#to the two people reading this ofc

[htylmg]

god i rlly did give up on my tma relisten like 1/3 through huh. guess im gonna have to resume that tmrw

[ywpd-translations]

Ride 753: Bird's eye-view

Pag 18

5: That day, three people climbed on the Minegayama

Pag 19

1: The first one to arrive, surpassing by 10 seconds the course record made three years before on that same mountain by Makishima Yuusuke

2: was the man wearing the blue jersey

Pag 20

3: 12 seconds after him, was the man wearing the yellow jersey

4: And then, 48 seconds after, appeared the figure of the mean riding a mountain bike

Pag 21

1: One week after this

2: Those three people will move the stage to Kyuushu

3: and fight again

Pag 22

1: For Onoda Sakamichi is the start of his last summer Inter High

[danhoemei]

HEY

HEY YOU

do you like xie lian x wu ming??

read devil venerable also wants to know

[watmalik]

I hate when men do this, putting talented women against each other just for clicks.

Yes, you can like someone’s music more than another artist, you are allowed to also critique them and have your own opinions, but purposely using phrasing like: oh, person Y is the better version of you is the opposite of constructive criticism and it’s so distasteful.

X

[selfinflictedgunshotwound]

trying to finish reading dungeon meshi now that it's done and just seeing everyone in the comments talking about ships. gun to my head

[sttoru]

ima tell u this now : if u hate on x reader fics, block me cus by doing that you r doing us both a great favour 🤚🏽 ion need any of ur negativity on my blog because this is a safe space for people who do enjoy x reader fics goodbye

[carpisuns]

sometimes I kinda wish tumblr had something akin to a twitter circle or Instagram close friends list. bc sometimes I kinda wanna say something but not necessarily to Everyone. i feel like tags are almost equivalent bc they’re like the Secret Whisper-Rant Place except anyone can see them. Which adds some fun flavor I suppose. Tumblr close friends circle except it’s whichever of ur followers cares to read your tinytext ramblings

[brittlebutch]

finally found a place to read With the Light online and i'm thrilled; if you haven't read this manga i do Legitimately recommend it

[the-judicial-assistants-notebook]

Okay. Let's talk about Kay in The Forgotten Turnabout.

I've mentioned in a post before how I think Kay doesn't have a purpose in AAI2 (as in, AAI was all about the Yatagarasu which is her story, but AAI2 generally has nothing to do with her, and you can see this change just by looking at how she's positioned in the promotional material for the two games:

[left AAI; right AAI2.] In the left poster, while she's at Edgeworth's back, it's clear that they're both the main focus. In the right, though, she's on par with Gumshoe).

And I think the result of her slight lack of direction in the game culminates in what happens to her and her character in Forgotten.

From the beginning of AAI2, you can kind of tell that Kay was written to a bit different from how she was in AAI. She's still fairly consistent with how she was there, but the game kind of bounces between her original characterisation and her newer one, where she's slightly denser (see her calling the laser pointer a mole in Target, when she should definitely have known what it was; and them explaining to her what a prison is in Imprisoned like she wouldn't know??) and less concerned with maintaining formality around Edgeworth, although they haven't interacted since the end of AAI (see her partner opening line changing from "Yes?" to "Yeah, what's up?"). She also seems more eager for his approval (there are a few times when she questions/asserts her effectiveness as an assistant when I don't remember her ever doing that in AAI), and, overall just a little more like Maya.

In Imprisoned, when she freaks out, Kay hits Ray, which is notable because we've only seen her resort to violence before on purpose and as a child (whereas Mia/Maya have both hit people out of emotion). I'm not going to go through the whole game, but I bring it up because there's an argument to be made that they're trying to replicate the Phoenix-Maya dynamic and push the Dadworth interpretation in AAI2 -- probably because they realised it'd be popular with the fans -- and this comes to the forefront in Forgotten.

First, just a note about AA's amnesia cases. The thing about these cases is that they're usually done to explore some formerly unseen aspect of a character (as is with Phoenix and the one in DGS), BUT they're always true to the nature of the character (as is most clearly observed with Thalassa). This is... not so in Forgotten.

The parts about Kay that appear to remain in Forgotten are her politeness and sense of honour, both of which get dialed up to 11 and both of which we already know she possess. Everything else about her personality, though, is altered and has always reminded me of Iris (if you made a parody of Iris's soft and seemingly delicate nature). That's mostly because (1) they have similar sprites

and (2) because they're rehashing Edgeworth's mini arc in T&T (which I don't mind because T&T did leave room for that concept to be explored further) where he acts as the defence for, you guessed it, Iris. Looking at it more closely, though, I can definitely see bits of Maya mixed in, too.

The most obvious parallel to Maya, and by extension Phoenix, here is that you act as a... not-prosecutor who defends their assistant from murder charges that even they think they might be guilty of (Reunion, and Turnabout, anyone?). Just like Reunion Maya, Forgotten Kay has poor self-esteem (albeit to a greater, comedic degree), thinks of herself as weak and useless, and becomes reliant on Edgeworth for both her emotional and situational needs (this is not a dig at Maya; she was in jail after having her first big channeling session result in death. Her reaction was natural).

Another less serious but obvious alteration made to make Kay seem more like Maya here is her relationship with food -- which I know sounds ridiculous but!! It's really what tipped me off to her Maya-fication to begin with!!!

You see, in Forgotten, there's a point where Kay talks about hamburgers:

Kay: Umm... OK. I remember a faint scent... It was a wonderful smell coming from the counter of a food stall... I followed the fragrance, only to find a perfectly sculpted burger, resting on two golden buns... The tender and juicy patty made my taste buds sing with joy... Yes, I can remember what I thought at that moment! ...I want seconds!

The thing about this that stands out to me is that you never get a line about food like this from Kay in AAI; and I know this, because not only is the only time Kay ever brings up food in AAI with regards to Swiss rolls (which are notably her favourite treats), you have the option of presenting food to her, which gives you this dialogue:

Kay: It's a box of Samurai Dogs, right? Ah, but see, I'm a Jammin' Ninja fan! So, while I would love to have one... I'm going to be strong and resist the urge!

She would have one but she'll refrain. It blatantly goes against how she acts in Forgotten, and it's so obvious that they only did that to make her more like Maya!!! They even use burgers!!!!

So why am I even getting all uppity about this? There's nothing wrong with being like Maya is there? She's a great character. And, yeah, she is, but the point of Kay is that she's meant to be a foil to Maya... and Edgeworth.

Both Maya and Edgeworth lost their parents at a very young age. So did Kay. But, unlike Maya and Edgeworth, Kay was specifically written to have had the emotional support and strength she needed to move on from her father's death. Her character was created in a way that shows how you can still love and respect a dead family member (and choose to continue their legacy) without being held back by grief and trauma the way Edgeworth largely is. By making amnesiac Kay behave in a way that is so self-deprecating and reliant on other people for her emotional needs, you are implying that this has been who she is deep inside all along and diluting that message of being able to move forwards while still holding onto your love for the people you've lost. It undermines the resilience that has been a part of Kay's core as a character from her conception, and basically flattens everything that makes her... Kay.

Now, this is obviously not great, but what really gets to me about this is that they didn't need to do this for the case to still work. They could have given Kay a milder form of amnesia, where she has a gap in her memory regarding why she was up on that roof and what happened, and the story would have largely functioned the same way. The only reason I can think of for why they do a complete 180 on her personality is because they wanted to use her to develop Edgeworth's character.

Because think about it: we've seen Kay put in a position where she's been accused of murder before, and that didn't affect our or Edgeworth's desire to save her. That drama and the feelings invoked by placing Kay at such risk would still exist; the only thing that would change is Kay's reaction to it. We know from Ablaze that she wouldn't just fold and rely on Edgeworth's help; she would fight back. Her behaviour in Forgotten just doesn't quite align with her usual character (aside from being extremely honourable and polite), which makes me wonder why they did it. And the only answer I can find is that it gives Edgeworth someone to 'save' in the greatest sense of that word (because, remember, she's also extremely emotionally vulnerable and dependent on him here) and furthers his development as a character.

You remember at the beginning when I said Kay didn't have a purpose in this game? I think the developers felt that, too, and they decided that her purpose would be to make Edgeworth a better person and strengthen his arc by giving him someone to protect, without really considering what this would do to her character. This case was never about Kay; it was always about Edgeworth. And, honestly, that should have been obvious from the very moment you realise that Kay is being granted an amnesia plotline, because that whole thing about amnesia in AA being used to reveal parts of a character previously unseen? Yeah, that was never going to work with Kay. Because Kay doesn't wear a mask. She is who she is... until she isn't.

Honestly, I've said pretty much everything I wanted to say about Forgotten and Kay, so thank you if you've read this far. I really appreciate it 💝💖💕 The rest of this is me basically talking about how this change affects my feelings on the game and this interpretation of the Kay-Edgeworth dynamic, so you can stop reading now if that doesn't interest you and still get the basic point of this post.

I suppose I'll start by reiterating that I do like AAI2 despite what it may seem. The characters it introduces are some of my favourites in the franchise, and, in fact, the actual plot of Forgotten with the PIC is my favourite part of the entire game. I thought it was brilliant, but I just needed to get this out because... I don't know, it was bothering me for some reason hskdhdj Like, AA has some amazing female characters, but I know better than to go into it expecting some kind of boundary-pushing piece of new feminist media, believe me; it doesn't surprise me that they used Kay to push Edgeworth's character forwards. It is his game, after all. But I guess it's just a little frustrating to see after they genuinely achieved something great with her characterisation in AAI only to... there's no less inflammatory way to put it, infantilise her? a little? for the sake of developing a male character?

(Especially when I don't think Edgeworth even needed it?? Like, I'm pretty sure he would have been just as adamant about saving her if she had been her normal self so mmm???? It was likely just done to make him seem liked he'd be a good father and up his popularity a bit more, honestly. As if he needed it).

Again, I have no issues with anyone who enjoys the father-daughter (or brother-sister) dynamics pushed by this case; it's literally in the text, I can't say you're wrong for it and like. My opinion shouldn't matter to you anyway! It's fandom, do what makes you happy. But I personally can't get past what is actually being suggested when the game, or fanworks, echo the traits grafted onto Kay in this case within them. Like what it means when she's essentially made to take a few steps back so she's less as at peace with her father's death than she was when we first met her, or less independent and self-assured than she usually is -- especially when this is done only for an older male character (most likely Edgeworth but it could be anyone) to come in and either see themselves in her, thus coming to a conclusion that helps them better themselves in some way, or take on a "fatherly" position that lets them comfort her back to a level of confidence she would usually be at anyway, while simultaneously coming across as being such a good person (which is usually the focus/point of these kinds of things).

And, like, if you don't see a problem with Kay's characterisation in this version of their relationship, that's perfectly fine! If you think I'm reaching and do enjoy the Dadworth dynamic for what it is, then please don't let me rain on your parade. My main thing is that I want better for Kay, and this case just didn't satisfy my need for that.

Anyway, yeah! That's pretty much it. Thank you so much for everyone who read all of this, and I hope you got some amusement out of it if nothing else. Feel free to tell me your thoughts, too!

[shopcat]

there is, Obviously, fundamentally a difference between headcanon and an analytical reading of text, and treating the two as exactly the same is not only wrong but devalues both, but funnily, i've found people tend to forget that both of these things are the product of referencing our real life experiences and applying them where we see fit to make a more interesting way to interact with media. and you can't just like, forget that it's not JUST about headcanons and meta analysis and whatever, because people in real life also still matter. and in real life, there are different stakes and EXPERIENCES, and those experiences lead to thinking the way we do because that's how you Be a goddamn person, which is why it's ironic is all 😭

like, saying zuko atla has to be cis in order to be "properly" gay in order to be Truly Compelling narratively is fucking ridiculous. textually, zuko is not actually gay. he never was intended to be, he never will be intended to be, he was never even subtextually. the assumption otherwise is already rooted in fantasy, and the tongue in cheek assertion that it isn't, which means it has more credence, is ... dumb? childish? admitting to at least yourself that the things you talk about wrt character analysis aren't the intention of the creator is literally half the point of doing said analysis – you're MEANT to throw away the intended interpretation in order to give it a new life through different keyholes without entirely divorcing itself from the text. (in the same breath, insisting the creator truly meant One Thing when they absolutely would not have/don't care at all, and ignoring that the people who made the piece are going to put their own biases and experiences and background into the media itself and actually MUST be taken into account for things like this is just ... well. Stop That.)

i've personally never been someone to ever claim that The Writers All Along INTENDED to do something that they obviously didn't, like make a character from a 2005 cartoon lgbt+. this doesn't mean that reading doesn't have any substance or cannot possibly hold any meaning, or that it's wrong. if you can't be objective about your own readings what's the damn point... leaning into it being fiction, which changes just by being observed by a different person, is why it's fun or interesting to do in the first place. and yeah there are some basic cookie cutter headcanons people like to fling around, and there can be criticism for that otherwise, but claiming headcanons themselves AREN'T an offshoot of this way of thinking is fucking stupid. like it's plain wrong.

our own thoughts on why a character acts, what they do, what their presentation is, why their personality is what it is up to and including their sexuality, gender identity, religion, JOB, whatever, are made to fill the gaps the text can't or won't provide, and in the case of lgbt ones as long as it's not actively harmful (as in like insisting a lesbian character is bi or something) it is literally harmless seeing as it is fairly solidly a "won't", along with a whole bunch of other hc material that usually don't see the light of day on-screen nonstereotypically. people seeing themselves in characters isn't new but more than that, saying that you know this but then pushing it aside because The Analysis Means More when it's Realistic And Plausible is fucking dumb. and rude. bc the entire point of drawing the line of connections this way is how WE see them. being all like "oh well, your own personal identity is still valid otherwise, don't get your feelings hurt bc it doesn't matter," is moot if you've already asserted there's only One real way to be... plausible 🤨. which is to be NORMAL ! duh.

like, the read that zuko IS gay (and cis) relies on extracting parts through the lens of our own gay perceptions and is why cishet fans don't pick up on it, but you can ask pretty much any other lgbt fan and they'll agree. zuko's narrative arc IS compelling with the read that he is gay, from the way he is ostracised by his family, neglected and abused, the "punishment" he receives and then continues to become his own warden of, the order of his death and the banishment itself, sozin criminalising homosexuality, his inability to connect with others especially his own age, his inability to seamlessly interact with girls, his literal externalised viewing of seeing himself as someone with Two Sides, them being good vs evil, realising he can change the damn world through love and acceptance, striving for peace, being the face of change for his nation, relearning what it means to be who he is once he is free from his past, the shame and humiliation rituals, the claim of his father that he is worthless as a prince and person, AND MORE... and i cannot express enough here how fucking little it matters if he's specifically gay or WHAT THE HELL EVER 😭.

to claim in no small way that it's impossible for a trans person, or a bisexual person, or anyone else lgbt, could ever line up his narrative with their own personal one is so beyond ridiculous it gives me a headache. no, "plausibly", i don't think zuko is like, transmasc. yes, plausibly, he could be gay. plausibly, he could be amab nonbinary but no one seems to actually give a fuck about that for some reason (i wonder!). nothing would change in both cases, because he's not actually either, so i really don't see the point in making fun of or being frustrated by one to lift up the other because you want cisgender boot soles to brush the back of your throat THAT badly. the implausibility of thinking any way about a fictional character should be taken into account to an extent, sure, but at the end of the day neither of us are doing anything truly worthwhile, and no one is claiming that it's the intent from the beginning to say otherwise, so what's the point here. why are we doing this. let's go skip in a meadow together before i kill someone with this rock.

[mobbothetrue]

Spotify prompt! Knuckles and tails, an 19 :)

Oh hoho! You managed to land FightSong by EVE (<- YouTube link), a song that by all rights shoulda been #2 (<- I refuse to pay Spotify money).

Hmm…. It’s been a while since I’ve done anything with Super Sonic Speed, but I always did intend to write follow-ups…

.•.•.•.

The city is unbelievably loud. They’re in what Sonic had called a shopping district, and it’s apparently very popular. Knuckles would kind of like to go home, a lot, actually, but Tails is flirting from one shop to another and he doesn’t have it in him to shut the kid down. Sonic is somewhere on the periphery of their little group— he and Tails had bonded, thick as thieves, and Knuckles— well, he tolerated the guy.

Tails gasps like he’s seeing the sun rise for the first time, excited enough that he’s lifting off the ground. Knuckles ambles over, grabs him by the ankle, and pulls him back down. He’s looking at some sort of… thing. Knuckles can’t make heads or tails of it, but it’s definitely saying something to Tails.

Hmm. He is, at least, familiar with the idea of shops. Chao liked to set them up, sometimes, selling fruit or handmade crafts for rings, but Knuckles has no idea if their idea of currency and everyone else’s aligns. Would the shopkeep accept a fruit? Most chao did. It isn’t like rings are a problem, so…

Knuckles turns, seeking out Sonic in the crowd. There he is— stiff as anything, glancing frantically back and forth between Knuckles and some other hedgehog, a pink one. One of his friends, maybe? They look irritated, maybe not. Knuckles steps away from Tails, invites himself into their conversation.

“and you just RAN OFF—“ the hedgehog is shouting. Sonic cracks his mouth open, a faint wheeze escaping.

“Hey,” Knuckles says.

“—do you have ANY IDEA how WORRIED I was—“

This looks like a battle Sonic is better off fighting on his own. Still, Knuckles needs his question answered. “Hey,” he repeats, slightly louder.

“—I mean, I knew you were alright because my cards said so, but—“

“Hey Knuckles,” Sonic manages to crack out, “this is Amy.”

Amy tilts her head at him, and then gives him a sharp, discerning once-over. “Are you one of his other friends?” She asks.

“Yeah, sure,” Knuckles says, and then “do rings work as currency down here?”

She blinks at him, as if this is a weird thing to ask. “Yes?” She says.

“Okay,” Knuckles says, nodding, “try not to scare him too bad.”

Any lingering confusion evaporates, and she whirls around to find Sonic trying to sneak away. “AGAIN!” she shouts, full of conviction, and Knuckles makes his way back to where he left Tails. He isn’t pressed up against the glass anymore, so Knuckles steps into the store. Yeah, there he is. Hovering— literally— over the same display.

Knuckles takes a moment to properly observe, rooting around for the terms Tails would use, in an attempt to ensure he gets the right thing. There’s a looping track, and a few other gadgets on the sides. A switch, one of them looks like, and some barricade, and a few blinking lights. On the track itself is a… sideways cylinder, set on wheels, connected to a few boxes, puffing out smoke— or steam, maybe. Tails is absorbed enough in watching it chug along that he doesn’t even realize Knuckles is standing right next to him. Knuckles’ll just have to make sure he comes up for air, occasionally.

He casts about the rest of the store, vaguely lost. There are a lot of displays, and a lot of colourful boxes. Knuckles picks up one, flips it over, and realizes swiftly he is out of his depth. He brings the box over to Tails, handing it to him. Tails holds onto it for a full few seconds, watching with bated breath as the cylinder switches tracks, before he looks down. His fur all along his spine puffs up, and he turns to look at Knuckles so fast he has to wonder if Sonic hasn’t started to rub off on him in more ways than one. That’s the right box, for sure.

“Really?” Tails asks, voice breathy with excitement, and Knuckles ruffles his fur instinctually.

“‘Course.”

Maybe the shopping district isn’t that bad.

[collgeruledzebra]

things i wish everyone a very shut the fuck up about in other tags this new year:

- barbie/oppenheimer

- the magnus archives

[youngeditor1999]

OPE. 😳😶‍🌫️🫣😩🫡

[lonestardust]

[gossip-girl-co]

bro I was reading through the reviews on the song of achilles and most of them were just people who were upset that they were gay 😭😭

[edge-oftheworld]

still though actually what the fuck