up, won’t you? You look like a mess.” 

And with that, Minho unlocked  the door and stepped  out of the bathroom, shutting it behind him with a dull click. 

[forensicheart]

Holy Hands 18+

Lando Norris x Reader

Summary: Lando can't help but do something after he notices your new obsession with his hands

Warnings: oral (f receiving), dirty talk

A/N: This is inspired by the post I recently reblogged, like goddamn those hands

You had always paid attention to Lando's hands, you paid attention to everything about him of course. You knew he was hot, you knew the fans thought he was hot but when you came across a collage of your boyfriends hands while scrolling through twitter, you found a new appreciation for this particular body part.

You were curled into Lando's side as you both sat on the couch, some show playing in the background as you watched Lando scroll through instagram on his phone, or more importantly, the hands that held his phone. The veins that ran down his arms drawing your attention away from anything else, his long fingers that moved quickly and skillfully as he now started typing. Fingers that left lingering touches on you day and night, had made you feel so good you always craved more.

"Love?" You heard your boyfriend's voice call out to you and you hummed as you drag your eyes away from his hands with a blush. A confused look passed across his face as he started at your flustered face.

"Everything ok?" You were quick to nod not wanting to let Lando into your dirty thoughts. He hesitated but let it be as he nodded going back to his phone. You tried to keep your thoughts at bay this time as you drew your attention to the tv. The distraction helped too until you felt a hand reach for your thigh, thumb rubbing in circles and you took a deep breath as Lando tightened his grip slightly. Ignoring the feeling of his hand on your body you tried to understand the story line of whatever you were watching until you felt Lando's hand begin to move more, running up and down your thigh seemingly innocent. Your eyes darted to where his hand sat, seeing the way his veins were more prominent than before, his fingers stretched out and your mind drifted back to those dirty thoughts.

"My hands huh?" His voice made you jump slightly this time, almost forgetting he was there and you were lost in your thoughts. You feigned confusion looking up at him and tilting your head, knowing all to well that your face was flushed and your look faltering.

"That's what got you all flustered before, whats got you blushing now. Right baby?" You wanted to pull a poker face shake your head but you knew the redness of your face would never allow that as you were caught in the act of admiring Lando's hands. So you simply nodded your head, turning it to face the tv once more as you avoided Lando's gaze. You knew he would have that stupid smirk if you looked at him and you were right. His hand grasped your chin and forced you to face him making you see the large smirk on his lips.

"Use your words baby"

"Your hands made me flustered" You didn't think Lando's smirk could grow any more but you were proven wrong.

"And why's that? Were you thinking about them? Them touching you? Making you feel good?" Lando had no shame in his words as his voice lowered huskily, looking you directly in the eyes as he spoke, his thumb stroking your cheek.

"I was" You admitted to him, hoping he wouldn't ask for anymore detail but you were wrong once again.

"Tell me exactly what you were thinking about baby" You swallowed as you avoided his gaze answering in a near whisper.

"Thinking about having your hands on my body, how you use your hands to make me feel good. Your fingers inside of me"

"Well maybe I should make those thoughts a reality, yeah?" Lando waited for your words of consent and once you breathed out a soft yes clothes began getting removed from your body. Once undressed you were pushed down from your seated position on the couch so Lando could place himself above you.

"So gorgeous" He complimented as his eyes raked down your body before he put his lips on yours in a heated kiss. Hands beginning to roam your body, moving down your body stopping to play with your breasts, pinching and squeezing making you let out a moan into Lando's mouth. With a hand now gripping your neck the other continued to make it's way further down your body until it was almost at the spot you wanted most.

"So wet for you baby, after only a few thoughts of my hands" He teased fingers swiping the slick on your folds making you let out a whine. You wanted him inside you, those hands you begun to admire so much more to make you feel good.

"Please Lando" Lando tilted his head as he looked at you, feigning innocence as you had before.

"Please what?" You huffed knowing that he knew exactly what you wanted and he was right, he had worked you up without doing anything but infesting your thoughts.

"Please. I want your fingers inside of me" The look of innocence disappeared in an instance from Lando's face as he winked at you.

"As you wish baby" And with that he was doing just as you desired, your mouth falling open as one finger slipped inside of you. A second was quick to join as Lando worked his magic. Fingers thrusting in and out at a fast pace, curling every now and again as he reached that perfect spot. You didn't try and stop the sounds that were escaping you knowing Lando loved to hear just how good he made you feel.

"You like that? You like how I can make you feel this good just by using my hands?" The hand that you had forgotten was wrapped around your neck tightened as he spoke making you let out a strangled moan of his name.

"Yes, yes, I love it. Please don't stop" You could feel yourself quickly approaching your climax as Lando added another finger into you, his pace never faltering but only getting faster as his long fingers reached that perfect spot inside you each time. Your own hands moved to grab at Lando's shoulders, the moans falling from your lips only becoming louder and louder as you pulled him closer to your body. Knowing you were close Lando added a final finger leaning down to kiss you harshly as you begun to tense.

"Let go for me baby, all over my fingers" With his words you couldn't hold on any longer and you clamped down on Lando's fingers as you came letting him ride you through your high. He removed his finger raising his hand to his awaiting mouth as he sucked his fingers clean.

Fuck. Round two it is then.

[abbyshands]

THE LAST OF US, and the israeli themes surrounding it

i'm very glad that people were able to see one of the previous things i published, where i complied a series of links that you can use to learn more of what's going on in gaza, how you can help, places you need to boycott, etc. however, at the end of the post, there is a large part of it that is DIRECTLY meant for people who play or watch the last of us, or play the last of us 2.

the last of us 2 in specific is not at all elusive in displaying the chilling themes we are seeing before us today. what boggles my mind, is that a select few individuals are choosing to keep publishing fics, reblogging them, uploading content that has NOTHING to do with what's going on, etc. also, you can't reblog one thing about palestine and claim that you care, then flood your account or people's home pages in fanfiction, especially during a media blackout. it just doesn't work like that.

i took the time to make a post discussing all of the israeli/palestinian themes that the games as a whole, but mainly the second one, display. if you are my mutual, a friend, a fan of my work, or a fan of the game or show, then i 100% demand you read this. if you can read fics for hours, you can spend time to read a post discussing the universe those very fics came from.

a lot of us are now aware of the last of us's nature in regards to the ongoing genocide, but not many people know the specifics of it. after seeing this post last night (the person who made this, you are an angel), i decided to take the time to dive into the specifics of the last of us 2's israeli nature, on a logical level, but also a moral level, using a list of sources to help me along, which will be linked at the end of this post. i will link the sources along the way so you know which sources i got my information from.

regardless of if this changes anyone's mind about ignoring the media blackout, or not giving a fuck about what's going on period, know this: regardless of how you feel, regardless of what you believe, from the river to the see, palestine will be free. at this fucking point, the people who are on the right side will keep speaking out and spreading awareness, regardless if you are here to do it with us. that's it. now, let's get into this.

UPCOMING DISCUSSIONS: neil druckmann, the last of us 1, the last of us 2, the last of us show and zionism in the show's cast, boycotting the game and show, and conclusion

NEIL DRUCKMANN

45-year-old neil druckmann, who was the co-director and co-writer for the last of us 2, was born in tel aviv, israel in 1978. according to the above source, druckmann was raised in a settlement in the west bank, where he was surrounded by violence on a daily basis. comics, movies, and most of all, video games, became an escape for him as a child, before he and his family moved to miami, floridawhen he was 10 years old.

to water down the full story that you can, again, read here, druckmann went to college to major in criminology. however, when he was in college, druckmann took a compsci course, that later lead to his major becoming coding as opposed to criminology. soon after, he knew he wanted a career that related to one thing: video games.

in the summer of 2013, the last of us part 1 was released, and it was renowned as one of best video games to have ever been made. in 2020, druckmann and nd released the last of us part 2, followed by the 2022 release of HBO's show based on the first video game. druckmann played a huge part on set, being not only the co-creator and co-writer of the show, but also having directed an episode himself. druckmann will remain involved in the second season of the show.

bringing up neil druckmann’s background is a crucial aspect of what’s upcoming in this post, hence why i wanted to discuss it at all. druckmann growing up in israel is one of the sole reasons the last of us was ever made at all, and not only that: it is the reason why the second game is the way it is, because neil druckmann planted his israeli ideologies right into it.

so, let’s speak on it.

THE LAST OF US 1

on the official the last of us podcast, neil druckmann himself discussed the last of us' link to the israeli-palestinian conflict, and now, genocide. the general consensus was that people will go ridiculously far for the people that they love. this idea of druckmann's was revealed when he discussed the first time the main character of the first game, joel miller, kills somebody to keep his daughter, sarah, safe from harm. this is one of the first scenes in the game prior to the time jump, where the pair's neighbor becomes infected, and attacks them. joel uses a gun to kill him so that the neighbor doesn't harm sarah.

the following is a quote i would like to copy from this link word for word: "Druckmann said he follows "a lot of Israeli politics" and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011."

the plot of the first game, as neil druckmann explained, is based around a moral dilemma. he discusses how if joel had to kill a man to save a random kid, would he have done it? druckmann himself says, "but when it was his tribe, his daughter, there was no question about what he was going to do."

while the first game, in my opinion, isn't as heavily centered around israeli themes as the second game is, regardless, it is heavily crucial to note that the basis of the first game derived from a real-life incident involving israel and palestine, where hundreds of palestinian people (edit: i believe it is more than 1,000) were released from imprisonment, all in exchange for one israeli soldier. in the second game, the israeli-palestinian themes, if you look closely enough, scream out at you.

let's talk about it.

THE LAST OF US 2

"There is a common saying that if you seek revenge, you should dig two graves. Playing The Last of Us Part II is like being made to dig those graves with your teeth (Zacny)."

nd's 2022 the last of us part II is described down to the last letter in the above quote, albeit the game's utterly obvious israeli nature. in this post, the creator, rob zacny, goes on to discuss the game's theme of a "cycle of violence," and how the game reminds you in each grotesque encounter of the cruel ideology behind that. due to what occurs in the last of us 1, joel, basically, reaps what he sows when he is murdered for killing a surgeon who, along with the group said surgeon was a member of, the fireflies, was planning to perform surgery on ellie, who joel had since grown close to, in search of a cure for the infection that has plagued their world for decades. four years later, the second playable character in the game, who is introduced in the first half hour or so, abby anderson, kills joel to avenge the surgeon who was murdered, who happened to be her father. from then on, the game follows what, again, can only be described as a "cycle of violence." joel kills abby's dad, abby kills joel, ellie kills all of abby's friends, aims to kill abby in the final battle of the game, but spares abby when ellie's conscious morally attacks her for her decisions.

throughout the 24 odd hour gameplay, the player is allowed to play as ellie and abby, abby's parts of the game being arguably longer than ellie's. the idea this, i believe, is meant to introduce, is one of perspective: the player is meant to be loyal to joel miller once the first game has been finished, so when he is killed, they are inclined to make abby pay for it. however, abby's perspective, both in the past and as the present course of the game goes on, is meant to make the player understand why she did what she did. thus, the moral: there are no good guys in this game. every person is as equally bad as the following, and no one is innocent. however, when we consider the israeli-palestinian nature of this ideology and how it is presented in the last of us part 2, it simply doesn't work like this.

“I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo (Maiberg).”

when discussing the last of us part 2’s plot, one could 100% argue that there really aren’t good guys on the dual sides of the game. if you compare ellie and abby, you know that ellie went on a murder frenzy to get revenge on abby for killing joel. on abby’s side of it all, you know that abby wasn’t all that great before coming across lev and yara, and even then, she killed people to do what everyone in said world aims to do: survive. prior to finding lev and yara, abby had killed numerous people before, and did, as the player sees, handle joel very cruelly before she ended up killing him. here’s one more example, one that’s more random (but it’s simply to compare abby vs. ellie’s people, if you will): joel and manny. joel went on a cross country murder spree to keep ellie safe, and killed a building full of people at the end of the game to save her life. in regards to manny, if you recall a discussion that manny and mel had in the beginning of abby’s parts of the game, the pair are discussing a happening where a group aside from the wlf, the seraphites (which we will discuss later) attacked them because the wlf killed children who were a part of their (the seraphite’s) group. manny voiced how he would prefer to keep their people (the wlf) safe, and challenges mel, implying that those “kids” weren’t really kids, because they were the ones who attacked their guys (the wlf) in the first place. as a general consensus, manny kills several people throughout the course of the game, which can be inferred or seen by the player, making him, for the sake of what i’m getting at, a bad guy.

we see in the game how ellie and abby’s people are unanimously bad. the last of us is set in a world where laws and morals are thrown out the window for the sake of survival, so this is no surprise. however, this dual perspective, “no bad guy,” ideology simply doesn’t apply in the world today. you may compare ellie vs. abby, or joel vs. manny, or bring in more characters in the game, such as tommy, nora, etc, claiming that all parties are bad. that makes perfect sense. but think about it like this: if this is meant to represent the israeli-palestinian perspective, and i give you the scenario of a five-year-old child versus a full-grown IDF soldier, what would you say? isn’t there an obvious answer as to who is in the wrong and who’s not? maiberg is 100% right in claiming that the game marginalizes the real-life palestinian experience. abby, ellie, joel, manny, etc, are not real people. but the thousands of innocent children who have been killed for the ridiculousness and inhumane israeli regime are. you can’t say each side is equal in awfulness, not when one side is full of innocent men, women, and children, some of which could never make it into a year of their lives. not when if one side pauses their battle, there would be a ceasefire, but if the converse pauses their battle, they would all be dead.

“And then they cheered afterward,” Druckmann, who grew up in Israel, recalls. “It was the cheering that was really chilling to me. … In my mind, I thought, ‘Oh, man, if I could just push a button and kill all these people that committed this horrible act, I would make them feel the same pain that they inflicted on these people.’"

remember how i said discussing neil druckmann's background was crucial? it is. druckmann, who, again, was born in israel, told the Washington Post that the game's cynical themes of revenge and suffering is linked to the 2000 killing of two israeli soldiers (tw, lynching), who were killed by a mob (maiberg). allegedly, some of the incident was remembered in film, that druckmann watched, and in his interview, he explained his angry nature that came about in response to the video, and how he desired vengeance.

the last of us part 2 is mainly set in seattle, washington, where secondary main character, abby anderson, resides in with a militia group named the wlf (which we will also delve into later, alongside the seraphites). maiberg brings out how seattle, on a visual and mechanical level, is based around "a series of checkpoints, security walls, and barriers (Maiberg)." he notes: "[seattle] looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000." here are side by side images for comparison:

now that we’ve discussed this, let us discuss one of most prevalent aspects of abby’s part of the story: the wlf, and the seraphites. the seraphites are a religious group, nicknamed “the scars” due to the scars the members of said group carve into their faces to display their membership, who the wlf, a makeshift militia group, runs into conflict with following the fall of FEDRA, the country’s former military. in a note in the game, a fedra commander explains that the city of seattle has been lost to the wolves (the wlf), who he names as terrorists. maiberg brings out the following: “Here, there are parallels to early Zionist organisations that fought British rule in the region. These organizations were also described as terrorists, and leaders of those organizations later became leaders in Israel, much like how Isaac, the leader of the Wolves, came to control Seattle. Other in-game notes, scenes of urban ambushes, and the bodies of executed FEDRA officers laboriously walk the player through the cliche "one man's terrorist is another man's freedom fighter (Maiberg).”

maiberg also discusses a series of manners in which the fictional seraphites resemble real-life palestinians. here are the three ways he specifically discusses in his original post, but there are much more:

“The same note from the Seattle FEDRA commander that bitterly says the Wolves are in charge explains that it's now their responsibility to not only feed and shelter the people of Seattle, but deal with the "religious fanatics," referring to the Scars.

Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture.

The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.”

one more post i would like to link is this one, the very reason i decided to make this in the first place. it captures the zionism in the last of us 2, along with the wlf vs. seraphite conflict, perfectly. i very much recommend you read it, as it explains it much better than i can.

the general consensus is this: the idea that the seraphites are equally as bad as the wlf, which implies that palestinians are equally as bad as israelis, simply doesn’t apply in 2024. as i said before: what is so vile and cruel about a newborn baby? a pregnant woman? an innocent man? NOTHING. part of the reason the last of us captures this so poorly is due to the apocalyptic nature of the world the game is set in. obviously, people would go rogue if their lives were put in peril by not only animalistic infected beings, but also humans. however, we live in a real world where laws and morals do, in fact, apply. this isn’t a video game where those are simply discarded. what the wlf and the seraphites did to each other in the last of us 2 could be any other day for them: but what israel is doing to palestine right now is a war crime, a genocide, and plainly vile.

THE LAST OF US SHOW, and zionism in the show’s cast

i don’t think i need to spend a lot of time here, because if you have made it this far, you are well aware of the real nature of the last of us and the last of us 2 already, so you must understand that the show is HBO’s take on the game’s story (which, need i remind you show-wise and game-wise, neil druckmann played a huge part in). i simply bring it up so that people are aware of the fact that the 2022 show is ALSO linked to the ongoing genocide, and the cast is a major part of that (however, if anyone would like me to delve deeper into the show, let me know, and i 100% will).

for the following season which is a sequel to the last, theorized to center around the happenings of the last of us 2, members who are set to play a few crucial characters in the game have been announced. this includes isabela merced, who will play dina woodward, ellie’s romantic partner for most of the game, alongside kaitlyn dever, who will play abby anderson.

many people freaked out when they realized kaitlyn dever will be playing abby, but not for the reason they should have been. if you are a last of us fan, you are well aware that abby’s muscles are a central aspect of her persona. yet, kaitlyn dever is on the skinnier side, and according to some, does not resemble abby.

but this is not the issue that is most crucial to discuss.

kaitlyn dever is a zionist, and so is isabela merced (i am under the impression that both of these claims are true, but i had trouble finding a source i deemed reliable enough to link here. if i do, however, i will). now, while i’m not here to riddle you with conspiracy theories, people believe this (zionism) is the reason kaitlyn dever in specific got the role of abby anderson (there is a separate actress, shannon berry, who more closely resembles abby, but made a post in solidarity with palestine. this is theorized to be the reason why she didn’t get the part, and why kaitlyn dever was announced shortly after this particular actress made said post). let us not also forget that ellie’s actor, bella ramsey, is also in support of israel, which can be seen here.

(edit: i was informed since making this that bella has a story on one of their social medias, showing their alleged support of palestine and calling for a ceasefire. i’m going to link this post where i spoke on it, so you aware of what i think on that front).

all of the previously provided information brings me to my final part of this post: boycotting the games, and boycotting the show.

BOYCOTTING THE GAME AND SHOW

i could go on and on about why this is so crucial, but we would be here forever. however, i’m going to paste in what i wrote in this post surrounding the topic of boycotting, as i personally believe i got it down quite well in regards to the last of us (the show and game). it reads:

"DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.

if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.

it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.

boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist."

what it comes down to is this: purchasing the game or watching the show directly from nd or HBO is not a must. spreading awareness and speaking out about palestine is. you are more than capable of not purchasing the game, or watching playthroughs, or buying the game secondhand, etc. you are more than capable of pirating the hbo show so that money is not made off of your engagement. it's not that difficult. i have said it once, and i will say it again: boycotting is a form of resistance, and that is the least we can do for those suffering in gaza as you read this. resist. people openly admitting that they went and purchased the game anyway simply make me sick. i hope you know what an awful thing to brag about that is, and how despicable of a human it makes you.

CONCLUSION

there's so much to discuss when it comes down to this topic, and it's possible that in the future, i will make a second part to this. however, for now, i really hope this does suffice. i believe knowing of the game's israeli nature is a step. but knowing the specifics is a leap, one that i need everyone engaged in this fandom to take, hence why i wanted to make this post at all.

i'm not saying anyone needs to quit liking the games or the show or whatever. i'm not saying you need to delete or throw away a game you spent $60 on. i've seen so many people who are way too dense to understand that. what i'm saying is that it's crucial you are at least AWARE of the content you are consuming. aware of why it even came about at all.

in my opinion, you can't separate the game from the roots. but you can remain aware of the inner workings of this world you've grown to love. you can keep spreading awareness about it, and you can do right by the people in gaza by discussing the ongoing genocide, and using your voice as much as you can.

i'm so lucky to have been able to gain a following on here in such a short amount of time, even if that following has gone up and down because i've chosen to post more about palestine as opposed to my previous content (granted, that fact won't deter me at all). i will keep using said following to keep speaking out for the people in gaza, and i encourage you to do the same. keep reblogging. keep speaking up. keep using your voices. the people in gaza need us. be there for them.

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉.

LINKS AND RESOURCES:

neil druckmann | the official the last of us podcast | the not so hidden israeli politics of the last of us 2, by emanuel maiberg (i highly recommend you read the full post. it discusses several crucial details i didn't discuss in this post) | galid shalit prisoner exchange | Neil Druckmann Speaking on the Washington Post | 2000 killing of two israeli soldiers (TW: LYNCHING) | 'The Last of Us Part II' Is a Grim and Bloody Spectacle, but a Poor Sequel | Veiling Colonial Violence: The Last of Us Part II, Israel and the Erasure of Power (full disclosure, i did not read the full post. i merely needed the quote in the very beginning of it) | zionism in tlou2 | isabela merced | kaitlyn dever | bella ramsey's support of israel

PALESTINE LINKS

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[bluegiragi]

I hate to ask this cause it feels stupid but I dont wanna do a bunch of research on whatever the recent cod mw fandom discourse is,

but I saw the reblog of someone accusing you of supporting people who write sexualized pedophilia and that really is personally my only """"moral"""" with nsfw shit, (I'm a patreon subscriber and ig I just wanna know where my money's going) is THAT true?

this is such a never-ending nightmare.

i used to follow an artist who, 5-6 months ago made racist art featuring gaz in a slave context, which I didn't like, retweet or interact with in any way. they also made under-age art of ghost soap, which I also didn't interact with . people on twitter called me out yesterday, for retweeting art they'd made as evidence I stood by/encouraged/was an avid fan of all these tropes. Also, the art I retweeted wasn't either of these previous examples of art, but one where ghost and soap were sleeping in a bed together, as adults, peacefully. I can't emphasise enough that I have not interacted with this artist at all, for literally six months.

genuinely, my only crime is not unfollowing + blocking this artist earlier on, and then daring to retweet a fic tagged with "non-con" (ghost gets soap off in a context where he can't really properly consent, they're in front of a crowd of strangers and they have to fuck, but both parties are into each other) written by a friend as I wanted to support their writing.

and now i have pedophile claims because I accidentally retweeted a fandom bingo post that defended loli-con, and then immediately un-retweeted it when I properly read it.

And people are calling me a zoophile for supporting someone who wrote zoophilic fic and called people slurs (???) and I genuinely don't know who they're talking about there.

And the same people called me racist for making Horangi's eyes in the monster!AU sensitive because they thought I was making fun of Asian eyes. The real reason is because he's a cat hybrid and cats are sensitive to light (and I'm Chinese).

I tried addressing all this in a simpler way earlier on, and responded to an ask talking about my "support" for the artist who drew the slave Gaz art by saying the fanart in question was tone deaf and in poor taste. It wasn't enough for some people, so I'm happy to say it again - yes, it was racist, and the reason why I didn't want to be more aggressive is because I didn't want to extend all this mess by throwing this artist under the bus - I genuinely believed them when they said that wasn't that their intention, and think they should've deleted the post at the time.

And also I'm now called a rapist bc I like to entertain fics with dom/sub dynamics that dip into cnc, as an asexual woman who's personally repulsed by sex when it comes to myself.

That's everything so far. I really don't know what you people want from me anymore. I followed the wrong artist. I retweeted the wrong post. And I've undid those actions now. And for so many people to have taken literally everything spread by these people at face value, without even checking if their claims are true, is incredibly hurtful and isolating.