#two versions exist idk which i like better

[the-faultofdaedalus]

once again thinking of the alt-history/sci-fi/dystopic universe in my head where the whole concept is “the surface of the sea just stops existing”

[puredoesnotmeankind]

I have this very specific Noah and Gaius interaction in my mind where Gaius finds Noah whilst he's on the run and ends up giving him a lift to where he needs to go. Somehow they end up talking about having been the cause of someone you love dying and past misdeeds which caused hurt to the ones you love and Noah's just like 'Well it doesn't matter because whatever you did won't be able to compare with what I did, it's just different and you wouldn't get it', thinking back to all the supernatural elements, and Gaius is just thinking 'this teenager is so unserious, pls go back to school'.

[no1ryomafan]

So I watched shin vs neo again with my irls for my bday given how short it is and I didn’t have a actual movie for the occasion-bc let’s face it SvN is probably the closest thing will ever get to a getter movie lol-and while I enjoyed it as per usual one of my irls who had it be their first getter exposure was like “I have no idea what’s happening” and while I kept joking “lol if you saw arma you’d be even more lost” it dawned on me why new is probably the better first getter experience overall and it ain’t even because there’s less characters + is the starring cast-well besides Musashibo-to really grasp stuff, it kinda ties back to another issue getter has: The Go team have not gotten a proper accurate adaptation and probably the getter team who’s done the dirtiest despite getting more appearances than arc, because arc team at least got a manga accurate anime.

I’ve realized this for awhile but now I understand the want for a getter go anime even if I’m doubting it’s happening god.

[my-thoughts-and-junk]

"what was it like having integrity for once" no jerry i. i don't think you have that.

[brokenmachinemusings]

guys idk if anyone else has but i found the link click camera. rolleiflex 2,8f aurum, a special edition. at first i thought it was a regular 2,8f rolleiflex, because most rolleiflex are black and on later models they have a very similar look; 2,8f lenses looked the most similar to link click ones. however, the sphere engraving at the top is throwing me off; maybe it’s a different brand? but that makes no sense, considering it looks like a typical rolleiflex and at the top cheng xiaoshi it literally says “polleiflex” and it has a diamond engraving. (sorry, i don’t know how to call it, i’ll just say engraving.) at the reflection of the sphere TLR (ill call them that, stands for twin-lens reflex, which is the camera type) it does turn into a diamond (if anyone has the blank version of this poster i would be grateful!), which makes me to think it was probably from the messing with timelines? which is a wild guess. but regular butterfly effects occur so much in time travel media, and in link click, too (you just haven’t realized it).

reflections… they typically tell the objective truth, don’t they? it used to be a diamond engraving so typical of most rolleiflex cameras; the logo. yet the meddling of time has skewed even that, and you can’t tell which is real and which is fake. i looked through a list of models; did it again. maybe i missed something. there are NO rolleiflex with a circle. the can spelling out “past or future, let them be” next to said TLR is even more telling. a typical warning label, one that wasn’t followed. even if you try your best, you’re bound to make a mistake or two, and suddenly all of history is altered to the point the logo (and maybe the name?) of a camera production company looks different.

you know, what’s interesting is these cameras are big on the parallax effect. due to the viewfinder being one lens, where you can look through to better capture your photograph (it’s why they were more popular than SLRs at the time, or single-lens reflex cameras), there is bound to be a mistake due to the height. well, not mistake, but the result is slightly altered; slightly skewed from how you perceive it. TLR’s also shoot in 6x6 dimensions; there’s the number 6 again. link click has a lot of repeating numbers, the most of them being especially 8 and 5, and 6 is another one. (let me redirect you to the fact li tianchen’s localized/english name is ‘vi’; not one i’m on-board with, but an interesting choice, considering that is the roman numeral for 6 and you could’ve chosen literally anything else. i’m slowly starting to believe each character has a number associated with them; cheng xiaoshi 8, li tianchen 6, and lu guang likely 5. but maybe it’s the other way around. if you’re curious, my personal belief is that we are currently in the 8th timeline.)

the model of our rolleiflex, K7F aurum, or 2.8f aurum, whichever you prefer to call it, comes out in 1983. cheng xiaoshi was likely born around 2000. well, it says 2000, but it’s unsure if that’s set in stone. which means that was 17 years prior to his birthday; his parents have well been alive at the release of this special camera.

you know what i think? i think it might be a gift, or a heirloom so to say. his parents — while we don’t know which one does more — are obviously working with photography, likely from a young age, just like him. likely bought the camera themselves, or got it gifted from someone close — either way, it ended up in time photo studio, or in cheng xiaoshi’s hands, likely stashed away. you don’t take a special edition camera out to shoot every day, do you?

well, that’s what i’m gathering anyway. it could be that cheng xiaoshi doesn’t even have such a camera — or OUR cheng xiaoshi doesn’t. it’s not explicitly shown in the donghua; like i said, either doesn’t exist yet or is hidden away somewhere. the only problem i find with it not being in cheng xiaoshi’s hands until the time comes; where does he get a rolleiflex aurum? a camera that often goes for around 4k, one that was made a good almost 40 years ago. it’s possible that the camera is meant as a simple metaphor, to represent something in the show… we don’t know what, yet, but this is just speculation.

i tend to end off my rants in a weird note, unable to think of how exactly to formulate that. i apologize in this case. thanks for reading; if you have any thoughts or any way to extend this, feel free to reblog, comment or go to my askbox. leaving the full art/posters at the end here in case anyone wants to look at them. again, if you have the clean version, please please please send it to me

(i think, a really interesting detail of this poster is that li tianchen’s on there. if you look close enough)

[attyrocious]

cross posting yesterday's rambling thread for posterity and because tumblr lets me edit things. anyway this is a sorta long thing and i might add things i forgot to mention in the twt thread

i tend to draw on-model canon because im a coward + just personal preferences. but the way i convert the canon designs into my artstyle is that i take the distinct features oda gives them and then combine it with personal headcanons to complete what should look like a unique human. Starting with Trafalgar Law, who is unfortunately a bland-ass conventionally pretty boy

someone commented a while ago the law hat drawing tutorial i made a while ago didn't make much sense and i realize its bc of the specific way i draw law's face: heart shaped (ba-dum-tss). That meaning, a narrow chin widening into a mild defined jaw, wide cheekbones, and up to his know-it-all brain dome.

given that, the pudgy guitar pick shape of his head i mentioned here should make a lot more sense.

i don't think this design point is unique to me, as most conventional pretty anime boy gets given jaws like this. a lot of law artists tend to veer into this head shape. just how life be sometimes. other points: flat, thick eyebrows is bc im a hairy gal and i need to feel better about myself.

Killer gets to be more interesting, because he shouldn't be considered conventionally attractive. my idea behind killer's is that those individual features is smth he would be insecure with enough to hide himself in a helmet but i draw him with all the love in the world actually. i'd like to think its how kid sees him or yknow, law, bc he's my kin assigned blorbo and maybe you ship lawkill as a guilty pleasure too i mentioned before (and ruined people's days) when i said whenever i draw killer he looks like griffith before i put on his goatee. the upper half of his face is distinctly feminine, with the lower half kinda over compensating. other than that uhh...idk. stan killer

Kidd is the bane of my existence, i feel like i can never draw his face consistently. yet at the same time he's so damn fun to draw everyone gotta try it.

my problem with kidd is that this mf does have eyelids. most kidd painters out there interpret this as him having deep set eyes (think Matt Smith or jeffrey star) . and yeh skill issue on me i should practice that. other notes, i try to make him younger than canon makes him look. he is my babygirl and he deserves to look cuddly. my band au kidd version has the honor of being allowed some chubs. he's just tries to look older and more menacing with edgy makeup. also i try to give him dimples when i can because, well i can.

Rosinante last bc i lost steam after kidd. the thing abt cora is that aside from not having eyebrows, everything is structured with the generic one piece man template. which means i gotta do everything myself doffy is there bc the way to figure out how to draw these two is to give them minor differences from each other, that being doffy gets slightly sharper features. in canon, these two are also rly wide boys (more of an oda style feat tbh) but i make them long. though bigger brained donquixote artists know that of these two brothers, doffy should be the wiry-er built. anyway that's it. in conclusion, i need to draw more girls actually i feel like im becoming misogynistic by osmosis from oda's style and now i draw girls all looking the same too.

[glitter-stained]

My very personal rating of every lazarus pit fanon side effects I've ever read, ranked from favourite to least favourite :

Tapetum lucidum (the thing cats have that makes their eyes gleam in the dark): that's so creepy and cool, eery in a more discreet way than a full-on glow, idk who hced that first but they are a genius

Contaminated blood laced with the lazarus protein: because our blood renews itself pretty often, this implies the existence of either a lazarus organ that continues to pump the lazarus protein in the blood, or, more probably, the contamination of one of the blood producing organs, maybe of the bone marrow, by the Lazarus pit. Like imagine the Lazarus Pit changing you down to the inside of your bone... The implications are so fascinating I'd love to read more about it.

Altered dna: this doesn't make sense, how does the magical healing pit change your dna, I love it so much, tell me more about the magic gatorade that rewrites dna

Accelerated healing/enhancements: what's funnier, that the pit gave Jason metahuman abilities like being able to withstand a meteorite and going toe-to-toe with Deathstroke (the wiki's words, not mine) and it was just never discussed, or that nothing Jason went through gave him these abilities that he really shouldn't have and he still does and it was just never discussed? I don't know but still, that stuff is top-tier

Glowing green eyes: on the one hand, eyes that glow when the person is feeling intense negative emotions (even better it's not just rage, like, imagine having a flashback or nightmare or getting fear toxined and their eyes glow and people think they're about to attack but they just scream that'd be so cool) but on the other hand, I feel like the colour is too limiting. Sure, Ra's or Riddler can fuck with the glowing green but come on, my girl Cass deserves eyes that glow gold (like the gold from the Batgirl suit). Jason deserves to have glowing red eyes. Cicero says that eyes are the reflection of the soul and while I love the idea of the lazarus pit being toxic, contaminating a part of the person's soul, in comics, a character's colour scheme is an essential part of their graphic identity, and I think altering it to the point of giving it a totally different colour is too much for my taste personally. Like, you are still the same person that you were before the bad thing happened. Yes, it changed you irrevocably, but you are still yourself and you should still have the right to your name and to the colour of your soul.

Lazarus Rage/Pit Madness: so I've seen this one criticized pretty often, often because of how unnecessary, and honestly probably damaging, to the understanding of Jason's character after his resurrection. And like, I agree, but also I've found myself to enjoy the fanon version of the Batfam. Like, I don't like that it's murky and confusing sometimes to figure out which is fanon or canon and that that leads people to judging canon actions from a standard of fanon information, and parts of it can be sexist or racist or classist, but the same can be said from canon, you have to be critical with what you consume. Basically to me there are two batfams and I consume both differently and enjoy both, and in the context of fanon I enjoy Pit Madness. The idea of uncontrollable, alien rage is fun, is angsty, and as someone with intense anger issues I'm telling you writing a lazarus rage episode was one of the most cathartic things I've ever written and it felt so good. I also think part of the upset on the subject is a bit undeserved because I see people complain that "the lazarus doesn't work like that because it didn't do that to other people" as if the way the lazarus pit worked made any sense. You're telling me this stuff healed Jason's malnutrition but it didn't fix his trauma? That it healed the Riddler's brain cancer but couldn't be bothered to fuck with Jason's hypertrophied amygdala and the fucked up connections between his amygdala and hippocampus??! Obviously we can't expect dc to know or care about science that much , but I still have the right to be nerdy about it. Jason went into the pit resurrected by God and with brain damage and Ra's said it was a plague and that could make him crazy, I fully believe he could have gotten Pit Madness even if the others hadn't.

Eye-colour change: that's the same thing as the glowing part but without the fun part, really dislike it. I need to be able to listen to I know these eyes/this man is dead from the Count of MonteCristo Musical while making up Under the Red Hood edits in my head please and thank you

Lazarus Pit brings people back to life: I hate it so much dc stop treating life and death so inconsequentially oh my gosh characters fighting life and death situations should not have a source of immortality right in hand I hate that lazarus resin lazarus toxin stuff they have right now and the idea that the pits can bring back to life plays into that idea so I really dislike it. I understand the appeal, it's the basics of coming back wrong with a side of rebirth in the water but instead of being purified it's being poisoned, but I just can't get over how frustrating it is to see a beloved character die and only be able to say I hope he doesn't come back for his own sake and then he comes back. Urgh.

[mr-jack-letterman]

AAAAAAND WERE BACK with more Subway to Stardew silliness NSNNDD.

Thank you to the folks over at @subwaytostardew for making this wonderful mod and letting me make silly art about it lol.

In any case time for some headcannon nonsense.

(click for better quality because Tumblr makes it crunchy)

If Stardew Valley were to have a box legendary I think it would be Cresselia. It's literally Lunar pokemon and represents the crescent moon so it being the patron legendary of Stardew Valley just makes a lot of sense to me. Also Cresselia is underrated NSNDN.

Maybe there would be a secret special encounter for Darkrai. (the other half of it and Cresselia's duo but is a mythical for some reason?)

Also the Lunar wing would be very neat item to have in-game ANSNDND.

If it were to exist within the mod I imagine the farmer would be like "oooo shiny feather. Maybe it's a pokemon feather? Emmet/Ingo would probably like it :D" so then they make it into a necklace, or maybe just give it to one of them outright without knowing what it is. So Emmet/Ingo sees it and just starts freaking the hell out cause their crush/friend just gave them a piece of a literal legendary pokemon meanwhile the farmer is just....clueless NSNDND.

Now onto some of the other characters.

As basically the resident nurse joy of Pelican Town I think Harvey would have some pokemon common in the medical field. Though, pokemon like Chansey and Audino don't really fit his whole "whiskey neat, coffee black, bed at three"/ref vibes so I thought Indeedee would be best NSNDNND.

I also decided to give some pokemon to the characters mentioned within my ask.

Willy is very fond of water types, clearly NSNS. Specifically fish pokemon like Lanturn, Seaking, Whiscash, Wishiwashi, or Dondozo. (Though his actual team probably has a good chunk of pokemon that are still water type just not fish lmao) The crowning jewel of his collection is a shiny Magikarp he fished up. Maybe one day it will evolve, but for now it just swims around the docks next to his house entertaining anyone that visits.

He also has a Bibarel. (which I imagine is the grown up version of that one Bidoof that snuck into Pelican Town) It acts more like an overgrown housecat than a battle ready pokemon but it is incredibly bulky so ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯.

Morris also has a few pokemon of his own. Most of which he keeps at home. But his main two he's seen with is a Gimmighoul and a Gumshoos. (IDK he just has Gumshoos vibes to me NSNDNND) They run around Joja pickpocketing people's gold cause Morris is just a dick like that.

"It's Wizard time mother fucker, FIREBALL-"/ref

Wizard likes psychic types, but I like to think he also has a fondness for fairy types too. Also, most of em has at least one strong fire type move just so he has an excuse to yell "fireball" and blast something NSND. His Malamar is named Illithid (a wack squid monster guy from DnD lol)

Sandy likes rock types, given that she lives in a desert it's probably the only type of pokemon she sees on the daily lol. She also has a key stone on her earring. With how colorful a keystone is when compared to sand I think she would be the most likely to find one there. Idk exactly if she'd mega evolve an Aerodactyl or a Tyranitar, if any pokemon at all. But I think she'd carry it around regardless. It's pretty :]

Also she has a shiny Rockruff. I don't rly have an explanation for that one I think it just fits the vibe lol.

And now, shenanigans.

Emmet then proceeds to grab the child and just.... speed walk away HSBBDBDJJR.

That's all I have for now, I'll probably throw some other pokemon at the bachelorettes and other bachelors another time but this alone took a solid week due to finals 😭/lh

Time for me to go to bed lol, have a good one 👍

[lilyginnyblackv2]

Just some thoughts on the new Steam trailers and promo stuff.

I just watched the Steam trailer announcement for the KH series...and they made it really het/S*kai focused. It's very gen/friendship focused as well, but they seriously somehow were even able to make the DDD section of the trailer very not gay and just very gen/friendship based.

Here is the Steam Announcement Video:

The two short KH is on Steam trailers on Utada's YT page are more for promoting the re-recordings of Hikari and Simple & Clean, but they are fairly het/S*kai and general friendship focused as well. Though, Hikari's promo works better with they lyrics, timing, and lyrical meanings than Simple & Clean.

(More under the Read More due to length).

Here are the two promos to compare. First, Hikari:

In this version we have the lyrics break down like this:

どんな時だって (donna toki datte) - No matter when it is

From KH1 Sora to Sora in Castle Oblivion, just before battling Marluxia (who's in the background) from the KH2 OP

ずっと二人で (zutto futari de) - We'll always be together

From Axel in the DDD OP to the Time Station shattering around Ven from the BBS OP

どんな時だって (donna toki datte) - No matter when it is

From Aqua holding a frozen Ven and looking up at the blue "Kingdom Heart" in the sky (BBS OP) to the Back Cover stuff

側にいるから (soba in iru kara) - I'll always be by your side

From YX looking at the night sky out the window (KH3 OP) to Sora & Kairi sitting together from the KH3 ending

君という光が (kimi to iu hikari ga...) - The light known as "you"....

This last bit starts as the titles that are going to be released on Steam start to appear on the screen (there are spinning heart shapes that appear over the image, and those turn into the titles), which turns to a plain black screen and info on the release dates, games, etc.

The Simple & Clean take on this promo is definitely a bit more awkward timing and lyrics-wise. It doesn't work as well, though, both promos don't really highlight the bond between Sora and Riku like at all, but highlight the bond between Sora and Kairi, along with just gen friendships in general (which I like and don't mind).

Here is the Simple & Clean Re-recording + Steam promo:

I don't know. Obviously, they are focusing on the whole series as a whole, which makes sense and the more gen focused stuff for nearly all the characters makes sense and I like and appreciate that. But, it just feels weird to see/have so little of Riku and have the video end with the S*kai stuff, since that relationship is just so underexplored, underdeveloped, and often times just straight up ignored in a lot of the games/Sora's overall journey.

Also, while I'm a fan of Soriku, I don't really care for a number of the big theories out there that exist (some of which, like the whole aitsu thing, has been debunked, and I just find the whole "Sora forgot about Riku" theory to be a theory more so created to cope with the reality that the series is trying to push S*kai more now...even if there are a lot of issues with that from a writing perspective). IDK, but when I see stuff like this...when I played KH3...they all just kind of worked as reminders to keep my expectations in check. I might just be too burned by past media experiences, but a large part of me still believes that the closest we might ever get to canon Soriku is a realization and confirmation on Riku's part that he loves Sora, but S*kai still ends up happening because of "I want my lover to be happy" type trope stuff.

At the very least, I'm happy that we got largely gen and friendship based trailers and promos with all of this, instead of all of the imagery being like "potential het couples" type stuff, lol. But yeah, this is probably an overreaction, but KH3 is a game that really killed my love for the franchise and makes me very hesitant, skeptical, and cynical of KH4 along with the franchise going forward in general. So these promos just don't help at all with that.

[ohblahdo]

Coming Up/Starting Over

Thinking about the dialogue between Paul and John in McCartney II and Double Fantasy: 'Coming Up' is a song addressed to a friend who wants "a love to last forever" (a reference to Don't Let Me Down) as well as "peace and understanding" (Give Peace a Chance, etc.), in which the speaker is offering reassurance: I am that friend, I want to help, hang in there and things will get better. "Never fade away" could be construed as a Buddy Holly reference (to "Not Fade Away"), and while 'searching' is a common verb, it's also the name of the song Paul always refers to when talking about the Cavern days. There might be other references I'm missing, but it's very much a song about music, which is underlined by the video, in which Paul plays different musicians (including himself as a Beatle), as well as by the extra lyrics in the live version ("I know if we could get together, we'd make music endlessly"), and the fact that Paul talks about 'coming up' as a radio reference ("coming up on the hour" - also in the live version).

Put that together, and I think it's both a friendly message to John - hi, I'm still your friend - and an invitation to make music together again. If you see it as a more romantic relationship, then obviously there could be other subtext there, but the basic idea is the same either way. (Invoking "Don't Let Me Down" to say "actually, ours is the love that lasts forever" ten years later can be seen as both bitchy and wildly romantic in a way I find kind of charming.)

This isn't a new idea, but it's interesting to think about John's songs as a response to that. First, there's "I Don't Wanna Face It", which the Beatles Bible says he started in 1977, but which clearly had a pretty overt musical reference to Coming Up incorporated into it when he reworked it in the summer of 1980. It was apparently the first song he recorded for Double Fantasy, and no matter which way you read it, if Coming Up is a question, I Don't Wanna Face it answers it with either "no" or "no, and fuck you".

But that isn't actually where the conversation ends, because John decided not to put that song on the album. Instead, one of the last songs he wrote for Double Fantasy was "(Just Like) Starting Over". I don't discount the idea that the song reflects his feelings for Yoko, or that he wrote it to better fit the narrative of the album, but I'm always a fan of the idea that a song or a work of art can say more than one thing at a time. I do not think that John, in the late 70s or 1980, would accidentally reference Paul's band and two of his singles in his lyrics without realizing it ("it's time to spread our wings and fly, don't let another day go by, my love"). Also, just as Coming Up is a meta song, so is Starting Over: I see your Buddy Holly, and I raise you an Elvis. And where I Don't Wanna Face It is a 'no', Starting Over feels like a 'yes' - the whole song is him asserting that he doesn't want to give up on a relationship. And maybe the yes has nothing to do with romantic love and everything to do with music - that would certainly make sense, both in relation to the songs themselves and to where John and Paul were musically and personally (both making albums that were, on some level, about recapturing their love of music, and allegedly considering working together on Ringo's album). Or maybe they were having wild sex in motels all over Long Island, idk. But the existence of the dialogue itself interests me, and it's nice to think of it ending on a positive note given what came next.

[galactic-rhea]

I am totally here for Cars worldbuilding ramblings

THANK YOU, USER FAN OF THE SOAP

I'm glad I'm not scaring all of my audience lmao.

Now, let me talk to you about how nightmarish ableist is Cars 2.

You see, I was subjected to a very special kind of torture called "I have two nephews who were obssesed with Cars 2, not 1 or 3 or Planes, but Cars 2. And they would watch it for three times, every day, for about two months. And I had to be with them".

Which I'm sure did something bad to my brain, my standards of what's annoying in a movie are wrecked and I can still hear dialogue per dialogue on my mind.

Cars 2 got away with a special kind of ableism that I want to believe any other movie wouldn't have been able to get away with on our current era, all because is Cars.

But there's also A LOT OF violence in that movie, we see on screen characters violently exploding, being subjected to torture and also the equivalent of open-heart surgery, black market of organs, and a literal bomb being put into an individual. Because is Cars it just could do so.

The thing about Cars 2 is that all the villains are disabled cars. They're unable to function properly and constantly will be unable to turn on their engines, are called slurs and, in the case of the rich-mafia adjacent ones, literally have hired medical assistance (a tow truck). And all of this because we're told that their parts have been descontinued, which technically gives us the grim implication that they're basically left to die slowly as they can't keep changing their parts. There aren't humans, and this isn't a human-post apocalyptic universe (no matter how much people Insist, i refuse to accept that theory). Which means that the fabrication of these parts and thus, the ones in charge of the literal poblation's development, must be other vehicles, most probably Cars.

Very powerful and rich Cars like it goes beyond a comparison in real world, they aren't the ones in charge of meds or health care, they're literally in charge of the whole production/birth of Cars, and by deciding what parts to make and what parts to descontinue they're slso deciding who gets to live and who gets to die.

And this isn't possibly a "new" problem, is probably something rooted in the Cars' universe culture for thousands of years. If let's say the Wright brothers were, idk, bikes. They created the first plane (which then died in seconds), so they're basically Victors Frankesteins and this is legal, this is absolutely completely normal in this universe because otherwise there's no way for new models to exist.

So every generation of vehicles have this deep, ingrained thought of " we're building the generation that reemplaces us, in every way they're better and as soon as there's a better version, we will cease to exist and cease to be produced".

I remain of the theory that parents in Cars basically buy parts and assembly their own child and then as time passes, they change parts until we get the general "adult" model. But this also means some parents might be unable to buy parts and what not, does this stunt the child development? Probably.

In Cars 3, Lightning McQueen is unable to keep compiting because the new gen is of much better tech, so I assume it's already happening to him what I just explained: At some point, the production of their parts/ maintenance becomes obsolete. So Lightning can keep on living, for a long while, but no matter the reparations or even the modifications, apparently you can't completely modify a car otherwise you would have a Thesseus ship predicament.

In Planes, Dusty is capable to get several modifications, but they aren't extreme. However we see a little car that's able to change into a plane, and we see he apparently has a split personality , which makes me a bit icky because -gestures-, Hollywood also loves to make awful reps about DID. But, this seems to support the idea that extreme changes= basically a different person in the Cars universe. And an awful idea is to face the familiars of a vehicle that got into an accident "we can save them by almost completely rebuilding them, but might as well be a different person".

So back to Cars 2, all these villain Cars are disabled and suffering because someone, literally decided that isn't worth it, these models can't continue their existence when our engineers/doctors already created a new version.

And they must go along with it! They must accept it, because their society has been accepting it for hundreds of years by now! And so the movie decided to make them the literal mafia and a violent murderous group of terrorist and spies, what a move.

The movie tries to make Mater to be some sort of disabled character as well, he keeps being called dumb, ugly and whatever for the whole movie, he's all covered in rust and shamed for an oil leak. And nothing of this is resolved or really addressed, because not only his problems aren't even comparable to those of the villains (is implied he's rusty and all covered in bumbs just because he choses to), his character arc is basically that he's capable of solving a mystery not even the spies figured out at the time, the classic "actually i can be useful" that Hollywood loves.

And we learn the motives for the villains, and like, yeah, that's awful! All those murders and a political fraud to try to get rich by owning oil, but no one gives an ounce of sympathy for a group of characters that literally need medical assistance almost 24/7. The mafia guys can afford to hire tow truck and the big multi-millionarie villain can afford his constant surgeries, to the point of being able to disguise himself and look "normal"

And it drives me crazy that no one mentions this, but I can't blame people, most people weren't subjected to this movie three times per day for 60~ days.

If anyone read this far, you should thank to @soapysudz for fueling me (GET IT?!! FUEL?! -recorded laughs-)

[ganondoodle]

as i was awake in the middle of the night for like 2 hours bc i felt sick i had more somewhat random totk thoughts

one being that i really hate how raurus response to concerned zelda is, after sonia died in that almost funny how little impactful it was way, "im sure you are here for a reason" (actually, i hate how often this sentence is used in general to .. idk i guess its supposed to be inspiritational???)

bc what does that mean actually? him saying that to someone who got there absolutely by accident really just sounds like "i dont care go figure it out yourself bc i dont want to think about anything concerning you or your troubles lol" i guess its meant to sound like OOOOH fate has BROUGHT you here bc you have to furfill a role you dont know yet (spoiler its being a sacrifice girl with no personality) and besides me hating the 'inescapable fate' trope in general (at least the way its usually done in these games, which is not to struggle against it but willingly accept whatever you are told and pretend thats good) its really jsut goddamn boring and is really only an excuse to well .. ignore her and her trouble; shouldnt you, if you were actually such a cool guy like the game wants me to believe so bad, do everything in your power to get zelda back to her own world before shes pulled even further into the war you caused now that her only ""mentor"" that could help her get more use of her pretty much useless sudden powers is gone too?? i know shes basically dead wife sonia replacement (can of worms ugh) but it still grinds my gears whenever i think of that cutscene, bc i cant help but hear it as the lamest excuse in existence to not care about her and just kinda .. see what happens which in this case means leave zelda completely on her her own since both rauru and mineru die as well (honestly shouldnt rauru have thought about like .. any plan to defeat gan besides dying himself, given hes the oh so cool and goodest guy king whos only mistake was not stabbing gan the second he stepped into their kathedral castle thing, like even if you had a plan it can still fail but it seemed like he just kinda went in with a handful of people that didnt seem to know each other at all, never got names or faces -or unique voices for that matter- to fight gan face to face inlcuding the girl that came from a different time and had nothing to do with any of this conflict and couldnt even really control her sudden new powers just seems pretty stupid)

thought 2

how totk really feels like botw but for the people who didnt like shiekah tech, its not a sequel, its botw again, but version of only sonau, its like a pokemon game that had two versions but one has weirdly incoherent story and acts like the other never existed jsut as a whole its like retreading the same points but worse, all shiekah tech that was so integral to the world and had such a long history just vanishing and no one caring about any of it like it never happened, HELL the titans were called divine beasts in english but i guess they werent divine or important enough to keep around LOL champions WHO and isntead a never before seen or even heard of race for that matter showing up and planting their ass in every place the shiekah were before, dare i say it feels weirdly manipulative, like either them or some outside force erasing every fact about the ancient shiekah and replace them with sonau stuff bc they are the hot new shit now

this is a point that just doesnt stop bothering me, how the shiekah tech seemed so carefully designed and integrated into botws world and story, its a difficult to keep balance after all, integrating high tech stuff into a medieval setting, but they made it work! and then totk comes around and throws a bunch modern day tech into it puts some vague greenish stone filter on its exterior and call that even better more ancient tech; why did they even bother to make pottery inspired laser shooting spider legged robots so well integrated when they throw a car and rockets into the next game without a thought and call it a day, what was the fucking point

it feels like someone was dead set on having a set of legos thrown into the game it had no place in, if you want players to build whatever they want make a building game instead!! especially if you are just gonna throw it in with seemingly no consideration how out of place it feels togehter with the fACT THAT YOU ALREADY HAD AND ANCIENT HIGH TECH CIVILIZATION WITH A VERY DISTINCT AESTHETIC THAT WAS ALREADY WELL INTEGRATED INTO THE WORLD YOU ARE PLANNING TO REUSE WITH ALOT OF MYSTERY AND UNKOWN STUFF ABOUT THEM TO EXPLORE FURTHER YOU COULD HAVE USED!! but i guess they just "didnt want to play with you anymore" and that so much so that they went out of their way to erase every trace of it, i dont think the words shiekah tech are ever used in the game, and the purah pad and her towers just drive me more isnane bc they are the same shit but called different and also much worse, liek the purah pad isnt some more developed shiekah stone, no its a glorified camera with a teleport function and thats it

(i know i said this before but i really cant stand how obsessed every single NPC is with sonau shit, you get told to your face every second line of dialog that they are so cool and are so mysterious that it just makes me annoyed of them even more, the game is obsessed with shoving them everywhere and telling you over and over you too should obsess over them, they werent weird like that about the shiekah stuff in botw?? the biggesst talking point in botw was calamity ganon ..... which makes sense and in totk its like ... gan is mentioned what, in a newspaper article??? once???and then not even by name i think???)

aside from that big point which will never let me go, its also just .. its not moving forward anything, it actively walks BACK the progress that was made in botw, call me dumb but i dont really count moving one step up in the social roles of each race as a character development (for the side characters like the champions desc- ahem SAGES) but mainly zelda ... god how dirty she was done, totk pretty explicitely makes her regress any development she made in botw aside from she likes link uwu and some people like her too, but also not enough to notice that that weird zelda being all evil and weird isnt her (INLCUDING THE CHAMP- SAGES WHO YOU ARE SUPPOSEDLY FRIENDS WITH??? you dont have to be a genius to pick up on that my god, were you all given the mc dumbo potion or what)

she gets put back to square one, back into the little itty bitty princessy maiden role forced upon her by her royal parentage, this time rauru edition, back into a white little dress, back into the scared puppy eyed teenager, back into a situation she cant handle, back into losing everyone around her (tho honestly botw made me care more about rhoam than totk did about rauru), back into being forced to do a big sacrifice- but worse actually

in botw she went to FIGHT AND HOLD GANON IN THE CASTLE SO LINK HAD TIME TO RECOVER AND IT WOULDNT DESTROY THE LAND!! and you are telling me in totk rauru takes up her botw role and she bascially killed herself to ... restore the mastersword.

......... she ... she did that only to be a glorified version of the stone pedestal in the forest. and then she gets returned to normal itty bitty girly no problem via magic sparkle beam at the end and

DOESNT

EVEN

REMEMBER.

it really is just botw but worse, you even get yet another ghost king of hyrule to guide you around (rhoam did it better fight me ... we dont talk about the questionable choice to make himself darker skinned when posing as just some guy)

i honestly dont think i was ever truly taken aback by anythign that happened in botw, while in totk, the further i played, the more i had to fight with myself to keep the feeling of unease, disappointment and betrayal down

its such a god damn shame, totk should have stayed a DLC, i will forever mournfully dream of a game that explores more of the ancient shiekah, doesnt erase integral parts of the world, developes characters more instead of making them regress back and make them end up even less developed than at the start of the game, dives into buried secrets and mistakes of dark pages of history without giving into a weirldy nationalist(imperalisitc?) narrative and lets characters have some agency for once

if it werent for the yiga i might have actually considered refunding the game, just to be at peace with myself

anyway, aboslutely incoherent word vomit.

[usernamesuggestionsarefunny]

Possibly unpopular opinion (Or perhaps not idk): I love what they have done with Zuko and Ozai's relationship in the live action Netflix Avatar show.

In the cartoon we never get the ~vibes~ that Zuko has a complicated relationship with his father, only that it is abusive and one-sided in the sense only Zuko craves Ozai's approval, while Ozai straight up hates him, wants him dead or has no problem with him dying (Why doesn't he kill him if he has Azula? We don't know, plot has to happen, he sent Zuko to find the avatar in order to get rid of him, probably, or actually canon idk or remember), clearly prefers Azula to him as successor, etc, etc, etc (+ later the comics literally overkilled this trend "she was born lucky while..." omg stfu). Zuko is basically the perfect character to prove the fire nation is not all evil (Oh look, they hate him too, he is inherently their victim too from the very beginning).

So when Zuko switches sides in the cartoon, what I see as an adult rewatching is someone giving up on luxory, physical safety and... that is pretty much it. Sure it is a big deal to give up on those things to do what is right (Few would) and still awesome that he did the right thing in the end, but if you really think about it, he is not giving up that much, he is not giving up anything truly valuable to him. Respect? Honor? Sure he is said to have received it back after Azula "killed" Aang, but we never truly see it. For all intents and purposes his sister has that and wayyy more of it. His father's love and acceptance? Never had it, so he didn't truly "loose it" when he spoke up for those soldiers, got the scar and was banished, it is not really shown to have suddenly popped into existence when he was said to have killed the avatar. He literally had nothing in the fire nation, literally nothing. This could only make "doing the right thing" a lot easier for him, and for the adult audience (At least for me), his arc is just him realizing what is almost irritatingly obvious for us: That no one in the fire nation truly loves and respects him so might as well switch sides (Basically if we weren't also shown that Zuko is compassionate and does care about the horrible things the fire nation is doing, Ember Island Players would have gotten a bit of truth in it).

Now, in the live action, where do I even start? It has been so good so far when it comes to Ozai and Zuko. That man, if he hated Zuko in a cartoonishly evil way almost from birth, he sure doesn't show it. Don't get me wrong, he is just as abusive (Creepily so in many scenes, made me feel so protective of Zuko and Azula), but he is also shown to "care" about Zuko as in having some hope left that he can mold him into another powerful genocidal mini me. Is Azula winning by far? Ofc, she is still the prodigy, I am sure I am going to see flashbacks of favoritism later on. But Ozai doesn't yet seem to favor her in a way that makes Zuko's craving for his approval (Or even Ozai's hope in him as heir) hopeless. It seems, from his scenes with Azula, that Ozai foments the rivalry and competition between the two siblings not only because he personally thinks Azula is the best (Which he also might in this version), but also as a way of control through fear (Especially for prodigy Azula), and to make them (Especially comparatively weaker Zuko) "better", something this version of Ozai appears to think is possible EVEN when he banishes Zuko. Now, he might have done this "to get rid of him" as in the original, but in the live action he seems super open to and genuinely believe the idea that the exile could make Zuko stronger and better, not to mention worthy of the throne if he succeeds. Ozai treats Zuko like the heir despite favoring Azula is all I am saying. Zuko's actions are therefore almost impossible, yes, but not hopeless or even naive. And if this trend of Ozai's respect and "love" (Super on quotes) being achievable continues, Zuko's eventual turn to the good side will be much more powerful. He will have to give up much more after spending a summer with his abusive parent love bombing him for "killing" the avatar. Zuko's choice will be solely based on his findings about the horrors the fire nation has committed and not wanting to be the cause of more suffering even though he could have it all. Even though it was his fate to be his father's "mini me"-> Something terrifyingly likely and not so quickly discarded by the narrative itself as it was in the animated series.

I think the best part about this subtle change in the father-son dynamic (If it was the intention of the writers, I am aware it could have been unintended) is that the scar tm was a direct result of Zuko's compassion for those soldiers and not just the excuse Ozai used to banish him or "final straw" because he preferred Azula sooo much more, as it is pretty much implied later on in the animated series and comics by focusing so much on how much of a perfect victim Zuko was pretty much from birth. The addition of the 41st surviving because of Zuko was also pretty nice, and so is Zuko's relationship with them, he will need fire nation allies when he gets to the throne and this is a good start, something the animated series never touched upon much.

I am on episode 6 btw so my opinion might change. I will edit this post if that is the case. BUT my thoughts on these first scenes doesn't change, they are good imho

EDIT (And spoilers): I just watched Zhao’s revelation where he tells Zuko that Ozai would never let him return and he just wanted to use him to motivate Azula. It does change things and invalidates most of what I said, but taking out just this one scene, as I said, the Ozai-Zuko dynamic is great in this show, and also, Zhao is obviously not the most reliable source, because he was allied to Azula and obviously wanted to hurt Zuko, as he was losing the fight with him. There is also the fact that Azula wasn't watching Ozai and Zuko when Ozai told his son that he was being banished and that it was in part so he could get stronger etc, that was all for Zuko and had little way of serving as motivation for Azula (Unlike the scenes where Ozai praises Zuko in front of her, those could have totally been him bullshitting his daughter to motivate her to work even harder). So all in all this scene doesn't ruin the overall impression I had of the Ozai-Zuko father-son dynamic in the life action show. In fact, it could be taken to confirm one of my impressions which was that Ozai likes pitying his children against each other to push them harder.

EDIT 2: Ozai's reaction to Zuko's possible death is further proof imo that his “test” was very much real (even if almost impossible) and everything I said earlier still stands. He wouldn't mind that much if he died, it would just prove his “weakness”, and he is very pleased with Azula, but he didn't look happy or even indifferent when he learned the news.

[deeppink-man]

The story of my childhood fondness for Silent Hill

※ Because English is not my native language, sentences can be awkward. Mostly aided by translators.

When I was about 12~13 years old (14 years old in Korea), I was attending an art academy, and one day, my teacher saying today is a special day and played a horror movie with snacks.

The horror movie was Silent Hill, and I was very impressed with it because I loved horror movies and horror games.

Now that I think about it, it wasn't a movie for children, but I was really into it at the time anyway, and I came to love it so much that I asked my teacher what the title of the movie was and wrote it down.

I searched about the movie and found out that it was made based on the game.

The first thing that caught my eye was the overwhelming design of Pyramid Head.

I drew pyramid heads using basic paint tools that existed one by one on my computer at the time, and I became a Silent Hill fan by posting them on my blog.

I started studying about every series and got hooked on the story of the game, looking up the story of the series one by one.

I was a student and young. So I couldn't know the money to buy the original game, nor the route to get it, so playing the game myself was close to impossible, but nevertheless I wanted to know all the information from every series.

The first thing I started liking was Silent Hill's monster design, but more and more I started to love the main characters as well.

(Unusually, my favorite monster was the Butcher who came out of Silent Hill Origin, not Pyramid Head. (IDK Why))

Anyway, I got to like all the main characters in Silent Hill, and I enjoyed drawing them. But as a student, it was difficult for me to draw them perfectly, which is why I practice drawing them in a cute way.

It's a little embarrassing, but it's a painting from my student days.

Back then, I couldn't speak English much better than now, but I still drew cartoons in English and drew a lot of fan art.

If you look at my childhood drawing notes, most of the hard-working paintings were Silent Hill fan art. (And I don't know why, but I used to draw both versions of Harry.(SH1 and SH SM) I accepted two versions of Harry as different personalities.)

It's been a long time, and I'm old enough to interpret and judge Silent Hill objectively. And my drawing skills have improved that much. Since I couldn't play the game myself and tended to rely on the fan art of the fandom and the interpretation of the fans, there was a different interpretation from the original.

Silent Hill is a great memory for me. I even draw cartoons about Silent Hill in my notes, and I also had a dedicated painting style that I practiced to draw Silent Hill fan art. This game means this to me.

So, this fan art means a lot to me. It's because these fan art are things that I draw while looking back on my old memories in a long time ago. It may sound strange, but I grew up with Silent Hill. Remembering them, imagining their stories, drawing them is a pleasure for me.

The conclusion of the story is, I started drawing them again after a long time, and it reminded me of old memories. Recently, I rarely drew fan art because I had to work on a webtoon project. However, it sounds pleasant to me that after working for a long time, I return to my hobby and that someone else likes it. Thank you!

I'm glad there are still so many Silent Hill fans. I still love this game, and I'm waiting for a new reboot. I hope reboot back a good way.

[awakentheeldritchabomination]

I started playing around with my Charlie’s design a little bit. I wanted to add some more covert wolf/dragon-like qualities, and I’ve also been ruminating on the white-savior narrative a bit as well as colorism… I know that they are technically half black in my version (they’re basically albino and albino black/bipoc people exist and, of course, should be acknowledged; I don’t want to overlook them, however, there is something to be said about how lighter skinned people or characters tend to fill the kinds of protagonist roles Charlie is in at a disproportionate rate….for very obvious reasons…., and idk how I would feel about playing into that even if I aim to critique it, especially if this ends up branching off into its own little thing) and that I chose the white coloration to comment on the ways we perceive whiteness as purity (lamb deception) whilst demonizing darkness, but I’m still on the fence. Like I said, I also wanted to play around with wolf patterning, so I landed on some vitiligo (ig?)- coded ideas. I’m not sure if I’m sold on it right now, but I do like the concept. I was also gonna try darkening their skin tone, but that one’s still in progress (Sorry, I don’t do a lot of digital art, so I’m kinda bad at it lol)

If anybody has any thoughts on the subject, I’d love to hear them.

Also, some more fun facts: they definitely have a more extensive wardrobe as royalty, and the colors I associate with them are black, white, pastel blue, and red (so original lol). They wear more red around their father or whenever they feel crappy since this palette is based on flame coloration in accordance to heat (high spirits = blue and white; low= red and reddish orange) and in my version, red would be a color closely associated with specifically Lucifer’s presence (instead of…everything), so they’re subconsciously trying to match his energy. They wear more contrasting black and white outfits when hanging around Alastor. With V, it’s more the typical blue (their usual attire is made to complement each other through pastels). Oh, and V finally has a name: Vanesa. That should have taken two seconds to come up with, but indecisiveness strikes again. I’m still second guessing.

Alright enough random color dynamics:

[feralcorpses]

Tw/Cw: Bright Colours, Possible Eyestrain, and a LOT of Eyes.

I love drawing watcher Grian so so much man

I was gonna give him more eyes but I got lazy I am gonna rant abt the watchers and stuff under the cut cause I really love my version of the watchers and have been dying to share how I view the silly eye cryptid.

(Click for better quality btw!!)

Watcher rant ^^ (This wasn’t proof read btw so gl)

Sooooo Ima start off with talking abt the drawing I made, so this is watcher Grian aka Xelqua (Fun fact, Xelqua was Grians old name for his channel) and basically this would be considered their causal watcher form because DUN DUN DUNN they have a few diff types so they have a base form (so player disguises) semi-base form (player disgue + watcher features) lowest of watcher form (basically just what is shown in the peice here just less wings and eyes) their causal form (the one shown here in this piece) and thennn full form which is some creepy biblically accurate “humanoid” cyrptid creature.

There’s 5 types of watchers, low rank (usually newly turned ones) mid rank (most common one) high rank (woah your stupid for trusting these creatures this much 💀) pure watchers (blipped into existence as watchers) and then prime watchers (also blipped into existence but hold a lot more power, knowledge, wings, eyes, just rlly a lot more of everything tbh.)

The ranking system is based off skill, power, and reputation ig?? (it’s a odd one ok-) the easiest way I can explain it is it being the opposite to the feduel system so you can move up ranks you just can’t become a pure or prime watcher for obvious reasons.

Watchers usually only have 3 pairs of wings at most, pure watchers having abt 5 and prime watchers are undetermined. Their tails usually include some wings so a pure watcher might have one or two sets of wings on their tail with max for them being three and normal watchers very rarely have wings on their tails but will only have one pair if they do. (I am so not hinting at anything with this very specific thing noooo Grians wing number is soooo normal ;D)

This a bit of a odd one but they like don’t reproduce, pure watchers and prime watchers are just blipped into existence every now and again and taken care of by the previous generation of watchers and stuff.

Watchers can also be any species/hybrid so for example for example I usually base Grian off a great horned owl or rarely another owl I can’t remember the name of (I think it’s a long or short eared owl I sometimes base him off of idk) but anyway so watchers can be moth hybrids, phantoms, bats, anything but if the creature is non winged it’s eh a lot more painful to get turned because lets just say they give you wings you didn’t know you had :,)

Grians actually missing his eyes like his main eyes on his face like he has zero vision in those and usually tucks them away by covering his face with his main pair of head wings or the ones on top of his head but he wasn’t born blind it was more so a “freak accident” that made his eyes like that. He still sees tho through the rest of his watcher eyes because with his watcher type he can use more magic to hide things so he keeps his “extra” eyes out and makes them invisible and use those to see.

That’s all I have to say for now since I don’t wanna drag this post on for too long but thanks for reading this if you did lol