#which dragon features should i go for?

[0lai]

Concept art for a dragon mask

[casa-delle-galline]

It’s so funny how I went from not understanding the appeal of ZeLink in BoTW, to absolutely bawling my eyes out about Link and Zelda in ToTK living together and Link buying a dream house which is normally made for couples and families and is way bigger than the Hateno house.

I don’t think I’ve loved ZeLink this much since Spirit Tracks and Skyward Sword.

1. ST ZeLink (ALWAYS, NO QUESTION)

2. SS ZeLink (plus Groose, because it feels wrong to leave him out)

3. ToTK ZeLink

That will be all.

[suranastair]

Lucia "Lux" Hawke 🪶

🔸 Age || 24 (DA2) - 33/34 (Inquisition) 🔸 Pronouns || She/Her 🔸 Identity || Ace/Biromantic (female-leaning) 🔸 Personality || Humorous & Diplomatic 🔸 Class || Mage 🔸 Specialization(s) || Force Mage 🔸 Romance || Merrill 🔸 Besties || Varric & Aveline 🔸 Frenemies || Fenris, Anders, & Sebastian

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.

[lizzybeeee]

DATV Spoilers - The Story We Lost

Posted earlier that I was compiling a list of lore/story threads that have been dropped with DATV's handling of Southern Thedas. The sheer number of things means that I've made this into two parts - this one focusing on all the story threads that have been effectively dropped.

Spoilers for the game ahead, of course.

If you've played the game then you'll know that Southern Thedas - everything from the past three games - was basically swept away by the blight.

A double blight should have catastrophic consequences for the entirety of Thedas, I don’t deny that, it’s nothing short of a mass extinction event – the absolute worst case scenario for all of Thedas.

However, waving away the fact that Southern Thedas - specifically every area you ever traveled to and interacted with in previous games – is gone, devastated by the blight, in a codex entry and line of dialogue makes it abundantly clear that BioWare is attempting to clean the slate so that they can move forwards with the game series with no ties to the previous ones.

The Warden, Hawke, and the Inquisitor effectively accomplished nothing.

As I put it in another post: I never expected them to consider every decision in game outside of the three options they gave us, but I certainly didn’t expect them to go scorched earth on the possibility of ever seeing the results of those decisions either.

How the lore has been handled in this game, summarized to “the elves did it” and “there’s been a shadowy organization in the shadows pulling the strings on everything” is absolutely devastating to the franchise.

The lack of care with which this was treated just bleeds, “There, we’ve answered all questions and finished with this era of Thedas. Moving on now.” At the same time, this destruction absolutely obliterated whatever story threads remained from the first three games.

Could BioWare bring these threads back? Yes, I suppose. But it doesn't change that it was so carelessly thrown aside in the first place.

If they didn't want people to care about their decisions and the impact they made on the world, perhaps they shouldn't have made that a feature of all the previous games.

-------------------------------------------

Story Threads/ Plot Points that were dropped:

Limited my points to what was in the Dragon Age Keep and what points were brought up frequently in codex entries, conversations, etc...

Edit: I never expected all of these points to be answered in DATV - this is just a list of what was effectively brushed to the side through very bad handling of lore and story.

-------------------------------------------

Dragon Age: Origins

What is the line of succession in Ferelden?

Things are looking very grim for Ferelden's succession and the Theirin/MacTir line if nothing is done. And nothing was done. The entire plot of DAO literally culminated in resolving this issue, yet no one seems to have learnt a thing from it?

- Anora ruling alone is unmarried with no heir - Alistair ruling alone is unmarried with no heir - Ruling together they have no heir - Alistair and a Cousland Queen have no heir - Anora and a Cousland King-Consort have no heir

The only potential candidate that can fit into several of those world states is Kieran.

Fergus Cousland, according to lore, is the second closest to the throne that is confirmed to be alive in DAI - potentially the brother in-law to the King/Queen of Ferelden.

Ferelden's succession with Alistair as King hinges on whether or not the Warden was able to cure the blight. Alternatively, it is hinted that he may be more resistant since he has dragon blood in him from Calenhad.

The potential implications of Kieran being the bastard son of the King of Ferelden.

Kieran being used as a political pawn to depose Anora using the Theirin bloodline.

DAI took away whatever destiny Kieran had with the Old God soul – that didn’t mean that BioWare had to take away everything else too. Regardless, it doesn't matter. Denerim and Redcliffe have fallen to the Blight - it's unlikely that any of this will ever be brought up again.

2. Did the Warden find a cure?

Unknown. Irrelevant.

Ferelden ended up blighted. Denerim fell. If Ferelden rises from the ashes, it will be without any sign of their influence. Any mention of them will likely be their title alone - no mention of their accomplishments.

3. General Questions about the Landsmeet

What happened to Anora if Alistair is named King? Who rules the teyrnir of Gwaren following the blight?

What happens to Alistair if he's exiled? We know Teagan finds him in DA2 but what happens after?

If Leliana becomes divine does that mean that Connor Guerrin is potentially an heir to Redcliffe?

4. Companion Plot Threads

Morrigan's sisters - the many daughters of Flemeth.

Shale's quest to reverse the process of becoming a golem.

Whatever the hell Nathaniel Howe was going on about when you run into him in DA2 in the blighted thaig.

What, if anything, Avernus leaned from spending a literal age or two studying blighted blood.

5. Zevran's Crusade against the Crows

RIP Zevran's one-man crusade against the Crows and their child slavery ring.

DATV messed up immensely by portraying the Crows as more of a ‘found family’ rather than the horrifically abusive organization it was set up to be.

The very same organization that preys on the weak and disenfranchised - honing them to be tools for the nobles/powerful of Thedas - are now the heroic freedom fighters of Antiva.

The literal decade he spent hunting down the Crows and their leaders is up in flames. No mention in DATV whatsoever.

Wasted a perfectly good opportunity to have a schism in the Crows, with Zevran at the helm of kicking out the antaam, taking in Crows who are are sick of what's happening.

6. The Dwarves of Orzammar

The impact of Bhelen/Harrowmont's reign - ruthless progression verses strict traditionalism

The rumours of an uprising of the casteless dwarves in DAI

Will we ever hear of noble House Brosca or Queen/Lady Rica? Nope.

Will we ever hear of the son that Aeducan can have with Mardy? Nope. (RIP Duncan Jnr - I still love you)

The Anvil of the Void and potential links it may have to the Titans.

If Branka lives what happened to her?

No more fine goods direct from Orzammar

The entire caste system has been simplified by Harding in DATV to effectively be: 'surface dwarves' and 'deep roads' dwarves.

7. The Magisters Sidereal / Awakened Darkspawn

According to a codex in the Descent: one went mad, consumed another, and the final magister fled into the Deep Roads.

Corypheous + Codex Magister + the Architect (most likely) = 4/5 magisters remaining? Possibly?

Reminder that it's hinted that there's an eighth Old God that was struck from the records of Tevinter.

The Architect and his Awakened Darkspawn.

No, it was all the elves. They're all dead now anyway. Thanks BioWare.

8. The Guardian and the Urn of Sacred Ashes

"Where did you come from, where did you go? Nobody in Thedas will ever knowwwww."

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Dragon Age 2

Dragon Age 2 was pretty self-contained, with most things being tied up in Trespasser or DAI. The worst of the plot points abandoned relate to the companions in the game and the lack of closure/answers about them.

General Questions:

Kirkwalls, apparently, endless line of 'provisional' viscounts and constant political instability since Varric ran off to go after Solas.

According to DA: Absolution the Red Templars are still in Kirkwall...yet the show is set after Trespasser - when Varric is viscount? When he mentions that they threw a parade when getting Meredith out of the Gallows?

Aveline, Varric, Merrill and whoever remains of the Kirkwall crew apparently just allowing red templars take over the Gallows?

What happened to Petrice if she lived?

What happened to Feynriel if he went to Tevinter?

If Hawke lives following DAI - where are they?

I have a whole list of lore that's also been brushed over: the Sundermount, Corypheous, the Band of Three etc... I decided to put them in Part 2 since I feel they fit in more with 'lore obliterated' rather than 'abandoned plot points'.

2. Companions

Merrill's Eluvian:

Merrill spent years fixing an eluvian with a piece of string, a potato, and some gum - managing to actually do it.

And it meant nothing.

Eluvians are now a fast travel hub - all mysticism and awe at this marvel of magic are completely gone. Whatever sacrifices Merrill went through to save her sliver of elven history is meaningless.

Imagine if Merrill's eluvian aided in the fight against Solas - if having it intact gave you an advantage against him. Imagine Merrill weeping as Bellara fixes every other single eluvian in ten seconds with her magical omnitool.

Fenris and Slavery in Tevinter:

DATV utterly trivializing slavery in Tevinter is abominable.

Disregarding everything Fenris went through, everything he ever fought for, and making it something barely touched upon in DATV is insanity.

You wouldn't know there was slavery in Tevinter if the Shadow Dragons didn't drop a line or two about it.

Fenris' entire story of going to help free the slaves is diminished because no one wanted to show the ugly, dark side of Tevinter in DATV.

DATV has retroactively made this choice for him to be so unfulfilling.

Where is Anders?

What happened with Sebastian's crusade against Anders? Was he ever captured? Was he executed? Are you telling me that no templars ever pursued this man fanatically after what happened in Kirkwall?

Does his fate vary if Hawke was friends/romanced him?

Varric appointing a new Viscount’s Keep healer called ‘Banders’ who just happens to sleep in the same room as Hawke and their children call him ‘daddy’ lmao

Does his fate vary according to who is Divine? Vivienne hunts him down, Cassandra puts him on trial, while Leliana pardons him?

How does he react to Leliana abolishing the Circles? How much does he weep when the rebellion fails and the mages are destroyed? This man instigated the starting event for DAI and drove most of DA2's major plot and he's just...gone.

The Hawke Siblings:

From DAI we know that Warden Bethany/Carver are safe, but what happened to them if they're in the Circle?

Give us Knight-Commander Carver and First Enchanter Bethany Hawke, you cowards! Have them dismantle the Gallows and be the shining examples of human decency we know they are.

What happens to them after DAI and the Mage/Templar War is concluded? In a world that can embrace or reject them - how do they find their place?

Varric

Trespasser gave him a satisfying conclusion - he's viscount, he's in his shit hole of a city, he's surrounded by the people that he loves and cares about. He has the chance to truly build up Kirkwall after all the shit its gone through.

It just feels so bitter, so meaningless, that they gave him the end that they did in DATV. Varric should never have been the one to go after Solas - the only reason it was him was because he's a popular character in the franchise and was used to draw interest.

Why not Cole?! Who was literally mentioned in Trespasser as being on hand to help his friends - who has the ability to get through to Solas in a way no one else could?

No proper send off - no acknowledgement from those who loved him as to his fate...Varric was reduced to a marketing gimmick to draw people in who wanted to see if he died or not.

Isabela

Isabela's story was brought to a close in DAI - she became an admiral, got a fancy hat, helped the Inquisition, and kept in contact with those she loved/Hawke if defended from the arishok.

Imagine bringing her back in a terrible outfit, having the most sex/gender positive character misgender another person, and making her part of the group that steals cultural artifacts from others.

The tomb of Koslun and Aveline would like a word with you?!

The entire Lords of Fortune group is also extremely bland? No commentary on the ethics/effects of colonialism/cultural appropriation - because confrontational topics/ideas are not allowed in this game. Just like topics of slavery/indoctrination.

Her entire character just seems to have regressed from DA2. Why bother having her cameo in the game if she's not going to meaningfully contribute/comment on whats happening?

Edit - Thanks to bunnyiscthulhu for reminding me that Isabela's mother sold her into marriage...yet she does nothing when Taash's mother is outright forcing them into a life they don't want. Isabela, who believed that everybody should be free - that no one should be forced into a life they don't want, just...lets it happen to another person?

-------------------------------------------

Dragon Age: Inquisition

What's going to happen to the Red Lyrium that's popped up across all of Thedas?

Ferelden, Orlais, Kirkwall - all areas are reported to have red lyrium on the surface.

What happens to the Red Lyrium in Suledin?

DAI speaks about how they can never stop the spread of red lyrium, only slow it – animals, insects, organisms - whatever life is in the ground is all susceptible to becoming blighted by red lyrium. Suledin Keep in particular was utterly devastated by the Red Templars - what happens to life there?

2. What happened to Corypheous' Inner Circle?

What happened to Samson? How long did he live *if* he’s given the chance to help Cullen? Can something good come from his cooperation?

What happened to Calpernia?

Looking at previous concept art for DATV she was a companion - freeing slaves, gossiping about Samson & Corypheous. Just...what a waste. Any potential insight we could have gotten into Corypheous is gone.

3. The Mage / Templar War:

How does the world vary if you conscripted vs allied with either?

How do the remnants of what faction was not chosen fit into this new world?

How does the world deal with abominations and weird magic shit now? Is an alternative to the Order made if it's wiped out in DAI?

How is Cullen's templar clinic doing? If the templars still exist, how is Divine Victoria changing/adapting the Order to better support mages/templars?

4. Wicked Eyes and Wicked Hearts:

How do Orlesian politics reflect who was made ruler?

Is Gaspard looking to expand into Ferelden once more? Are the elves being brutalized under his rule like they were by his chevaliers? Does he do away with the grand game like he threatened in DAI?

How does this differ if Briala has collared him? How do his supporters feel that Briala has his balls in a vice?

Do Celene and Briala stay together? Do things improve for the elves and for the culture of Orlais at large?

Do improvements for the elves mean that Solas' arguments to his elven agents are less persuasive?

If Florianne is alive what the hell is going to happen to her? How quickly does she fall on her blade after being forced to wear flat shoes for the rest of her life?

How quickly does shit fall apart if you get all three to cooperate lmao

Friendly reminder that DATV sets up that all of Orlais, except for the Winter Palace has been overrun by the Blight - and that a coup from the Venatori is inevitable, likely resulting in any ruler dying.

5. What is the line of succession in Orlais?!

Why does every noble family in Thedas have no contingency plans for if their head of government dies?!

Part of why we needed to resolve the leadership problem in DAI was because there was no clear, direct heir if Celene died!

Celene has no heir Gaspard has no heir

Florianne planned to frame Gaspard, murdering Celene herself, leaving no clear heir to the throne - Orlais was already in a civil war, the council of heralds/nobles would have all campaigned in their own interests...that was why this was so important!

Orlais shortsightedness and pride in their nation being the greatest in Thedas led to them almost falling in a single night!

6. Here Lies the Abyss:

What are the ramifications of having the Warden's exiled verses remaining in the south?

Trespasser literally states that there's a schism in the Order because some Warden's believe they should touch grass more often and not listen to some bloke up in Weisshaupt for what they do down in the south.

Perfect opportunity to have the wardens remaining in the south mean something! Greater numbers in the south means that there's a greater chance of holding against the blight - while greater numbers in the north can effect if Antiva/Tevinter end up blighted in the first attack!

How does public perception towards the Wardens/King of Ferelden change when they learn they were exiled for committing human sacrifice to demons?!

Give us a warden coup and First Warden Alistair / Blackwall, you cowards!

7. The Well of Sorrows:

What was the point of drinking Mythal's bathwater?!

It's been set up as something that changes you. Bound to Mythal forever?!

Retroactively, Solas feels like he's going mental about nothing! One of the few times he ever breaks - he begs you not to - and...for what? Nothing.

DATV does not acknowledge that in the slightest. Such a waste and disappointment of what was made out to be an impactful decision in DAI.

Imagine if the Inquisitor drinking from the well made us forced to fight against them during the fight with Solas - imagine if Solas, in a world state who hated the Inquisitor, used them as a puppet! Just like the envy demon in DAI - and no one notices until its too late. Imagine Mythal herself, wanting Solas to go through with his plan - (or one of the other evanuris) using an Inquisitor/Lavellan he loved as a puppet - imagine the horror he feels as another one of his friends is reduced to nothing more than a mindless slave of the evanuris once more. Imagine the devastation as he watches Lavellan lose all sense of self - perhaps swaying him to, maybe, not go through with his plan?! Imagine having Cole come back to help save the Inquisitor - or Solas begging Rook to save them.

8. DLC Implications:

What happens if Hakkon is not slain? What happens to Southern Ferelden and the Avaar?

How does the rest of Thedas react to the truth of what happened at Red Crossing and the Dales? How do they react to learning that Inquisitor Ameridan - First Inquisitor and leader of the Seekers - was a dalish, elven mage?

What happens if you do not save the mines in the Descent DLC? How badly is Orzammars economy crippled? There are already rumours of riots occurring within Orzammar - it this enough to push the caste system over the edge?

9. Elven Uprising and the War with the Qun:

The elven uprising that was implied to be occuring all over Thedas as a result of years of oppression, systematic abuse, and Solas’ influence? What happened to it?

Where are the agents of fen'harel?!

It was set up that Solas was planning to use this rebellion as a smokescreen for his plans - the elves, all rebelling for good reason, rallying to his cause while Solas planned to restore the world that once was. The rest of Thedas would only see an elven uprising, not knowing the true face behind it until it was too late!

The war between Tevinter and the Qun?!

Everyone conveniently forgetting that the Qun literally attempted to assassinate every noble family in Thedas? Why was there no exalted march because of this? This should have destroyed any accord between the chantry and the qun. There would absolutely be blood for this – Tevinter could have attacked the Qun and all of Southern Thedas would have applauded - no one would have differentiated between extremist qunari and the normal qun, especially not after Kirkwall.

The implication at the end of Trespasser that we could convince Solas to abandon his plans? Him saying that he welcomed giving us the chance?!

The difference that the Inquisitors friendship, love, or hatred could have in either convincing Solas to take another path or damning him to go ahaead with his plan, no matter the cost?

Have our decisions in previous games matter! How we treated the elves - if we worked to better their lives or 'put them in their place' - can be used to convince him that the world can change! Have the ripple effects of these decisions be seen when the elven gods return, blighted - does the world turn against the elves, hardening Solas, or does the world defend the elves from those who would blame them?

Why was Sandal in the Crossroads?! Where is Bodahn?!

10. Divine Victoria!

How does the world of Thedas change with Leliana, Cassandra, or Vivienne at the head of the chantry?

How does Tevinter react to having a mage divine?!

Do relations change between both nations because of this?

Leliana allowing elves, dwarves, and even qunari to join the Chantry! Leliana also allowing members of the chantry to get married if she's romanced by the warden.

What happened to the Seekers? Are they being rebuilt?

Does the chantry inform the masses, the rest of the mages, that they can CURE tranquility?!

If either Leliana or Cassandra was romanced - what are the implications that may have on the chantry?

-------------------------------------------

No wonder the writers insisted that none of the past choices would have an impact on Veilguard - they literally went scorched earth on everything we ever did.

Ferelden is blighted - any legacy of the warden is gone.

Kirkwall is destroyed - any impact Hawke had is gone.

The hard won peace/order of the Inquisition was rendered meaningless since every single place that you went to and helped is now destroyed by the blight.

Orlais' ruler will likely be assassinated by the venatori who are plotting a coup with the nobles - making whomever you chose obsolete.

AND IT WAS ALL THE WORK OF THE MAGICAL ILLUMINATI FROM ACROSS THE SEA???

[dragonagecinema]

What Veilguard Could Have Been

Very saddened to hear the news about Bioware. As much as I was disappointed with Dragon Age The Veilguard, it was a fun game and I did not wish for the series to end. That being said, for those of you who haven't seen the artbook, I want to share the initial ideas and concepts of the team behind the game. Here's what Veilguard could have and should have been.

Characters from Previous Games

Morrigan, Dorian and Isabela were supposed to be our advisors. They also had better outfits.

Sten, Cole and Shale were some other characters featured in the artbook. An early idea for Cole was to act as a compassionate voice to Solas.

The Divine was supposed to make an appearance, sending out ships to hunt Solas in the hopes that his capture will restore peace to Thedas.

We were supposed to receive assignments from the Inquisitor.

Another idea was for us to return to the Fade and rescue whoever was left behind in Inquisition.

Solas as a True Leader

Elves from all over Thedas were supposed to answer Solas' call, as presented in the ending screens of Inquisition.

Solas' appearance was supposed to be more of a surprise.

Solas was supposed to return like a regal figure out of the distant past.

Game Mechanics

The game was focused more on espionage and sneaking around. We were supposed to go on cool missions, like infiltrating the Archon's throne room.

Another idea was for us to ride adult griffons, hunting dragons.

Or to go on secret missions in Tevinter, accurately depicted here with slaves and slavers.

Story and Setting

The dwarves were supposed to be fleeing the underground by the thousands. Cause is left unknown.

We were supposed to go to Par Vollen, the home of the Qunari.

Companions had the option to betray us.

We were supposed to go in disguise to a ball in the Necropolis.

Another idea was for Solas to interrupt our mission, wiping half of our team off the board and forcing us to make an unlikely alliance.

Solas was supposed to summon a Titan in the final battle.

We were supposed to get a happy ending with our love interests.

Headquarters

And last but not least, our base was first supposed to be a ship, sailing to all the places we would visit.

We would have a war table room, similar to Inquisition.

The ship could get stolen and we would have to get it back.

However, thematically, boats don't line up with the spy theme. They're too easy to spot and attack. So the ship was transformed into a submarine.

The submarine was already named The Dumat, after an Archdemon.

These are just the parts I found most interesting from the artbook, which has more than 200 pages. I wonder who saw all these ideas and went nah, let's scrap them. I guess we'll never know.

[dunmeshistash]

Ryoko Kui Exhibition & ''Delicious in Dungeon'' Exhibition

"Delicious in Dungeon" Artwork

Cover illustration draft, vol. 1

Since this was the first volume, I tried out a few different drawings and had the editor and designer choose which ones they wanted, then made small adjustments. I personally liked the top-down draft, and the one of the cooking processes (back cover) the best. But looking back, I sincerely think it's good that we didn't go with those. (Kui)

Cover illustration draft, vol. 2

The format was decided for volume 1. So, volume 2 came together quickly. (Kui)

Cover illustration draft, vol. 3

I thought it might be cool to make the character Chilchuck darker in the foreground, and the background brighter! But it didn't quite work out the way I had imagined. I think it could have been a bit better. (Kui)

Cover illustration draft, vol. 4

I remember that the overall shape of volume 4 came together very quickly. The character Senshi's hands didn't fit nicely, so I moved them backwards and to the side. (Kui)

Cover illustration draft, vol. 5

I thought people might start to think "how many have I bought?" so I wanted to create a slightly different impression with this volume. I decided to put the character right in the center and try putting it together all in blue and green hues. (Kui)

Cover illustration draft, vol. 6

With the Red Dragon defeated, have we reached the halfway point in the story? With this in mind, I thought of how many volumes were left to go, and the number of characters, and decided to pair up the characters Namari and Shuroiro. In hindsight, it would have been fine to have them on one cover each. (Kui)

Cover illustration draft, vol. 7

The image is of focus lines converging on the character Izutsumi. This is the kind of cover, with upside down characters, which I've always wanted to try once(?) I submitted it as a trial, thinking that at this point the cover wouldn't dramatically influence sales. However, in the end, we decided it would be better not to have it upside down. (Kui)

Cover illustration draft, vol. 8

I tried blurring the mushrooms in the foreground, then I accidentally saved over it, and couldn't go back to the original. I remember apologizing that it was probably tacky, when I submitted it. (Kui)

Cover illustration draft, vol. 9

I don't think snake meat is marbled at all, but if it has an unfamiliar look, people might not recognize it as meat… so I made it look like beef to make it easier to understand. (Kui)

Cover illustration draft, vol. 10

I thought it might be interesting to have more than one of the main characters on the cover again, so I added the character Falin. I remember it wasn't badly received, but it still ended up just being Thistle on his own. (Kui)

Cover illustration draft, vol. 11

I wanted this cover to be covered in shiny gold. After I finished it, it didn't have enough color, so I painted the tablecloth green, and it ended up looking like Christmas colors. (Kui)

Cover illustration draft, vol. 12

Up to this point, the covers have featured one of the main characters holding cooking utensils in the foreground and a monster in the background, but I thought it might be interesting to reverse the format just before the final volume, so I drew this cover with that in mind. (Kui)

Cover illustration draft, vol. 13

volume 13 was meant to be the final one, but it was too thick to be published as a single volume, so we decided to split it into two. The question of “so, what should I draw next!?" may be at the forefront of volume 13. (Kui)

Cover illustration draft, vol. 14

I had decided that the final cover definitely needed to have everyone eating together on it, but because I was publishing two books at the same time I was pressed for time, and it was difficult to have a cover with so many characters on it. I also submitted a rough for an illustration that didn't need me to draw any crowds, but such obviously easy ideas are never adopted. (Kui)

TV anime "Delicious in Dungeon"

About the ending illustration.

I drew these based on the director's instruction "This kinds of pictures." I hardly ever have the chance to draw color illustrations, so it was a valuable experience for me. (Kui)

[Kui's commentary is from the english pamphlet]

[malereadermaniac]

ʕっ•ᴥ•ʔっ Videogame Lover - Kinich x GN Reader

Word Count: 1.1k

Plot: Videogame lover, we should uh uh uh with each otherrrr~ Boyfriend Headcannons with Kinich! (;¬_¬) No pronouns except 'you' used! Only reference to genitalia is 'hole'!

Note: Inspired by 'Gamez' (linked at the bottom of the fic!)

Featuring: Gender neutral reader for sfw! Bottom GN reader for nsfw!

Boyfriend!Kinich who denied liking you at first! The dendro user always was on the more reclusive side; preferring to just do his job and get on with it, rather than chit-chat n make friends. But you were quite the opposite. You would always make an effort with Kinich, chatting with him whenever you could and establishing a friendship. Very quickly, the two of you fell for each other, but Kinich took longer to accept this. Again, the man just wanted to get on with his already complicated life! And there you were, giving him yet another thing to think about, to worry about. Of course, you were the one to make a move first. And thank the archons that you did! 'Cause Kinich folded within seconds! And that it - the two of you were an item!

"Don't act like we don't feel the same, baby, baby, baby quit playing them games~"

Boyfriend!Kinich whose preferred mode of transport is swinging around the Natlan skys with you on his arm; his lean, muscular arm wrapped tight around your waist. This was the move he pulled on your first date to win you over and it very quickly became a go-to of his! I mean, the proximity, his arm on your waist, the dominance it makes him exude? Kinich knew this was gonna be a hit with you!

Boyfriend!Kinich whose idea of dates is hanging out in trees, around his Saurians, and just within nature in general! That's not to say that the man doesn't take you on dates which are more to your taste or more conventional! But the dates which Kinich enjoys the most are the ones where he can show you the beauty that he sees in the region! And it makes Kinich fall deeper in love with you when you're receptive to this; like when you play with and genuinely care for his Saurians, or when you look out at the Natlan savannas from a high tree with a glimmer in your eyes and a wide smile on your mouth.

Boyfriend!Kinich who can't understand why you're the only person who Ajaw will listen to! That fucking dragon is bound to him for Xbalanque's sake! But no, all Kinich gets from Ajaw is bickering, snide comments, and some help during combat. You on the other hand? Ajaw will banter with you, pipe down when told to do so, and the fucker will even help you out during combat; even if you're sparring Kinich!!

Boyfriend!Kinich who wasn't too fond of the idea of sparring with you to train, but as soon as the hunter saw how capable (and hot) you were during combat, he was sold on the idea! The claymore-user felt that it was a little unfair that he was using a massive bigsword and you were using a puny polearm, but Kinich ate his words when you fucking schooled him 5-0! But he couldn't care less that he lost! Kinich was just impressed; complimenting your skill and calling you 'pretty even when fighting'. Yet, where you outskilled your boyfriend in weapon-based fights, Kinich seriously outperformed you in hand-to-hand combat. Even though Kinich wasn't the most muscular or the tallest, his lean yet muscular build allowed for the man to move swiftly in battle; with his moderate amount of muscle and speed, Kinich could take down almost anyone just 'cause they wouldn't react in time! And that's exactly what happened to you. You were in a headlock before you could even blink! Though you weren't exactly complaining...

Boyfriend!Kinich whose more than happy to show off his dendro for you. You have a small fascination with how his dendro manifests in such a digital, pixelated manner. "Your dendro looks like those technical games in boxes over in Fontaine!" Kinich will pull out little tricks for you to watch and play with; creating little pixel versions of you n him (and Ajaw)! But just 'cause Kinich manifests his dendro in that way, it doesn't mean that he can't use it in other ways! Plenty of times has Kinich grown flowers right in front of you just to gift them to you! Despite his reclusive, cold demeanour, holy shit was Kinich a romantic! He listens to you n knows what you like too! This man is the perfect boyfriend for you!

NSFW Headcanons! MDNI!

"Videogame lover, we should uh uh uh with each other~"

Boyfriend!Kinich who couldn't fathom why you could possibly be insecure about your body during your first time! In his eyes, you were a perfect 10! Kinich would get turned on by everything you did! It got to a point that Kinich couldn't even use his imported erotica from Inazuma to jerk off; the man had to think about you n how fucking sexy you were! So when you hit him with the 'could we turn the lights off? I don't really like how my body looks haha' Kinich was fucking flabbergasted, to say the least! The hunter genuinely thought you were joking so he replied with 'Oh it's fine don't worry! I can't see, see?', having raked his fingers through his fluffy black hair to move it in front of his eyes. You giggled, but when Kinich realised you were serious, he had to kill the sexy mood to let you know just how confident you should really be about your looks. This man gave you every compliment under the sun! And not just generic ones! No, no, no! Your boyfriend told you why you should like every single inch of your body; providing a different compliment for each of your fucking limbs and assets! And though the moment was really genuine and heart-warming, holy fuck did it also turn you on!

Boyfriend!Kinich who's hands-down a munch! Bro fucking looooves eating you out. Kinich could seriously do it all day long n not get bored! He claims that your taste is 'addictive' n 'rich'. Seriously, you can't even have a quickie with the man without him insisting on eating you out; and not just for his own pleasure! Kinich not only insists that it's important to prep you but also makes sure that you're getting just as much (if not more) pleasure from it! Your man's addiction to your hole has gotten to the point that he will physically lift your hips n legs off of the bed to get his tongue even deeper inside of you! Kinich will literally have his arms wrapped under your thighs and holding your waist whilst his face is buried between your cheeks; you on the other hand are usually stretching your arms out to keep yourself steady on the bed!

[prokopetz]

You've talked before about how "generic" ttrpg systems still contain hidden assumptions about genre, story, playstyle, etc. (e.g. gurps and military scifi/fantasy) how do you figure out what those assumptions are? what should you look for in the rules to find them?

That's a fairly involved question for which a full answer is beyond the scope of a Tumblr post (even my notoriously long-winded ones!), but I find that a good place to start is with the "who gives a shit?" principle.

For example, suppose that the first piece of mechanically significant information on a game's character sheet is a statistic called "Strength", rated on a scale from one to ten.

Who gives a shit?

That is, why do we care how strong player characters are? Why do we care about having a definite, codified answer at our fingertips to the question of which characters are stronger than other characters, to a fair degree of precision? Why does any of this matter? What assumptions are we making about the nature of the conflicts that will be present within the game's narrative?

That's a fairly trivial case, but the principle can be extended to more fundamental features of a game's rules. Let's consider the classic Dungeons & Dragons style skill check, for example: roll a die, add a stat, compare to a target number, pass or fail. What assumptions are we encoding about the nature of conflict in this game?

Well, for a start, these assumptions might include:

The assumption that generating binary pass/fail outcomes for performing discrete physical, mental and social tasks is how most conflicts will be resolved;

The assumption that your game will benefit from these outcomes having a high degree of player-facing uncertainty;

The assumption that your game will benefit from this uncertainty containing a relatively high likelihood of complete failure;

The assumption that your game will benefit from the principal determinant of that likelihood of failure being some intrinsic and objectively measurable attribute of the acting character;

... and so forth.

If you're only familiar with Dungeons & Dragons and its very close imitators, these may seem like things you have to assume in order to have a functioning game, but there are a fairly specific set of conventions being expressed here. Why do we care about any of these things? Who gives a shit?

Even the first bullet point can easily be knocked down: one can imagine, for example, a game which simply assumes players can always choose to have their characters succeed at anything it's within the realm of possibility for them to do, and whose rules instead focus on providing a codified game-mechanical answer to the question of what that success will cost them, with the only uncertainty being whether the player is willing to pay that cost.

It's clear that a game which approaches conflict resolution in this way is expressing a strong set of genre assumptions. The trick is recognising that the industry-standard alternative (i.e., the D&D-style skill check) is equally laser-focused on a specific set of genre assumptions, in a way that's often rendered invisible by how common it is.

All of which is a very long-winded way of saying there isn't a simple checklist you can go down to identify a game's genre assumptions. But then, I warned you way up in the opening sentence that this would be the case – I hope I've at least given you a place to start!

[yes-no-maybe-soo]

Some personal Sylus hcs and hills I will die on

(This was originally meant to be a very short "Sylus hills I will die on" post but then it somehow evolved and became a long-ass list of hills and headcanons, a lot of them NSFW 🔞. Idk how that happened but it did so uhh... enjoy? Except if you are a minor, in which case, keep scrolling)

Will never cheat physically or emotionally. Period. The mere thought of being with anyone but you is both appalling and distressing to him (as per Goodcat Code, the only time we ever see him actually jealous). He's a one woman man and he's locked in for life.

King of Consent, always and forever.

He is not 6'2 are you kidding me. With those proportions? No way. He's 6'5 at minimum.

Smells absolutely divine (I mean, one of his canon hobbies is taking baths.)

Writes poetry. Actually good poetry. The man is a romantic and a yearner at heart after all, and has always had a way with words.

Dislikes cigarettes, but will occasionally smoke a cigar or two (cuz mafia boss. It's a requirement lol. And the visual is extremely hot to me for some reason. Yes, this one is indeed extremely self indulgent).

He has the habit of burying his nose in your hair or in the crook of your neck, inhaling your scent. It brings him more comfort than anything else in the world.

He is a vers pleasure dom. A soft gentleman dom. Your needs, your pleasure, your consent come above all else.

Hurting you in any way is a major no go. Even should you want him to in the bedroom, he won't do it. He'd never put you in any danger by his own hands. Ever. The furthest he'll go is biting (dragon instinct), the pain of which he'll immediately soothe through kissing and licking. Should you beg for it, the occasional light/safe spanking or whipping is also fine as is, again, light and safe choking if that gets you off. That is all, though. Sylus would rather chug a large tub of wasabi every hour every day for the rest of his immortal life than ever cause injury to his beloved.

Consensual non-con is similarly off the table for him. Because your consent is so massively important to him (and also a major turn on), I can't see him getting off to any scenario where he doesn't have it, even during roleplay.

While he is down to bottom, he is not a switch (bottoming ≠ subbing). Because of his past — the way his agency was brutally taken away from him at a very young age and the trauma it caused him — I believe that control is simply too crucial to him to ever truly relinquish. Losing it would probably be triggering for him. At least at present. Maybe if he were to work through his trauma he could learn to eventually hand over the reins for a while. But for now, I just can't see him fully submitting.

Has body worship, praise, size, and breeding kinks.

Girthy. Size training required.

Favorite place to have sex? Either in his/your bed or in the shower. His private office is a close second, with you either splayed over his large desk or straddling his lap in his luxurious armchair, riding him.

Loves eating you out. It's his favorite meal.

His favored position is missionary because it allows him to clearly see your gorgeous features, to observe the way they contort in pleasure, to greedily drink in the incomparably beautiful expression on your face as you come undone by him. It also has the additional advantage of giving him easy access to your lips, which he loves to claim with his own.

During lovemaking, at least one of his hands will inevitably seek yours, lacing his much larger fingers with your own, and stroking your thumb with his own calloused one. He loves the inherent intimacy of it, how your hand fits so perfectly in his, the way you clasp onto him so tightly, conveying to him your love and your trust — both of which are more valuable to him than all the precious gems in the galaxy combined.

Likes it when you are loud in bed. The ecstacy filled sounds that escape your perfect lips are like music to his ears, and he basks further in the knowledge that he is the direct cause of them. Bonus points if you moan or scream out his name, that will arouse him to the point of nearly coming undone.

Big on cock warming. The inside your warm, slick walls is his favorite place to be. He would probably stay there forever if you consented to it, and if he could only find a way to make it practical. He absolutely basks in the sensation of being so closely, so intimately, connected with you.

The Emperor of Aftercare. Sylus will hold you close and trail soft kisses all over your face and neck, whilst murmuring words of love and praise. Then he'll carry you to the bathroom where a soothing, fragrant warm bath is drawn for you. Once he's lowered you into the tub, he'll personally wash your body with gentle, loving hands. When you are both cleaned up and dressed in comfy wear, he'll procure a nourishing meal for you made from your favorite foods to help you regain your strength. Afterwards, he'll keep holding you in his strong arms for the remainder of the night/day, nuzzling you close.

Huge cuddler and snuggler. Will not let you out of his arms for even a second while in bed together. And can you blame him? He's been without you for several lifetimes, has spent countless nights (or mornings) alone in bed, your absence from his arms aching like a phantom limb. Now that he has you back, he never wants to let you go again. Your presence is as necessary to him as the air he breathes.

Whenever he wakes up before you, he will take advantage of the opportunity to admire your sleeping face. He'll ghost a finger over it, gently tracing your features with a small smile on his lips and a tender affectionate look in his eyes, his heart swelling with all that he feels for you. He can't help but sneak in a few kisses on the top of your head, as light as butterflies so as not to disturb you.

Will 100% cry at your wedding, and when holding your newborn children for the first time. He'll have silent tears streaming down his cheeks and a soft yet radiant expression on his face, making his otherwise sharp and rather stern looking features appear gentle. His bride and his babies are simply the most breathtakingly beautiful treasures Sylus' eyes have ever beheld, and his whole entire being is all but overwhelmed by the fiercest yet purest form of love, immeasurable in its quantity and intensity. Part of him honestly remains in disbelief that said treasures are his, that something this incredible is actually happening to someone like him– "a monster" he once believed incapable and undeserving of love or happiness.

Will only have daughters. In my mind he is so Girl Dad coded that he might as well be incapable of producing any sperm containing the Y chromosome.

Sylus will be the best father a girl could ever ask for. His daughters will never lack for anything, least of all love, support, or affirmation. He is the type of dad who will sing for his children, join them in their games, bake cupcakes with them, hold them in his lap as he attentively listens to them blabber on, comfort them after a nightmare, happily dress up for imaginary tea parties, go to — and if necessary participate in — dance recitals, braid their hair, let them give him makeovers etc. He fosters and encourages individuality, independence, and confidence, but also always lets them know that it's ok to cry, to fail, to ask for help, to rely on others. He is validating and reassuring, never faltering in his emotional support. They can come to him about anything without fear of being rejected or judged. He is a shoulder to cry on, and a confidant always ready to listen and to give advice as needed. From the very day of their births and throughout the entirety of their lives, Sylus will ensure that his daughters will never have even a single reason to doubt that they are the most precious treasures in the Universe to him, and that his love for them is unconditional.

[realmsdelght]

A silver haired girl; Jacaerys Velaryon 

Jacaerys Velaryon x twin!reader Summary: a visit to a brothel leads to sharing feelings that had been buried deeply within the twins Note: italics are high valyrian. All of a sudden I found myself simping over my boy Jace and I don't think I can ever go back Warning: none, she's just a cute little drabble Word count: 866

The hour of the wolf was almost at its end when Prince Jacaerys returned to the Keep. He walked quietly through the halls after biding his stepfather good night, after a very loud and busy night, all he wished for was the quiet comfort of his own chambers. Once inside his chambers, he was met with a familiar figure lying on his bed. 

“How was your night?” His twin asked, not taking her eyes away from the carved dragons on the ceiling.

“It was… eventful,” the prince said as he stripped from his doublet, throwing it on the chair.

The princess pushed herself up to her elbows, watching as her brother removed his boots. “Eventfull?” She questioned, “You are aware that we all know where Daemon took you.”

Now, stripped to his comfortable clothes, the prince climbed onto his bed, lying down next to his sister. “It was interesting. I saw many different things and positions,” both siblings giggled at his remark. The twins stared at the ceiling, the silence between them was not uncomfortable, but both knew there were things they wished to say to each other. “But I did not do anything,” he tried to assure her, “I believe this visit was just to make acquaintances.” The two sat in silence for a few minutes before Jacaerys decided to get his sister’s attention again, “did you know that there are women that dye their hair to look like Targaryens?”

“I would imagine so,” her eyes traced the largest carved dragon.

“How so?” Jace was not an innocent child anymore, he knew the Targaryens’ Valyrian features were attractive, especially for the common people, but he did not imagine the people’s fascination with them went that far.

“I simply see the way men look at me, Rhaena, Baela, and Helaena. So I would imagine they would pay women to satisfy their fantasies,” she told her brother, who seemed disgusted by what she had just told him, “what is it?”

“I know people look at you, how could they not, you are beautiful. But it did not notice men would stare at you like that,” the princes felt guilty he never noticed how men acted towards his sister.

“Men are men Jace, they lustfull gaze does nothing but disgust me. And you didn’t notice because women don’t stare at men like men stare are us,” she hoped to ease the guilt she knew her brother was feeling, “you were probably only stared at like that today, I would imagine the girls at the brothel were very pleased to see you.”

The prince scoffed, “I do not have the Targaryen features people are fascinated by.” Out of Rhaenyra’s eldest children, Jacaerys’ twin was the only one who had silver hair and lighter eyes, and she knew it bothered her brother sometimes.

His sister turned to her side so she could face him, but his eyes did not leave the carved ceiling, “your eyes and eyes may be dark, but your face is that of a Targaryen,” at that, the prince shook his head, he did not wish for his sister’s pity. “You may deny it, but you look exactly like Mother, more than any of us do,” she pointed out. “So,” a mischievous smile appeared on her face, “which ones do you prefer, the silver or dark haired ones?”

At her question, she could see her brother’s cheeks burn a bright red, “sister! That is inappropriate,” his eyes remained on the ceiling, afraid to look at her.

“Why? We are twins, we should know each other’s preferences,” oh how she enjoyed teasing her brother, “I will tell you what I prefer.”

“Sister!” The prince turned on his side, his eyes finally meeting his twin’s.

She looked into his eyes as she spoke, “I prefer the dark haired ones.”

Jacaerys whispered her name as he moved closer to her, “we must not say things like that,” his forehead now touched her, “you are betrothed to our uncle,” her reminded his sister.

“And our uncle has dull silver hair,” she whispered in Valyrian, their preferred language when it came to secrets, “it is not fair that everyone does what they please and we hold back,” she reached over, taking his hand into hers.

“I do not wish to sully your honor,” he explained. His sister was now so close he could feel her breathing, “I love you too much to do that.”

“Jace,” she spoke softly, “I would like for you to sully my honor, please.”

The Prince’s hands went to his sister’s cheeks, pulling her into a deep kiss. The two Velaryons had yearned for each other and that kiss for so long, that they both got lost in the affection. The kiss was filled with longing and want, and as they deepened the kiss they held each other as if their life depended on it. The princess had never felt so loved as she did in that moment with her twin, Jace held her tight as the years of yearning spilled into one moment.

Once they pulled away to catch their breath Jacaerys opened his eyes, caressing his sister’s cheek, “I prefer one silver haired girl in particular.”

[maybeafrog-blog]

In Defense of Donnie's Gifts

I'm ngl I sorta think the shock collar was still just an odd writing decision but as far as PREMISE:

It CANNOT be a coincidence that this is the first time (and one of VERY few times) that Donnie's soft shell is referenced. Once, when Raph is hesitating to tell Donnie his gifts suck ass, and he uses the soft shell metaphor, and after that with Meat Sweats and his paprika, describing it as not just soft, but delicate. Weird, but he is a cannibal, so. (Side note, Meat Sweats never removed his battle shell? How does he know? Or did he take it off and replace it after the pound of butter? Is he using it to facilitate steaming and tenderness? Is it broken? I feel like it should have something in there that could break him out of the sausage links)

Then in that last little scene- "Forget it. You guys are great the way you are!" - we get the shot of Donnie from behind pre group hug, with his brothers facing the camera. (Idk if I'm making shit up, but I feel like this is a staple for Donnie episodes? It def happens in the Purple Game, maybe Smart Lair.) The framing draws attention to his battle shell. The battle shell even kinda matches the gifts, compared to the rest of their gear and even Donnie's tech, color coded and way more streamlined than stuff like the tech bo.

Donnie's soft shell is an innate, unchangeable part of him, a feature of his species, that he treats as a handicap. Probably MORE unchangeable than the character traits he sees as holding his brothers back, which they do sorta... not mature out of, but refine, rather, over the course of the show. Donnie's shell can't experience a character arc, but he sees it as holding him back. So he FIXES it.

The Mad Dogs don't really have a motivation for beating stuff up besides "Hero Time!!!" at this point. That's why it's so interesting how EARLY this happens, unlike with Mind Meld, he isn't trying to change his brothers to make them better at a task that he actually CARES about. Donnie in particular never gets a super intense moral compass besides stuff that threatens people he already cares about, and he doesn't have any grudges (no Purple Dragons) at this point in the series. Hero Goals are largely devices for him to hang out with his dum dum brothers. I'm not diagnosed or anything but my vibes are certainly... Spectrum-Adjacent, I definitely have trouble with literal thinking and reading people. One thing that happens sometimes is people will be using "task" as "reason to hang," and I will get a lot more fixated on completing said task than I really should, to the point of annoying people. I confuse "Successful Task Completion" with "Successful Social Interaction." It makes me come across as bossy and controlling without realizing it.

So, we got a Donnie who thinks Arbitrary Goals are essential to Hero Bonding, who has been treating his life like an mmorpg - armor upgrades, skill trees, grinding, sometimes fighting through random dungeons to hang out with his bros. He's probably even slightly better at Fighting Stuff than his brothers atp, he isn't dealing with a mystic learning curve and his special interest has been Weapons of Mild Destruction for years already. His brothers want to level up, take harder missions, he tries to get them there with his access to High Level Loot.

Of course, his brothers are all min-maxing, not trying to multiclass their purple ass out of squishy glass cannon town. So, it doesn't go well. Unfortunately, the lesson Donnie learns (besides brotherly affection) is that his brothers don't NEED fixing like he does. Mind Meld and Donnie vs. Witch Town sorta finish this arc out as best as the series can.

Where I would have liked to see this go:

A S2 Donnie's Gifts or Mind Meld style episode (Donnie tries to improve his brothers, to their dismay) where the motivator isn't goal completion, but protectiveness. We see a bit of the fear in Purple Game, a bit of the contingency planning with the escape pods in the movie. Maybe a more upfront "training montage" type scenario, a high tech robo dojo to develop their mad skills, or just a tense moment after a skin of their teeth Genius Built rescue.

The brothers confront Donnie eventually-- not just the passive conflict resolution of Donnie's Gifts. They get mad. Push Donnie to the point he's at in Turtle-Dega Nights. They get a rant about not wanting them to get hurt, of course, but also that he's already done so much to FIX himself, make sure he's not a LIABILITY, why can't they at least try to stay SAFE? The dangers are real now, and as far as Donnie knows he REALLY can't do anything about threats like the Shredder. His tech did nothing the first time. His brothers are the ones with the mystic mojo, and they don't even realize how SERIOUS things could get.

Anyway. Protective Donatello my Beloved. Let my boy go apeshit.

//I REALLY Like the 2003 episode where Leo is hurt and Donnie is fucking PISSED at Usagi. All Donnies should be allowed to enter a feral protective rage, as a treat.

//If anyone knows of any Purple Game Aftermath fics lmk. Like, going home, getting donnie out of the evil gamer chair, guilt, whatever. or just good Purple Dragons being Assholes content.

[mythalism]

blah blah thinking about the popular rebuttal to complaints about veilguard's politics being "bioware was never leftist so you shouldnt have expected veilguard to be" which is... interesting.

true, of course. the expectation part i disagree with but thats not what ive been thinking about. im thinking about what made it feel so different to the very similar centrism of da:i. and maybe someone who didnt black out the entirety of veilguard as a cognitive protective mechanism can speak to the specifics but i think ive settled on it being that da:i is undoubtedly neoliberal and centrist just like da:o and da2 before it but despite their clear framing and limitations there was always the encouragement to think and the freedom to do things that the game might condemn narratively as "too radical" but you could at least do them. or say them.

this erodes by the time you get to da:i but in veilguard its absent completely. like making leliana divine or putting briala on the throne, for example. the game presents these options in a very neoliberal and centrist way. the un-softened leliana divine epilogue slide features much of the "radical violence bad!!!!! bad choice!!!!" connotation that all of veilguard has. but you can still do it. briala has incredibly limited power as gaspard's puppetmaster and her epilogue slide similarly slaps the player on the wrist for behaving so radically by putting *gasp* an elf in power resulting in Bad Disruptive Uprisings throughout orlais. but you can do it. hawke can spare anders and let him go. again, the game slaps you on the wrist via character disapproval and the fact he becomes a wandering hermit or whatever the fuck but. you can still let him go. in origins you can make shianni bann and the consequences are disgusting and horrible and writing it that way is literally sickening, but the game lets you do it. origins lets you do a lot of buck wild shit, some decisions less real-world politically coded than others, but you get to DO IT. even if the game and its writers scold you afterwords for getting too disruptive. YOU CAN STILL DO IT.

and this goes the other way too. there is a reason people like greg ellis had a home with dragon age for so many years and his beliefs were able to go under the radar for so long. there is a reason transphobic gamerbros love origins. there is a reason there was backlash to da2's rampant bisexuality. because dragon age let you be leftist about as much as it let you be a racist misogynistic asshole. you can do horrible things in these games. you can quite literally sell people into slavery. templar aligned hawke lets the kirkwall circle get annulled and becomes viscount as a reward for their loyalty. the inquisitor can just execute literally everyone they judge. now, i'll be the first to say that a lot of those options are not nearly narratively condemned enough. bioware has fumbled many a topic in their misunderstood pursuit of "grey morality" that leads them to feel the need to morally equalize situations of clear, unambiguous injustice (cough mage templar war cough). in fact, decisions like sparing anders are often far more clearly narratively punished than things like giving fenris back to danarius, (which kind of just blows over after some approval loss???) and in my opinion that is a writing flaw. i do think RPG games should have choice, and allow players to be evil, but i also think that writers have a responsibility for the message their writing sends to the world. some decisions in dragon age are well-handled. many others recreate and reflect real life racism or misogyny or islamophobia, and reveal the writer's bias against real-life groups of people or political movements. this is the risk of writing stories like these.

but veilguard does not let you do anything. in either direction. ive been calling it a "thought-terminating fantasy cliche" because... it really is thought-terminating. you are not supposed to think about alternatives that may be too radical in the writer's eyes (what if i let anders go instead of face the justice [haha] the game clearly thinks he deserves? what if i install an elvhen puppetmaster on the orlesian throne despite all of my advisors recommendations? what if i support the murder-pope in reforming the chantry through violence and bloodshed?). veilguard has..... what if i save this city over that one? the only one i can think of is saving isseya. are there any others? genuine question. theres nothing to decide and therefore there is nothing to think about. you dont get to think of possibilities past the narrow centrist path presented to you. you dont get to think about an end for solas that doesnt end in jail. you dont get to think about who becomes tevinter's archon and what policies you might like to see them have. you dont make choices between major factions based on ideological and/or practical differences like recruiting mages vs templars. you barely even get to decide anything for the characters, half of the choices are purely cosmetic.

like i feel like theres something to be said for having the choice even if the overall narrative still condemns it. the writer's bias leaks in to the world's reactions to your decisions but you are still allowed to make them. i always intentionally leave leliana hardened because i think radical insane murder-pope who diversifies the church through ASSASSINATION is based. i dont give a fuck if david g/aider thinks its too crazy and tells me so in a thinly veiled epilogue slide reprimand about "the consequences of my actions". idgaf! 1. its a video game and 2. idc what he thinks.

and yes, nothing ever actually changes. dragon age has never allowed you to make radical change within its world even with the decisions that brush up on the possibility. but you can still be someone who believes in the possibility. you can play a mahariel who hates humans and poisons the ashes of their prophet because why should they care when they stole everything from the elves first? you can play a blood-mage circle-abolitionist anders-apologist hawke doing their best to survive in a city where survival and self-preservation sometimes forces them to act against their values. you can play a lavellan inquisitor who refuses to believe in andraste or the maker, advocates for elvhen liberation, and installs an elf on the orlesian thrown despite being forced into the role of figurehead for a religious empire. sure, you cant really actually do anything for the elves, but you can be someone who believes that change should happen. its not perfect. its certainly not some radical revolutionary fantasy nor does literally anyone expect it to be and when people say that its always in bad faith.

bioware has always been canadian liberal centrists and so have their games. but they used to let you get a little fun and crazy and then just reprimand you via epilogue slides or retcons in later games that we all just got to complain about online. but veilguard forces you to roleplay someone else's ideology; a boring centrist status quo loving fantasy with no opportunity to do something different. elven rooks cannot question dorian on tevinter slavery like elven inquisitors could. rook cannot ask lucanis about the child recruitment practices of the crows the way the warden could to zevran. rook cannot ask davrin about the warden's pressure into conscription, joinging and eventual calling the way the warden could alistair or hawke can to anders in legacy. you cannot ask about alternatives or question a single authority or character of any kind. you cannot voice dissent. the dialogue option does not exist. what was once a slap on the wrist in previous titles has become reactionary and preemptive. you wont get slapped on the wrist in the first place because you're stuck in a boring, empty room for after-school detention, railroaded into "good" behavior and confined to one path so you cant get into any trouble on your own. thought-terminating fantasy cliche. it didnt need to be some insane groundbreaking revolutionary work of marxism or whatever the fuck hyperbolic nonsense people are trying to straw-man the criticism into to disprove it as unreasonable. it needed to not advertise itself as an RPG and then force me to roleplay white canadian millenial neoliberal afraid of getting canceled on twitter simulator 4.0 because if i knew thats what i was signing up for i would have respectfully declined and saved my $70 on something that doesnt condescend to me for enjoying bald war criminals and stories about revolution

[endless-ineffabilities]

chemical override (10)

Ewan Mitchell x actress!reader

a/n: as dictated by the results of poll #6, this chapter will include stunt training, clubbing, and an accident. Plus, you've got tub anon to thank for... well... the tub scene :) Oh, and this is kind of 18+. Just a tad.

series masterlist ▪︎ main masterlist

Matt and the reader eagerly explore the uncharted waters of their budding relationship. Ewan is booked and busy with the preparation for his new franchise. Will Ewan and his darling even find time for each other, or should they just take this opportunity to let go?

The internet, ever so informative, lets you know that Ewan and Jenna’s arrangement is in its initial stages before he even calls to tell you. 

Their first interview with Josh Horowitz is immediately followed by another feature on the movie set, with the two talking about the pre-production, what they liked about the script, and their chemistry, which according to them, came naturally and did not require much work at all. It was practically the thing they had to work on the least. How lucky. 

A lighthearted reprieve came in the form of a meme that started circulating not long after their interview with Josh. In it, Ewan is caught looking like he's either malfunctioning or deep in a philosophical crisis. The internet ran with it, with captions like, ‘When you realise you left the oven on at home’, to comparing him to an NPC glitching out.

When you asked him about it, he quickly stammered that he simply spaced out. Sure. It was hilarious, nonetheless.

Your publicist Mallory had commented that soon Ewan and Jenna would be obliged to go on pap walks, something that would appear casual and separate from the confines of the project that they’re working on. Something that signals that their relationship is making it into the real world.

“That whole casual ‘just friends hanging out’ vibe they’re gonna push? It’s all part of the gig,” Mallory shared. “Next thing you know, they’ll be taking long walks on the beach or grabbing coffee in some trendy LA spot.”

You’d be lying if you said it didn’t sting. Even just a little. Sure, you know what the business is like. You’ve been on the same end of that deal just recently, with your own film’s PR efforts. But this arrangement that Ewan has doesn’t seem like the usual short-term fling to drum up buzz. It feels… heavy, like something that might actually stick.

“I’d be lying if I say I don’t find it all annoying, darling, but I try to look at it now as part of the job, you know?” he had said, when he phoned you one evening – his afternoon – to let you know that his stay in LA would be much longer than expected. 

You responded with, “Oh, yeah, I completely understand.” What else can you do? You aren’t together – you don’t have a claim to him, and vice versa. You thought that would make things better – easier – but you’re still waiting for that sense of comfort to kick in.

This is for the best, you would remind yourself every time a new headline surfaces. 

It’s only been a month since you last properly saw Ewan, since that night on the rooftop. In the early days, he messaged every day, called whenever he had a spare moment. But slowly, the calls have become shorter, more sporadic – chalked up to his increasingly busy schedule. Your tones have become more dispassionate – he blames it on his exhaustion, profusely swearing that he misses you so fucking much, but something feels different. 

Your job keeps you busy, with your commitments related to the new season of House of the Dragon, event appearances, and gearing up for the release of your film with Jacob. You are even invited to the upcoming Vanity Fair Young Hollywood Ball, an exclusive party to be held in New York.

And Matt is a more than welcome distraction. 

Matt, who has begun spending more time in your apartment after Ewan’s temporary move to LA. Matt, who brings you flowers that are apparently ‘beautiful, but pales in comparison to you’. Matt, who is unfailingly a gentleman, respecting your boundaries and not making a move since that time on your couch after your first date, when you told him to wait. 

He sits with you by your kitchen counter, in a disarmingly tight white shirt that leaves little to the imagination, one sturdy hand nursing a cup of coffee and the other on the small of your back to support you as you sit on the high stool, and you suddenly don’t want him to wait anymore. 

“Have you decided on what you’ll be wearing to the screening tonight, love?” he asks. 

“Why? Does it have to be pre-approved?” you playfully quip, narrowing your eyes at him.

“Ah,” he nods, smiling, playing along, “of course, of course. You think I’m an easy man to date? You’ve got to keep up with my standards, as beautiful as you already are.”

You laugh, playfully mussing his hair, and he catches your wrist before it drops back on the counter. He says, “I ask because I wanted to match you, so to speak. We’d be like two peas in a pod.”

“Oh,” you snort softly, “or you know, like Tweedledee and Tweedledum?”

“Funny girl,” he muses, before leaning forward and capturing your lips in a soft kiss, caffeinated and warm and Matty. You notice that his hand on your back is pressed firmer – he didn’t want you to slip when you leaned in. 

Charming bastard. He isn’t making things any easier… or maybe he is. 

Maybe he’s it. 

But the moment’s broken by a loud, offended-sounding meow. You look down to see Sansa, staring at Matt like he’s personally responsible for all the world’s problems.

“Hey, babygirl,” Matt croons, extending a hand toward her. Sansa, the biggest diva of a kitten, just gives him a slow blink before trotting off, clearly unimpressed.

“Calling her babygirl isn’t going to make her warm up to you,” you tease.

“She already doesn’t seem to like me,” he replies, scoffing. “Which is a shock, pretty much, how can she not?”

“So humble, Matthew.” You smile at his effortless charm, his easy personality. That’s all you seem to be doing nowadays. Matt is like your personal ray of sunshine. 

“I’ll win her over,” he declares confidently, sitting upright. “Anything for my lady.”

You roll your eyes. “How very Daemon of you.”

“Actually,” he laughs, “Daemon would probably feed her to Caraxes for being difficult.”

“Matthew!”

“I’m kidding!”

Sansa meows even louder, bounding away towards your bedroom. 

“Leave my Sansa alone,” you say, pointing at him accusingly.

He gives you a sly grin. “I will… if you come here and give me another kiss.”

Before you can respond, he slides your stool closer to his with a smooth movement, catching you off guard. You find yourself practically in his lap, his thighs pressing against yours as he waits, looking entirely too pleased with himself.

“Okay,” you sigh deeply, narrowing your eyes, unable to mask the smile that graces your lips. “One kiss, but only for Sansa.”

“Oh, shush and kiss me already, love.”

The film screening had been a private event, by invitation only from those who worked on the film. Edward Bluemel, Matt’s good friend, is a fellow actor marking his directorial debut with this film. For a first go, it was impressive, gripping from start to finish. Almost as much as Matt’s hand resting just above your knee, his thumb absentmindedly tracing soft circles into your skin.

Your cheeks had flushed when a particularly steamy scene came on the screen, and it might have been the nervous gremlins in your mind, but you swore Matt’s hand inched higher up your leg.

Now, on your couch, his hand is even higher. He hovers over you, his breath heavy and uneven as his fingers tease at the warmth between your thighs, so close to where you’re already aching for him. 

Maybe it was all the dirty martinis you drank at the open bar after the screening, or maybe this was a long time coming. Either way, you want him, and from the way his lips move urgently against yours, he wants you too.

It dawns on you that the tension is no longer something you can talk yourself out of.

He pulls away, and you protest with a mewling whine, your body arching into him. He nearly growls in frustration, the unspeakable sound you just made having a direct line to his hardened cock. With a gentle tug at the nape of his neck, you pull him back down to your lips, but he resists. 

“We have to slow down,” he chuckles mirthlessly. “Because we’re about to cross a line that I won’t be able to hold back from, love.”

“Matt – ”

“I understand – ” He licks his lips, letting out a slow and controlled breath. “ – that you want to wait – ”

Your confession comes out slow and measured, letting him know that this is what you really want. “Maybe I don’t want… to wait anymore.”

“Say that again,” he says slowly, his eyes darkening in lust. 

“Maybe I… I want you to fuck me.”

“Maybe?” he whispers, his voice rough, practically pleading.

“Oh, just fuck me.”

That’s all it takes for him to snap.

He undresses you in record time, ripping off every item of clothing from your body with an eagerness that betrays just how hungry he is for you.

Neither of you even bother to travel to your bedroom. At some point, your entwined naked bodies slip off the couch and onto your plush carpet. 

And you have a heated… What was it called again? 

Oh right – a damn good roll in the hay. 

The water is still warm in your deep clawfoot tub, steam rising gently from the surface. You lean back, head resting against the porcelain, that blissful post-sex daze settling over you. 

Matt slides into the water opposite you, his movements slow, deliberate. His eyes haven’t left you since he stepped in, and you can feel the weight of his gaze lingering on your skin. It isn’t just the remnants of your earlier intimacy – though that heat still hummed in the air between you – it’s something more. Something you can’t name and maybe you’re afraid to, but it tugs at you all the same.

A small smile plays on his lips, the kind that made your chest tighten – half teasing, half dangerous.

“Enjoying yourself?” he asks, voice low and smooth.

You exhale a soft laugh, running your fingers lazily through the water, trailing small ripples across the surface. “I’m not exactly complaining, am I?”

“Good. Wouldn’t want you to have second thoughts.” His tone is light, but the undercurrent of meaning isn’t lost on you.

You close your eyes, letting the warm water soothe your tired muscles, but even with the comfort of the bath, you can’t quite escape the one person lingering in the back of your mind. 

Matt isn’t Ewan, but he’s here, his presence steady, his charm disarming. He makes you laugh, makes you feel wanted in ways that are simple and uncomplicated, and maybe that’s what you need right now. Maybe it was okay to let yourself enjoy this, to live in this moment without overthinking what it meant.

“Penny for your thoughts?” Matt asks, leaning forward.

You open your eyes, catching the glint of amusement in his. “Just... thinking.”

“Dangerous territory,” he teases, reaching for your hand.

“Hmm, maybe,” you murmur, meeting his gaze. “You’re too charming for your own good, you know that?”

He chuckles deeply. “I’ve been told. But I like to think it’s part of my appeal.”

You roll your eyes, though you can’t help the smile tugging at your lips. “Cocky bastard.”

He grins, leaning in even closer, his breath warm against your cheek. “Takes one to know one.” His hand travels to your leg underneath the water, massaging gently.

“I’m serious, though,” he says softly, his voice taking on a more earnest tone. “I don’t want you overthinking this. We’re good, yeah?”

You nod, but there is a flicker of something else in your chest. Guilt, maybe? But Matt is right here, and he isn’t asking for anything more than what you could give, and for now, that is more than enough.

“We’re good,” you whisper, leaning in to press a soft kiss to his lips.

He smiles against your mouth, his hand moving to cup the back of your neck, pulling you in closer. “Good,” he whispers back, his voice a low rumble that sends a shiver down your spine. “Because I’m not done with you yet.”

You laugh, the sound muffled as he kisses you again and positions you on top of him. You shuffle forward and discover a very obvious indication that he’s ready for round two of rolling in the hay. Or in the tub. Whatever works. 

He looks absolutely enraptured when you ride him, your motions causing tremors in the water. 

And in the sheer pleasure he gives you, surrounded by flickering candlelight and the smell of lavender, you allow yourself to let go.

The event has the industry buzzing - an exclusive event by Vanity Fair celebrating the rising stars of Hollywood. A masquerade party, the notion of which excited you to no end. You’d only read about such in books, in its medieval iterations, all poofy skirts and velvet waistcoats, the whole concept full of prestige and mystery. 

You spent days prepping with your team, the anticipation building until it felt like a living thing inside you. Your dress, a beautiful piece from Atelier Versace, fits like a glove, one side made of draped black sequins shimmering like liquid night against your skin. The theme is Midnight Elysium, and you look every bit the part - dangerous and glamourous and untouchable. 

Your makeup team did an impeccable job. Your eyeshadow resembles a swirling galaxy, a blend of silver and noir. Your lipstick is a perfect nude shade that matches your skin tone and your features.  

But then there was the mask. The final, necessary touch. Delicate black lace that settles over your eyes, framed with gold filigree and flecks of silver – sharp and ethereal at once. It was a piece of art, something you personally commissioned from a local designer in your hometown.

In a room where everyone claims to know everyone, a mask can be more than just a costume piece. It can be a weapon – giving you the freedom to be both seen and unseen. 

Stepping into the nightclub is like slipping in between worlds. Black velvet drapes line the walls, catching the glow of the minimal lighting – gold and silver chandeliers hanging like constellations. The bass from the music pulses underfoot, sending vibrations through your veins. Faces are obscured by extravagant masks, but you are able to recognise some of them if you look close enough. Milly is speaking to someone by the bar, and you remind yourself to pull her aside for a chat later. Timothee is introducing his date to a small flock of people. And Jacob is bounding right for you the moment you make eye contact. 

“There’s my leading lady,” he greets cheerfully, swooping down to kiss you on both cheeks. He’s wearing a metallic silver vest and trousers, along with a white mask that covers one side of his face like The Phantom.

“Wow,” you say, making a show of appraising him, looking at all 6 foot 5 inches of his figure up and down. “You look like a handsome disco ball.”

He laughs, the sound unmistakable even in the bustling nightclub. “And look at you! What are you, a cyberpunk witch? A sleek dominatrix?” 

“Careful now,” you warn him, “or I might just hex you into getting me a drink.”

“Coming right up,” he says, but his attention is pulled by someone calling his name. “Hold on a sec, I have to introduce you to some of my friends.” You let him lead you further into the room, and you’re swept into the rhythm of it all, moving through the crowd as if you belong – because you do. You’re slowly getting used to the weight of eyes on you, but tonight, it feels as if there’s a shadow you can’t quite shake. 

Your personal shadow in a room full of masked shadows. Your skin prickles, an awareness blooming under your ribs. In all the fuss leading up to this event, you hadn’t really bothered to check the full roster of attendees.

After several rounds of conversation, you excuse yourself for a moment and stand off to the side to take a breather. 

And then you see him.

Ewan stands across the room, a drink in hand, his black leather overcoat tailored to perfection. The mask he wears, a sharp cut of black and gold, adds a dangerous air to him. His effortlessly tousled hair sports a smattering of gold embellishments, like streaks of pale blonde hair. You take him in, every inch of him, that mischievous curve of his lips and the glint of his blue eyes underneath that mask. 

It hits you like a tidal wave, like a fucking hurricane, the longing you’ve tried to suppress for weeks. 

You shouldn’t want him this much, not when you both agreed to the break. To keep some distance. His fake romantic arrangement had made sure of that. And after everything, you knew that some separation was what you both needed. 

But seeing him now, looking at you like he’s starving… it’s enough to unravel every careful thread you’d stitched together since you last touched. You want to look away, pretend that this is just another night, that he’s just another fellow actor among the crowd. But the pull is too strong. It’s as if your legs move on their own volition, and you slowly move through the crowd, almost subconsciously drawn to him. 

He steps deeper into the shadows of the club as you approach, disappearing into one of the more secluded alcoves draped in heavy black velvet. No one will see you there. No one will know any better.

The world narrows down to just the two of you, and the music becomes a distant hum. It’s quieter, darker, and for all the trappings of the Hollywood elite, Ewan is far more intoxicating. 

“You’re here,” you whisper, half in question, half in disbelief.

But he’s already moving towards you, his eyes dark and hungry behind the mask. The air between you crackles with an undeniable need – weeks of distance, of longing, building up to this moment. He’s close enough that you feel the warmth of his body through your dress, and you so badly want to forget that this is a bad idea.

“I can’t stay away,” he says, his voice low and raw, like it’s costing him to hold back. “Not tonight.”

You swallow, your heart pounding in your chest, every rational thought slipping away as his fingers skim the bare skin of your waist through the slits in your dress. “We… we can’t,” you manage to say, but even to your own ears, it sounds weak. Oh, who are you trying to fool?

“How can I not? Fuck, how can you look like that and expect me to just walk away?”

You want to say something, something sensible, something to remind him of the stakes. But nothing comes to mind, not when his hand brushes up your arm, raising goosebumps in its wake. His other hand slips to your waist, pulling you closer until there’s no space between you. He dips his head down, breathing against your shoulders and your neck, taking you in like a vice. 

“Ewan,” you finally croak. “We agreed not to – ”

“I don’t bloody care,” he cuts you off, his mouth inches from yours. “We agreed to give it some time, sure, but I never agreed to stop wanting you. Besides, I make good on what’s asked of me. I play the part. I deserve to be rewarded, don’t I? And you’re the only prize I desire.”

His words hit you hard, melting any resistance you’d been clinging to. 

“Oh? So… so I’m just a prize now?”

He only smiles. “The only one worth winning.”

Before you can think, before you can stop yourself, you pull him closer and crash your lips into his. 

The kiss is hard, fierce, his mouth feverishly attacking yours. He tastes bittersweet, all hard bourbon and cigarettes. You’re certain that the lipstick your makeup artist painstakingly applied would be wiped clean off. His hands grip you harder, fingers digging into your flesh, pulling you closer, deeper, like he can’t get enough.

You break apart, gasping for breath. His lips are slick, shining in the occasional flicker of neon blue and red lights, his mask casting shadows across his sharp features.

A bright flash from the party's official photographer erupts in the corner, thankfully not pointed in your direction. Still, it momentarily shakes both of you back to reality. 

“Come with me.” His hand slips into yours, fingers curling possessively as he pulls you away from the cacophony of the club. You barely have time to react before you’re being led down a narrow, dimly lit hallway. He pushes open a door, leading you into a smaller room bathed in that same cold, electric blue. Plush seating is arranged haphazardly in the corners, but the space is mostly empty. The low hum of the bass still thrums in the distance, but it’s reduced to a faint echo. The smell gives off cigarette smoke and spilled liquor.

“Smoking area,” he says with a half-smirk, glancing around the room as if seeing it for the first time himself. “I think.”

“You think?” You raise an eyebrow.

He shrugs, utterly unconcerned. “Who cares? It’s just us in here.”

You shoot him a look, glancing back at the door. “Someone could walk in.”

He chuckles, stepping closer, that familiar heat radiating off him like a furnace. “It’s a party, darling. They’re probably wasted out of their minds. And besides…” He taps the edge of his mask, his eyes glinting mischievously behind the black and gold. “The masks?”

You bite your lip, trying to maintain some semblance of control. “And if someone does walk in?” you ask, arching a brow. “What then?”

He steps closer, crowding into your space, the tension thick between you. “Then they get a show,” he says, his voice playful and teasing, but laced with something darker. 

“Are you fucking serious?” 

“You can still walk away, darling,” he offers, trying to bait you when he knows full well that he already has you hooked. “Or, you can just shut up and kiss me.”

So much for giving it time. Ewan’s lips find yours once more, just as desperate, and you barely notice when he directs you to the seating, your back colliding with its velvet exterior. His low groan sends a wave of heat pooling in your stomach, and you think to yourself, this was a terrible idea. 

Your hands roam, finding the planes of his chest. He smoothly takes off his leather overcoat, revealing his bare torso underneath. The sight of it makes your head spin, and you croak unsteadily, “Ewan… not here, baby, we can’t – ”

“I know, darling,” he croons, his hand cradling your face. “I just wanna kiss you. I just want you… to touch me…” His other hand takes yours and drags it down the firm lines of his stomach, a desperate plea in his eyes. “Please, just – ”

The moment is abruptly shattered by the sound of giggling from the hallway, getting louder. Suddenly, the door opens and in stumbles a pair of girls, one of them you recognise to be Jenna. 

“Oh!” The other girl exclaims, clearly delighted by the situation she’s just walked into. She pulls off her mask, revealing herself as Emma Myers. “We found him! We finally found your date.”

Your heart plummets, right down on the liquor stained carpet.

“Hi,” you manage to squeak, getting to your feet and smoothing down your dress which had ridden scandalously higher up your thighs. “I’m – ”

“Oh, I know who you are,” Jenna says, shaking your hand, not the least bit bothered by the state she found you and Ewan in. “I love your work. I’m Jenna.”

“Oh… thank you – ”

Emma steps in, grinning. “Hi! I’m Emma. I’m such a fan.”

“Oh my god, I should be saying that to you guys!” you blurt, feeling a rush of relief at their easy demeanour. “I love Wednesday.”

They both gasp, and soon the three of you are exchanging compliments like old friends, chatting about each other's work with enthusiasm. Ewan, still seated, watches the scene unfold with barely concealed frustration. He eventually stands, shrugging his leather coat back on, and glances at Jenna.

“One of our producers is here,” Jenna explains cheerfully. “She’d love to chat with both of us.”

Right. Ewan’s her date. The word echoes in your mind, but the jealousy you expected to feel is oddly muted now. 

Ewan speaks, addressing only you, “Darling, will you – ”

“I’ve got her,” Emma declares, looping her arm around yours. “I’ve got so much I want to ask you!” Before you know it, she leads you out of the room like you’ve been best friends for years.

Ewan’s eyes stay on you, full of frustration and yearning, even as he and Jenna follow you out the door.

But you barely see him for the rest of the night.

The party is a blur of celebrities and conversations, but your mind keeps drifting back to that stolen moment in the blue-lit room. Eventually, your social battery runs out, and you slip out of the club early, unnoticed by most. 

Back at your hotel, you peel off your dress and drop onto the bed, staring up at the ceiling as the events of the night replay in your head. The feeling of his hands on your skin, the heat of his body pressed against yours – it’s all too much.

Your phone buzzes on the nightstand, snapping you out of your thoughts. Ewan One-Eye flashes across the screen.

You hesitate, thumb hovering over the screen, but you pick up. His voice is low, almost cautious. “You left early.”

“I was tired,” you reply, voice soft. “The party was great but it was... a lot.” Mainly because of him.

A beat of silence follows, and you wonder if he's wrestling with what to say next. “Are you okay?” You can almost picture him running a hand through his hair, jaw clenched, eyes dark with worry. 

“Yeah, I’m okay,” you say, unable to hide the tremble in your voice. 

Another long pause, with only his slow breathing on the other end. 

“I hate this,” he finally says, voice barely above a whisper, the raw emotion in his words hitting you like a punch to the gut. “I fucking hate that he gets to have you, and I don’t… and I can’t… ” He cuts himself off, and you hear the snap of his lighter followed by his sharp exhale.

You bite your lip, your throat tight with emotion. You’ve both been so careful, dancing around each other, pretending that you could stay apart.

“I’m flying back to London tomorrow night,” you blurt out, the words rushing out before you can stop them. It feels like a confession, like you’re admitting defeat.

“I need to see you before you go.”

“Ewan, we agreed – ”

“Fuck what we agreed!” His sudden outburst takes you by surprise, and you hear the raw need in his voice. “I don’t care about the arrangement, I don’t care about the distance. I just... I need you.”

You want to tell him that you need him too. You want to throw caution to the wind and agree to being together in secret despite the false romance he has to portray to the world. But you can’t. 

“I...” Your voice falters. “We’ll see each other soon.” It doesn’t feel like enough. With a soft sigh, you add on a lighter note, “Alyna still has to kick Aemond’s ass, you know.”

A beat passes, and then you hear his tired laugh on the other end. “Right,” he chuckles softly, the sound both comforting and heartbreaking. “Wouldn’t want to keep the fans waiting for that.”

“Yeah, well,” you say, trying for casual, trying not to let your voice crack, “someone’s got to put Aemond in his place.”

“Hmm, well if that place happens to be right in Alyna’s arms, I doubt you’ll hear any complaints about the script from me this time.”

You can’t help but smile at his teasing, but it only deepens the ache in your heart.

“Ewan…” you begin, but the words hang in the air, unspoken. 

“I know, darling,” he replies, his tone resigned yet gentle. “I miss you too.”

The training room is alive with the sounds of clashing swords and laughter, but you can’t help but feel a different kind of electricity buzzing in the air. Maybe it’s just the way Matt looks at you, as you rehearse a scene where Daemon helps Alyna brush up on her sword fighting. 

You lunge forward, initiating the first move with confidence, and he counters effortlessly, the blades clashing in a symphony of steel. The practice moves are intense, each swing bringing you closer. His eyes darken with focus as he follows your movements, and for a moment, it becomes easy to forget the rest of the stunt crew in the room. 

“Nice footwork,” Matt compliments, stepping in closer. His body brushes against yours, sending a rush of heat through you. Ever since your night together, he has only been more brazen with his affections. “But you’re leaving yourself open here.” He demonstrates, his sword brushing against your side as he adjusts your stance.

“There,” he says, his voice dropping lower, “feel that?” You swallow nervously, grateful that the stunt coordinator had moved on to Harry in the far side of the room.

“I think I might be too open,” you manage to say, trying to keep your tone light.

“Maybe,” Matt murmurs, stepping back slightly but keeping his gaze locked on yours. “But I can’t help but want to close the distance.”

As you move through the choreography, you both fall into a rhythm, and almost inevitably, the fight turns into something more playful. You circle each other, exchanging faux blows and laughter, the distracting banter causing the stunt director to approach and get you both back on track. 

Next up, you have to train for Alyna’s pivotal scene where she attempts to mount Caraxes as per Daemon’s command. 

As you practice the mounting technique on the mechanical dragon, you’re hyper-aware of every movement. The crew watches closely, ready to offer guidance. You grip the handles tightly, adrenaline coursing through your veins, and for a brief moment, you lose yourself in the character, feeling the thrill of the scene.

But then it happens. The Buck jolts unexpectedly, throwing you off balance. Time seems to slow as you feel yourself slipping. You try to brace for impact, but it’s too late. You land hard, the pain shooting through your ankle as it twists at an unnatural angle.

There is a stinging sensation too, by the side of your head, and all you think is – oh fuck. The world around you fades to a blur, just as chaos erupts.

When you finally regain consciousness, the sterile scent of antiseptic fills your nostrils. Your surroundings come into focus slowly, and your heart races when you realise you’re in a hospital room. The steady beep of a monitor is the only sound, punctuated by the faint rustle of fabric.

You feel his hand on yours before your eyes even land on his figure, slumped on a chair beside your bed. His head rests on his shoulder, his grip still lightly holding your hand. His brow is furrowed in worry, even in sleep. 

You feel lightheaded, and for a moment you worry that your concussion might be worse than it is, but no. It's just him. 

Then, the sound of your movement catches his attention. He stirs, his eyes fluttering open, and when he meets your gaze, relief instantly washes over his features. 

“Love… you’re awake.”

Taglist: @namelesslosers @skymoonandstardust @valyrianflower @luckyfirebasement @omgsuperstarg @elissanatok @callsignwidow @sinistersnakey49 @darkwriteracademia @yyrzmomo @queenofshinigamis @luvaerina @shamelessblazecrown @mirandastuckinthe80s @elleinex0x0 @pierrotlu @aegonswife @strangersunghoon @lunampacheco @writer-ann-artist @gaiaea @of-swords-and-words @ateliefloresdaprimavera @m00n5t0n3 @helaenaluvr @peachysunrize @annie-ruk @luvly-writer @ananas26t @athenafaes @lovelyteenagebeard @mamawiggers1980 @moongirl27 @katherine93 @barnes70stark @justbelljust @cloudroomblog @somestufftoday @esposadomd @girl-in-the-chairs-void @insideyourimagination @vyctorya @wildrangers @onlyrealjoy @hotdismylife @thepurplecrown @just-fics-station @clarkysblog @urmomsgirlfriend1 @misfitbimbosblog (continued in comments ... )

💌 next chapter

Some notes in the margins...

Well, well, well. Yous were convinced that Matty would get the clubbing scene, helped by the red herring of his dancing video. Alas!

Is that Matty at the end there? Or a certain Mitchelly man? Hmm... one wonders. 💖

Complaints? Refund requests? Please direct your thoughts in the comments section below. I can 100% guarantee a satisfying solution. Or 70%.

Or, you know, bugger it. We're all in this together, better or worse ❤️‍🔥❤️‍🔥❤️‍🔥

[chow0w]

(Re)Designing a winglet! - part 1/7

Hello my beautiful blog readers, happy Wednesday!

While going through my procreate files, I found a jumpscare of an old drawing I made from a winglet I created in 2020. Looking at your old artwork is never fun, but it did give a good idea: redesigning all of these characters! Now that I've improved a lot, it will be cool to see how I can upgrade these designs and characters. I don't remember much about them, so I'm going in as blind as you!

For any artists following my work, these weekday posts are going to be a great time for me to explore my process as a designer/writer + the tricks I use to transform characters!

I REALLY do not want to hear a word about this old art. I can't believe I'm posting it. yes in hindsight it's not that bad but like omg. Sorry about the image quality throughout this post - a lot of these are cropped photos so they're very blurry.

To start off, here's the old character I want to redesign first!

I literally only have his name to go off, but based on first impression this guy seems annoying. He's giving me the energy of someone with high ego and low grades, and his name (Ficus) references Figs. The first thing we should do is fix his headshot, and try to emulate the qualities we know about already!

Identifying key features is important: his frills, eyebrows, smile and horns stood out to me the most because they seem to be what show his personality.

This is so much better! I amplified the key features we just found, and used my knowledge of shape to create consistency in his design. Ficus' expression also got an upgrade, and he looks much more natural in this mid-conversation pose. He reminds me a lot of that cocky snake from the Sahara (If anyone watched that as a kid).

Reading into the name, figs can often symbolize new growth or development - which gives me a lot of ideas about this character! Maybe Ficus is a dragon who starts the story as cocky/self-righteous, but unlearns his bad habits and becomes a more enjoyable person. Maybe he doesn't. Maybe he just gets worse as the story goes along - he's proven right one time and turns into an even more insufferable classmate.

It's important to think about group dynamics when creating a character, especially if they operate in a group setting. Does Ficus get along with his classmates? Do they like him? Do they know how to cooperate, and how does that impact their performance in times of crisis? I would argue that group dynamics can be one of the most influential aspects of a story: they don't just dictate the plot, but the tone of your story and how your audience reacts.

Here's my complete sketchpage for Ficus! I added a full body doodle so we could get a better reference of how he looks, as well as a small sketch of him lounging in a hammock and talking about how great he is. I'm going to leave this uncolored for now, but I might come back to it later!

--

Thank you so much my returning readers + all of you who made it this far! I love talking about art and WoF so this really is a win-win for me. To anyone wondering about the redesigns, those are still happening! I plan on releasing them over the weekend as larger batches, so these conversation posts are just here to fill my blog during the work week. I always love hearing what you guys think of my designs, so don't hesitate to let me know! As always, my askbox is open to redesign requests + general questions or comments!

( ´ ∀ `)ノ～ ♡

[ramblings-of-a-chaotic-neutral]

Time for today's silly Merlin au! This time featuring himbo Arthur!

I think that the show should have leaned into the whole "Merlin's technically a creature of magic" aspect, both in terms of being magic incarnate and kin to the dragons, and I think Arthur should have also been forced to come to terms with it as well. However, this is Arthur we're talking about, so of course he wouldn't come to the right conclusions right away.

In this scenario, around season 5-ish, there's an evil sorcerer seeking revenge against Camelot for the purge who puts a spell on all of the humans in Camelot, one that would weaken them and cause such fatigue that no one would be able to even stand up after a while. But it's a powerful and taxing spell to cast, so the sorcerer can only afford to target the humans in Camelot to keep the number of targets as low as possible. Besides, what could the livestock in Camelot do to stop him anyways?

So everyone in Camelot is falling under this spell, and Arthur and the knights are rushing to prepare for battle against the sorcerer to make him lift the spell. However, with each hour that passes, everyone grows weaker and weaker.

Merlin does, of course, know that this spell has been cast and what it does, but he doesn't feel its affects and assumes that his magic is protecting him. He acts like he's growing weaker so he doesn't fall under anyone's suspicions for the wrong reasons. However, after Merlin summons and talks to Kilgarrah for advice on how to break the spell, Kilgarrah informs him that Merlin wasn't protected by his magic, but rather by the fact that he isn't truly human.

And Merlin decides to unpack the implications of that some other time, because he's got a kingdom and a prat to save.

Fast forwards to the knights getting their asses kicked by the sorcerer and the evil sorcerer preparing to kill Arthur, who's lying on the ground with his eyes closed. All the other knights were knocked out by a blast from the sorcerer, but Arthur's still barely clinging to consciousness, yet he's too weak to even open his eyes. All he can do is listen helplessly as the sorcerer prepares to kill them all.

But then the sorcerer yelps, as if he were hit by something. Arthur's hope skyrockets as the sorcerer yells "You! How are you even still awake?! Every single human in Camelot should be feeling the full effects of the spell by now!" Arthur thinks for a moment that one of his knights has found enough strength to overcome the spell and fight back, but that hope is quickly dashed when he hears Merlin's voice responding like he isn't tired in the slightest, saying, "Well it's a good thing I was never really human then."

Merlin decided to say that to throw the sorcerer off-kilter enough to distract him and give Merlin an advantage in the fight. Besides, Merlin can see that all of the knights, including Arthur, are knocked out on the ground, so there's no harm in admitting it to this sorcerer who he's definitely going to have to kill.

Arthur, meanwhile, is still conscious and completely reeling from Merlin's words. What the hell did he mean he wasn't human?! Has some vile magical creature taken Merlin's place?

After the battle (which sounded to Arthur like a bunch of grunts, pained yelps, and a final, wet gurgle), Arthur could feel the effects of the spell lifting, letting him open his eyes with a gasp. He frantically looks around to make sure Merlin's ok, but Merlin's only a few steps away from him, while the sorcerer lies dead on the ground with a sword buried in his chest.

Hearing Arthur's gasp, Merlin turns to him with a relieved smile and helps pulls Arthur to his feet. Arthur, meanwhile, is too stunned to even ask how Merlin of all people managed to kill a powerful sorcerer by himself, but Merlin's giving some unbelievable explanation that involves distracting the sorcerer and then getting a miraculous opening and stabbing the sorcerer. Arthur's nodding along, but inside, he's really searching man who might be Merlin or might be some magical imposter posing as Merlin, as awful as that is for Arthur to consider, for any signs that he's truly Merlin.

If he's an imposter, Arthur has to give him credit, he plays his part well. The man in front of him looks exactly like Merlin, talks like Merlin, walks with Merlin's lanky gait, and seems to know everything Merlin knows, even their inside jokes. Still, Arthur needs to be sure, so after they get back to the castle, Arthur goes down to the vaults and grabs a secret object that Uther used in the purge that could detect illusions and glamor magics. It was a simple clear crystal in the shape of a sphere and small enough to fit in the palm of a person's hand, but if someone or something that was using magic to alter their appearance came into contact with it, the crystal would glow with a bright light.

Arthur plants the sphere in his chambers and disguises it as a new paperweight. The next day, Arthur pretends to accidentally knock it off his desk, sending it rolling across the floor, and orders the maybe-Merlin to pick it up and bring it back to his desk. Maybe-Merlin rolls his eyes in a perfect imitation of Merlin and walks over to the crystal. To Arthur's shock and relief, the crystal doesn't glow when Merlin picks it up, so he definitely is the true Merlin.

But then that leads Arthur to a horrible conclusion: the Merlin he knew wasn't a human, and never was. And the only creatures with the ability to look convincingly human were creatures of magic.

Oh god, Merlin was a creature of magic.

Arthur decides that, in order for him to plot an appropriate course of action, he needs more information. Namely, he needs to know what exactly Merlin is.

So, Arthur sneaks into the library and secretly takes some of the bestiaries, searching for what manner of creature Merlin truly is. Arthur tries not to jump to the worst possible conclusions, but all of the creatures of magic that can take human form that Arthur knows of are horrible monsters that prey on humans. Take the sidhe and the lamia for examples!

But people don't randomly go missing or turn up dead from monster attacks very frequently in Camelot, and Merlin cries when Arthur so much as shoots a bunny, so if Merlin's some sort of monster that kills and eats humans, he's doing a piss poor job at being one. So, Merlin must be some sort of creature that doesn't hurt humans, which certainly narrows down the list.

Arthur eventually finds a list of peaceful, human-like creatures of magic, and he starts trying to narrow down what Merlin is. He couldn't be an elf, since his ears were huge and round, not pointed. He couldn't be a gnome, he was too tall and gangly. He couldn't be a nymph, he spent too much time indoors to be a nature spirit. He couldn't be a leprechaun, he didn't have a beard or an affinity towards gold. He couldn't be a fae or a sidhe, he doesn't make deals with anyone (besides when he goes gambling at the tavern). And he certainly couldn't be a dragonlord, they were all dead!

Arthur was just about to give up when he finally found what he was looking for! The book's passage on fairies described them as benevolent relatives to the fae who would often disguise themselves as humans and would bring good luck and fortune to whoever befriended them, while sometimes engaging in some fun mischief! That must be Merlin!

Come to think of it, Arthur did have some great moments of luck, some of them almost miraculous! Morgana's magic failing her the day of a battle, defeating a dragon single-handedly, surviving the questing beast's bite, and of course defeating monsters that were said to only be killed through magic. And Merlin had been there for all of those events!

The book also describes fairies as creatures that love all living beings and are closely connected with nature, which makes perfect sense considering how much Merlin hates hunting! And fairies could see into the true hearts of people, which was how Merlin always knew if a person was untrustworthy!

It all made so much sense! This even explained Merlin's random "visits to the tavern", when Arthur knew that Merlin rarely ever drank. According to the book, fairies could only maintain their human forms for so long before they needed to spend some time in their smaller winged forms.

The book even addressed how fairies could be born from a union between a particularly powerful fairy and a human, which even explained why Merlin never knew his father and how Merlin could be a creature of magic while having a human mother!

Now that he knew the truth, Arthur felt so much relief! His best friend wasn't some diabolical monster, he was just a playful and friendly fairy trying to live as a human! It made so much sense!

And now all Arthur had to do was prove it. All evidence pointed to Merlin being a fairy, but he needed concrete proof before he could take any action. According to the book, the blood of a fairy in a human disguise sparkled under the light of a full moon. So, Arthur devised a plan to take Merlin out on an overnight hunting trip the day before the next full moon and "accidentally" cut Merlin's arm with one of the crossbow bolts. Arthur would then bandage the cut for Merlin and, after a couple hours, insist on changing the bandages, and pocket the first bloodied bandage.

Sure, Arthur felt guilty about purposely cutting his friend, but this was Merlin's fault for keeping the fact that he wasn't human a secret over their ten years of friendship! So, Arthur goes through with his plan, and when he held the used bandage up to the moonlight after Merlin had fallen asleep, he has to hold back a gasp as the red blood on the cloth shimmers and turns a bright golden color. Well, the book was right, the blood certainly sparkled!

(It was a shame that Arthur never read into warlocks, and how the magic in a warlock's blood made their blood turn gold under the light of a full moon.)

Arthur then turned to look at his peacefully sleeping friend, and swore that he would do everything he could to help his friendly little fairy.

Shortly after that revelation, Arthur starts actively noticing all of the strokes of luck he has. Bandits can never land a hit on him because they're too busy getting knocked out by tree branches or tripping over roots, his baths and meals are always the perfect temperature no matter how long he waits, and his injuries all heal at near-impossible rates. Hell, Arthur couldn't even recall the last time he got sick with something as small as a cold!

So Arthur tries to do little things for Merlin to show him his appreciation, like giving Merlin flower crowns (which fairies are said to like and Merlin absolutely adores), giving him a shiny silver mirror (fairies are supposed to like shiny things, and Merlin's never had a proper mirror before), and giving Merlin parts of his own meals as a food offering (which Merlin of course isn't about to turn down).

(Arthur's also kinda frustrated at the lack of information about fairy courting rituals lol!)

But Arthur isn't the best at keeping secrets, so the knights of the round table eventually catch him trying to set up a nice little fairy ring for Merlin in the garden, and they also "figure out" that Merlin is a fairy, and it all spirals from there until the entire castle is trying to show their appreciation for their fairy friend.

Merlin's very confused by all of this (since Arthur's terrible at actually communicating, Merlin doesn't know that Arthur thinks he's a fairy), but he's not about to turn down all of these lovely gifts!

And there's lots of different directions the story could go from there! A pretty funny scenario would be some rival king catching wind of how Camelot's great victories are all because of their king befriending a kind fairy, so he kidnaps Merlin in an attempt to make Merlin grant him such great luck and victory in battle. However, all they do to imprison Merlin is pour a circle of salt around him (since they firmly believe that fairies cannot cross a barrier of salt).

Merlin's just kinda raises an eyebrow and thinks that this is the weirdest kidnapping ever, steps over the salt, and escapes back to Camelot.

Thank you for reading through my rambling! :D