#whether its outdated or not >:|
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barrymccaulkinem · 10 months ago
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it would be fucking crazy to have a friend whos actually into something im into while im still interested in it. i dont think ive ever fucking had that
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sorchasolas · 10 months ago
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It’s “men can wear makeup” and “clothing isnt gendered” until a trans man wears feminine clothing and makeup and THEN its “not my fault if i misgender him” and shit
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hyp3rfixation-h3ll · 2 years ago
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The council has become VERY locked in a heated debate about this so I'm settling this ONCE AND FOR ALL via a tumblr poll (feel free to check the tags for context)
( GOES WITHOUT SAYING BUT PLEASE REBLOG FOR A LARGER SAMPLE SIZE )
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if you'd like my personal opinion , i think it counts and we Would redefine the word to include our alien friends . theyre arguably just as human as we are and eating them would have the same psychological effects , even if they taste good !
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rainbowtvz · 1 year ago
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the shipping with canon minors thing quite literally was true, took you a year to finally drop them, allegedly, and has 0 to do with antiblack white people being upset over you saying they can't use the aave word simp anymore because unless theres a second party out there saying shit, the "rumor" came from me and it was a fact at the start.
"i didn't do that except i did but it's false!" like cmon
anyway- more screenshots from this rando showing them harassing me, being ageist, and ableist.
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like genuinely how am i supposed to take this interaction in any kind of good faith when they were hostile and ageist out the gate and then ended up being ableist to me by indirectly calling me stupid. just call me the r slur instead if you're gonna do that.
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ooglywooglies · 9 months ago
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so this is pretty stupid and pointless but i was looking into some trans reproductive care legal stuff in australia specifically and found nothing at all about what i wanted but i found this stupid essay written by a terf petitioning to the NT government to pretty pwease keep transition illegal forever and i was reading it out of boredom and saw one of her points
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and went hang on 20% is very very incorrect where is she getting that
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a guardian article from 2004? well thats already not a good look but what does this article actually say
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it said that up to 18% (which is not 20%) of post op trans people in 1998 in a study attempted suicide
they didnt say if they asked the trans people why they attempted suicide, they kind of just assumed it was dissatisfaction with surgery, also yeah this is ONLY about surgery theres no mention of HRT at all
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also the same article has this at the end
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hrrtshape · 3 months ago
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the hardest pill to swallow . . if you don't assume, it won't work
this isn't tough love. this isn't a scolding. this is just the mechanics of reality. this isn't about blame. it's not your fault, but it is your responsibility (i saw this quote somewhere and i really liked it, anyway). reality is malleable, but only if you stop acting like you're at its mercy. stop waiting for permission. stop refreshing the page, stop tapping the glass. it's done. act accordingly.
consider your brain an old, glitchy computer, whirring in the corner of your psyche, choking on its own outdated code. your subconscious doesn't know what's real versus imagined, it only knows the instructions you give it. and if those instructions are "this isn't happening, i don't see it, i don't believe it," well, congratulations, the system registers that as the blueprint. and it prints that out. over and over. like a bureaucratic nightmare, a kafka novel of your own making.
this is not to say that doubt is failure, doubt is human, doubt is a thrum in the background of any great creation. but if doubt is the occasional rainstorm, belief is the structural integrity of the house. belief holds. belief carries. belief is the scaffolding between you and the impossible, and without it, you are just standing in an empty field, waiting for architecture to spontaneously occur.
there's a reason schrodinger's cat remains the most infuriating hypothetical in quantum mechanics, because the cat is both alive and dead until you open the box. the observer collapses the wave function. and in this case, you are the observer. if you don't believe it, you keep the box shut. if you do believe it, the universe is already rearranging itself around your conviction.
this is not new-age drivel. this is not a vision board with a quote about perseverance peeling off in the humidity. this is physics. have you ever thought about someone, and then they text you five minutes later? that's the speed at which reality moves when you don't get in your own way. you didn't sit there clutching your skull, willing them into existence, you just assumed, with ease, with god-tier nonchalance. and because you weren't scrutinising the timeline like a detective with a corkboard and red string and bloodied eyes, the message came through. the only thing standing between you and everything you want is the way you react to its absence. the hand-wringing, the despair, the creeping doubt, it's a full-time job, and it pays in absolutely nothing.
which brings me to my next point: trying. trying is the problem. trying implies effort, and effort implies resistance, and resistance is another way of saying "i don't actually believe i have this." and you know what people do when they have things? they stop worrying about whether they have them. a person in possession of an apple does not pace the room, clutching their chest, whimpering, "but do i really have it?" they just eat the apple.
and before you say, "but look at my reality, it's contradicting me," i will say this once, and you must etch it into your mind like scripture: reality is old news. what you are seeing is just a delayed projection of past assumptions. do not react to it. do not engage with it. it is a rerun of a show you no longer care about. the moment you stop feeding into the contradictions, they wither. the moment you accept that what you want is already done, reality will course-correct. until then, it is an echo chamber of your previous doubts. ignore it like it's a tabloid headline about a scandal that never actually happened.
flip the switch. decide, assume, move forward. no more "manifesting," no more "waiting." you don't wait for what's already yours. you don't question a chair's ability to hold you up before sitting down. you don't send a letter and then agonise over whether the mail system still exists. you assume. you know. and so it is.
and before the panic sets in, no, this does not mean you must be a perfect disciple of unwavering belief. doubt will creep in, as it always does. you will have moments of existential dread, of scrutinising, of muttering "but what if" into your hands at 2 a.m. this is fine. this is human. just don't let it become the dominant narrative. there will be moments where you feel like you're nowhere, like your manifestations have abandoned you and you're left with nothing but the weight of your own effort. do not, under any circumstances, entertain this lie. i will personally resurrect the fear of god just to drill this into you: do not. what you do instead is cry a little, wipe your face, and then lock the fuck in, because i swear on everything, sometimes, all it takes is a stretch of nothing to summon an abundance of everything. let the doubt pass through like an intrusive thought you refuse to entertain, like a pigeon that landed in your cafe but is not, in fact, your problem.
maybe this reminds you of when the soviets tried to scientifically disprove intuition, only to realise they had unintentionally proved it instead. maybe this reminds you of every ghost story you've ever heard, how the only ones who see them are the ones who expect to.
anyways. it's all already happening. 
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astrologydray · 5 months ago
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Pluto through the degrees
Pluto’s degree in the natal chart adds a layer of intensity, transformation, and power dynamics to its placement. Since Pluto moves slowly, its sign reflects generational themes, but the degree can show a more personal, specific expression of Pluto’s energy in your life.
0° – A raw, potent expression of Pluto’s transformative power. This degree indicates an individual who is here to experience deep soul-level change, often initiating powerful shifts in their environment.
1° – A pioneer of transformation. Can be unafraid to venture into the unknown, breaking societal or personal taboos with ease. May experience profound changes early in life.
2° – Balances power and stability. This degree carries a subtle yet strong intensity, often leading the individual to confront hidden fears or authority figures.
3° – A strategist and deep thinker. Pluto at this degree may indicate someone who uses power subtly but effectively, often working behind the scenes.
4° – A strong foundation for transformation. This degree can bring challenges in family or home life, forcing the individual to break ancestral patterns.
5° – The creative destroyer. This degree brings a dramatic approach to change, often leading to reinvention in careers, relationships, or self-identity.
6° – A healer’s degree. This Pluto placement often signals someone who undergoes personal crises but emerges with the ability to help others transform.
7° – Highly intuitive and possibly psychic. This person may feel a deep connection to the unseen realms and have an almost instinctual understanding of power.
8° – Magnetic and intense, with a natural authority. This degree often manifests in strong leadership skills or a deep desire to control one’s fate.
9° – A revolutionary and visionary. This Pluto degree is drawn to radical transformation, often shaking up institutions or personal belief systems.
10° – A mix of intensity and practicality. This degree may bring an individual who understands both destruction and reconstruction, making them adept at long-term planning.
11° – The “Master Number” amplifies Pluto’s intensity. This degree often signals a person who influences others on a mass scale, whether through leadership, psychology, or spirituality.
12° – A mystic and alchemist. This degree carries an almost supernatural ability to shift energy and manifest transformation.
13° – A karmic degree. Pluto here suggests deep, fated experiences, often linked to power struggles or the need for personal rebirth.
14° – The shadow worker. This placement indicates someone who is drawn to uncovering hidden truths, either in themselves or in society.
15° – A powerful creator-destroyer archetype. Can be relentless in pursuing transformation, with little patience for stagnation.
16° – Associated with breakthroughs and breakdowns. Pluto at this degree often brings sudden, intense shifts in life direction.
17° – The communicator of deep truths. This person may write, speak, or teach about power, trauma, and rebirth.
18° – A degree of karmic cycles. This Pluto placement may indicate themes of death and rebirth, both metaphorically and sometimes literally in close experiences.
19° – The balance between darkness and light. This person must learn to wield power wisely, often facing moral dilemmas.
20° – A master of reinvention. Pluto here gives the ability to start over from scratch, no matter how many times life forces change.
21° – A social transformer. This person is often drawn to activism, systemic change, or dismantling outdated power structures.
22° – Amplifies Pluto’s ability to destroy and reconstruct. May have a significant impact on the material world.
23° – A degree of secrecy and hidden influence. Often associated with people who work behind the scenes in powerful positions.
24° – The magician’s degree. This Pluto placement suggests an ability to channel and harness energy for deep transformation.
25° – Highly independent and willful. This person resists control but also struggles with their own power dynamics.
26° – The investigator and researcher. Pluto here brings an intense desire to uncover the truth, often leading to careers in psychology, law, or the occult.
27° – A revolutionary spirit. Pluto at this degree often leads people to be involved in drastic societal or personal changes.
28° – A shamanic energy. This placement carries deep, spiritual transformation and often involves a profound rebirth at some point in life.
29° – Pluto is at its most extreme here. The person may experience intense crises, forced transformation, or a last-minute awakening that alters their life forever.
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galerymod · 8 months ago
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I am tired and sick of war. Its glory is all moonshine. It is only those who have neither fired a shot nor heard the shrieks and groans of the wounded who cry aloud for blood, for vengeance, for desolation. War is hell.
William Tecumseh Sherman
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War is the complete failure of human society and the negation of higher civilisation. It is always about land claims, power expansion, control, whether for religious or political reasons, and in the end it benefits no one but sets civilisation back decades!
In the end, we are just technologically advanced, aggressive apes with outdated territorial behaviour.
mod
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rallamajoop · 8 months ago
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So why are there so many gay vampires?
From the time of Carmilla all the way up to the works of Anne Rice (a universe that seems to get only less subtle as the years go on), gay vampires have been a thing basically as long as anyone was writing about vampires. Lesbian vampires have been a genre all their own for decades. Bram Stoker, author of the most famous vampire novel ever written, was gay himself. So why vampires specifically?
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I’ve seen people attempt to answer this one before, and there are all sorts of contributing factors I could point to here, from the genres’ beginnings with Lord Byron (infamous bisexual disaster fuckboy), to modern discourse about why queer folks so often find themselves identifying with the monsters and outcasts of fiction. Few other monsters besides vampires can so easily pass for ‘normal’, or are nearly so well known for their snappy dress sense and ‘unnatural cravings’ for human flesh. And that’s without even getting into all those skeezy outdated stereotypes casting queer people as predators, or the idea that even one ‘gay experience’ could somehow ‘convert’ you into being one yourself.
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But to my mind, there’s just one really important thing that makes vampires so gay, and it’s the same thing that makes them sexy in the first place: plausible deniability.
You see, a vampire’s bite is simultaneously a) ridiculously sexual, and b) not even a little bit sexual at all.
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You don’t have to look far for vampire canons where there’s nothing sexy about being bitten by a vampire. Bloody, violent, painful, sure ‒or just clinically miserable, human bodies torn open or hung up to drain like a human blood bag. What’s sexy about getting bitten by a mosquito, or a fecking leech? The diet of the actual vampire bat requires it to process so much water that it apparently spends mealtimes busily pissing out the difference, and the anti-coagulants in its saliva leave the wound bleeding messily long after it’s gone. The basic act of feeding is no more inherently sexual for a vampire than it is for a zombie.
Vampires are even a surprisingly acceptable monster to market to children. There’s a vampire muppet, a cartoon about a vampire duck, and a whole series of books about a vampire rabbit. You can put a vampire on the side of a cereal box without undue outrage. Vampires do not have to be R-rated for sex or violence.
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So of course vampires will go after victims of the same sex. Do you stop to inquire whether the cow you’re eating was male or female? It’s all just predator and prey!
Until it’s everything but.
Do not let the ‘vampires aren’t supposed to be sexy!’-purists fool you. The tradition of sexy vampires goes all the way back to the oldest folklore, where the first victim of a newly-risen vampire was often their still-living spouse. Vampires were even occasionally known to get women pregnant (a convenient excuse for any widow who might turn up pregnant slightly too many months after their husband's death). The ‘original’ Nosferatu sounds more like an incubus than the naked mole-rat creature they made that movie about. The demon lover aspect of the vampire has been there all along.
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And it’s not hard to imagine why. If someone is biting and sucking on your neck, then either they’re a vampire, or they’re well on the way to second base (other folklore has its vampires feed directly from their victim’s heart, which is scarcely less suggestive). The implications of an exchange of bodily fluids were never subtle, even in Stoker’s day (I'm looking at you, Lucy-with-the-three-husbands), and the vampire as a sexual predator was a popular literary device well before Stoker's time. Beautiful vampire women would seduce men to their demise, and the males of the species might visit the bedroom of some innocent maiden time and again. The Victorian obsession with mesmerism, meanwhile, provided the perfect explanation for how victims might be hypnotised into eager compliance, and perhaps not even remember being fed upon at all. Vampires have been the ultimate guilt-free sexual fantasy since way back in the day, compatible with all your awkward Victorian mores! (Not quite ready to admit they're sexual fantasies? No problem: he's just here to, y'know, suck on your neck a bit. No subtext here!)
The whole act of biting is so suggestive that in the early years of vampire cinema, it wasn’t shown at all, not even between opposite-sex participants. The camera of 1922’s Nosferatu maintains a demure distance during the climactic scene where the heroine is finally bitten and slowly drained of blood, and Universal’s Dracula conveniently fades to black or cuts away whenever it’s about to take place. But even if the biting has to take place off screen, who’s to say a vampire isn’t going to pick victims of both sexes?
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The stately tradition of the lesbian vampire has cinematic examples going all the way back to 1936, with Universal’s Dracula’s Daughter. Though the titular vampire has a nominal male love interest – a psychologist who naively advises her to confront her temptations without fear – the result of his advice is a famous sequence where she picks up a young woman under the premise of wanting an artist's model, and convinces her to remove her top. No actual biting or nudity is shown (it was only 1936), but her fate is left in little doubt.
By the era of 70’s sexploitation, all such subtlety had been abandoned. If we’re all good with naked boobs, who’s going to be offended by a little biting?
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In fact, when it comes to men rather than women, a vampire bite was, for many years, far too sexy to be shown, or even alluded to. Nosferatu clearly feeds on that film’s Jonathan-expy, but our only evidence is the bitemarks on his neck in the morning, and the final sacrifice to defeat the evil monster must naturally be female. Universal’s Dracula had to ignore explicit studio mandate that only the brides should be allowed to feed on their own Jonathan-equivalent, as to even imply that Dracula himself had fed upon a man was obviously far too homoerotic to contemplate (never mind that it’s Dracula who must be established as the threat in this opening sequence, or that it’s Dracula his victim will spend the rest of the film obsessed with).
But in that unspeakable land of male-on-male homoeroticism, you might be surprised how much homo we can squeeze in even without resorting to fangs-in-necks. The Lost Boys is surely one of the most homoerotic vampire films ever made, but there, the one big blood-drinking scene is rendered in a bloody massacre of slasher-movie violence. And though Anne Rice certainly describes the scene where Lestat drains Louis of blood in lurid detail (and even has them spend their first sunrise together sharing a coffin), Louis is already thoroughly seduced before he ever reaches this point.
You see, the lore of the pop-cultural vampire conveniently comes with a second and equally-compelling target for plausible deniability: the act of making a new vampire.
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Obviously, to work, this has to be deliberate. A world where anyone bitten by a vampire becomes one hasn’t much to offer us, and the relationship between maker and fledgling can just as easily be framed as parental, as recruitment into a cult, or purely transactional. But whichever way you twist it, the implications of choosing another to share in your own eternal youth and immortality… like, I don’t have to spell this one out for you, do I? Did I mention how that thing where a vampire’s traditional first victim tended to be their own mortal widow goes all the way back?
But if we’re not ready to be completely obvious with our mainstream audience, some alternative explanation can always be provided for cover. Lestat doesn’t really want Louis, he just wants Louis’ money! (He also really wants Louis.) The Lost Boys just want Michael to join their gang! (Their very, very pretty gang, who swan around in mesh shirts, tank tops and assless chaps.)
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The two sides of the vampire-deniability coin aren’t mutually exclusive, either. Carmilla drinks her new paramour’s blood, but also gazes into her eyes while promising her you will be mine. Drinking blood is a key part of making a new vampire in so many vampire stories, after all.
Carmilla isn’t even the only gay vampire story of the Victorian era. I recently posted about two other fascinating examples, both featuring male/male pairings: one being pretty much just a gender-flipped version of Carmilla, and the other a tragic love story filled with significant "vampire = gay lover" metaphors (why oh why must the townsfolk keep us apart, when we’ll only ever be happy once we’re united once more?) This stuff goes surprisingly far back.
In fact, you can find queer subtext in vampire fiction that predates even Byron and Polidori. 1819's The Vampyre was the first published vampire story, yes, but the first known work of vampire-fiction in the English language is a poem published by John Stagg in 1810, also called The Vampyre (look, the genre didn’t exist yet, you didn’t have to be creative with your titles).
In brief, Stagg’s poem recounts a conversation between a wife (Gertrude) and her dying husband (Herman), whose dear friend Sigismund, lately deceased and deeply mourned, has returned as a vampire. Night after night, he crawls into Herman’s room to drain his blood. Herman’s fate is already sealed, but unless Gertrude takes action, it will surely be she that Herman will take as his own first victim when he rises from the grave.
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There may be nothing intentional about the queer subtext of this tale. A vampire’s victims often include friends he knew in life, as Stagg himself cites in his introduction. But if Herman’s first victim will be his wife, what are we to read about the fact Sigismund’s first victim is Herman? Especially given how long he’s kept secret from poor Gertrude that his dear ‘friend’ has been climbing into his bedroom each night, lying beside him in bed and sucking and draining "the fountain of my heart!" while Herman moans and tosses (in pain, obviously!), always leaving him "exhausted, spent." Ultimately, Gertrude is saved only when both Herman and Sigismund are staked through the heart, and we close on the image of them slumbering together in the tomb.
It is, however you turn it, pretty gay.
I reiterate: this is the very first known work of vampire fiction written in the English language. The second was the one that was kind-of-written-by, kind-of-stolen-from, and unambiguously based on bisexual-disaster-fuckboy Lord Byron. And the two most influential works of vampire fiction of the next hundred years would be Carmilla, the very lesbian vampire story written by a… presumably straight man? And Dracula, the not-completely-convincingly-hetero story written by #1 Walt Whitman fanboy Bram Stoker. Vampires have always been very equal-opportunity kind of monsters.
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There are, of course, plenty of influential heterosexual vampire tales to fill out the roster too. Varney the Vampire, a penny dreadful from the 1840s, was so successful it ran for over 200 chapters. The 1960s had their own wildly successful Varney-equivalent in the soap opera Dark Shadows. Love it or hate it, we really can't ignore Twilight either. My own introduction to the genre was Christopher Pike’s The Last Vampire series, which came out alongside the original Vampire Diaries novels. So there's plenty of material around to keep the straights entertained – and honestly, that’s only as it should be, because the very thing that makes vampires so queer-friendly is that the sex of their victims doesn’t matter. And it’s so easy to make vampires sexy (let alone a full vampire-proposal!) that even the Victorians could do it.
Now, if your reaction to all this theorising is to tell me "but the LGBTQ’s shouldn’t have to hide behind plausible deniability!" I can only counter, "well sure, but why should the straights have all the fun?" Because playing with all the ambiguity of "is this monster really just after my blood or is this going somewhere?" can be all sorts of fun, regardless of the genders involved. And as long as they’re up for exchanging bodily fluids with persons-and-or-victims of either gender equally, why not have some fun with it?
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So, okay, maybe the real title of this post should have been "why are there so many pansexual vampires?" But the answer doesn’t change. Vampires have been the bisexual disaster fuckmonsters for as long as anyone’s been writing about vampires, and have been a metaphor allowing people publish barely-coded gay attraction since 1872. And much like the queer community, they’ve only become more complex, more sympathetic, and all the more popular as romantic paramours as the years have gone by.
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sea-lanterns · 8 months ago
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SILENT HILL
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synopsis: (slasher! AU) you travel to an old town to find your missing wife.
featuring: dehya
rating: 18+ smut (men and minors dni)
warnings: sub! afab fem reader (though she becomes more bold later on), dom! character who gets more subby later on, mentions of blood, reader is grieving, reader gets chased, transfem! dehya (she has a di.ck), fing.ering, unprotected se.x, cream.pie, masked se.x, size difference, size ki.nk, lap se.x, reader passes out, probably ooc, heavy pwp.
art credits: gokurakugai
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It had been a while since you last came to this town. Through the thick fog and semi-chilly air, you took a deep breath and let your body relax after the long car ride. You had finally arrived at the small town that plagued your thoughts for months; Silent Hill…a quiet and eerie town that was the root cause of your recent sleepless nights, after you had mysteriously received a letter from your long deceased wife telling you to come here. 
You looked down at the faded envelope in your hand, the handwriting of your wife; Dehya, was unmistakable to a grieving widow such as yourself. Though it had been three years since she disappeared and “died” of unknown causes, you knew you had to come here. If your wife was still out there, still alive somehow and living in this rickety old town, then you would drive any distance just to see her again. 
Slamming your car door shut, you began making your way towards the town on a dimly lit path. Whether this was a hoax or not, you were clinging onto that string of hope that it was somehow real. After all, this town was known for its conspiracy theories and stories of cults and rituals. If any place were to have things that defied death and logic, it would be here.  
The town of Silent Hill was an ugly one. It was hard to feel any semblance of hope when everything was cloaked in a blurry gray. You had forgotten how mundane it was to live here, the residents of Silent Hill always appearing depressed or anxious. You felt a shiver go down your spine when a possum scurried across the road, so close to your feet and making you stumble. 
“Dehya–!” you stopped yourself before you could finish your sentence, shock coursing through your body when you remembered Dehya wasn’t with you anymore. Whenever the slightest of things scared you, you would always call her name and she’d come running to comfort you and defend you from anything. But now she isn't here by your side…
‘Oh…’ Your shock disappeared and replaced itself with grief, wanting nothing more than to run into your wife’s arms again and have her hold you close. You closed your eyes and remembered how bright her smile was, a motivator to why you were here in the first place, before carrying on towards the gloomy motel where you’d be staying for the foreseeable future. 
After checking in with the motel clerk and moving your bags in with you, you settled down in your room and plopped down on the bed. This motel was severely outdated, the hideously patterned wallpaper peeling off the walls, the ceilings stained with something yellow and questionable, if your wife were here, she’d tell you “at the very least I’m here with you!”
You felt yourself crack a small smile at the memory, loving how positive she was no matter the circumstance. 
“I might get mold poisoning staying here,” You said to no one in particular, almost like you were trying to talk to Dehya beside you. 
“No you won’t! I won’t let my princess get sick on my watch.”
You could almost hear her laugh as she said that, her chivalrous attitude making you swoon even after all these years. No matter how much time had passed, you would always love how she treated you like a princess. 
“...I’ll save you this time, Dehya.” You said to yourself again, hugging one of the pillows to your chest and snuggling into it. It was far from the softest pillow you’ve ever felt, but during this time of vulnerability, it felt like the most comforting thing in the world. “You don’t have to save me this time. I’m going to find you.” 
With all those years of regret and guilt building up, you let it shrivel away and burn into motivation. This was a lead. One step closer to finding out what happened to your wife, and possibly finding her. 
You closed your eyes and went to bed, exhausted after spending several hours on the road. 
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You got up earlier than usual. Usually you would sleep in late on days like these, too depressed to even crawl out of bed, but this time you had a purpose to get up. Your body was already awake before your alarm went off, sliding out of bed and getting dressed to find some answers. 
Even in the mornings, Silent Hill was a town of misery. The sky was still a dull, muted gray, and the air was even chillier than before. You pulled your coat even tighter around your figure, your nose letting out a small sneeze as you stepped into the outside world. 
You would spend the entire day just walking around, asking locals about the whereabouts of your wife, if they’d seen her or even heard of her. You would always be met with a dead end answer, but you wouldn’t give up. That letter was sent to you for a reason, and you were determined to get some closure on your wife if that was the last thing you did. 
The sky began to grow darker the longer you stayed out. Your fingers and your toes were stinging from the pain, almost numb from how cold you were. Your heart felt heavy, your body leaning against a nearby wall to catch your breath from running around town. You were exhausted, but you couldn’t give up. Not now, you still weren’t done. 
Deeper within the alleyway, you heard heavy footsteps, causing you to perk up and immediately regain some stamina. Maybe there was somewhere in there who could help you? You pushed yourself off the wall and began making your way deeper within the alleyway, the street lights turning on and casting the area in a cold, white glow. 
“Uhm…excuse me,” you turned a corner and saw a tall, muscular figure facing away from you, wearing something odd on top of their head. “Can I just have a moment of your time? I am looking for my wife, and…”
You trailed off when the figure slowly turned towards you, wielding what appeared to be a giant blade in their hand, and dressed in a beige, tattered up cloth that revealed most of their muscular figure. The figure had no face, or rather, their face was obscured by a strange, pyramid-looking helmet that sat on their head, looming over you like a great executioner of death. 
“Ah…” You had no idea what you were feeling right now. Shock, fear, confusion? You had no idea who you were looking at either, but at the very least you could discern that they had the figure of a woman. “S-Sorry…I didn’t mean to bother you…” 
What the fuck was that.
Your eyes glanced at the blade in their hand, the light from the streetlight shimmering across it and showing the faint splatters of crimson on the edge. Blood. You gulped and took a step back, the pyramid head figure tilting their head and taking a step forward. 
“I…I will leave now. Goodnight!” You whimpered and immediately began walking away, but your fears quickly caught up to you when the figure started walking towards you as well. 
You continued moving away but she kept getting closer, taking long strides towards you with her long legs. Immediately, you began getting nervous, walking a bit faster before breaking out into a run. 
Well, that was a mistake. Because now the Pyramid Head woman began running after you as well, her heavy footsteps thudding through the street and dragging her rusty blade across the ground. The noise was horrible, a grating sound that made the hairs on your skin prick like needles. You just wanted to find your wife! What were the chances that you’d run into a deranged, monstrous serial killer?!
As you continued running, you let out a shout for help, looking around desperately to see if there was anyone out tonight. Unfortunately for you, it seemed everyone had decided to go home early, all the porch lights turned off and leaving you the only one alive with the woman. 
The grating noise of her blade met your ears again, causing your heart rate to spike like crazy. You began to run your way back to your motel room, but it was on the other side of town and at this point your body began to exhaust. There was a sharp burning sensation in your lungs, the cold air not helping you breathe whatsoever as you felt yourself lose steam. Damn, it had been a while since you ran like you meant it, Dehya did always say you should workout at the gym with her to build some stamina, but you never really took her seriously.  
You definitely regret it now. Your legs buckled and you found yourself collapsing in the midst of another dark alleyway, the pavement scratching up your knees and making you grunt in pain. No matter how hard you tried, your body was tired, cold, and weak. After spending the entire day outside and begging for help, this was your limit. 
You stumbled on your footing and found yourself at the dead end of the alleyway. A large, rusted gate towering over you and cornering you with nowhere else to run. The grating noise of the killer’s blade drew closer and closer, trapping you in the box you’ve locked yourself in. 
“Dehya…” you whimpered, feeling all hope drain away as you scuffled to the edge of the gate, too weak to stand or even attempt to climb the gate for your survival. Was this it? So this was how you’d find your wife, by dying at the hands of a killer and joining her in the afterlife. 
You sniffled and looked up to see the looming Pyramid Head staring down at you, rusted blade in hand and tattered clothing blowing hauntingly in the wind. She looked almost like a ghost, like someone that was not meant to be here but was. The wind continued to howl, the silence between you two almost deafening. 
“...I’m sorry. I just want to find my wife.” You whimpered, still gazing at the Pyramid Head woman. “Is this my punishment for that?”
You were spewing random nonsense at this point. You were so tired and cold, your body shivering and looking like a frail little bunny in the eyes of the Pyramid Head. She tilted her head, almost conveying a unique kind of communication despite her gristley appearance. 
“...”
“...”
Neither of you spoke for a few seconds after that, your head starting to throb and making you wince in pain. You felt so dead at this point, your head feeling heavy as you lowered yourself closer to the ground, looking like a kicked dog. “Dehya…I really wish you were here right now.” You would imagine her protecting you, fiercely telling you to run or standing her ground and being your knight in shining armor. 
“Run baby! I'll protect you!”
You can’t, and you felt the bitter coldness swallow you in. Were you going to die from the killer or hypothermia? You didn’t know anymore at this point. 
Your eyes began to droop, watching as the Pyramid Head walked closer and closer to you. She swung the rusted blade over her shoulder, her hand reaching for your head before your vision blurred and you dropped limp to the ground. 
I’m sorry I couldn’t find you, Dehya. 
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Your body felt very, very warm. Was this what heaven felt like? It felt like Dehya cuddling you from behind again, spooning you in her muscular arms and running her hands all over your tummy. You missed this, the feeling of laying with someone so warm and gentle. Perhaps you really were dead and this was your eternal fate, to be cuddled by your lover for the end of time. 
You wouldn’t mind that. However, your other senses began to awaken, telling you that you were merely asleep. Your touch began to come back, the feeling of a soft bed and warmth beneath you. Your hearing began to come back, the sounds of a soft fire crackling in the distance. Taste, smell, you tasted the dryness in your mouth, and inhaled the smell of burning wood and ash. 
Finally, your sight. Though you were initially reluctant to open your eyes, your body did so anyway, letting your eyes land on the rotting ceiling above. Well…this was a sharp contrast to the other sensations you’ve experienced.
Your neck craned to look at the side, your vision still somewhat blurry before focusing on the figure beside you. 
Dehya…? 
You could vaguely make out her long, brown hair and warm smile, joy filling your chest at the familiar sight. 
Dehya…? Dehya…!
You closed your eyes for a brief moment and opened them again, expecting to see your wife more clearly, but instead being greeted with the Pyramid Head woman that chased you before. Instantly, all that joy vanished as quickly as it came, fear and shock filling you and making you hyperventilate. 
“Wha…Wha…!” Your eyes went wide as you gasped for air, the panic settling in that the sight of your wife was a mere hallucination. A delusion.
The Pyramid Head loomed over you, her height absolutely intimidating and making you nearly whimper upon instinct. She was even taller up close, her muscles defined and scars exposed, looking like a modern day Amazonian if you had to describe her…
You scrambled on the bed you were on, backing up against the headboard and looking at the woman in disbelief. Were you going insane? You saw your wife! Why was she here? Why hasn’t she killed you yet? You gasped when she suddenly dropped the blade she was holding, the metal hitting the floor and causing it to echo across the walls. The sound made you flinch, and upon seeing how afraid you were, the Pyramid Head reached her hand over to touch you. 
“No–!” You flinched, but she didn’t move away, a warm, heavy hand cupping your face and holding it firmly. It was quite shocking actually, to see just how large her hands were in comparison to your face, squishing it with ease and making your lips form a cute pout up at her. The Pyramid Head tilted her head to the side, almost as if she was thinking underneath that behemoth of a helmet. 
‘Soft.’ 
Though the Pyramid Head was a quiet one, she couldn’t help but enjoy squishing your face. Despite the biting cold of October, your face held a familiar warmth that the figure could not put her finger on. Strange…she should’ve slaughtered you by now, but it seems like you were the one person that came here to not be punished for their sins. 
Perhaps, it was your desperate attachment for your wife that made the Pyramid Head manifest in a more…loving form. 
“Mmpf…” You attempted to speak, but she held your face in such a grip that your words came out muffled. Upon seeing that you were trying to communicate, she let go, but not before using one of her thumbs to prod at your lips, forcibly making you open your mouth. 
Well, this is very awkward. 
You let out a yelp when she suddenly pushed her thumb into your mouth, brushing over your tongue and seemingly admiring how small it was. Compared to her, everything about you was so much smaller, something that the Pyramid Head seemed to love. She was so confused, tilting her head as she continued sticking her fingers in your mouth, feeling the soft muscle of your inner cheek. 
“Hey–pffck–” You had enough, pushing her hands away and coughing as you wiped the spit from your lips. “You can’t just stick your fingers in someone’s mouth without their consent! That’s weird!” 
You hadn’t expected to raise your voice at this gristly-looking killer, but to your surprise, instead of getting angry and chopping you to bits, the Pyramid Head looked surprised and jostled back, her hands raising in the air as if to prove their innocence. 
That…motion. 
Your eyes widened as a flash of recognition triggered in your memory. Dehya. Now why was that appearing again? There’s no way that this completely coincidental motion would remind you of your wife. Surely not…
But still, there was a gut feeling in your chest, telling you to try again. You looked up at the Pyramid Head with curiosity, before uttering her name hesitantly on your lips. “D…Dehya?” You didn’t expect any results to be honest, but your breath hitched when she tilted her head, almost like she recognized it. “...No, it can’t be.” 
You felt your heart start to thump wildly in your chest, before you had an idea. If this truly was your Dehya, then she would always wear her wedding band on her left hand, engraved with your initials. “Can I see your left hand?” you asked softly, causing the Pyramid Head to oblige almost immediately. Cute, she was almost like an obedient dog. 
She gave you her left hand, shock coursing through your face when you actually saw the wedding band on her finger. Though a bit discolored and dirtied from being in a grim state, you could make out your initials on the front of the band. 
“Oh…my god.” You whispered out, excitement and shock coursing through your veins. “It really is you.” At this point, you didn’t care that your wife appeared as a horrifying killer, as your mind began to close the gaps and find other similarities in the Pyramid Head. Your fear must’ve blocked out all the clues, because as your eyes trailed over most closely, the resemblance –besides her face which was still hidden– was clear. 
You hugged her, your smaller frame clinging to her like a leech while you buried your face in her chest. The Pyramid Head –or rather, Dehya– let out a grunt when you suddenly engulfed her, her large arms instinctively coming around to wrap around your figure. Immediately, warmth and familiarity raised in your senses, her taut muscles flexing around you and making you break down into tears at being in her embrace again. “Dehya…I’ve missed you.” 
Dehya grumbled and looked down at you, running a calloused palm over your cheek. Even though she didn’t speak much, it was clear that she (or this manifestation of her) felt a deep connection with you and couldn’t bear the thought of hurting you. Almost like instinct, she pulled you closer to her, your body straddling her thighs and making you yelp in surprise. 
“Mmmm…Mine…” She croaked under the mask, her voice raspy yet very much like your Dehya. Her voice sent so many shivers down your spine, a sound that you’ve missed after all these years of being alone. “I’m yours, Dehya. All yours. I’m not leaving.”
She seemed pleased by the response, her arms scooping you up by the thighs and pushing you down on the bed. You gasped when you felt your back plummet into the mattress, her tall figure looming over you and trapping you under her large frame. “I..I see you’ve missed me too.” 
She nodded and let out an almost primal growl, wanting to get closer to you if not for her helmet blocking the way. She seemed frustrated at the fact and pawed at your clothes, her blunt fingers wanting to tear off every pesky cloth you wore. “Off…” She grunted, the sound muffled but command clear. “Take it off…” 
You let out a small giggle at how eager she was being. After three years of not seeing each other, it seems that she was very touch starved. “Sure baby, I’ll take them off for you.” 
Though you weren’t sure if she could see clearly, she was definitely keeping her eyes on you as you removed each article of clothing. Everything felt so sudden but so comforting, your nudity being revealed by the second as Dehya resisted the urge to just pounce on you right there. 
Finally, you laid there in your nude glory, sliding your panties off and dropping them before Dehya couldn’t hold back anymore. She grabbed you by the waist and easily hoisted you upwards, plopping you on her lap and making your bare entrance sit atop her clothed member. Though it was limp before, it seems that just watching you strip was enough to get her hard, stiffening under your touch and rising to life.
She let out a soft groan and moved her palm to rest on your ass, clearly aroused and wanting you now. But, since this was Dehya we were talking about, she held back and gently swirled her thumb over your clit, wanting you to be wet enough first before taking her. After all, Dehya knew more than anyone how big she actually was…
“I’m already wet…” you pouted, wanting her to fuck you right away. Yet despite your needy pleas, Dehya shook her head, letting out a grunt of disapproval and continuing to finger your pussy. She knew better than to cave into your whines, and you wanted to comment playfully on that, if not for your lewd whimpers leaving your throat. “Dehya…!”
Her fingers were quite wide and thick, pushing past your folds and thrusting at a gentle pace. She really was a gentle woman, even in this new form of hers, waiting for you to become wet enough so she wouldn’t hurt you. God, this felt so nostalgic, your wife’s fingers burying them all the way down to her palm, before adding a finger or two to stretch you to her liking. 
You threw your head back at the sensation, your moans echoing through the room and making you arch your back in pleasure. She continued fingering you, admiring your lovely form and keeping a rough hand on your ass. “Good…?” she asked softly, sliding her fingers out before shoving them back in. “Good.” You repeated, eyes fluttering shut in bliss while she plunged in repeatedly, filling you up on just her fingers alone. 
If you felt this full from just her fingers, you could only imagine how full you’d feel with her actual cock inside you. 
Finally gauging that you were wet enough, Dehya slid her slimy fingers out of you and seemed satisfied at the aftermath. By now, she was already rock hard, her member straining against her dress and forming a tent under your lap. She was so cute…you’d remember how desperate yet controlled Dehya was whenever she was horny for you, wanting to wreck you into an incomprehensible mess but restraining herself because you were simply too delicate for her. She’s always treated you like a princess, and even now she was your knight in shining armor. Albeit, she wore less of a metal plate and more of a metal…pyramid head. 
“You look so pent up.” You commented suddenly, causing her to look up at you. You smiled and gently ran a hand across her dress, feeling her muscles tense up before relaxing when you trailed lower. “Don’t you want to get there already?” 
“...So small.” Dehya comments softly, her hand cupping your needy pussy and brushing over it. “Need to be patient.” 
You huffed and cupped her stiffie under her dress, causing her to gasp. If she wasn’t wearing that metal helmet you were one hundred percent confident that she was blushing like mad right now. “I have been patient…! I’ve waited three years to be with you again, Dehya. I need you inside me nowww…” 
Your whines struck a chord within her, Dehya grumbling to herself and shifting you on her lap. She was getting antsy, the feeling of your soft hand on her shaft making her lose control of her lust for you. She let out another grumble and complied with your demands, lifting up her dress and allowing you to see just how turned on she was for you. Wow, now that was a sight you’ve certainly missed. 
Though it had been a few years since you’ve last had sex with Dehya, you remembered her very vividly. She was quite large, mostly girthy but it was nothing that a bunch of lube and slick can’t fix. No wonder Dehya took so much time in prepping for you, though you knew she was always big, you always overestimated yourself and needed Dehya to wait like five minutes for you to adjust to her size. 
“...I’ve certainly missed this too.” You chuckled, gently running your hand up her shaft and feeling it twitch under your hold. Dehya groaned, getting needy as she wrapped a hand over your wrist and made a subtle nudge for you to hurry. You gave her a few steady pumps, a few beads of precum starting to form at her tip, before you guided her cock to your awaiting entrance. 
Dehya’s breath hitched under the heavy metal of her helmet, her head leaning backwards and letting you take over. You guided her tip to nestle sweetly against your folds, gently sliding it back and forth through your wetness before easing yourself downward. Though you were already quite wet, you definitely felt the tight stretch as Dehya’s girth split you open on her cock and made you stop halfway. 
You were already breathing quite heavily, sweat trickling down your brow as you struggled to accommodate her size. Dehya noticed you stopping, tilting her head when she realized that you were struggling quite a bit to go down the other half of her. “Sorry…” She whispered softly, holding onto your waist and gently massaging your skin. “I…I will try to be smaller.” 
“Sweetie, that’s kind of impossible right now.” You whimpered, but appreciated her attempts at comforting you. You placed a small kiss on the edge of her pyramid-shaped helmet, causing her to jolt in surprise before giving yourself a few bounces to continue easing down. With each small bounce, Dehya grunted and resisted the urge to slam your hips down to her lap, steadying you in her arms while you slowly took in more inches. 
Down…Down… Finally, you found yourself sitting right on her lap, your pussy feeling so full and hot from how deep Dehya was inside you. Now that she was buried to the hilt, Dehya grumbled and gently squeezed your hips as if silently asking for permission to move you. You had planned on just riding her and letting her sit back and watch, but it appeared that your wife wanted to be more active than you thought. 
“You can move me,” You responded, “Just…be gentle. You’re still quite big.” 
She nodded and slowly lifted you up in her lap, sliding out until only her tip was in you before softly pushing you back down. Her strength, plus the external force of gravity allowed for a very hard (and very pleasant) thrust, causing you to moan loudly and cling to her shoulders. 
Dehya growled and seemed to enjoy the feeling of your tight pussy around her, moving you up and down with ease as she wanted to feel more. She gripped your hips with a certain air of possessiveness, wanting to claim you and keep you all to herself, her blunt nails leaving small crescent moon shapes in the plushness of your thighs. “Mine…” She growled again, beginning to up the pace the more she grew addicted to your pussy. “My wife…”
She slammed you down on her hips a bit harder, her fat tip smashing against a rather sensitive spot inside you and making you arch your back. Dehya picked up on that easily, lifting you so that she could realign her cock to hit deeper. 
At this new angle, Dehya could move further, starting to thrust into you at a hotter rhythm than before. You had forgotten how rough Dehya could be when she wasn’t being your doting knight, grunting and panting while she pushed you down to the hilt. You didn’t even have to move or anything during your sessions with Dehya, as she would always serve you with the utmost devotion. 
“D-Dehya– Dehya…!” Your words came out all choppy and disorganized, her rough thrusts pushing each syllable out of you before you were ready. “B-Baby slow down…!”
She whimpered and hugged your waist tighter, resisting the urge to continue her brutal pace and obeying your command. She dragged her hips more languidly across your walls, making you feel every twitch and vein while your pussy grew more sensitive around her. “Dehya…I think I’m close…” 
She let out another pleased moan at your words and you felt her cock twitch more inside. It appeared you also weren’t the only one getting close, as Dehya was getting close to release herself. “Can I…nngh, come?” She whispered raspily, panting in desperation. “Inside? I want to come inside you.” 
Your cheeks grew hot at her ask, but you couldn’t deny her. Not after you’ve just found her again. “You…You wanna do it inside?” you whimpered, a small smile spreading across your face. “Alright then…Just try not to make too much of a mess.”
Dehya seemed quite happy at that, ramming herself faster until she felt her impending climax come. She thrusted once, twice, three times, until finally she felt herself tense up and release hot spurts of cum, triggering your own climax simultaneously while you were filled to the brim. 
Your womb felt so full. All hot and filled by Dehya while she continued thrusting to ride out both your orgasms. She definitely did not fulfill your request of not making too much of a mess, but that was okay. You were quite pleased with being filled with your wife’s seed, and being by her side again was all that mattered to you at this moment. 
Her thrusts soon slowed to a halt, but she didn’t pull out yet. Instead, she kept her cock still firmly deep within you, and simply readjusted your position so that you were lying more comfortably against her chest. “Did I do good?” she whispered, looking down at you through the small holes of her helmet. 
“Very good…” You whispered back sleepily, your body succumbing to exhaustion as you laid atop your wife’s body, her cock keeping you nice and warm inside. “I’m so glad I found you again.”
“Mmm.”
She gently caressed the back of your head with her hand, the other one resting lazily against your thigh, making you feel all safe and secluded. As you were slowly lulled to sleep in the comforting embrace of your lover, your thoughts began to reminisce in the journey that brought you here. The town of Silent Hill was one not known for its warmth and welcoming structure, but in this town of darkness and gray, you found the one thing that would make you stay forever. 
You had finally found your wife again, and you were never leaving her side.
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akisteahouse · 23 days ago
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Random texting hc's w the first years!
Ace Trappola!
mixes up your with you're but still has the gall to correct you when you mix them up - jackass >:((((
probably changes his pfp like every three days, though his favourite is definitely random outdated memes he still snickers at </333333
no sense of grammar whatsoever, and is somehow STILL a proud member of the grammar police >:(((
texts you like a hookup. will send you a 'U up?' text instead of a regular good morning one for shits and giggles
fullstops? commas? what is that????
starts essentially every gc fight and debate
Deuce Spade!
Mixes up your with you're but isn't a jerk about, unlike SOMEONE
his pfp used to be of a blastcycle but changed to a group photo of him and the other first years :*)))) silly
has a sense of grammar - 'an honour student should!' - but if he's especially excited about it he'll throw it to the wind and type in full caps (which is most of the time anyway so)
tries to stop fights in the gc, ends up getting way too fired up over whether pancakes are superior to waffles (it's CLEARLY waffles)
texts you like a mom </3 'how was your day?','are you hungry? We're having an unbirthday party today if you wanna come!',,,, will sometimes text you like a sorry child if he got in trouble
Jack Howl!
NEVER mixes up your with you're... autocorrect-haver mf
pfp is him and his siblings... you teased him about it ONCE and he ended up showing you the family album on his phone
GRAMMAR POLICE GRAMMAR POLICE GRAMMAR POLICE
texts like how he talks irl, with fullstops and commas and everything... also somehow one of the fastest texters out of all of the first years????
ignores the gc because he knows half of the times its gonna be the others arguing over stupid shit
probably sends voicemails more than texts because he'd probably like talking more than typing especially when working out <3333
Epel Felmier!
messes up your with you're occasionally, will send paragraphs of text if you even try to correct his grammar >:))))
pfp is a photo of him holding an apple... Vil approved and Rook will snitch if he changes it to anything that Vil doesn't think fits sorry Epel
perfect grammar if he's in a gc with Vil or Rook,,,, practically becomes a different person when they aren't there
argues in chat like it's an Olympic sport,,,, gets so upset that he'll start misspelling stuff but it's okay, autocorrect
Ace eggs him on the most and expect to find the 1st year gc getting spammed whenever the two of them are online </333
Ortho Shroud!
doesn't mix your with you're... but it doesn't count because he's a robot and that's unfair
pfp is him and Idia,,,,, you guys don't even know how Ortho convinced the older Shroud to take a photo in general, but Ortho had little brother privileges so...
another one with perfect grammar, has the absolute CUTEST stickers though
sits back and watches the chaos unfold whenever there's a fight in the gc :)
once video called the gc as he tried to miku miku beam some students who had made fun of Idia of the face of Twisted Wonderland
Sebek Zigvolt!
a proud member of the grammar police,,, will call you out if you mess up your with you're or vice-versa
pfp is Malleus. changes everyday. to a different shot of malleus. once it was a picture of Lilia, but it got changed back almost immediately, with Sebek claiming that Lilia had 'hijacked my personal handheld device!'
perfect grammar, at the cost of being perhaps the slowest texter in the gc
gets involved in the gc fights because Ace also eggs him on... the longest fight was a solid forty minutes, and only ended because Malleus was taking a walk and Sebek had priorities
didn't know how to turn off caps so he just ended up texting in full caps for a solid month
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lackadaisycats · 4 months ago
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Hello Tracy, I've been a fan of Lackadaisy since the webcomic days and want to ask a quick question regarding Patreon. I'm also an indie creative myself and currently trying to raise funds for a show I'm working on. What are the best ways to market myself online, and what are some ways to obtain money for the production of merchandise that doesn't involve crowdfunding?
Any specific advice I could give about marketing oneself online at this point would be pretty outdated. I started making Lackadaisy years back, when the internet had a rather different geography and culture. DeviantArt was where all the art kids were. That is, of course, no longer the case.
My generalized advice, though, would be to start working on your project, start sharing it in some form, even if it's just concept art or experiments at this phase, and start building an audience. Nothing speaks to the quality and appeal of whatever it is you're making like the thing itself does. Pick your poisons, as far as social media goes, but probably don't focus solely on one. Platforms don't remain useful or pleasant places to be forever. Set up an avenue for viewers to support you (Patreon, Ko-fi, or something like it), but don't expect supporters to come flooding in all at once. The internet is awash with so many creators and shows and influencers and distractions, it's hard to make waves. Tenacity will be your ally, though. You are likely going to be pursuing your project on the side and possibly working at a loss for a while as you build. Keep things small scale, especially if you're working solo, or with a small team of people. Audience growth and support may eventually start allowing you to expand your ambitions. It's important to do the thing you're doing out of love for the art, for the project itself, for the experience of doing it, and not because you're expecting rounds of applause, accolades, and money to come rushing at you. There's no guarantee that last part will happen...so at least make sure you're having fun doing whatever you're doing.
----------------
About merchandise --
You can incur the upfront cost of producing, say, a small run of enamel pins. Sell them on your own shop storefront or offer them to supporters at certain tier levels and see how long it takes to earn back the production cost such that you start earning a little bit of profit. Get a feel for how well you can handle packaging and shipping things yourself. Test the waters before making any large merch orders, and don't order vast amounts of something that you don't have room to 'warehouse' in your own home.
You can go the print on demand route. It's got its drawbacks - like slim returns - but it allows you to offer an assortment of merch items without the huge risk of paying big manufacturing fees upfront. It can also do the fulfillment/shipping part for you. I did pretty okay selling prints this way for a time. (Research and be selective about what services you use here, though. Some have gotten markedly worse over the years.)
I know Patreon offers a subscription level for creators that includes some merch production and fulfillment. I haven't personally used it, though, so I'd ask around to see what other creators' experiences have been like with it.
One thing I would suggest relying more heavily on, especially at first, is digital/downloadable rewards, like PDF ebooks or digital sketchbooks - things like that. Shipping supplies and postage costs are ever-increasing and can easily end up putting you in the red. Also, if you have an international audience, it may be difficult to reach them with tangible merch items.
You might also check out some nearby conventions to see if they'd be a good fit for you and your project. Apply for artist alley space at one of them if that's appropriate, or investigate whether or not it'd be worth it to get a dealer table. You might even find someone willing to share dealer space with you for a trial-run.
At some point, when you have enough of an audience to warrant it, seek out a merch partner. Or, they might come scouting for you if they think you have something going that'd be soundly marketable.
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alexanderwales · 7 months ago
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One of the things they went over when I took linguistics was the "euphemism treadmill", the tendency of initially-clinical or neutral words to undergo pejoration to the point that someone felt the need to replace the pejorated word with one that was clinical or neutral. And then of course the process of pejoration would start again.
The best example of this were words related to what we now call intellectual disability. In the past, "idiot", "simpleton", "moron", "feeble-minded", and "imbecile" were all relatively clinical terms. (This is one of those things that's often repeated, but if you go looking at newspapers from the 1920s, you do kind of wonder whether the negative connotations were just completely acceptable then, especially when they're talking about the successes of sterilizing the feeble-minded.)
The reason that pejoration happens is that while the word changes, the societal attitude toward the underlying thing most often does not, and so if they change the word and declare that this new word is totally neutral, then society's negative view is just going to keep making those words take on bad connotations. This will happen even with the most anodyne descriptions, like "mentally handicapped", which Google will inform you with a little warning is offensive and dated.
The linguistics class I took in the early 2000s spent a little time on the word "retarded", which by then was well on its way to complete pejoration (federal law was changed in 2010, from "mental retardation" to "intellectual disability"), but had not reached the point when it was "the r-slur". If I recall correctly, this was when "mentally handicapped" was still relatively in vogue, and sitting in that classroom I had thought that "retard" was going to go the way of "moron", a word that was used exclusively in a disparaging way. I thought it would be about as acceptable as calling someone an imbecile, I guess, which is impolite but which doesn't rise to the level of "slur".
But no, I was wrong. The euphemism treadmill will probably continue because we have not done anything about the underlying condition (that people with intellectual disabilities are less valued and looked down on), but "retard" has now become a slur, even if every other fucking word for low intelligence is still in common use as a disparagement.
It's wild how much you can see people dancing around this. I said above that Google gives an "offensive and outdated" tag to the term "mentally handicapped", but they also give that to "retarded". However, if you go to "imbecile" they don't give that tag. To save you the trouble of looking it up:
noun: imbecile; plural noun: imbeciles
a stupid person.
archaic a person of low intelligence.
Ah, lovely. So it's okay, because it just means "a stupid person", it used to mean "a person of low intelligence", but it doesn't mean that any more, so ... not offensive, I guess?
Except hold on, what does "stupid" mean again?
adjective: stupid; comparative adjective: stupider; superlative adjective: stupidest
having or showing a great lack of intelligence or common sense.
Oh, okay, I see. So in the archaic sense "imbecile" meant a person of low intelligence, but now it means a person who has a lack of intelligence. Totally different, very understandable. Nevermind that "imbecile" was pejorated in the same way that "retard" was, and that using a negative word to refer to someone who is lacking intelligence is basically the same thing.
I think if you want to fight against the pejorative use of the word "retard", you should probably be fighting against a lot more words, and you should definitely be fighting against the societal view that people with lower intelligence are lesser. You can fight the language issue all you want, but it's just going to lead to more cycles of pejoration. There's no way that switching over to saying "person with a learning disability" (as it seems the UK bureaucrats now favor) is going to somehow end it.
Personally, I'm the kind of person who just goes with the flow. I think people with intellectual disabilities are just as much people as anyone else, deserving of care and compassion, but I also value intelligence at least as much as my surrounding society does, and while I do make attempts to temper my language, saying that an idea is stupid rather than casting contempt on a person who is stupid, that's a mighty fine line to tow, and ... people just don't care. If I call a politician a moron, no one will bat an eye. I will refrain from saying the r-word, because people get mad at you when you do that. I think if I got hit in the head tomorrow and became intellectually disabled, I would be more or less happy with this.
I don't have a strong principled stance, more a stance of "come on, what are we doing here". Euphemism treadmill goes brrrr, language gonna language, I just wish the whole linguistic and social process didn't feel like some out of control machine that wasn't actually doing anything for anyone, and that people would pay more attention to the underlying mechanisms for how/why pejoration actually works. Changing the word is not going to usher in an era of understanding and equality, we've proven that, haven't we?
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tinybeetiny · 15 days ago
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Build-A-Boyfriend Chapter 1: Deviation Detected
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The way i wrote this with the quickness... was very excited I guess........
->Starring: AI!AteezxAfab!Reader ->Genre: Dystopian idk pls help ->CW: none
Next Part
Masterlist | Ateez Masterlist | Series Masterlist
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The screen flickers to life, casting a sterile blue glow across the high-glass boardroom. A chime sounds. The synth music is soft, warm, unnaturally comforting.
“In a perfect world… who says you have to be alone?”
[Scene: golden morning light streams through a smart-home window. A woman sips tea as a tall, smiling man ties her apron for her. Cut to holographic customization panels, fingers sliding across facial presets, hair types, emotional spectrums. A glossy chrome heart pulses as code flows behind it.]
“Introducing Build-A-Boyfriend™, a revolutionary experience by KQ Inc., the world’s leading innovator in emotional robotics. Whether you’re looking for loyalty, laughter, protection, or passion — we’ve engineered the perfect companion, from his cheekbones to his charm.”
“Over 100 hairstyles. 20 hair colors. Hundreds of adjustable features: emotional intelligence, love languages,
conflict styles. Everything is customizable. Everything is yours.”
“Build trust. Build comfort. Build connection.”
[The KQ logo glows softly: a platinum rose blooming from circuitry.]
Build-A-Boyfriend™
Grand Opening — November 17, 3258 — Hala City
The video faded into silence. Then the lights returned, crisp, clinical, bright.
At the head of the table stood Chairwoman Vira Yun, CEO of KQ Inc. Her expression remained unreadable, but her eyes gleamed, the kind of gleam found in calculated ambition, not excitement.
She turned to face the table of top engineers, market strategists, and high-clearance developers.
“Thoughts?” she asked, her tone brisk. “Feedback. Questions. Concerns. Suggestions.”
A silence followed, not out of fear, not exactly, but out of discipline. KQ Inc. didn’t reward enthusiasm. It rewarded precision.
Finally, a market rep near the center offered, “The tone tests well in demos. Emotionally aspirational, but still sterilized enough to fit city guidelines.”
“The language?” Yun asked.
“Romantic but controlled,” another replied. “'Ownership' is implied without being direct. Citizens won’t be alarmed.”
“Excellent,” Yun said with a curt nod. “Then we proceed as planned. Hala City's flagship store opens November 17th. Media campaign rollout begins in three days.”
She paused, her gaze sharpening.
“The special line will not be mentioned until one week after launch. Is that understood?”
A few heads nodded. Only a handful at the table even knew what that “special line” truly entailed. Yn was one of them.
She sat toward the far end of the table, posture poised, eyes tired. Her tablet rested on her lap, screen dimmed, but behind the sleep mode glowed a list of internal reports tagged:
ATEEZ-BETA UNITS: BEHAVIOR DEVIATIONS – OBSERVATION LOGS PENDING
Yn said nothing.
There were already signs the line was unstable. Minor things: timing issues in reaction sequences, spontaneous micro-expressions, strange audio interference. Nothing outside protocol, not yet. Nothing that couldn’t be debugged.
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Hala City was the Matriarchy’s masterpiece, a glass-and-steel paradise built after the Fall, when nature reclaimed the earth and humankind rebuilt without the burden of chaos.
The male species was gone — extinct from war, plague, or something worse. The truth was debated in underground circles, but the government insisted: peace was found through elimination.
The Supreme Matrons ruled with quiet efficiency. Reproduction was artificial. Emotional regulation was enforced. Love — in its unpredictable, biological form, was discouraged as outdated.
Children were raised by state guardians. Affection was simulated and scheduled. Bonds were monitored through neural metrics and performance reviews.
In that vacuum, KQ Inc. thrived.
They created companions for the emotionally delicate. Tutors for the socially underdeveloped. Grief simulations for those who had lost what the government refused to acknowledge.
Build-A-Boyfriend™ was simply the next logical step.
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The meeting ended, the room emptied — chairs tucked in without a sound, tablets tucked under arms, footsteps softened by KQ’s luxury anti-clatter flooring.
Yn lingered a moment longer, tablet resting against her chest, fingers tense.
Then she slipped out of her seat, crossed the vast corridor of frosted glass and synthetic sunlight, and pressed her palm to the exit panel. The doors whispered open, exhaling a puff of sterilized air, and she stepped outside into the city.
Outside the glass wall that stretched from floor to ceiling, the city pulsed in clean, geometric order. Silver transport rails carved silently through the skyline. Light panels glowed in a muted spectrum, perfectly synchronized to the day’s emotional calibration code. Every color, every sound, every rhythm was regulated, each calculated to keep citizens at a precise emotional neutrality.
Stability. Efficiency. Harmony.
Those were Hala’s sacred values. Engraved into the entrance of every government building, stitched into every school uniform.
Hala City had no military, no prisons, no religion. The old world’s chaos had been scrubbed from its bones. Instead, there were wellness assessments, emotional correction centers, and State Therapeutic Companions — androids assigned to citizens whose neural scans showed spikes in sentiment, unpredictability, or unresolved grief.
It had been 149 years since The Great Reset, when the last male died and the Matriarchy took hold. Whether extinction was natural or engineered no longer mattered, the Supreme Matrons had rewritten history to begin after.
The world before was called The Collapse Era. Now, the world simply was.
From childhood, every citizen of Hala was raised by assigned maternal figures, rotations of calm, trained nurturers programmed to teach logic, order, and controlled affection.
Love, in the romantic sense, was considered a chemical imbalance. Desire was tolerated only in controlled expressions — within VR therapy suites or government-regulated media.
To crave more was a sign of dysfunction. To want more? Dangerous.
But over time, cracks began to show.
The rise of emotional dependency disorders — the ache for connection that no algorithm could suppress. The quiet epidemic of phantom longing. Citizens reporting dreams they weren’t supposed to have. Feelings they couldn’t place. Names they didn’t know how they knew.
KQ Inc. had the answer: give them what they wanted — but make it safe.
Build-A-Boyfriend™ wasn’t about love. It was about control. A need engineered, then sold. And the citizens of Hala were already lining up.
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She turned down a quiet residential corridor — the one lined with mirrored trees and soft sky-glass tiles that absorbed her footsteps. Her apartment block loomed ahead, blinking her ID tag onto the entrance gate.
She glanced once at the skyline before entering — her eyes landing on the KQ Tower far in the distance, its dark silver peak glowing like a god in the clouds.
The door sealed shut behind her with a quiet hiss. Inside, her apartment was as minimal as the rest of Hala — soft lighting, neutral tones, minimalistic furniture, automated temperature preset to her emotional range for the day.
No clutter. No pictures. No history.
Yn set her tablet down on the charging dock near the entry shelf. The screen flickered to life automatically.
⚠️ ALERT: BEHAVIORAL DEVIATION DETECTED — ATEEZ UNIT 06 Timestamp: 19:04 | Lab 3A Observation Room Severity: Red Flagged: Autonomy Spike — Eye Tracking Outside Command
The warning blinked in silence.
Yn didn’t see it. She had already sunk into the corner of her sofa, head tilted back, eyes closed, letting the hum of her apartment’s emotional regulation system blur the sharpness of her thoughts.
She didn’t see the screen pulse again.
⚠️ Second Deviation Logged. Timestamp: 19:10 | Lab 3A Observation Room Severity: Red Flagged: Autonomy Spike —ATEEZ UNIT 06 SPOKE WITHOUT PROMPT. Transcription Pending... “YN"
The screen dimmed. The room fell silent. And somewhere, deep below the city, something smiled.
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rhowena · 5 months ago
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The core problem of Campaign 3's god debate is that the only real support offered by the anti-god side is "some people are mad at the gods" and no one -- in-universe or out -- seems to realize that the mere existence of people who dislike the gods isn't sufficient to make "should the gods stay or go?" into a hyper-complex morally grey debate, any more than the mere existence of global warming denialists is sufficient to make the factual reality of climate change into a hyper-complex scientific debate. "People who are mad at the gods exist, therefore the current system is broken somehow" is the mentality of people-pleasing: if someone is mad at you, it proves that you're a bad person who did something to make them mad, and you are now morally obligated to internalize everything they say about you and devote all your energy to appeasing them.
I am, personally, of the opinion that it is vitally important for people in positions of power to maintain a healthy awareness of their own fallibility and cultivate lines of feedback from lower down in the chain the way software developers provide bug report forms; however, the reality I encountered when I accepted a forum moderation position years ago is that, if you're an Authority Figure™ of any stripe, for every person with a good-faith criticism of a poor ruling you made while overtired or an outdated policy that needs to be revised, there are a dozen who shake their fists at you because they want someone to be mad at. And when you look at the actual substance of the complaints being made (nearly all of which display a fundamental refusal to grapple with the scale the gods operate on and how that affects their decision-making) and ask "what, if anything, could/should the gods have done differently?" and "is getting rid of the gods actually a viable solution to this problem?", they're all firmly in that latter category.
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To go down the list:
Vecna: If we're treating "people who are mad at the gods" as a Marginalized Group™ whose grievances are Good Points™ and Worth Considering™ simply because they are grievances with The People in Power™, then Vecna is part of said Marginalized Group™, seeing as he holds a massive grudge against the gods who helped banish him beyond the Divine Gate and per the campaign books his ultimate goal is to eliminate the worship of all deities other than himself. One can only imagine how hard he's kicking himself for failing to find out about Predathos before his own ascension.
Ludinus: His parents will still be dead whether he succeeds or fails, and preventing the same thing from happening to others is what the Divine Gate is for. Killing the gods would not only not prevent similar tragedies, it would, at least in the short term, actively make things worse: assuming Tharizdun doesn't just eat everything, how does he expect Lesser Idols like Uk'otoa to react to a glorious new age where there are no gods to keep them in check and millions of newly deity-less clerics are stuck watching people die whom they could have saved if they still had their spells? Moreover, what happens when people discontented with his glorious new era swear vengeance on those they blame for taking their gods from them, as Ludinus swore vengeance on those he blames for his parents' deaths, or start idealizing the lost age of the gods and looking for ways to somehow bring them back, as Ashton does with the Titans? Does the perspective of people who like the gods then become Worth Considering™, if they've gone from being Privileged™ to being a Marginalized Group™ who have been collectively traumatized by the loss of something precious to them?
Aeor: One of the major takeaways from Downfall was that Aeor was extremely decadent, corrupt, stratified, and generally dystopian at its height. Their main reason for wanting the gods dead seems to be not liking the existence of anything more powerful than them, and anyone arguing that the gods are Too Powerful To Exist needs to explain why the tiny cabal of mages at the tippy-top of Aeor's societal pyramid, wielding power that 99.9% of Exandrians will never have access to, were not themselves Too Powerful To Exist, especially given their evident imperialist ambitions.
Dorian: I won't downplay the genuine grievance there, but a. Opal was victimized by one of the Betrayer Gods, and what to do about them is a question that Vespin Chloras and Cassida Previn, for all their hubris, approached with considerably more nuance, and b. per the post linked in the previous bullet point, if your ultimate goal is to prevent all ill-advised deals with powerful entities and the unpleasant consequences thereof, where exactly do you stop?
Tuldus and Hearthdell: Plenty of irreligious people across Exandria are living their best lives unmolested, so the whole "you must be religious OR ELSE" isn't something the gods themselves are demanding in a systemic way, and getting rid of them wouldn't prevent all oppression any more than it would prevent all cataclysms and mass deaths. (It might not even stop the oppression committed by those specific religious people; per 'personality predates ideology', the ones who are in it to bully others and feel righteous about it will simply look for a different excuse to do so if their current one is taken from them.) There's a genuine debate to be had about how much responsibility the gods bear for their followers' actions and one could, more reasonably, accuse them of having become too lax and needing to be more stringent about telling their priests to cut that kind of shit out (though that in turn opens the question of how much they can micromanage their followers' behavior before it becomes genuinely smothering and oppressive), but it runs counter to the "the gods have too much control" narrative the Vanguard is pushing.
Liliana: Every parroted accusation she levies at the Exandria's pantheon is something Predathos and its worshippers are far, FAR more guilty of, but Predathos doesn't present itself as a caring, benevolent entity in the same way the Prime Deities do, and she expects us to believe that it admitting that it's bad somehow makes it good. (There's a Slacktivist quote that I think sums up the underlying logic here: "Once you've decided that the Most Important Thing is to avoid the wolf in sheep's clothing, your safest course of action is to embrace the wolf in wolf's clothing.")
Ashton: Essentially blames the gods for refusing to micromanage reality on their behalf and, in focusing so much on his own pain, hasn't stopped to ask what the world would look like if the gods actually felt obligated to micromanage reality on behalf of everyone who petitioned them that way, not just him personally. My dad is an agnostic and specifically doesn't believe in a god who answers prayer because what's a god to do when there's a baseball game and both teams have fans praying for their victory (or when there's a war and both armies include adherents of a given faith)?
Bor'dor: It's one thing to say that the gods have certain obligations to their followers and quite another to say that that the gods are supposed to keep their followers swaddled in bubble wrap 24/7 and prevent them from experiencing any consequences for their own actions whatsoever, and arguing that the Wildmother should have somehow stopped Bor'dor's family's suicide charge from resulting in their deaths is the latter.
Vox Machina: Continue to hold a grudge against the Matron for taking Vax away and would like to believe her being gone would make him mortal again, but when you stop to think about Vax as a person with his own feelings and opinions about his relationship with the Matron, instead of as a passive object to be fought over, the "what if Predathos eats the Matron?" scenario looks a hell of a lot bleaker. There's also the question of whether or not Predathos would consider Vax himself edible; a mere celestial might be one of those half-crushed potato chip fragments at the bottom of the bag in comparison to a god, but when you've been trapped and starving for thousands of years...
Zathuda: Objects not to being told 'no' but to the existence of forces who could potentially tell him no, which to me reads as an asshole whining about how unfair and oppressive it is when people see his assholery and tell him to cut it the fuck out.
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mythalism · 6 months ago
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Watching a video of the "fight Solas" ending and I find myself really disliking the fact that Rook declares that the Veil must be tied to the life of an elven god. It is treated like a fitting punishment for Solas, and even in the redemption ending, Rook all but orders Solas to sacrifice himself to maintain the Veil (or the status quo). I also can't help but feel that Solas, the last of the elven gods, is being sacrificed to maintain the Veil that he, alone, is somehow expected to magically maintain, allowing everyone else to go on their merry way. The implication here is that the elves are losing the last of their history, or pantheon, and this is a GOOD thing, and now we can all move forward and live peacefully. Am I overthinking this? 'Cause if this was the intention it does sound kind of bad.
yeah. i do agree and i dont think you're overthinking. and even if you were, im about to overthink way harder so don't worry. forgive me for getting on my legal philosophy soapbox but thats my whole brand at this point so here we go: it is a very retributive view of punishment and desert (deserved-ness) that i morally disagree with and feels outdated in the political landscape of 2024 to me PERSONALLY!! the foundation of retributive justice is:
(1) that those who commit certain kinds of wrongful acts, paradigmatically serious crimes, morally deserve to suffer a proportionate punishment; (2) that it is intrinsically morally good—good without reference to any other goods that might arise—if some legitimate punisher gives them the punishment they deserve;
obviously this is how much of the western world conceives of punishment and western media is consequently saturated with narratives that espouse this. most of the time, restorative justice is seen as mutually exclusive with retributive justice, though there are some people who say they can be used in tandem. i disagree anyway.
i think solas's endings grapple with these ideas in a way that is... messy. its confusing because we dont actually know if he is truly imprisoned, in the sense that he cannot leave. we know he is in A prison, though its unclear whether its the new regret prison that rook was in, or the black city (epler refused to clarify this during the AMA because of "spoilers", while trick said the implication is he is "going back to the prison", the epilogue slides imply he is in the black/golden city, as does his quest to heal the blight which only exists in the black city). we also do not know what capacity he has to leave. with lavellan or after being "redeemed" by willingly binding himself to the veil, he does not have the lyrium dagger but he does have the capacity to free himself from his regrets (if hes in the regret prison) or heal the blight (if he's in the black city), exemplified by his golden epilogue slides. if he is tricked or fought, he is not in a mental space to overcome his regrets and does not swear to atone by healing the blight, but he does have the lyrium dagger with him, so we can assume he can just use it to leave, the way we literally see him do earlier in the game lol. whatever message they are trying to send with his "punishment", i think it is muddied by the vagueness of what actually happens to him in the end and where he goes.
if the message truly is that he "deserves" to be imprisoned in the fade for his long list of crimes, i find that lazy and nonsensical. first of all, he loves the fade and has been dying to return to it so thats not really a gotcha, but more importantly, which crime warrants this punishment? and is his punishment proportional? this is impossible to answer because we do not know what the punishment truly is. we also dont really even know what crime he's being imprisoned for. taking down the veil? he didnt actually get to do that. are we punishing him for something he didn't do yet? is it for killing varric? sure, i guess that one works. its the strongest of the options we have, but the game is also pretty clear that its not what varric would want. what about all of the other people he has killed? the spirits he sacrifced in that siege on elgar'nans temple? the mages who summoned and corrupted wisdom which he incinerates alive? flemythal and felassan? do they deserve retribution via solas's imprisonment? would they want that? would they find it just and satisfying? the game does not ask these questions. so we dont know. does he deserve to be imprisoned for for what he did to the titans? ok, maybe. this is stronger than the others at least. but in the trick/fight endings he doesnt vow to heal the blight, so what does his imprisonment do for the dwarves and the titans spirits? this is what i mean when i say his imprisonment is retributive, but it is not even thoroughly retributive. it does not think deeply about what solas deserves for his crimes and the proportionality of such a punishment, but it is clear that we are supposed to that he deserves to be in prison, it is morally good that he is receiving "justice", and rook is a hero for imprisoning him. his punishment is presented as a moral good because he deserves it. unfortunately for veilguard, i dont think i would ever be convinced by this message in any narrative anywhere, even if it was better written, because this is not a moral philosophy that i subscribe to.
his redemption endings feel so much better and more satisfying because his vow to use his immortality and knowledge to heal the blight that he created is restorative and has a direct correlation to his crime of creating the blight by tranquilizing the titans in the first place. his imprisonment achieves nothing outside of removing him as a "threat", which is ruined by the fact that he has the dagger and can just leave lol. devoting the next significant portion of his life to alleviating the titans suffering is not just reparative remedy that directly affects the people and creatures he has harmed, it also actively makes the world of thedas a better place. to be clear, im not saying solas is innocent. he is guilty. of a lot of things. he bears responsibility for a lot of things. he would qualify as a war criminal. but i do not believe in retributive justice. veilguard having solas kill varric because trespasser made me sympathize with him "too much" is not going to make me believe in retributive justice. for the non-atonement imprisonment endings to feel satisfying you have to subscribe to this ideology of moral desert and punishment and a lot of people do. the entire american carceral system is founded on it. so is christianity. and bioware clearly subscribes to it as well. you might disagree with me and subscribe to it yourself. thats fine. but i believe it has caused a lot of harm to our world and continues to do so. seeing it manifested in media is always disappointing to me.
regardless of the technicalities of his imprisonment, his binding to the veil is the one thing that happens regardless of his ending, and i agree that it is icky for similar reasons. the veil is his responsibility, as is the blight which he will be keeping contained with his life, so i guess you can interpret it as proportional? but again, what crime is he paying for with binding his life to the veil? is he not paying for a crime at all? is binding his life to the veil even part of his punishment? or is it just something he has to do because he's the only person alive that can do it? if that is the case, that it has to be him because he is the only proper sacrifice, and not that he deserves it, then what does it say about rook that they sacrifice someone undeserving? if he is deserving, why exactly? if he wasn't the only elven god left alive, would he still be deserving of such a fate? if the answer is no, then he does not deserve to be bound. what gives rook the right to make this call? based on the convo they have before the ending where they plan to bind him to the veil, its not clear if rook binds him because they think he deserves to be bound to one of his greatest regrets, or because he's quite literally the only option. either way, i think there is an argument for it being cruel, and unearned coming from someone like rook, who really has barely been a victim of solas's sins outside of a 2 week time-out. literally harding binding him would've been far more satisfying. or imagine if fragment mythal went rogue and did it, or morrigythal did. mythal would not be justified either but at least it would be fucking banger and evil and interesting of her. anyway.
i think your point about what it means for the elves to lose their final living god, outside of mythal who is [redacted] ? is a fantastic point. through solas's binding, they also lose the veil-less future he represented that was promised to be a better world for them. would it really have been? probably not. solas clearly thinks so. but we will never know lol. the failure of the story to grapple with the dissolution of the elves entire belief system is one of its most egregious ones, and i think this is a symptom of it. dragon age's elven lore got itself into a weird spot by veilguard and i think they just abandoned it rather than attempting to write themselves out of it. i love stories that grapple with the average person's culpability as complacent in imperialism. this is part of why fullmetal alchemist is my fav story of all time and you should watch it (fullmetal alchemist:brotherhood on hulu please im begging. but you have to watch the "brotherhood" one not the other one. its complicated dont ask). veilguard seemed to want to do something like this, but they got themselves into weird spot with the elves because their evil, slavery-based empire is a thing of the distant past, and in the present they are systemically oppressed and have no social or political power.
usually in these sorts of stories, someone currently living in an imperialist society who is directly benefiting from that imperialism is confronted with their complacency and asked to rise to the occasion of standing up for what is right, despite their material best interest. they often sacrifice their privilege as a benefactor of imperialism in the present to attempt to make up for the evils that system has inflicted on others. fmab does a wonderful job of this. there is at once both an acknowledgement that no, this is not literally YOUR FAULT, you did not order a genocide or press the nuke button, but you have benefited from it and/or participated every day of your life, whether that is through the stolen land you live on, the fact that you have never seen war in your home country, the way you can buy whatever fruit you want at the grocery store any time of year, or the way your tax dollars fund the bombs being dropped on children thousands of miles away, and you do have a moral obligation to do whatever you can to fight back. i believe this is a very important lesson for the average american (and canadian since we are talking about bioware), and anyone that lives in an imperialist country, that a lot of people have not yet learned ... lol.
this feels along the lines of what veilguard was going for (or maybe they werent and this was accidental, idk which is worse), but it fails because the elves are not currently benefiting from their past empire, like at all. actually, they live in squalor and at risk of constant violence from human empires. they have experienced centuries of genocide, violence and slavery at this point in modern thedas. the imperialistic success of the elvhen empire has absolutely no bearing on their current lives, it provides them with no privilege, and it gives them no culpability in its evils. they are thousands of years removed from it. and its not like "oh the british empire was dissolved 50 years ago so imperialism is over" no. because britain's wealth and power are a direct result of that imperialism, thus they do still benefit from it presently, even if the "official empire" is dissolved. this is true for most empires. but with the elves of thedas, they have none of the power or privilege that the elvhen empire accrued through its evils. if anything, it is tevinter that benefits most from the lost elven empire considering how much of their society is founded on its technology, and the fact that. you know. they are currently, modernly, presently an empire based on slavery. OF ELVES. so why, then, does veilguard present the elves as culpable? why does the angry titan harding creature say they are "thriving" at the titans expense? why does bellara take personal responsibility for the evils that elgar'nan and ghilan'nain commit when she had nothing to do with them? the messaging with this is so strange. it would make sense if elves were still the ruling class but... they're not. the only remnants of the empire that they have access to is their own bodies... which are systemically, bought, sold, and mutilated. though the game does erase much of the racism they face in what i can only assume was an attempt to make this work.
the combo of this + solas's trick/fight endings for what is fundamentally, according to this game itself, a desire for a better world for elves and spirits, no matter if it is misled or his methods are violent, is a depressing, bleak message that i find to be irresponsible to be sending in 2024 and considering the real world groups of people that elves are based on, most notably of the dalish as indigenous north americans. veilguard sees elves lose not just their understanding of their past, dissolving their entire worldview, their conception of their cultural identity, and their relationship to their religion, all without sufficient (or any) exploration of how devastating such a process would be, but by imprisoning solas, erasing his followers and supporters from existence, and binding him to the veil, it also robs them of the possibility of a more just future... while asking you to cheer because he deserved it. dont try to make the world a better place unless you do it the right way. work with the world as it is. your attachment to the past (when you werent being genocided regularly) is a disease. you deserve to go to jail because you tried to change the world in a way that that was too disruptive. get over it! move on! rot in jail!
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