#whatever close enough!

[proeliiator]

Most of Cato's kills were quick, efficient. A snap of the neck, a sudden slice of a sword, the sharp sound of a whistling spear thrown through a vital organ. For the most part, Cato's attention was off the person he'd killed before their body even hit the ground. He couldn't tell you how many there were, let alone who they were. ( In verses where he makes it out of the arena, this would change with time. ) They didn't really matter. Their whole purpose was to die, right? They were just obstacles to be overcome, hardly even people at all.

There were three exceptions in Cato's mind who warranted a slow and meaningful death: Katniss, Peeta, and Thresh. Cato had it out for Katniss from the start. It was a matter of pride, of proving to himself and all of Panem that some scrawny thing from District 12 had no right pulling such a high score and causing such a fuss in the Capitol. She was the one kill he'd really cared about at the start. Whatever else happened didn't much matter, as long as Cato got to be the one to kill the girl on fire. But then Peeta's betrayal shifted things and killing Katniss wasn't Cato's top priority anymore.

Peeta managing to get away from Cato with only that one cut to his leg had been due to the combination of the Tracker Jacker's venom wrecking havoc through Cato's system and the absolute certainty that Cato had that bleeding out or infection would take Peeta. It would be slow and painful and that was what Lover Boy deserved. When that wasn't what happened and it was time for the Feast, Cato had relented and agreed to let Clove kill Katniss in favor of Cato taking the opportunity to hunt down Peeta so he could finish what he had fucking started.

Yet again, things didn’t go to plan. Thresh hadn’t even been on Cato’s list until the Feast, until he’d heard Clove frantically calling his name and had gotten to her too late all because he’d stupidly thought himself and Clove to be untouchable and was proven unthinkably wrong.

[tezzbot]

I really like the headcanon that a very select amount of people are allowed to actually call Tails 'Miles' and Shadow is on that list, it's very cute to me ^_^

[sghr10423]

some Kierans while I try to re-figure-out how to draw... people.

ft. a small sghr doodle, some assorted pokemon, and some fun with screentones

[fashion4standusers]

Anyway, if I had a nickel for every time a series had six installments that gradually escalated in ridiculousness, only for the sixth installment to end with a universe reboot and the seventh installment to pick up in a new universe where alternate versions of the original characters now exist in the distant past, I'd have two nickels.

One of those series is JoJo's Bizarre Adventure. The other is Riverdale

[marc--chilton]

house, in wilson's office, trying to rile him up because he's bored: sorry i can't fuck you like we used to, bum leg and all

wilson, who has not looked up from his paperwork since house came in: love finds a way

house: (zeroes in on wilson like he can see through him) i never said anything about love

wilson, still unbothered: we've been friends for close to twenty years. usually when you know someone that long you start to pick things up about them

cue house leaving without another word and wilson smiling smugly to himself for his Mind Tricks

[collector-noceda-clawthorne]

Animated shows that deserves more attention and appreciation.

[ekingston]

A chef!AU, maybe? In any case, a story in which Kara and Lena meet through one of them preparing/serving/etc food for the other and build their relationship based on that.

(also on ao3.)

“I’m telling you, Alex. It’s her.”

At three pm on a Tuesday their restaurant is characteristically dead, save for the one lone customer Kara is spying on from behind the kitchen doors. The woman is perched, a little perilously, on a barstool at the counter. It’s the one that’s closest to their register, the one with the wobbly leg that Alex keeps telling Kara to fix. One of her red-soled heels is dangling from an impatiently bouncing left foot.

“This is the fourth time this week she’s come in here,” Kara says. “You don’t think that’s just a little bit suspicious?”

Alex shrugs, fully committed to her task of mincing onions. “Maybe she’s just a big fan of Italian food.”

“No way,” Kara says. “No woman who looks like that would put something in her mouth that wasn’t clearly marked gluten-free and vegan. Give me your phone.”

Alex rolls her eyes dramatically as she elbows it over. “Tell me again how you’re totally over Siobhan.”

“Oral sex isn’t a moral issue!” Kara takes a decisive breath while she unlocks her sister’s phone with practiced ease. “Whatever. Water under the bridge.”

“Uh-huh.”

“A love for pasta also doesn't explain why I heard this woman answer a call yesterday with a different name than the one that’s on her credit card,” Kara points out, before snapping a quick picture through the porthole window.

“Okay, now you’re being creepy,” Alex says.

“Shut up,” Kara tells her. “I’m texting Winn.”

Kara eyes the woman at the counter while she waits for his reply. The subject of her suspicion—Lena, she’d called herself on the phone; Tess Mercer, it had said on her mastercard—twists a soft-looking lock of dark hair around her finger as she studies their menu. The way the sunlight sets it ablaze almost makes Kara take a second picture, purely for its artistic merit.

Alex dabs at her onion-induced tears with the cuff of her sleeve. “Let it go, Kara,” she sighs.

“Let it go? Let it—” Kara whirls back to face her, throwing her hands up in frustration. “Do you want The Tower to end up like Winn and James’ steakhouse? Or are you fine with getting swindled by this—this… villain?”

“Of course not.” Alex looks at her like she’s stupid. “But even if this woman is your so-called ‘food influencer’, what do you suggest we do about it? It’s not as if we can bully her into giving us a fair review.”

Kara squares her jaw and sets her fists firmly on her hips. “No,” she declares, her tone grim. “But we can teach her a little about journalistic integrity.” She blows at a lock of hair that’s fallen in her face. “And also, possibly, credit card fraud.”

Alex narrows her eyes at her. “Kara,” she warns, putting down her knife. Her voice is low and cautious, as if she’s talking to the rowdy raccoon that moved into their dumpster three weeks ago instead of to her baby sister. “Let’s just take a breath and think about this for a m—”

Kara is already gone, the doors to the kitchen swinging closed behind her. Sliding into the cluttered space behind the counter, she crosses her arms and then drops her elbows on the bar, leaning what she belatedly realizes is probably a little too close to her adversary. She’s close enough to make out the individual downy hairs on her chin and the lines in her painted lips, which are still pursed thoughtfully in what Kara is sure would look like an attractive pout to someone who didn’t know any better.

But Kara knows so much better.

“Let me guess,” she remembers to get out, much less biting than originally intended. “Today you’ll be having the fifth entrée down the list.”

As soon as their eyes meet over the miniscule amount of space left between them, Kara knows leaning in was a fatal mistake. Her nemesis blinks up at her with wide, startled eyes that remind Kara of the glass pebbles she finds on the beach on her morning walks, not-quite-blue and not-quite-green, and for a moment Kara’s brain sputters out as if someone abruptly turned off the flames that kept it cooking.

But the woman recovers fast, like the scheming scoundrel that she is. She guiltily shutters her eyes behind thick, charcoal lashes, and Kara’s temper revives at the observation that her enemy isn’t as good of an actress as she thinks she is.

“I’ve actually been thinking of breaking my own rule,” she says, with a smile that lands somewhere between self-deprecating and apologetic. “I may give in and order the same thing you served me yesterday.” Kara goes hot all over with righteous indignation at the rich timbre of the woman’s voice, the almost flirtatious lilt it takes on when she adds, “I haven’t been able to stop dreaming about it.”

Kara pulls back a little in an effort to escape that curious gaze, the enticing scent of the woman’s perfume. It’s sweet enough to drown out even Alex’s mountain of onions. “I know what you’re doing,” she blusters.

The—frankly unfairly beautiful—soulless grifter stares at her, stricken. “I’m—I’m sorry?”

“You should be,” Kara says. “I know who you are.” And then, as if she’s putting down the last card in a game of Uno, “Lena.”

The woman goes very still for a moment, and then the corners of her lips tug down in a bitter semblance of a smile. “I see,” she says. She’s rigid, regal; she’s royalty perched on a wobbly wooden stool. “And am I to assume that’s enough for you to turn down my patronage?”

Kara’s resolve wobbles, too. She hadn’t expected her adversary—Lena, she now knows—to roll over so easily. “Well, yeah, obviously,” she flusters, her energy suddenly too large and lumbering in the face of Lena’s deference. “Winn and James are family.”

“Family.” There’s a flicker of wistfulness in Lena’s voice, before confusion colors her features. “So the cold shoulder,” she says. “It’s personal?”

Kara scoffs. The fraudster doesn’t even remember the names of her latest victims. Typical. “It was their steakhouse that you razed to the ground last month,” Kara reminds her.

Lena blinks at her. “The establishment just up the road?” She raises a critical eyebrow. “I’m pretty sure they set themselves up for failure when they decided to name their restaurant Misteak.”

Kara huffs. Her air quotes are appropriately vicious when she says, “They were doing just fine before your slanderous ‘review’ went viral.”

Lena does a remarkably convincing impression of someone who is genuinely flabbergasted. “I don’t even know what that means.”

“Liar.”

Lena’s shocked laughter is bright but brief. It’s the first time Kara has heard her laugh. It’s maddeningly attractive and deeply annoying.

“Okay,” Lena says. She folds her arms in front of her chest and leans back a little in her seat, unaware of its delicate disposition. A smirk tugs at one corner of her mouth. “Tell me,” she says, her eyes narrowing. “Who do you think I am, exactly?”

Kara leans in close again, refusing to allow Lena to get the upper hand. She’d like to wipe that smirk from Lena’s face—manually, if need be—preferably, even, if it means she’d get to smudge that infuriatingly immaculate lipstick with her thumb—

“You,” Kara charges, in an effort to drown out that unhelpful thought, “are a fraud. You call yourself a ‘mystery food critic’ on TikTok, but really you’re blackmailing businesses into buying a favorable review.”

“Hey, um.” Alex has followed her out of the kitchen, holding her phone. “So. Winn texted back, and he says—”

But Lena laughs again, her guarded posture melting down to unmistakable relief. “I’m so sorry,” she says, her voice a high warble. “That sounds awful. And also extremely illegal. Have you reported this person to the authorities? I can get you in touch with an excellent lawyer, if you’d like.”

Kara doesn’t know if she feels more outraged or confused.

…Or possibly some secret third thing.

“So you’re telling me—” Kara barks out a disbelieving laugh. “You’re saying you’re not her.”

“This, ehm— Tic Tac person?” When Lena’s dark lashes flutter, something in Kara’s chest flutters too. “No.”

Impossible. “Then why have you been in here every day this week?” Kara interrogates, the full force of evidence she’s collected behind it. “When neither one of us has seen you here even once, since we opened?”

Alex rolls her eyes. “I told you I wasn’t sure whether I’d seen her here before,” she points out. “Also, Winn says—”

“Oh please,” Kara scoffs, her eyes fixed on Lena, who has propped her elbows on the counter again, closer now than she’d been the last time their eyes met. “As if you could forget a woman as beautiful as—” Kara’s gaze drops to Lena’s mouth, unbidden, when Lena parts those rude, ruby lips. “...You.”

Alex stares.

Kara swallows.

Lena blinks; two times fast, and then again, after a beat, slow and sticky, her eyes darkening.

“So you may as well come out with it,” Kara croaks out what little remains of her anger. “There’s something you want more than our fettuccine.”

Lena’s cheeks have turned a treacherously charming shade of pink. “I suppose you’re right about that one, at least,” she admits after a beat.

In Kara’s peripheral vision, Alex frantically slides her hand across her throat. Kara frowns at her, telegraphing a wordless what is your problem but finding no satisfactory answer in the crimson shade her sister’s face has taken on.

“Yeah, well,” she says, almost disappointed, fumbling to fill the space left by Lena’s confession. “I’m telling you right now that it’s never going to happen.”

Alex clears her throat with startling force. “Winn wants to know,” she says, reading from her phone, “Who’s the hot chick?”

When Kara returns her gaze to the woman on the other side of the counter, she gulps. Lena is somehow even closer than she was before. She’s also fully propping herself up now on the laminate surface between them, granting Kara a glimpse of freckled cleavage that in no possible universe could be interpreted as unintentional.

“So,” Lena drawls. “What you’re saying is you’re not going to give me your number?”

Kara’s throat is suddenly very dry.

“Huh?” she manages, but only just barely.

“I was hoping,” Lena says slowly, that maddening smirk once again tugging up the corner of her mouth, “that you’d maybe like to—”

Lena shifts in her seat, crossing her legs in what is bound to become a devastatingly seductive pose, but the barstool decides in exactly that moment that's it’s finally had enough. Lena yelps as it gives out beneath her with a dramatic snap, one of its rickety limps flying across the floor as if celebrating its first taste of freedom, and Kara’s never considered herself to be very quick, but here she is anyway, on the other side of the counter in what feels like less than a second, one hand gripping Lena’s forearm, the other slipping smoothly around her waist.

“—fuck,” Lena gasps up at her. She feels good, in Kara’s hands, slight but pleasantly heavy, like the santoku knife Alex has forbidden Kara from touching ever again. “Well,” Lena says. “That’s. Perhaps not the way I would have phrased it, especially in front of your friend—”

They both glance over at Alex, but she’s disappeared, the swaying of the kitchen doors the only indication she was ever there.

“O-kay,” Kara says.

Lena grins. “Okay?”

Kara mentally rewinds the conversation and feels her ears burn at the realization of what she just agreed to. “I mean,” she amends. “We could, maybe, grab something to eat first?”

Something devious sparks in Lena’s terrifyingly gorgeous face. She glances down at Kara’s arms before blinking back up at her again and smirking. “I thought you already had.”

And, goodness gracious.

Kara is about to be in so much trouble.

[steppesliver]

gay people cannot break up normally it always has to be something like "it was me. i called the cops. but you're still in charge, benson" and get like four women and cops involved

[anthyies]

stephcass week day 1: hand holding (of a sort)

[why-its-kai]

Slayers NEXT eyecatch stills!

[meirimerens]

the pathologic Kin is largely fictionalized with a created language that takes from multiple sources to be its own, a cosmogony & spirituality that does not correlate to the faiths (mostly Tengrist & Buddhist) practiced by the peoples it takes inspirations from, has customs, mores and roles invented for the purposes of the game, and even just a style of dress that does not resemble any of these peoples', but it is fascinating looking into specifically to me the sigils and see where they come from... watch this:

P2 Layers glyphs take from the mongolian script:

while the in-game words for Blood, Bones and Nerves are mongolian directly, it is interesting to note that their glyphs do not have a phonetic affiliation to the words (ex. the "Yas" layer of Bones having for glyph the equivalent of the letter F, the "Medrel" layer of Nerves having a glyph the equivalent of the letter È,...)

the leatherworks on the Kayura models', with their uses of angles and extending lines, remind me of the Phags Pa Script (used for Tibetan, Mongolian, Chineses, Uyghur language, and others)

some of the sigils also look either in part or fully inspired by Phags Pa script letters...

some look closer to the mongolian or vagindra (buryat) script

looking at the Herb Brides & their concept art, we can see bodypainting that looks like vertical buryat or mongolian script (oh hi (crossed out: Mark) Phags Pa script):

shaped and reshaped...

[hermit-frog]

All my conceptions, even my guilt and my wish to die seemed utterly unimportant, and I completely forgot myself and the barbaric scene that surrounded me. For the first time in my life, I was seen.

[saintathelstan]

Alligators / BITE DOWN

[sleepsucks]

[wilsonsmcgillsweatshirt]

At this point, Wilson definitely packs a second lunch that he writes his name on and "hides" from House because it's the only way House will actually eat lunch. He definitely goes out of his way to make sure he brings things he knows House will enjoy, too, instead of just bringing stuff that he likes.

[leverage-ot3]

hozier starting to sing take me to church and then unfurling a pride flag healed something in me actually

if you listen closely you can hear me yell ‘oh my god’ when he does it