#trait: Cyborg
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Tai Kamiya BT21-102, Agumon ST20-10, Greymon BT21-057, MetalGreymon BT21-061, and WarGreymon Ace ST20-11 by Spareribs from BT-21 Booster World Convergence and ST-20 Starter Deck Protector of Light
#digimon#digimon tcg#digimon card game#digisafe#digica#デジカ#DCG#BT21#ST20#Tai Kamiya#Taichi Yagami#Agumon#Greymon#MetalGreymon#WarGreymon#ace digimon#Spareribs#digimon card#tamer card#type: vaccine#trait: hero#trait: ADVENTURE#trait: dinosaur#trait: cyborg#trait: Dragonkin#num: 05#Digimon Adventure
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Me: I don't think I really have a hear me out that isn't a transformers character
Glitch: *creates this fucker*

Me: Well looks like that's no longer the case
#not transformers#the gaslight district#tgd diligence#tbf he and starscream share several traits#robot/villian/has heels for feet/unusual voice/kinda cunty and fruity#well i say robot hes more cyborg since he has an organic brain
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#i was making this character before the robocop thing happened to me but now im really struggling to let myself give this character traits i#really enjoy without feeling like im plagiarising robocop.#even design wise#like the face was supposed to be ripping off cyclops if anything#im struggling! if u read this pls lmk if im overthinking or am like totally not overthinking#i was watching cyborg movies in order to expand my like. mental library of cyborgs for this character. thats why this happened to me.
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most forgettable vault hunter is definitely wilhelm. i always forget that he's a playable character 😭😭 he just doesn't fit in with the group dynamic in my brain
#i struggle to think about his personality traits too besides 'cyborg' and 'violent'#are there any wilhelm likers among us that can tell me his redeeming qualities. is that a thing#quincy.txt
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SOMEONE REMIND ME TO MAKE A ROGUESONA I WANT TO JOIN THE SILLY TREND
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Thinking about the idea of a casshern au that’s specifically a new take that’s closer to the original but uses the sins characters as if I’ll have time to make that/develop it given “I had a au like that for Jeeg and even Kikaider but it went nowhere + now I’m working on a actual big project so I can’t do anything else until it’s done which will take a few years at my rate”
but yknow? It’s fun to rotate concepts.
#meg text#casshern#casshan#if I drew more I’d definitely also make designs but I just love imagining what ifs for old anime ips#that won’t get shit but it’s fun to think about#For what ideas I have I’ll spill in tags because I’m lazy to type up another post or on this post#but basically it’s like Luna is good but she has her ability like sins so Casshern is more or less protecting her#and Casshern here would probably be a human like OG but instead of turning robot he’s a cyborg#literally half machine half human and he wouldn’t be immortal but Luna would heal him#dio and leda are made by braiking boss as counterparts to the two of them (expect Leda still gets casshern traits)#Lyuze sister worked for braiking but had a change of heart yet dies but Lyuze interprets this as Casshern killed her#so she hates him but grows to warm up to him and becomes a ally but still from a distance#I want to fit in Ringo here cause she’s precious but I don’t know how I would rn#This is a barebone concepts but the sins characters deserve to be used in more stuff#they can work even without the apocalypse just would need retooling
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one day when i am not busy dying on the inside and out i will write an honest-to-god essay about how people are, for the lack of a better descriptor but simultaneously for the lack of a more perfect one, too edgy about five.
#like yeah five is an edgy game and the darkest in the series and gloomier than all of its predecessors but. i lack the words for it now but#there are important little moments in five where light shines through the carpet haphazardly thrown over a pile of garbage that oft get#ignored in favor of pushing the agenda that everyone in five is filth down to the core and that's just not true#i just- deeeeeeep sigh. people are so shallow sometimes man#this is how we get those characters that do not resemble the original in the slightest that either take one trait of the given character an#then bloat and exagerrate it until the character is a caricature of themselves OR projections of what the people would like these character#to BE in order to... be able to wrap their heads around them and their motivations more easily‚ i guess??#i don't know it feels to me like people just don't want to bother with the intricacies of complex characters and that's how the wood plank#versions of characters get created and then passed around ad infinitum#sweet grouchy baby boy who never did anything wrong ever. man who is either an innocent little big guy or satan himself. guy who is#objectively one of the most flawed individuals in the series being worshipped as a hero (griffith syndrome). guy who is either depicted as#an obnoxious playboy who only cares about getting laid and having as much skin exposed as possible at all times or the most vile man on#planet earth while being neither. the fucking. masochist cyborg thing. i'm gonna explode#oh and if you point out that there needs to be depth to any analysis of these characters if you are to do them justice you end up with a#gaggle of people saying oh yeah of course everyone in here is awful and they all have pig hearts#and i'm just wondering why this is the default conclusion most come to and not‚ you know‚ the thought that complexity does not inherently#imply rottenness but rather that even in the most horrible of situations you can find something good#i'm not the happiest or the most fortunate of individuals but i still refuse to believe in the idea of inherent evil that's being sold for#cheaper than a copy paper pack these days#but that has nothing to do with this my point is if you're trying to do media analysis you've got to look beyond... i don't have a word for#this... i guess you could call them fanmade stereotypes? no that's not it‚ my point is that people need to open their eyes to how complex#motivations and circumstances and human connection are and face that complexity head on instead of rubbing the story with sandpaper until#it's satisfiable to them#logs
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📚
#university rules i just sat in class for 2 hours just watching clips of different robots and cyborgs in scifi from 1920s to 2010s#shoutout to terminator 2 ending that goop guy was so cool#every time im in that class grinning at the powerpoint about humanlike robot x and y i feel like a cartoon guy with one(1) personality trait#but i dont even mind cause its so interesting#my post
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#196#worldbuilding#writing#my writing#fantasy#my worldbuilding#urban fantasy#cyborg#robot#vampirism#vampyr#vampcore#vampire#vampires#werewolf#werewolves#lycanthropy#aliens#alien#AI#demons#demon#polls#my polls#tumblr polls#random polls#faries#fae#faerie#fae folk
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Candlemon BT20-062, Soulmon BT20-067, MetalPhantomon BT20-073, and Reapermon BT20-078 by Kazumasa Yasukuni from BT-20 Booster Over the X (BT19-20: Special Booster Ver.2.5)
#digimon#digimon tcg#digimon card game#digisafe#digica#デジカ#DCG#BT20#Candlemon#Soulmon#MetalPhantomon#Reapermon#Gokumon#Kazumasa Yasukuni#digimon card#color: purple#color: black#type: data#type: virus#trait: ghost#trait: flame#trait: cyborg#trait: X antibody#Lv3#Lv4#Lv5#Lv6#num: 04#co starring: Bakemon
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Tbh Torvah and Leeson were really pretty wholesome and Leeson was mostly a normal guy, Torvah was the weird one. At least they were a mostly benign sort of weird and the mistakes they made were overall due to good intentions.
#I mean he was a monster/cyborg fucker but that’s just an Abnale family trait.#I have no plans to make more. but if I did. they would be too. all of them are bc it’s funny
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DC Series Sublist
The Littlest Wayne: Adopted!Reader AU
Or, the one where Bruce brings home a baby, and your adorable little face wins the heart of your new, big brothers.
Non-linear storytelling! Each section can be read in just about any order!
Color key:
Headcanons || Drabble || Long post
The Masterlist is Here!
Infant!Reader, pre-powers
The Littlest Wayne - Bruce brings you home.
Headcanons - how your brothers play with you.
Flittermouse - where your nickname came from.
Jason's Experience - he's your favorite.
Alfred's Experience - he has a little shadow.
Uh Oh - Alfred taught you the worst first word.
Damian's Experience - he didn't like you at first.
Take your kid to work day - Bruce brings you to Wayne Enterprises.
First Words - the Justice League hears you speak.
Headcanons - you're snatched up at a gala.
Teething - Bruce is your personal chew toy.
Meet the Team - Bruce introduces you to the Justice League.
Drabble - Bruce rants about you to Hal.
Mama - an alternate First Word.
Headcanons - you have a first word for everyone.
Air Jail - you're a menace to Jason.
Headcanons - you come home from school with a back eye.
New Baby Smell - it's a good smell.
Post-Battle Injuries - you ask your family about their wounds.
Scoop - Jason carries you like a football.
Mother Hen (Dick) - Hal takes Dick for fast food before they go home.
Biological Parents - would Bruce let them take you back?
First Steps - you try your hardest to reach Bruce.
Bluey - the bat family interrupts your TV time.
Sickness - how your family would care for you if you become terminally ill.
Traits - Mouse has characteristics and mannerisms their family has adopted from them and vice versa.
Meet the Titans - Do they vibe with a baby?
Meet the Titans 2 - Dick comes to get you after his errands are done.
Cookies: Hal and Bruce try (and fail) to play a game with you
Toddler!Reader becomes a Metahuman
Uncertain Home - your father's rule about no Metas in Gotham scares you.
Uncertain Home, part 2 - Hal lets you know you're still loved, powers and all.
+ the Aftermath
Older!Reader, post-development of powers
Mother Hen - Hal cracks down on the batfamily shenanigans.
Marriage - Your dad marries your mom.
Makeover - who's willing to put up with a face full of products for you?
Cousin Cyborg - he's your favorite babysitter.
Time Out - you pull Tim into your shadows.
The Robin Mantle - how do they feel when you tell them you don't want it?
Internship - you stumbled into Deathstroke's employment
Sick Bed, part 1 - you've become gravely ill.
Sick Bed, part 2 - you're in the hospital with Damian.
Sick Bed, part 3 - you come home.
Truce Juice - you open a cafe that serves everyone: civilians, heroes, and villains.
Truce Juice: Catering - it's a hit.
Here's a depiction of what Truce Juice looks like.
Fist Bumps - Jason is obviously your favorite, and you're obviously his.
Anger - has Flittermouse ever been angry with their family?
Boiling Point - Mouse yells at the bat family.
Umbrakinesis - How do Mouse's powers work?
Overworked - how does the family react to their Littlest Workaholic?
Stories that feature Kon El's romantic relationship with Flittermouse
Image: depictions of a fashion-forward Mouse.
Piety - you meet Conner during a field trip to the Metropolis Conservatory.
Information Gathering - Clark and Hal ask you about the boy claiming to be Superman.
Carnival - Mouse brings Conner to his first one and he learns to see the appeal.
Grounding and Space - Conner uses your heartbeat to self regulate. Your pocket dimension helps, too, if it's not enough.
Signs of Life - Conner loses your pulse.
Meet the Family - Conner is painfully introduced to the bats.
Meet the Family pt. 2 - Dick and Conner have a conversation in the Batcave.
Superman and Kon - how does the natural-born Kryptonian handle this boy's existence?
Hideaway - you try to steal some private moments with Conner
Imprinting - does Clark know what Kon is doing?
The Talk - if you want to start doing biblical things with Conner, your family has opinions.
Movie Night: you're just trying to have a normal date with your boyfriend.
Lex - what does he think of the relationship?
Old Age - how is your relationship with Conner in later years?
Intimacy - How was your first time with your boyfriend?
Energy - you thrive in the darkness and Conner thrives in the sun.
Acts of Service - what you and your boyfriend do for each other.
Information - Kon knows some things and doesn't know others.
Schooling - how your education is treated vs. Kon's
Date Night - how are they usually planned?
Hypothetical - you lose an eye.
Flirting - how receptive are Mouse and Kon to it?
AUs of the AU
Or, the ones in which we let some thought experiments take shape outside Flittermouse's main continuity, just for fun.
Check them out Here!
[[ Do NOT repost my stories anywhere without my permission! ]]
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I was wondering: I noticed that in art I almost always see limb stumps that are, for the lack of a better word, thick and with a rounded end. But observing amputees around me, what I noticed is that their stumps are more tapered, they also are often uneven instead of perfectly round, and the rest of the limb is often thinner as a result of less muscle mass.
Is this coincidental, or do you think stumps are represented in a way that is assumed to be more aesthetically pleasing to abled folk? How common is the "perfect round muscular stump" thing, if at all??
Hello!
As an artist that seeks out art of disabled characters, it's 100% trying to make the character look "less disabled and more pretty". It's usually not a conscious decision, most people just have pretty=good and disabled=ugly ingrained into them and don't think about it ever. Positive depictions of disabled people will do everything to portray them as conventionally attractive as possible, and there is no disability that is exempt from this.
This applies to everything. Most art showing disabled people will try to keep the disability to the absolute minimum - it's not coincidence that positive disabled characters have to be white, thin, young, if they use a prosthetic it has to be really cool and/or unrealistic, if they use a wheelchair it has to be a manual that has to be really cool and/or unrealistic, and they have to look as abled as possible; an abled model who just happened to be holding a cane is preferable since gait disorders are ugly. Good luck trying to find a drawing of a character using an ostomy bag, with congenital skeletal conditions, with severe spasticity, in one of these big powerchairs, I won't mention facial differences and how non-existent realistic representation of them is. Hell, it can be hard to find art of blind characters who aren't wearing blindfolds and eyepatches (since disabled body part ugly), let alone using an aid like a cane or a brailler (since that's Disability, and not just a quirky character trait).
With stumps, it's the same thing. Most often you don't see them, since they are Clearly Disabled. Usually they're behind a cool prosthetic that's called something else (cyborg bionic automail whatever...) that sounds less disabled. If they aren't, they're probably bandaged, since they are Surely Scary. If they aren't that, they will be perfectly round, scarless (or with that big "starburst" type scar for some reason), symmetrical to other limb, and essentially look like you just erased the rest of a model's leg or arm.
Again, I don't think this is done on purpose, I think artists just don't think enough about how they choose to portray minorities. No one is researching anything, everything is a game of telephone from how someone else draws it, who cares that that person didn't bother to check anything either.
[Disclaimer that we don't have amputee mods]
How common is the "perfect round muscular stump" thing?
Not very common, but someone with a disarticulation (much more rare than through-bone) will have their muscles still attached to something and thus may not have the kind of tissue atrophy like someone with an above the knee amputation will. Even weightlifters with an above/below amputation will have some degree of atrophy (you can look at guys like Max Okun, etc.) so it's not like you can just "exercise it out".
A residual limb can be fairly round, but it mostly depends on where it actually is. A lot of people will have excess skin from skin flaps + tissue atrophy which gives it a different shape, BE amputees can have the actual bone shapes visible on the stump, etc. And of course there is scar tissue (unless it's congenital) which can affect how the limb looks like beyond just the sew line being visible; it can leave the stump with an indent around it, etc.
But all of that is of course Disability and Different, so it gets omitted in art. It'd be cool if this wasn't the case, but what can you do.
mod Sasza
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(regular disclaimer that I will exaggerate big feelings for effect but at the end of the day this is fandom and in the grand scheme of things Just Ain't That Serious good? good)
okok look while I am obviously SOOO into where Arcane went with the Machine/Arcane Herald, I can get why gamers who liked og LoL Viktor would be Big Annoyed at him being totally retconned and overhauled in game. That is undeniably a totally different guy there and yeah it would be shitty to have the guy you like completely swapped out. I can especially get it if they liked the mechanical cyborg engineering aspects of his character!
BU T I keep seeing iterations of "he didn't choose anything for himself he just had things happen to him" or "he just went mystic. he used to be someone who used his genius to remake himself and now he just meditated himself into a wizard" and I am so so down to meet in the pit on those takes!! I get people not liking the less mechanical aspects of him but hhhhhhohmygod do not be taking my guys agency and genius down like that
Yes the initial full fusing with the hexcore is something that happened to him, that someone who loved him maybe too much did to him (almost like Arcane has themes of people being launched down dark paths by things that happen to them beyond their control hMmMmmmmmm!!!) And btw I still hold that while his brain got changed by trauma (bc trauma DOES THAT) and the hexcore helped amplify and empower him leaning into his worst traits, after Jayce forced that initial fusion everything Viktor did was a choice.
But also!! Jayce used Viktor's notes. Viktor was the one who went down and got shimmer, who lied and experimented in secret. He stumbled into noticing the hexcore responding to biological material but then he pursued that avenue (because LIFE is a lot of stumbling into things and then deciding what to do from there), figured out what interdisciplinary collaborations he needed to make, figured out on his FIRST TRY what runes he would need to put where.
And while they don't lean into the mechanical engineering genius as much as the OG Viktor like...guys that's a software engineer with a big scoop of magic theorist on top of it (who then started a pivot into biomechanical arcane theory like THAT). He made a magic AI! Don't go telling me he didn't use his genius to become the Arcane Herald when he made a magic AI and then I got to watch the hexclaw grabbing and programming runes into spells like the coolest shit ever!!
That man figured out how to make Jayce's ideas into reality. He then used the scant knowledge of the arcane that still exists to figure out and recreate, using technology, what mages do by instinct. He made a MAGIC AI HOLY SHIT. Jayce is STILL referencing Viktor's rune theories to figure out the anomaly!!
He did not use the same type of genius to become the same type of Herald, but my guy invented being a technomancer so hard that he turned himself into a magical supercomputer and was so good at THAT that he made himself a robowizard god and I will not be hearing anything belittling how nuts that is!!
#arcane#arcane spoilers#arcane meta#i get being unhappy that they did retcon him so hardcore!! i just! get annoyed at comments acting like he didnt make himself!!#'he had help from singed and jayce' yeah science is at its best when its collaborative!!!!!!#thats how it works!!!!#ok fine if you think he was controlled by the hexcore yeah that ruins any agency but good thing i dont think that!!!#viktor arcane#Viktor meta#he turned himself into a wizard using software engineering and theoretical physics and if you dont think thats the raddest shit#then idk i guess we all have different ways to interpret media but!! i think youre wrong!! so MLEH
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run run blood
pairing: Outlaw Midas/Reader
the reader's race & gender are ambiguous; no pronouns or physical descriptors are used.
summary: “So,” Midas drawls, “do we have a deal?” “…Fine,” you relent, against your better judgment. This is such a bad idea. And the foreboding in your chest only grows when Midas holds out a golden hand for you to shake. You return the gesture. His grip is firm, but not painful. Unfortunately, his grasp is also insistent—he doesn’t seem keen to release your hand any time soon.
You suppose it's inevitable that you meet the legendary outlaw Midas, after your nearly countless heists across the island of Oninoshima.
word count: 5.6k | ao3 version | midas playlist

warnings: canon-typical violence and weaponry, spoilers to Chapter 6 Season 2 of Fortnite; drugging, kidnapping, fainting
author's notes: I’m a relatively new Fortnite player, so I’m pretending Midas is a new Chapter 6 character since I don’t know his lore. This is decently canon compliant for Ch6S2, I think. I will say, I literally forgot that, y’know, everything he touches turns to gold… and I wrote this entire thing before realizing… So… Yeah… 😔 Explain that however you want. I couldn’t think of a creative enough way to make him actually able to touch the reader with the curse. Just pretend he found a way around it or something, idk. (I can’t lie, I didn’t realize he actually had the whole Midas curse… I thought he was a cyborg until I read the wiki, LOL.) Also, I beefed up the Midas/Fletcher vibes to make their past a bit more impactful. I made them exes, pretty much. I took creative liberties. Ah well.
As usual, I couldn’t come up with a title so I took it from a song: Run Run Blood by Phantogram.
After the island of Oninoshima is successfully purged of demon influence, you find yourself… bored. You can only go through the motions for so long before you burn yourself out. In hindsight, this ennui likely triggered your recent activities. But, it’s too late to contemplate the reasoning behind it. You’ve crossed a line you can’t come back from.
In the absence of an adversary, you meet new friends and soon find a common enemy: Fletcher Kane. He has a tight grip on the entire island, with his mansion overtaking a sprawling section of the island’s map. His brick driveway weaves through the grass, a luxurious eyesore for all to see. He coats practically every surface in gold. He has more wealth than he knows what to do with, yet he still doesn’t seem satisfied. Fletcher is somewhat of a tyrant around here, with his staggeringly high taxes on weapons and imports making daily life nearly unlivable for everyone except him.
So, you don’t feel very guilty robbing him. It certainly doesn’t help that his gold almost seems to regenerate overnight, leaving you with endless opportunities to just steal and steal and steal. And, hey, if he didn’t want you to take his money, maybe he should be guarding it better. His guards are almost incompetent, and they seem to think that appearing in staggered waves is better than using their numbers to their advantage. It’s really all too easy to break into the vaults scattered across Oninoshima, especially as you start getting better weapons and gear.
Your first few heists draw the attention of Cassidy Quinn, a criminal who harbors a similar hatred for Fletcher. Through Cassidy, you meet Keisha, Joss, Valentina, and a host of other personalities who are eager to take Fletcher down. As time passes and you start to hone your craft, you unknowingly draw the attention of a vital piece in the puzzle: Midas.
Midas is… well. You’re not sure how to describe him, based on what you’ve heard. He’s enigmatic and egotistical, apparently. It’s abundantly clear he isn’t in it for the greater good—he just wants Fletcher out of the way. That kind of selfishness isn’t one of your favorite traits, so you decide it’s a better idea to avoid him altogether. But, as your heists evolve to be quicker and faster, you unwittingly draw his attention. (And once Midas’s attention is captured, he is unstoppable.)
One uneventful day, you’re rifling through a chest for a better weapon when the sound of footsteps reaches your ears. You immediately whip around and point your gun at the sudden presence. There’s a dark laugh and the intruder steps out of the shadows.
“I’ve heard about you,” Midas says, a dangerous smirk hinting at his lips. He looks about the same as he’s been described to you: shoulder-length black hair, a scar ripping through his right eye, a vicious grin. Despite the gun pointed at his head, he looks entirely nonchalant—only raising his hands in a gesture of mock surrender. You swallow an irritated sound and let your gun rest at your side.
“You must be the one who’s been working with Valentina and Cassidy,” Midas analyzes, before enunciating your name carefully. Something lurches in your chest as you realize he knows exactly who you are. Damn it. You had a bad feeling you could only stay under the radar for so long.
“That’s me,” you respond eventually.
“Their work did seem far less sloppy than usual,” Midas notes. He studies you for a minute. “And I suppose you’re also the one riding the motorcycle and creating all that ruckus.”
Oh shit. Oops. “…Yeah,” you respond after a moment, a slightly sheepish smile breaking through your blank expression. Truthfully, you hadn’t quite considered just how loud the motorcycle can be. You’re resisting the urge to laugh now. “Keisha’s teaching me,” you remember to say, when you see his arched brow.
“Teaching you what, exactly?” Midas scrutinizes. “How to draw the attention of everyone on the island… all at once?”
“No,” you say, ignoring the dig. Truthfully, this is a bit funny. He’s almost acting like an annoyed neighbor. “Stunts and stuff,” you remember to answer noncommittally.
“On a motorcycle?” he hums, his brows furrowing for a moment as he contemplates the thought. “Interesting.”
It’s quiet. You don’t decide to break through the silence, instead just staring at Midas and waiting for him to speak. He meets your gaze for a while, before sighing and shaking his head. “We have more important things to discuss,” he declares. You weren’t aware you had anything to discuss with Midas. You don’t even really want to speak to him in the first place. And those sentiments must be obvious, because he smirks knowingly. “I could use your skill,” he then says.
“I’m sure you could,” you acknowledge. “But I’m not joining you.”
“I don’t expect you to,” he answers, to your surprise.
“...Good,” you nod after a moment.
“But I do want you to do something for me,” Midas continues.
Of course he does. “Why should I?” you frown.
“I’ll compensate you, of course,” he answers. “Call it a test.”
A test. You grit your teeth, resisting the urge to point your gun at his head again. That sounds like a waste of your time. But the sum of gold he offers you is too good to pass up, and he knows it.
“So,” Midas drawls, “do we have a deal?”
“…Fine,” you relent, against your better judgment. This is such a bad idea. And the foreboding in your chest only grows when Midas holds out a golden hand for you to shake.
You return the gesture. His grip is firm, but not painful. Unfortunately, his grasp is also insistent—he doesn’t seem keen to release your hand any time soon.
Midas is slippery. Evasive. Dangerous.
A smirk rises on the outlaw’s lips when his hand finally slips away.
…And you immediately regret your decision.
Despite your misgivings about the whole Midas deal, you follow through. Because you may be a lot of things, but you’re not a liar. You gave him your word—that was your mistake to make.
Fortunately, his tasks don’t take as long as you expect them to. You manage to scan for mysterious energy sources on Predator’s Peak and sneak into Daigo’s underground laboratory to take his book on mask-making, per Midas’s requests.
When you return to the Rogue Repairs Black Market, you amble around a bit before heading to the door near the back and swiping your Outlaw Keycard. Midas seems to be getting a bit more detailed with his security measures. You enter the room to find Midas sitting at his desk. Without so much as a greeting, you just toss the Mask-Making Book towards him and let it skitter across the desk. Midas looks up at you and hums, before taking the book in hand and inspecting it.
“You’re quick,” he nods, rifling through the pages before placing the book down. “I wasn’t expecting you for a few more days, at least.” His gaze is heated and unyielding.
Gritting your teeth, you throw him a gold bar and his eyebrows climb up his forehead for a second. “From Kane’s personal vaults,” you explain, upon sensing his confusion. Maybe this will convince him to trust you.
He whistles. “Not bad at all,” Midas acquiesces. He taps his fingers against the desk, a hollow rhythm echoing throughout the room. “He did seem a bit riled up. I see I have you to thank for that.”
You just nod.
A pause. “You don’t talk much,” Midas observes after a moment. He doesn’t seem bothered by it.
“I don’t have much to say,” you answer eventually. And of one thing, you’re certain: you need to watch your words in front of this guy. He’s volatile.
“Well, I can hardly complain when my benefactor bestows such fortune unto me,” Midas says, making a somewhat grand gesture with his arms before resting them on his desk once more. The intensity of his gaze is unnerving you a little.
“I’m not your benefactor,” you remember to correct him.
“Of course,” he smiles. “Now, onto the real work.” You resist an eye roll, instead keeping quiet and allowing him to monologue about this and that. At some point, he starts actually talking about important things and you tune back in.
“You know what to do,” Midas concludes, finally freeing you from that one-sided conversation. With a slight nod, you’re effectively dismissed. “Feel free to grab some weapons on your way out.” He’s evidently referencing the exotic rifles scattered across the space. You’ve never been quite fond of them. They can do a lot of damage, but they’re a bit… finicky.
“Thanks,” you say somewhat flatly, knowing you won’t take him up on the offer. Midas seems to recognize that too, because he just smiles that damn smile. It never fails to send a shiver down your spine.
“Be careful,” Midas hums. If he were anyone else, the remark would be genuine. But this is Midas.
“Fuck off,” you mutter under your breath, turning your back and walking away.
Midas’s laugh seems to reverberate in your ears long after you leave.
As promised, these new tasks from Midas are a bit more difficult—but ultimately nothing crazy. At some point, you stop asking questions and just keep quiet. If Midas senses this shift, he doesn’t comment on it. The two of you continue your unplanned meetings, with you visiting whenever you finish a task for him. They’re nothing more than business, and neither of you bother with small talk. They’re transactional and nothing more.
Sometimes, though, you have to wonder if Midas doesn’t understand that. It’s strange. You’ve heard so many rumors about him and his sharp tongue. And while you’ve certainly seen and heard evidence of his scathing commentary, he’s never quite lived up to the untouchable and prickly individual everyone thinks him to be.
It’s a small change, but you’re perceptive enough to notice it. Somewhere along the way, Midas almost seems to start anticipating your visits. His gaze will snap up to you the moment he hears your footsteps. He’ll try to keep you there longer, drawing out conversation and asking you questions that he doesn’t seem to even need the answers to. You’re not quite sure what his motivation is.
For a while, you can at least take solace in the fact that he hasn’t visited you outside of the Black Market since you first met. Of course, the universe doesn’t let you have that comfort for long. You’re in the process of breaking into a vault one morning when you hear a far too familiar voice behind you. “Impressive.”
Your soul nearly jumps out of your body when a hand lands on your shoulder. “What the hell—?” you immediately flinch and whip around, backing away.
“Relax,” Midas says flippantly, as if he hadn’t just appeared out of nowhere. He takes a step closer to you, and then another. You pretend not to notice, instead looking at him warily.
“What are you doing here?” you remember to ask, after busying yourself with reloading your gun and looking around for more guards.
“Just checking in on your progress,” he answers, idly nudging the dead guard on the ground with a boot. The guard doesn’t budge and Midas just hums disinterestedly.
“More like distracting me,” you mutter under your breath.
“You think I’m distracting?” he asks, a twisted smile on his face. “I’m flattered.”
“Of course you are,” you mutter again. This guy is relentless. You shake your head in an attempt to clear your thoughts, and study your surroundings. The thermite you placed on the door of the vault is making steady progress. You probably have about half of the time left. More guards will appear soon, you think to yourself.
A burning feeling on your arm captures your attention, and you look down to find a gash on your forearm. Frowning, you turn the corner to grab some bandages.
“Careless,” Midas notes, referencing the wound. He must’ve followed you over here.
“Shut up,” you snap, rolling the bandages around your forearm somewhat awkwardly. You barely manage to get it done in time before guards are emerging from the rooms upstairs. You quickly run up the nearby stairs to eliminate them.
You return to the ground floor to find that Midas… isn’t helping at all. He’s just standing there, his hands shoved in his pockets as he watches the scene unfold. You want to be surprised, but you’re not. He thinks everything is a game.
Two more guards approach and you switch to a pistol. You think Midas is saying something, but his voice is nothing more than warped background noise to you. Once you’ve taken them down, you turn to find Midas looking at you. There’s a strange expression on his face. You have no idea what emotion could be gleaming in his eyes, but it looks to be a relatively profound one.
Before you can contemplate that any longer, there’s the sound of footsteps in front of you. You squint and watch as a guard heads through the door behind Midas. For a moment, you just watch as the guard gets closer—and you wait for Midas to whip around and shoot him. But Midas doesn’t make a move. Has he even noticed? You don’t have much time to wonder, as the guard promptly raises their gun.
That split second almost seems to take a few minutes, as you come to the conclusion that you’ll have to be the one to act. You manage to get close enough to Midas to push him out of the way, not even bothering to be gentle as you practically shove him off to the side. The guard fires a bullet where Midas was standing mere moments ago and you make quick work of defeating him, before turning back to the outlaw.
“Idiot,” you admonish him.
He’s on the ground, staring up at you with a slightly shocked expression on his face. It’s quickly replaced by indifference as he brushes his clothes off and gets to his feet. “Not so rough next time,” Midas says pointedly. And of course he doesn’t thank you for saving his life, or even acknowledge it. Of course.
“There won’t be a next time,” you promise.
“True,” Midas agrees, evidently not catching onto the implications you just made. (Because you won’t save him next time. At least, that’s what you’re telling yourself.) Then the outlaw looks at you pensively. “I was… distracted.” Inexplicably, he’s staring at you as he says that.
“Maybe you should pay better attention, then,” you say flatly, crossing your arms over your chest.
“Maybe,” he says flippantly. Midas is still staring at you intently. His gaze turns scrutinizing as he looks you up and down, his eyes quickly landing on your forearm. “Your bandaging skills could use some work.”
“Yeah, well,” you sigh. “It’s hard to do with one hand. Besides, this gets the job done.” You reach down to the tattered bandage, attempting to wrap it around your arm again.
Midas extends a hand, and it lingers in mid-air for a few seconds. There’s a strange tension settling in the air now. It almost looks as if he’s going to reach out to fix your bandaging.
Then the vault door explodes, promptly breaking the moment apart. You’re the first to regain your composure, turning your back and making your way into the vault. Your departure is too quick for you to notice Midas staring after you, an inscrutable expression on his face.
“Midas?” you hum after a moment, peeking your head out and looking up the stairs. He’s lingering awkwardly at the top, seemingly lost in thought. You hold up a gold bar and move it back and forth before his eyes. Still nothing. That’s pretty strange. He must be pretty preoccupied.
“You good?” you ask after you’ve finished looting. The outlaw didn’t even enter the vault. Very weird. You’re not so deluded as to think he trusts you to know what’s valuable down there—he’d want to check himself. So why didn’t he?
Midas blinks, as if thrown from a stupor. “Of course I am,” he responds smoothly. It’s probably not as convincing as he wants it to be, but you can sense he won’t elaborate. You settle for walking out of the building with him, occasionally sneaking glances at the outlaw who’s always been rumored to be emotionless.
In hindsight… maybe you got too confident, sneaking around Fletcher Kane’s mansion for a fifth time.
But in your defense, you weren’t expecting to get jumped. Well and truly jumped—as in, ambushed with a needle to the neck before you could even raise your gun. And besides, you had broken into his mansion four times before—this heist shouldn’t have been different. Fletcher’s security has been laughably lax. It seems he was expecting you this time, though.
You come to these thoughts within a few minutes of your return to consciousness. You’re not blindfolded, thankfully—but you are tied to a chair in a nondescript location. After a few moments of thought, you recognize it to be Kappa Kappa Factory at the edge of the island. Dread stews in your chest. It could be a while before you’re found.
You experimentally pull at your bonds, unsurprised to find they’re incredibly tight. All of your weapons are gone—including the dagger you keep in your boot for situations like this, which is really a shame. You’re well and truly captured.
You’re not at all surprised to see Fletcher Kane walk into the room within moments, his cane thudding against the ground. You watch his approach, taking in the luxurious coat around his shoulders and gilded gold detailing on his cane. This is someone who has more than enough money to burn.
“I finally have you,” he says. The remark is ominous enough to send an ugly nausea climbing up your throat. You take a slow breath, struggling to keep your composure.
“Couldn’t even take me in a fair fight?” you blurt out before you can stop yourself. Damn it. “I guess you did get your ass kicked last time.”
That gets you a punch in the face. The blow is hard enough to make you see stars, and you have to tilt your head to spit blood out of your mouth. It seems he didn’t appreciate that reminder.
“You’ve been an incredible nuisance,” Fletcher frowns, cracking his knuckles exaggeratedly. You resist an eye roll at the gesture.
“...Thanks?” you say after a moment.
The wolf rolls his eyes. After considering you for a second, he continues. “I’m willing to compromise,” he says. There’s a dramatic pause. “I could give you more gold than you would ever know what to do with.”
“Maybe,” you acquiesce, despite already knowing you’ll deny his offer. It won’t hurt to keep him talking, though. “But what would I have to give you?” you reason.
“Your service,” Fletcher responds. At your perplexed look, he specifies. “Your skill.”
“Um… that’s okay,” you eventually remark, looking around the room to avoid his eyes. Besides, how exactly would you benefit him? What is he even after? You’re still not quite sure.
Fletcher doesn’t exactly seem surprised, but he does seem annoyed. He takes a step closer and your gaze unwittingly snaps back to him. You’ve stared him down before, but that was when you had fully loaded weapons. Right now, you’re uncomfortably vulnerable—with no weapons, no ability to move, and no safety.
“You think you’re safe with him,” Fletcher says. He doesn’t need to specify exactly who he’s talking about—you both know. “But you’re not. Midas will discard you at a moment’s notice. The second you lose your utility, you’ll be dead to him.”
It seems like he’s speaking from experience (and also projecting). You don’t really know what to say, so you just keep quiet. Fletcher doesn’t even seem to notice—he almost looks lost in memories, in betrayal and anger and grief.
At some point, he seems to remember your presence and his eyes narrow. Suddenly, Fletcher crosses the room in a swift movement and yanks your head back, forcing you to look up at him. His nails are almost as sharp as claws, digging into your skin. You choke on a breath as you see the pure fury in his eyes. “You’re nothing.”
He releases his grip with a pronounced shove. Your vision spins at the movement. You’re starting to get the feeling that this really isn’t about you—it’s about Midas. Fletcher just grabbed you to use as bait. But, you have a sneaking suspicion you’re not good enough bait. You wouldn’t be at all surprised if Midas never showed. You’re not that important to him. The outlaw doesn’t do friends, or acquaintances, or whatever the fuck the two of you are.
“He’s not coming.” The remark crawls its way out of your throat before you can stop it. Fletcher’s eyes are back on you.
“Oh, he is,” Fletcher laughs, a gesture entirely devoid of amusement. It sounds empty, bitter, almost defeated. There’s clearly a rich history between the two criminals—one you’re entirely unknowing of. You only know what little Midas has told you: that they’ve known each other for a while, that Fletcher has always been like this. Clearly, there’s a lot more between them than what you previously thought.
“I don’t think so,” you continue. Your voice sounds a bit raspy, which is strange—considering you likely haven’t been here for too long.
“When I first heard,” Fletcher says, entirely uncaring of your objections, “I thought it to be just another rumor. I dismissed it time and time again, each time I heard it.” Is it fair to say you have no idea what he’s talking about? He’s being frustratingly vague. It seems like the wolf is alluding to something between Midas and you. What exactly that something is… you haven’t the faintest idea.
“But I’ve seen it for myself,” Fletcher continues. You blink in disbelief. What exactly has he seen, and how has he seen it? You don’t think the three of you have ever been in a room together. “Midas sees you as an equal. Values you, cares for you. And because of that, he is weak.” The statement’s punctuated by a harsh thud from his cane.
With that, the air falls quiet once more. You’re not sure how much time passes: it could be minutes, it could be hours. Hell, you could’ve been here for days. In this windowless room, it’s impossible to know for sure. All you know is that Fletcher is quickly turning impatient.
“Midas is taking his time,” Fletcher announces, beginning to pace around the room. He seems restless.
“He’s not coming,” you repeat.
“You seem certain,” Fletcher notes.
“I… am,” you say carefully. A mere moment’s reflection on Midas’s character could tell you that. The two of you aren’t even friends. In your absence, he’ll just move to find another weapon (benefactor, you remember him saying).
Something changes in his expression. Kane takes a step closer. Your heart thuds against your ribs. “You’re smart,” he says begrudgingly, crossing his arms across his chest. “Why have you remained at his side?”
“I don’t think he lets anyone stand at his side,” you reason. This is Midas you’re talking about, after all. He comes and goes when he pleases. “I just… complete the tasks he gives me.”
“You underestimate yourself,” Fletcher argues, seemingly strangely passionate about the topic. You still can’t shake the feeling that you’re missing a huge piece of this puzzle. There’s something neither of these criminals are telling you. “Or, I suppose, what you’ve uttered is what you do. But he isn’t content with that. He wants more.”
The distance between you is virtually nonexistent now. A claw traces the space under your eye, a hollow reflection of where the scar cuts through Midas’s face. You choke on your next breath. “He’ll take everything from you,” Fletcher continues, dragging his finger down, down, down. “Make you forget who you are, what you’re fighting for. Your purpose.”
You just swallow. Distracted by the movement, Fletcher’s hand flexes and finds your throat. There’s a contemplative expression on his face now. “I could end this,” the wolf muses. “Ensure you never disrespect me again.” His hand tightens for a second, a warning. You are not the one in control.
“He would never forgive me,” Fletcher says. It’s murmured so quietly that you almost don’t even hear it at all. “But I don’t think I need his forgiveness,” he then concludes. “Just his attention.”
Your heart drops to your stomach. He’s going to kill you. He’s going to rip your throat out. His grip on your throat tightens, moving past discomfort and quickly ripping your breath from your chest. You can barely budge in your current position. All you can do is stare up into those empty eyes.
Your vision’s starting to blacken. You’re going to die. Fletcher’s vicious smirk blurs and sharpens before your eyes. His hand digs into your skin with far too much force. You’re going to die, you’re going to—
In a blur of motion, Fletcher reels back, blood spurting from his wrist as a bullet carves a neat path through it. You flinch as blood spatters across your face. What follows eludes your comprehension: blurs of movement, gunshots, blades. You feel dizzy even as you just sit there.
At some point, Midas returns. The only sign of his fight with Fletcher is his slightly labored breathing—otherwise, he looks unscathed. He studies you for a moment before crouching down to untie your bonds in eerie silence. Even when he’s finished, he remains standing before you. Something like annoyance passes over his face and he reaches out to wipe the blood off your face, before finally stepping back and giving you some breathing room.
You get to your feet slowly, your knees protesting the movement. You’re not sure just how long you spent here, but you know whatever you were drugged with is still running through your system. Your balance is a bit unsteady and you almost feel like a baby deer learning to walk.
“Can’t even take a punch?” Midas huffs judgmentally. You’re too dazed to notice the concern hidden behind his remark or the way he steps closer, as if ready to reach out and support you if needed.
“I think he drugged me with something,” you say instead, your tongue feeling thick in your mouth. It was kind of hard to notice before, since you were forced to be stationary. But now that you’ve tried to move, your exhaustion and vertigo are rather persistent. There’s sweat collecting at the back of your neck. You don’t feel right; something doesn’t feel right. “Sorry, I—” you try to say, only for the world to twist around you. It feels like every bone in your body just turns to mush, as you crumple to the ground and surrender to unconsciousness.
You wake up to find yourself settled on a couch, a somewhat scratchy blanket draped over you. Your muscles ache with even the smallest of movements, as you push yourself up to a half-seated position and clear your throat to get rid of the dryness. There are new bandages around your forearms, far less clumsy than your own handiwork.
“You’re awake,” Midas states. You glance to the side and find him sitting in an armchair nearby, leveling you with a scrutinizing gaze.
You nod ever so slightly, not trusting yourself to speak. “...Thanks,” you say. You don’t need to elaborate for him to know what you’re thanking him for. If he hadn’t arrived, you might’ve been dead. And, if Midas really wanted, he could’ve just left you there. He didn’t have to bring you back here—wherever this is—and patch you up.
“I should’ve been there sooner,” Midas responds.
You just shake your head. You don’t blame him, but you sense that speaking on those thoughts will just throw you into an argument. You don’t have the energy, so you instead remain quiet. After a few more minutes spent in awkward silence, you try to push yourself up slowly.
“Don’t push it,” Midas warns you, making you freeze in place. “I found traces of the drugs in your system. Or, I suppose, Joss did. Not exactly her forte, as she was keen to remind me several times.” He rolls his eyes slightly.
“Everyone seemed quite worried for you,” he continues. “You have quite the little family now, whether you wanted one or not.”
He’s speaking a bit too quickly for you to comprehend everything. “Sorry, I’m—” you choke out, bringing a hand to your temple. It’s difficult to process what’s happening, especially in this conversation. You still can’t quite understand the whole interaction with Fletcher, let alone what’s happening right now.
“You apologize far too much,” he notes clinically. “You should work on that.”
You huff, unsurprised by his scrutiny. When you move to push yourself up again, you find the movement a bit easier—and realize Midas has a hand on your back, guiding you up. You murmur a word of gratitude quietly, feeling slightly less winded now that you’re in a seated position.
Midas looks to be contemplating something. “In truth, I’m the one who should be apologizing,” he eventually says. “I got you caught up in this mess.”
You just shake your head. “You couldn’t have known that would happen.”
“I should’ve expected it,” he argues, shaking his head.
“And I should’ve expected the ambush,” you add with a sigh.
Midas’s face darkens at the reminder. “That seemed… unnecessary,” he says. If you didn’t know any better, you’d think he was frowning. “Even for Kane.”
“He seemed to think I was disrespectful,” you explain, “for all the robberies.”
“I’d venture to guess there was more reason than that,” Midas analyzes, looking at you pointedly. He’s inviting you to explain. This is his way of asking what Fletcher said to you. He’ll never outright say it, but he wants to know.
“He did say…” you trail off hesitantly, tangling your fingers in the blanket thrown over you. “He seemed to think that you would show up, because he had captured me.”
Midas just clasps his hands, before looking at you and waiting for you to continue.
“He, um,” you stammer awkwardly. This is embarrassing, somehow. You’re not the most perceptive when it comes to ambiguity and implication, but Fletcher had really hammered the point home. “He said you want more from me.”
“More,” Midas repeats, evidently seeking elaboration.
“More than just completing tasks,” you continue. “He was… Um.”
Midas looks at you imploringly. “Say it; I can take it.”
That’s… not really what you’re worried about. But it doesn’t seem like you’re going to get out of this one.
“He said,” you eventually manage to say, “that you value me and care about me.” There’s that familiar tension you always seem to feel in his presence, sinking through the air and making you question everything you say. “I told him he was wrong,” you maintain, after giving Midas a moment to process.
“...You did,” he says. “A fierce defender.” There’s a note of some detached emotion in his voice. It sounds unnatural, hollow.
“I mean,” you justify, “It was just instinctual. Because it’s not true.” You search his face.
You’re expecting a hum, a nod, or, hell, no reaction at all. But you aren’t expecting Midas to sigh and bring a hand to his temple, before dragging his eyes up to meet yours. “It’s true,” he admits.
“It is?” you blink.
He nods ever so slightly. “You didn’t show,” Midas then recalls slowly. It looks like each word he utters is taking more energy from him. This is clearly difficult for him. “I was skeptical. You’re usually… quite quick. I gave you the benefit of the doubt, told myself it was an arduous task when it wasn’t.”
“It wasn’t until Keisha visited, that I let myself believe it,” he continues. “That you were missing.”
“I felt strange,” he frowns, his hand twitching. “Sick.”
“I thought my years of good health had finally caught up to me. But I persisted. I thought nothing of it—of how it cleared the moment we locked eyes earlier.”
“It’s true,” Midas concludes. “You are… very important to me.”
“You’re important to me too,” you confess after a few moments.
“As Midas,” he recites, something bitter in his voice. “As an outlaw.”
“What?” you say. “No, I mean… Just—” you take a slow breath. “You’re important… as you. Just you. None of that other stuff.” As far as confessions go, it’s almost pathetic. You barely get the words out, and they sound absolutely nonsensical to your ears.
But Midas seems to understand regardless. His hand finds yours where it’s resting on the bed. It’s a seemingly small gesture, but both of you can sense the meaning behind it. You squeeze his hand in what you hope to be a sign of reassurance. His grip tightens in response.
Midas proceeds to keep you company throughout your entire recovery. He admits, one night when he thinks you’re asleep, that he’s never quite done this before—caring for a person like this. Caring about a person like this.
You’ll admit something similar in the coming days, once you’re fully recovered. You’ll admit you feel as if you don’t deserve to be cared for, that you’ve taken too many lives to feel deserving of anything. And Midas will laugh under his breath quietly, bringing a hand to your cheek. His thumb will glide across your cheekbone.
“Maybe neither of us deserve this,” Midas will admit, “but, we deserve each other.”
And you’ll look at him, meet his eyes, and find yourself unable to hide a smile.
Until then, you drift off to sleep knowing you’ll have his company when you wake.
©2025, @defectivevillain | @defectivehero, All Rights Reserved. Reblogs are greatly appreciated—just don't steal or share outside of Tumblr, please.
endnotes: Heeheeheeeee!
Imagining Midas sitting in an armchair across the room but near your bedside…. Imagining him literally never leaving… Imagining him falling asleep there… spending all his time there, because he just wants to be near you… GRAHHHHH!
also WHEW. Midas is difficult to write for. But I think I pulled it off, and I’m pretty proud of it.
I fr almost wrote “deerling” instead of baby deer… and then I looked it up and remembered that Deerling is a Pokémon. Bahahaha.
huge shoutout to my fortnite bestie @connorhasabigtip we’re so tilted at the towers. can’t wait to run ppl over with u again!!! i mean. uh. play the game how it’s supposed to be played. yeah.
thanks for reading! <3
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friendly reminder that i don't give permission for my writing to be shared to other sites, stolen, copied, translated, or used in any way. thanks!
#defectivevillain#fortnite#x reader#fortnite x reader#midas x reader#midas fortuite x reader#outlaw midas x reader#outlaw midas#gn reader#transmasc reader#male reader#nb reader
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Quick question for robot lovers...
(Edited post)

Do you mfs share the same braincell or are ya'll secretly a hivemind that spawns once a object/computer or TV head or simply just a sentient ai, android or cyborg that has similar traits or features to edgar, hal 9000. Po3, AM, wheatley, yes man, vox or painter
Like everytime I see a new cool robot character I see AT LEAST ONE of you mfs grabbing your drawing tablets and pens and immediately drawing and simping for the robot💀
I'm betting that if a program actually becomes sentient I'll see one of you mfs saying "hear me out" about the program💀
Also to clarify this post is a joke I'm not being serious with this question, I just wanted to make this post to talk about painter, edgar and harley again💀
#objectum#object head#tv head#electric dreams edgar#electric dreams movie#robot lover#hal 9000#2001: a space odyssey#a space odyssey#po3#inscryption po3#inscryption#am i have no mouth and i must scream#am ihnmaims#i have no mouth and i must scream#wheatley portal 2#portal#wheatley#yes man#fallout new vegas#hazbin hotel#hazbin hotel vox#pressure game#painter pressure#roblox game#quick question
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