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#which confused me a bit
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My views of jamikali (from someone who doesnt ship it but also doesn’t judge those who do)
im at the point where I don’t like or ship jamikali because i think its toxic (that is my opinion btw, if you don’t think it is then that’s alr because opinions are not facts ^^) but also I want them to be friends. Like. I want them to work on themselves for a bit and then begin working on their friendship again. At the same time though, I don’t think I can ever see them in a romantic relationship simply because of the trauma inflicted on both ends from both ends. Even if it was unintentional, it’s there.
i accidentally went crazy in the tags so if you want more feel free to read those 😭
#I saw a tik tok talking about this ship and one of the comments said that people who are against the ship mischaracterize the two more#which confused me a bit#because I’ve seen a lot of jamikali shippers portray Kalim as a harmless cinnamon roll sunshine boy when he has much more to his character#but then I was like#tf it doesnt matter if you ship it or not#I see scarabia mischaracterized a lot#and I think it’s because the en translation left out a lot of jamils story#so it was seen more of his family willingly working for kalims#rather than them being literal unpaid servants#i think they should redo the the translation#also mischaracterizing characters although bad happens#like maybe you just got into the fandom and haven’t finished the story#or maybe you have trouble writing certain kinds of characters because you don’t personally understand how they act#and thats okay as long as you try your best#imo mischaracterization is only bad if a. the characters are completely different. B. things from the character’s personality or story are#emoved by choice#(fuck you tag limit)#or C. The person is informed of mischaracterizing someone and proceeds to ignore it#if it’s someone who may be new to writing or the fandom or someone who is maybe just misinformed then I feel like you can just tell them#hey ! I see you may be mischaracterizing this person a bit#let me inform you how and what you can do better#(nicely)#twisted wonderland#twst#jamil viper#disney twisted wonderland#twst wonderland#kalim al asim#opinion#went crazy in the tags whoops
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mummer · 1 year
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just saw asteroid city last night, pls explain the proposed significance of the kiss!!
answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****
i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!
the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh
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a2zillustration · 4 months
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(It's ok Yurgir will respawn in Avernus)
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breach-of-conduct · 7 months
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Jason Todd - Beast World
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daily-crabbys · 10 months
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Today's crab is: pop rocks
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jash-updates · 5 months
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Most normal energy drink consumer
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rockabyedaisy · 2 months
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For the life of me, I can NOT understand how Chloe did not know about her mother's story when pretty much everyone else did. Mal made a point about how Fairy Godmother gave Ella a dress but couldn't help make her own daughter "pretty"(I say this as Jane is already beautiful). Chloe on the other hand was rather taken aback about seeing her mother in rags, and acted totally clueless about where her mom was staying at. Chloe even asked " I can't believe how awful her family was to her." How is it everyone else in the series knew about Cinderella's upbringing then her own flesh and blood? Not to mention Chloe at least knew about where Ella and Charming fell in love, i.e Castlecoming. So why is that the thing Chloe seems to only know of or been told of? Surely someone had to have told her the entire story of her mother becoming queen? It makes sense for Red not to know who Bridget used to be, but it's very farfetched for Chloe to seem completely unaware about the kind of person Ella was.
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monarchisms · 1 year
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so this is the unintentional part two of that summary post i made with geoff talking about the end of achievement hunter. for this post, i'm going to try my best to sum up what michael, trevor, and joe (but not alfredo because he was sick at the time 😔) have said about what will happen in the future on the penultimate episode of off topic, #403. there won't be a transcript this time as i am busy with schoolwork and stuff, so i'll try to make this summary as filled with as much accurate information as i can to make up for it :)
so basically,
trevor starts off by saying they'll be doing the last of various series to wrap everything up. he also notes that some of these finales will be "more nostalgic"
one of the series finales that's up right now is vs episode #150: joe vs BK. the game they played is cooking mama!
after the series finale of off topic (#404 lol), the final AH video ever will be a let's play in the remastered version of burnout paradise, and the cast will consist of geoff, jack, trevor, and michael. this is a callback to the first ever AH video they did back in 2008, and it's already been filmed! trevor says it was more emotional then he thought it would be :')
michael explains that the video will essentially be a ~70-minute podcast. in it, they'll talk more about the end of achievement hunter, where the cast members have went/what they've all moved on to, and new projects that they'll working on. he also says that he thinks that people will call this video "cathartic" while comparing the vibe to their old gta v series, sunday driving
not as important, but michael said that he was mindlessly driving and turning in burnout paradise in the same way that he'd run and jump in minecraft because he "fucking hated" playing minecraft lmfao
as said before, they decided to close AH and start something new with dogbark instead of continuing like they used to. michael acknowledges that in the last few years, most of the crew had already left rt in some way or moved on to other stuff within the company, leaving just michael, trevor, alfredo, and joe as the most consistent on-screen talent by the end. *bonus bit that wasn't mentioned until later, but alongside these 4, jarren from the post team will be their channel manager for dogbark :)
as this group makes videos for dogbark, michael says that their stuff will be both "tonally different" and "very fluid" as they're still figuring it out as they go, noting that they were balancing it and AH/let's play content at the same time
michael also talks about how he's been doing what he's wanted to do at AH for a long time, but there were some things he still couldn't do within the constraints the AH crew had put on themselves
while there will be some gameplay stuff on the dogbark channel, as mentioned in this episode and the channel trailer, they will primarily focus on live action content. trevor makes a point by saying that the style/theme in the trailer will "not be pervasive throughout the entire brand", and michael adds on to that by saying the trailer "is at 100, but every video won't be at 100"
michael and trevor make a point by saying that there will be more variety, as in "a dozen little formats", not necessarily like the shows/series they made at AH, with joe saying that they're not trying to "tie themselves down" to strict uploads and such, like they were when they were previously fitting into a mold at AH
trevor says that he has seen achievement hunter, and rooster teeth as a whole, having a unique challenge ahead of them. he refers to making content that appeals to an audience who had been following them since the early days while trying to also find new faces, both out there in the audience and internally at the company, in order for AH to stay around
he also points out how difficult it is to do that with a long-standing brand that has had different eras of content, since there would be an audience with differing expectations for them. with that, it became hard for the AH crew to balance said expectations with the authenticity they tried to show in the content they created. the crew has changed as people alongside their audience, and the stress that came with it was challenging
michael stresses that the group not only chose to make a new channel completely, they also had to fight for it for a while, and wanted to slow down on AH content before properly closing/archiving the channel to create dogbark. beyond the struggles of creating something new from scratch, they now have the challenge of preparing the audience for the jump from AH to dogbark while thinking about all the pros and cons before going forward
this week (the week of september 18th) and next week (the week of september 25th) are the last weeks of new AH content. after that, there will be a 1 or 2-day break before dogbark properly starts making new content on october 2nd. trevor feels like people will get a better idea of what dogbark is after a month or two of them uploading content
finally (subject to change, of course), they want to aim for full uploads every monday and friday, with patreon-like exclusive videos with rt first every wednesday and saturday. one of the confirmed things to expect is a first-exclusive podcast. the first week dogbark officially starts, all that content will be public as a sample of what to expect, and every week after that will follow that schedule
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tartagliatum · 3 months
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thetarttfuldickhead · 8 months
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It’s fair to assume that Jamie felt tricked and betrayed when he was unceremoniously sent back to Manchester in spite of putting himself out there and taking some steps towards making nice at the exorcism in 1x06 – but I think that we often fail to consider that the team, in turn, may have felt tricked and betrayed by Jamie.
Because at the bonfire, they’re by and large ready to accept his overtures, aren’t they? His hold over them, such as it were, has been broken, but when they see him trying they’re happy enough to give him another chance: a team united, as Rebecca sourly notes. When Ted goes to remove Jamie’s shirt from the dressing room at the end of the episode it’s very much framed as a dismal moment, for the show – and for the team, who are all looking solemn or uncomprehending or unhappy. There’s no relief or celebration (although, to be fair, in some cases it might just be a sense of decorum holding them back).
So, as far as the team is concerned, it’s sad, but at least it ended with them all on somewhat decent terms, yeah? Only, then comes the interview before the City game in 1x10. Note the lack of resentment when Jamie first shows up on the screen: it’s all hey and oh and amigo Jamie. Yes, there’s Colin’s barb about the lack of barbers in Manchester, but ribbing is a thing, yeah, and Colin is a sassy bitch, and furthermore he has a fucking point: the hair is bad. They all aw appreciatively when Jamie states that he would never say a bad word about his old team, and it’s only when he proceeds to say a fair few bad words that they lose their temper. And from their perspective… mustn’t this look like Jamie was the one tricking them earlier? Like he was fooling them into thinking he gave a damn about the team and wanted to be a part of it, only to then turn around and shit all over them? We, as viewers, understand why Jamie’s lashing out at Ted, and at Richmond in general, but the rest of the players saw how upset Ted was over Jamie leaving, and have a harder time squaring their former star tearing into their gaffer, and them, like that.  
To me, this goes some way towards explaining why they’re so resistant his return after being somewhat upset – or at least not happy – that he left. It goes some way towards explaining why they react so strongly and negatively to his apology. I’ve always found that slightly jarring and very interesting, the way they shift from seemingly regretting his leave in 1x06 to being so furious with him in 2x03. Of course, the bit where he actually was a huge prick also plays a part in it, as does the lingering pain of relegation, and the fact that it’s easy and safe and convenient to blame all the old stuff on Jamie since his absence coincides with the team coming together and choosing a better path – but I do think that on some level the team simply daren’t trust that this isn’t just Jamie trying to pull a fast one on them again.
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otaku553 · 1 year
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3 of them!
The third and final part of turning me and my siblings into demon slayers: my brother! He’s the only one out of the three of us that exercises regularly and actually does martial arts so he gets to be the strongest :P he’s also the tallest, like 10 whole inches taller than both me and my sister but he’s actually the middle child! And he’s only a year and a half older than me :)
For his weapon I wanted something similar to a staff but also containing a blade, because he showed me some staff forms one time for his martial arts club and it was really cool :0 so I’m not sure how viable the twin-blade staff would actually be in battle or how it would be made (but if the sword smith village can make kanroji a whole whip out of a metal blade then I think they can definitely make a scabbard out of metal). The way it works is that when sheathed, the blade is a full staff, and either side individually can unsheathe to make a spear. It can also separate down the middle to become two swords, which is much more effective for traditional breathing styles. Shougen is the only one strong enough out of the siblings to fight effectively without the assistance of wisteria poison.
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prettycoolducks · 8 months
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just finished playing portal revolution. I like evil science lady and her rabid vacuum cleaner
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skitskatdacat63 · 1 year
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2011 Japan Post-Qualifying
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nabaath-areng · 4 months
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mutual orbit
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ratiosilence · 4 months
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<--- guess who made a swap au! with my own heavily altered designs
actual info under the cut
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i do have a basic plot idea in mind but idk how interested anyone would be if i actually worked on it HEBASDH
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lesbiancarat · 5 months
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want to give my two cents on the AI usage in the maestro trailer--
i think seventeen doing a whole concept that is anti-AI is very cool, especially as creatives themselves i think it's good that they're speaking up against it and i hope it gets more ppl talking about the issue. i also understand on a surface level the artistic choice (whether it was made by the members, the mv director, or whoever else), to directly use AI in contrast to real, human-made visuals and music in order to criticize it. i also appreciate that they clearly stated the intention of the use of AI at the beginning of the video
however, although i understand it to an extent, i do not agree with the choice to use AI to critique AI. one of the main ethical concerns with generative AI is that it is trained on other artists' work without their knowledge, consent, or compensation. and even when AI generated images are being used to critique AI, it still does not negate this particular ethical concern
the use of AI to critique also does not negate the fact that this is work that could have been done by an actual artist. i have seen some people argue that it's okay in this context because it's a critique specifically about AI, and it is content that never would have been done by a real artist anyway because it doesn't make sense for the story they're trying to tell. but i disagree. i think you can still tell the exact same story without using AI
and in fact, i would argue that it would make the anti-AI message stronger if they HAD paid an artist to draw/animate the scenes that are supposed to represent AI generated images. wouldn't it just be proof that humans can create images that are just as bad and nonsensical and soulless as AI, but that AI can't replicate the creativity and beauty and basic fucking anatomy that's in human-made art?
it feels very obvious this was not just a way to cut corners and costs like a lot of scummy people are using AI for. ultimately it was a very intentional creative decision, i just personally think it was a very poor one. and even if some ethical considerations were taken into account before this decision, i certainly don't think all of them were. at the very least i feel like the decision undermines the message they want to convey
i would also like to recognize that i myself am not an artist, and i have seen some artists that are totally on board with the use of AI in this specific context, so clearly this is not a topic that is cut and dry. but generative AI is still new, and i think it's important to keep having these conversations
#melia.txt#also want to add that as musicians svt are more directly threatened by AI generated audio than they are by AI generated images#and yet AI generated images is what was used in the video#and i guess the MV director/production company are the ones directly responsible for putting that in there#whether it was their initial idea or not#and they work in a visual medium so perhaps that makes it more 'fair' but idk it just feels like#the commentary is around music. which makes sense. and using human produced music/sound#but then taking advantage of AI images#idk just feels weird#i mean i don't like it either way#like i said in the main post i understand the intention behind the creative decision#and i'm still happy svt are speaking against ai at all i do think overall they're doing a good thing here#i just don't agree with the creative decision they/the production company/whoever made#edit: deleted the part about not boycotting svt over this bc ppl were commenting about boycotting bc of the 🛴 stuff#i meant specifically /I/ am not calling for a boycott because of specifically the ai stuff#was just trying to make a general point that im not making this post bc i want to sabatoge svt or whatever#bc kpop fans love to pull that catd whenever u criticize anything#so yeah just removed that bit bc i dont want ppl getting confused what im talking about#respect ppl boycotting because of scooter/israel stuff but thats not what this post was intended to be about#edit 2: turning off reblogs bc im going to bed and having asomewhat controversial post up is not gonna help me sleep well lol#may or my not turn rb's back on in the morning
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