OK THIS IS NOT A FUCKING DRILL EVERYONE FUCKING REPEAT AFTER ME. THIS IS WHAT YOU WILL DO WHEN YOU WATCH MUPPET CHRISTMAS CAROL THIS YEAR:
You will navigate to the page on disney plus (and it has to be here. Unless someone has actually uploaded the REAL movie anywhere else you cannot get it elsewhere)
BUT YOU WILL NOT HIT PLAY. You won’t do it. Because it’s NOT THE REAL VERSION OF THE FILM AND DISNEY IS FUCKING LYING TO YOU AS IT ALWAYS DOES
You will scroll down HERE. To EXTRAS instead. You MUST GO HERE. This is non -negotiable
THEN YOU WILL SCROLL DOWN TO THE BOTTOM OF THE EXTRAS AND YOU WILL THEN HIT PLAY ON THIS BAD BOY: THE FULL LENGTH VERSION
And you will watch it. And you will thank me for having been so blind and led astray by that stupid fucking mouse. You’re welcome.
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Day One Thousand One Hundred and Fifty Nine
I'd turn off the TV and go for a drive
But I can't see there's any signs of life
Except this Christmas tree with blinking lights
I coulda made it but I messed around
I'm a loser with a rusty crown
Scared if I jump in the ocean I might drown
King of a one horse town
I'm the king of a one horse town
And I barely pull my weight around
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Song Review: Duane Betts - “Waiting on a Song”
Duane Betts is lying when he says he’s “Waiting on a Song.”
The lead single from Wild & Precious Life (July 14) is a ripoff of “Ramblin’ Man” so blatant it can exist free from fear of lawsuit only because son Duane is confident father Dickey won’t sue.
Which means Duane’s had it all along.
Everything - the opening riff, the twin guitars, the melody, the piano, the solos - are stolen - ahem - borrowed. Only the steel is a fresh addition.
Given its roots, “Waiting on a Song,” is pleasant enough. But there is not a single original idea or note in its 4:51 runtime.
Grade card: Duane Betts - “Waiting on a Song” - C-
4/27/23
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I genuinely mean it when I say that life becomes at least 30% more manageable whenever you allow yourself to become obsessed with something that is a little bit silly
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im just saying that if i had been in charge of s6 of doctor who, i would have fully leaned into the horror of amy's pregnancy, the loss of her own agency in it, the way she was used as a vessel to create a child she would never hold again, amy pond who never indicated once that she even wanted a child and was made to have one anyway against her will, and once they were done using her, they even took away any choice she might make about it in the future.
and i would have had this be a factor in amy and river's relationship going forward. how do you interact with a child you never knew, never got to decide if you wanted to have, and she's also already your friend, you love her as this miraculous, insane woman who has saved your life more than once. she's always known more about you than you could about her, but now you know exactly how much she was keeping from you. it's not like she could have told you, could have stopped it, but all this time, she was your friend and she was your daughter, and how do you learn to live with her?
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excerpt from leonard cohen's 1966 novel beautiful losers, from which buffy sainte marie adapted into her phenomenal song god is alive, magic is afoot 
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