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#which considering his character is definitely the point
felicjana050896 · 2 days
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A few words about Charlastor
Today I saw this post:
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(Sorry, I can't post the link, Twitter doesn't want to work on my computer today :\ )
I will quote it here because it made me think again:
Currently, the closest person to Charlie is Vaggie, while Alastor invades her space, Vaggie and Alastor are opposed to each other, Vaggie wants to run a hotel for Charlie (her whole life is based on Charlie...), while Alastor has his own reasons (more on which later we don't fully know) and the two are portrayed as opposing forces pulling Charlie, Vaggie in one direction and Alastor in the other. Charlie's relationship with Alastor will deepen in future seasons (which the author wrote about, that Alastor and Charlie are the main characters of HH and what we see after the pilot), thus distancing it from Vaggie, which we see already in the first season (and what I wrote posts about ), that Charlie's relationship with Vaggie will surely deteriorate as it goes on, their quarrel over Vaggie's lie was, in my opinion, just the first glitch in their relationship (although not very well written in my opinion anyway), at some point in the story Charlie will had to choose between Vaggie and Alastor (and Niffty):
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And considering the other screenshots, they are either forshadowings only to the fact that in future seasons Charlie will be getting closer to Alastor and away from Vaggie, or they may generally herald Alastor's victory over Vaggie, it depends, they are definitely confirmation that the further the seasons, the more Charlostor's content we will have than Chaggie's, the only question is which one will be the endgame?
Alastor stealing Charlie:
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Significant bed scene, Vaggie wakes up without Charlie, alone, and Charlie is later in bed with Alastor on a heart-shaped pillow:
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Besides, I read about Zoophobia and old sketches of Alastor and Autumn, and in my opinion Autumn reminds me a bit of Charlie... but in order.... First, let's go to Roo or Eve (if you prefer), well, I saw one Tik Tok and I definitely agree with it:
Charlie actually resembles Eve much more than Lilith, it always surprised me that Charlie has more father-like features both in appearance and character, and has none of Lilith's (especially when it comes to her ahem... physical qualities...), but I thought they just made her a typical "daddy's girl" and that's it... but if Eve is Charlie's mother and not Lilith..., we still had Lucifer's comment that he stole from Adam both wives, both Lilith and Eve, and although he married Lilith, he probably slept with Eve..., then the only question arises: why did Lilith decide to raise a child that was not her own?
Roo (Eve):
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Charlie:
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Lilith:
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Lucifer:
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Charlie and Eve (Roo) have exactly the same nose, the same lines under their eyes (Charlie in his demonic form has them) and the body sharp is the same, Lucifer by the way does not have a nose (:D), Lilith has a completely different nose, only Eve's nose matches Charlie's....
Moving on, we know that Alastor made a deal with someone, many people speculate that he made it with Lilith, but there are also people who believe that with Roo and I, although I also considered Lilith at the beginning, it was thrown in our faces this 7-year break (that Lilith has not been in Hell for 7 years and Alastor disappeared for 7 years), seems too obvious..., moreover, we know that Lilith had a contract with Adam (end of episode 8), and Adam did not know Alastor, so how could Alastor have an agreement with Lilith and be with her for these 7 years in heaven, if Adam didn't know him at all..., while Roo..., and this is where the issue of Zoophobia begins, i.e. Viv's first idea, where most of the HH characters came from:
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In Zoophobia we had the so-called KayCee, i.e. chaos itself and the main antagonist, interestingly KayCee liked apples (a reference to Eve and her picking an apple from the Garden of Eden, the first sin?):
KayCee had white hair, horns, and the original Alastor was in love with her:
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So KayCee is nothing other than the prototype of Eve.
Moving on, the original Alastor was also obsessed with Autumn, the character of Zoophobia, a blonde deer:
Autumn is a very helpful and good-hearted character and: ,,Although outwardly he appears mature and rational, in reality he is extremely insecure, suffering from low self-esteem. Autumn continues to seek recognition and thanks from others for a little help from him, showing that he needs the appreciation of others. Autumn is also very sensitive and short-tempered: in the webcomic, when Rusty teases him about the little antlers, Autumn explodes in anger and violently scolds him."
Doesn't this in some way resemble the description of Charlie..., a girl with a good heart, wanting to help everyone, and also sometimes quick-tempered (when, for example, heaven rejects her or when Susan pisses her off :D )
So we have Eve, who used to be KayCee, and Charlie, who has a lot of Autumn in her, and if it turns out that Charlie is actually Eve's daughter, Charlie will be a combination of KayCee and Autumn, considering her appearance and character traits are taken from both, two characters that the original Alastor was crazy about ;)
And finally, some shots of Charlie and Alastor:
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And remember about Niffty and KeeKee, they are very important, after all they are in the HH logo :)
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KeeKee, a pet belonging to Charlie and Niffty, Alastor's ,,pet" ;)
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Sorry for the long post again, but I just can't keep it short :D
Thank you for reading and have a nice day, evening or night :)
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comradekatara · 20 hours
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How much do I need to pay for some more aang and suki shenanigans?
same girl!!! their friendship (that is almost entirely hypothetical and mostly exists in my head) is soo important to me i just know they’re best friends. like obviously the fact that suki is close with appa and momo already signifies a lot about the nature of their relationship, but they barely interact throughout the show, which makes sense considering that suki is mostly there to supplement sokka’s character and all her other interactions with the gaang are fairly limited (katara and suki friendship though….. also deeply important. to me). but as the most emotionally healthy, stable, self-possessed, and just straight up cool members of the gaang, i just know they’d get along like a house on fire.
i think suki would pretty quickly come to see aang as a little brother figure the same way sokka does, and suki would be the big sister he never had in return. and they definitely get into all kinds of little adventures together after the war, like aang telling suki about the cactus juice incident and suki immediately being like “omg we NEED to try that (don’t tell sokka and katara)”, or going around helping rebuild villages and relocate displaced peoples together, or pranking each other in increasingly crazier ways.
oh yes the aang and suki prank war is very real (toph and katara have a concurrent prank war going on of course; zuko who is far too sensitive & gullible, and sokka who is far too anxious, refuse to be caught in the crosshairs of either of these conflicts). it starts at the western air temple and ends when both of them are dead. everyone on kyoshi island genuinely worships aang like a god and so they think suki is absolutely fucking insane for putting cactus juice in his smoothie right before he’s supposed to deliver a big speech, but she’s just like “no it’s gonna be so fucking funny, just trust me.” (and it is.)
the “putting a “snake” in your sleeping bag and humiliating you in front of your almost boyfriend and his hot dad -> reading katara a really bad poem and then claiming that aang wrote it for her -> loosening the bedframe in your bedroom on ember island so that it crashes during sex (the point at which aang learned NEVER to make sokka collateral damage in these escapades) -> making the whole gaang sit through a colonialist propaganda play just because you know it’ll piss aang off -> putting hot sauce in your red face paint so that it stings and burns your eyelids so bad throughout the entirety of zuko’s coronation day -> nearly causing an international incident because you straight up endangered the life of the avatar” pipeline is so fucking real you guys.
and for what it’s worth, a lot of people assume that aang and suki actually hate each other, and that’s why they’re so invested in this prank war. but they love each other deeply, and that’s evident whenever they’re not in the middle of concocting a nefarious revenge plot, like when they go for long walks together, or just sit and chill outside, or cook together, or any other one of the many other activities they enjoy in each other’s company. they don’t hold grudges either. the pranking is fun for them because they’re both secure enough in themselves to understand that it’s being done out a shared sense of joy and whimsy, and not out of any desire to genuinely antagonize the other. to be fair, sometimes their pranks do actually go too far in various ways, but again, no hard feelings. it’s just a testament to the skill of the pranker, and an invitation for the other to step up their game.
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66sharkteeth · 2 days
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Weekly thoughts!
Hooboy, the big episode! First off, I think everyone knows by now that you probably shouldn't read these if you haven't read the latest episode, but I ESPECIALLY mean that this week! Talking about some way bigger than usual spoilers.
Phew, this was a big one, both from a writing and drawing perspective. I actually spent a full day on that last panel alone, but writing it took way longer than usual too. Going back and forth between Bell's speech and Jericho's backstory played perfectly like a movie in my head, but it was really hard to portray it as a comic and it was one of the few times I was struggling with the limitations of the format. I think I pulled it off though, since everyone seemed to follow along fine! So while it was probably just a neat scene to everyone else, I'm rather proud of that haha.
As for the actual contents of the episode, I'm also glad everything hit w/ the majority of the audience for the most part. I know a handful were confused about if that was Bell or Jericho who did that, but to those people, I remind you it's been loooong established Jericho can control his extensions (Bell, Charlie, and Claude. Remember, they all took injections of Jericho's blank space?). Also on that note, Bell does not have her own scion... Only Rex and Jericho do. Bell, Charlie and Claude all took injections of Jericho's blank space, thus get to borrow some of his power. I recommend re-reading ep 80 if you need a refresher.
I do consider this ep kind of a big reveal of Jericho's true colors. I mean, you guys have known he's the main villain for ages now, but this is the ep that reveals his "better world for blanks" act is kind of a façade and what he's really seeking is a worse world for humans. The fall of humans benefitting blanks is just kind of a bonus. I'm glad a few people caught onto this with the fact that one of the worst horrors he experienced was having his autonomy taken away from him, then he proceeds to do just that to Bell.
And speaking of Jericho's horrors- Before this season launched, I dropped a bunch of hints about upcoming things. One of them was that the most disturbing scene (in my opinion) was coming up. I was actually referring to what happened to Kallie. I'm not sure if it was as disturbing to everyone else (I totally get like if Claude's leg thing fucked people up more), but being evaporated into nothingness but not dying was an existential dread that really fucks me up haha. If it fucked even a couple of other people up, then I did my job.
I don't have too much else to say about the contents of the episode. It was so hard to bite my tongue for weeks as everyone predicted pretty much every character but Desmond was gonna get it. I'm sorry I don't have too much else to say about him right now given what happened, but I definitely will in the upcoming weeks.
I guess the only other note I have is I might as well address something that bugs me slightly- It's definitely a minority but there's a handful of people who seem done with the series because "too many things go wrong." To which... I'm not sure what to tell ya. I'm fine with critique and criticism to be clear, but honestly, this is one thing I'm actually really confident I'm good at balancing. I'm not sure where people are coming from with "nothing good ever happens in this series" when this season alone has had probably the cutest and fluffiest scenes. Rex has a canon girlfriend, he had his first kiss with her, Desmond was reunited with his sister and learned to accept himself, Lyss learned to move past her trauma and accept blanks, Rex was reunited with Shnee, Rex's scion turns out to be a puppy dog w/ a crush. I'm aware a lot of these got kind of crushed with this latest ep...but that's.. kind of. the. point??? That's how you write tragedy and impactful scenes??
I dunno, maybe this is personal to me because it's ALWAYS bugged me when someone tells me they think a show is bad because it's "too dark." Like no... It's not *bad* because it's too dark, you just don't like dark themes, and that's okay. I TOTALLY get if CoB has gotten too dark for some people- it's definitely hit some hard themes and subjects, but I don't like to accept that as a critique. It just means it's not for you and that's okay. There's a ton of other great comics that are more light-hearted! I think the TLDR of this is it will always annoy me when people say something is bad just because it's not their taste.
Now. That said... everyone is completely valid in their hate of Jericho. I, however, still love him.
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starlight-bread-blog · 20 hours
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My Interpetation of The Southern Raiders: Part 2 – Zuko
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Warning: The views expressed in this analysis will be somewhat uncritical of Zuko. If you aren't likely to agree, you aren't going to enjoy this post. This is your chance to leave. I probably won't have a debate for personal reasons.
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This is the second part out of a three part series trying to answer every question posed by the discourse on The Southern Raiders. If I take some things for granted, it's because I discussed them in part 1, in which I delve into A\ang's role in the episode. Today, I'll set my sights on Zuko.
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1. Was Zuko a negative influence on Katara?
No, he did not. When Zuko merely presents the possibility of tracking her mother’s killer, it cuts through her reply right to her already leaving. In literature, what isn’t in the text holds no relevance and is to be disregarded as mere speculation. We don’t see Zuko convincing her, therefore he had no influence on her, and that she made the choices she did because she wanted to.
All Zuko did later on was defend a decision Katara already made on her own. And in both the first and second disagreements with Aang she had the last word. Ergo she was making her own choice.
Additionally, before they enter the room of who they think was her mother’s killer, Zuko asks her if she’s ready. And when she finally spares Yon Rha, he supports her decision. If he were to influence her, he wouldn’t have done either of these things. He only wanted to help Katara heal and never brought up anything that wasn’t already there.
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2. Was Zuko being too harsh on Aang?
(1) That's cute, but this isn't air temple preschool. It's the real world.
(2) [Forgiveness]'s the same as doing nothing!
(3) Okay, we'll be sure to do that, guru goody-goody.
He was definitely disrespectful towards Aang's culture, although his disrespectful remarks are a response to Aang’s own disrespect, imposing his beliefs onto Katara. And he didn’t say that until after Aang compared Katara to Jet. It was still wrong to come after the Air Nomad teachings, but they’re not as insulting as people paint them to be.
And it’s not like he didn’t take them back by the end of the episode. Zuko had good intentions, made a mistake and learned from it. That’s how characters grow, through mistakes. (More on that later).
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3. What motivated Zuko to find Yon Rah?
He wanted to earn Katara’s trust. The show makes it explicitly clear.
Zuko: What can I do to make it up to you?
And so later:
Zuko: Katara mentioned it before when we were imprisoned together in Ba Sing Se, and again just now when she was yelling at me. I think somehow she's connected her anger at that to her anger at me.
I’ve seen many describe this motive as selfish or manipulative, but I have to disagree. He has no reason to do anything to earn Katara’s trust. He saved her life on that very day, is fully accepted into the GAang, and in this episode he found out that some of her anger at him is rooted in projection. But he still goes out of his way to do the impossible, to give Katara the closure she needs in order to put faith in him.
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4. Why did Zuko think revenge\murder would help Katara?
Katara is a kind soul and murder wouldn’t have helped her heal, but Zuko had good reasons to think it would have. He didn’t know Katara’s soul, she didn’t even consider him a colleague, at that point she hated him. However, he did see Sokka killing Combustion Man in The Western Air Temple. So he has no way of knowing whether revenge would help, but he’s under the impression that murder isn’t a big taboo at least for some of the GAang.
Moreover, he knows that the person who took his mother away from him will receive justice, and that it helps him sleep at night. Katara doesn’t have that, Yon Rha retired in peace. So he offers her the justice he knows helps him.
But the main reason why he thinks revenge would help Katara, is that she told him it will. Zuko plays a largely passive role in the episode, simply assisting Katara in whatever way he can.He’s only fulfilling Katara’s wishes, and she told him that her wish is to seek justice on “the monster”.
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5. Did the trip have an effect on Zuko?
It did. By the end of the episode, Zuko delivers the following line:
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This is an important part of his arc of unlearning the Fire Nation’s black and white philosophy that values aggression above all else. He comes around to Air Nomad pacifism and non violent solutions from seeing them work first hand. And as the good (redeemed) person that he is, he admits he was wrong and changes his views. He grew as a character to become a better version of himself.
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In conclusion, despite the somewhat questionable nature of Zuko's actions in "The Southern Raiders", his underlying good intentions shine through. His role was not a devil on Katara’s shoulder, but a natural force backing up whatever decision she makes. And this allows him to emerge with a valuable lesson learned.
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majosullivan · 2 months
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[shaking around Will like he’s in a salad mixer] What the fuck is your backstory? What the fuck is your backstory you wet noodle of a man?
<(43/??)>
[read more]
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The huge irony in The Little Mermaid (1989) essentially being about a teenage girl who desired to be understood by those around her, so she went to a drastically different society in order to achieve that, and it's one of the most misunderstood movies that Disney has ever released. Disney Princess movies already get a bad rap, but this movie, in particular, gets the worst of it. It's truly amazing.
#disney#the little mermaid#meta#disney meta#txt#the reputation this movie has earned thanks to the pretentious dipshits who tore this movie apart for no good reason led to the stupid#useless changes in the dreadful remake#ariel never left her family or the ocean just for a boy she already longed to be a part of the human world#she had a WHOLE SONG about it well before she even laid eyes on him. jesus christ#eric was the catalyst. he was the final piece that united everything#he was like the bridge in this movie. he is a representation of the beauty (literal and figurative) ariel sees in humanity#but she also views him as someone who can understand her. that was the point of his character and the remake did not understand this#listen i know a lot of you are more into the “spiritual twin” kind of couple and that's fine#but they didn't have to have EVERYTHING in common in order for them to like each other#the point of their relationship is that they were indeed from different worlds (again literal and figurative) but he still seemed so close#to her#that was the purpose of his character. the final push for ariel to say “i'm gonna take the risk and go there”#it was about her wanting to be understood and that is precisely what eric provided#the new version just turned him into the male version of ariel which minimizes the point of his character#that's why their way of showing that he would definitely understand her but considering how ariel viewed the human world#she wouldn't have been as excited then lmao#if anything it'd been more logical for her to take eric away from there lmao#i went off tangent#but yes it wasn't just him tho he became a part of that desire. the piece that was missing. the final push
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leovaldezdefender · 1 year
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do you think Leo is a misogynist
nope and i'm not just saying that because he's my favourite character. calling leo a misogynist is just objectively ridiculous; the most "misogynistic" behaviour he ever exhibits is flirting awkwardly and thinking of himself as a casanova but even then when he gets put in his place it's not like he gets angry or violent or even all that upset. it's clear that his flirty behaviour is just another coping mechanism that can manifest negatively like, say, his bullying frank. he's best friends with piper, is intimidated by annabeth, and becomes close with hazel and reyna. all characters with which he has completely normal and meaningful interactions with. frankly i don't get at all how people see him as some raging misogynist—the most he has is a minor sexism problem that is typical of most teenage boys, one that even percy has.
tldr; no. nothing leo does is ever that serious.
#leo valdez#heroes of olympus#this is an ask with suspiciously good timing considering what i saw on twitter today#which i think ill post about actually. just to be a hater.#anyway yeah nothing leo does in hoo is ever bad enough to be classified as misogynistic#the most his behaviour does is slightly aggravate the girls#and he doesnt have any inherent discriminatory beliefs about women#compare that to for example sylva1n—another character i love who is most definitely more of a misogynist#HIS actions actually result in far more serious consequences compared to just annoying girls slightly#(the women he dates actually get emotionally toyed with and hurt)#and HE actually has beliefs about women that are hurtful (though he admits that its nonsensical)#but those beliefs influence his actions and how he treats women around him#now leo? doesnt do either of those things. of course because its not the point of his character like it is to sylva1n's#so consequently its just not something about leos character to. yknow. worry about.#like i said: at most he's just got a case of the teenage boy flirt combined with “whoa strong women exist?”#but the idea that he actually hates women is. laughable lmao.#ricks not capable of writing that kind of protagonist#anyway anon i am SO sorry for this rant. holy shit.#i even threw a fire emblem character into the mix im sorry fksjsks#in my defense you asked me about LEO VALDEZ and also im a sylva1n liker so i have lots of thoughts about misogyny in characters#but yknow apologies are due anyway 🙏 forgive me#ask#thanks for the ask :]#riordanverse#meta
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obliviousriki · 1 year
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Night on the Bionis’ Shoulder.
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0-patches-0 · 8 months
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Also there are certain moments in IWWV that are...odd and uncomfortable...
not the death
the way Alexander...is
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fstbmp-a · 1 year
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Y'know, it's not hard to imagine that Starline's cyborg stuff might be a slight nod to the robotification stuff. Taking people, rewriting basically everything about them to be war machines, and obviously the.. well, cyborg stuff.
This boy was inspired by Eggman and honestly that's the worst thing to happen to the world. Oops!
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ectoplasmer · 2 years
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having another moment where i’m staring at kaiba with the platonic hammer in hand. thinking
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prince-geo · 6 months
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literally pleased with almost all of the new atla trailer except as per usual, Zuko's scar, idk why studios are so scared to commit to the intensity of the thing, its supposed to be shocking and obvious and textured and the first thing you see... that's the point, Zuko is supposed to struggle with feeling like it defines and brands him before finally coming to the point in his journey where he defines it.
Hollywood/big studios are known to hesitate or straight up avoid properly and honestly and unapologetically showing people with disfigurements/disabilities/facial differences etc. with the realism they deserve. Which is a shame in general for representation and humanization but ESPECIALLY in this case as its minimization actively harms it's narrative purpose as well
I promise making the scar more intense (shrivel up the ear a bit, make it intrude in his hairline, make his eye in a permanent squint due to nerve damage, for god sake REMOVE THE EYEBROW IT WAS BURNED OFF) will not make Zuko "ugly", (the actor is incapable of looking ugly and also the implication that scars make people too unappealing? yikes) but will actually do the character and his journey justice, not to mention really show Ozai's brutality, another essential narrative tool. Especially when he's bald like hello??? It should be even more stark and intense when he doesn't have hair to distract from it and cover his ear!!!
When transitioning from 2D to live action, of course some visuals are up for interpretation but that usually involved ADDING detail because the constraints of having to stay on modeling frame to frame is gone, not minimizing, removing or airbrushing. Doing Zuko's scar right to me is absolutely essential and I'm disappointed they seem just as as scared to go there as I thought they might. It doesn't have to be gory, if you've ever seen burn victims in real life or in pictures or even cosplayers/artists who are skilled in realistic burn makeup you'd know its possible to balance realism with humanity. It's possible especially with their resources to avoid the "scary Halloween makeup" route while not holding back on the brutality of the original injury.
Budget is definitely not an issue, or "scaring the kids" considering this remake is likely aiming to go a lil darker in tone than the cartoon (which was already super dark with its target audience of nickelodeon 7 year olds so no excuses) Audiences SHOULD be unsettled and upset when they see him but not because he's hard/disturbing to look at but because we are human and do not want to imagine someone doing that to a child.
It's a deliberate choice out of the all too common fear/hesitation to allow someone who is destined to eventually become a protagonist and is meant to be sympathized with to be "too ugly" while this hesitation is very rarely applied to straight up villains (again we come back to media's historic villainization of facial deformity). It's a trend that's always ticked me off in fanart too. The boy's face was melted, for gods sake. Zuko was always portrayed as an attractive boy in the cartoon (fire nation girls fawn over him) even with the intensity of his scar which is something I've always admired! People exist with scars similar to Zuko's in real life, and should not only be permitted to be represented as good guys and/or as attractive when their scars are toned down to be "palatable"
Like I said there's more that I loved than didn't love about the trailer, that can be a whole essay on it's own but I needed to get this very specific vent off my chest because it missed the mark so hard and stands out like a sore thumb in comparison to all the other visuals that hit the nail on the head to me
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macfrog · 3 months
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sweet child o' mine | pt. iii
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now taking name suggestions for my joel's duck doodle. must rhyme with a curse word. most creative wins.
pairing: neighbor!joel x fem!reader
summary: as your pregnancy progresses, you and joel are getting closer. dangerously closer.
warnings: reader is literally pregnant so typical pregnancy symptoms & descriptions of stuff like extreme nausea and gagging (reader throws up off-page, no graphic description past sore throat/esophagus afterward), body changing, nerves around birth/becoming mom, another sonogram (gender reveal...?), baby kicks felt, labor pains shhh, age gap (late 20s reader, late 40s joel), joel is dating someone who isn't reader, our girl hates nye (she's valid), tommy uses colors to represent gender (he is Wrong), joel is for sure emotionally cheating at this point and reader knows it, joel kisses someone who is not his partner again, f masturbation, memories of the hot dirty sex they had whew, a SPRINKLING of breeding kink, praise kink, size kink, another parent dies (i love parents i promise ????), jealous!reader, protective!joel, alcohol consumption, cursing, a LOT of angst, lots of fluff, lil bit of smut, and duckie has the best comedic timing of any character in this entire series. :) DISCLAIMER: this series covers some issues which i know may be sensitive and possibly triggering to some. warnings will always be as thorough as possible, but if there’s ever anything you feel i’ve missed, please let me know. feel free to drop by my inbox anytime.
word count: 11.4k (sorry. lots to cover lots to do.)
pt. i / series masterlist | main masterlist | playlist | follow @macfroglets w notifs on to be the first to hear when i post 🩵
December.
The days are funneled by a quick pinch of dark, the breeze heavy in its sail. Houses lined with twinkling lights and windows pierced by pointed trees. Crooning from every radio station, teary-eyed movies on TV, and spiced apple everything.
You hate every fucking minute of it.
“Wait a second,” Tommy sits forward, leaning in, “you never do nothin’ for New Years?”
You shrug, lifting your eyebrows. “Nope. Just don’t like it much. That a crime?”
He considers it as he hands his empty tumbler up to Joel, his head lolling some. He’s on his…fourth drink of the night, right? Though, if you take into account his earlier argument – I’m eatin’ as I go. It don’t count. – it’s probably more like two. But it’s whiskey, so –
Never mind.
“Yeah,” Tommy finally decides, “kinda. The hell’s wrong with you, girl?”
“Tommy.”
Joel’s voice is a warning, edged by the sharp clink of three glasses pinched in his fingers.
His brother laughs amiably in response, though, nodding to your mock-offended expression. “At least you’re spendin’ it right this year. Last one before lil’ Dickie comes along, huh?”
Maria slaps his shoulder, rolling her eyes. “It’s Duckie,” she hisses, glancing over to you.
“Shoot,” he says, chuckling. “I knew that. My mistake.” And then, hand out towards you in an apology which makes your shoulders jerk with laughter, “I did know that, I swear.”
Tommy and Maria flew in a few days ago; the younger Miller adamant that he’d spend one last New Years with his big brother before he became a father. The night they arrived, they showed up on your doorstep – a hamper filled with diapers and muslins and baby socks hanging from Maria’s arm. They’ve asked to hang out with you every day since.
They’re good fun. Tommy likes you, at least, enough to tease you as much as you figure a brother might. He’s definitely the louder of the two – sometimes you swear you notice Joel cringing at him, something caught between a laugh and a frown on his face. And Maria’s sweet; she’s asked probably six times every hour since she first saw you if you’re feeling okay, if you’re tired, if you’re hungry.
Joel text you yesterday morning. Tommy and Maria wondering if you feel like coming over for NYE. No pressure, he added, I lie pretty good.
A smile snuck its way across your lips before you had the chance to tame it. Sure, you typed, I’ll bring the newspaper.
What Joel’s told them, about the wedding and the baby and everything since, you’ve no idea. You guys almost talked about it when he told you they were flying down after Christmas, but before you got the chance to ask him, Vanessa pulled up out front.
Not exactly a conversation you felt like having with the dude’s girlfriend hooked around his right arm.
She smiles at you, now, as you shuffle to the edge of the armchair you’re curled up in. Joel’s armchair – the plaid blanket cradling you, the leather soft and crinkled beneath. Your eyes quickly drop from hers when his hand reaches for your mug, your fingers crossing as you pass it up. “Let me come help,” you say, pushing from the chair.
He holds up a palm, shaking his head once. “Stay. I got it.”
“Thanks,” you murmur, settling back. Vanessa resumes smiling. You wish she’d fucking quit it. You wish you’d fucking quit focusing on her.
Joel knocks the mug gently against your shoulder with a small, almost sympathetic smile, and heads for the kitchen – leaving you sat between Tommy and Maria on one couch, and Vanessa on the other. You tuck your heels under your thighs, picking at a hangnail as you wait for the conversation to thaw.
Maria makes some comment about Austin in the winter: how different it is to Jackson, and the three of you nod and hum in agreement before the chatter fizzles to nothing again. You glance over to the clock, watching the hands chase one another to twelve.
This isn’t what you imagined a get-together with Joel’s family would feel like. Tight, tense. So tense that you can feel the weight on your chest, closing your lungs. Talking about the weather and the holiday traffic, talking about nothing to avoid talking about everything.
Tommy’s chin lifts, after a second too long of silence. “Hey, Joel!” he barks. “You ain’t shown me this nursery yet!”
Joel leans around the doorframe, half-distracted. “Barely even started it, little brother. Crib only got delivered yesterday.”
“Sheesh,” Maria’s eyes widen, “you sure are prepared.”
Vanessa laughs when Joel rolls his eyes and vanishes again. “You got no idea,” she says, “I have never seen him so…pedantic, right?” She looks to you, still smiling. So sweet, you worry your lips are pursing at the sight of it. Your neck tensing. Your eyes watering.
“Yeah,” you reply, nodding shyly and swallowing back the saccharine. “I think he’s more nervous than he’s letting on.”
Joel’s voice calls from the kitchen again: your name. When you answer, he says, “Why don’t you take Tommy up, show ‘im what we got so far?” and then, leaning back around the door, “She picked the color ‘n whatnot.”
“Ah,” Tommy says, palms pushing down on his knees, “so you’re the brains, then?”
You mirror him, accepting Joel’s request. As though you had any choice in the first place. Standing beside the younger Miller, you mutter, “Sure. Let’s go with that.”
He holds a hand out to usher you ahead, following you upstairs. Past the tousle-haired boy in grayscale, past the German shepherd, past the Christmas Day portrait. Wandering like you know the house inside out, like you might’ve picked the exact coordinates of each nail the picture frames hang on yourself.
Like the photographs pinned to the walls aren’t still as alien to you as they’d been that day you first set foot in here, the dress Joel would come to tear from your body slung over your arm.
You twist the gold handle and unveil a homely little room, painted by you and Joel just last week. The soft blue drying into his knuckles, random splatters on your palms and your jeans. The giggles drawn from your chest; the thief either the chemicals from the paint, or the man rolling it over the walls – and you’ve a pretty good idea of which.
Tommy sniffs roughly, nodding. Taps the toe of his boot against one of the two bulky boxes leant against the wall, a crib printed on one and a rocking chair on the other. His tipsy head bob bob bobbing. “Alright. ‘s nice, ain’t it?”
You settle against the window, the glass cold at your back. “Real nice, yeah. Be even better once it’s done.”
“What’s yours look like?”
“Mine?”
“Nursery at your place. Your one pink, ‘case it’s a girl?”
You snort. “Mine is a little greener. More…I guess it’s duck egg. Had some leftover paint.”
He clicks his fingers and points to you. “See what you did there. Duck egg. Duckie.”
“Hm. Wish I were that poetic. I just like the color.”
Tommy stuffs his hands in his pockets, wanders around the bare room. The faint lingering of whiskey putting up its best fight against the clean bite of fresh paint, the sweet scent shaking from him when he nods some more at the blank walls and naked windows. He clicks his teeth and asks, “How you holdin’ up, anyways?”
“How am I holding up?”
“Yep. With, uh…” he nods to the door, eyes wide, “…Vanessa,” he whispers. Louder than he must think – probably echoed, if anything, by the palm he curves around his mouth.
You cross your arms protectively, shoulders bunching. “She’s fine,” you say, voice deliberately low. You both ignore the crack in it when you add, “I like her. She’s – she’s taken this all like a champ.”
Tommy leans on the window ledge, a rugged hand you reckon you’d know was a Miller’s just by looking at it. Same rough-cut quality as Joel’s, like they’re torn from the same sheet of sandpaper. He props the other on his hip. “But, boy – it’s gotta be complicated, right?”
“I guess. But she’s real sweet about it. And Joel’s been great, too.” You sniff, the memory of your kiss flashing behind your eyes. The steady drum of Duck’s heartbeat, the gleam in Joel’s eye when he looked down at you. The guilt seeping from your skin like beads of sweat, prickling along your spine and fizzling against the cold windowpane.
Tommy blinks at you, liquor-glazed eyes scanning. His shoulders jerk, a loud huh propelling from his throat. When your head cocks in confusion, startled from your daydream, he spills. “He ‘n I had a mighty long talk when he told me.”
You feel yourself leaning in, magnetized to him – body hunched as though you’re gossiping in the corner of a house party. Inhaling secrets with the tinge of alcohol on Tommy’s breath. “Oh, yeah?”
Tommy hums. “Just wanted to make sure he’d thought it all through. Not you – I always knew he’d take care a’ you and Duck. But…involving Vanessa,” he lowers his voice again, glancing over to the warm light spilling in from the hallway, “I just wanted him to be sure.”
Your blood begins to warm, heat flooding through your body as you step closer, murmuring, “What’d he say?”
He flicks his head, seeming to toss his initial response to the wind. “You know Joel. He is his own man.”
Your face screws, head jerking back. “What’s that mean? He is his own man?”
A voice from the doorway interrupts. A shadow swimming in the golden light. “Who is?”
Tommy steps away from you, loosening his arms as his big brother drifts into the shadowy room. Dusting the conversation under the rug. The smell of whiskey backs off. “Speak of the devil. Nice paint job, Joel. Missed a couple spots, but – I’ll let you off.”
“Uhuh.” Joel’s eyes thin, his body slanted against the wall. Arms crossed, bottle of beer hanging from his fingers.
Tommy swaggers forward when Joel holds the bottle out, taking it with a wary glance at the tall figure. A dog meandering back to his owner, tail between his legs and ears flat. It takes his gritty voice to jolt you back to the room, splintering your gaze from Joel’s toned arms and huge chest. “Looks real good, you two. ‘s one lucky kid.”
Joel’s jaw lifts, his eyes landing on you. Dogs are terrible liars. “He talkin’ your ear off?”
You smile; recognizing the softer Joel you’ve grown used to over the last three months replacing the stern, cold version you once knew so well. “Only a little.”
“Tommy,” he says then, “Maria needs you for somethin’.”
The denim-donned Miller nods knowingly and heads out of the room, thud of his boots receding downstairs.
“Maria okay?” you ask, making space for Joel as he settles beside you.
He shrugs. “Only said that to get him outta your hair.”
You frown. “You sent me up here with him in the first place.”
“So I could come up ‘n check on you. Know this must be a lot – the two of them, tonight.”
“I’m fine. Promise. I’m a big girl.”
You both sigh, turning to look out at the dark street. Your arms cross, sitting somewhere above the tiny slope of your bump – a new development you’re still getting used to. Your stomach feels tighter, a little more solid than usual when you touch it. A little more…real. There’s someone in there, right? Like, actually there. They’re changing the way you look, the way you feel.
“This is it, right?” you say, staring at the white lanterns illuminating Alice Brown’s rose bushes. “This is the year.”
“The year,” Joel agrees.
“Mhm. Become a mom. Become a dad.”
He purses his lips. “Yeah, I don’t know. I’ve had bigger years, kid.”
“Let’s hear it, old man. Let’s hear about your biggest year. God knows you’ve had plenty to choose from.”
He sucks a deep breath in, eyes tracing the silhouette of the houses across the street as he thinks. “Senior year, nineteen ninety-three. Asked Stacy Moore as my date to the prom ‘n she said yes. I was so nervous that I forgot my bow tie. Was a pretty good year.”
You hum, agreeing, and then, “I see your ninety-three, and I raise you: two thousand and one. There was this bike I wanted for-fucking-ever; it had, like, little beads on the spokes – would make this ratatatat sound whenever it moved. Tassels hanging from the handlebars, all iridescent. I begged my mom the entire year for it, and on Christmas morning I woke up, and…” You lift your hands, air puffing from between your lips. “Santa Claus delivered that year, dude.”
“Well,” Joel clicks his teeth, shell hardening only a little, “thanks for making me feel old as hell.”
“You’re welcome.” You beam back at him, breaking into a laugh when he does.
The two of you stand a little distance apart, denying yourselves the innocent brushing of shoulder against shoulder, the nudging of elbows and swaying of hips. Admiring the empty sky and emptier street, bathing between the cold moonlight of outside and the warm lamplight in.
And from somewhere deep in your belly, somewhere tucked behind your ribs, beneath your slow-growing womb: an urge to ask about her. To bring her up. To tend to the curiosity that Tommy poked a clumsy, drunken finger straight into, tearing it apart at the seams.
Like pressing on a new bruise, satiating the hungry need to know where you were hurt, how you were hurt, when you were hurt. A bent fingertip, pushing heavily into a sensitive splatter of dark purple; the burst blood vessels hissing in response, whispering, You don’t know, and you don’t want to know.
But you defy them. You do want to know. Want to satisfy the disturbed thrill you felt, leaning into Joel’s brother. Hands turning over one another, wet bottom lip trembling as he rounded the corner on some sort of…what was it, a secret? Some sort of truth, a long-buried revelation about the other woman. She’s a witch, have you spotted her crooked nose? She’s plotting something, I swear. She’s up to no good.
Your eyes lift again, focusing back on the dull color of the outside world. The bland canvas of reality. She’s not a witch, nor some genius mastermind. She’s a boring, relatively normal woman. Kind, thoughtful. Naïve and a little too eager to please; too willing to forgive a situation which warrants no such kindness or empathy.
She’s just…fine. Lukewarm. And you’ve no idea why that pisses you off so much.
Which, incidentally, makes the bruise sting all the more.
“Maria, Maria,” Tommy’s voice claws its way upstairs, “turn it on, turn it – Joel? Joel! It’s midnight, Joel, you two better come on down, now! Have we missed it –? Have we –?”
The sound of cheering slowly bubbles to life behind his drawl as the TV volume picks up, the tittering of Maria and Vanessa chiming in.
“…five, four, three, two, one…Happy New Year!”
Joel’s looking over his shoulder, waiting for footsteps or voices or a girlfriend who never shows. And he ignores his brother, for he is his own man, and turns to you instead. Bracing himself on the ledge, he blinks down with a plain grin on his lips. “Happy New Year, Mom,” he whispers.
You return his smile, taking his hand when he reaches out to you. “Happy New Year, Dad,” you reply, squeezing his palm.
He pulls you in for a hug, kissing your cheek briskly as you hook your arms over his shoulders. His beard scratches your cheek, grazes the curve of your shoulder, and you don’t mind. Your small, swollen belly presses against his; the tiny curve safe in the midst of your embrace.
Outside, the sky crackles to life with the distant spatter of fireworks, color shattering across the black canvas – red, blue, green and gold, dissolving as quickly as they explode into the now-January night. A burst of purple light washes between the two of you, and you turn your head on Joel’s shoulder to watch as the sparks rain over your neighbors’ roofs.
“I should get goin’,” you whisper, feeling his heartbeat a little too strongly against your own. Becoming suddenly aware of the weight of your frames locked together.
“Glad you came,” he says as he leans away. “I know this ain’t…I know we’re all tryin’, but you’re tryin’ the most, and I appreciate it. I hope you know that.”
“I know it,” you tell him, rolling your eyes. “Now, go. Go kiss your girlfriend.”
He chuckles, making for the door. “You want me to walk you home?”
Your eyes close serenely, the image of him doused in flickers of gold burning behind your eyelids. “I’ll survive the walk across the hedgerow, Miller.”
Joel nods once and leaves, plodding downstairs to be greeted by his open-armed girlfriend, a peck between them, arms crossed behind his neck. The lyrics of Auld Lang Syne slurred against his lips.
And you think – You know what? If it’ll rip you apart from her, if it’ll keep her bright red lips and her shining curtain of hair away from you, if it’ll stop her sucking in your air and your smell and your attention for thirty fucking seconds –
Then, yeah. Walk me home. Stay for a drink. Sleep in the goddamn guestroom.
Walk me home.
You slip out of the front door when the two couples are in the kitchen, missing Joel’s calling your name – or perhaps just ignoring it altogether.
“Spread the love at St. David’s this Valentine’s Day…”
Joel slows alongside a wall of cerise hearts, each one fluttering like wings whenever the hospital doors slide open and the breeze sneaks inside. Slips scrawled with names and messages: Love you M! and J + A, crude drawings of stick figures holding hands. Your lips curl into a smirk, watching him flick through each one as you palm your round stomach.
You just saw Duck for the second time. The last time, Freya was kind enough to mention, before they’re tearing you in two. Sorry, she mouthed when your expression dropped, and went back to twisting the probe over your stomach. Silently.
You’re getting better at it, you think. Playing Mom. Like some little game of make-believe, which is only real for as long as you’re looking it square in the eye – attending doctor’s appointments, updating the neighbors on your newest list of symptoms en route to your mailbox.
A little surer on your feet, now that you’ve found a balance to it: taking it as seriously as it warrants, a dry little pill stuck on the cliff of your throat, and making it easier to swallow with humor like water, a huge gulp anytime the fear claws its way up your spine.
And no more panic, since at least before Christmas. Only a little flustered this afternoon when Freya asked if you wanted to know the sex.
It felt too big a thing to hear, too real. You’re only just getting used to the backache and the bleeding gums. (And why didn’t you know that your gums would bleed? Isn’t that something they should fucking warn you about? Congrats, you’re pregnant: prepare for blood seeping from your jaw.)
No. No, thanks. Your head shot around to Joel. No, right?
He shrugged. Makes no difference to me.
Are you sure?
I’m sure, kid. Promise.
‘cause we can find out. I mean – if you want to.
He rocked forward on the balls of his feet, tapping you amiably on the shoulder. I don’t. You’re good.
You don’t?
No, I – He sighed, a hand dragging through his hair. If you want to, I want to. If you don’t, I don’t. Alright?
Freya bit back a laugh, the closed fist over her lips doing little to hide it. You guys should write a book on co-parenting.
But then she left the room again, closed the door on that same old little bubble – the three of you perched on the bed, you and Joel blinking up at the grains of your child onscreen – and you cried. Again. More.
Everything clearer, everything even more human than before: the globe of their skull, the tiny slope of their nose. All glowing in the dark waves of your womb, twinkling like the most beautiful constellation you could ever come across. Their ankles were crossed, feet forming a tiny heart shape in the top corner of the sonogram. Your hand lifted to point it out to Joel, and before the words found voice, you choked and broke down again.
He held you, lips to your hair, body solid as a rock as you melted into him in waves of salty tears. Smiled that honey-glazed smile and said he was so proud of you, said, look what your body’s doin’, darlin’, look what you’re growin’ – which only made you weep more.
And you pretended not to wait for it – for the moment when you might tilt your head up and your lips might line with his, and he might close the achy space between you again, might shush your cries by stealing the air from your lungs and the beat from your heart.
But he didn’t.
Which is fine.
Right?
“Somethin’ on your mind, kid?” he asks now, eyes still glued to the sea of hearts.
Your stare snaps from him instantly, unaware it was even held there. You tug on the hem of your sweater and pull the sleeves over your hands, mumbling, “Fine, I’m – I’m just…Come on, man. I’m hungry. I didn’t eat lunch today.”
“’n whose fault is that?”
You glower at him. “How considerate,” you seethe, “Vanessa’s a fucking lucky woman, you know that?”
He ignores you, a dumb smile on his face. The usual. “Let’s leave one for ‘em.”
A hot temper begins to boil below the surface of your skin, squeezing between your teeth in a fist-swinging breath. Also the usual these days, apparently. “For who?”
“Duckie. Somethin’ to mark the second scan. Last time we see them, before –”
Your hand flies up, eyes closing with a wince. Shut the fuck up. “Enough. I know.”
Joel hms, still smiling to himself. His beard has grown out a little: thicker, darker, gray sewn through like little whip stitches lining his jaw. He fishes a heart shape from the tub along with a pen, which he twirls annoyingly around his fingers as he thinks.
You sink back against the clinical white wall, an offensively bright color, holding your cheeks up in something of a smile when a nurse wanders past, nodding to both of you. Your face drops back to a scowl as soon as she’s over Joel’s shoulder, and your eyes meet his again – his brows raised, expectant.
“What?” you ask, chewing on the inside of your cheek.
He holds the slip up. “What we gonna write?”
And whatever charm the moment may have held, withers instantly. You throw your arms up petulantly. “You wanted to do it! Pick something. See you soon, or something, I don’t fucking know.”
“I don’t fucking know,” Joel muses, creases by his eyes when he smirks. “Poignant.”
“That’s what you should write,” you step closer, shoving your shoulder into his as you study the trembling hearts on the board, “if you can spell poignant, write that.”
“Hilarious,” he mutters, bending to scribble onto the shape, shielding his work from your view when you hang around his shoulder to pry. Cupping over the message until he’s straightening up, tossing the pen back to the desk, stealing a pin from the tub.
“Let me read,” you protest, tugging on his flannel sleeve.
“I will,” he says, shaking you off. “Patience, darlin’.”
Joel turns to the wall and pins the heart higher than the rest, in a spot clear of its own on the corkboard – thick arms stretching higher higher higher and pulling your gaze with them. As he steps back, he takes you gently by the waist and positions you in front of his body, your shoulders brushing against his chest. Your ribs hold your heart back from hammering into his.
You push up onto your tiptoes and squint at the note, which quivers when the hospital doors pull open again. “Mom and…Mom and Dad f…You fucking…”
Joel dodges your batting arm, snickering with you as he turns to make for the exit. “You don’t like it?” he tosses over his shoulder.
The heart stares down at you, black ink carved into the paper, watching as you turn and hurry after him, giggling. “Mom and Dad fuckin love you? So much for my potty mouth. And the –” another wheezing laugh you’d otherwise be ashamed to let him hear, “– the drawing? It looks – it looks more like a giraffe than a duck. Or, like, you know those long-necked dinosaurs?”
Joel’s head tips back, his own laughter caught up by the breeze when you wander outside, slipping your wrist around the crook of his elbow. Something infectious about it, something which stirs your own laughter until you’re walking arm in arm to the truck with a man who, six months ago, you’d barely look at twice over the fence.
The blind rage bubbling from your empty stomach seems to dissipate, dwindled to nothing in the face of that same man – his swollen cheeks and crows-feet eyes. And you say, “You’re disgustingly sentimental, you know that? Like, sickening.”
And Joel smirks, the way he always fucking does, and says, “You love it. Can’t lie to me.”
“I love it,” you concede, nudging into him as he opens the door for you.
The drive home is quiet, but not uncomfortable. There’s another thing you’re getting good at: being around Joel without need for snide remarks, without feeling your tongue curl under the weight of some snappy quip, loaded and aimed. Being around him and talking about Duck, asking how Tommy and Maria are. Forcing your teeth and tongue to carve out words which ask how Vanessa is, what she’s up to, when he’s seeing her next.
None of this is ideal, that’s for sure. Joel’s girlfriend aside, you’ve spent the last five months cohabiting your body with a stranger who lives most peacefully in the eye of a raging tornado of hormones – flitting between fits of giggles and pulsating joy in your veins, to waves of tears and an anger so hot beneath your skin that you wonder if your emotions might dry up completely by the time this is all through.
It's tough. It’s scary. And some nights you lie in bed, alone, wet eyes fixed on nothing, waiting for someone to burst into the room and announce that it’s all a prank. Just a silly joke. You and Joel can go back to tossing newspapers and casting glowers.
But for now, sat in the passenger seat of his truck – the seatbelt warped around the curve of your belly, the Eagles lilting softly from the radio – it feels like you’re making a home out of that tornado, too. Feeling the swirling walls of wind toss your hair like the breeze through the truck window; the chilled caress of the evening around your outstretched arm, soaring down the highway.
Yeah, you think. I can make something outta this.
“You know what I’m craving?”
Joel’s watching the light, waiting for green. “What’s that?”
“A fucking bagel. Cream cheese, pastrami,” you groan.
He snorts, cringing when he adds, “Pickles?”
A moan tears from the base of your throat, head lolling against your seat. “I could orgasm just thinking about it.”
The light turns, and Joel swings right. “I’d rather you didn’t,” he mutters, turning the wheel with one palm. “I got bagels back at the house, if you want one.”
You stare at him, jaw loose, saliva pooling behind your bottom lip. “Are you fucking kidding me?”
He smiles, shaking his head. “Let me make you one, ‘fore you go home. Big day, ‘n all.”
And you hate it – hate the way your cheeks fill with a genuine happiness, something swollen and achy, impossible to ignore when it lifts your eyes and hurts your teeth. Appreciation, or admiration, perhaps, that you figure you’ll only ever have for him. You don’t know what the fuck to call it.
So you sum it up into three words. “That’d be nice,” you whisper, and Joel places his hand over your knee, shaking it lightly as he drives on.
It stays there, until he’s pulling into his driveway.
He pushes the front door open and steps back, an arm extended to let you by first. An after you, ma’am, between his lips. And you turn to make some mocking joke, the beginnings of some comment about how gentlemanly he is, when you’re socked square on the nose by a heavy-fisted, bitter scent.
“Oh, fuck,” you gasp, stumbling backwards across the threshold and onto the porch again. Your throat constricting around nothing, your tongue twisting, your stomach lurching.
Joel catches you just in time to stop you from falling on your ass. “The hell’s the m–? Oh.”
“Hi!” Vanessa calls from the kitchen, leaning around the doorframe to wave you both in. “Almost ready! Take a seat.”
“V–? Hey, sweetheart?” Joel calls back, one hand around your wrist and the other between your shoulders. “What – what’s cookin’?”
She pauses, glancing back at the stove. Pulls the dish towel between her hands taut. “I…I made pasta.”
“Yeah, what kind, sweet?”
“…Bolognese.”
He can’t cover his own sigh quick enough. Thick with something which feels like anger. “Shit,” he turns back to you, “I am so sorry.”
You pull in a deep, unsteady breath, your lungs struggling to separate night air from tomato juice. A weight rolling at the bottom of your stomach, your entire body beginning to tremble with it. “I feel like I’m gonna – Joel, I’m gonna –”
“Breathe,” he whispers, voice urgent, palm slipping to cup your jaw. “Just breathe for me.”
But your throat’s tightening, swallowing hard around gags which come stronger and quicker the more you try to fight them down. “I can still fucking smell it –”
Her shadow blocks the stretch of light from the house. A nervous little thing, a timid creature’s shadow stretched wide across the porch floor. “Is…everything okay?”
“It’s – it’s fine,” Joel sighs again, torn between comforting you and letting Vanessa down gently, “it’s just – tomato is one of her…her aversions.” He’s unable to pull his eyes from you, privately asking, “Are you okay?” when Vanessa turns back to the kitchen.
“I didn’t – I didn’t know,” she mumbles, thumbnail between her teeth. “I am so sorry.”
Suddenly, your will not to throw up is overpowered by your will to tell her, “It’s fine,” sucking in a deep, sickly breath before adding, “I’m just gonna – I should go.”
“I don’t want you to go,” Joel says, his teeth guarding the words from his girlfriend.
“I’m gonna clean up in here,” Vanessa points over her shoulder, and you think she must’ve heard him, “get outta your hair. I’m so sorry, again. I would’ve never…”
Joel lets go of you as you stagger backwards, the cold air tearing down your throat to meet the burning acid tickling up your esophagus. “Please don’t apologize,” you lift a weak hand, “how could you have known? I’ll –” another sharp gasp, “– I’ll see you guys around.”
He must say your name, must try once more to pull you back to his side, but the blood’s rushing through your ears, and your heart’s pounding at the back of your tongue, and your stomach’s notching its way up your spine. You make it to your kitchen sink just in time.
He keeps you waiting all of one hour before he’s calling you. Your arm reaches over to your nightstand, fumbling in the dark for your heavy phone, the screen cold against your cheek.
“Mhm?”
“Are you okay?”
Your lungs pull a deep, slow breath. The acid painted across your throat tickles as the air passes by it, an uncomfortable, scratchy feeling.“Mhm.”
“That a lie?”
“Only a little. Is Vanessa okay?”
He takes a second to answer. Lets go of whatever he was going to say with a sigh, replacing it with, “She just left.”
“Is she mad at us?”
Another second. “Just me. Not you.”
You massage the slope below your breasts, the ache in your esophagus throbbing when you move. “Why just you?”
Ruffling, like he’s settling back into his couch. Sinking into the cushion, his body as heavy as yours feels on your mattress. “I should’ve told her you didn’t like tomatoes. ‘cause now I’m a goddamn mind reader. I mean, why the hell wouldn’t my girlfriend be in my house cookin’ a damn pasta dish while I’m out, y’know? Jesus Christ.”
“Joel,” you turn slowly onto your back, bravely waiting for the waves of nausea still lapping around your stomach to turn with you, “it was a nice thing, what she did. She didn’t mean to…She probably thought she was helping.”
“Naw, I know,” he replies, the sharp bite of his words softening again, shrinking under yours. “I don’t care about her and her helping, though, darlin’, I care about y –” He barely catches it in time. “I care about you carrying my child, and I care about making sure you don’t spend your nights fuckin’…throwing up tomato sauce.”
You gulp, neck convulsing. The backwash of bile swallowed back. Your chest floods with a heat of quick panic. “Can we…maybe…not use the word? I just –”
“Sorry, baby. Sorry. This is just – it’s a lot easier if she would just…”
Your eyes close over, a salty sting sweeping behind them. If she would just lay off. Back off. Fuck off. “…but she won’t, Joel. She loves you. ‘n you…”
The words drift off, taken by the tide, swept off into silence. And neither of you bother with trying to retrieve them – you just watch, stood safe on the shoreline, as they fold under the waves of something too big for either of you to acknowledge. Too dark, too dangerous.
So, you say, “I get it,” instead; say, “I get why you’re mad. Just – let’s forget about it, okay? Sorry for…ruining dinner.”
Joel scoffs, that old, pissed-off Joel scoff. You can see his deadened expression on the back of your eyelids. You may as well have just thrown his newspaper to the end of the earth. “You know damn well that you didn’t ruin anything. How you feelin’?”
“Tired. Throat kinda hurts.”
“Still feel like that pastrami bagel?”
“Not really. Sorry. Appetite’s gone.”
“How about a water?”
“I got some here. Thanks.”
“Okay,” Joel sniffs, “how about: you take the hint and let me come over there to see you?”
You giggle, hand over your eyes to mask your expression from the dark. “I hate you. Yeah, come over. Door’s unlocked.”
Date night – six month anniversary or whatever. Call me if you need anything.
And I mean anything. OK?
Your thumbs hover over the two gray messages, an awkward jig as your brain scrambles to offer words back. Where are you guys going? Too interested. Too weird. OK, what if I’m bored? Delete delete delete. Trying too hard. Sure, have a good n–
The ellipsis pops up and you freeze. A stupidly polite swish delivers Joel’s third text.
Boredom counts as anything, by the way.
And the fucker steals another smile from you. You notice it when you look up, clocking yourself in the mirror. Accompanied by a warmth which drips down your spine, swirls around your tummy; a fluttering you’re not sure is Duckie or something else.
Have a good night, Dad, you type back, tossing the phone to the end of your bed when you hit send. Swiping for a pillow, holding it firm to your face. Pressing so deep into the plush that even the linen won’t be able to see your grin.
Joel told you about this six-month anniversary last week. He wasn’t too thrilled about it then, either. Dinner to celebrate six months? A year, fair enough. But six months?
You swallowed your pride, swallowed the same throttling ecstasy which seeped through your pores on New Year’s Eve, on that February evening she cooked– never mind; a desperate desire to tear apart the very notion of Vanessa and her cutesy little date nights and candlelit dinners. I think it’s a fun idea, you said. Y’all should do it.
And Joel listened. Because he always fucking listens to you, these days. Listens when you tell him that you like the watermelon Sour Patch Kids best, and picks them up anytime he’s at the store. Listens to you when you tell him he should move the crib away from the window, in case the streetlights shine on Duck while they sleep.
Listens when you ramble about how sore your feet are, how heavy your belly feels, how there’s a clammy heat lingering under your skin at all times, bubbling and bubbling and never rising to anything more than steam collecting on the underside of your flesh.
Listens when you tell him to go spend time with his girlfriend. And neither of you pay attention to the jealous shadow behind your words, the hesitant quiver behind his.
He replies almost instantly, the ping like a gunshot at the beginning of a race. Pillow slammed into the mattress, body lunging forward.
You too, Mom. Don’t have too much fun without me.
You lock the phone and slide it back under your covers, smiling dumbly.
There’s still a small part of you waiting for the big reveal: none of this is really happening. A dream, maybe, something you’ll wake from with a tiny throbbing headache, a dry mouth and a new reason to avoid your neighbor at all costs.
But it seems that, each time that thought crosses your mind, you’re quicker and quicker to quash it. Realizing each time that what lies ahead – Joel, your baby, this future version of yourself that you’re yet to meet, still just a little out of reach – fills you with more excitement and wonder, than it does fear.
Mom.
It’s not something you ever imagined for yourself. Not someone you ever thought you’d be. And yet, each time you say it out loud, each time you look in the mirror and picture a baby in the crook of your arm, a toddler perched on your hip, a kid stood by your side, tugging on the hem of your shirt – she feels a little closer. A little clearer. She just has to look over her shoulder, notice you waiting. I’m right here, she says. Come find me.
Mom. Mom and Dad.
You imagine Joel right now, sat in some ritzy restaurant with jazz music and stained-glass lamps on every table, ordering Vanessa some glorified lentil soup and slapping his card over the bill before the waiter has a chance to reveal the damage to him. Your lips twist at the thought – her jewels and her long hair and her sweet little smile laced with a smug possession.
And then you slap your own wrists, hissing to yourself to shut the fuck up.
“She’s nice,” you argue out loud, thin air holding no debate. “She’s kind, and I like her. She’s good for him.”
And then the air replies. Good for him, it swirls, but you could do it better.
Your arm lifts, lingering for a beat before batting the thought away.
Three weeks. Three fucking weeks, between pushing yourself out of his embrace in bed, and pulling yourself back into it – armed with a pregnancy test and a chest full of fear. Three weeks of dodging him, of your cheeks bubbling with embarrassment and regret anytime you thought of it; of hoping to God that Alice or Diane or Steve and Kris across the street wouldn’t clairvoyantly know what had transpired that night and corner you on your own front lawn.
A one-night stand. That’s all it was. Two lonely bodies, excitement enough to convince you both that it was a good idea; a fitted suit and a backless dress crumpled together on the floor. Liquid courage lacing it all together.
Three weeks, then, of reminding yourself how it felt: how amazing you were together. Your hand between your legs and Joel’s name between your teeth.
Fuck. If only he knew. Goodforhimgoodforhim she’s so good for him but I’m better.
You did it better. You know you did. The sun was cresting the horizon by the time the two of you stopped. You hauled yourselves down to breakfast and sat at least three people apart, made forced conversation with Maria about the DJ stumbling off with one of her cousins, while the ghostly ache of Joel’s body churned somewhere deep inside you.
It travels through your veins the way that everything does right now: urgent and unforgiving. A need to be dealt with, immediately. Coursing through your body, an arrowhead pointing somewhere you know it shouldn’t. But your hands lift anyway – following it, loosening the waist of your sweatpants and skimming beneath your underwear.
Your body lights at the first touch. The first dip of your middle finger against the plush over your clit. Knees bend, thighs part. You push your underwear down your hips, settling your bottoms loose on your legs. You’re already wet. You’re already there.
Good fucking girl. She’s good but I’m better, right? Take it, baby. Does she take it like I take it? Take it. Can she take you like I did?
Quicker and quicker and quicker, your fingers heavy on your clit. The other hand sifting between your folds, dipping to collect a glimmer of wet. Yeah. Just like that. Do you fuck her like you fucked me? You feel what you do to me? Fuck no, you don’t. You’ve never fucked anyone like you fucked me.
Head back, eyes fluttering closed, lips parting to breathe answers to a man who isn’t here. To a man who, as he dips sourdough into an overpriced soup, sure as hell isn’t thinking about that time he fucked you so good he got you fucking pregnant.
Well. Maybe he is. You are, right?
Voice without body, drawl etched in your memory. Think she can take it all? You hum in amusement, waiting for him to answer his own question. Yeah, she can.
Attagirl. Your legs spread further, knee lifting as you insert two slick-coated fingers. His hands are on your thighs, following the dip of your hips, holding your waist as you guide him back inside. Attagirl. That’s my – Fuck, Joel, you’re so b– That’s my fuckin’ girl. Take it. Touch it. His thumb on your clit – his, not yours. You like that? Yeah, that’s nice, ain’t it?
The flesh of your breasts filling his palms, squeezing and nipping and rolling between. The warmth leaking between your legs: his and yours and fuck, he’s so deep and he’s filling you again and he’s groaning as more dribbles from where he splits your body around his own, holding you still until he’s done. Until he’s empty.
“Joel,” you whine, a third finger pushing in.
Between your hips. Headboard hammering against the wall. The sun hanging loose at the bottom of the sky. Gonna make me come again, baby. Do it. Do something irreversible. Change me forever. Fuck me fuck me fill me and then pull out, push back in with the wet squelch of your come mixing with mine and changing me forever. Making me brand new. Making me yours.
Another moan. Louder. Sharper.
Yours yours yours. All mine? All yours. We’re good at this. I know we are. Who fucks you like this? No one – No one – just you – just me. It’s so big, fuck, but I can take it. Been thinkin’ about this all fuckin’ day, baby. All I do is think about you. All I fucking do – You gonna come for me? – is think about you.
Know you need it. Let ‘em hear you, downstairs.
Fuck, I’m thinking about you. Come home. I need you to come home, need you to –
Fuck me, Joel, I’m –
Good girl.
– fuck me.
Atta fuckin’ girl.
She’s good but I do it so much better.
We’re good at this. ‘s do it again.
She’s not as good as me.
Again? Again.
She’s not as good. She’s no fucking good.
Your walls clamp around your fist, entire body shuddering to a stop. Breath held by something shaped like the hook of his accent, two fingers either side of your throat. The same smirk on his lips that convinced you in the first place. Fuck, baby, fuck me.
“Joel,” you cry out, the sound ripping between your vocal cords, punching against the ceiling and reverberating in your ears. Your body convulses on the mattress, back arching and slackening again. “Fuck, I’m – oh, my –”
Just feel it, baby. Feel me. You got it.
Let go.
Your lungs lurch open again, breath flooding in like waves spilling over the gunwale and rushing down to pool at your feet. A lulling rock to your movements, chest rising and falling like the steady tide. Soothing, coming down. Foam and salt carrying the flotsam away, the jagged glass of his name disappearing to sea again.
And then he’s gone.
And you’re just alone in your bedroom.
Last you checked your phone, now face-down on the carpet at your hip, it was eight p.m. Streetlights on, the sky painted by the pale dregs of daytime.
Now, you lie in near-darkness, blinking up at the ceiling. Hand sifting through a bag of glow-in-the-dark stars, comparing the different sizes, considering where to stick them, and then tossing them back in frustration.
Your front door clicks open, a pause between the sound and his voice.
“Anyone home?” Joel calls, and you lift your wrist as though he can see it from the bottom of the fucking stairs.
“Up here,” you eventually announce, knuckles rubbing your tired eyes until Catherine wheels spatter across your eyelids.
His shadow splits the light from the hallway, the long rectangle crossing over your swollen belly. “The hell are you doin’?” he asks, wandering in.
You lift the bag. “Decorating. The hell are you doin’?”
He pulls your nursing pillow from its temporary home in the crib and tosses it down on the carpet, bending to lift your shoulders and slot it underneath. “Scooch,” he says, groaning as he lays back beside you. He smells like whiskey and cologne. All woody, pine and spice.
“You got a bad back,” you warn him. “You shouldn’t be all the way down here.”
“You’re seven months pregnant,” Joel clicks his teeth, “neither should you.”
“What if you get stuck ‘n can’t get back up?”
Offense pulls his brows together. “What if you do?”
You smile in response, feeling the heat of his shoulder against yours. Sucking the scent of him through your nose. The pair of you exchanging smirks and batting eyelashes, wrapped in the cool darkness of the room. It’s juvenile and intimate.
You’re trying not to think too much about it.
“I can’t fucking figure this out. I put two of the big stars over there,” you point to the far corner of the room, streetlight splintered by the shades on the ceiling, “but it looks stupid having two so close. So, then I thought,” moving your arm to the right, “a cluster of smaller ones, right over the crib. But I couldn’t move the damn thing to climb up, so…I’ve been down here ever since.”
Joel lifts his hand, stopping your train of thought. “Please do not climb on anything, bein’ that you are…with child.” And then, when your eyes roll to meet his, he grins, adding, “Nesting got you good, huh?”
“You should see my kitchen cupboards. Never been tidier.” Your expression dissolves, voice quietens – your most desperate plea since that morning you shook hands on his doorstep. Your broken wardrobes and his lonely wedding invite. “Will you help me?” you ask.
He thinks it over less than once, dragging his gaze from the twirling star in your fingers. A quick shake of his head, like it’s obvious. “’course I will. ‘s what I’m here for.” And then he yawns, lowering a hand absentmindedly to settle on the curve of your stomach; a gentle pat in greeting to Duck.
“How was dinner?”
“Good,” Joel lies.
“Vanessa okay?”
“Good,” again.
“Sorry.”
Joel’s eyes roll, fingers pausing. “Why do you always gotta be sorry for som’?”
You shrug when you realize it’s not a rhetorical question. He’s genuinely asking. “I don’t know. Just tryna be polite. I know you’d probably rather be at home right now, not…deciding where some plastic fuckin’ stars should go.”
“For my kid’s bedroom? For you?” He huffs something shaped like disapproval. “Do me a favor – stop with the sorrys, alright?”
“I’m not even done with the last fucking favor I said I’d do you.” Your eyes flit down to your bump.
He stares blankly. You know there’s a laugh gathering like hot air on a windowpane behind his eyes, threatening to shatter the glass.
“Fine,” you concede, “dickhead.”
“Better.”
You sigh, looking back down at the phosphorescent shape in your hands. Turning it over and over and over, matching the rhythm of his fingers tensing and then untensing on your belly. His fingers, matching the rhythm of your chest rising and falling with breath. The room quiet. The night’s eyes averted, even just for this moment.
“If it’s anything,” Joel says, “I think the stars look alright.”
Another stolen smile. Another defiant show of teeth. You place your hand on top of his: a thankful gesture, an invitation. Something in between.
Joel blinks back at you, his eyes flitting from yours to your lips. The dim light in the room swallowing the two of you whole, secluded in the upstairs of your home. And you think, Kiss me, kiss me kiss me kiss me, and you will the words over your tongue in a ragged breath – hoping that Joel might breathe them in and feel their sharp edges as they absorb into his bloodstream, each cell flipping like the star in your hand and whispering the same two words to him: Kiss her kiss her kiss her.
But right then –
There’s a burst of movement. Under your fingertips. A fluttering, like bubbles popping right below the surface of your skin.
Your eyes snap down at the same time Joel’s do; your fingers separating and hovering over your tummy.
“Did you – did you feel –?”
“Yeah. Did you?”
“Uhuh. Was that –?”
“I don’t know. Was it?”
He takes your hand, pressing it back against your stomach with his on top. Your knuckles safe in the canopy of his palm. Both staring into space as you hold your breath.
“They’re not…they’re not doin’ it, now…”
“Maybe it was just –”
“Wait! Did you feel that?”
A second burst on your womb, a tiny beat on the other side of your bump. A wide grin breaks across your cheeks, a disbelieving laugh escaping.
Joel laughs, too. “Is that – is that the first time they’ve ever –?”
“Yeah,” you sniff, tears prickling at the corners of your eyes, “that’s the first I’ve ever felt ‘em, anyways.”
“Wait,” Joel says, lifting his hand and holding a finger up. Just yours on your belly. “They doin’ it?”
Your head shakes.
When he lowers his hand, Duckie kicks again. The two of you lean in to one another, exchanging laughter. You lift your own hand, watching his expression as he waits patiently.
But then his head shakes, too. “Nothing. They’re only doin’ it when it’s both of us.”
“What the fuck?” you laugh, replacing your hand and waiting for the baby drum. “How can they even tell? What the f–?”
You shift your hands around the globe of your bump, pausing every so often to feel for Duck’s movements. A tiny fist punching, or a heel kicking, or an elbow shoving right above your navel in a way that’s bordering on painful, but numbed by the sheer thrill of it.
And for a while, it’s all you do: play tag with your unborn baby, giggling when they respond to your tapping fingers and cooing voices.
Joel sits up, leaning on his elbow to talk to his kid; runs two fingers across your shirt like a pair of legs scaling a cotton covered hill. And he laughs, and you laugh at his laugh, as if he’s a kid himself again – tearing apart gifts on his birthday, gasping and throwing his head back with glee at whatever he uncovers.
“It feel weird?” he asks, glancing up at you.
“So fucking weird,” you tell him.
“Does it hurt?”
“More…ticklish, if anything. Might get kinda annoying, if they start doing it when I’m tryna sleep, or somethin’…”
Joel lowers his jaw to your stomach, whispering, “You know what to do, Duckie. Make your daddy proud.”
You slap his shoulder, muttering, “Asshole.”
“Alright,” he says, splintered by a laugh. He pushes himself to his feet, swiping the bag of stars from your side. “Let’s get these up so you two can get some sleep.”
You groan as he pulls you upright, one last pat on your stomach, looking at you a second too long and a touch too meaningful. Too warm, too inviting.
It’s the calm before the storm, though you’re still stood motionless. Still trying to work out whether the tornado is moving away, or headed directly for you.
At five in the morning, Vanessa’s sister calls her.
“Heart attack,” Joel tells you a few hours later, the rustle of paper crinkling in your ear. The truck hums in the background. He speaks through a mouthful of sandwich. “Her dad always had a condition, but they thought they were managin’ it with medication,” another crinkle, and then, voice even more obscured, “but he got rushed to hospital durin’ the night, and…”
“Poor Vanessa,” you reply, nail drawing shapes on the curve of your bump in attempt to lull Duck into a more relaxed state than the sharp kicks they’re throwing at your ribs. Now big and strong enough to do considerable damage, your voice falters each time they swing. “Is she – son of a bitch – is she okay?”
“Shaken up,” he says, turn signal ticking over his voice. “She’ll be alright. She’s pragmatic like that. Problem is – they’re in Houston. Her whole family. So I guess that’s where the funeral’s gonna be.”
You swing your legs off the couch, heaving your awkward, nine-months-pregnant body to your feet – the irritating scratch of hunger suddenly gnawing at your stomach. “Yeah?” you say, waddling through to the kitchen. “So?”
“So,” Joel takes another bite of sandwich, “she has to – I mean, we have to…go. To Houston.”
“We?” You slot the phone between your cheek and shoulder as you fish out a couple slices of bread.
“Me ‘n Vanessa.”
“Uhuh,” you carve a knife around a jar of peanut butter, “you gotta be there for her.”
Joel sounds a little defensive. “I know. And I am. I’m goin’ to be. ‘s just – I gotta be there for you, too. For – for Duck.”
Your stomach swirls, a fire catching which lights your chest in a trickle of flame.
“You are. You will be. Houston’s only, like, three hours away.”
He sighs.
The turn signal fills the silence between you, between Joel and an appropriate answer. Clicking like the sound of a tennis match, his head spinning between his grief-stricken girlfriend, and the third-trimester mother of his child.
“I’m here,” he says, and you hear the squeal of brakes out front. “Give me a sec.”
The door pushes open as you sink back into the couch, balancing the plate on the planet beneath your breasts. Joel crumples his sandwich paper in his fist and lowers his hand over the back of the couch, scrunching his fingers over your belly as he passes.
“Thought you hated that stuff,” he calls over his shoulder, disappearing into your kitchen.
“I had a craving,” you say, ripping the first bite from your sandwich. “You made me hungry.”
He returns a minute later with a glass of water which he sets down on the coffee table in front of you. He lifts your legs, letting them fall gently in his lap when he collapses into the opposite end of the couch, heels of his palms pressing against his eyes.
You tap his thigh with the ball of your foot and he turns to you, placing a hand over your ankles. A sticky paste of peanut butter and bread between your molars, you ask, “What’shup?”
Joel holds back a smirk at your chipmunk cheeks. “Just – just worried that you…you know, while I’m gone, is all.”
You scoff, gulping. “Come on. I am not gonna go into labor in the, what – two days? How long would you even be gone?”
He seems to wince at the thought, fingers sifting through his hair – a gray sweep sat casually over his left eyebrow; flicks following the curve of his ear towards the hinge of his jaw. “Less than that, if I can help it.”
“Joel.”
He turns to you, saying your name just as deflated in response.
“You have to go.”
He rolls his eyes, thumb and middle finger massaging his temples. Crosses his arms and huffs like a teenager. “Well, I ain’t happy about it.”
You snort, unable to hold it in as you take another bite. “I ‘on’t think Vanesha’sh too happy about it, either, to be honesh wih ya.”
Joel’s jaw slackens, a choked laugh bursting from the back of his throat. He lifts a cushion and swings it in your direction. “Heartless. That’s heartless, you know that? Jesus, baby.”
He leaves on Saturday morning.
You stand on your porch, watching him shove a suitcase into the backseat of his truck, squinting in the sunlight as he stalks across your front yard. Joining you in the shade, he leans into you, shoving you lightly.
“Quit it.” Your hand locking with his, steadying yourself. Something in the back of your mind begging him not to let go.
And as if he can hear the thought: “I can stay. You know I can stay, right?”
“I don’t want you to stay,” you tell him, sweeping the hair from his forehead. “We will be fine. We’ll stay up late, eat junk food and watch TV; I’ll do audio description for Duck…”
He scoffs, glancing across the street.
“…and then you’ll be back home, back to buggin’ the hell out of us. It’ll be Monday before you know it.”
Joel’s jaw tightens. “And what if…?”
“You really think that’s gonna happen? You think your kid’s that much of an asshole?”
He doesn’t miss a beat. “Yeah,” he shrugs, tongue in his cheek, “they’re half you.”
“Alright,” you click your teeth, turning away from the simper on his lips, “why don’t you just fuck off to Houston now, asshole?”
“I’ll fuck off, that’s what I’ll do.”
“Uhuh. Here’s hoping you don’t break down, or get a flat, or get struck by lightning, or anything.”
“You’re so funny,” he whispers, leaning closer.
“Hm. Now go.”
His jaw turns, beard grazing your skin. And then his lips; soft and warm, damp when he kisses your cheek. A moment too long. And he doesn’t pull away, doesn’t lean back the way you both know he should. No, he lingers – his lips by your ear, eyes flitting up to the street to make sure nobody sees.
“Joel –”
“I know.”
“We shouldn’t –”
“I know.”
But your arm is hooking around his neck, asking him to do it anyway, and his lips are lowering to yours, submitting to your request, and what’s supposed to be a goodbye kiss lasts at least a few seconds too long for it to mean anything less than a don’t go kiss.
You pull away when you feel the wet dab of his tongue against yours, realizing with an ice-cold shock where you are, and who he is, and what’s happening. Realizing how fucking stupid it’d be for both of you, how catastrophic and terrible the outcome.
A one-night stand.
A one-night stand.
A one-night –
He leans his forehead against yours, nose nuzzling your cheek. “I’ll call you when we get there.”
Your arm loosens, letting him go.
Just – letting him go.
Saturday Night Live ends just after midnight.
You arch your back into the couch, your swollen belly pushing forward. It’s an effort to get to your feet, what with the steady ache in your back all day, the weight on your front, and the fucking human being smushed into every vital organ inside you.
A deep breath feels like it inflates your lungs only halfway, Duck using the bottom half as a fucking ass cushion, and scaling the stairs takes another ten minutes – by the end of which, you’re slumped against the handrail, pausing before making off for your room.
You sink into the mattress, creasing the cool, smooth sheets. Duck stirs inside you, stretches out and throws a right hook against your bladder. You curse under your breath, hoisting yourself back to your feet.
“We gotta sleep, baby,” you hum, swaying back and forth with a hand under your belly. “Shh, ‘s okay. Take your fuckin’ fist outta my bladder, you little asshole.”
Whichever traits of yours and Joel’s have blended into the human cocktail growing in your uterus, you know one thing for certain: this kid has your stubbornness. The weight remains on your bladder, regardless of how much swaying, or pacing, or rubbing, or threatening you do.
You growl, wandering through the upper floor of your house in attempt to shift Duckie, or distract yourself, or, at the very least, tire the two of you out enough to fall asleep.
From the nursery door handle hangs a little wooden star, a tauntingly sleepy smile painted on it. You push the door open with two hesitant fingers, stepping into the still bedroom, the weak wash of streetlight meeting moonlight on the greenish walls.
You suck in a deep breath, floorboards squealing as you take your first step. Over the crib hangs a plastic mobile, soft plush shapes twirling slowly. The matching changing table slotted alongside it, a rocking chair over by the window.
You pad across a fluffy rug and lower yourself into the chair, tilting back and forth on your toes as you glance around one of the two rooms you and Joel have spent the most time in since that October morning bonded you forever. A baby duck ornament perched on a shelf above the dresser, its orange legs dangling. A multi-photo frame Joel’s mom bought you, both scans in the first two slots and the third empty, lying in wait.
Your breathing fragments, struggles, eyes slipping over to the baby clothes hanging in the closet. “You know, little Duckie,” you whisper, rubbing your bump and thinking back to Tommy’s words six months ago, “you are a pretty lucky kid.”
The hooded towel robe on the back of the door, the perfect size for a newborn. The framed prints sat atop the chest of drawers, waiting to be nailed to the wall: a rainbow, a frog, a starry sky.
“You got two houses. Two bedrooms, all to yourself. You got two parents who already love you more ‘n the whole world. And,” you gulp, “you got Vanessa. And she loves you, too.”
You glance down, watching the tiny pulse of movement when the baby stretches in your womb. Your hands scoop them up, as if holding them closer than they already are. As if already cradling them, forcing yourself to feel less alone.
Duck seems to quieten, to still; seems to consider what you’re avoiding. Reads between the lines, hears the words you’re not speaking.
Two of everything, you think, and I barely even had one.
The most evidence you have of being loved by anyone in your life is the house you live in. Four brick walls and three decades’ worth of belongings, more inheritance than memories. But they roll around like marbles – they echo against the walls when they hit them. There’s nothing binding them, no thread of love, or family, or anything real enough to hold it all together.
You’re the only living organ inside a skeleton’s cage. A lonely little heartbeat, making noise for no one to hear.
And that’s the way it has been, at least since you were eight. The absence of warmth and safety isn’t anything new to you – it left the second your parents did. The last scrunch of your mom’s nails on your head, the last kiss of her lips to your plump little cheeks. The passing over to your grandma, like you were cargo, like you were a box to be checked.
Maybe you found some distant flicker of heat in the way Joel looked at you, the day you told him you were pregnant. Maybe you saw the same glimmer of a flame that you used to see in your mom’s eye. The rosy smell of her perfume, the feel of her finger inside five of yours. Maybe, for the first time since you were a kid, you felt safe.
We’re gonna work it out, he said. I’m here. We’re in this together, alright? I am not running out on you.
Together. And yet, now, sat in your child’s nursery – a room built from scratch by Joel’s two hands and strung together by every beat of your heart – you’ve never felt more alone. The same two hands that are wrapped around Vanessa right now, consoling her, wiping her tears away, massaging her shoulders and sweeping her hair from her eyes.
And the same heartbeat which quickens now, fueled by an angry desire, an impulse scratching deep into your flesh to march all the damn way to Houston and tear the pair of them apart. Like he’s yours; like the way he touches you and looks at you and talks to you means anything more than his child growing inside you.
Like it’s you he’s touching and looking at and talking to, and not Duck. Like his attention won’t cease to shine on you, the second this little baby leaves your body.
And then, washing over the scorching hot sand of anger: a foam-lined wave of guilt. Of shame, for wishing for the breakdown of something that clearly makes the two of them happy. That makes Joel…happy.
He doesn’t owe you anything – he was never yours to begin with. Just one drunken night, a mistake until you noticed the two pale lines on the pregnancy test. And by that point, he was already hers again. You had missed him without even knowing it.
You sigh, pushing up from the rocking chair and reaching for a tissue from the changing table. Turning back, giving the room one last teary glance before closing the door, you sniff.
“You’re just…the luckiest little kid who’s ever gonna live.”
At one twenty a.m., cicadas chirping and trees rustling, the low breeze carrying the sounds through your half-open window – your back begins to ache. A blunt, gnawing pain. Feels like your period, and in your doze, you stuff a pillow between your legs and pray you don’t stain the sheets with a show of blood.
The realization comes over you as if that stifling breeze flips to freezing. You slowly come around, eyes peeling open as you think it over twice, then three times, then four. Duck shifts somewhere deep inside you, somewhere you’ve never felt them shift before.
“…No. Not right now, Duck. You gotta give me, like, twenty-four hours. Just – wait until your dad gets ho–”
A blinding pain interrupts you, the moonlit-blue room fading out of focus for half a second before you’re wide awake, clutching the bottom of your spine where you’re sure the kid just tore a fucking hole straight through your uterus.
“You’re a fucking dick,” you whimper, fingers clenching in tight fists around the bedsheets. “You’re a fucking – dick.”
One twenty-three. You go into labor.
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Murder, Love, and Destiny: An Eridan Ampora Character Study
Warnings for things from Homestuck, like discussions of child abuse, mental illness, murder, suicide, etc. etc.
Because there's a huge wall of text after this point, I'm going to summarize what I hope to convince you of in bullet point format, and then hope you'll actually read the rest of the text before arguing with me about it.
Eridan is the least casteist highblood, if you ignore all the slurs.
Those are his emotional support slurs.
Pale EriKar was not only canon, but set up to be endgame.
Eridan is incredibly plot-relevant, thematically relevant, and was definitely originally intended to be brought back to life, alongside the other dead trolls.
He's Sad.
The first thing we have to establish is what counts as "canon" for the purpose of this essay. I am only counting the original comic up to Game Over, after which there's a general consensus that Hussie kind of gave up on his original planned ending, and slapped together something that most people hate. So I am immediately disqualifying Pesterquest, supplementary material, fanworks deemed canon, the epilogues, and Homestuck^2.
Moreover, we are taking Hussie's commentaries with a grain of salt, for two reasons. The first reason is that I firmly believe - and will be arguing - that the original plan was to bring Eridan (and the other dead trolls) back; therefore, Hussie (who has a track record of playing coy with future plot twists) can't speak too fondly of him, lest he give it away. The second reason for de-emphasizing Hussie's words is that, post-retcon, Hussie isn't very well going to say that he had plans for a better ending, and then didn't execute on them; to save face, he has to act as though his trashing of several prior plot threads, including but not limited to Eridan, was the plan all along.
Therefore, this essay will not be putting too much emphasis on Word of God, and will instead be relying on textual evidence from the comic itself, of which there is plenty. So without further ado:
Eridan is a Consummate Murderer.
The reason I'm starting with this point is that, far more than any other, this truth lies at the core of his being. Eridan is formally introduced to us with a murder, and he's haunted by an overpowering genocide complex. He outright describes to Rose at one point that "killin is all i evver done practically," and uses "murder" as an expletive (ie "swweet stinkin murder"). With a conservative estimate of 5 kills per week for 4 sweeps (Vriska looks VERY young when she has to start killing, and Eridan was likely a similar age when he began), both Eridan and Vriska easily have bodycounts above 2000 - the real number is probably even higher.
At this point, many raise an objection that Eridan is only killing lusii, but I believe we need to count his kills as troll murders, for three reasons: first, a dead lusus results in the orphaned troll being culled; second, one has to assume he has had cases of trolls trying to defend their lusii, or coming after him for vengeance; and third - and most importantly - Eridan HIMSELF is thinking about the orphaned trolls.
Compare Feferi: Go Home:
That should keep her happy for a while. At least until she dies.
To Eridan: Go Home:
That should keep her happy for a while. And make a freshly orphaned troll somewhere very sad.
So Eridan, to a much greater extent than even Feferi, is thinking about the orphaned trolls he's leaving behind, and considers his own actions to be murder.
Now that we've established the facts regarding his murders - a rough bodycount, and the fact that, by his own admission, he barely had any hobbies outside of it - we can move on to the effect that it's had on him. It's not very good!
Vriska's manipul8tions and murders had to be done for her own sake - if she ever stopped, she died. Therefore, much of Vriska's personality revolves around justifying her own actions so she doesn't have to reckon with her softer feelings, like guilt or kindness - which she expresses would be viewed as scandalous by others of her caste.
But if Eridan ever stops feeding Gl'bgolyb, everybody dies. The stakes he has riding on his shoulders are, at all times, the fate of all trolls, including all his friends. Given Dualscar's title was "Orphaner," it's implied that killing lusii for Gl'bgolyb has always been a violet blood's duty, and is seen as such by the others, which is why nobody expresses gratitude for his hard work even a single time.
Which brings us to our next point:
Eridan is Crushed by Anxiety.
If Eridan stops killing lusii, everybody - especially his friends, but everybody else, too - dies.
If Eridan ever shows guilt or kindness, he'll be considered "weak" by the standards of highbloods - he shares this with Vriska.
Eridan is expected, by aristocratic tradition, to take on the mantle of his ancestor Dualscar and finish his work. Dualscar met a comedically cringefail end, so this is a massive undertaking.
Before finding out that god tiering is an option - so, for nearly his entire life - Eridan has had to live with the expectation that he will outlive all of his friends. The lowbloods from culling or dying on the battlefield, the highbloods from old age, and Feferi from being killed by the Empress when she gets old enough.
(This is reflected in who he talks to the most - Feferi, who's the only one with a natural lifespan longer than his, Vriska, who's a highblood, Kanaya, who's practically guaranteed to survive into adulthood, and Karkat, whose anonblood allows Eridan to give him the benefit of the doubt.)
Also if he can't land his concupiscent quadrants he'll die from that too, but that seems pretty secondary to the rest of his concerns.
He can't even make friends with the other highbloods, because sea dwellers are expected to hate and antagonize them.
He had a free ticket into adulthood, but would almost certainly be expected to join the army and serve as a commander. That is to say, his fate of performing the role of a vicious, murderous sea dweller seems dreadfully inevitable to him.
NO WONDER he can't stop having emotional breakdowns. NO WONDER his chatlogs swing wildly from relentless self-aggrandizement to traumadumping. NO WONDER he's obsessed with murder and death and genocide.
Doc Scratch calls him a "vengeful boy on the path of nihilism," and it's not hard to see why: Eridan's entire life has been about living up to the role imposed on him by society, sacrificing his own time and sanity for everyone else, which he "nevver got any appreciation for anywway." And all he had to look forward to was more of the same, all his friends dropping dead one by one before him. For Eridan, there has never been any hope.
SGRUB could have been a way out for him, but a combination of his own terrible choices, spurred on by his anxieties, and his teammates' unwillingness to knock some sense into him, meant that he only wound up mired even deeper in his hopelessness.
We all know about how Eridan wouldn't stop killing the angels on his planet, provoking their aggression and turning it into a ball of death. How he was definitely not supposed to be doing this, and how his stubborn insistence on it led to his further ostracization from the rest of the group. The thing is, when we look at his angel-murders from the point of view that Eridan's entire life has been about murdering things or else Something Bad™ happens, it actually starts to become... kind of sad.
KARKAT: BETWEEN A TRIGGERHAPPY PRINCE WITH A GOD WEAPON BLASTING ANYTHING THAT TWITCHED AND A MILLION CRAZED ANGELS HE DELIBERATELY ENRAGED, IT WASN'T WHAT I'D CALL AN IDEAL SOCIAL HUB. KARKAT: IF YOU WERE LONELY WHY DIDN'T YOU VENTURE OUT MORE OFTEN? ERIDAN: wwell i wwoulda but nobody else wwas vvolunteerin to pick up the slack on angel killin duties
Killing the angels is something he feels like his has to do, because his entire life has been about killing things he doesn't want to kill. He's unable to break out of that mindset on his own, and his unpleasant personality has scared off anyone who might want to help. No one on the team tries to understand his thought process on a deeper level, not even Karkat, who just tells him it was an idiotic thing to do without addressing his underlying anxieties at all. Indeed, "nobody understands."
And this is really the root of why I think so many people get the wrong read on Eridan - Eridan is constantly contradicting himself, constantly denying his own feelings, constantly pushing an image that he doesn't actually believe in, and constantly insisting that he's fine with all the horrible shit in his life - that he likes it, even. After all, he can't admit to his guilt for his murders, or how much he doesn't want to watch his friends die, or how scared he is about the future - that'd be weakness!
CC: I can't look after you anymore. CA: I DIDNT EVER NEED ANYONE TO LOOK AFTER ME CA: i was totally fuckin fine my ambitions were noble
You see his contradictory nature with his stated love of history, which he only ever offhandedly mentions - because he's not actually that interested in history, it's just something that's expected of someone of his station. And you see it with his wavy accent, which he himself calls "weird" and drops when he's trying to be emotionally sincere. And you see it with his dumbass outfit, which is very clearly an imitation of Dualscar (with the only exception being the wizard-ass scarf, because wizards are his actual interest. I don't believe he likes fashion. I genuinely believe - and Eridan himself says so - that he basically has no hobbies outside of murder).
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Even being proud to be a sea dweller is pretty much an outright lie:
CC: You can't )(ave t)(e sort of affinity for "our kind" t)(at you profess if you've only spent, w)(at... CC: A few days underwater, maybe? IN YOUR W)(OL-E LIF-E!
One that he tells because he's SCARED OF THE OCEAN. Because he knows what lives in the ocean, because he's been feeding it his entire life. I see a lot of people who give Eridan an interest in marine life, and I'm telling you, that's just got no basis in canon. He's fucking TERRIFIED of the sea.
And for that matter, land dweller genocide. Eridan doesn't want to do it. Both Feferi AND his internal narration call him out for not actually wanting to do it. He outright states he wouldn't kill his friends.
CA: wwell CA: im not goin to vvery wwell kill you am i that wwould be fuckin unconscionable CA: wwhat kind of friend wwould i be
But he feels like he HAS to want it, HAS to believe in it, HAS to be talking about it constantly, because that's what's expected from him as a sea dweller, and a sea dweller is ALL that he will get to be. The mutation that puts a violet streak in his hair is damning. It's a fate he feels like he can't escape. Which brings us to:
Eridan is Not Actually Casteist, Well He Is But Not Like That, It's Complicated
Secondary title: Those Are His Emotional Support Slurs, Okay
In the exact same vein (haha) as secretly not wanting all the land dwellers dead, Eridan also genuinely doesn't feel like he's better than lower blood castes. Vriska and Equius obviously put quite a bit of stock into being nobility, and both have acted superior to Karkat for it. Feferi actually revels in her high status, and while she is genuinely well-meaning, she's not as interested in abolishing casteism as she is in changing the meaning of "culling" specifically (the hemocaste, aristocracy, and casteism still very much exist in a Beforus under her rule). Gamzee MIGHT be the only highblood less casteist than Eridan, but then again, as soon as he snaps, he does say a lot of casteist stuff to Equius, although it's unclear how serious he is, and he also proceeds to get really into his weird highblood clown cult.
Meanwhile, Eridan - despite all his slurs and talk of genocide - does not actually try to "pull rank" on a lowblood for being a lower caste than him with a single exception. That exception is Sollux... after he's already shown having entirely caste-neutral opinions on Sollux:
CC: But Sollux finally came t)(roug)(, and now I believe t)(e full c)(ain is complete! CA: man that guy CA: hes a fuckin drama machine it is fuckin pathetic CC: YOUR STUPID FIS)(Y FAC-E IS T)(-E DRAMA MAC)(IN-E T)(AT DO-ES NOT)(ING BUT W)(IN-E AND GLUB. CC: 38P CA: fuck SORRY CC: Anyway you s)(ouldn't say t)(at about )(im, )(e is a )(ero and )(e saved my life. CA: yeah sorry
CA: my feelins seem petty and meaninless noww CA: she had better things to wworry about than my ovverwwrought bullshit CA: like the dead guy wwho savved her CA: so forget it thanks anywway
It's only AFTER he's mad at Sollux for dating Feferi that he starts going in on Sollux with casteist rhetoric... which is treated as unrequited flirting and not serious casteism:
ERIDAN: hey finless this doesnt concern those wwith mustard sludge slippin through their vveins ERIDAN: its a matter for royalty only ERIDAN: so keep your mouth closed or ill slit you open ovver my next meal SOLLUX: w/e bro, not iintere2ted. FEFERI: -Eridan, please! I don't want to see any more dueling. FEFERI: Don't try to provoke )(im. It's not like I don't know w)(at you're doing! You keep trying to spark a rivalry wit)( )(im to get me to auspisticize between you two, and pull us out of our quadrant! FEFERI: It is t)(e oldest and lamest trick in t)(e book. It didn't work t)(en and it won't work now!
THEY don't even think he's being casteist.
In fact, directly contradicting this earlier argument he has with Feferi:
CC: T)(is is t)(e last time I will say t)(is. CC: W-E AR-E NOT B-ETT-ER T)(AN ANYBODY!!!!! CC: GLUB. >38( CA: pshh CA: hemospectrum begs to differ
He OUTRIGHT states his real feelings here:
CA: im the biggest fuckin idiot who ever lived CA: i cant BELIEVE i just opened up to you like a chump when i knew what was comin CA: i am one sad fuckin brinesucker CA: overemotional sappy trash youre right im not better than anybody CA: im worse than anybody CA: EVERYBODY CA: all the bodies
So the question of "is Eridan casteist" has an answer of "kind of, but also no." Eridan DOES espouse the rhetoric; he's constantly saying stuff that a casteist sea dweller "should" be saying. However, if you look at his ACTIONS, and the way he actually treats people, he doesn't actually care about blood color. He'll hit on anybody, and he's rude as fuck to everybody. The real problem with him is that he's terrible to talk to, not that he's discriminatory.
That's the thing about Eridan. Understanding him means looking past the way he presents himself, the lies he tells to himself, and even, at times, the way the narration presents him. His "overblown emotional theatrics" seem a lot less overblown when his problems ARE so real, deep-seated, and constantly causing him an unimaginable amount of anguish.
The problem is, the main people he has to bounce those problems against are Feferi, Vriska, and Kanaya, three of the people most comfortable with their privileged positions, for whom Eridan's genuine emotional distress seems like needless melodrama. Feferi loves being a princess, Vriska enjoys her noble privileges, Kanaya doesn't need to worry about culling. But for Eridan, his noble status, and the duties and expectations placed on him for it, have caused him nothing but pain - of course he would feel like nobody understands. Most of his closest friends genuinely don't, nor do they try to.
Because that's what he is at his core - a traumatized fucking child, who doesn't see any way out. Eridan is not a casteist genocidal sea dweller... he just wishes he was one, and tries to be one, because if he actually was one, he wouldn't feel so awful and scared and sad all the time. He'd be normal, like his friends.
The reason he constantly spouts anti-land dweller rhetoric and uses casteist language is to assuage this cognitive dissonance. That's why he has to come off so strong, present himself in such an aggrandized way, act like such a douchebag. They're his emotional support slurs. He doesn't actually believe what he says, which means he's a Bad Sea Dweller, which means he's Failing, which means Something Bad Will Happen, so he'd better get his ass in line and say something casteist!
And it's all made worse because:
Eridan is Dumb of Ass (and True of Word)
Oh my god you guys he's so stupid that it hurts.
Okay, that's not entirely fair. Eridan is clearly well-educated and book smart; he has some of the most elegant prose out of the trolls, and he's prone to going off on insane rants with it. (Actually, his language gets more flowery and showy when he's trying to impress a stranger, and gets progressively more laid back, chill, and even kind of "bro"-y when he starts talking to people he doesn't feel like he needs to impress.)
CA: at this point i find all her adorable black pixie dabblins to be prime kiddie playtime shit CA: all of her FRAUDULENT MAGICS cannot come close to posin threat to my mastery ovver the TRUEST SCIENCES CA: an wwith my empiricists wwand i servve as the righteous hope that wwill incinerate delusion and the deluded alike CA: my holy fire is the wwhite fury bled from the wwrath-wweary eyes of fifty thousand nonfictional angels CA: and wwhen theyre finished wweepin they wwill boww before their prince GG: wow what are you talking about
What I mean is this: his brain is so full of anxiety and cognitive dissonance and murder and death that he struggles to care about other people, which has devastating effects on his social skills. I go really in-depth on how his though process informs his behavior here. The question may have popped up in your mind already: if his casteism stuff isn't actually real, then what is Eridan actually like? The answer is, overwhelmingly, and discomfortingly, SINCERE.
This boy is gunning at 100% emotional earnestness 100% of the time, and it's deeply uncomfortable for others to deal with. He'll swing wildly from insults and derogatory language, to stating a desire to kill all land dwellers, to awe and amazement at his friends' prowess, to demanding that they do things for him, to traumadumping and venting, without missing a beat. Often in the same conversation.
CA: kan its hard GA: What CA: being a kid and growwing up CA: its hard and nobody understands
He's also specifically terrible at parsing hostility. Functionally, he interprets all hostility aimed AT him as either pitch/ashen flirting or "ironic repartee," and similarly views his own hostile words as verbal jousting, pitch/ashen advances, or even just factual descriptions of the world around him (ie calling Nepeta a "kittycat shipper cavve girl"). Hostility and aggression are just kind of his baseline, default state of being, and he basically has no ability to differentiate between good and bad attention. I talk more in-depth about his emotionally bereft upbringing (and shitty lusus) here, but suffice to say that our boy isn't getting any emotional support at home, and as a result, craves attention, no matter what kind.
This also means he's insanely gullible. For example, Rose calls him an idiot to his face, and then blows up his computer, sarcastically calling it "your first lesson in showmanship." Eridan proceeds to literally considers it that, blowing up Jade's computer after he's done talking to her. Furthermore, Kanaya sees him as a burden, insults him to his face, and pretty much just bullies him along with Rose for fun.
So she trains Eridan to become a powerful white wizard of hope to challenge her, as a joke.
And yet, in spite of all that, Eridan still has nothing but gratitude and praise for Kanaya:
ERIDAN: kan i been meanin to thank you KANAYA: For What ERIDAN: for all that trainin you did ERIDAN: i wwouldnt be the incredible holy wwizard i am noww wwithout your help KANAYA: But I Didnt Even Really Train You I Just Made You A Wand ERIDAN: yeah wwell thats all i needed i guess ERIDAN: i just needed for someone to showw a little faith in me so im sayin thanks i owwe ya KANAYA: Okay Then Youre Welcome KANAYA: I Hope You Use Your Magnificent Powers Of Light And Hope For Goodness And Purity And Lets Not Forget Science ERIDAN: dont wworry im all ovver that shit you dont evven knoww KANAYA: Uh Oh I Hope That Didnt Come Off As Too Sarcastic ERIDAN: wwhat KANAYA: The Thing I Just Said KANAYA: I Didnt Even Realize How Sarcastic I Was Being Its Starting To Become A Problem I Think KANAYA: Please Dont Take Too Much Offense ERIDAN: haha damn kan if thats your idea of offense bein made then i honestly gotta fuckin wworry for you ERIDAN: tell you wwhat ill givve you some lessons in dealin out the dark umbrage to repay you for your tutelage in the wwhite science
Like, he's in the middle of genuinely thanking her for believing in him, she makes fun of him to his face, and his response is to laugh it off and offer to teach her how to properly insult someone. It's honestly... kind of sad. Not that he doesn't deserve the ridicule, but what we're seeing here is a traumatized, emotionally neglected boy trying to communicate the best that he can that he loves and appreciates his friends, and receiving nothing but mockery in return.
It's really not a surprise, then, that he goes off the deep end. His entire life prior to the game has been shit; he got broken up with as soon as he entered the game (by someone who didn't even care enough not to use fish puns while doing it); he's ostracized and avoided for the game's duration; and then he spends the rest of his time on the meteor being bullied. He feels deeply hopeless and anxious about their situation because he literally doesn't know how else to exist, and his concerns are dismissed and mocked at every turn. When Feferi turns on him with intent to kill, that's his breaking point.
I see a lot of people say he goes grimdark, or succumbs to external influence somehow, but I don't think that needs to be true (nor is it) - he's just a deeply traumatized kid with almost no support network who's finally been pushed to the edge, despite displaying every possible warning sign and making multiple cries for help. Yes, ultimately, he's guilty for his own actions, but his killing spree - alongside Gamzee's and Vriska's - represents a cohesive failure as a team to address very clear problems in their midst.
So Feferi and Kanaya are sick of his ass. Sollux hates him platonically, Equius doesn't like him, and Nepeta thinks of him as a creep. Vriska is his awkward ex, and Terezi agrees with him when he calls himself pathetic. He never interacts with Tavros, Aradia, or sober!Gamzee. Is there anyone that treats him nicely?
Uh, okay, so I swear this isn't shipping goggles -
Pale EriKar Is Canon And I Can Prove It
So, I'm going to start this with a disclaimer: you can ship what you want to ship. I don't mind. I don't care. Headcanons are valid, death of the author, etc. What you do in your free time is up to you.
What I am attempting to argue in this section is that an Eridan/Karkat moirallegiance was heavily foreshadowed, one of the most heavily foreshadowed things in the entire comic, and - assuming that the original ending of Homestuck included all the dead trolls being brought back and redeemed - was going to be endgame. There's a torrential amount of evidence pointing to this, and very little of it is acknowledged even by the EriKar shippers, which is a shame.
At the very least, I'll be happy if I can convince some Karkat RPers to be extra nice to Eridans, because they are actually just friends who care deeply about each other. Canonically.
The first thing to note is that Eridan and Karkat, at least prior to SGRUB, talk all the time, to the point where Feferi feels the need to comment on it:
CC: You know, I'm not sure w)(y we never talk about our romantic aspirations. CC: We s)(ould more often. It is kind of -EXCITING! CA: shrug CC: Probably because you fill your gossip quota wit)( your nubby )(orned bro. CC: You leave not)(ing left to talk about wit)( your dear sweet moirail! CC: We are supposed to )(elp eac)( ot)(er wit)( t)(at stuff too, remember. CA: maybe CA: seems kinda CA: odd though
("Can you please stop having an emotional affair with Karkat" "Eh, I'll think about it")
The second thing to note is what the contents of those conversations entail. Sure, they "gossip," but it goes deeper than that, because they gossip about things that Karkat would NEVER gossip about with anybody else, because Karkat usually respects his "VERY GOOD FRIEND"s. For example, here Eridan mentions that Karkat has speculated on Kanaya's love life with him:
CA: you dont wwant to be our auspistice cause you dont wwant to get locked into that sort of relation wwith her i can respect that GA: No Thats Not It CA: yeah it is your real feelins run pretty awwful RUDDY methinks evverybody knowws it CA: especially that assblood karkat he and me havve you so pegged about that its upright silly
And it's not even a one-off thing, because here Karkat is again, mentioning Nepeta's crush on him:
KARKAT: OK, BUT TO BE FAIR, I'M PRETTY SURE SHE'S STILL OBSESSED WITH ME. KARKAT: IT'S A VERY UNFORTUNATE, VERY RED AND VERY UNREQUITED SITUATION I'VE BEEN TRYING TO TIPTOE AROUND FOR A LONG TIME, OK? KARKAT: HER DISINTEREST IN YOUR ADVANCE WASN'T A REFLECTION ON YOU AT ALL. KARKAT: COME ON, WE TALKED ABOUT THIS.
It's a situation he's been trying to "tiptoe around for a long time," and he tells ERIDAN, of all people? MULTIPLE TIMES? (AND HE ALSO TELLS ERIDAN THAT THE REJECTION WASN'T HIS FAULT???? WHAT??????)
So we've established that they talk frequently and about some pretty seriously sensitive topics. But did you know that they also talk about... their feelings?
See, the thing is, Karkat has always been weirdly nice to Eridan. Here he is in a memo near the very beginning of their game, when Karkat is at his most "rah rah, I'm the big bad leader":
FCA: i got a problem FCA: wwith feferi FCA: and im really kinda sittin here in bad shape about it emotionally speakin CCG: OK, WELL CCG: I GET THAT, I HEAR YOU BRO CCG: BUT THIS IS STILL NOT THE RIGHT PLACE FOR THIS SO I'VE GOT TO BAN YOU. CCG banned FCA from responding to memo. CCG: BUT SERIOUSLY JUST GET IN TOUCH WITH ME IN PRIVATE ABOUT IT, OK MAN? CCG: WE'LL GET YOUR SHIT STRAIGHTENED OUT.
Compare that to Tavros asking for advice later down in the same memo:
PAT: sINCE i DON'T KNOW WHERE YOU ARE NOW, bUT MAYBE HELP ME, PAT: aBOUT A THING THAT HAS TO DO WITH A GIRL, PAT: lIKE, PAT: a ROMANCE THING, yOU MIGHT KNOW ABOUT, CCG: YOU PEOPLE ARE IMBECILES. CCG: ALL OF YOU. CCG: I AM NOT POSTING THESE MEMOS TO COUNSEL YOU ON YOUR PAST AND FUTURE DATING PROBLEMS!!!!!!!!!!!!!!!!! CCG: WHY ARE YOU ALL SUCH BASKET CASES. I DON'T EVEN KNOW WHAT TO SAY ANYMORE. PAT: sORRY, CCG: SHOULD I BAN YOU? WHAT'S EVEN THE POINT ANYMORE! ONE OF YOU STOOGES WILL BE RIGHT ON THE LAST ONES HEELS WITH ANOTHER SOB STORY. CCG: JUST CCG: HURRY UP AND TELL ME WHAT YOUR PROBLEM IS BRO.
He then proceeds to dispense no actual love advice; he just points out that Vriska can totally read this memo too, and then mocks them both when she shows up - thus making it clear that he is giving Eridan special treatment.
You see it again in his discussion with Eridan in [S] Kanaya: Return to the Core, where Eridan invokes a "pact" between them, and Karkat immediately plays nice with him, despite himself being extremely high-strung and stressed out:
KARKAT: RIGHT, IT'S POWERED BY SCIENCE, I FORGOT. KARKAT: OR HOPE. WHATEVER THE FUCK THAT MEANS. ERIDAN: i dont fuckin need this from you i take enough shit as it is from the rest a you dirtscrapers i thought you and me had a kinda pact or wwhatevver KARKAT: OK FINE, SHUT UP, I APOLOGIZE. I KNOW IT'S TOUGH BEING YOU.
That's definitely pity, which Karkat states to be the basis of all relationships besides pitch. But, sure, okay, Karkat is sometimes nice to his friends. He is, after all, the Friendship Troll, so that's not necessarily out of the ordinary. But how about the fact that it goes both ways?
That's right, Eridan "100% aggro 100% of the time" Ampora is actually really considerate toward Karkat's feelings, and basically nobody else's. Upon hearing that Karkat is distressed that Sollux has died, Eridan actively puts his own meltdown about his breakup with Feferi on pause:
TC: BeCaUsE OuR GoOd bRo sOlLuX JuSt kIcKeD ThE WiCkEd mOtHeRfUcKiN ShIt CA: wwhat the fuck do you mean by that CA: are you sayin hes dead TC: YeAh :o( CA: oh fuck CA: oh god fuck noww i feel like an asshole
He then goes on to chastise Gamzee for his shitty advice, demanding to be given the chance to comfort Karkat himself instead:
TC: BuT I ToLd hIm tO Be cHiLl TC: BeCaUsE ThErE Is a mIrAcLe cOmInG, i cAn fEeL It CA: that is the wworst fuckin advvice CA: wwhat an awwful thing a you to say CA: MAGIC ISNT REAL STUPID STOP BELIEVVIN IN IT TC: i'Ve gOt tO BeLiEvE At wHaT My hEaRt tElLs iN Me, EvEn iF It's a fAkE ThInG TC: HoNk CA: this is a lot a pointless fuckin rubbish and isnt no emotional help to him or me either for that matter CA: put kar on
Before finally giving up when Gamzee insists he's "too scared of Jack" to help, drinking some Faygo, and trying to ask past Karkat for help, because past Karkat isn't sad yet about Sollux dying. So, to recap,
Eridan's first instinct when in emotional duress is to go to Karkat.
Eridan feels like he knows Karkat well enough to know that Gamzee's advice would be useless (and is proven right by the fact that Gamzee and Karkat's moirallegiance fails for similar reasons).
Eridan is willing to shelve his own emotional meltdown for Karkat's sake.
Eridan demands to be the one to provide Karkat with emotional support.
And this is, again, not a one-off thing. In the memo Karkat opens right after Eridan and Gamzee have both turned murderous, after he's spent several minutes making death threats toward Eridan and insulting him directly, he goes:
CCG: I'M SO UPSET, I'M JUST COMPLETELY FREAKING OUT IN EVERY WAY POSSIBLE. PCA: yeah i knoww wwhat its like you wwanna talk about it
Eridan spends this entire memo under the belief that it's a completely run-of-the-mill conversation they're having:
PCA: i mean yeah obvviously i kneww you wwerent serious PCA: i guess i appreciate the effort youre puttin into cheerin me up PCA: i can alwways count on you for some good ironic repartee kar nobody else really gets our sense a humor CCG: UGH, NO PCA: are you busy PCA: you said youd try to make it to lowwaa soon wwell howw about it
Which implies that offering to listen to Karkat's feelings is also a completely regular thing for them.
But something magical is ALSO happening within this last memo, and to really explain it, I'll first have to be a little mean to the GamKar shippers (sorry).
So, canonically, GamKar doesn't work out for them, despite also being somewhat foreshadowed. In fact, they feature on Nepeta's shipping wall, which is actually, in my opinion, foreshadowing that it WOULDN'T work out. (Nepeta's ships being wrong, and shipping being something she needs to learn to outgrow, is a whole essay on its own, that I'm not getting into here.)
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But the thing is, the seeds for them not working out were also planted in the first - and only - real post-moirallegiance interaction that they have with each other, where Gamzee tries to calm Karkat down... and FAILS:
GAMZEE: naw brother, i was just about to all say for you to try and get your settle down on, maybe. GAMZEE: :o( ... KARKAT: OK KARKAT: OK YEAH KARKAT: I GUESS YOU'RE RIGHT. KARKAT: NO, YOU'RE RIGHT, I SHOULD RELAX. KARKAT: AND BREATHE. KARKAT: I MEAN, WHAT ARE MOIRAILS FOR, RIGHT? KARKAT: THIS IS HOW IT WORKS, I STOP YOU FROM KILLING EVERYBODY, THEN YOU RETURN THE FAVOR AND CALM ME DOWN AND I JUST KARKAT: BREATHE KARKAT: LIKE KARKAT: THIS... KARKAT: SNIIIIIIIIIIIIFFFFFFFFFFFFFUCK, THAT SUN IS BRIGHT. KARKAT: CALL ME CRAZY, BUT IT'S KIND OF HARD TO RELAX WITHIN A STONE'S THROW FROM, OH, I GUESS ONLY THE BIGGEST FUCKING STAR ANY MORTAL HAS EVER LAID EYES ON. ... KARKAT: BUT I MEAN, CAN THIS BE HEALTHY? KARKAT: AREN'T WE GOING TO GET BURNED OR HAVE OUR RETINAS SCORCHED BY LOOKING AT IT? KARKAT: OH GOD I THINK I'M HAVING A PANIC ATTACK.
But let's go back to that memo where Karkat is freaking out in every way possible. This is how he starts that memo - so upset about the deaths of his friends and terrified by Gamzee that he can barely string together a coherent thought:
CCG: WE ARE SO SCREWED. CCG: OH FUCK OH FUCK OH FUCK. CCG: GUYS, I AM TERRIFIED, I DON'T KNOW WHAT TO DO. CCG: I'M IN A ROOM FULL OF BODIES, AND I THINK I'M NOT SUPPOSED TO TURN MY BACK ON THEM? CCG: OH MY GOD, I JUST HEARD A HONK. ... CCG: FEFERI, I'M SORRY. CCG: IT WAS MY FAULT, I DIDN'T KNOW WHAT TO DO. PCC: Sorry for w)(at?? CCG: FOR CCG: I CCG: I CAN'T DO THIS CCG: IT'S TOO MUCH FOR ME, I'M SORRY.
In fact, he's so distressed that he bans Past!Feferi and Past!Gamzee almost immediately after they come in. But then Eridan comes in, and... I mean, first of all, just compare how long it takes for him to ban Eridan:
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But more interesting are the contents of their conversation. Over the course of talking to Eridan... Karkat completely calms the fuck down. Like he's entirely forgotten that he's shitting his pants with fear. In fact, he even starts critiquing Eridan for his dumbassery:
PCA: evven if i wwasnt compelled to think you wwere still bein flippant and ironic wwith me you cant exactly outright reject me can you CCG: WHY NOT PCA: cause youre future you PCA: doesnt count unless its present you til then its all fair game CCG: IS THIS REAL, ARE YOU BEING IRONIC OR SOMETHING, I CAN'T EVEN TELL ANYMORE CCG: THE PROBLEM IS, I CAN'T PUT THIS SORT OF BEHAVIOR PAST YOU AT ALL, SO I DON'T KNOW. ... CCG: YOU'RE KILLING ANGELS NOW, AREN'T YOU PCA: no CCG: YOU ARE KILLING FUCKING ANGELS, RIGHT NOW, IN THE PAST, WITH YOUR SHITTY GUN. I JUST KNOW IT. PCA: wwell uh PCA: therere just so damn many kar and theyre not gettin any less bloody pissed is the thing CCG: THIS IS WHY IT WOULD NEVER WORK BETWEEN US, MAN.
It's extremely funny. Over the course of talking to Eridan, he goes from:
CCG: OH GOD OH GOD OH MAN OH GOD CCG: NO NO NO NO NO NO NO NO NO
To:
CCG banned PCA from responding to memo. CCG: ANYWAY CCG: THAT'S IT I GUESS.
Eridan isn't even trying to calm Karkat down. He still succeeds in doing so. This is because they are soul mates. And I mean that in the sense that the comic literally calls being moirails soul mates, which it doesn't do for the other quadrants:
A reasonable human translation would be the concept of a soul mate, but in a more platonic sense, and with a more specific social purpose.
That "social purpose" being that an even-tempered troll calms down a more hot-tempered one, and vice versa.
It also goes on to note:
But some pale pairings, as the one above [referring to a picture of Nepeta and Equius], will be strikingly obvious to all who know them.
But what's really interesting is the next page.
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And yet others will seem to have been hatched for each other.
Did you catch that? Let me zoom in.
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(Also, the blue and red cuttlefish to represent Sollux - Feferi and Sollux spend the whole game together, and even wind up talking about their feelings constantly in a pile - more on piles in a sec.)
In fact... in Eridan's first visual appearance...
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The crab has always been there for him.
It's also important to talk about the bottle of Faygo that's been photoshopped to be candy red, Karkat's blood color. The path that it takes actually directly mirrors Karkat's relationships with Gamzee and Eridan - it's initially something that Gamzee has, but winds up being ejected out of his life, and washes up on Eridan's shore. In fact:
TC: SnAtCh aN IcEcOlD, dOg TC: MoThErFuCkIn cHuG ThAt sHiT LiKe yOu aNd tHe bOtTlE WaS ReUnItEd lOvErS CA: are you recommendin a bevverage to me or somethin CA: is that wwhat this is TC: YeAh mAn SlAm A FaYgO CA: i dont havve a fuckin faygo you stupid fuck wwhy wwould i keep that disgusting shit on hand TC: ArE YoU MoThErFuCkIn sUrE AbOuT ThAt? CA: oh CA: oh god youre right i do CA: i totally forgot about it TC: YoU SeE MaN TC: MoThEr TC: FuCkIn TC: MiRaClEs TC: :o)
When Gamzee and Eridan discuss this exact bottle, Gamzee even likens it to "reunited lovers"; it's something that Eridan has had this whole time (after all, he was cheating on Feferi with the guy), but never realized.
There are a few miscellaneous things that don't really mean anything on their own, but put next to all this other stuff, is worth considering, so I'll list those now.
First, they both do the bonk:
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Second:
CG: ARE WE NOT FRIENDS ANYMORE BECAUSE OF STUFF I SAID. TA: eheheheh you LIITERALLY a2k me that every tiime are you jokiing. TA: ii cant even tell anymore. CG: IT'S A JOKE MORON. CG: HONESTLY I'M JUST GLAD NOBODY ELSE IS PRIVVY TO OUR CONVERSATIONS.
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Third, Karkat muses to his future self about how he misses his friends, especially the assholes, two pages before staring at a dead Eridan's ass (joking, he's definitely looking at WV, but it's still significant that this thought is being associated with Eridan):
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CCG: I MEAN, DON'T GET ME WRONG. CCG: I MISS ALL OF MY DEAD FRIENDS A LOT. CCG: EVEN THE ASSHOLES! I MISS THEM TOO. MAYBE EVEN ESPECIALLY THEM, IN SOME PERVERSE WAY. CCG: AND I SHOULD BE RELIEVED THAT THEY ALL SEEM TO BE HAPPY IN SOME WAY, EVEN IF IT'S BY FLOATING NEBULOUSLY THROUGH DREAM PROJECTIONS WITH THEIR FREAKY BLANK EYES. CCG: AND I GUESS I AM RELIEVED ABOUT THAT. CCG: BUT AT THE SAME TIME IT'S LEFT ME UNSETTLED.
Fourth, in the same conversation, he bemoans his failed relationship with Terezi, before Future!Karkat chastises Past!Karkat for his instability and mixed signals. Going back to the page on moirallegiances, an explicit function of a proper pale relationship is stabilizing a troll's other relationships:
The two partners in a strong pale relationship will serve to balance and complement each other's emotional profiles, and thus allow their other relationships to be more successful.
Of course, I don't need to tell you how messy and unstable Eridan's relationships have been.
And finally, Piles of Stuff™ are associated with moirails, and directly stated in-comic to cause an outpouring of emotion:
Standing near this pile stirs powerful emotions. The closer you stand to piles of stuff, the more freely the feelings flow. It is a law of reality.
So here's a seven-word tragedy for you: For Sale, Shitty Wand Pile, Never Used:
ERIDAN: at least i got the upright basic decency to hide my shitty wand pile somewwhere in the lab you wwont find it dont evven bother lookin KARKAT: WHY DO YOU ASSHOLES HAVE PILES OF THINGS, JUST STOP.
(Which he specifically tells Karkat about.)
So, yeah, what I'm saying is, there's just, like, a weirdly large amount to read into here. That Karkat and Eridan are probably soulmates or whatever. And that this is important because...
Eridan Is Plot Relevant (Well All The Dead Trolls Are But This Is An Essay About Eridan)
So. Now we are going to talk about themes. Yes, like we are in schoolfeeding again. I'm going to keep it simple, because "The Themes of Homestuck" is a whole essay on its own, and this one about just the shitty fish boy is already way too long.
I think it's fairly non-controversial to posit that the main theme of Homestuck is, "children should mature, care about each other, and throw off the shackles of their old society, because they will be responsible for a new world one day."
Up until Game Over/the Retcon, this is so prevalent and well-established that SBURB/SGRUB's coming-of-age themes will outright be commented upon by the characters, and the main villain is a child who deliberately stunted his own growth so he could go around kicking over other peoples' toys forevermore.
So, the thing is, with that being the theme of Homestuck, if ALL of the Alternian trolls don't survive to the end, the ending is thematically unsatisfying, because the message suddenly gains an addendum of "well, some kids just need to die," which totally sucks. Like, sure, Eridan was a violent, crazed murderer even at the best of times, but his permanent death within the canon ending kind of means that the comic is saying that people in his position don't deserve kindness or second chances. That position being a traumatized, emotionally neglected child, who was being bullied by people he considered his friends. It's a pretty terrible message.
It's even worse when you consider what other trolls don't make it to the end - Nepeta, the most outspoken troll against the hemospectrum (and Davepeta does NOT count, don't try to tell me the final culmination of Nepeta's character arc is being combined with some guy she barely knows and a bird). Feferi, who genuinely wanted the best for others, even if she was kind of a privileged princess. Aradia and Sollux also stay behind in the bubbles, even though their lives have pretty much been endless parades of suffering and being used by other people. Even Equius doesn't deserve it - he was kind of a casteist freak, but not irredeemably so, and the fact that he became kinder to Karkat over the course of SGRUB proved that he had the capacity to change. And Tavros, allergic to himself and being insulted by Vriska, is a terrible way to end his arc.
It's also really clear that, since half his friends are dead, Karkat just doesn't really have anything to do. His title is the Knight of Blood, and Blood is about bonds - romance, friendship. And yet, he ends the comic having never figured out what Blood was about, with no confirmed filled quadrants (sorry DaveKat likers, but within the comic itself, DaveKat is never confirmed), and most of his bonds nothing more than ghosts in the bubbles. It's a terribly unsatisfying ending for the most narratively important troll.
I think, then, that even if you don't agree that Homestuck should have ended with full revivals and redemption arcs for all the trolls, the essay is going to proceed on like you do, so, sorry, I guess.
The thing with Eridan, specifically, is that he's actually tied deeply into the plot and themes, and his return means more than just Karkat finally getting a date (although that's important, too). Eridan is directly intertwined with a prophecy to kill Lord English; he's set up to mirror Caliborn and Calliope; and thematically, his redemption would be the most clear instance of the "interrogating society" part of the theme of Homestuck, because Eridan is kind of the Society Troll. And also, he was definitely supposed to be Roxy's wizard boyfriend.
Just gonna get that last one out of the way real quick because it's a fast one, Roxy fucking loves wizards and is a hipster. Eridan is a wizard and is also a hipster. Roxy has a crush on a prince. Eridan is also a prince. Roxy wears a purple striped scarf. Eridan wears a blue striped scarf. Roxy uses rifles. Eridan uses rifles. Momlonde's introduction includes a passive-aggressive fridge battle that features a cameo of Eridan's quirk.
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Using the colorful MAGNET LETTERS, you recently left a succinct message, which may or may not have been directed toward anyone in particular. But you couldn't find the letter W, so you just stuck two V's together. Your mother then purchased a fresh pack of W's and left them there for your convenience.
Yeah. So. Uh. Not only did Eridan need to be brought back to date Karkat pale, but he also needed to be brought back to date Roxy flushed. Can you imagine how funny it would be. They'd get together within 5 minutes of meeting for the first time and Rose would lose her shit. Anyway.
Him being a parallel to Calliope and Caliborn is also a quick one - Caliborn uses Riflekind/Sceptrekind, and Calliope uses Pistolkind/Wandkind. Eridan's two weapons are rifles and wands. Lord English is described as an evil wizard and at one point is shown using Calliope's wand. Eridan is also an evil wizard who uses a wand.
Look, I'm not saying that Eridan is necessarily directly related to these two, nor am I even necessarily saying that he and Roxy HAVE to date, but I am saying that he's got Weird Plot Connections that make him bizarrely relevant to characters that only come into play well after his death - almost like the comic was setting up that he would be coming back. His reaction to Cronus supports this, which I go into detail about here.
There's other strange "Eridan's plot important" things, too - like the fact that he's completely unimpressed by Faygo, considering it to be "just soda," and seems to be the only non-cultist who's okay with it. Or the fact that he's actually been awake on Derse since before the game (but unable to hear the horrorterrors, maybe foreshadowing some psychic resistance?) which he casually reveals to Kanaya and which Terezi is aware of, hence he's included in the people she names are "in" on the existence of the game. Or the fact that the genetic code for Alternia's first guardian was written within the pages of four FLARP books, with the addition of a fifth code Gamzee wrote in Karkat's ~ATH book... but Eridan was the fifth FLARP player in the team, implying that Doc Scratch/LE influencing Gamzee caused him to usurp Eridan's part of the first guardian code, giving LE his way into the trolls' universe.
Individually, it's all kind of nothing, but it just paints a bigger picture of Eridan being weirdly relevant, especially when we get to the juicy stuff:
The Prophecy
ARANEA: The 8ard of Hope may seem a little jaded these days, 8ut he once had a deeply a8iding faith in magic, and dedicated himself to 8ecoming a great wizard. He 8ecame convinced he was hatched to defeat an extraordinarily evil magician, one he swore the angels foretold of. ... [T]his magician once somehow from afar tried to strike him down at a young age, so he would never have to face him. 8ut the evil spell was deflected, sealing the magician's spirit away in a series of unassuming vessels until he could find some other cunning way to enter our universe. ... ARANEA: 8ut at some point he 8ecame disillusioned with magic. If there ever was any truth to his far fetched vision, the legacy of defeating the evil magician would have to 8e passed on to his descendant, or if his descendant proved to 8e as much of a failure as he did, then perhaps on to some other Hero of Hope.
ERIDAN: i slaughtered enough angels to knoww my limits and wwhere i stand against the lord of all angels they prophecized
GG: im pretty sure hes from the future! CA: wwhy GG: because he said hes my grandson CA: wwhat the fuck is a grandson CA: is that some kind of pervverse human familial thing GG: umm yes ... CA: that gun i just gavve you is somethin of a hatchright to the kid CA: happy i could play a role in your dirty stinkin lineage GG: like an heirloom? i guess it could be ... CA: i kinda think thats wwhy i found the gun in the first place CA: but noww im forsakin it because fuck i just found a better destiny than my old crappy one wwhich i nevver got any appreciation for anywway
Jake is supposed to have been the one to defeat Lord English. (No, Jake defeating pre-LE Caliborn right before he gets sealed into Cal doesn't count! He doesn't even get the final blow in that fight, DIRK does.)
But Eridan at one point had that destiny on his shoulders. Aranea turbohealing Jake, and the resultant hope field, summons a bunch of angels, which are heavily associated with Eridan - yet another random connection that Eridan has with future plot events.
Jake was another character, alongside Karkat, who was kind of reduced to a joke by the end, despite the fact that he had literally, directly, been passed the destiny of defeating Lord English. It's hard not to see this as a consequence, at least in part, of removing Eridan from the story. By cutting him out of the fabric of the ending, several plot threads - including this prophecy - are left dangling in irrelevance. And so Jake, like Karkat, now has nothing to do.
Homestuck is generally a series where every prophecy does come true, which makes it kind of startling when several prophecies fail to - Feferi's to "unite the two races," Jake's to defeat Lord English, and Karkat's to bring "compassion, forgiveness, and equality among all bloodlines" in the Signless's place.
That last one is actually relevant to:
The Thematic Importance of EriKar As Soul Mates
Eridan represents the worst aspects of Alternian society. He's a sea dweller at the top of the caste structure, with free reign to murder whoever he wants, soaked in the blood of thousands of innocent trolls. He espouses the casteist rhetoric that their society is built on, calling for the deaths of all land dwellers and the oppression of the lower castes. And while he should be benefitting from his position of privilege, it has also done nothing but hurt him.
Karkat, meanwhile, is a pariah. A mutant who would've been culled on sight, who spent his entire life living in hiding, and most of the game in fear that he would be ostracized or worse by the rest of his friends if they found out about his blood color. He's also the second coming of Troll Jesus, and thus, more despised by the Alternian ruling class than a mutant normally would be. For most of his life, he dreamed of nothing more than finding belonging within the society that had deemed him unfit.
Their friendship is something that "should not be." The highblood and the mutant. The royal-v and the off-spectrum. The empress's sea dweller and the second coming of the signless. Eridan "should" see Karkat as a miscreant to cull on sight. Karkat "should" be terrified of Eridan's very existence.
But in reality, Eridan doesn't give a shit about blood color, and Karkat just wants to be accepted. Eridan just wants someone to care about him, and Karkat loves his friends. Aside from Feferi, Eridan is the only highblood who never comments about Karkat's mutant blood, and they were best buddies even before Eridan knew.
Eridan and Karkat getting together isn't JUST the two most undateable trolls on the team finally landing a stable quadrant. These two, moreso than any other pairing, represent the themes of Homestuck. Children growing up, caring about each other, and throwing off the shackles of their old society.
In the pre-retcon timeline, their team failed to do so. This led to Gamzee falling into his highblood clown cult, Equius letting himself and Nepeta die by submitting to his place in the hemospectrum, Vriska killing Tavros because she couldn't allow herself to show weakness, and Eridan completing his caste's dream of genocide. Karkat spent the entire meteor trip and beyond beating himself up about it, since he considered it all to be his fault.
But with the introduction of John's retcon powers, they have the chance to, one by one, redeem themselves. I believe that's how the original ending would have gone: Terezi would ask John to bring Vriska back, because she only feels comfortable fixing her own mistakes. Vriska would then have asked John to bring back Tavros, whom she regretted killing. Tavros would be there for Gamzee, rendering him an ally. Gamzee would ask John to bring back Equius and Nepeta. Equius would ask John to help him not make the same mistakes with Aradia, and Aradiabot would catch John by the wrist and demand he bring her back in time to before she died, allowing her to circumvent her own death and Sollux's guilt. Sollux would ask John to keep him from provoking Eridan, saving Feferi. And Feferi would be pretty ok with the way things were... but KARKAT would then pull John aside, and drop an entire book of mistakes he made on John's lap, and this would result in a finalized timeline where all his friends are alive and god-tiered.
Because all the trolls SHOULD have survived.
Vriska should've survived because people should be allowed to have second chances.
Tavros should've survived because caring about each other, and being willing to show kindness and mercy, are good things.
Gamzee should have survived because people mired in religious fundamentalism and cults deserve to be offered a helping hand.
Equius should've survived because people should be allowed to grow and change their beliefs.
Nepeta should've survived because she was the anti-casteism troll. Casteism is bad, folks! Not only that, but I'm convinced that she was originally going to give the Ultimate Self exposition, and Davepetasprite^2 had to be contrived in the canon ending in order to shortcut Nepeta's character development, ruining it in the process.
Aradia should've been allowed to stay with the rest of the team and live a life free of the control of evil uncles and shitty ancestors.
Sollux should've been allowed to stay with the rest of the team because we all deserve to heal and be happy.
Feferi should've survived so she could be in a kismesistude with Nepeta, and realize that casteism itself is bad, not just the definition of culling, and then used her Witch of Life powers to even out the lifespans between the next generation of trolls, which needs to happen or else casteism will just happen again as long-lived highbloods inevitably amass power. And, also, it would complete the prophecy Gl'bgolyb gave her that she was intended to unite the two races (dream bubbles don't count, because by that metric, Sollux did more than she did by establishing a connection between the trolls and humans).
And Eridan should've survived, because the harm society has done to us can be undone. We don't have to submit to the roles it imposes, to the laws it wrote, to the abuse it inflicted. We can be free.
I've seen a lot of people who believe that such-and-such character did SUCH awful things that they don't deserve a happy ending. Oftentimes, it's Eridan, but nearly all of the dead trolls have gotten this treatment. So, let me just ask all of you who have gotten this far and still hold that opinion one thing. Do you think that's what Troll Jesus would have wanted?
This is why pale EriKar is so important: for it to happen, Eridan has to make a choice between upholding the beliefs of his shitty society, or pursuing a happier, kinder future, one where he outright rejects the caste system. For it to happen, Karkat has to shake all his insecurities about not being good enough by Alternian standards, and take on the duty of creating something better than what he came from. If pale EriKar happens, it means Eridan and Karkat choose love, not fear. Compassion, forgiveness, and equality.
This choice - this pairing - is the ultimate representation of giving Alternian society one big middle finger. Saying, we don't need you anymore, fuck off! Saying, we reject you at your core; we will choose something better! Saying, we will create a new world, and it will be kinder than the one we came from!
Pale EriKar means LOVE WINS.
Thank you for reading.
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bigfatbimbo · 3 months
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ohmygod i have no idea how you manage to write about those characters so well fehjebhjeb i guess i'm riding the finale wave of excitement about lucifer so i wanted to ask if you're willing to write some nsfw headcanons about him? I absolutely agree he's way more submissive than he lets on and i loved your view on him being really vocal (curse u for opening my mind to the possibilities). How open do you think he would be about being pegged or having a general very praising dom loving his whimpering sounds of pleasure and just wanting to hear even more of them and what would get him to completely lose it
a/n — oh my gosh it’s funny you ask because i’ve actually already done smut headcanons
this request made me heavily consider just doing a fic where the reader pegs him but the people have decided on more nsfw hcs
i’ll still do that pegging fic tho..
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˚ ʚ♡ɞ˚ This has been said before but it doesn’t take much to get him worked up.
˚ʚ♡ɞ˚ So coaxing those pretty noises out of him would be easy.
˚ʚ♡ɞ˚ Especially if you bring up how noisy he is. He would be all flustered and embarrassed about it but then proof your point more by whining.
˚ʚ♡ɞ˚ About having a very praising dom— he absolutely loves it. 
˚ʚ♡ɞ˚ He hasn’t been loved in so long that even if you guys aren’t fucking and you praise him he’d probably get really needy.
˚ʚ♡ɞ˚ If you degrade him too much I genuinely think he would cry because he literally tries so hard to please you it’s sad.
˚ʚ♡ɞ˚ He will be so pathetic about it too and beg you to be nice again.
˚ʚ♡ɞ˚ Edging would literally end him. Like I said he hasn’t gotten laid in a while so he definitely cums super fast.
˚ʚ♡ɞ˚ I had an anon once say that he probably would before his clothes were even off and that’s so true because he is desperate.
˚ʚ♡ɞ˚ He would be so embarrassed after that and probably ask you if you wanted to leave because he’s literally so ashamed oh my god.
˚ʚ♡ɞ˚ But of course you don’t leave and you give him all the love and praise he deserves in bed.
˚ʚ♡ɞ˚ I don’t know if this is just a me thing but he needs love so bad I feel the need to give him 100% princess treatment in bed.
˚ʚ♡ɞ˚ He really would want to please you and give back to you but maybe you just tie his hands together and tell him tonight was all about his needs.
˚ʚ♡ɞ˚ Fuck him and praise him so that he wouldn’t even have to lift a finger— he would literally die under all the attention.
˚ʚ♡ɞ˚ He whimpers A LOT like that’s probably the main noise he makes. 
˚ʚ♡ɞ˚ I think it would take a second for him to say anything but he is really into being pegged by you.
˚ʚ♡ɞ˚ He would like to be on his back with his legs wrapped around your torso so he could see you while you fuck him.
˚ʚ♡ɞ˚ He’s a little guy so it would be so easy to manhandle him. Which is good because that literally turns him on so much.
˚ʚ♡ɞ˚ Like you could probably hoist him up by his thighs and fuck him against the wall as he clings to your neck.
˚ʚ♡ɞ˚ Oh. My. God. He’s done for. He’s so incredibly touch starved that being held like that while being treated by your strap or dick would literally send him reeling.
˚ʚ♡ɞ˚ After really hard days with his depression I think it would also be really comforting for him to be treated like that.
˚ʚ♡ɞ˚ But make sure it’s gentle and loving because if it’s too rough he’ll worry you’re mad at him.
˚ʚ♡ɞ˚ I wonder sometimes if he’d even sit on your lap while you fuck up into him. I mean I hope so because I highkey wanna breed this guy on my plastic dick.
˚ʚ♡ɞ˚ He also loves when you sit on your face. He could literally just die between your legs it’s so crazy.
˚ʚ♡ɞ˚ He could eat you out for literally hours especially if you’re moaning out praises while he does it because he really cares about making you feel good.
˚ʚ♡ɞ˚ I think he’s the type of guy to moan while he eats you out because just the idea of pleasuring you is enough to make him cum untouched.
˚ʚ♡ɞ˚ He’s a pussy eater, what can I say? You saw that one shot of him in the finale… with the two fingers? Yeah, you know what i’m talking about.
˚ʚ♡ɞ˚ Also he moans like a bitch when you suck his dick. Loves the feeling of your warm, wet mouth on him.
˚ʚ♡ɞ˚ He’ll start praising you while you do it but can literally only speak for like two minutes before he’s completely incoherent.
˚ʚ♡ɞ˚ Mark him up well and noticeably because he loves silently letting people know that he’s lucky enough to get fucked by you.
˚ʚ♡ɞ˚ He also can be incredibly smug. This guys KNOWS he’s adorable and he uses it.
˚ʚ♡ɞ˚ Maybe you’re telling him off for not taking care of himself one day and he’s just gazing up at you with big innocent ‘fuck me’ eyes.
˚ʚ♡ɞ˚ Oh, but he knows what he’s doing and he knows it gets under your skin.
˚ʚ♡ɞ˚ You get fed up with it and end up pushing him down on whatever surface is nearest and fucking the life out of him. 
˚ʚ♡ɞ˚ Definitely edge him too for being such a fucking tease.
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a/n — The lucifor brainrot is killing me. Anyways expect the pegging fic later today because I need him so bad <3
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kvhes · 10 months
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wait, his shoulder— ?! + genshin men
OO. you fell asleep and, to your boyfriend’s surprise, it wasn’t on his shoulder!
O1. characters included: alhaitham, kaveh, diluc, kaeya
O2. warnings: jealous genshin men >:), usage of ‘partner’ (kaeya), not proofreadc quick draft i finished today!
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“I’m not jealous of you, I have absolutely no reason to be.”
ALHAITHAM is going to be jealous, absolutely. Why did you fall asleep on Kaveh’s shoulder instead of his? He really can’t bring himself to wake you up (especially considering how cute you look), so he sucks his teeth, letting you be until it’s time to head home.
“Of course I am, I want my sunshine to rest on my shoulder! Not his!”
KAVEH will be fuming with jealousy. He doesn’t understand why you picked Alhaitham as a good sleeping shoulder. He was right there! And his shoulder was much, much, more comfortable than his. So, he softly wakes you up, saying it’s time to head home while he gives the Scribe a glaring, look of disapproval.
-> the rest under the cut!
“Stay calm, it’s fine…”
DILUC will try his best to stay calm and collected when he sees you resting on Kaeya’s shoulder. He wouldn’t have minded if it was anyone else. Just, why’d you pick him? He mumbles a few things to himself, before he heads over to the two of you insisting you have somewhere to be in the morning (you do not), which is why Diluc is taking you home now.
“Me? Jealous? I see your jokes have improved as of late.” if you know you know
KAEYA will be jealous, definitely. He just won’t admit it. He’ll suck his teeth, roll his eyes and everything when that possibility is pointed out. He’s not jealous of Diluc as a person, no, not at all. He’s jealous at the fact his precious partner is near him! That should be his shoulder you fell asleep on, is what he thinks. Similarly to his brother, he’s definitely going to make up something and say you two must leave urgently. (It’s a lie, of course and Diluc sees right through it but let’s you go anyways.)
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