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#torture would hurt less at this point
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on my Lost On You by LP bullshit once again
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fxllfaiiry · 1 year
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─ callin' it quits now, baby, I'm a wreck ੈ✩‧₊˚
✶ pairing: miguel o'hara x fem!reader
✶ synopsis: the aftermath of the argument with miguel.
✶ warnings: angst, hurt with comfort, occ miguel (for one scene only dw), shitty humour, one or two swear words, reader being slightly mean, mentions of death.
✶ notes: part two of "you're the sunflower" this part was originally 8k words long and i was like nope, so i had to cut it down, I'm sorry. I really hope this isn't bad ‼️
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At first, you didn't quit the team. 
After the blow-up with Miguel, you thought about leaving the team for good, but yet you decided to show up, hanging around for a bit before quickly leaving. 
But slowly you stopped showing up altogether. The looks of pity were too much for you to handle, and frankly, you deserve an apology, you deserved better.
Every day was torture, and seeing Miguel only made it worse. No one thought this whole ordeal would go this far. 
Everyone noticed the changes, you were more serious, and your usual sunshine self was gone at this point. Everyone noticed the day you stopped coming in. 
You felt so lonely, sure, you had friends in your universe but yet, nothing felt the same. You sometimes wondered if they missed you or not. 
It had only been a few weeks and yet it felt like months. 
A part of you secretly hoped someone from the team would show up at your doorstep pleading for you to come back, but nothing. 
"You'll get used to it eventually" You'd tell yourself. 
─── ⋆⋅☆⋅⋆ ──
It had been two whole months since you left. Nothing felt the same without you. 
"Does anyone else miss Sunflower?" Gwen said sadly. She missed your hugs, and your little girl talks with her, she missed everything about you.  
"We all miss her, kid," Peter sighed. Without you, he had no one to talk to about Mayday. 
"I hope she comes back soon," Miles said. 
"I think she just wants space right now," Pavitr replied.  
"This is all Miguel's fault y'know?" Hobie added bitterly, how dare Miguel take his friend away from him. 
"Someone should talk to him, maybe if he apologizes, she'll come back." Miles was hopeful, he knew you'd come back eventually. 
"Sure, kid. As if Miguel ever listens." 
─── ⋆⋅☆⋅⋆ ──
Miguel on the other hand was depressed. 
He'd gotten used to your presence and it felt odd without you.
He felt horrible about yelling at you but he was scared. The thought of you dying terrified him, and his way of dealing with that wasn't the best. 
He thought about apologizing many times, but he didn't know how to. The last thing he wanted was to cause more damage. 
"You know a simple "sorry" could fix this all right?" Lyla said, breaking him out of his trance. 
"It's not that easy, Lyla." He sounded so broken to his own ears. 
"Well, you gotta try, Boss." 
"Sunflower used to call me that." 
"You're joking, right? Wow, you really are pathetic." Lyla snorted. 
"What's that supposed to mean?" 
"Dude, you're in love with her. You are absolutely smitten." 
"Lyla, that's enough-" 
"No, you love her and that's why it's bothering you so much." 
"I don't-" 
"Nah, Lyla's right, you do love her." He turned around to see Jess standing in his office. 
"Jess, not you too, and where did you come from?" Miguel groaned, he did not love you. 
"The door…? Anyways, just try to fix things, the first step is you apologizing." Jess stated matter-of-factly. 
Miguel thought about it for a minute, these last few weeks had been pure torture for him, Jess was right, the first step is apologizing.
"Fine, I'll do it first thing tomorrow, but I don't love her." 
"Sure, whatever you say, man." Jess snickered. 
─── ⋆⋅☆⋅⋆ ──
You got somewhat used to your new life. It was the same old plain routine every day. You tried to throw yourself into other things. Finding new hobbies, jobs, literally anything. 
But eventually, it all started to feel okay.
Things were finally starting to look good for you. 
You thought about the spider society way less and finally started living your life to the fullest. 
You were moving on. 
Crime fighting was easy today. You got to hang out with your friends and an old lady gave you a cheerio, which is something. 
You swung around the city for a bit, enjoying the view and temporary peace. 
Soon it was time for you to head back home. You climbed in through your bedroom window and quickly changed out of your suit, slipping into more comfortable clothing.  
When you went downstairs to get some food, you weren't expecting to see Miguel O'Hara sitting on your couch. 
"Holy shit, what are you doing here?" You scared him, because he jumped violently at the sound of your voice. 
"I was here t-"
"Humiliate me further? Because I thought we were done with that." You felt bad saying that, but he deserved it. 
"No, I'm here to apologize." He looked down, ashamed. 
"It's a bit late for that, isn't it?" You chuckled bitterly, walking past him into the kitchen. 
"Just listen to me for a second." 
"I thought I was incapable of doing that." You muttered to yourself. 
He got up and strode towards you, but he received no acknowledgment of his presence. 
"I'm sorry for yelling at you in front of everyone; it was wrong and I shouldn't have acted so immaturely." 
"Uh-huh, it's fine. You can leave now, the door's right there." You weren't buying his ridiculous apology. Even a five-year-old could do better. 
"I understand you're mad, but please give me a chance." That was pretty much the last straw for you.
"I'm mad? You humiliated me in front of everyone! You made me feel like shit, you made me think I don't belong on the team! You're an asshole." You were screaming at him, taking out all the anger and sadness you felt in the past two months.
"I'm sorry." He sounded so small, so vulnerable, and for the second time in his life, he didn't know what to do. 
"The best you can say is I'm sorry? At least give me a proper explanation." You scoffed, rolling your eyes. 
"I'm in love with you." What? 
"Right, if you're here to joke around and mock me just leave okay."  You open up to him and he mocks you in return. Amazing.
"I'm being serious. I'm not mocking you or joking around, I'm in love with you. You want an explanation, so I'm giving you one." He breathed, looking at you hoping to receive some reaction. All he got was a small head tilt which he took as a sign to continue. 
"The reason I yelled at you was because I was scared. I thought you were going to die and that terrified me, I've lost everything, and I don't want to lose you too. I didn't know how to handle it, so I lashed out. I truly am sorry, Sunflower." You froze trying to process everything, was he telling the truth? 
"Lyla and Jess helped me realize my true feelings for you." He whispered. 
When you said nothing for a few minutes he started to get scared, he was ready to get on his knees and beg for forgiveness if he had to. 
"Can you… say something? Please?"
"I can't forgive you just yet." He would never admit to what happened next but he started sobbing. All this was too much, being vulnerable was an unknown feeling to him. 
"Woah, wait hey, don't cry. Let me-" Before you could finish your sentence he fell to his knees, arms clutching your waist like a lifeline. 
You were beyond confused, you thought this whole interaction was some sort of weird dream. Miguel O'Hara down on his knees, for you? Wow, two months ago you would've scoffed and rolled your eyes at that. 
Nonetheless, you ran your fingers through his hair trying to soothe him. 
"Miguel, honey, listen to me. Just because I'm not ready to forgive you now, doesn't mean I never will." His face was still squished against your midriff, and his breathing was slowly returning to normal, with a few sniffs here and there. 
"So, you'll come back?" Seeing him in such a state broke your heart, you were still upset with him but were willing to give him a chance. 
"Yes, I'll come back tomorrow." At that, he smiled properly for the first time in weeks. 
He stayed there for a few moments, letting you comb through his hair gently, he would cherish this brief moment forever. 
"I should get going then. The multiverse needs saving." He said hoarsely, standing up, he was slightly embarrassed by this side of him. 
"Maybe use the door this time." He lightly chuckled at your statement, the warm feeling took over him once again.
Miguel did not want to leave, he wanted to stay here with you, but he knew that wasn't an option right now.
Before he left he had to get one last thing off his chest.
"Could you, not tel-" 
"Tell anyone about this? Don't worry, this stays between us only." 
─── ⋆⋅☆⋅⋆ ──
Everyone was surprised to see you back the next day. 
The second you walked in, everyone was all over you, hugging you and filling you in on everything you missed. It felt good to be back. 
"I'm so happy you're back," Gwen whispered, hugging you tightly. 
"I'm happy to be back, Gwendy. I missed you guys so much." 
"Hey quit hogging Sunflower, it's my turn to hug her now." Miles huffed impatiently. 
"Me next!" Pavitr bounced enthusiastically. 
"Hey, not cool. I called dibs, man." Hobie groaned. 
"Hey, Sunflower, I have some new pictures of Mayday to show you." Everyone was so excited to see you again, it was chaotic, but it felt like home. They were your family. 
Miguel watched the scene from afar with a smile, he was glad everything was okay now. 
"So you fixed things up with her, huh?" Jess said, popping up behind him, once again taking him by surprise. 
"¡Ay, coño! Jess, stop doing that." 
"Sorry, not my fault you don't have a spidy sense." Jess hummed. "So, how did you get her to forgive you?" 
"I have my ways." 
"You got down on your knees and begged her, didn't you?"
"How did you know?" Miguel whisper-yelled. That was supposed to be a secret. 
"I have my ways." Jess winked. 
─── ⋆⋅☆⋅⋆ ── 
In a few weeks, everything was back to normal, you were back to your old self again. 
Except for the fact that you and Miguel were now closer than ever. That was new. 
You were always by his side, sticking close to him and he felt comfortable around you, always relaxed in your presence. 
He wasn't sure if you forgave him just yet, but he was willing to wait for as long as you needed. 
He did small things to show you he cared, sometimes it was bringing you coffee, other times it was giving you your favorite flowers. 
You knew he was sorry, and in your heart, you forgave him a long time back. 
So, you finally decided to tell him. 
You guys were in his office having lunch, he didn't like to eat out in the cafeteria. You both would usually sit in silence enjoying each other's company. 
"Hey, Miguel." 
"Hm?" 
"I forgive you." 
He raised his eyebrows in confusion taking a moment to realise what you meant. When he finally got it, his eyes widened almost comically. 
"Oh, you do?" He was trying to hide his smile but failed horribly. 
"I forgave you a long time back, but I just… needed some time." You nodded.  
"I understand that. Thank you for giving me another chance." 
"Actually, to forgive you fully, I want one thing from you." You declared, confidently. 
"I'll do anything, Sunflower." He'd indeed do anything for you. 
"I want you to go out on a date with me." 
His brain stopped working. You were asking him out on a date. 
"Miguel? Is that a yes or no?" You grew nervous at his lack of response. Did you cross boundaries? You thought he liked you. 
"I would love to." You quickly beamed at his response, after months of waiting it was finally happening. 
"So, how about tomorrow, at 7?" You giggled. 
"Sounds perfect." He sighed, softly smiling. 
He couldn't wait for tomorrow. 
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appocalipse · 8 months
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MAKE IT EASY (part 2) : ̗̀➛ STEVE HARRINGTON
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・❥・part 1・part 2・❥・3k words
Summary: steve asks you to pretend to be his girlfriend for a family dinner. the problem is: after all is said and done, he gives you the cold shoulder. have you done something wrong?
Steve has a problem.
No, scratch that. He created a problem for himself, actually, about a week ago. A big, confusing problem that he now has no idea how to solve, so naturally what he's doing is plan B, which is the next best thing: avoiding the problem until it somehow resolves itself.
You are Steve Harrington's problem.
You, with your disarming smile, your gratuitous kindness and your impossible-to-forget laugh. You had made his parents like you, for God's sake. If that's not proof enough that you have some kind of magic working behind your smile, Steve doesn't know what is.
Oh! And of course, there is that damn dress.
Steve lowers his head until his forehead rests on the counter and sighs. Ah, that dress. Steve probably shouldn't think about it, let alone what was beneath it, the warm skin he touched for just a few seconds…no. He shouldn't think about it if he wanted to keep his sanity intact. But apparently, he likes to torture himself.
Steve stays in this awkward position for all of five dramatic seconds until his spine hurts. He straightens up again, with another sigh.
"You should talk to her."
It's Robin (of course) giving her opinion (that no one asked, Steve thinks bitterly) as she walks past him with a stack of tapes in her hands.
"I should never talk to her again. In fact," he argues, speaking a little louder so Robin can hear him from the back of the store, "if you're really my friend, you should make sure that I don't talk to her for the rest of my life."
"Coward."
"Maybe I am."
Even from this distance, Steve is under the impression that he hears Robin sighing.
She walks so fast that he doesn't even register the sound of her footsteps until Robin is in front of him, on the other side of Family Video's front counter, looking at him the way a mother would look at a child throwing a tantrum.
"You are going to talk to her," says Robin, with the certainty of someone who says the sky is blue.
"No."
She smiles. Steve is certain he recognizes that smile. It's the one that scares him, the same that precedes the moment when Dustin or one of the other kids says something like "just trust me, I have an idea", and the idea usually involves a robbery, a murder or interdimensional travel. Sometimes, all three of them.
"Robin-"
She has her backpack on her back.
"End of my shift," Robin hums, suspiciously happy. She takes a step back which, Steve thinks, is quite prudent considering what she says next, "…which means, my dear Steve, that you are obligated to serve our customers. Any customer. Even if you don't want to speak to this specific customer, you'll have to-"
Steve leans over the counter — to do what exactly, he's not sure; strangle her, perhaps — but Robin, as always, is faster. She laughs, and before he can do anything other than practically beg her to stay, Robin is out the front door yelling I'm sorry! over her shoulder, even though Steve knows she's not sorry at all.
Less than ten minutes later, the bell above the door rings again, and Steve wouldn't even have to look to know it's you.
You enter the store and your steps are quick, hurried, a clear goal in your mind.
You stop in front of Steve, almost exactly where Robin had stood a few minutes ago, but the look in your eyes is completely different for more reasons than one.
Steve swallows hard. You had been here two other times this week, and both times Steve managed to somehow force Robin to distract you, acting as if he was too busy to see you. You had clearly decided to talk to her behind his back, because all this had definitely been an elaborate plan between the two of you so that Steve couldn't get away.
You get to the point, crossing your arms. "You are avoiding me."
You're not asking; you're telling him. You know. You noticed.
Well, of course you did. You're smart. Smarter than him for sure.
Steve can only hope you haven't found out about the reason why he's avoiding you these past few days. That would be hard to explain.
He clears his throat. It's like he's trying to breathe with a couple of birds inside his ribcage.
"I'm not avoiding you," he says, but he looks away so quickly he doubts you believe him. "I've just got a lot going on lately…" he trails off, racking his brain for an excuse that would make sense without revealing too much.
It isn't fair — you're the last person he wants to hurt, and yet it took some elaborate plan between you and Robin to get him to stand in front of you again.
Pathetic.
You don't seem impressed. In fact, you laugh before he's even finished speaking, but it's not your usual light, happy laugh; It's a low, wry chuckle that makes Steve feel instantly irritated, even though he knows he probably doesn't even have that right after everything.
He knows he hurt you. He knows. He never wanted that. But you…you have no idea how torturous that night, that dinner had been for him. So yes; he does get a little angry.
"You've got nothing new going on lately!" you retort, growing angry yourself. "You just- I don't know. Have I…done something wrong? Did I make your parents mad that night or something? Because all of a sudden-"
"No!" he snaps, the word coming out harsher than he intended, and definitely louder. His cheeks flush with anger, and then embarrassment, and suddenly Steve desperately wants to crawl into a hole somewhere.
He clears his throat.
"No, you didn't do anything wrong," he repeats, softer this time. "It's just…it's complicated."
"It's complicated?" you ask, and now you're all but yelling too. Great. "That's your excuse for flat out ignoring me for the past week?"
"I'm not ignoring you!" he protests, his voice a bit higher than usual.
The truth is: he has been avoiding you. Every time he sees you, he feels this strange pull towards you - a mix of attraction and annoyance that he can't quite figure out. And every time he talks to you, he worries that maybe he'll say too much, or worse yet, say nothing at all and you, with your annoyingly sharp mind, will read him like a book.
As if that wasn't enough, Steve thinks, tormented, you decide to walk around the counter to literally stand in front of him, nothing else between the two of you besides a couple of steps.
This proximity feels like a trap. Steve takes another step back and his hipbone hits the counter. Dear God.
"Yes, you are!" you argue, crossing your arms and taking a step forward almost without realizing it. "You asked me to pretend to be your girlfriend for one night so that your parents would leave you alone, and I did. I thought it was okay. But then you pretty much ran out of my house afterwards and refused all my attempts to talk to you ever since."
You sigh. You lift your chin and look up at him, and, alarmed, Steve notices that your eyes are a little red, as if you're holding yourself back from crying.
He's making you cry?
Shit. The last thing he wants in the world is to make you cry.
"Tell me what I did wrong," you say, and the sudden softness of your voice catches Steve off-guard. "You owe me at least that, don't you? If seeing me is such a problem for you, just..tell me what I did wrong and I'll leave you alone. I'll go…clearly that's what you want."
"No, that's not what I want," he says quickly, stepping closer to you before his mind can catch up on his intentions. "Look, I'm sorry. I just…I don't know how to handle this."
He runs a hand through his tousled hair, and you probably notice the desperation in his tone, because you just stand there, looking at him. Waiting, he realizes. You don't move.
Then you ask, sounding so innocently confused that Steve almost feels like screaming:
"How to handle…what?"
It's not possible, he thinks. There's no way you didn't notice. You would have to be blind, deaf and…well, maybe not even then. Steve had thought things had gotten pretty clear the week before, at your place, when you had asked him to unzip your damn dress and he had gotten so carried away he almost kissed you and…
Well.
"You," he answers immediately, looking you square in the eye with all the genuine honesty he still has the capacity for. "I don't know how to handle the fact that I…" Steve swallows.
"That you..?" you encourage, taking a tentative step closer.
"Do you really want to know?" he asks, not moving an inch.
"Yes."
Steve's heart skips a beat, a beat that could very well be his last. "Look-"
"Tell me."
"I think you already know."
"I don't."
"Oh, come on," Steve says, his voice cracking as he lets out a humourless chuckle. "You can't tell me you didn't notice the way I looked at you last week. I mean, Jesus, I asked you to pretend to be my girlfriend for dinner with my parents, and then I almost…"
He trails off.
And there it is; that funny feeling inside your chest, that warmth you can't even begin to explain.
"You almost what?"
He chuckles again. "Why do you think I left like that?"
"I honestly have no fucking idea, Steve."
"You asked me to unzip your dress."
"And?"
Steve looks at you like you'd just grown an extra limb.
"You can't be serious."
"Okay, fine, I'm sorry I asked you to do that, but I didn't mean to make you, uh…uncomfortable. You could have said no if-"
"That's not it." Steve cuts you off, frustrated because God help him, you don't get it. You still, somehow, don't get it. He doesn't know whether to laugh or to cry.
So what he does instead is turn around, placing his hands on the counter, his back turned to you so that he can think clearly for a moment without being distracted by the way you're looking at him.
But you…oh, you never let things go, do you?
"What is it then, Steve, huh?" you ask, shortening the distance between the two of you by half. You know the answer, or at least a part of you does. But the other part, the part that's stubborn and insecure and tired…wants to hear him say it. Needs to hear him say it. "What is it? Because it feels like you just want to hurt me. You asked me to pretend to be your girlfriend for one night, but it didn't feel like we were…"
Pretending. Is that what you were going to say?
You stop speaking abruptly, eyes wide as if the words had come out of your mouth on their own. Judging by how angry you sounded, Steve thinks that's exactly what happened.
"Then you just…decided to ignore me."
For one moment, the only thing between you two is the silence.
"I didn't do that to hurt you," his voice is a whisper.
"Then what the fuck were you trying to do, Steve?"
"Get over you!"
"I...what?"
It feels like you're taunting him at this point.
"What, not what you expected?" He says, voice tight as he turns around to face you again, a bitter laugh trapped inside his throat. "C'mon, are you that oblivious?" 
He's getting closer to you as he speaks now, voice growing more intense, more desperate; but you don't back away, he notices. You don't move, don't push him away. All you do is look up at him with those pretty eyes of yours, waiting, searching for something in his expression. 
"I-I fucked up, okay? I told you it was just play pretend but the truth is…I didn't have to pretend one bit," he confesses, eyes finding yours, and immediately that anger — or whatever it was — dissipates, his tone softening as a small smile tugs at the corners of his lips. "I should have known that having you for one night, even if it was just pretend, would just make it that much worse. That's why I tried to avoid you. To get over you…and clearly that didn't work."
There's so much you want to say that you feel like you're choking on your own words. "I don't- you, I mean-"
"No, it's alright, just…" He looks down at the ground, then steps back again with a small, empty chuckle. "Go ahead and reject me. Make it easy for me."
"I-what? Reject you?" If a demogorgon suddenly showed up and swallowed your left leg whole, you're pretty sure you would have been less taken aback.
"I know it's not what you want to hear. It's not how I wanted things to go either. But I'm trying to be honest here," he says, taking another step back, feeling more and more exposed with every stupid word that comes out of his mouth. "I care about you. And I know that if I don't get over this, it's going to ruin everything. So, please, just-"
"Oh my God, you are so stupid!"
Your tone of voice changed completely. Steve lifts his head to look at you, and to his complete and utter confusion, you're laughing.
Laughing.
For a terrible moment, the thought that you're laughing at him crosses his mind, but then…
You hug him. You hug him so tightly, in fact, that Steve is pushed back a step or two, and suddenly he's pressed up against the counter once again.
“You didn’t kiss me,” you murmur, your arms wrapped tightly around his waist, your cheek pressed against his chest. 
He takes a deep breath, inhaling the scent of your hair and feeling the soft cotton of your shirt under his fingers. He can feel the warmth of your body against his. It's almost painful, how good it feels to be this close to you. 
He wonders if he heard it wrong.
No — he certainly heard it wrong. He's hallucinating. Must be.
"Wait, I…what?"
You don't move an inch, but Steve feels as you take a deep breath against his shirt. He wishes he could see your face. 
"That night," you explain, finally looking up at him. You look more flustered than he's ever seen you. Closing one of your hands into a fist, you hit Steve's chest without any real force. "I thought you were going to kiss me, but then you just ran off without saying anything. How was I supposed to guess that you actually liked me, Steve Harrington?"
He almost chuckles. Steve feels like his heart is in his throat, he can't believe what he's hearing. You like him? You, the girl he's been crushing on for what feels like forever, actually like him? 
It's too much to process. He tries to form a response, but all that comes out is a strangled sound that's somewhere between a laugh and a sob.
So instead of trying to use any stupid words, he reaches out and cups your face in his hands, feeling the warmth of your skin against his. He leans down slowly, his heart pounding in his chest, and finally, finally, when you don't move away…he brushes his lips against yours. 
It's just a soft, tentative touch, but it's enough to make him forget about everything else. 
Steve pulls back then, waiting for you to pull away, to tell him no…but you don't. You close your eyes and lean into him, opening your mouth a little more against his, inviting him in. He takes the invitation, pressing his lips against yours again, more firmly this time, feeling your soft, warm tongue slide against his. He presses harder, deepening the kiss, feeling your hands curl into his shirt as he pulls you even closer.
You feel dizzy, light-headed, and utterly, perfectly lost in this moment. 
Your hands cling to his shoulders, fingers digging into the muscles there as you, too, attempt to pull him closer, as close as possible…and then, the bell above the front door rings, announcing that someone just entered the store.
Fuck. 
Steve groans as you pull back immediately.
It's just a customer, an older man with a newspaper under his arm, looking around curiously. Steve knows it's not his fault, but he doesn't think he's ever hated anyone quite so strongly.
He looks down at you and it's a mistake; you look so beautiful with your cheeks flushed, lips swollen from the kiss, a soft, embarrassed smile on your mouth. Steve doesn't know what to say, he's not even sure he knows how to find his voice right now, so one of his hands finds its way up to cup your cheek again, fingers curling gently while the man walks around the store looking for God knows what.
Steve feels like he's on cloud nine. He wants nothing more than to lose himself in you again, and to hell with Family Video's customers. But you, on the other hand…
You grin. "You should probably-"
"Don't go anywhere," Steve tells you with a grin of his own. "I'll be right back."
Apparently, he wasn't aware that he wouldn't be able to get rid of you if he tried.
tags (i hope i haven't forgotten anyone, sorry!): @siriuslysmoking @sebastiansstanswhore @sorchateas @boomitsallie1 @vivzzi @mel119g @skrzydlak
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luvyeni · 26 days
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( most likely to ) would they kill for you ̨ ! ୨୧ 一 엔하이픈 ՞
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⸃ ⸰ ⌁ who in enhypen is most likely to kill for you  ヾ
OTSEVEN 엔하이픈 ・ reader ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ g ・ yandere ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ cw ・ ‎ ‎ ‎ ‎ ‎ ‎ ‎ wc ・ ‎ ‎n/a ‎ ‎ ‎| ‎ ‎click to library
request. i love your riize yandere hcs could you post it for enhypen pls 🙏🏻
「 ୨୧ author note 」 i hope you like it , it is kinda short
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﹙ 𐙚 : heeseung﹚ .ᐟ
heeseung kills for the fun of it; so if it involves you he's not only doing it for your honor , but his pleasure — very sadistic, very torturous, very scary; he does it slowly , even killing them and bringing them back to life just to show them that their life was in the hands of a crazy person and they just fucked with the wrong person's girlfriend.
﹙ 𐙚 : ni-ki ﹚ .ᐟ
yes and in a very very brutal way; ni-ki isn't in control of his emotions, he even loses his temper with you sometimes so he very much goes crazy when it comes to you , like bloody and messy — and sometimes in front of you , if he's trying to prove a point but he'll try to be less violent if you're there — keyword: try.
﹙ 𐙚 : jungwon ﹚ .ᐟ
much like heeseung jungwon enjoys the chase , so yes he's killing for you but also for himself. the torture if anything it's what he likes the most , the torture would be the longest , he'd keep at it for days , first mentally then physically. the kill would be just so it can't be traced to him or you, i feel like jungwon would make them do it themselves , one last act or torture , making them pull the trigger to the gun pointing right at their head.
﹙ 𐙚 : jake ﹚ .ᐟ
seeing you hurt sends jake into a blind rage , he will hurt anyone who tries to hurt you , and it's not as violent as the others but it's still a scene , he wants them to feel the pain they put you through , they need to feel it in order to understand what landed them in the position , a bat they he uses over and over every he sees is red and it's not just blood.
﹙ 𐙚 : sunghoon﹚ .ᐟ
seeing as sunghoon would kill you if you tried to leave him ; he'd for sure kill someone if he thought someone was trying to take you from him — and it will be quick though , he'd snap their neck or and leave their body somewhere no one could find them.
﹙ 𐙚 : sunoo ﹚ .ᐟ
hear me out on this, he would be last given that he comes off as harmless , but he's not especially when it comes to you , he'll turn into a different person so fast , and he is so unsuspecting, the person doesn't even notice and probably even dismisses him, it's not until they feel the brick to the back of their head and the boy standing above that they realized they made a grave mistake but it's too late.
﹙ 𐙚 : jay ﹚ .ᐟ
he won't be doing the killing, no jay doesn't have the time to do that , but he surely would be there watching his men kill for him , it's like entertainment for him , a drink in his hand , and a slight smile as he watches the guy who messed with you into a bloody mess , once they're done he tells them to quickly get rid of his body before you get home and see it.
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©LUVYENI
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kamiversee · 7 months
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➶-͙˚ ༘✶ 𝙏𝙃𝙀 𝙁*𝘾𝙆 𝙇𝙄𝙎𝙏
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✧.* CHAPTER 20 || The Night of Regrets
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[ { SYPNOSIS } ] ➤ A tale in which Gojo Satoru blackmails you into seducing a list of people to clear his debt. Sounds easy enough, right?
[ { CHAPTER CONTENT } ] ➤ language, alcohol consumption, angst, smut, & fluff. (!!Brief drunk sex warning!!)
[ { WORD COUNT } ] ➤ 4k
[ { PAIRINGS } ] ➤ jjk men x f!reader. gojo x f!reader. geto x f!reader. toji x f!reader. choso x f!reader. sukuna x f!reader. nanami x f!reader.
[ [ chapters mlist } ]
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——AND OH HOW YOU HATE being alone like this. Especially because it wasn't just a one-day thing.
No, instead, Choso distances himself from you.
It hurts like hell too. His messages get drier, and he has an excuse for every time you try to hang out with him, and your calls go unanswered.
What a sweet form of torture it is to have your crush give you the same treatment you give your blackmailer. At some point, you think you wallow yourself in a self-isolating pit of pity.
Shoko thinks she hears less from you more than ever, Gojo still receives the same treatment as always, Geto tries to comfort you every now and then but it's no use, and Choso continues to set boundaries for you and him.
It gets pretty rough for you mentally after that.
How are you supposed to deal with being stripped of the company of the one man who sought to bring you joy? There were some nights you cried about it and some nights you took out that stupid journal with that stupid list and scribbled out every name there-- only to rewrite it back afterward.
Reluctantly, you ended up telling Gojo that you managed to sleep with Choso, to which he was quick to send you money. Getting paid was nice and all but the money felt meaningless when you no longer had Choso by your side.
What's another six thousand dollars when the guy you like won't even read your texts anymore?
The panging you get in your chest every time you think about it all is dizzying. After all, no matter how you think about it, none of it is your fault.
Sure, you could've had your bedroom door closed that day Gojo walked in but... would such a small change have made any difference to your situation? The man could've still recorded you. Hell, knowing him, he probably would've.
You hate him so much.
You wish you knew how to express just how deep your hate for him goes but it's difficult to do so as he tries to make up for his wrongdoings.
Every notification from Gojo never fails to piss you off but it gets one hundred percent worse when you no longer have Choso around. Not being able to get with the man you like is obviously Gojo's fault so anything from that man reminds you of the situation and you get upset all over again.
This leads to one night full of mistakes, regrets, and... surprises.
.  . • ☆ . ° .• °:. *₊ ° . ☆ .  . • ☆ . ° .• °:. *₊ ° . ☆
What started your unfortunate night was a final text from Choso that consisted of him explaining that it's hard to talk to you because of how he feels about you.
It was a long paragraph that explained how every time he talks to you, he wants to express his feelings more and more, which ultimately makes it difficult for him to communicate with you because it hurts to know that he's not yours and you're not his. Very explicitly, Choso basically says he doesn't want you to text him anymore.
He wasn't rude about it or anything; even making sure to carefully request such a thing in kind consideration of your feelings. Though, that didn't change how much it hurt.
Choso was your way out, your slim form of freedom. And yet, you lost it.
Where does this lead you? To a bar.
Was heading there the best decision in the world? Probably not. Did you care? Not one bit.
You needed something to relieve your stress, something to take this weight off your shoulders, even if only for one night. So there you sat, swallowing down drink after drink after drink in hopes of washing away all the pain you felt.
Does the sting of liquor down your throat and warmth over your body help you feel any better? For a moment, yes.
It was like all the voices in your head stopped screaming for just a second. No longer were you cursing yourself out for every mistake you've made leading up to now and no longer did you think of all the terrible things happening to you right now.
Instead, you felt just a slither of peace again. The sounds of laughter and soft clicks filled your ears as you calmed your brain, sinking into a tipsy state.
After swishing down your nth drink of the night, you found yourself feeling incredibly good. Almost too good, honestly. Not only was your body warm and your mind at ease but, there was this annoying pulse spurring in between your legs.
The only downfall of you drinking your sorrows away was that you happen to be one of the most unfortunate forms of drunk. Not any angry drunk, silly drunk, or sad drunk but, a horny one. And terribly at that.
The feeling is frustrating actually. It'd been a while since you last went out for a drink and you almost forgot how ridiculously horny you get after some time. The throbbing you feel is so very annoying, especially when all you can do is mentally replay events with Choso.
The man has actually made you squirt more than once. And every time it was because he was giving you head. You recall riding his face once, as per his begging request, and at this moment all you can remember was the way he looked at you and that damn tongue of his lapping at your cunt.
Just thinking about it again makes you dizzy, your stomach churning as you remember it all. His deep guttural groans and pretty whines still echo throughout your mind.
Then there's the way he fucked you-- the feeling of his cock hitting all the right places inside you, making you cry out his name for hours on end, and his praising words... it all haunts your mind.
Shit, now you're really horny. You wish you could call him. If he wasn't upset with you, you'd definitely call him right about now. You're so worked up that you could probably get off on just the sound of his voice right now.
A sigh leaves your lips as you realize you can't even call him. God, you miss him so much and it hasn't even been that long since the last time you saw him.
With a frown on your face, you move to rest your cheek against your knuckles, holding your head up with your hand.
"Y'know, the last thing I expected to find today was a wonderful piece of ass sitting at this bar with a frown on her face," A sudden voice to your left points out.
You physically revolt against the man's words to you. You don't even spare the male a glance in response to his comment, acting as though you didn't hear him.
A sudden god awfully strong collonge seeps into your nose, the smell clearly expensive but unpleasant nonetheless. Then, in your peripherals, you notice this male leaning toward you.
"Oi, I know you heard me." He pesters.
With a groan, you cut your eyes over to him, eyelids rising at the sight. Just your fucking luck, you managed to run into Naoya at the bar and he's absolutely disgusting. Well, at least every time he opens his mouth.
His face on the other hand makes up for it, to some extent. Your gaze is met with sharp brown irises from the male who just spoke.
Your upper lip twitches as you scrunch your face up at him, disgusted by his words to you. "I wasn't aware you were speaking to me." You hum plainly, glancing away from him.
He scoffs, "I cannot stand women who lie."
"That's wonderful but, I don't remember asking." You comment, your tone cold.
The arrogant man tuts, "And she's rude too? Hah, juuust my luck."
Slowly, you force yourself to turn your head to him, your gaze void of emotion. "If all you came over here to do is foolishly run your mouth, I suggest you fuck off because I'm not in the mood." You say to him.
The corner of his lips pulls into a smirk. Damn the way it resembles Toji most weirdly. "What are you in the mood for then, dollface?" Naoya questions.
Ugh, you cringe at his question. He's so very lucky that you have a list to complete because that's the only reason you're tolerating him right now.
"Truthfully? Mindless sex." You blurt out. It's very obvious that you're drunk by this point because the sober version of you would've never uttered such a thing, especially not to this asshole.
A haughty grin spreads across his visibly handsome features and dyed blonde hair with deep dark green roots sways whilst he tilts his head. "Well, then you're in luck. I happen to be an expert at that." Naoya tells you with a wink.
God, you hate everything about his personality already.
"Is that so?" You ask dryly.
"Yeah," He responds, clicking his tongue, "Maybe if you're good enough I'll show you."
You fight the urge to roll your eyes. Instead, you slide out of the barstool you sat at and-- oh. He's taller than you expected him to be. Even so, you blink away the realization and simply sigh at his words.
"If I'm good enough? Please." You reply, "How about this, since I'm not in the mood to argue with you and make you feel small, I'll give you two options."
His brows push together, "Make me feel small? Excuse me-"
"You can either fuck me or fuck off." You interrupt coldly. Beneath your drunken state, you wish he'd fuck off and magically disappear from the list but unfortunately, that's not going to happen.
Naoya stammers for a moment in reaction to your straightforward words. After a second of collecting himself, he shrugs, "Well..." He chuckles, "How can I say no when you give yourself up to me so easily?"
Another sigh leaves you, "Right..." You say, finally allowing your eyes to roll before you grab a rough hold of his shirt and begin to drag him away from the bar.
.  . • ☆ . ° .• °:. *₊ ° . ☆ .  . • ☆ . ° .• °:. *₊ ° . ☆
The whole thing is a mess.
For your first time having drunk sex in the bathroom at a bar like the true whore you've unwillingly become, it wasn't completely terrible.
Naoya may have a disgustingly offputting way with words but, he's not that bad as fucking you against the wall. Your chest and face are pressed into the cold bathroom wall as the man sloppily rutted into you from behind.
This was most definitely your lowest moment yet. The sex was so... vanilla. Naoya lacked foreplay in every way possible that you're pretty sure he doesn't even know what it is. Half of your moans were fake because there were only a few times when you felt the tip of his cock kiss that sweet spot inside you.
His thrusts were too fast and not in a pleasurable way but in a way that made you want to scoff. Naoya was pale in comparison to the past men you've been with. The only thing saving him was the size of his dick and the fact that you were already horny.
If not for those two factors, this whole thing would've been terrible. He tried dirty talk but it all went through one ear and out the other due to how terrible it was. To make up for that, you can't deny the fact that his grunts and groans turned you on.
"Aagh, fuck." Naoya would groan, his voice near your ear and causing your cunt to flutter around him.
There wasn't much else that he did that fueled your arousal though. You were mainly getting off on the sounds of sex and the few times he thrust into you at the proper angle. That aside, to even come close to an orgasm, you had to imagine you were with someone else.
It's sad but, at least the man's name would be checked off the list after this.
A single orgasm was building up within you the very second you imagined it was Choso with you. You could practically hear the way he'd moan into your ear, begging you to cum around his cock and make a mess of him.
The thought alone made your eyes roll back and you were so close. Then, to the least of your expectations, Naoya selfishly pulled out of you, leaving you high and dry.
Your brows furrowed quickly as you panted against the wall. With a loud grunt that fills the bathroom, Naoya cums embarrassingly onto the floor. You have to bat your eyelashes as you gather what the hell this man just did.
Surely he's not done... right?
To your disappointment, he is. The sound of Naoya fixing himself with not even a word uttered to you can be heard, his hands working his member back into his pants before he moves to wash his hands.
You blink in slow motion, pushing yourself off the wall and standing on legs that are also trying to process what just happened. You'd just been denied an orgasm completely.
You scoff, "Is this a joke...?"
Naoya raises his brows, "Is what a joke? You've fulfilled your purpose, you can go now." He dismisses.
And that does it for you. Annoyed, you move to hike your underwear back up your legs and then tug your dress down into place, feeling absolutely disgusted with what just occurred.
"You..." Another scoff exits your mouth, "You asshole..."
The man chuckles at your claim before heading toward the bathroom door, "I've heard worse." He hums, winking at you, "And hey, for what it's worth, you have good pussy." He... compliments?
You send the man a dumbfounded look. Is he for real right now? Like, is he so fucking for real right now??
"You could probably make lots of money off it, honestly," Naoya comments one last time before opening the door and leaving.
Your skin is crawling with an overwhelming feeling of disgust. Never in your life have you felt so utterly used. This feeling is worse than what Gojo's put you through. You're ashamed you even let that dickhead of a man put his dick inside you.
You shudder at what you just did, a permanent scowl stuck to your face. This is worse than when you thought Choso left you. Hell, you'd prefer that a million times over what that misogynistic fuckface just said and did to you.
After gathering yourself and making sure you don't look like a complete mess, you are about to leave the bathroom when the nasty mess he left on the floor catches your eye. Even drunk, you didn't have it in you to leave such indecency on the floor.
So, you were quick to grab paper towels and clean it up, saving the janitor who'd later have to come in there from doing so.
After that, you toss the paper towel into the trash and stumble out of the bathroom. With everything you just experienced, another round of drinks is screaming your name. There's absolutely no way you're going to allow yourself to sober up after that.
So, you make your way back over to the bar and return to your previous activities, now feeling so unsatisfied and unhappy with everything.
Every drink you swallow down merely provides you with a temporary moment of satisfaction. The second you feel that the excessive drinking isn't working, you feel sad all over again, just like how you did when you first entered the bar.
You wanted to cry and scream at the same time. Your head was spinning and your vision began to blur a little, terrible feelings bubbling up inside you as your regret washed over you faster than the alcohol washed down your throat.
When your eyes grew teary, you were quick to scramble for your phone. If not anything else, the one thing you could use right now is either a good fuck that'd make you stop thinking or, someone who can give you genuine advice so that you don't feel so shitty anymore.
And who can provide either of those things for you? Well, none other than Geto Suguru himself.
Your thumb swiped through your recent calls, hazily spotting his contact and calling him. The phone rings for barely even a second, the call connecting as soon as you lift the device to your ear.
"Hello?" The man's voice rings through your ears, making you smile ever so slightly.
You swallow, "Hi Sugu..." Your words are so obviously slurred to anyone listening.
There's a second of silence before he responds, "Hey, you alright?"
"N-No..." You hum, "Can you uhm... C-Come pick me up?" You suddenly whisper drunkenly.
You hear a sigh then some shuffling, "Where are you?" He asks.
You giggle, "The bar."
There's another pause. Then, you hear him sigh again, "What bar, sweetheart?"
"I'll send you the uhm... the uh..." Your brain suddenly freezes as you search for your words.
He makes up for you, "Address...?"
"Yeah, yes. That." You say quickly.
A slight chuckle is heard over the phone, "Alright, send me the address, sweets. I'll be there soon."
"M'kayy," You hum as you move to send him the address.
You end up simply sending your location but you were too drunk to see the difference, not that it mattered. As the message is sent, an amused chuckle is heard over the phone.
You furrow your brows, bringing the cell back to your ear, "What's so funny?"
"What're you doin' all the way across town, love?" He asks in return, finding it humorous.
You pout, "I dunno, can't remember why I came all the way-," You burp slightly, "Out here."
You can't see it but the male shakes his head, "I see. Are you drunk?" He asks, tone concerned.
You smile, "Mayyybe."
"Maybe? Yes or no, sweetheart."
"Yeah, kinda." You sigh.
He hums and you can hear soft car noises in the background, "And I assume you're alone...?"
"Mhm."
"Why?"
"Didn't wanna bother Shoko with my..." You sigh heavily, "My problems."
"Did something happen?" The man questions, "Why would you go out drinking alone?"
"I dunno Sugu, I just need to drink away my problems, y'know?"
"You could've done that with..." He trails off for a second before finishing, "With me."
You yawn, "Yeah, I could've..." Your words come out lower and the man over the phone can tell you're growing drowsy.
"Are you fallin' asleep on me over there?" He asks, chuckling slightly but clearly nervously.
You move to lay your head down on the bar, just barely holding your hold up against your ear, "Mhm."
The sound of him sighing is heard, "Need you to stay awake for me, sweetheart."
"Sugu..." You mumble tiredly, "Why do you keep calling me that?"
There's a sudden silence over the phone.
A throb pains your head and you wince at the abrupt feeling. "S-Suguru?" You call out, your voice revealing your pained state.
"Y-Yeah?" He responds.
"You didn't answer my question..."
"I know." He states, "Are you okay over there? You sound hurt? What's wrong? Talk to me please." The male rambles, clearly panicked by the sound of your voice.
The most he knows is that you're at some bar alone and drunk so to hear you in pain has his heart worried in more ways than one.
You struggle to respond to him as you steadily slip from consciousness.
"Fuck, c'mon, don't fall asleep on me." He urges, his voice anxious.
"M-Mhm..." You mumble.
"Sweetheart, listen to the sound of my voice okay? I can't have you pass out before I get there."
You groan a little, "...Okay."
He smiles at your reply, "Keep yourself awake by talking to me, tell me about your day."
"M-My day?" You frown, "It was shitty..."
"S'that why you went out for a drink? You had a bad day?" The way his voice has gone all soft makes your heart throb for some reason.
Your eyes get teary all of a sudden, "Y-Yeah."
"Tell me what happened." He requests, "You can do that, right?"
"Uhuh..." You agree.
"Good girl," The male praises, his words giving you encouragement. "C'mon, tell me what happened."
"Well..." You steadily begin to explain the events of your day.
From how normal it was to how Choso's single text ruined your mood and then to the terrible sex you just had, you explain everything over the phone with a slur to your words every now and then. Your explanation comes out slowly since you're fighting sleep but you get through it.
"Then I..." You exhale softly, "Then I called you."
"I see." He hums, "Well, I'm right around the corner so keep your eyes open til' I get there."
"No promises." You say with a chuckle.
"Not funny, sweets. I need you awake." He replies sternly.
You groan, "Whyyy do you keep calling me thaaaat?" You whine.
Again, there's no response to your question.
"I'm gonna hang up on you, Suguru." The chances of you doing so are unlikely but you are seconds away from falling asleep.
"You better not." He says.
"Then tell me why..." Your voice fades out as your eyes shut comfortably. Mentally, you got your question out but realistically, your sentence trailed off.
Distorted sounds of your name being called are heard in your ear but second after second, the sounds fade away and blissful white noise engulfs you.
.  . • ☆ . ° .• °:. *₊ ° . ☆ .  . • ☆ . ° .• °:. *₊ ° . ☆
Your sleeping frame is spotted by the man you called as soon as he enters the bar minutes later, his heart rate all over the place. Quick and long strides are made to approach your resting body and hands fly to your face, lifting your head from the cold and dirty bar to get a good look at you.
Even through your sleep, you're pretty sure you hear a familiar voice whisper to you, "What am I gonna do with you?"
Those same hands move from your face and to under your legs and behind your back. Your limp body is lifted from your seat bridal-style and your head relaxes against a lean chest.
The slap of brisk fresh air causes you to stir awake for only a moment. Your eyes flutter open and the smell of cologne is in your nose, the scent almost... nostalgic? It quickly makes you think of Gojo for some strange reason.
"Suguru?" You croak out.
The male holding you is quick to look down at you, his eyes filled with worry. "Sweetheart, you gave me quite a scare," He says softly, his voice making your brows furrow. "Are you okay?"
You groan and rub your temples, feeling the remnants of a pounding headache. "Not... really," You admit, your voice still slurred from the alcohol. "And why do you..."
You end up trailing off as you shift your gaze upwards to the face of the person holding you right now. The question gets stuck in your throat while you eye the man's face.
Soft blue eyes are peering lowly at your drunken expression, a firm pair of slender hands carrying you as if you weigh nothing, ruffled white hair bright enough to blind someone and a face that's all too angelic for the hate you hold for it.
After a gulp, you bat your eyelashes and squint, wondering if you're seeing things. "Gojo?" You whisper softly.
A beautifully broken smile is given to you along with the sound of a shaky yet relieved sigh, "Yeah?"
You pout, "Why are you here...?"
"Well, love," His voice is gentle, "When you call..." He leans just a little bit closer to you, "...I come running."
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GOJO SATORU ✔︎
GETO SUGURU ✔︎
TOJI FUSHIGURO ✔︎
KAMO CHOSO ✔︎
ZEN'IN NAOYA ✔︎
NANAMI KENTO ☐
??? SUKUNA ☐
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twilightcitysky · 1 year
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Everything Is Meant (long S2 analysis, part 2)
Part one here
Okay, so that's how I think the pre-creation scene and Gabriel's arc connect to Aziraphale's choice. I also think the ineffable bureaucracy speedrun exists to prove totally different things to Aziraphale and Crowley: Aziraphale loves that they can love each other but notes they have to run away to be together; Crowley sees this and immediately thinks "hey, we can do that too!", forgetting that running away is not a solution Aziraphale has ever been interested in. It's the mentality of an individualist vs a group-oriented mind, and neither of them is necessarily wrong, it's just that their priorities are different and they HAVE TO TALK ABOUT IT, which they don't.
Continued analysis under the cut:
3. Let's take the Job minisode. Why include it? We already mentioned that it proves Aziraphale remembers Crowley as an angel, since he mentions it. And he believes Crowley is the same person he always was, and that he doesn't want to harm Job's crops or animals or children. Crowley tries to convince him he's a Big Bad Demon who is all in on this assignment, but fails utterly to kill even a single goat, soooo... Aziraphale comes to the conclusion that he knows what Crowley wants. Alert! Alert! This is a big problem! Crowley says, "What do you know about what I want?" Aziraphale: "I know you." Crowley: "You do not know me." But because Aziraphale got it right this time, he goes ahead assuming he'll always get it right, which is a crucial failure when it comes to the final reckoning. He doesn't ever ASK Crowley what he wants, he just assumes. When you assume you know what someone wants, you usually assume their priorities align with yours... he couldn't be more wrong about that. The Job minisode sets up this dynamic for them, and they never really manage to change it.
The other thing happens at the end of the minisode. Crowley acknowledges two crucial points: 1) he's lonely ("But you said it wasn't!" "I'm a demon. I lied"), 2) he doesn't think Aziraphale would like Hell. Aziraphale DOESN'T like Hell. Aziraphale hates Hell for what they've done to Crowley. He doesn't see Heaven as innocent or benign, but importantly, Heaven has never tried to hurt Crowley directly. They never threatened his safety. They never tortured him (as it's heavily implied that Hell did). Fast forward to the last ten mins of season 2: Aziraphale excited to tell Crowley that he can be an angel again BECAUSE: he never has to go back to Hell. They can never hurt him again, not the way they did before. And he doesn't have to be lonely anymore.
Last point before I leave Job: Crowley has the chance to cause Aziraphale to Fall, here, probably. ("I lied to Heaven to thwart the will of God!" "You did, but I'm not going to tell anybody. Are you? ...good, then nothing has to change.") He doesn't take it. He doesn't want Aziraphale to be a demon. He loves Aziraphale as he is. "Angel" as an affectionate. Aziraphale certainly doesn't use "demon" as a pet name for Crowley. I think they set up this scene to contrast the final one, and show how deeply hurt Crowley is that Aziraphale suggest he change.
4. Moving on to Victorian Scotland. This one confused me at first. I was delighted that they brought back the "the lower you start the more opportunity you have to rise" dialogue from the book, but apart from that I didn't really see the point of it. It seems like the statue of Gabriel and the fact that he and Beelz ended up at that pub in the present were more or less coincidental.
The point, I think, is actually not the girl, but the doctor. He's a person who is trying to do good by working in a system that's deeply flawed, and engaging in questionable moral practices for the greater good. (Cadaver dissection is still an essential part of medical school. You need dead bodies to understand living ones.) He shows Aziraphale a tumor he removed from a child who died, and Aziraphale clutches it to his chest. The camera zooms in and lingers to tell us that this is a guardian through and through. He wants to protect people. He wants to do good with every fiber of his being.
To Crowley, it's enough to just "be an us" with Aziraphale. He doesn't really want anything more than that. That's an issue! For one thing, it fosters unhealthy codependency, and for another, Aziraphale would never be happy without the opportunity to help and protect people. It's an essential part of who he is. Metatron knows that, and he plays Aziraphale like a fiddle. The doctor showed Aziraphale that you can make a difference even in systems that are flawed, and even if you have to do things you'd rather not do. Aziraphale doesn't want to go back to Heaven, but he truly thinks he can change things; thinks he can be a guardian with some real power. In his mind, that's the right thing to do.
Last thing that happens in Scotland: Crowley saves a soul from Hell, arguably, by preventing a suicide. He gets in Big Trouble. Whatever happened to him downstairs resulted in him coming back up, leaning on a cane, and asking Aziraphale to give him holy water. Go back and watch that scene knowing what we know now about the Victorian minisode. Ask yourself how Aziraphale must have felt. He likely blamed himself for what happened, because if he hadn't meddled then they never would have been there in the first place. He knew where Crowley was, and why he was there, and he had to sit with that knowledge for years. He desperately wants Crowley to be safe; is perfectly willing to push him away to keep him safe-- which is what he does do, the minute Crowley gets back.
Now think again about what Metatron offered him. A chance to keep Crowley safe forever. He'd never be harmed again. Aziraphale is going to take that offer, no matter what else is asked of him. He's shown over and over again that he'll sacrifice his own happiness to make sure nothing happens to Crowley. And he'll do it without talking to Crowley about it first, because he is a moron who doesn't know how to use his words. Leading Crowley to assume that Aziraphale doesn't love him. The idiot angel is doing it all out of love, but because he doesn't make himself clear Crowley doesn't know that.
Part 3: Maggie and Nina, and their roles as mirror couple/ Greek chorus!
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atlabeth · 5 months
Text
dance until we're bones
pairing: aaron hotchner x fem reader
summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.
a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier
wc: 17.2k
warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one
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Hotch can barely stay awake. 
He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point. 
It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel. 
He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there. 
Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always. 
Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour. 
“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.” 
“Great,” Prentiss mutters. “How bad is it?” 
“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”
“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.” 
Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”
“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”
“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.” 
“Our guy probably isn’t trained in anything, then,” Rossi says. 
Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”
“He doesn’t kill children, though,” JJ notes. 
“Maybe he thinks he’s doing them a favor,” Reid says. 
“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.” 
“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”
“Especially with families being killed,” Morgan murmurs. 
JJ sighs. “I’ll draft something on the jet and make some calls when we land.” 
Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.” 
-
The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file. 
The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene. 
It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house. 
They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt. 
It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control. 
All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.  
Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics. 
They’ll find whoever did this. That’s what gets him through it. 
They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.
Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.  
Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything. 
First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect. 
“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.” 
“What has he been charged for?” 
“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail a little less than a year ago, and it looks like he’s been living in St. Louis for some of that.”
“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”
“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”
Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”
“And hope we pin something down before more bodies show up,” Prentiss murmurs. 
They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind. 
The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive. 
“Remember,” Prentiss says as they come to a stop together, “be nice.” 
“I’m plenty nice,” he murmurs, and she huffs the slightest laugh. 
Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising. 
You.
Your brows furrow at the sight of him, and Hotch has to hold back his shock. 
You don’t live in St. Louis. And your last name certainly isn’t Hartford. 
“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.
He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.” 
Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?” 
Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”
“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?” 
Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.
“We’ll be able to explain everything if you let us in,” he says. 
You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”
You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…” 
You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house. 
It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all. 
Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub. 
“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?” 
“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.” 
“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?” 
He nods. “I had a change of heart.” 
You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.” 
Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”
You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.” 
Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Louis area.” 
“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him. 
“Not you,” Hotch says. “Do you know a Lucas Hartford?”
“He’s my brother,” you say, and your frown deepens. “You’re not saying—”
“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”
And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things: 
Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be. 
Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school. 
“My brother is not a murderer,” you state clearly.
“And we aren’t accusing him or you of anything—” she starts. 
“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”
“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says. 
You glower at him, but you stay silent. 
“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.” 
“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”
Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”
“You know my name, Aaron. Use it.”
He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.” 
“Ask away,” you say. “Doesn’t mean I’ll answer.” 
“Lucas Hartford,” Prentiss starts. “He’s your brother?” 
You nod. “He lives with me.” 
He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away. 
“Why is that?” Hotch asks. 
You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too. 
“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”  
“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going. 
“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.” 
“What about your parents?” she asks. “Surely they’re a better option than this.” 
“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?” 
Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you. 
“Really?” 
He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him. 
He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her. 
And he didn’t even know when she died. 
You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad. 
“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went last year.”
“I’m sorry for your loss,” Prentiss says. 
You nod your thanks, the notion a bit numb. 
“You never told me,” Hotch says with a slight frown.
“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.” 
Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.” 
His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even. 
“I take it this was as much of a surprise for you as it is for me.” 
Hotch nods. “We came here looking for your brother.” 
“Does your team know about our history?” you ask simply.
“No.” 
“Do you want them to?” 
“…No.” 
You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.” 
You wait another beat, then ask another question. “How’s Haley?”
“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”
Your eyebrows shoot up. “Really?”
He nods. “This job isn’t easy for anyone.”
You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.” 
Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you. 
“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.” 
“Pass that along to your brother, too,” Hotch says. 
You reluctantly take the card, but you don’t look at it. “You can see yourselves out.” 
Prentiss nods. “Thank you again. Have a good day, and stay safe.” 
She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door. 
Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again. 
“Garcia?” Prentiss asks after she picks up. 
“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?” 
“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.” 
“On it,” Garcia says. “I’ll call you back when I’m done.” 
“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.
“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”
Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”
“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”
Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret. 
“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”
Emily hums. “Is it too far to ask if you were together?”
“Yes,” he says sternly, maybe a bit too hasty. “It is.”
“Fine,” she says breezily, and she looks out the window. “But that tension was thick.” 
Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case— 
He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.  
You’ve changed a lot. So has he. 
And now your brother is a murder suspect, and you could be covering up for him. 
That’s the only thing that should be on his mind. 
-
“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.” 
“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”
“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”
“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!” 
Mia draws out a mirthless laugh. “You are not accusing me of this.” 
“I don’t have anyone else to accuse!” Cleo shouts. 
They both look at you, and Mia says your name. “You have to settle this before I kill her.”
“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”
You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief. 
“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”
You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you. 
“You have no idea how happy I am to see you,” you breathe. 
“What’s going on in there?” Aaron asks, amused. 
“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”
“You know this is a study date,” he says wryly, and you cut him off with a kiss. 
“Still a date,” you murmur against his lips. “And something seriously needed.”
Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”
“I know,” you grumble. “But I can’t afford a place on my own.”
“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”
“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”
“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”
“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”
He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.” 
“Careful,” you warn. “You keep saying things like that and we might not make it to the library.” 
“You keep saying things like that, and I might not mind,” Aaron muses. 
You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once. 
“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”
“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”
“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck. 
“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”
“Everyone loves me,” you correct. “Including you.”
You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.
“You’ve got that right.”
He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on. 
“You’re a threat to my grades, y’know.”
“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”
“A dastardly plan,” he says with mock austerity. 
“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”
Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs. 
Falling in love with Aaron Hotchner has been the easiest thing in the world. 
“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”
“As long as you don’t tell everyone how whipped I am for you,” you tease.
“Looks like we’ve both got reputations to keep up.”
“Looks like it.”
You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air. 
(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)
You had sky-high aspirations when you were younger. 
Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it. 
You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.  
They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing. 
All you’ve ever wanted to do is help people. 
And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong. 
You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you. 
Because god— what are the odds? 
What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother? 
It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years. 
It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time. 
If the cops want to invade your privacy even further, they can get a goddamn warrant. 
Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”
“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”
“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you. 
“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.” 
“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties. 
You wonder what he sees when he looks at you. 
“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?” 
“Not one for small talk,” you remark. 
“I never have been.” 
“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.” 
You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now. 
You suppose one has to be like that, to try and get anywhere with the types of criminals they face. 
“How long have you been living in St. Louis?”
“Seven years. I’ve had that house for three.” 
“Rent or own?”
“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”
“What inspired the move?”
“Close enough to home to be familiar, far enough to not be.” 
“And home is?” 
“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.” 
“We prefer to get our information from the source,” he says. 
“Sources can lie.” 
Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.” 
Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.” 
He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up. 
You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had. 
You swallow the memory. It still tastes as sour as the day it happened. 
“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”   
“None of those sound like questions,” you say. 
“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly. 
“I don’t know,” you admit. 
“You don’t know,” he repeats. 
“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I stay out of his business.”
“And you’re telling me you haven’t questioned it?”
“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.” 
Aaron’s eyes sharpen. “What did you say to him?” 
“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.” 
“You didn’t tell him—” 
“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?” 
He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse. 
“Good,” he nods. “You could be putting lives in danger if you do—including yours.” 
“Please,” you scoff. “He won’t hurt me. He never has.” 
“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.” 
“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?” 
“That’s an awful lot of faith to put in someone who hasn’t earned it.” 
“I’ve gotten good at that over the years,” you reply. 
Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly. 
“And you’re wrong, by the way.” 
“About what?” he asks. Again, unshaken. 
“I don’t have a law degree,” you say. “I dropped out.” 
And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you. 
“Why? You were only a year out. You had stellar grades.” 
“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.” 
“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”
“Dead,” you supply without waiting for an answer. You know he already knows it, but it still seems to have some effect on him. “Went a couple months after I was meant to graduate.” 
“…I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least. 
“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.” 
Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.” 
You huff a mirthless laugh. “Excellent profiling.” 
“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.” 
You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron. 
“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?” 
“You know th—” 
Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.” 
The room feels a lot colder all of a sudden. “Sure.” 
He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file. 
“I’ll be back,” he says. “Would you like anything? Water?”
You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking. 
“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.” 
“The profile—” 
“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.” 
“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.” 
“I suppose we’ll find out,” he says evenly. 
He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this. 
For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right. 
You have to be right. 
The room feels even colder. 
Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do. 
You wonder the kind of things they’ve come up with about you and him. 
-
Morgan whistles when Hotch walks out of the interrogation room. 
“She does not like you.” 
“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie. 
“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.” 
“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands. 
Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor. 
“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.” 
“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”
“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.” 
“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him. 
And Hotch knows your past is your business—he just can’t believe you never told him. 
He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things. 
“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying.”
Morgan frowns. “Explain.”
“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”
“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”
“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.” 
“Other fathers to take his place,” Morgan realizes, and he nods again. 
“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.” 
“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.” 
“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”
“That’s how she is,” Hotch claims.
“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.” 
Hotch glares at her, and Reid clears his throat to insert himself back into the conversation. 
“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.” 
They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego. 
“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.” 
Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.” 
“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside. 
He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”
You nod. You already seem more at ease than you were with him, and it makes Hotch… 
Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore. 
Hotch doesn’t get why a side of his brain still thinks this way about you. 
“They sent a new one in,” you say. 
“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”
You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual. 
“I can imagine.”
He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off. 
“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.” 
“Shut up, Morgan,” Hotch mutters.
He chuckles and holds his hands up, and focuses back on the interrogation. 
The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time. 
Time doesn’t always heal all wounds, he thinks. 
When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”
He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”
“What about her brother?” Prentiss asks. 
“The more we learn, the more I suspect him,” Morgan says. 
She nods in agreement. “We just have to find him.”
Hotch isn’t sure yet. 
But for your sake, he hopes his gut feeling is wrong. 
-
Spring has finally sprung in DC, and you couldn’t be happier. 
It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once. 
You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron. 
You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s chest as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard. 
You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you. 
It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round. 
You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed. 
Aaron says your name, and you hum. 
“Are you listening?” he asks. 
“Of course,” you say. 
“Your eyes are closed.” 
“I don’t need my eyes to listen,” you say wryly. “What’s up?” 
You feel him tense for a moment, feel him adjust his position slightly. 
“I got a call from Haley,” he says carefully. 
Your eyes open and you frown. 
You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.
It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate. 
“Yeah? What’d she want?”
“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”
You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.
“Your high school girlfriend wants to catch up.”
“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.” 
“…Okay,” you say slowly. “Do you want to see her?” 
He shrugs. “I thought it would be nice.”
“Do you think she thinks it’ll be more than nice?” you ask. 
“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.” 
Your eyebrows rise. “Your mom gave your ex-girlfriend your number?” 
“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.” 
You chew on the inside of your cheek, trying to think as you look at Aaron. 
You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction. 
But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up. 
“Go for it,” you finally say. 
He frowns, like he was expecting the worst. “Really?” 
“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.” 
You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you. 
“Thank you,” he says. 
“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.” 
He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder. 
“I love you,” he says. It feels more like a reminder than anything. 
You entangle your fingers together and press a kiss to the back of his hand. 
Sometimes you need reminders. 
“I love you too.” 
-
“Four more bodies,” Prentiss mutters. “God.” 
“You can say that again,” Morgan murmurs. 
Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third. 
No one expected this to happen so soon. 
The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt. 
Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work. 
An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation. 
Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved. 
He sees Jack in every single one. He can’t help it. 
Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press. 
Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount. 
“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.” 
He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”
“And his neck,” Morgan mutters. “He’s half decapitated.” 
Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.” 
“You think he’s devolving,” he says, catching on. 
“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.” 
-
The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight. 
JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city. 
The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information. 
“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.” 
“What are they?” Hotch asks. 
“He was on the road all night when the third happened,” Reid says. 
“And how do we know?” Prentiss asks. 
“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.” 
“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”
“Do we have footage from any of those places?” Hotch asks. “We need to make sure.” 
Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.” 
“What about a second unsub?” Morgan suggests. 
Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.” 
“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?” 
“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.” 
“Maybe we’ll figure something out in questioning,” Reid says hopefully. 
Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.” 
“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.  
“And?” Hotch asks. 
“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.” 
Hotch frowns. You? 
“You’re sure?” he asks. 
“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.” 
“And you’re sure about that, too?” Hotch asks again. 
“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.” 
“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.” 
“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up. 
“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.” 
“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.” 
Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.” 
Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died a year ago from liver failure. Hartford got out of jail nine months ago after a six year stint.” 
“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.” 
“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.” 
“He’s trying to get back at his dad,” Prentiss says. “We know that.” 
“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.” 
“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.” 
“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.” 
“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says. 
“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”
“He’s coming to the end of the line,” Prentiss nods. 
Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him. 
“His next crime will probably be his last before he goes out himself,” Reid says. 
“You think it’ll be a murder-suicide?” Morgan asks. 
“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.” 
And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him. 
“If his dad was still alive, I’d say he would be the target. But the only one left—”
“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him. 
“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?” 
“The last victim,” she says as she starts following him. “The one person he never managed to save.” 
“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.  
“What’s up, sugar?” she asks. “Got anymore leads?” 
He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—” 
“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.” 
“What would I do without you?” he asks. 
“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.” 
“Always,” he responds, and he hangs up. 
Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him. 
Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze. 
“We’ve got an extra one for you,” Reid says, reading his mind. 
“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.
“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”  
And he does. 
-
You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear. 
Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale. 
A shiver runs through you, the weather only partly to blame. 
Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner. 
It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff. 
Of course you have to deal with this now. 
Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down. 
“You’re already packed.” 
You shrug. “I’m nothing if not efficient.” 
“I could’ve helped you with all this,” Aaron says, frowning. 
“Why do you think it’s done already?” you ask. 
His throat bobs and he opens his mouth, but nothing comes out.
“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.” 
“You didn’t have to do that,” he says. 
“You know what they say about a clean break,” you intone.  
“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks. 
“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?” 
His lips pull into a taut line. “I didn’t cheat on you.” 
“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.” 
Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit. 
“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk. 
“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—” 
“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”  
“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him. 
“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?” 
“That’s not what happened,” he says, but you’re already shaking your head. 
You take the box from him and smile thinly. 
“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”
-
You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open. 
You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.
“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”
His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”
“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.” 
“They haven’t been back, have they?” 
You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail. 
Your smile fades. “Don’t tell me you’ve been drinking.”
“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests. 
“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.” 
He huffs, and you can practically hear him roll his eyes, but he stops. 
“Did you go to class today?”
“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff. 
“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”
“Yes,” he mocks. “I went to class.”
“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.” 
His smile is a bit thin, but he nods. “Thanks. How was work?”
You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”
“She’s still on it?” Luke asks, and you can’t help but smile a bit. 
“Don’t act like you know what I’m talking about,” you say. “Just agree with me.” 
“I agree with you,” he says. 
“That’s it,” you muse. 
Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up. 
“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.” 
“…Of course,” he says, and he takes it back. “Glad I could help.” 
“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.” 
“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?” 
You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”
“…Good,” he says. “I can tell they’ve stressing you out.”
“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.” 
You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to. 
“You remember that guy I dated when I was still in law school? Aaron Hotchner?”
“I think? I was in jail, so.” 
You roll your eyes. “I know I told you about him when I visited you while we were together.” 
“I remember you telling me how he broke your heart,” Luke says. 
“That’s not what I’m saying.” 
“Then what are you saying?” 
“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”
He frowns. “What’d you say?”
“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.” 
“What have they said about me?” he asks. 
“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…” 
You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.” 
You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.” 
“Don’t worry,” he says. “I’m careful.” 
“I doubt that,” you say wryly. “Still, though. I worry about you.” 
“Shouldn’t it be the other way around?” he asks. “I’m your older brother.” 
“I worry about everything,” you say. “It’s my thing.” 
You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home. 
“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”
Lucas doesn’t respond, though you hear the scrape of the chair as he gets up. 
“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”
Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.” 
“I’m sorry.”
The words come out as a murmur, but you can tell he’s much closer than he was before. 
You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard. 
Then, there’s nothing. 
-
Hotch has been breaking every speeding law there is. 
The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at. 
It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims. 
If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger. 
His hands tighten on the steering wheel. 
“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”
“No one can hurt her if she’s dead,” Morgan mutters. 
“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”
“Yes,” he says, though he wants to say what kind of question is that?
You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that. 
It doesn’t matter that you have history. It doesn’t matter that you likely hate him. 
It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.  
Aaron Hotchner is not going to let you die. It’s as simple as that. 
Hotch’s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”
“JJ and Rossi are on their way,” she says. “Are you headed to their place?” 
“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.” 
“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.” 
“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”
Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching. 
“Tell me how to get there, Prentiss,” he says. “He’s there.”
“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”
“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”
“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up. 
“What?”
“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”
Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”
“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”
Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night. 
And now… 
Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not. 
“Thank you, Garcia.”
“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?” 
For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it. 
“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.” 
“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.” 
“Thank you,” he says. 
“Good luck, Hotch,” Garcia says softly. 
Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him. 
“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.” 
His knuckles go white around the steering wheel, and for once, Hotch can’t find the words. 
-
It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why. 
You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes. 
Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs. 
Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?
Lucas was the only one there with you. So either he’s in the same situation, or he—
“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops. 
For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze. 
“I was worried I was too rough,” he says softly. “But you’ve always been resilient.” 
“Lucas,” you breathe. “What the fuck is this?”
“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.” 
Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.
You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body. 
You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life. 
And if there’s ever been a fucking time to be persuasive, it’s now. 
“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.” 
He shakes his head. “I know you. You’d run.” 
“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?” 
“…You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.” 
“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.” 
“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.” 
“I’ve always believed in you,” you say. 
He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”
You shake your head. “That’s not true.” 
“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.” 
You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises. 
“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”
You remember when you got the news. You were next of kin—your mother was dead, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided. 
“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?” 
“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!” 
“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.” 
“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”
“He ruined us,” Luke murmurs. “And I’m finally going to fix it.” 
All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to. 
Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.” 
“I wouldn’t dare,” you say weakly. 
When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget. 
Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out. 
You refuse to die here. Even if you have to claw your way back through the gates of Hell inch by inch—you will not die here. 
You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now. 
“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.” 
“I didn’t,” you insist. “They’re profilers—they figure things out.” 
He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.” 
He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.
“FBI,” he barks. “Hands up.”
Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head. 
“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.” 
“Put the gun down, Lucas,” Aaron says. 
“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”
“Put the gun down,” he repeats. 
“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.” 
“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.” 
“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.” 
“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?” 
“Trust me,” Luke says. “I’m not losing her.” 
He flicks the safety off and you flinch. He’s going to kill you. 
“Put the gun down,” another agent warns. 
“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”
“We’re not doing that,” the woman says. Agent Prentiss, you think. 
“Really?” Luke chuckles. “You think you hold the cards here?” 
“It’s okay,” Aaron says. “Go.” 
Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave. 
“Wow,” Luke muses. “They really trust you.” 
“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.” 
“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”
“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”
“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?” 
“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.” 
Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.” 
“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.” 
“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.” 
“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.” 
“No,” he whispers. “No—we can’t.”  
“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.” 
For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you. 
“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.” 
You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you. 
And then it happens so quickly you barely process it. 
There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground. 
You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you. 
Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him. 
Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force. 
Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead. 
The only part you had left of your family—gone, just like that, with four other families ruined in his wake. 
Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.
“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”
“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”
A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms. 
“I know.”
Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment. 
“You were shot,” he says with your name. “We have to get you to a hospital.” 
You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers. 
But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron. 
“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!” 
You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours. 
“Aaron,” you whisper, your strength fading. You don’t think he hears you.
He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete. 
“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.” 
And as the world goes black around you for the second time, you see his lips form your name. 
It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die. 
-
You wake up in the hospital alone.  
You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you. 
The real surprise is that you wake up at all. 
Lucas is dead. 
He tried to kill you. You thought he succeeded. 
You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real. 
You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life. 
You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day. 
Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all. 
You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life. 
And you can’t stop playing it all over in your mind. 
He was going to kill you. 
Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU. 
Had it not been for Aaron Hotchner. 
The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him. 
“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you. 
But there’s relief there, too.
He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside. 
“How long have you been here?” you ask, your brows furrowing ever so slightly. 
Aaron closes the door and sets his coffee on the table before he answers you. “Three days.” 
“And how long have I been here?” 
“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.” 
You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”
“How bad was it?” you ask. 
Aaron glances away. “You died on the table. They managed to bring you back, but…” 
“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.” 
He shakes his head. “If anyone’s allowed to joke about this, it’s you.” 
Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.  
“You were out for two days after,” he explains. “This is the first time you’ve woken up.”
“Why are you here, Aaron?” you ask quietly. “Why have you been here?” 
Aaron frowns. “Where else would I be?”
Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start. 
“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.” 
“It’s not a crime to want to see the best in people,” he says. “Especially your family.” 
“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”
“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.” 
You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!” 
“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.” 
“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—” 
You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same. 
“And I just don’t know what to do,” you repeat, barely a whisper. 
You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life. 
“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.” 
“Aaron,” you start shakily, but he continues. 
“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”
He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number. 
“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.” 
You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner. 
“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.” 
“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”
For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…
Somehow, you’ve ended up on a completely different side together. 
“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.” 
“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.” 
“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit. 
“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.” 
“I imagine you’re pretty busy,” you murmur. “Unit chief and all.” 
Aaron shrugs. “I make time for the things I care about.” 
Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.
“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out. 
“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume. 
“I’ll give you some time alone,” Aaron says.
Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.  
“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.” 
Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down. 
“Okay.” 
And he stays. 
This time, he stays.
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gremlingottoosilly · 5 months
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Now, Fallout!AU for Raider!Konig and fem!Reader...
Konig as a raider. Your typical one - wall of meat, muscles, mean motherfucker who doesn't really care who to kill and who to fuck after. It might be from one of the less drug-addicted gangs, most of the shit never works on him anyway. Might be radiation, might be mild mutation - no one cares. He isn't a leader of the gang, never good at working with people and commanding them - but he is good at shooting people and taking their stuff. He is good at spotting and sniping, despite people around laughing at his huge form scrambling behind a stolen sniper riffle. This is how he spots you, actually. A vault dweller - this much is obvious. You can lead him to your stash, a can deep in the ground. Filled with people, vault-dwelling rats - the ones that are too fucking good for this place. Konig thinks he hates them - but honestly, half of the wasteland does. You do look good in that tight suit of yours. Bright blue on the dry yellow of the ground below. he wondered who designed the suits - if people knew that every dumb underground rat would be spotted from at least 3 kilometres away in that bright blue thing. Works for him, though. He flips off the guy who didn't want to spot for his position. His rank in the gang is high enough to just get a guy by his neck and force him on guard duty - all while he is getting ready to catch the little rat. It was a while since he saw someone so pretty - honestly, only Vault dwellers can be considered pretty at this point. Clean skin, moderately clean hair. He knows that if he gets to smell you, you'd have this awesome stench of cleanliness. Would be lovely to push his nose into your hair as he fucks you on his bunk. Might even clean his room a bit so the underworld princess won't be too disgusted at the perspective of being chained to his bunk. A prized property. Pretty helpless thing.
Konig drags you to the compound with ease. You're too startled at the sight of a giant hooded man approaching you with a very mean gun on his hip - not even in his hands, since he is confident he can snap your neck with just two fingers. You whine like a brain calf being split in two at some posh casino far in New Vegas - he brushes his hand over your ass, gripping it. Patting it. You do have a weapon - he disposes of it now, just getting it to his pocket. You freeze when he takes your pip-boy off, snapping it off your wrist with ease. You mouth a little plead with your lips. Konig laughs. You have a Vault location in here - it's funny how such a silly thing is going to be the doom of your people. The gang leader would probably be sad they didn't get to torture you for information, but Konig is making sure the whole gang will be satisfied hearing your moans and cries the whole night. Everyone knows that Konig is a beast - and that if they try to get the leftovers of a pretty Vault girl, they will be used as a target practice next. You do smell good. Konig takes note of breaking into some abandoned building and trying to fetch water and cleaning supplies so you could continue to smell nice. Wants to doll up his pretty Vault snatch - even finds some old, pre-war dresses. Plays house as long as gang allows it. Some of the younger members give you a pitied look, hearing your little sobs every time Konig forces you to move. Some of the older members know that the moans you're letting out aren't the ones of pain. Konig isn't the one to share and to talk, so he never even brags about his girl. Just has her attached to his hip, clinging to his armor since he is the only one who you know here. At least you know him, somehow. At least you know he likes his pretty Vault rat too much to let you get hurt. By anyone but him, that is.
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reidsdimples · 4 months
Text
When Everything Changed | Part 1
Enemies to lovers | Spencer Reid x BAU!Reader
Angst 🖤
Spencer isn't a fan of the BAU's new genius (you).
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You didn’t have a particular like or dislike for Dr. Spencer Reid. For the most part you felt fairly neutral. He was a colleague, one of the team. The two of you weren’t super close but Garcia says that’s because there’s not enough space in the BAU for two genius’s.
He didn’t seem to care for it when you blurted out facts that Hotch asked for or knew a statistic down to a closer decimal than he did.
“If you would do your reading on rapidly updated internet databases instead of printed out media, your statistics wouldn’t be a month behind,” you sniped at him after he sassed you.
Hotch gave you a pointed look.
“He said 13.6% and you said 13.2%- that discrepancy is not one I’m concerned with. 13% would have been fine,” Hotch said and looked back down at the case file before him.
The jet hummed softly, Rossi raising his eyebrow at Reid who seemed to have something to say.
“Reid what do you know about sharp force injuries to the ears?”
“The ear canal is a sensitive and vulnerable part of the body, often associated with communication and hearing. The criminal may have chosen this specific method as a way to assert control or power over their victims by targeting a vital sensory organ. Depending on if he wound it into the brain slowly, it may have been a sadistic killing,” he answers rapidly.
“You think this was torture? It looks more like an instant death,” you answer.
“Ancient torture methods focus on the ears as a way to deal pain by shattering the ear drums and rendering the victim deaf. Given the amount of blood in the right ear I’d say it was done antimortem as a form of torture while the pick through the left ear was the killing blow. He even angled this ice pick upward and into the brain,” he runs his long fingers over the crime scene photos to show you.
You’re almost in awe that he was able to deduce that before seeing the bodies but you say nothing.
"The first two only had an ice pick to the ear which killed them," Hotch said.
"Maybe he hadn't learned yet that he enjoys the torture," Rossi adds.
“Either way this unsub has a fascination with ears,” JJ says.
“Maybe he’s deaf himself?” Morgan chimes in.
You accidentally kick Reid’s ankle while adjusting in your seat across from him, he snaps his head up and narrows his eyes on you.
The conversation spurs on all the way to Portland, Maine where the smell of saltwater invades your nostrils as you step off of the plane.
-
The following day you’re partnered up with Reid to sort through a series of clues left by the unsub. Two more bodies dropped in twenty-four hours, leaving 8 riddles on 8 bodies that needed to be decoded.
“I can take care of this myself,” Reid argues with Hotch.
“I know you can but an extra set of eyes can’t hurt, we’re on a time crunch. Monica Dentz went missing four hours ago. If he sticks to his MO, she only has ten hours left,” with that Hotch exited the room.
Reid rather aggressively tossed his should bag on the table before snatching up copies of the riddles from the table and pinning them to the board.
“I’m not trying to get in your way,” you sigh. You watch him organize the riddles on the board.
“Try harder,” he snaps.
You scoff but your eyes scan over his tall frame as he puts the board together. Nope.
“I think the first one is talking about a ship, same with the third and fifth,” Reid says as he flips a pen in his fingers.
“If you’re taking it literally. ‘Alone in the tide’ could just be a metaphor for loneliness,” you point out.
“And what do you make of ‘the bow takes charge, towards the arctic waters where she sleeps’?” He asks. He’s less condescending this time, more curious but still annoyed.
“That.. that’s probably about a boat,” you accept.
“If you look at these as a story, where you read them from the first lines strung together and then the second lines… it reads like a book. I think someone he loved died at sea,” it seems to click for Reid and he starts scribbling on the board. “And here… I think this means there was an explosion. A boiler room maybe?” He’s moving around the two boards quickly, talking fast, pushing his hair back from his eyes. For a moment you almost find it adorable.
“Maybe he went deaf in a boating accident that killed someone he loves…” you add, standing to look at the board.
He calls Garcia and then Hotch.
“He’s killing them on a boat, it’s symbolic for him. We think he was a victim of a boating accident and lost his hearing…” he continues to speak but you become distracted.
Why were you becoming attracted to him? He was never ugly but you had never noticed him this way before. He was too busy infuriating you with his attitude. Yet he was growing on you in the last few months. Weird.
“Now what?” You ask him.
“We wait for them to get names. Hotch will tell us where he needs us next, we’ll continue to work the profile from here,” he places the pen in his mouth and flips through the victim profiles again.
“Don’t you have an eidetic memory? Why do you keep going through those…”
“Helps me deduce the information,” he shrugs dismissively.
You frown.
“Ya’know,” you sigh and pull up a chair across from him. “I have no intention of overshadowing you.” He glances up from the file.
“So why do you go out of your way to correct or narrow down my answers?”
It’s a perfectly reasonable question. You didn’t know why you did it.
“Habit? I’m used to being the smartest person in the room,” you admit.
“Right,” is his only response as he opens another file.
You don’t know what else to say so you take a look at the profile the team has built.
2 hours pass in awkward silence before Hotch calls the two of you to meet them at the east harbor for a raid of the now named suspects boat.
Once you arrive, Morgan and Prentiss greet you while you’re fumbling with your vest. After a moment and a frustrated sigh, Reid steps behind you.
“Here the strap is twisted up,” he says.
His fingertips graze your hip where your shirt is riding up. Your breathing hitches but you try not to appear affected.
“Thanks,” you tell him.
“Sounds like a plan,” you answer Prentiss who had been explaining the entry points.
“The two of you friends now?” Morgan asks Reid.
“I wouldn’t call it that,” Reid answers stoically with his hand propped on his gun. You scoff and shake your head.
“What?” Reid turns his head to you.
“Nothing, let’s just do this,” you snipe. Morgan and JJ exchange an concerned glance.
The man was impossible. You understood if he had walls up, if he didn’t like new people or the competition. But he’s not even trying to welcome you in the slightest.
The scent of ocean air and dead fish fills your nostrils as you follow behind Morgan down the dock. Reid and JJ creep onto the stern of the considerable sized old yacht while Hotch, Rossi, and Prentiss took the bow. You and Morgan are entering through the main entrance of the cabin with deadly stealth.
You hear varying 'clears' come from your coworkers before you point Morgan to a hatch leading below deck. You think you can hear shuffling of some kind happening but it's hard to tell with the sway of the ship.
The rest of the team enter behind you but its Morgan who insists on jumping down first, forgoing the small ladder.
"Randy Lional, put your hands up," he's shouting as you drop down behind him.
You raise your gun as you take in the scene, someone else drops down behind you, it's Reid based on the silver revolver in your line of sight.
The man is crouched over an unconscious Monica Dentz, one of her ears bleeding and her wrists bound. You think she's still breathing.
"Put the gun and the ice pick down man," Morgan yells and then Hotch is next to him.
"He can't hear you," you tell Morgan when Randy drags the barrel of the gun over the girl's half naked body as though he's lost in a trance. His burly back is turned to the team and the situation is so unique that none of you know how to intercept him.
You push between Morgan and Hotch to slowly approach him. It's Reid who grabs your arm and shakes his head, something like concern playing in his hazel eyes. You take your arm from him and turn to the unsub.
An idea strikes you so you pull off your earring and toss it in his direction, it slides across the floor into his line of sight, causing him to jump up and turn around.
The man's eyes are wide, dark bags below them. He's frantic as he shakily points the gun at you. His stringy strands of hair are oiled to his chubby aged face and he appears to be shocked by the FBI's presence. He's aiming the gun at Monica's head.
"Put the gun down," Morgan yells again, gesturing at the weapon.
You begin to use sign language, after putting your own gun back in its holster. Reid steps closer to you, his revolver still raised.
"I know that you're hurting. I know what happened that night. I'm so sorry about your parents," you begin to sign. "But torturing others this way is not going to change what happened to you."
Reid glances at you, seemingly impressed by your use of ASL.
"She's trying to talk him down," Reid informs the rest of the team.
"Please, drop the weapons," you sign to him again. He looks more sad, defeated than before and you're hopeful.
"Does he profile as suicidal?" You ask the team.
"Yes," Hotch answers. You swallow hard.
Just then Monica stirs awake and begins screaming against the cloth gag in her mouth.
What happens next feels like slow motion, you don't even know how to process it.
Randy raises the gun and fires at you, three shots in rapid succession before you can blink. And then Reid has stepped nearly completely in front of you, firing two shots along with a barrage of shots from the team.
You hit the floor in a daze and chaos ensues.
"We need medics!" Prentiss is screaming into her ear piece.
"Two agents hit, one victim, subject deceased," Hotch is speaking into his mic as he rushes over to you.
The blinding pain is in your shoulder, the blood hot as it oozes out of you.
"Reid," you search for him.
"Ah, I'm okay. I'm okay," he doesn't sound okay.
And then you see it, the wound in his neck, the blood pouring from his mouth. Reid is grabbing at his throat for the wound, blood coating his hand. Crimsons running down his slender wrist and long fingers. Then Morgan is applying pressure to the wound while JJ is tending to you.
You wince in pain as she is pressing down on your shoulder. You can physically feel the metal bullet sitting inside of your body, sending pain radiating in all directions. People are talking all around you, JJ's eyes are full of tears as she tries to get you to stay conscious.
"Come on kid, look at me," Morgan is pleading with Reid. no no no.
"Why did you..." you try to ask why he stepped in front of you but the room begins to spin. You start to see double and you don't know if its you or Reid groaning in pain. Reid's eyes are rolling back in his head and he's starting to go limp in Morgans lap.
Reid took a bullet for you, and it may kill him. What if he dies thinking you hate him?
A blur of paramedics enter the space before you lose consciousness murmuring Reid's name.
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A/N- Hope you guys love this. I'm already working on the 'lovers' part.
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fangsandfeels · 10 months
Text
Got hit with more thoughts about spawns and Cazador...
...and naturally, I'm posting it here because I'm no longer a functional human being.
I remember the lingering question that Astarion seemingly being only one of the spawns using seduction to lure victims in. At least, there is no menition of other’s doing so, except for Petras. So, why is that? Why Astarion was the only one?
In my opinion, it stems from Cazador’s very particular choice of victims. In all these years, he acquired only seven spawns (except for the thousands of Turned nobody knew about), and almost all of them used to be accomplished or talented people:
- Violet, a beloved and talented songbird from Reithwin;
- Dalyria, a respected doctor working in the Parliament;
- Leon, a sorcerer (a spell modifiaction he came up with shows how good he is at his magic);
- Astarion, a magistrate with a promising future, centuries of life ahead of him, and a beauty worthy of a thousand paintings.
Following this tendency, we can assume that Yousen, Aurelia, and Petras also were similarly talented or good at something enough to attract Cazador’s attention and make him envious.
The bastard thinks very highly of himself. He calls himself the most intelligent and beautiful creature out there, and spends hours writing letters to other vampire lords, trying to convince them of his grandeur. He attempts to inflate his ego, making it finally big enough to overcompensate for his miserable inferiority complex, in any way he can: so, whenever he spies someone with a talent or potential, someone who might be better than him at anything, he snuffs them away, adds to his collection, and then breaks them over and over, making them believe that they’re nothing. He is the father who gives them purpose; they are his spawn who owe him everything; and everything they have belongs to him.
And maybe, aside from tortures, and humiliation, and gaslighting, and forcing “siblings” to hurt each other, he came up with one more way to break them - when he forces them to hunt, he forces them to use everything that made them special, loved, respected, and admired for the most gruesome things.
- Violet, previously a talented singer whose voice was fondly remembered up to Reithwin’s fall, using her voice to catch attention; using her image and charm to lure people into the palace to their death.
- Dalyria, picking her victims around apothecaries and temples that responded to the people's suffering by closing doors in their faces, seeking out refugees and ailing citizens low on coin, offering to help them, kindly inviting them to “her place” (if we take Karlach’s family as an example, finding a healer who would agree to help a less-than-wealthy family is quite a problem at the city).
- Leon, using his talents and magic to nab people from the street, to drag them to Cazador without a fight while knowing that he will never be able to use the same power against the bastard himself.
- Astarion, a previously sophisticated, proud, and beautiful elf, stripped of his dignity and pride, using his body to either seduce poor young and inexperienced souls (fulfilling their image of an ethereal and caring lover) or let himself be pawed at by drunkards and brothel-goers.
I don’t think any of Cazador’s choices were accidental. I don't think he had to roam the streets at night, looking for potential candidates; that he ever Turned any of them by chance.  
They all caught his eye at some point, became an object of his obsession, and then fell victim to a scenario where they were confronted by a promise of salvation - and each time, it made Cazador giddy with excitement and a sense of self-importance. He took them away from the world because he could. He will twist and shape them to his whim because he can. And then, he will take everything from them, reducing them to miserable wretches because this is who they should be, compared to him.
They will belong under his heel, scared, helpless, and obedient, worshipping him and fearing him. Forever.
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lost-and-ephemeral · 7 months
Text
Series: In Her Shadow, pt.2 (ft. main trio)
Part 1 | Part 2
Slowly but surely she replaced you in his heart.
Pairing: Xavier x reader, Zayne x reader, Rafayel x reader (seperate)
Tags: angst, hurt no comfort, reader is not MC, breakup
A/N: I recieved a lot of comments and request asking me to continue, so here we are! I've tried my best. Ty everyone, I appreciate every message, even if it would be hard to mention every single one of them in this post. Also, if you want to be tagged in future fics, let me know!
-`♡´- MASTERLIST -`♡´- 
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Rafayel
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You began to notice that Rafayel was spending less and less time with you, choosing his bodyguard over you.
It wasn't obvious at first, yeah, but as time went on, everything became so noticeable that you couldn't ignore it anymore. Especially when he forgot about your plans with him and didn't even consider apologizing for it.
The smell of someone else's perfume in his studio, the way Rafayel would leave you at home and take her to all the important events because "you probably don't like spending time among journalists and annoying guests." It seems that he didn't even notice the moment when you were completely estranged from each other.
And all your attempts to talk to him about it ended with nothing.
"She's my bodyguard," he'd say. "No wonder I take her everywhere I go. Is there anything wrong with that?"
Yes, a lot of things were wrong.
But he was completely unwilling to notice it, and you were tired of collecting the shards of your broken heart from the floor day after day. Those warm feelings that brought a sense of lightness and happiness in your heart suddenly turned into pure torture.
You had to end it all, even if it'll hurt so much.
When you arrived at his studio this morning, you came face to face with "Ms. Bodyguard" herself. She was just about to leave, and didn't even hesitate to embrace your beloved. Right in front of you.
Maybe you would've exploded from all these negative emotions, if you had any strength left to be mad or to cry. But there was only emptiness in your heart.
You became strangers to each other.
"I'm breaking up with you," you said without any regret and pushed him away as he tried to hug you. "I don't want to be a second choice after your precious bodyguard."
"W-wait, why? What... But I didn't do anything!" he replied confused, apparently not realizing how much he's been hurting you all this time.
"Maybe that's the point. That you'd do anything for her, but not for me."
He looked at you with the same confusion in his eyes, trying to figure out if it was a joke, but you continued before leaving this place forever.
"You were everything to me, Rafayel. But for you, I was just a small episode of your life. I'm tired. You've been spending all your free time with her, like I didn't exist. It'll be better this way. Goodbye."
No matter how long he was calling your name, asking you to stop, to come back and talk with him, you didn't.
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Zayne
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Loving a cardiac surgeon with his busy schedule is hard.
But it's even harder when he no longer cares about your existence and spends a significant amount of time with his childhood friend.
After Zayne forgot about your reservation at the restaurant, making you feel like you were the last fool in this world, some more time has passed.
Yeah, he apologized. No, he didn't start spending less time with his "friend".
It's hard to count how many evenings you spent alone when he stayed late at work for her or was invited to a "friendly" dinner with her. But it happened often enough so finally your love turned into suffering.
At first you tried to convince yourself that you're too jealous and he's just happy to finally reunite with someone close to him from his youth. You care about your friends too, don't you?
But it only got worse.
All your plans were constantly adjusted to his friend's wishes. She wants to take him to a cafe at the same time you were planning to go to the cinema? "Sorry, love, let's reschedule our date for another day". You've made him his favorite dinner? Too bad, his friend already brought him dinner at work and he's not hungry.
Eventually you started feeling like he stopped enjoying your time together and just continued to exist in the same apartment with you out of habit.
Talking didn't get you anywhere, because Zayne didn't notice how much he was hurting you (or he simply didn't want to notice it) with his actions and only distanced himself from you even more.
At some point you felt like he put an ice wall around himself again.
He stayed late again this evening, completely forgetting his promise to spend time with you. You packed your things with tears in your eyes, ready to say goodbye to life with Zayne once and for all.
And he showed up at the doorstep of his apartment just as you were ready to leave.
"What's going on?" his voice didn't betray a shred of emotion. "Where are you going?"
"I'm going to leave you and your lovely friend together so I don't have to be an unwanted addition to your life."
Zayne was taken aback at this statement and was about to say something, but you interrupted him.
"You were the one who brought happiness and comfort into my life. You were the one who made me feel loved and wanted. But now I realize that I wasn't good enough for you. Goodbye."
You walked away and closed the door behind you, leaving him all alone.
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Xavier
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Before, you without a doubt would've said that your relationship with Xavier was the ultimate dream.
But now it wasn't actually true.
Yes, your beloved still showed care and attention every spare minute he had. Just not to you. It seemed as if his colleague started to occupy his every thought.
During dinner, on a walk, after missions. He was always talking about her, how strong she is, and how lucky he is that she chose him as her partner. His eyes were shining with delight you had never seen before.
You were happy for him, but only until it crossed the line. Only until you started to feel like he was in love with her, not with you.
One day you found yourself completely miserable. Xavier texted you that he would be late because they had "decided to celebrate another successful mission". Except that you were usually the one he shared his joy with. But things have changed.
Even though you were the brightest star in his world, you were inevitably lost behind the glow of the Moon.
You were trying to be better, to be more interesting. Trying to reach an unattainable ideal. But you couldn't. After all, maybe you were never meant to be together if it turned out like this. Maybe you weren't enough for him.
You couldn't remember the last day you didn't cry. Sometimes alone, sometimes locking yourself in the bathroom after another conversation about this "super-strong collegue". But Xavier didn't seem to notice it at all.
"I thought maybe you'd be interested to know what happens during missions," he said when you brought up this painful topic.
And, yes, you were interested. But all you heard was, "She took down that Wanderer so easily, I couldn't take my eyes off her." Or, "she's so good with her weapon, it's amazing."
He distanced himself from you so much that you hardly spent any time together.
He wasn't even home the day you left.
Xavier sent you a message saying he'd be late again. As usual, with her. Even though he promised to have a movie night and you had already prepared everything you needed for it.
Maybe it's even better if you don't see the look in his eyes the moment you tell him you're breaking up with him. You packed your things and left a note on the table, next to the snacks you bought.
"Maybe in another universe I would be worthy of you so you could look at me with the same adoration. I can see that you enjoy spending time with her much more. And we should break up so you don't torment my heart anymore. Goodbye."
You glanced around his apartment one last time before leaving it forever.
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♡ tags: @skyowlz @prettytemis @aishasreality @randompersonwhoexist @kreishin @reni502 @moonyzstarz @chin-chii
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carmesi-butterfly · 7 months
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today's hot topic: gyuvin's hands.
gyuvin hands are 20.4 cm… can you imagine how long his fingers are? they stretch your hole deliciously and reach every point needed to give you an orgasm worth of remembrance ㅠ﹏⁠ㅠ such big hands are amazing for masturbation, a dream come true to your pussy that gets manhandled every time gyuvin feels the need to, something that happens pretty usually.
if you are a one-night stand he's going to flex this ability in every way he can to amaze you, prepping, masturbating, and eating you while his fingers help… this guy wants to leave you stunned by his capacity to have you satisfied with his hands, it's one of his biggest flex you have to understand him! but if you're his partner or friend with benefits his hands are just part of the play with all the other stuff he can do, by any means i'm saying that his incredible hands are less important, he has a lot of things to do with them :3 there's no way gyuvin could stuff his dick into you without prepping your cunt first </3 it's so big it could hurt if he doesn't (let's ignore his moments of unstoppable need please), can you imagine a week without being fingered by this man? what a torture :(( or the mutual masturbating?!?! one of his favorite activities, this man could die if you don't stroke his cock while his fingers abuse your nerves, since we're on it i can also name his enjoyment for the 69 position! he will try to concentrate (keyword: try) while you're sucking him off, gyuvin can't focus a 100% on eating you while on this position because the pleasure you're giving him it's a lot to handle but don't worry, his fingers never fail to replace his mouth 🙏
there are lots of more “inoffensive” stuff gyuvin does with his hands that can drive you crazy, like comparing hand sizes or holding your face so you look at him, the way your intimate parts palpitate with a few simple touches of those fingers could boost his ego if he knew, of course, you would never tell him about it!! gyuvin can turn dangerous when knowing about how his actions make you weak, or better phrased: how his hands make you weak.
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pippin-katz · 3 months
Text
Iron Burns
Something I'm super curious about is just how badly iron hurts when a ghost touches it. I posted a little ramble about Charles being chained and unable to help Edwin while she tortured him, and how we didn't get a reaction shot of him hearing Edwin screaming. And something clicked in my brain. I will preface this by saying that I can't prove anything, and could very well be completely wrong. This is just a possible explanation/option.
This was supposed to be relatively short, and that did not happen lmfao Here's your long post warning 😂
Charles VS Iron
This is Charles we are talking about. He is fiercely protective of Edwin, and let's be honest, can get physically violent when provoked. He was sitting there, listening to Esther, until she specifically brought up rescuing Edwin from her plans. It's only when she says that that he starts moving, and he very obviously intended to attack her.
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It confirms in Charles' head that there is a specific reason why Edwin is separated from him, and that is bad. Very bad. He possessed Esther to get them out of their first fight with her; she very nearly succeeded in getting them eaten by that Forest Elemental. She is seriously dangerous, and he knows it. Whatever she has planned for Edwin, Charles knows it's vicious and vile.
That thought spurs him to physically attack Esther, without hesitation. Based on the fact that his hands are open, Charles was going to grab her rather than hit her, and, based on her proximity to him, by the throat. That is the only effective attack from his position I can think of; it's the only way he can completely incapacitate.
Logical reasoning aside, choking someone is a pretty common violent anger response. It's probably because it's the easiest way to kill someone with your bare hands; in shows, many characters use a weapon to hurt their adversaries. It's the bullet, the blade, the bat, or whatever that actually hurts them, makes contact with them. It feels different when it's literally you hurting them. Your hands are weapons on their own if you know how to use them. Ex: Vi from Arcane has boxing as her go-to fighting style.
Okay, I went on a bit of tangent there, but my point is that Charles is fucking pissed. This is Charles, who fears being like his father, wanting to hurt Esther.
Violence is the last resort for all of their cases and situations. Charles will take out his cricket bat if he senses danger, but it's more of an intimidation tactic than a true threat. Charles does not actually attack anyone with the cricket bat who is not already an established threat. He takes it out during their first encounter with Esther, when they meet the Cat King, in the Devlin House, when the Night Nurse first shows up, in the forest against David, and against the snake. Most of those encounters are not a matter of negotiation; the first fight with Esther, the Devlin House, David, and the snake were all situations where "talking it out" was not an option, so pulling out the cricket bat to intimidate them would have been pointless. When he takes the bat out in those cases, he's already fully intending to use it. When he takes it out against the Cat King and the Night Nurse, he waits. He holds it up to send a message. It says, "Don't make me hurt you, because I will if I have to."
Charles doesn't want to hurt people, and usually tries his best to find another solution; even when we see him having to fight someone, a military veteran no less, he apologizes and only defends against him because he knows this is a ghost who's cursed, and doesn't deserve it, despite his violent behavior. They attempt to talk the Night Nurse out of taking them for several minutes before she attacks him. She attacks him mentally and emotionally in a way the others don't see and can't fathom; you could even argue that it is a physical attack as well because she makes him relive being beaten by his father and stoned by his friends. The Night Nurse does not hit him, but she hurts him, hurts him bad. When Charles hits her with that music box, despite what the others see, he's retaliating, not initiating. Because again, Charles wants to find another solution first.
But with Esther? He is so far passed that. He is so furious that he wants to attack her. He wants to hurt her. And that is before she starts torturing Edwin.
When he heard Edwin screaming, do you realize just how angry Charles would have been? I can't comprehend how badly he would've wanted to break free and fuck Esther up for what she did. Charles is genuinely intimidating when he's angry; he would have been absolutely terrifying.
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Tiny Note: this is the best shot of Charles in the whole show. Let my boy beat the shit out of someone without getting judged for it, please! Let him go apeshit, please!! 🙏🏻
I struggle to believe that anything would have stopped him from getting to Edwin in that state, iron collar be damned.
But Charles doesn't. He doesn't break free. He tries, and continues to fail repeatedly. Almost every movement makes the collar burn him.
The thought I had was how little Charles would care about his own safety/pain if it meant saving Edwin. This boy willingly enters and traverses Hell itself for him. He tells the Night Nurse that if he goes, he can either succeed in bringing Edwin back, or get stuck in Hell so she knows where they are. Charles admits that he would rather be stuck in Hell with Edwin than spend another second without him. When Crystal asks, "What if something happens to you?", he has no response. He honestly does not care if something happens to him, but he doesn't want to admit that to Crystal's face cause that would hurt her, so he refuses to answer.
Getting hurt does not matter to him, so just how painful was that iron that Charles, at his angriest, and in his most desperate state, could not break out?
We see him pulling on the chain and struggling, but he's moving as little as possible because he's trying that hard not to touch the collar. He lets go because it hurts too much. Even when his bag is just out of reach, which is the solution to all of his struggles, he can't bear the burning long enough to get his foot under the strap.
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Based on all of that, my brain told me this: the iron burning was so painful that Charles could not endure it long enough to escape, even in his angriest and desperate state, listening to the most important person in his world screaming in a way he has never heard before, and pleading for Esther to stop hurting him.
Like, that sounds crazy to me. Seeing how angry he got at the Night Nurse, and the intensity of his rage in that scene makes me wonder what was going through his head while chained up.
Edwin VS Iron
But my brain was not done with this information. One of my favorite details that I want to be explored in the future is how nonchalant Edwin is while his hand is burning.
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He did not notice it was burning until Crystal pointed it out. He looks and sounds genuinely surprised when he sees it. His expression and the way he says he was careless makes me feel like he wasn't in pain and trying to play it off, but was upset with himself for making a very noticeable mistake in front of Crystal while trying to show off and prove a point.
Edwin's pain tolerance is so high that he does not even notice a simple iron burn.
The second time he gets touched by iron is when Esther knocks him across the garden. He looks down at the burn that's what's hurting him, but I don't buy it.
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This boy just got swatted like a tennis ball across a courtyard into a small greenhouse.
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We all know that Charles does the fighting/takes the hits, so Edwin getting hit like that is probably a new feeling. Since iron makes them tangible for a couple seconds, he probably physically felt it when he landed.
Being burned and crashing into things are two very different sensations, and one of them Edwin hasn't experienced in thirty years. The burn is localized to his hand, and it's a burn. It stings. Hitting a structure that fast and landing like that is going to effect your whole body. It's aching, it bruises every part of you, from your skin down to your bones. It's so much more uncomfortable and hindering than a simple burn. If you burn your hand, you can still operate day-to-day almost normally, but if you mess up your body in some way, you're not going to be able to walk without being in pain. If you asked me which one I'd rather have happen to me, I would take the burn so fast.
Point being that him looking distressed and hurt after that hit makes a whole lot of sense, despite his high pain tolerance. It probably surprised him more than hurt him. It doesn't last long either.
The only time we see him truly react to iron is in Esther's torture device, which is obvious but I'll talk it through anyway.
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The cuffs restraining his arms are touching his bare wrists, tightly and constantly. His wrists smoke from it. Him gasping at that makes sense.
But the real kicker here is obviously the rods. Upon first glance, it looks like they touch down on his torso, zapping him or whatever you'd call that, on a surface level. But if you pay close attention to the shots where he's somewhat transparent you can see that those prongs are actually going through him, at least a little bit.
I took a screenshot, up-ed the brightness, and marked where it looks like the rods hit him, versus where they actually end.
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Edwin moves around a bit, so there are definitely some shots where they are just touching his skin, but that's kind of the point I'm trying to make. The rods are not moving, they are static, so when Edwin's body moves around them, they stay put. That is fucking painful.
The rod is not moving, but Edwin's body is, and there is nowhere for his skin/muscles to go but through the metal, like it is cutting through him in reverse. If you push a knife down to cut through something, like a carrot, it cuts. But if you hold the carrot, and push it down on the blade, it still cuts.
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That would explain even more why Edwin reacts to whenever Esther touches him, even when the device is paused. It would also explain why he was begging Esther "don't come any closer" during one of the cutaway shots.
If you think about it, that doesn't make any sense. Esther's proximity to the device doesn't determine whether it's on, off, or higher/lower. She walks around the room with her glass of ghost juice or whatever you want to call it. She gestures with her hand when she turns it on and turns the intensity up.
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Esther getting closer to him wouldn't matter since the device is already on. That is, unless she was actively doing something to him while torturing him. Considering how sadistic she is, I wouldn't put it past her to mess with him whenever she got bored of just watching. Touching him, shaking him, whatever, would almost definitely make it worse. Edwin not wanting her to get close to him would make perfect sense if she was occasionally doing something like that.
So, we have iron making him corporal, burning him, and zapping him with some kind of electricity-like energy, that are also piercing into him, and yet Edwin doesn't scream from the pain initially. There's quiet moaning that you can tell he's holding back, but he doesn't gasp or yell. This is same metal that hurt Charles so badly he couldn't escape in his angriest state. It takes hours of prolonged exposure and gradual increasing of the intensity to make him scream.
The secondary question to this whole thing is just how high is Edwin's pain tolerance that he is able to endure that while withholding making noise?
I can't comprehend it, honestly. Though Edwin spent 70 years in hell being literally torn apart over and over again. We have no idea how long he feels the sensations of his previous body after he respawns or how quickly he does so, especially since the manner of death in this case wouldn't be instantaneously fatal. If his head and heart are in some capacity intact, he'd still be alive for at least a few seconds. As Dr. Alan Grant explains to that kid about raptors in Jurassic Park, you are alive when they start to eat you. It would be believable if Edwin is basically immune to pain unless it's a fucking insane amount of it. I mean, in the Cat King's words to Esther, "Edwin has been through more pain than you, or I, could ever imagine."
That would be pretty fucking crazy if this is all true/accurate.
Is it intentional? Probably not. Could I be reading too much into it, and unintentionally hyperbolizing it? Absolutely. I'm using observation and some information about their characters that I can't actually prove to be true. Maybe I'm just seeing things with the prongs and they're not going through Edwin. I can't prove that Charles would've been angry enough to break out of restraints if they hadn't been made of iron. Maybe iron effects all ghosts differently. Who the hell knows?
Even if I'm not 100% accurate, we do at least know for sure that Edwin has a way higher pain tolerance than anybody else based on the burning hand that he didn't even notice was burning, and how long he was in that device before he started screaming, and that's badass as hell on its own.
(ko-fi)
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literaila · 8 months
Text
reassurance
gojo satoru x fem!reader
summary: megumi can't sleep
warnings: reader teases megumi, missing satoru
last part | next part
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*
year one.
it’s your first night with the kids alone. 
and you’re not nervous—no, not at all. having satoru around is basically like having a toddler who’s learned how to walk and gets into cupboards (just maybe slightly more annoying and less cute), so why would you be worried without him here? 
honestly, it’s probably better this way. there’s no one to annoy megumi into hiding in his room all night. no one to use terrible pickup lines and swear that they’re working (they are). 
but… you will admit that his presence is a reassurance of its own. 
not just because of his power, or his strength, though that’s certainly something to consider. if someone was going to come and steal your children back, now might be a perfect opportunity. you know that they would lurk at your door waiting for a single moment that satoru was gone. and it would probably work, except for the fact that you’d sooner skin yourself with a dull knife from satoru’s kitchen than let that happen. 
obviously, satoru wouldn’t need to go to such extremes. one blink from him and any threat would basically evaporate. 
but it’s not even that.
satoru has always been that reassurance for you. despite any complaints you have about his attitude and the stupid things he says… it’s a welcome escape from the interminable worries in your mind. 
you’d discovered this at sixteen when the two of you were alone on a mission for the first time. 
if you were worried, if you got hurt, if you had a single doubt hidden beneath the warmth of your cursed energy or the bravado you’d foolishly flung around at that age—satoru was the complete opposite of all of that.
he would wave off your fears with a raised eyebrow. would laugh off your injuries before dragging you to the infirmary. he would take your doubts—with all of their hidden strength and knowledge—and purify them to a pulp. 
you’ve never quite understood it. 
where suguru would share your fears with you, assuring that you weren’t alone in the world of morality and fear, satoru would think of absolutely nothing at all. 
and make fun of him all you want, but it was a nice break from logic and emotion. you’d admired him at sixteen for being so detached from the world and its curses. 
(now, sometimes, it worries you. has he fallen so far from humanity that he can’t feel any of it? is he immune to the tortures of living in a world like yours?) 
and you got used to being alone with those thoughts and doubts. you had to, even if you’d missed him desperately for a time that felt much longer than a year. 
but you’ve also never had two children in your care, never had to worry about anything but yourself and the consequences of your very minute actions. 
now every action feels like a tidal wave you could point in any direction. 
if satoru was here, you think, at least you could blame the mistakes on him. comparatively, one of you is much better at being a responsible adult for tsumiki and megumi (hint: not the strongest sorcerer of the modern age). 
and with satoru on some egregious mission—to who knows where, directed by only the people who hate him the most—you’re stuck in his house, with the kids, all alone. 
it feels much too big in here without satoru’s ego to fill it. 
maybe if you’d had a day to prepare you’d be better off. but satoru called you six hours ago with the news—and you know that he did it on purpose—telling you that you should just stay the night. you can even sleep in my bed, he’d drawled to you, just like you’ve always dreamed of. 
you could’ve told him to go to hell, you know, if it weren’t for the sweetest little girl and the grumpiest little boy you’d ever met. 
and, actually, it hasn’t gone too bad so far. 
you made them dinner, which they both ate diligently like if they didn’t finish every bit on their plates you would kick them out—who knows if they liked it with the people-pleasing brats. and then they’d sat on the couch, commenting on some movie you’d never heard of. 
and now, at ten o’clock at night, you’re cleaning up the kitchen worrying about the very monsters you’d trained for four years to deal with. 
it's absolutely ridiculous, but there's no one here to tell you that. 
“what’s wrong with your face?” a voice says, suddenly. 
you turn to see megumi in the ridiculous pajamas satoru insisted on getting him—with some type of cat on them for god knows why—standing in the kitchen doorway with his signature frown. 
“jeez,” you breathe out, leaning against the counter—pretending like your cursed energy hadn’t surged in your fists the moment you saw him there—and crossing your arms. “don’t scare me like that, kid. did satoru tell you to do that?”
you almost want to laugh at how his frown deepens at the mention of his name. 
“sorry,” he murmurs, going to sit on a bar stool, just a bit too short to do it elegantly. “what’s wrong?” 
“what? nothings wrong.”
“your face looks weird.” 
oh, another thing about tonight. megumi is a lot more forthcoming when satoru isn’t around—you choose not to dwell on the prospects of that. you wonder what he’s like when you’re not around.
“i was just thinking," you say, blandly. 
“you have to have a freaky look on your face to think?” 
“okay, judgy," you sigh, leaning against the counter across from him, a brow quirked. "what are you doing up? it’s late.” 
megumi shrugs. “can't sleep.” 
he says it like he’s dealt with the same problems for many years like he’s not six years old and missing a tooth. it would be cute—how old and mature he seems—if it didn’t worry you. 
satoru would coo at him, call him an old soul and ruffle his hair until megumi smacked him away. 
but you wonder if he’s less an old soul and more of a hurt child. 
“are you thinking about the scary movie satoru showed you?” you ask him, frowning. “i heard tsumiki had nightmares about it a couple days ago.” 
“no. it wasn’t that scary. tsumiki just doesn’t like monsters.” 
“and you do?” 
he shrugs again. 
you tap your fingers against the countertop. “have you been up this whole time?” 
he nods. his movements are short and exact. “why are you still awake?” 
“i was cleaning up.” 
“gojo usually doesn’t do that until morning."
“what did we discuss at dinner?” you ask, rhetorically, shaking your head. “don’t do anything satoru does.” 
megumi nods again, very seriously. 
“do you need something? warm milk? my mom used to give me that when i couldn’t sleep.” 
the boy frowns. “gross.” 
“don’t knock it till you try it,” you tell him, smiling a little. “you were a baby once too.” 
he shakes his head and you laugh. you should be scolding him and telling him to go back to sleep, but it's rare when you get a moment alone with the little boy. you're almost savoring it.  
“did you try counting sheep?” you ask, teasing him. it's very easy when he looks almost... comfortable. 
he rolls his eyes, messing with a wrapper satoru left lying around, but you can tell that he's trying not to smile too. after three months with him, it's almost easy to see the subtle shift in his features. 
“when’s gojo going to be back?” he asks, after a moment, looking up at you with dark blue eyes. his voice is quieter, still like a portrait. 
you pause, considering. it's a surprising change of subject. honestly, you hadn't even thought that megumi had noticed he was gone. “um… i’m not sure. it could be tomorrow, it could be a couple days from now. it depends on how far he had to go for work.” 
“he’s killing curses right?” 
the words almost shock you into taking a step back, but you refrain. 
you make a mental note to smack satoru the next time you see him. 
your mouth opens. then you close it. “what does satoru tell you when i’m not here?” 
he scratches his head. “just that we’re privileged and that i can see things other people can’t.” 
you narrow your eyes at him. 
“and that he’s the best.” 
you roll your eyes. “yeah, that sounds like him.” 
“is he?” 
“hmm?” 
“the best?” 
you watch his eyes, suddenly wide, weirdly curious. “i guess,” you answer, a little teasing, a little serious. you don't really want to explain this to megumi. you shouldn't have to. “he’d be better if he didn’t brag about it all of the time.” 
“so he kills those things a lot?” 
“what do you mean?” 
“it’s normal for him?” he clarifies, leaning his small arms on the counter to observe you closely. 
if you weren't so used to this, you might feel a bit uncomfortable. 
“um, yes." you answer, not sure how far to go. "it’s pretty standard for sorcerers.” 
“like me, right?” 
“yes.” 
he nods, his brows still furrowed, thinking harder than a six-year-old should. in your personal opinion, he shouldn't have to worry about anything. 
but satoru clearly doesn't share that sentiment. 
it's quiet for a moment while megumi thinks about your words. he doesn't seem to be wary of his own powers, or the fact that he's been shoved into this world. but, still, this is a weird topic for him. 
it makes you wish again that satoru was here, just so you don't have to explain everything alone. he's much more clear than you are. 
after the silence draws on, megumi looks down at the counter with skeptical eyes, your brows raise in surprise. “are you--" you almost smile. "are you worried about him?” 
megumi’s head snaps up, his eyes wide. “what?” he snaps, voice harsher than you've heard it directed at you. “no.” 
your lip twitches. 
“it’s nice without him,” the boy continues. “he always tries to mess up my hair.” 
because this is the worst thing that satoru has done to the boy, obviously. 
you watch him as he looks away again, a little embarrassed. he shakes his head so his hair hides his face. 
“oh, yeah," you respond, a little sarcastic. "why would you miss him?” 
why would anybody? 
“right.” he pauses. from this close, you can see a pattern of freckles on his pale skin. he looks up again. “are you worried?” 
you almost smile. “no, he’s too annoying to get hurt.” 
megumi nods immediately. 
*
you’re eating breakfast with the kids when he appears at the table, his grin wide, his hair a bit wild. 
satoru is sitting with the three of you before you can blink, his arms open wide, his blindfold a bit crooked. 
you gasp and both children flinch away at his sudden appearance. 
he is quite scary. 
“hey, family,” he says to all of you, smoothly. “what’d i miss?” 
megumi stands up from the table, taking a step away from the man, and you smack his head. 
tsumiki just giggles. 
*
next part
784 notes · View notes
cherrygukki · 2 years
Text
shut you up (m)
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➸ pairing: jungkook x f. reader
➸ word count: 3.3k
➸ genres: pwp, est. relationship, slight fluff at the end
➸ rating: M — MDNI..!
➸ summary: Jungkook has had enough of your attitude today, so he decides to fuck the life out of you to shut you up.
➸ warnings: he's a hardcore sadist here i'm sorry but he gets soft at the end, hard dom!jungkook, sub!reader, dd/lg themes, brat tamer!jk, brat!reader, unprotected sex (just don't), creampie, forced orgasms, fingering, degradation (uses of slut/whore), dacryphilia, impact play, manhandling, rough spanking, dirty talk, spitting (only once), uses of a belt (reader only gets tied up), reader gets slapped in the face during sex, brief aftercare, implied safe word (but reader doesn't use it), it's literally straight up porn the moment you click "keep reading", lmk if i missed anything!
"Uh, uh, uh," Jungkook tuts almost disappointingly at you as he forms a pout on his lips, feigning the pitiful expression he's wearing for you. "We have to do something about that attitude of yours, little girl." Abruptly, he lands another harsh spank to your poor, bruised ass for the umpteenth time. You cry helplessly with your wrists being held together behind your back, cunt all wet and sore for the past twenty minutes as your arousal has undoubtedly drenched your inner thighs at this point. You're all exposed and vulnerable to Jungkook's predatory-like gaze, and it's definitely feeding onto his domineering instincts.
"Fuck you," you spit back without any second thought, completely disregarding the heavy consequences Jungkook will impose on you.
And it clearly doesn't take long for you to regret what you have said.
He flips your body around like a featherweight ragdoll, manhandling you with ease before he hovers on top of your quivering figure to wrap a hand around your fragile throat. Squeezing, he restricts the airflow in your system that has your lungs wheezing for its life. You could only watch him laugh at your distress as you squirm around — a futile attempt in making him loosen his grip, really.
Although he doesn't budge a slight inch at your fuss, he still enjoys the entertainment you provide him.
"How about you try saying that again, sweetheart?" He dares you, tilting his head to the side while he stares menacingly at you. It's as if he's taunting you to oblivion until you hide away in pure shame. The things he's doing to you right now were mere warning signals, and your mind can't help but wonder how extreme your boyfriend can get if you justttt push his buttons a bit further. After all, you've been running your mouth the entire day. He didn't seem to care at first — not until you began spewing nonsense that undoubtedly ticked him off.
Getting bold? Then, Jungkook will definitely be twice as bolder than you are.
You both know who's the real one in charge here, and that's—
"Daddy!" You yelp when his nimble fingers unexpectedly come in contact with your gorging clit, pussy clenching around thin air from how desperate he managed to make you feel in an instant.
"You're not daddy's good little girl," he seethes, "Good girls don't act like fucking brats, do they?"
He continues to torture the sensitive bundle of nerves by repeatedly pinching it. He isn't necessarily rubbing you like how he would normally tease you — no, he's searching for your breaking point. His eyes alone are enough to convey his intentions for you tonight.
Eyes that want to mess with you.
And it's not in a loving way.
"Daddy, please—" you whimper, "it hurts."
Jungkook raises an eyebrow. "And?"
You could only cry at his curt response, sniffling while being void of the thought that he'd actually show any remaining mercy on you.
He stops to take a brief glance at your face. A few teardrops have already escaped from the glass-like state of your eyes. Unfortunately, your boyfriend remains unfulfilled, for he wants you to fucking sob. He wants nothing less than to shred your body apart until you're begging him while being a pathetic mess, letting out nothing but cries and endless screams of his name until your brain eventually reaches a meltdown.
"This is how brats take their lesson, whore. Daddy's gonna shut you up."
He flips you over again so you're laying on your back, forcing your legs wide as he lands a wad of spit down your dribbling core. Your whimpers are quiet at first, relishing in the sensation of his calloused tips easing over your heat. It's not until he splits your lips open with the sudden intrusion of his thumb, though. You scream and throw your head back as you can only lay there and watch him pump his digit in and out of you at a turtle's pace.
"Daddy," you mewl, bringing your hands down to gain a death grip on his veiny forearms.
However, you're taken aback when he flicks your touch away before sending you a stern command. "No touching, baby. Keep those pesky little hands to yourself."
You pout in surrender, but your face ends up contorting into a pleasurable mess soon enough when he hastily dips three fingers inside you, pumping you full until your back is already arching off the mattress.
"Jesus Christ, I haven't even fucked you properly and you're already squirming like a little girl," he mutters before settling on a ruthless onslaught of his fingers inside you. He's practically jackhammering his arm into your quivering heat, hitting all the right places that trigger your eyes to roll at the back of your head. The way he curls his fingers around has you reeling on the edge for him, knuckles turning white from how hard you're gripping the sheets.
With Jungkook knowing every nook and cranny of your body like the back of his hand, it definitely wasn't a challenge for him to access your g-spot, only realizing that he has hit the jackpot once your cries and screams turn up a notch.
He laughs like the devil himself, mocking you, "That's a good little girl, yeah? Taking daddy's fingers like the useless toy you are."
You can feel your walls clenching sporadically around his fingers, sensing the high that is about to rupture at any moment.
"Daddy, I—"
"Don't you dare cum without my permission."
Quickly cutting you off, Jungkook hastens up his actions, and before you know it, you're writhing off the bed as you scream your lungs out. Nothing comes out from your mouth aside from the desperate requests for him to stop. He doesn't listen, though. Both of you know that he's going to make you release your orgasm one way or another as a mere excuse to worsen the consequences.
You aren't really complaining, though.
"I can't hold it," you sob, legs quivering from the intense bliss he's applying on you.
"Yeah, you can, baby. You don't wanna disappoint daddy, do you?" He feigns a displeased expression. "You don't wanna disobey daddy, little girl."
The hot whisper he sends you has you nearing your orgasm swiftly. You resort to one last scream before your hands are already flying down to push him away.
He angrily scoffs at your futile rebellion, "What the fuck are you doing?" With that, he pins your frail hands above you with one hand, as the other remains unbothered in pumping your cunt full. "Are you too dumbed out on my fingers to follow one simple instruction?" Every time he stresses out on a word, he times it right with the depth of his thrusts.
"Keep. Those. Hands. To. Yourself."
Your moans become high-pitched. Your body is like a bubble beginning to burst any second. You're too long gone in the bliss that you never realized that he's already drowned you deep into subspace. You want to obey him, but his fingers are only urging the opposite.
"I - I really can't hold i—"
The noises you let out are more lewd than the ones you hear in pornographic videos. Your entire figure continues to tremble under the entire wrath of his fingers, but Jungkook's pace doesn't relent when your orgasm washes over you.
It doesn't take long for your voice to eventually grow tired from all the screams and cries you've been doing. All that's heard in the bedroom are the wet squelches of your heat alongside the quiet sobs you make every few seconds or so.
He doesn't utter a word nor show any reaction to your recent high, but you can definitely tell the anger is oozing out of him when he proceeds to overstimulate your abused cunt.
"Daddy, I can't take it anymore," you whimper when he ignores you, overstimulating your poor little pussy into a sopping, white mess.
Soon enough, your second orgasm for the night is already building up rapidly, abdomen tightening as the pain morphs into an indescribable mixture of bliss that certainly has your toes curling.
He fucks you with no remorse, eyes glazed with lust. He licks his lips with pure desire to wash your southern area with filthy white cum sticking everywhere. His appearance alone at the moment is enough to get you off, nearing your end once again when his slender fingers brush your sweet spot for another time.
You gasp loudly, voice increasing while you struggle underneath his iron grip on your wrists. "Daddy, I'm gonna cum..!"
Obscene noises tumble from your mouth like a waterfall as the tidal wave of your orgasm hits you with great impact. Nothing but incoherent babbles and his name can be heard. Jungkook chuckles lowly at the mess he created. The sight below is definitely something memorable to keep — cunt all painted in white as your inner thighs remain sticky from the excess essence your heat is drooling out.
"Your pussy looks so fucking pretty like this, baby."
He growls, voicing his thoughts out loud before pushing three of his fingers in his mouth for a taste. He hums in sheer delight when the sweet flavor of your remains come in contact with his tongue.
"Also tastes as sweet as it looks."
You can only let out small whimpers from his animalistic demeanor, receiving the same amount of desire he has.
With that, Jungkook throws all his patience out the window, for the stiff tent in his sweats has been aching a release the moment he began playing with your cunt. Reaching out for the belt hanging near your shared bed, he restrains your wrists just above your head. You wince in complaint, but it fails to gain Jungkook's sympathy.
The irritating barrier of clothing is off immediately. You flinch after unexpectedly feeling the angry tip of his cock rubbing between your swollen folds, only to feel it slowly inching inside you as your walls easily accommodate his thick girth.
Breathing heavily, you unknowingly clench around him in excitement. He groans in response, burying his head within the crook of your neck. Warm air hits the sensitive surface of your neck one after another. Your breathing is shallow and labored, contrary to the deep rolls of his languid hips now beginning to set another brutal pace coming your way.
How can you ever hold back from withdrawing smutty noises from your throat when he moves his hips oh-so smoothly like the calm waters of an ocean? And speaking of ocean, your cunt is definitely about to get fucked into a chaotic one by your boyfriend's dick alone.
He doesn't give you the additional time you need to adjust when he's already banging the bed's poor headboard against the wall multiple times. He could care less about the neighbors throwing countless complaints against him in the morning. Right now, the only objective coming in his mind is to make you cum more on his cock.
Grunting, he grips your jaw with inked fingers. forcing your gaze to lock on him. "You wanna be a disobedient little fucktoy and cum without daddy's permission, yeah? Well, daddy's gonna make you cum over, and over, and over again with his dick."
You moan wantonly the more he punctuates his hips deeper into the crevices of your heat. He wastes no time in locating your g-spot, nudging the spongy little spot repeatedly with the leaking tip of his cock.
Wailing, screaming, and cries are all that's heard in the room aside from the sound of his hips snapping against your inner thighs. Everything around you is humid, and you can feel more sweat accumulating in your entire body the harder Jungkook fucks you.
If Jungkook already has your world tearing apart merely with his fingers, then you fret how hard he'll wreak havoc on you with him jackhammering into your tiny cunt like a rabbit in heat.
The pleasure's all too much for you to take in, yet even process. More tears trickle down your face and you could swear that you felt his dick stiffen further at the sight of your pitiful state.
However, what he does next catches you off-guard, leaving a sharp pang of pain on the side of your cheek.
He doesn't do it once, though — rather getting addicted to the impact play, making him continue to slap you in the face more than he himself expected. It produces a larger amount of tears to fall from your eyes, and an even greater amount of wetness to gush out of your quivering cunt.
He laughs evilly above you, the pain being inflicted on you only makes his cock rage more in anger. He fucks you with greatness all while appreciating the expression of pain written on your face.
Humming, he caresses your stinging cheeks with benevolent fingers as if he never spanked the hell out of you in the first place. "Keep crying for me, baby," he rasps, "It only makes me harder for you."
You're toppling over the edge immediately, and Jungkook knows it too. You clench hard and tight around his girth, but it plays no hindrance for him to pound into you with all his might. In a flash, he has you screaming and shaking beneath him, your pussy deliciously creaming around him. Your world is spinning heavily and all your vision could see at the moment was white spots of cloudiness. You doubt your body can ever recover from the wave of destruction Jungkook brought you, but he continues to use you like the fleshlight you are nonetheless.
Grunts and pants can all be heard from the man on top of you. The rhythm of his thrusts remain consistent, and he's definitely far from releasing himself.
You whine at the overstimulation. Your entire figure is like a trembling piece of paper on the brink of tearing apart, but Jungkook pays no mind to any of it. You squirm around to protest against him only to have him slap you on the face again.
"Daddy, it's too much—"
"Shut the fuck up," he cuts you off with a growl, making you feel smaller than you already are.
After all, he knows when you actually want to stop.
"Shut the fuck up and just take daddy's dick, won't you? Brats don't deserve to speak."
In fact, you aren't even acting bratty around him anymore! You cry loudly, too deep into subspace to actually beg him to stop. Hence, you try to relax your body into the mattress. However, the lingering pain of his dick abusing your folds is enough to push you over another orgasm. You claw your nails into the palms of your hands, toes curling for what seems like the fourth time tonight as Jungkook triggers another orgasm out of you.
You scream again, your throat barely having the strength to utter out any noise at this point while you're going through another mind-numbing orgasm. All of the energy is drained out of you, and if it wasn't for Jungkook's iron grip on your body, then perhaps you would've fallen limp on the bed, close to it being lifeless.
He pulls out and manhandles you again to readjust you into another position, pushing you onto his lap with your back facing him. You whine for what seems like the umpteenth time when you feel him aligning the tip of his cock between your sopping folds. Your whole body feels like jelly and you might as well melt into a mess the moment he finds himself inside again. If it isn't for the steel grip he has on your hips, then you would've done so by now. He fucks you from beneath with great vigor, lulling you into another sinful daze as your head has itself leaning on Jungkook's shoulder for dear life.
Barely any noise is uttered from you, for he also seemed to knock the voice out of your throat from the power of the orgasms he's been coaxing out of you.
"You're doing so well for me, baby," he coos, placing soft kisses on your tear-stained cheeks. "Daddy's gonna cum so hard inside you. You want that, yeah? Daddy's gonna reward you like the good fucking girl you are." His sentence ends with a hot growl near your ear, sending your eyes to the very back of your head as your pussy clenches in arousal. You mewl, nodding your head in repetitive motions, for you can't sum up the energy to form a simple coherent response.
"God, you just love being used like a dirty cumdump, don't you? Fucking love being a dirty whore for daddy, mm?"
His words are pulling you to another orgasm. Your entire body is reaching the pointy top of your climax. Breathes mingling and struggling, bodies covered in nothing but sweat, a pool of white stickiness continuing to stain you and Jungkook's thighs — no other erotic film can compare to how hard you and your boyfriend are going at it. The feeling of his dick kissing your cervix repeatedly has your eyes seeing stars. His groans become more frequent, tone becoming whiny, and his pace finally becoming an inconsistent line of sloppy and wet thrusts inside of your soaking folds.
He places a hand on one of your tits, kneading it right before he pushes another orgasm through your system. At this point, you're unable to count how many times you've come, but you can definitely conclude that it's enough to make your stamina run out.
He continues to hold his release at bay, too lost in the pleasure of your wet cunt hugging his thick girth as he carelessly fondles with your breasts. A few more deep thrusts has you letting out the loudest screams you never expected to hear for yourself. With that, spurts of his hot cum are loaded in you. You moan in unison while you ride out Jungkook's orgasm by swiveling your hips around his crotch. He hisses once he takes a glimpse of the mess he rather created.
Both of your releases have eventually leaked on his balls and down the sheets — a problem that you'll have to deal with for the aftermath of your erotic escapades. For now, though, you and Jungkook brush it off, wanting no more than to clean each other up and cuddle into the sheets for the rest of the night.
He bites his lip when he pulls out, seeing his member entirely covered with your essence as his cum slowly drips out of your gaping hole. You grind on his cock one more time to get rid of any remaining tension in your body. Soon enough, your boyfriend is already reaching for your sore wrists to untie the restraints of his belt. He kisses them tenderly unlike the harsh treatment he's put you through just mere seconds ago.
Humming, he rubs the sides of your hips to ease you off. "Mmm, did you get hurt, baby?"
"No." You softly shake your head in response, voice barely a whisper but Jungkook still manages to register you nonetheless.
"Did you enjoy it, then?"
You blush at his sudden question, a smile creeping on your face when you reminisce about everything that just occurred which only made Jungkook smile as well.
"You did so well for me, baby." He plants soft pecks on the side of your neck, traveling up to your parted lips. "So, so well."
"Daddy's gonna give you a bath as a reward. Do you want that?" You nod. "We can cuddle afterwards and go to sleep," he says.
"Thank you," you whisper meekly to him, genuinely grateful to actually be dating a man with duality like him.
He sighs in contentment with you resting against his chest, mumbling a "love you, sweetheart" on the top of your head before heading off to the bathroom to prepare your warm bath together.
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signanothername · 3 months
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How would your Nightmare react if Dream died (be it at Nightmare's hands or even his own or something like that)?
Glad you asked this question Anon cause it means i get to talk about the twins’ relationship >:)))))
I fully believe Nightmare’s perception of Dream changes constantly, his emotions about his brother are all over the place, sometimes one look at Dream sends him into full rage, other times he feels nothing at all, or he could feel strangely calm and even a tiny bit peaceful around him, but the only constant?? One look at Dream reminds him of his own pain
Nightmare fully believes he doesn’t care for Dream, hell, thinks he hates Dream right down to the core, which is only half true, but Nightmare’s too blinded by his own pain to truly realize that there’s a tiny part of him that still cares deeply (his corruption blinds him to that fact tho)
I mean, don’t get me wrong, Nightmare’s an absolute asshole towards Dream, he wouldn’t pat an eye if Dream got badly hurt and he wouldn’t hesitate to hurt Dream had he got the chance to do so, whether physically or emotionally, he’d emotionally and mentally manipulate him and would constantly torment him in any way he can
In fact, Nightmare aims to kill Dream permanently
Dream on the other hand, fully believes that despite Nightmare’s corruption, Nightmare himself isn’t inherently evil, he knows that his brother had been just as kind as he is, he fully believes his brother to be just as good hearted as he is, that it’s cause of the corruption that his twin is tormenting him and so many other people, and Dream tries to be patient and understanding (emphasis on “tries”)
Dream blames himself for Nightmare’s corruption and somehow believes that it’s his own fault that his brother got corrupted in the first place, (it absolutely isn’t his fault) an unhealthy mindset that Nightmare’s constant mental/emotional torture only serves to make it worse
So Dream takes it upon himself to make Nightmare’s pain his own responsibility and so he tries to save Nightmare from the corruption, somehow believing he can turn back the clock and get Nightmare back to who he used to be, he’s too blinded by his pain to truly realize that there’s no going back (at first at least)
However, once a broken hearted Dream fully accepts that Nightmare’s beyond saving, that this is who Nightmare is now, he finally puts his powers to full use, accepting that fact doesn’t make it any less painful for Dream to see his brother every time, nor does it change how much love Dream has for Nightmare
Dream will forever love Nightmare and no amount of death, torture, manipulation, or hurt from Nightmare would ever change that (even if it makes Dream wanna drop kick Nightmare sometimes)
Nightmare will forever hate Dream, and no amount of love, kindness, hope, or understanding from Dream would ever change that (even if it makes Nightmare’s caring part skip a beat sometimes)
The twins’ relationship isn’t at all healthy, both blinded by their own pain to truly understand that they’re both destroying themselves and each other
Nightmare, however, thinks that if he were to kill Dream, he’d finally find his long desired satisfaction, cause he somehow convinced himself that Dream’s at fault for his pain, that once Dream’s dead, he’d finally start healing (and ooooh boiii is he so so wrong)
Cause in truth? Dream was never the reason for Nightmare’s pain, if anything, Dream was the only good thing Nightmare had as a child, Dream was the only one who loved and cherished him for who he truly was, when everything and everyone were constantly hurting him, Dream’s existence is what made the pain bearable for Nightmare, cause all Nightmare’s good memories had Dream in them
Ok now to the main point, how would Nightmare actually react to Dream’s death?
The thing is, I fully believe Nightmare wouldn’t let anything or anyone other than him to kill Dream, he’d even go through great lengths to make sure Dream doesn’t die until he gets the chance to do it himself (not that Nightmare has to worry about that cause Dream’s more than capable to handle himself)
So once he gets that chance and succeeds? I’d say he’d feel extremely empty afterwards, Nightmare fully believed that once Dream’s dead he’d be the happiest there is in the entirety of the multiverse, but he isn’t, and it drives him crazy, cause wasn’t he supposed to feel satisfied??? is this not what he wanted?? (It was what he wanted, but it wasn’t what he needed)
If anything, he’d realize he fucked up, he’d realize how Dream was truly the only good thing to ever happen to him, he’d realize that until his final breath, Dream held nothing but love for him and he met that love with nothing but hate
And believe me when i say that Nightmare would never find his oh so desired satisfaction for as long as he lives afterwards (aka all eternity)
It only goes downhill from there
(Obligatory quick Nightmare sketch)
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