#trans tristan

[sunsetdoweoo]

TRANS TRISTAN W TOP SURGERY SCARS SUPREMACY!!!!

I hc him with horns in his demon form, i thought it would be a cool idea!!

Originally they are tiny but in his demon form they grow a tad bit long depending on his power level and emotions.

If he’s losing himself they grow larger than usual, if he’s upset the tips are bloody red, neutral color is purple, light blue is when he’s happy, dark blue when sad.

these colors were inspired by abbys idea! @darkelf-7​ 

Also the earring was from a Crossover au!! where meryl is like a big sister to tristan and they swapped earrings <3 i wanted to add it here because why not

[aries-2256]

I have to yell more about Tristan

He's one of my current dnd PCs, a transmasc rogue and all around goofy goober. He fucking died two sessions ago and the possibility was floated abt him coming back as a Reborn, as illustrated here: (I was just spitballing in this sketch)

What ACTUALLY happened was both way more tragic and hilarious (to me): revival magic BROKE the spell cast on him that trans'd his gender,,,, and now he looks like this:

Needless to say, this has not been a fun time for him. He spent 2 days hiding in his room from everyone out of pure embarassment.

Everyone pls tell him he's still handsome and that you care him, thx.

[pybun]

Have you ever imagined what AJ would look like as a spirit-clown-thing like Tatters (and vice versa)? Basically a species swap 🤔

ever since the thought of genderbending them had occured, a role swap would be more preferable

tatters being the depressed guy and AJ the gremlin clown

their fusion would p much look the same as og tatters. heres a quick sketch of a loose idea of how theyd look like

[m3l4nch0ly-h1ll]

No, I'm not a trans guy. I just want a male build and male anatomy, an adam's apple, an androgynous/masculine face, manhood, big and slightly veiny hands, a tall and slightly muscular build, testosterone and male puberty, and a certain male voice.

[railroadz]

some 20-somethings

[each-uisge-enthusiast]

going mad and running around the woods like a wild man and then emerging later cured by one thing or another is, in fact, a trans metaphor. following this logic, lancelot is trans and none will change my mind

[void-botanist]

hello and how are you?

We had to come scurrying over after we found your WIP Name Game! Honestly, a lot of those names make us want to ask after them, this Work seems to be filled with good things, but!

Can we see something from these parts? Whatever you want to share? ( •̀ω•́ )σ

Farewell to the Ancestors, Tatiana Arvenswold, that secret option from the tags that you want to scream about

Have fun with it too! If ya wanna pass or go wild, then this is your invitation to do so! we're entirely intrigued!

☕ Natsume Rune, @365runesoftheamalgamations

From this list

Thank you so much for the ask! I actually talked about the one that made me want to scream over here, but "queueing" is a similar sort of scene, where Spinder gets into a different unusual conversation. The Nicea has been queueing for a warp transit for hours, Tristan has taken a sleeping pill, and Rodney is left having to make his first non-training warp transit:

The door slid open six inches and Spinder blinked sleepily up at him. “What?” he said with the distance of someone still shaking off a dream. “We’re clear to transit in a few minutes, and I just need someone to sit on the bridge with me while I do it.” He raised his eyebrows but didn’t argue. “Let me get some pants on. I’ll be right there.” The door shut again. Rodney decided to trust him and go back to the pilot’s seat. Tristan’s seat. It felt too big, even though it was only marginally larger than his own. He was about to take the unnecessary step of strapping himself in when he remembered that his coffee was halfway across the bridge and went to grab it. Spinder showed up at the same time, half-covering a massive yawn while he dropped into his usual seat. The pants he’d put on were just the lower half of his flight suit, zipped up to his waist with the sleeves tied over it.

"Farewell to the ancestors" was previously an almost-empty scene where I planned to have Tristan visit the graveyard where most of her family is buried and say goodbye to them before the trip, but this ask made me want to work on it some more:

Tristan climbed to the top of the hill, weaving the familiar path through the generations of her family’s gravestones. At each one, she ran a hand over the small dome carved from the top of the stone, feeling the grooves left by increasing generations of hands. On the oldest markers at the top, the dome had started to become a valley.

And "Tatiana Arvenswold" is one of my favorites. This is deep into their space journey, after assorted disasters, when Spinder and Isabel first meet Tatya, who stays with them pretty much to the end of the book:

Isabel was aware of someone passing their table, but didn’t look up until a pale brown hand rapped on the tabletop. Standing over her was a person whose brown hair seemed to be all cowlicks, even into their loose ponytail, with a scruffy half-attempt at a chinstrap beard and a wide baby-pink collar choker peeking out past the massive triangular lapels of their khaki jacket. They were completely ignoring her in favor of Spinder, and she prepared herself to bolster his defense. “Hey, are you Spinder?” they asked. “You look just like the picture Gwinny sent me.” Spinder blinked. “I am. Are you…the warp witch?” They grinned. “Tatiana Arvenswold at your service. She-her or whatever you feel like.” They turned just enough that Isabel could see the silver heart-shaped ring in the front of their choker. Their eyes lingered on her face, and at first she thought they were looking at her bruises in order to make a dumbass comment about them. Then she got a full once-over, and when their eyes met again Tatiana’s gaze was thirsty. “And who are you?” “I’m Isabel,” she said. “The captain of the Nicea.” “Oh, nice, nice. So, uh, y’all in need of a warp witch? Or a finder?”

Nicea taglist: @kahvilahuhut @malloen8c @outpost51 @writernopal @athenswrites

[skye-blacke]

STREAM SCHEDULE 31/07

Stream Schedule for next week!

Minecraft on Monday

Fallout on Thursday

And of course - Roll for Change on Saturday! Myself, @ayeforscotland , @erinustv , LukeBoogie will be exploring a fantastic game crafted by fantasy author @tgraywrites as we play D&D and raise money for Mermaids!

Hope to see you there!

[gatheringbones]

[“Linda/Les and Annie, a film produced by and starring Sprinkle, emerges as not just one of the first docu-porn films—a genre using a mix of both documentary film techniques (especially the interview) and porn conventions—but also as the first sexually explicit film to feature a sexual FTM body post-transition.

Linda/Les and Annie centers around FTM Les Nichols, after his surgical sex-reassignment that, for him, included a phalloplasty, the surgical production of a penis. There’s much to be analyzed in this film—not the least of which is its overemphasis on the American ideology of freedom, tattooed on Les’s chest—but for my purposes here it remains very interesting for its depictions of both FTM genitals and sexual practice.

In the film, Annie is his sexual partner and together, in front of the camera, they explore this transition and Les’s body in a sexual context, attempting to use Les’s penis for penetration. They also both reflect upon the surgery, their sex play, and their respective processes after Les’s transition. Phalloplasty procedures are not a perfected medical procedure and, one of the things Annie and Les discover and depict is the degree to which penises produced through this procedure cannot become erect enough for penetration. Despite what might be construed as a moment awash in pathos and failure, Les and Annie “make a few adjustments”—as the voice-over tells—and continue to fuck each other for the camera using Les’s pussy and new penis simultaneously.

[…] What emerges in today’s FTM/transgender porn cultures, is no longer pathos but a productive space of ambivalence and incommensurateness about sexual trans bodies and, more precisely, about sexual penetration. Trans masculinities in feminist post-porn raise complex questions about bodies: How are trans men reorganizing normative constructions of what’s being called the bonus hole, the former “vagina,” after surgeries? And within genres of sexual representation that rely upon the supposedly unmediated body on display for the audience, what kinds of psychic, social, and visual negotiations are required to mitigate against the essentializing and representational stubbornness of that ‘hole’ once penetrated both sexually and visually?

Feminist porn is, in part, shaped through an epistemological and political imperative of incoherence, and this incoherence informs its visual language. This imperative to rupture sense is itself complicated. When it is both the ground of public cultures and the imperative of feminist porn, how then might it be used as a trope to represent that which is already constituted as incoherent: trans bodies?

In 1989, Les and Annie use the language of “bisexuality” and “pussy” when contextualizing the economies of bodies, sex, and desire. In more recent work, these languages change dramatically, begging that we question how the subjects of these ironic overdeterminations (that is, between sex, sexuality, and gender)—stone butches, genderqueers, and FTMs—negotiate their sexual complexities in front of a camera held, as it were, by queer and feminist pornographers?

In two other films—one documentary, Debra A. Wilson’s The Butch Mystique (2003), and one docu-porn, Luke Woodward’s Enough Man (2004), penetration is characterized by FTMs as a very gendered sexual practice and decidedly invasive. Not only is the event of penetration persistently gendered by the subjects in these films, it often marks spaces of trauma, shame, and ambivalence for FTM trans men. But when is a vagina no longer a vagina? These films provoke questions about the names, meanings, and uses of body parts as they do the work of gender and power at the same time. The transed body, overdetermined either as “female” for butches or “incomplete with a penis” for FTM trans men, is supposed to be a site of shame and impossibility. Instead, two strategies begin to emerge in feminist porn: first, as a form with the intention to disrupt both convention and content, feminist porn converts the traumas of being differently gendered into a sexual grammar that desires to see differently. And second, its resistances to essentializing gender are aggressively coded as both counterpublic and sexually queer. How those codings function as visual grammars is where their respective contributions to public sexual cultures become very fascinating.

My question, then, is this: Within such economies where embodiment is a site of profound ambivalence and political shaming for butches and/or FTMs, how then might social and discursive power be negotiated through complex sexualities and incoherent and yet decidedly masculine identifications? What kind of work is being accomplished through these complex desires to put another incoherence—the “man pussy”—on display as self-constructed visual spectacle vis-à-vis feminist porn? Is that work, for FTMs, similar to the gender work accomplished through the repeated, and hence, ambivalent public and performative refusals of penetration for some butches? Can both moments—the moments of self-constitution through representation as well as through performativities like a repeated refusal—be read as a redeployment of cultural and political shame animating these bodies and grammars of incoherence?”]

bobby noble, from Knowing Dick: Penetration and the Pleasures of Feminist Porn’s Trans Men, from the feminist porn book: the politics of producing pleasure, edited by tristan taormino, constance henley, and celine perreñas shimizu, 2013

[teinarhen]

Tristan :3

[kind-hufflepuff]

TRISTAN / YARA FROM SCHOOL FOR GOOD AND EVIL

[aries-2256]

ok so in an effort to PoastTM more, here's what Tristan is wearing now since his former fit no longer- fits...

Plus sides of things like gambesons are that they're padded in a very un-shapely way, which is very handy when you have to bind

[arthurtristankingsmen]

I couldn’t put myself back in anon but here! (I’m the ask btw)

Oh that looks very nice! I think my favorite part is the triangle of gold on the pants near the hem, I think it adds a lovely splash of color. The green tinge to his arm is very interesting too owo

Very nice job!

[m3l4nch0ly-h1ll]

People need to admit how weird and harmful cis male influencers are when they dress up feminine and go through their best efforts of looking and sounding like a feminine woman to 'troll' and 'trick' people and either laughing at or ignoring transphobic reactions directed towards themself and trans people. It's unsettling.

I'm all for cis men dressing feminine when they're being genuine but plenty of them do it to mock queer people and use their toxic masculinity to shame and mock effeminate cis men, gay cis men, and trans women. And even outside of toxic masculinity, they still use this to mock queer people no matter if they realize it or not, and claim to be women despite being cis men. Because all trans women are to them is a laughing stock for them to immitate.

Influencers like this are really disappointing, and it's especially more hurtful when it's an influencer I myself enjoy. And they either ignore the existence of trans women or do it in thought of them and enjoy the harm it causes and the hate it spreads. They need to stop encouraging their targets of 'trolling' to share and spread their bigotry and stop treating it as humor or something casual to ignore. Encouraging a bunch of bigots and cisnormative people to make transphobic remarks while you sit there and laugh or ignore them.

[bunkernine]

Like there are so many layers to the seven. Ok lemme be real... 6. Some many layers that I have crafter in my head that has made them real and layered. Half of them are conflicting but also sometimes that works. The lost trio ESPECIALLY they're removed from canon but also entirely based in canon but also they're all made up and ooc.

[anxiously-awaiting]

laz and four of his knight boyfriends btw. if u even care