#what if it makes things awkward

[spielzeugkaiser]

the love child update from today was 🔥🔥🔥 outstanding as always, i’ve read it like 12 times already i love them sm

i can’t remember if this is smth you already addressed, so feel free to ignore this if it is, but does milek know that geralt is his dad? like obviously jaskier told him to find geralt if he was ever in trouble, and he knows about their friendship, but does he know how far it went? and if he does, does he know that geralt doesn’t know? i just feel like that conversation they had today could be read so many different ways, like are they talking past each other? is milek facepalming bc goddamnit both his dads are morons, fucking typical? so many possibilities!

Ohh, that is a good question, I guess the whole thing is a bit convoluted.

Milek knows that Geralt is his father, he knows that his parents have a long, but complicated history (in which Milek is under the impression that his parents were a couple at one point and Jaskier feels like they were fuckbuddies at best. He felt rather used at times, more like a substitute for Yennefer).

Milek was taught from a young age that he is not supposed to tell anyone about this. First it was a safety measure because Nilfgaard was looking for them and later it continued to be one; they're already not seen in the most positive light and in the best case, it would look like he's lying. In the worst case he would meet anti-witcher sentimentalities. He learned later that Geralt has no idea either - which is something Jaskier needed some time to realise too, as he was accusing Geralt in his talk with Yennefer here about knowing it, but still sending him away.

So there are years of secrecy drilled into Milek, and he knows Jaskier would be fine with him telling Geralt, because I do think Jaskier and Milek had the the talk once he was older that it's his decision if he wants to get to know and tell his father, or not, but.

I think he imagined that talk a hundred times. He daydreamed about this a lot. But now, in reality? The thought of saying something is a suddenly very, very scary.

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[moonkhao]

WE ARE | EP16

[lighthouseas]

no you don't understand. when byler kiss i need them to be gasping into each other's mouths and holding onto each other for dear life. i need them to be shoving each other into things and knocking things over because they're so desperate to be closer. i need them grinning like idiots against each press of lips. i need tears. i need forehead touches. i need hands running down each others' bodies. i need

[crustyfloor]

what classical literature is Ivan reading

[kacievvbbbb]

Mihawk and Shanks arguing about Shanks sacrificing his arm for a child. And Mihawk just fundamentally does not understand WHY? And shanks in a moment of pure frustration goes

“What if it were me? What if I was dying? Would you risk it all to save me?”

And Mihawk goes quiet not because he wouldn’t but because he realizes that he would despite everything that he believes, everything that has been taught to him, he knows that he would, without hesitation he would risk it all if for Shanks just for Shanks.

And then where does that leave him? The foundation on which he’s built decades of selves on gone, in an instant.

All because he knows that if this man right infront of him should die he might well take Mihawk with him. ,

[koumori-1999]

semi-ironic doodle of orion inspired by a fight club screenshot, that's why he's got a cigarette.

(is there a term for doing kinda the opposite of a woobification and making a character come off as edgier than what they actually are? cuz i feel like thats what i do with him sometimes)

[verdemint]

Valentino Rossi about courage in Motogp (2009)

Translation oui!

I: "And courage? You must need courage (implied: to ride a bike)..."

V: "The courage is there. Courage is very important in our sport, but I think of it as having "bonuses"... like in a deck of cards you have four jokers, so you have four jokers in a season and those four times you can risk it and risk a lot, but if u go all the time beyond your limit then ... one time it's gonna go wrong"

[superbellsubways]

hello Hypno hater i want you to tell me exactly why you despise this pokemon without mentioning pokedex entries or creepypastas or anything regarding some fetish 🎤 Go

[lynxfrost13]

LSTR-S2301 and the maintenance tunnel ARAR are best friends to me even though that Elster was only on sierpinski for a seemingly brief time, they’re bros who fuck around on the clock during work. I think Elster was probably more willing to put extra time in however she’s also very “okay you’ve given me a list of tasks I did them. They’re done and done well. That’s it, my time now.” Whereas I see Ara being more of a slacker (very valid of her) or at the very least just a bare minimum type of gal when it comes to work.

Idk I tend to imagine them fucking off in the middle of shifts to go find weird lonely corners of sierpinski to hang out in. They don’t even talk half the time but they love it.

[stevethehairington]

i'm still stuck on the scene where ana brings chris to the firehouse during the blackout, but specifically buck's behavior in it. like. god, there is SO MUCH to unpack there.

buck sees them and he immediately zeroes in on christopher, doesn't even so much as BLINK in ana's direction. he has THEE biggest, brightest smile on his face when he greets chris, and then that "looks like the new chief is here" said in that tone, paired with the great big double-armed bear hug?? like, hello!!!!! parent behavior!!!!!

but then the way he just. Does Not acknowledge ana after that?? and like. we KNOW they've met before. even if there was no like dedicated scene for a formal meeting, we know they've met — and like that was at the hospital, where their minds were very obviously elsewhere (eddie), so i wouldn't even necessarily classify that as like a proper meeting, y'know? it was surely pretty hurried, a basic exchange of names, maybe a handshake or something, but like that's the extent of it, i'm sure. there's no way they were like sitting there chatting it up or making any effort to get to know one another when the most important thing in, supposedly, both of their lives was in the other room, injured.

and like i doubt they've met outside of that instance too. so like when ana shows up with chris that would be the perfect opportunity for buck to like reintroduce himself (which, i fully believe he would, if it was literally anybody else), or for eddie to make the introduction, like officially, or something. but neither one of them do that. and buck? he doesn't even offer a simple hi. doesn't even look her way.

which is like. WILD. because — one, buck is a human :D emoticon, and he is a chronic yapper and he fully gives off "puppy dog at the park that runs up to everything and everyone to say hello" energy, so like i do not believe for one second that he wouldn't even say hi to her! and two, like. wouldn't you think that, as eddie's best friend, buck would be idk a little more enthusiastic about meeting her? the woman who, supposedly, his best friend is getting serious with? the woman who, supposedly, is meant to be making him happy? the woman who, supposedly, is someone important to eddie? and to chris? like, idk as eddie's best friend, and chris' too for that matter, i would certainly be invested in trying to build a relationship there!

but like. buck so clearly isn't? and this is all before he and eddie have the talk about how ana/the relationship with her is the thing causing eddie's panic attacks and how he doesn't actually think he loves her in the way he should and that he's just. trying to force it. so like buck doesn't even have that context to apply here!! he is just. Like That with ana from the get go!!

and the thing is — ana has literally done nothing. like. she has not said or done anything to buck, or to eddie or chris, that would make buck's behavior towards her make any sense. she literally just. exists. in the vicinity of eddie and chris. that's it.

so W H Y is buck soooo icy with her?

(the answer is simple: he doesn't like her because she should be him <3)

[sweethysteria]

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[millenianthemums]

parents of disabled kids will be like “we know our kid is disabled but we just won’t tell them about it. we don’t want them to think they’re less valuable than other kids. we don’t want them to feel limited by their disability, we want them to know they’re capable of anything.”

meanwhile those kids are growing up thinking “why is everything so much harder for me than it is for everyone else? there’s no reason i shouldn’t be able to just do this. i guess i’m just a failed, broken person.”

[seaquestions]

blake lets him keep it. this is a dire lapse in judgement on his part but they're just gonna have to live with it. (ids in alts)

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever