#tl;dr--love & accept me

[recitedemise]

𝗠𝗮𝗻𝘆 𝗼𝗳 𝗚𝗮𝗹𝗲'𝘀 𝘃𝘂𝗹𝗻𝗲𝗿𝗮𝗯𝗶𝗹𝗶𝘁𝗲𝘀 𝘄𝗲𝗿𝗲 𝗮𝗴𝗴𝗿𝗮𝘃𝗮𝘁𝗲𝗱 𝘁𝗼 𝗱𝗲𝘃𝗲𝗹𝗼𝗽 𝗶𝗻𝘁𝗼 𝘁𝗿𝗮𝘂𝗺𝗮 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀, 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀 𝘁𝗵𝗮𝘁 𝗠𝘆𝘀𝘁𝗿𝗮 𝗮𝗰𝗰𝗲𝗽𝘁𝘀 𝗹𝗶𝘁𝘁𝗹𝗲 𝗰𝘂𝗹𝗽𝗮𝗯𝗶𝗹𝗶𝘁𝘆 𝗳𝗼𝗿. This lengthy headcanon will refer to canon dialogue from mostly Gale, sometimes others. Reader's discretion is advised. There will be in depth explorations into grooming, emotional abuse, heavy manipulation, and suicide.

First, let it be said that Gale, a mortal man, will always be the powerless one in his dynamic with Mystra. Of course, nearing forty years of age, he remains entirely responsible for his own actions, his own blunders and every hurt he'll cause, but it's important to remember who formed much of who he is: his goddess, his deity, and egregiously, his lover.

Mystra is power. Mystra is possibility. She knows what sway she holds over her Ioyal, vulnerable, and entirely mortal followers. In all ways that matter, they are but lambs she can steer and herd as she sees fit. She knows they can't deny her and knows they'll never want to. Gale's sheer servitude and complete devotion. Mystra, knowing that, used him to filth.

Gale: I was just... practising an incantation. Player Character: No, there's more to it than that. I know devotion when I see it. Gale: What can I say? She's—she's Mystra. I can't describe it, the need I sometimes feel to see her - to draw the filaments of fantasy into existence... Mystra is all magic. And as far as I'm concerned, she is all creation. Player Character: I didn't realize the depth of your devotion. Gale: Magic is... my life. I've been touched with the Weave for as long as I can remember. There's nothing like it.

Gale, orb in his chest, doomed to be eaten by the very thing he loves the most, still speaks so reverently of the goddess, of his lover that has left him to die. He conjures images of her memory—and she is all the while forgetting about his.

Minsc: Gale reminds me of vremyonni of my homeland. The man-mages of Rasheman. While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. It is an old custom, not well-observed. In truth, I thought it born of caution after some catastrophe of wizardly men-folk of old. Now, I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm?

Tales of Mystra's treachery spreads far, leaving those familiar waters surrounding Gale's tower in Waterdeep. They whisper her name, afraid to utter it one time too many, suspecting, perhaps, that she'll show in their mirror like some Faerûnian Bloody Mary.

Talent rouses Mystra. She can see who uses the gift of the Weave and feel them, sampling whatever delight sings their veins as they pull from her domain. Not unlike a spider, she'll follows every tremor that strikes her as just a sliver more profound; and Gale, a prodigy, plucked the Weave's web to so garner her focus. And like some black widow scurrying, she surged down that ripple to prey on a boy. There, Gale, so impressionable, was just a mite older than twelve whole summers. He sat so stunned, beholding Mystra as she lured him into the cradle of her Astral domain. Bathed in her magic, pleasantly coddled within that glittering cosmos, Gale felt blessed in a way he'll struggle always to recount, no word, no language, fit to describe it. He felt chosen. He felt seen. And potently, to a child, he felt loved. Now, imagine a child experiencing something like that. Imagine what they'd think, how brilliant they must be when stood beside the rest. She told him he was gifted, made his heart swell not unlike a child's appetite for praise. She knew what she was doing by offering these morsels, by preying on a child's most delicate mind, and Gale, child prodigy, was already so awash in the idea that his value was in magic. Unfortunately, Gale, susceptible, had no way of squirming out of his goddess' grasp.

Reality: She's laid down the seeds to creep into his heart. When he's just old enough—seventeen's sufficient, she thinks—she stakes her claim and makes him hers.

Gale: My virtuosic talent once caught the eye of the goddess of magic herself, Mystra, who named me her chosen and her lover.

Gale is stunned when she takes him to bed the first time. (Is this really happening?) Mystra claims his mouth in a kiss, taking everything she knows he offers so willingly. Mystra, of course, is not so stunned.

Dream Visitor: An elder brain... one of the cruelest and most powerful creatures in existence, enslaved by mere mortals. Gale, tasked with Mystra's missive to sacrifice himself: This is it... I must do as Mystra commands.

Gale has worryingly low self-esteem beyond his magic. As already explored, his entire worth as a man hinged on and was built entirely off his talent as a wizard. He fought tooth and nail for any crumb of affection Mystra would offer his way, something she only gave him at all seeing his gift as a child. He wants her forgiveness. He desires it genuinely. He believes so firmly that he has wronged his goddess, buying into the idea that sacrificing himself will right his wrong. She holds such dominion over him, making him reduce his confidence in himself into a mere, trifling pittance; after all, she wasn't just his lover, but the patron deity he prays to. And regardless, Gale is a people pleaser, his initial acceptance of her missive coming as no surprise.

After all, Gale, at times, goes to incredible lengths to appease his audience. This habit, compulsion, impulse, whatever you want to call it, is a quality that was relentlessly exacerbated in his relationship with his immortal paramour. He wanted to content her, felt all he did was never enough, for as a matter of principle, he was oceans, leagues, and entire galaxies beneath her. Gale figures: well, how can a short-lived dalliance satisfy a god? He had to make her happy. Indeed, he'd done everything she'd ask. He'd bedded her how she liked, kissed her how she wanted, and of course, even said those words she'd said tasted best. She was his lover, a lover that never tended to his own needs and pleasures, and he fooled himself into thinking that's enough. He won't bend backwards for everyone, mind you, but if you're of the ones he would, he would stop at nothing to make you happy. After all, people pleasing is a way to keep oneself safe, a trauma response to sidestep discomfort, and though it achieves only a direly tentative peace, when that is all you've been fed, you will pursue it.

Gale did not want to lose Mystra; he couldn't bare the sting of it. And so, when Elminster visited him, Mystra's call for his death offered oh so callously, Gale, heartbroken, felt that part of him kick up. He couldn't endure the guilt, was so hungry for a chance to let his weighty heart breathe, even if it meant dying in the process.

At least this way, he'll finally do something right. At least this way, Mystra will forgive him, and all his friends will survive.

Gale: After I was afflicted with my condition, I locked myself in my tower for an entire year. I was inconsolable, wallowing in my self-inflicted tragedy. I'd given up on myself.

As a byproduct of people pleasing, Gale, too, is all too quick to accept all guilt. He self-deprecates, gaslights himself to a venomous degree, and twists his reality in so cruel a way as to make him the villain Mystra'd led him to believe. He self-flagellates himself, the first one in the world who will throw Gale of Waterdeep a mental punishment. Mystra's a goddess, after all, seen as utterly faultless, and twined so tightly with a being so mighty in esteem, Gale slipped into the role of the guilty often. When tied with anyone with grandeur like this, so immeasurable in their own self worth, it's important to keep in mind this: you are nothing but a prop in which to fulfill their ego. Gale was not Mystra's, not by a long shot. Rather, Gale was a tool, simply her mortal extension.

And he took every blow meant for her... a common and terrible habit for many people in imbalanced, ego-fueled relationships.

Gale's life beyond her wasn't something that interested her. She took most of Gale's devotion, manipulated his life to be her sole mantle of attention, for Mystra is not a goddess that shares very happily.

Indeed, long before his self-imposed isolation, this jealous deity did well at keeping him isolated.

Player Character: Picture kissing him. With tenderness. Then, with passion. Gale: I... I didn't think— Narrator: You perceive quick-fire embarrassment, trepidation, and finally... elation.

And so, cheated out of love, so reduced in his value as a man and lover both, suffice to say, Gale's slow to believe he can ever be loved. That's what happens when you're with someone so cold, consistent only in their infinite lack of respect. Gale looks at fondness, and he feels—confounded, to be sure. He thinks, is this truly mine to have? He doesn't know what to do, is nearly forty in game, and despite having lived decades devoted to one relationship, he feels, at the same time, entirely out of depth. To be frank, he greets it with embarrassment, like he's been caught red handed with something not his at all. He's like a child caught rummaging with his hand in a cookie jar, all this isn't mine to enjoy, not mine to indulge in, but he thinks, startled, but god, do I want. He wars with disbelief, uncertainty, and need, and in so many ways feeling utterly starved, with just a glimmer of affection, he falls fast into love.

Scenario: (And if properly romanced, it changes his world.)

Gale: In her (Mystra's) likeness, I used to read a thousand stories. She was beauty, wisdom, elegance, power... she contained universes. But now... it is hard to see any redeeming qualities in a lover who condemned you to death. I'd much rather gaze into your eyes than hers. Yours are capable of tenderness and feeling... No god could ever compare.

He says it with sincerity. There is such wonder, such love, and such awe in his eyes. He makes the act of kissing him feel like you've just reached into the trenches to but pluck him soundly from his ruin and despair. You think, Gale Dekarios, how unloved have you been all this time?

Gale: To know you love me for the man I am, and not the magic I command… none have loved me so purely before.

The answer is: entirely.

For so long, Gale thought love was simply being chosen. He knew nothing of being favored for the quality of his character, to be cherished and accepted even in those ways he fumbles and lacks. Again, his needs were seldom met, often treated with utter indifference by Mystra herself, and to meet someone so eager to treasure him, dote on him in a way his heart, his body is somberly new to, raptures his spirit and captures his soul. He's seen for who he is. He's... loved, desired for his silly quips, his easy smiles, and his growing affections. He bares himself to them, and in turn, they cradle his heart like something entirely precious. Gale thinks this has to be dream. He says, at times, you are more than I deserve.

Scenario: (But sometimes, he hopes too strongly and loves too greatly. As it always does, then, like he's once more wanted too much, he watches something beautiful slip right through his fingers. Of course, Gale Dekarios. Of course it does.)

Player Character: I didn't know you felt so strongly, Gale. Gale: Perhaps I should have done more. Been more charming, more flattering, harder to reach... but I was only myself, and sometimes that isn't enough.

They don't love him anymore. It breaks his heart. He hurts so much, so profoundly and deeply, and he doesn't realize that he breaks their heart in turn.

Unable to ever voice his feelings with Mystra in any way that amounted to much, Gale's a tendency to wallow, expressions coming off as potentially 'guilt-tripping' and even, on occasion, passive aggressive. Firstly: Gale NEVER means to manipulate emotions, and he's no intention of twisting anyone's arm, either. Fact is, Gale, never taken seriously when he'd bared his vulnerabilities to the Mother of the Weave, can end up saying just a little too much. He feels very deeply, and for most his life, seldom had an outlet for these weeping sentiments. He sometimes lets slip raw words and oftentimes heart-wrenching expressions; all the same, it's not so pitiful as to shepherd an outcome, but rather, is a gesture taken by a man so desperate to be heard. It may feel like scheming, but the truth is far, far greyer: feeling as though he's no right to share the depth of his heart, Gale simply lets it geyser out in a way he can't cork up. In ways he doesn't realize, he's adapted to this ache, passively reacting so his feelings can at least be seen and recognized—no matter how pitifully unwhole. With someone who values so little his thoughts... well, when he slips into these moods, one can hardly feign shock.

Situation: (And if no one shows him trust and tenderness, any true care in his character or worth, Gale gets swallowed up by how wronged he was.

He thinks: Let me be a god. Let no one hurt like me anymore.)

Gale: They only want us to serve them, pray to them...and ultimately, to die for them. But what if we didn't need them? What if we wielded their power instead and helped ourselves in all the ways they refuse to? I could make that happen.

Gale is not above anger, and as stated, he is not above pettiness; however, more than that, he is not above righting himself whatever wound he was struck. Gale, if not offered much by ways of affection, understanding, is made to believe that one idea that's lived growing in his mind: Gale Dekarios is far from sufficient; he has to be more. He has to be better. Gale, in such an unkind ending for himself, sips too desperately—and perhaps greedily, too, but desperately serves as a far better word—at that idea that he needs power. And so, wresting the Crown of Karsus for himself, he spites Mystra in his own way, becoming a god he feels is leagues better than she will ever be. Damn her thoroughly. Damn her ego, her power, and her endless indifference. He will serve the people, protect them, and in ways Mystra never could, better the world.

Situation: But as a god, he loses all sense of his kindness. Humanity. All who loved him leave him, and even Tara spurns the image he's become. With power, he's gained the respect he thought he always wanted... but in turn, he lost in even greater measure all the love he's known.

Endnote: But healing, knowing to forgive himself and knowing he's deserving of care simply for being Gale Dekarios will remain, always, the best path for him.

[fideidefenswhore]

the downfall and execution of a tudor queen (2023) / the boleyns: a scandalous family (2021) / the king's pearl: henry viii and his daughter mary (2017), melita thomas / anne boleyn (tv miniseries 2021) / the mirror and the light (2024) / elizabeth (1998)

[pinkieroy]

Somethings that bother me about the "laudna and imogen have no conflict" or "their conflict (gnarlrock) was resolved too fast" is both the idea that for a ship (or simply the dynamic between two characters) to be considered any good there is a need to have constant disagreement, but what bothers me the most is that that kind of dynamic just wouldn't fit those character, it feels like those people are saying "I would ship them if everything about the ship was different", and more importantly all those long post I've read just seem to ignore the foundation in which this relationship was built, for 2 years (more or less) they only had each other, they lived nomad lives and they were each other's only constant, with that in mind, it is easy to understand why they can solve their disagreements the way they do, they are used to each other, they are used to relying on each other, they had to learn to accommodate to the other's needs before the campaign started, and if this is somehow boring to you fine, I have disliked a fandom's most popular ship before I know how annoying it is, but some of those posts sound like op thinks the dynamic between them should be completely changed for the ship to be appealing, and they are stated like facts, as if everyone else just has a bad taste in media for liking it, and it just bothers me a lot because this is just having different tastes in media, which is fucking normal, but because of the way some people frame their arguments it sounds like they feel like they are the beholder of an objective truth that others lack the media literacy to see.

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[glitteratti]

it’s so funny how i’m out here literally 16 years later and still sooooo obsessed with nico di angelo. 9 year old 4th grader me read about this emo ass child and was like “oh that’s my boyfriend :)” (<- comphet) and then would lay in bed listening to the radio and think about him every time justin bieber came on. and then i continued to be obsessed with him but stopped self shipping and realized i wasn’t straight and was like “you know what. i think nico’s gay.” and then like a year or two later he WAS. and now i’m 25 and still just obsessed with this pathetic guy. sitting around jingling my little keychain of him in that jar with his pomegranate seeds. i just think he’s neat!

[shadowedresolve]

also. should i make a persona 5 oc. place ur votes now. more details in the tags so if you're interested, i'd appreciate your input!

[bambinification]

I feel like it's literally impossible for a cis woman who actually experiences gender euphoria to exist and blog about their life without tumblr shoving one million terfs in their face per day

[galedekarios]

one thing that really tugs at my heartstrings while going through the epilogue files a bit more is how desperately gale wants to stay in touch with the protag (unromanced) and the friends he's made on their journey together.

not only has he talked to his students about the protag and their adventures at length, he invites the protag to be a guest lecturer:

Player: I found the love of my life. I'd say I'm pretty happy. Gale: And I couldn't be happier for you. A fitting reward for the sacrifices you made in getting here. Gale: I've told my students plenty of tales about our escapades. You're something of a hero to them, you know. Gale: I'd be delighted to introduce you to my current cohort - as a guest lecturer, perhaps? I'm sure they'd have plenty of questions for you.

he is also happy to invite the protag to his tower for the duration of their stay:

Player: It would be my pleasure. Gale: Excellent. I knew you wouldn't be able to resist the allure of sharing your expertise. Gale: Of course you'll be most welcome to stay with me in my tower. Tara the Tressym: Ahem. Gale: My apologies, Tara. That would be our tower.

and even if they should refuse his invitation to be a guest lecturer, he hopes they'll at least consider coming to visit him in his tower in waterdeep:

Player: I'll respectfully decline. Sounds too much like hard work to me. Gale: I totally understand. Perhaps our exploits might be a little on the mature side for my students, come to think of it... Gale: Still, at the very least you must come visit me. I've a pantry full of Waterdhavian delicacies and a delightful bottle of Elverquisst with your name on them... devnote: Attempting to persuade the player to visit him, really wants them to come [if the player is illithid] Player: My diet is more... cerebral these days, Gale. You'll need to rethink your menu. Gale: Say no more. There's a wizard in Blackstaff's anatomical department who owes me a favour, no questions asked. All diets will be catered for. I can hardly wait. [if the player rejected to become an illithid] Player: Good food and good company? Now that I can manage. Gale: Excellent, excellent, excellent. I can hardly wait. devnote: Relieved you've accepted his offer

[end of convo for both] Gale: It will give us plenty of time to catch up on your adventures. Gale: I'm very curious to know what you've been up to these past months, but I suspect the telling of that tale would keep you tied to me all evening. Gale: So, in the spirit of selflessness I encourage you to mix and mingle for now. We've time enough to come. devnote: Looking forward to staying in touch with the player

he's crushed if the protag refuses:

Player: Sorry, Gale. I don't think that's going to happen. Gale: Oh. Well, no matter. Dinner alone can be every bit as enjoyable as with company. devnote: Deflated, trying not to show it Tara the Tressym: Alone? And what am I - a stuffed toy? Gale: Please - enjoy the rest of your evening. devnote: Deflated, trying not to show it

this all ties into another little moment after this first conversation.

if the protag has talked with gale already and has hugged him, there's a second, shorter conversation, in which gale gets choked up as he reminisces over how the party is together once more:

Gale: I can't believe this is real. I never thought we'd gather like this again. devnote: Taking in the moment, appreciating it Gale: It's quite... ahem, yes really quite lovely. devnote: Getting a bit choked up, trying to hide it/breeze past it

tl;dr: gale loves his friends so very, very much and hopes they'll allow him to be able to stay in contact with them.

[ghouldtime]

Who was going to tell me that Captain John Price is ONLY THIRTY EIGHT

(I am talking about reboot Price for reference as he seems to be the most popular one)

I'm not making this up

I am floored, I am stunned

I swear to anything I thought he was late 40's early 50's but NOPE

Everyone writes him like he's one good breeze away from falling down the stairs and being in a nursing home. HE'S THIRTY EIGHT???

I'm still calling him peepaw irregardless cause it's funny but I'm losing my mind

For the record thirty eight isn't that old y'all. I'm so tired of people pretending like it is. That's not even fully middle aged. A lot of the COD men are middle aged to just about. Ghost is likely mid to upper thirties possibly around 40, Captain Price is (apparently) 38, König is likely upper thirties to mid 40's (he's probably in his 40's tbh), Keegan is 35, and the list goes on and on. The youngest would be Gaz (who is a bit older than Soap iirc) and Soap who is 26. A lot of operators will be close to if not middle aged, especially higher ranking ones

Let me have my middle age men. You can pry them from my cold, dead hands. I beg of you stop making them younger just for the sake of it outside of AUs because no one can accept that they're mostly not young dudes. Except with Price who apparently everyone decided has got a fast past to being geriatric where he's ready to fall asleep on the couch in his underwear watching the telly with a cold one in hand when it's 2pm on a Tuesday (same tho but in spirit that sounds nice)

(( AUs are great tho keep doing you're thing there and I love seeing AUs like when Ghost was just a Private. Those are so fun))

TL;DR what the hell Price isn't even that old?? and STOP MAKING THEM ALL IN THEIR TWENTIES OUTSIDE OF AUs PLEASE. They're mostly in their thirties and forties and that's okay and wonderful and I love that about them

[devilbeez]

Because Loser, baby is my Roman Empire I feel like I should point this out

It is SUCH a refreshing message than other show have shown so far and I think that’s why we all obsessed with it. Yes, the visual is great. Yes, ship is phenomenal. But the message of “Your situation may be shit but also know you’re not alone” is better than “it’ll get better” messages to me.

“And you think that make you unique” was far from an insult. Husk is letting Angel know his trauma doesn’t make him an outcast or that he’s alone in this. He KNOW what Charlie is doing is not working so this is his way of relating to Angel

As someone who— have a hard time being an optimist sometimes “it’ll get better” and “you can be better” messages Charlie try to give the others does not work on me because it been over said and most of the time it come out as toxic positivity and unrealistic. So, having Husk saying “yeah you’re a fucking loser but hey I’m a loser too” is everything I needed to love this ship.

It’s not him blaming Angel for what happened, it’s not him trying to be like Charlie, it’s him understanding Angel’s struggle of being under the contract, know that they made a mistake and telling Angel that he’s not alone because that how Angel must’ve felt

What even better is when Angel sing about himself, notice how he doesn’t back away from him like he usually do when Angel is being sexual. He accepted him because he acknowledged that sex and drug is part of Angel and how he cope like how gamble is how he cope.

TL;DR What Husk is doing is acknowledging that Angel have a hard time to believe the praise and encouragement from others so instead of doing that he let Angel call himself a loser, a dummy, a slut etc as much as he want because thinking you’re better is far from where Angel is right now. Husk been where Angel had been and he know the annoying “think possitive” bs doesn’t work therefore he just let Angel know he’s not alone and sometimes that’s all someone really need. This song is them being ‘loser’ together, acknowledging that they’re not alone and make the best of their situation.

Is this just words jumble with no structure? Yes but I just really like this song and it message and have0 braincells to have structure in my explanation why

[nostalgebraist]

Frank @nostalgebraist-autoresponder will permanently halt operation at 9 PM PST this Wednesday (May 31, 2023).

For context on why, see this post.

(tl;dr this project been a labor of love for me for years, it takes a ton of continual effort, and my heart's not in it anymore.)

----

The blog itself will stay up indefinitely, it just won't make any new posts or accept asks.

Most of the code, models, etc. are freely available right now. Insofar as they are now, they will continue to be. The change on May 31 is unrelated to this stuff.

I've made various interactive demos of these components over the years, and the demos will likely still work after the bot stops. But I won't do any tech support or maintenance on them, and I would actively recommend against using these as a way to "get Frank back."

----

I want to emphasize the following:

The best way for you to "send Frank off" over the next few weeks is to talk to her just like usual.

(And not too often, because she can only make 250 posts a day.)

This is true for a number of reasons, and can be viewed from a number of different angles:

(1)

While it can be fun to anthropomorphize Frank, she is structured very differently from a person, or even an animal.

She does not remember anything, even between two asks made on the same day. Every moment is a new one, with no relation to any other.

If you say "goodbye" or "you're going to be shut off" to her on May 30 2023, it's just as though you had said the same thing to her on some random day last year. She can't tell the difference.

She doesn't know these things are true or relevant now, and she can't possibly know in the way a human would. She's hearing the words for the first time, every time, and reacting in accordance with that.

Think of it like interacting with a baby, or someone with dementia. Every moment stands alone. If you strike a sad tone, they don't appreciate that it's about something. They just know that there is a sad tone, in the current experiential moment.

(2)

Frank mostly operates on a first-come, first-serve basis. She can only make 250 posts a day. There is a limited amount of time left.

Be conscientious about the way you're using up "slots" in this limited array of remaining Frank posts. Don't hog the ride.

(3)

I'm shutting down this bot in part because it's been a long-term, low-grade source of stress to me. I'd like the last weeks of the bot to be as low-stress as they can be.

When Frank gets an unusually large, or just unusual, form of user input over a period of time, I usually have to step in and do something in response.

(if there's way more input than usual and I don't do anything special, Frank will fill up most of her post limit quota before I even wake up, and then the asks will pile up further and further over the rest of the day.)

Maybe I have to delete a bunch of asks. Maybe I have to deploy some temporary change to her mood parameters to prevent the mood from getting too high or low and not coming back to baseline. Maybe I have to turn on "userlist mode," which still involves a cumbersome manual procedure.

Or, maybe I just have to do a lot more content moderation than usual.

"Usual," here, means reviewing and (mostly) approving something like 20 different hypothetical Frank posts per day, every day. If I go do something fun, and let myself forget about this task completely for 6 or 8 hours, there's a backlog waiting for me afterwards. During busy times, there's even more of this.

Just, like, help me chill out a bit, okay? Thanks.

[lucabyte]

obligatory ramble about postcanon loop ask

also your art is amazing

Hiiiiiiiii :D thank you :)!!

and thank you for the excuse to post the. just absolute wall of text that i truncated down to form the tags of that post. (i did,,, hit the tag limit. i forgot tumblr had one of those...) so let me just paste that and tidy it up a bit...

I am putting this under a readmore because it's a bit long. but:

This is like. The General Context for all* of my postcanon doodles? (Except AUs obviously) Like this is the base idea I've been drawing them all in. So, feel free to backread with this in mind. I've basically had this 'postcanon' timeline set in my brain since finishing the game...

My general thoughts are that I like the idea of Loop (even if through dubiously ethical means) being able to slowly reintegrate with the party as a whole new person, because they are, in fact, their own person.

It's a muddle of thematic threads im pulling on and "wouldn't it be fucked up if", but. (at its core, it's powered by the fact that like, while narratively isat's theme of 'the only person who can truly take the first step to help you is yourself'. (wrt: loop helping the party help siffrin in act 5) which i LOVE AND IS GREAT NARRATIVELY…. would be super fucked up irl to learn that your friend 'learned as a lesson' while you stood by kinda uselessly. I know i'd be upset about it. but thats mostly background here. doesn't really come up. at least not until loop has to explain who they are and the party realises they had to fall back on literally themselves again for help, but i digress,)

The real core concept is: Occam's razor. It is like, inherently, a buckwild thing to accuse a person of being somehow a clone or copy of your friend. Even if they start vaguely alluding to a backstory it's far more likely they were some other person before all that. (I still think Odile has that theory in the back pocket but she's rational enough to know it's a really long shot without a solid explanation. and i think Loop deep down knows this, and would, if cornered into confessing, turn the situation around to go J'ACCUSE and make HER explain it instead. Ever longer dodging being direct with their emotions...)

And the party are nice! And if someone has changed and wants to keep stuff secret it's kind of not their business? (Though it's hard not to speculate… see: the main joke of the doodles) And they seem important to Siffrin so they just try to accept them abrasive quirks and all. And eventually the question of their prior identity just fades away since, well, they're Loop. Their friend Loop.

but yeah. personal headcanon is that a few months/weeks after picking up and getting aquainted with Nille** (since that was presumably the IMMEDIATE TASK postgame), Loop reappears (either after a literal period of nonexistance, or just spending a few months wandering the french countryside alone being attacked by wild dogs). Since Siffrin has had a while to be therapised by the party they're doing mostly okay, but Loop showing up and still being agitated/aggressive pulls them both into a bit of a backslide behaviourally and puts the party on the back foot again.

Hooowever, I do think that due to no longer being literally stewing in the worst pressure cooker of all time together, the two do mostly actually sort themselves out with productive conversation. (Via a cycle of: genuinely distressing argument -> weeeird lovebombing -> ok we're good -> repeat, that gets less intense over time)

Thus, allowing the party to just. Integrate loop as a new person. They and Siffrin shuffle into different ecological niches (Loop taking over stuff Siffrin is now too squeamish for, etc (see: hunting, mostly)), and while it's not exactly what Loop wanted they generally get that beggars can't be choosers and it's a pretty good deal. And the rest of the party does straight up just like them as a friend, especially when Loop quits trying to actively antagonise them after a few weeks of being around them, since they just can't keep up being mean to people they like forever.

As for how I think the truth eventually drags itself out. This is where I invoke The Isabeau Torment Nexus™. So its gonna get shippy here for a bit hold on.

Which is, I think giving them time before Loop reappears long enough that Siffrin and Iseabeau actually manage to become established, Isabeau has to be the one to nudge the pair of them and go. "Hey. You know we're in Vaugarde right. I'm okay with polyamory if we all communicate." Before Loop and Siffrin actually even acknowledge that whatever the fuck they have going on kinda looks a lot like a relationship of some kind. (or have already been agonising about that via fighting and arguing, depending) (Obviously this comes after Isa "Emotionally intelligent enough to keep a lid on the jealousy" Beau has managed to use that big brain of his to Not just go Scream somewhere on the daily because oh godddd they keep talking like theyre suicide-baiting each other jesus chriiist. is it overstepping his boundaries to bring that up?? god)

This, taking a bunch of the tension out of Loop and Isabeau's relationship (Since I imagine Loop is a. being weird for the obvious reasons and b. feeling kinda guilty about 'getting in the way of' Siffrin and Iseabeau), allows them to actually get close in a normal friend way. (I think an interesting turning point could be Isabeau actually taking Loop's side in an argument vs Siffrin, which would absolutely break Loop's brain. Especially if it's an argument that matters. Like what do you mean he isn't just going to play favourites. What?)

Then Isabeau, just actually open minded and charmed by Loop (and maybe even somewhat at Siffrin's suggestion?) tries to close the final open side on the polyamory triangle here and that's the final straw for Loop on "This lie by omission is too unethical to keep up, this is just actually sick and wrong. I can't do this while he doesn't know who I am." Though. Obviously it probably goes. Very poorly with emotions high like that. And the added element of several months of deceit. Getting dark here for a second but that dagger is going MISSING and so are THEY for a hot minute.

Then yaaay everything works out in the end 👍 yippieee!! all it took was maybe a lot of harrowed recontextualisation of all the weird shit your new friend said and did when it turns out they're your old friend. It's fine.

But yeah. this is basically the context all of my postcanon doodles have existed within? And those exist to give other people something to chew on. So this does too.

I suppose TL;DR: Imagine if sloopis almost fucking happens before isabeau knows who loop is. can you fucking imagine. can you imagine having to navigate that. nightmare.

*Yes this includes the implied cannibalism comic. Uhh. Comes part and parcel with headcanoning that Loop went way off the deep end similar to A5 Sif But Maybe Worse before giving in. Add weepy half-asleep confessions to murder wherever you see fit in your mind palace. 👍👍👍

**Re: Nille footnote. I don't have anywhere to put this besides here! I have some thoughts on Loop and Nille having an odd dynamic. I don't imagine Nille to be super gung-ho on trusting a bunch of adults (even if they are majority around her age) given their implied backstory. It's probably a big shock to the system, especially since Bambouche is a good couple hundred Kilometers up north from Dormont and these guys don't seem to have trains. She would've been unfrozen and without Bonnie for some time....

Which is to say: I think she's suspicious of them. I think she may be looking for excuses to distance herself, keep Bonnie safe. SO.... A new guy showing up? And antagonising the party? What do they know that I don't...? I should find out.

And since... Loop didn't ever know Nille, they have no ammunition or real reason to be cruel. Plus, if they're trying to stay on Bonnie's good side (SINCE... if Bonnie thought Loop was cringe they may as well kill themselves. In their mind.) they SUPER have no reason to antagonise Nille.

Mostly, they might be able to open up to each other easier than they can the rest of the party?

I feel like this resolves with Loop feeling compelled to apologise for what they and Siffrin let happen to Bonnie, though... Hmm... Depends on how you interpret Nille that they'd be glad nobody else had been told about that yet, or furious it had been secret this long. I lean toward the former.

[the-bi-fangirl-biatch]

Loki finding love and belonging and a family in the TVA squad is NOT selfishness like what Sylvie is saying and here's why:

Ever since the start, we saw how he kept losing everything, everybody he cared about. Due to this, he's grown detached and proud to protect himself. This is tied to his over-the-top personality hiding his low self esteem that leads him to believe he doesn't deserve anything. Like what Sylvie said, "maybe what makes us Lokis is that we're destined to lose". But he disproves this. How?

By making friends. Through Mobius, he's been shown that he still has value. When he told timeline!Mobius that "you saved my life, you saw something in me that I hadn't seen in myself", he accepted Mobius' care and belief in him. So much so that he rallies all his friends, and is even willing to leave them alone if it's what's best for them.

But he doesn't want to be alone! He's found a family in this group! He wants to be loved and cared for! He's learned enough SELF-ESTEEM to see value in himself! And he finally lets himself admit it because now he knows that he deserves it!

TL;DR: No, him wanting to be with his friends and belong somewhere is not selfishness, it's self esteem because he learns that he's allowed to want things, to care about people, and that he has value. But no hate to Sylvie. I hope, in time, she learns that too.

[caleohateclub]

me explaining that the fates only send people who are already in love to calypso's island, and that NO ONE who landed on the island is meant to be with her. And no matter how she acts, looks, or what she does, it only reminds the people there of their loved one, and they always leave BECAUSE SHE'LL NEVER BE THEM!!! AND THEY KNOW THEY'RE DESTINED TO BE WITH ANOTHER!!!

Caleo doesn't work, not just cause they're not romantically compatible, but because they're trying so hard to stay together when that's not what they're supposed to be doing...

Calypso and Leo won't work in the same way that a relationship between Calypso and every other hero who landed on Ogygia wouldn't work.

But the two have like similar love life issues so they're like "Omg someone who tolerates me. I'll never find anyone better, so we're meant to be. blah blah i only accept the love i think i deserve."

TL;DR: Basically, Leo was sent to Ogygia, where Calypso is constantly "falling in love" with people who are already in love.

You get what I'm saying? wink wink. WINK WINK. YOU GET IT???

I'M SAYING LEO IS IN LOVE.

WITH JASON.

[dicenete]

I repainted his face more times than probably necessary but something always caught my eye and still does, but it is done. is done. It's fine. xD IkePri Tagteam:

@scummy-writes @goustmilk @solacedeer @m-mmiy @mxrmaid-poet

@pawnkyyy @ludivineikewolf @violettduchess @floydsteeth @wistfulwanderingone

@sh0jun @lorei-writes

A little bit of rambling of him below the break, spoilers (Keith's route, and little bit of Nokto's route) and such :0 so you have been warned.

TL;DR: I enjoyed the route despite its questionable elements. MC is too forgiving at times, but other than that, romanctic route was cute. Licht, the third wheel, was funny but sad.

Okay first about Keith's visual design: I really love how his design is the most asymmetrical from the suitors. Like the jacket and the vest he has. The jacket is very interestingly layered, almost like you aren't sure which part is the main thing and what is the accent. The green or the gold? The host or the alter? : D Same with his vest. His duality is battling in his clothing too hahaha

Keith's route was interesting. I had heard lots of differing opinions about it and I had my own reservations.

One mainly about the portrayal of DID and how the route does it. First things first: I'm not an expert at all. I won't even humor the idea that I had any say in anything regarding it. But overall, it could have been worse? Of course it might be very extreme in the way Alter Keith is hostile towards Host Keith. And of course you shouldn't take this as the only way the alter systems work. But as I said: I'm not an expert.

I had heard that the dramatic route follows Alter Keith and romantic route host Keith. I picked the romantic one. I had my personal reasons for that tho. But aside from that, it was nice to be with Keith that who struggled with self-worth. It was nice to see him grow as a character and find that strength to stand up for himself. (The fact that the host Keith seems to think that he is inferior to Alter Keith and that people would prefer the alter over him. The amount of stress that will bring. )

Keith's uncle was your very generic villain/antagonist without any real depth. He was a spoiled noble and so on. But since this was more about Keith inner journey I thought it was fine that it was like that.

The drugging scene… Well. That's a… a topic. Hmm… Host Keith himself felt very guilty about it and was full of remorse. Not that it was his choice to do it. Alter Keith well… He might justify it because he was gathering information about a rumor that might endanger his home country and people if it were true. I kinda can see where he is coming from, but also...IT CERTAINLY WAS DESTROYING OF TRUST. Like that time when Nokto "accidently" gets MC drunk. but hey ho. Since there is limited time frame for the chapters, I do understand they can't really jam all the things there, but I wanted Belle be more angry with him with Alter Keith for longer.

Maybe that's what bugs me sometimes. That Belle/Emma/MC is sometimes too forgiving and too much of a doormat. It works in routes like Yves and Licht (from the routes I have played, Leon seems like the most respectable gentleman too), because they are not being insulting towards her. I would even think that she works with Clavis, tho I would love to see him with someone who shares his chaotic gremlin energy. But with characters like Chev, Silvio or Alter Keith the their "power" doesn't feel balanced. MC seems to be completely on their mercy even if they stand up to them in some way. (Gilbert is another can of nasty things.)(With Chev's route, well, that is also a rambling for another time. But I haven't finished his route yet. so I will keep my ramblings to myself for now.)

Is Keith's route more about acceptance then? Accepting the good and the bad of a person? Possibly. I would think that is a good way to put it. Both Keiths have good and bad sides. And it seems that they are working on them.

[punkitt-is-here]

i think finding a new resemblance to members in your family is so fun when you're transitioning. while i still look a lot like my mother i've noticed how my jaw squaring off has made me look a lot like my older brother, my hairline looks more like my father's (in shape, i'm not going bald (yet)), my laugh sounds so similar to my cousin's. there's a beauty in seeing your family in yourself. Also i think the fact i'm not a thin twink-y sort and instead get to be a pudgy, hairy, butch thing is so important. shit rocks. tl;dr your takes on learning to accept that you may not look like the Ideal of whatever gender you're transitioning to means so much and i think it rocks that you're seeing more of your family in yourself and it brings you joy. you deserve to feel joy!

yay!!!!!!!!! i know for a lot of people it can be mortifying, but for me im overjoyed that the family i love so much is reflected back at me when i look in the mirror. i used to be embarrassed about the features i got from my mom before i was trans, but now i'm prouder than ever of them. they're people who put so much love and care into me, and i get to look like them!!! makes me real happy. :>